Marise-älä marise, ja Pyllistä-älä pyllistä. Siinä kaikki. Jotta jumalan tiimi voittaisi, sen pitää ensin marista ja sit pyllistää. Nain on meidankin elamassamme! Marise mitä mariset, mut muista pyllistää!
ellauri156.html on line 94: We know from the details of this text in Chronicles that it is the same time and the same war. This decision on David's part precedes a serious sin of another kind in 1 Chronicles 21:
ellauri156.html on line 311: Now, having looked at the big picture, let's concentrate on the juicy details. The text informs us that David sees this woman bathing and notes that she is very beautiful. It is sometimes thought that David saw Bathsheba unclothed as she bathed herself publicly, and that the sight of her (unclothed/partially) body prompted David to act as he did. Virtually the identical words employed in our text (“very beautiful in appearance”) are found in Genesis 24:16 of Rebekah, as she came to the well with a water jug on her shoulder. She was neither naked nor partially clothed. Similar (though not identical) descriptions are found, where no exposure of the woman is indicated at all (see Genesis 12:11; 26:7; 29:17; Esther 1:1). I believe one of the reasons David summons Bathsheba to his palace is that he has not seen all that he wishes. (Haahaa! Bob, you are a little too bashful here. Most likely he wants to try on what he saw, like St. Thomas who wanted to put his finger in the wound. Seeing is not believing.)
ellauri156.html on line 475: On to plan B. David has his spies watching Uriah as though he is the enemy. (Well, he is a rival all right.) They know what David wants; he wants Uriah to go home and sleep with his wife. If they do not know all of the details of what David has done with Bathsheba (which is hard to believe) and what he intends to accomplish by Uriah's visit, they certainly know something out of the ordinary is taking place. One way or the other, David is making these servant-spies co-conspirators with him.
ellauri156.html on line 699: The lawyer was in trouble; the story had no technicalities over which to argue. It brought the issue home, with little ground for quibbling over details. When push came to shove, the lawyer knew our Lord's functional definition of “neighbor” was absolutely right. He had nowhere to hide. The story did the trick; it cut to the heart of the matter, while avoiding trivial details to quibble over for hours. It was not the lawyer who made Jesus look bad with all his minutiae but Jesus who made the lawyer look bad with a simple story. The best part about similes that they can be tweaked any way you wish. Russians are our neighbors if they get to trouble, and so are Chinamen. But there is nothing here about helping them when they threaten our vital interests.
ellauri159.html on line 1157: You prefer a brainstorm before you start writing. You tend to see connections between unrelated things, so one idea will quickly generate another. Allow yourself plenty of time for this activity, but be sure to set an end date to keep your project on track. After the brainstorming phase, discard tangential ideas. Focus on the strongest ones so you don’t get overwhelmed when it comes time to flesh out the details.
ellauri159.html on line 1171: We know you have no great love for facts and details. Leave enough time at the end to check that you’ve included sufficient objective data. Strive for balance and fairness, include both facts and alternative facts. Avoid over-reliance on personal insight. Ask a trusted friend to review your writing with a critical eye. Your work will be stronger for it. And, WtF, you can always just ignore them.
ellauri159.html on line 1201: You enjoy colorful and figurative language, and like to infuse your work with images of your personal underware. At the same time, however, your writing may be too abstract for their readers, they want to see you inside them. During revision, add concrete details. In creative writing, appeal to the five senses and the 9 mortal sins. In freelance writing, include specifics like percentages and dollar amounts to get the audience´s attention. In technical writing, find out whether the customer needs to use a flat-head or a cross-head screwdriver (our dishwasher installer guys did not have a flathead anymore, I had to loan them one), and what the recommended torque is. These may be boring details to you, but they’re essential for your male reader. Wrong head, no screw.
ellauri159.html on line 1224: You make the mistake to write in purely abstract terms. That just won´t do these days. You must communicate values and personal television through your writing. Nobody is interesting in abstractions. They search for the meaning behind the facts, and so consider the facts themselves to be of marginal importance. This is true; however, throw in some facts to dazzle your readers, like Bob Heinlein. During revision, add concrete details like the size of Peewee´s bra. Appeal to the five senses. Include Peeweeś vital statistics. Incorporate other points of view for balance. Make sure your research backs up your conclusion.
ellauri159.html on line 1236: You naturally write with an authoritative voice. You want to fake competence in the subject you’re writing about. To boost your success, gather sufficient details to make it look that you have a thorough understanding of the topic. Humanize the writing by including anecdotes making fun of other idiots or otherwise engaging the reader’s interest.
ellauri164.html on line 370: I thought this was one of those books that comes with a “guarantee.” But of course there is no such thing. Still, I’d read only glowing reviews and boy was I ready for a “triumphant experience.” But on p. 26 I couldn’t make heads or tails of what I was really reading about. On p. 54 the voice of the innocent and well-meaning young priest began to irk the shit out of me. On p. 55 I skipped ahead to see if anything would ever actually happen to dilute all the fluffy introspection and it didn’t look promising. On p. 64 I took the kitty to the well and drowned it.
ellauri164.html on line 372: I blew through this novel myself, which in retrospect was somewhat of a grave mistake, as the book alternates between compelling and highly engaging dialogues to unrealistically long monologues which to me resemble a Rimbaud poem in translation than anything else, which is to say: hard to parse. That they got more than what they bargained for is what the ordinary reader will be struck by first when they read this. The complexity of each of the conversations cannot be overstated, which I think will inevitably result in readers just mechanically scanning the sentences rather than internalizing the arguments, with the final result being the great part of the novel sliding off like rain, leaving only vague impressions like it did with me unfortunately, but the parts that did affect me left me very humbled. And chiefly this impression will not be helped by another one of the defining features of the novel, which is its vagueness. It deliberately leaves a lot of key details unheard and leaves a lot to the ability to infer events by the reader. Though sometimes frustrating to a reader like me who reads history and biography, I recognize that it should be so for this novel, for the main conflict in it is a psychological one, so I wouldn't have it any other way.
ellauri164.html on line 497: The above is only a brief sketch of Moses’ life and does not talk about his interactions with God, the manner in which he led the people, some of the specific ways in which he foreshadowed Jesus Christ, his centrality to the Jewish faith, his appearance at Jesus’ transfiguration, and other details. But it does give us some framework of the man. He is somewhat recalcitrant, to put it mildly.
ellauri164.html on line 500: Moses needed time to grow and mature and learn to be meek and eat humble pie before God, and this brings us to the next chapter in Moses’ life, his 40 years in the land of Midian. During this time, Moses learned the simple life of a shepherd, a husband, and a father. God took an impulsive and hot-tempered young man and began the process of molding and shaping him into the perfect instrument for God to use. What can we learn from this time in his life? If the first lesson is to wait on God’s timing, the second lesson is to not be idle while we wait on God’s timing. While the Bible doesn’t spend a lot of time on the details of this part of Moses’ life, it’s not as if Moses were sitting idly by waiting for God’s call. He spent the better part of 40 years learning the ways of a shepherd and supporting and raising a family. These are not trivial things! While we might long for the “mountain top” experiences with God, 99 percent of our lives is lived in the valley doing the mundane, day-to-day things that make up a life. We need to be living for God “in the valley” before He will enlist us into the battle. It is often in the seemingly trivial things of life that God trains and prepares us for His call in the next season.
ellauri171.html on line 515: What happened to Dinah? "ithout giving any details of where she was or how it happened, the Bible simply says that Shechem, the son of the local ruler, took hold of her and and had sexual intercourse with her by force. There was seeing, desiring and taking just as there was with the forbidden fruit in the Garden of Eden, where the pattern for sin had begun, tai vaikka jossain jäzkibaarissa.
ellauri172.html on line 714: Well, j’ai porté plusieurs années, ce cœur d’enfant dont je doutais ; mais quand, après la catastrophe de Waterloo, il m’a fallu ôter cette ceinture d’officier dans laquelle j’avais espéré de mourir, et que je l’eus porté encore quelques années, ce cœur, — et je t’assure, Mautravers, que c’est lourd, quoique cela paraisse bien léger, — la réflexion venant avec l’âge, j’ai craint de profaner un peu plus ce cœur si profané déjà, et je me suis décidé à le déposer en terre chrétienne. Sans entrer dans les détails que je vous donne aujourd’hui, j’en ai parlé à un des prêtres de cette ville, de ce cœur qui pesait depuis si longtemps sur le mien, et je venais de le remettre à lui-même, dans le confessionnal de la chapelle.
ellauri183.html on line 184: Abraham sovelsi Iisakin keisiin zen-filosofiaa: lakkaa ajattelemasta niin nouset korkeammalle leevelille. Kukahan tämänkin pähkähullun lurituxen kyhäsi? Joku sikki Clare Carlisle 11 v. sitten ja sai sen julki vielä Guardianissa. Hyi helvetti. Professor Clare Carlisle is Professor of Philosophy with Contact details at King's College.
ellauri184.html on line 279: Remembering the distinctions between these three militawy forces – legionawies, auxiliaries, and royal forces – is pivotal for understanding both pre-War and post-War Palestine. The Jewish War (66-73 CE) was a catastrophic event for civilians in the region, regardless of their participation in the revolt against Wome. The destruction of the temple, the imposition of massive new militawy and administrative apparatus, widespread devastation, significant loss of life, among other factors, led to significantly different experiences of the militawy before and after the Jewish War. It is impossible to talk about the pre-War and post-War life without attending to the details of these different units, especially auxiliaries and legionawies.
ellauri184.html on line 348: In Matthew 9:1 the town is referred to only as "his own city", and the narrative in Matthew 9:2–7 does not mention the paralytic being lowered through the roof. Most traditional biblical commentators (e.g. Bengel, Benson and the Jamieson-Fausset-Brown Bible Commentary) assume that in Matthew 9:1–7 "his own city" means Capernaum, because of the details that are common to the three synoptic gospels.
ellauri189.html on line 470: To qualify as an active member, you are required to generate a minimum of 200 personal volume (PV) every week, 35 business volume (BV) every month, and have at least four active customers. You can upgrade to the 5-in-5 agent kit by paying an extra $50. There are no specific details given on the benefits of upgrading. Keep in mind that after paying the initial $49, you are expected to pay the same amount annually to continue accessing your website and back office.
ellauri194.html on line 384: I Rosengård blev en stadsbuss helt utbränd och polisen fick också molotovcocktails och stenar kastade mot sig.
ellauri197.html on line 293: ‘How Happy I Was If I Could Forget’ is a two-stanza work where the narrator takes the reader through a series of confusing verb tenses and language choices to represent the overall lack of clarity she has for the memory that she wishes she “could forget.” The cyclical state of the stanzas’ disorganization, additionally, reflects that the narrator feels trapped in her confused loop from the memory, and the reader could finish ‘How Happy I Was If I Could Forget’ without knowing what the troubling memory is. This is yet another method of revealing the narrator’s confusion over the memory. Just as she does not know how to treat the memory, the reader does not know solid details about the memory. From start to finish then, this is a work that is structured perfectly to share and represent the narrator’s confusion.
ellauri197.html on line 311: Additionally, the third line of this stanza again does not have a subject for its main verb, and this format adds a bit of structure amidst the chaos since the varying verb tenses happen in the first two lines of both stanzas while the missing subject shows up in the third lines. This sustained format is an indication that this bad memory she could not “forget” keeps her in a loop she cannot break free of, as in no matter how far she tries to run from it, she always ends up dealing with the same problems again and again. The grammar details, then, mirror the circular repetition of her emotional problems.
ellauri197.html on line 321: Overall in ‘How Happy I Was If I Could Forget’, the lack of clear details about what has happened to affect the narrator so, in addition to the confusion of verb tenses, subjects, and figurative language, creates an unclear work that perfectly depicts how unclear the narrator herself feels about her memory. Does she hate it? Does she want to keep it? Was it good? Was it bad? She does not seem to know, just as the reader cannot know the memory’s most vivid details.
ellauri203.html on line 135: Fyodor Michailovich had such type of personality that everyone enjoyed. He was robbed unmercifully, though due to his kindness and trust, but he wouldn’t want to get into details or rebuke servants that used his carelessness. Fyodor Mikhailovich was a man of limitless kindness. Dostoevsky was especially interested in children and paid attention to cases of child abuse that he heard about. He followed closely the trials of parents accused of child abuse.
ellauri204.html on line 727: Anne Sexton (born Anne Gray Harvey; November 9, 1928 – October 4, 1974) was an American poet known for her highly personal, confessional verse. She won the Pulitzer Prize for poetry in 1967 for her book Live or Die. Her poetry details her long battle with depression, suicidal tendencies, and intimate details from her private life, including relationships with her husband and children, whom it was later alleged she physically and sexually assaulted.
ellauri205.html on line 51: Eurooppaa pidetään useimmissa historiallisissa lähteissä Tyron kuninkaan Agenorin kauniina tyttärenä (vrt. Iisebel); äitinsä nimi on yleensä Telia tai Elisa. Isänsä kautta Eurooppa on Poseidonin tyttärentytär ja myös nymfi Io:n jälkeläinen. Sources differ in details regarding Europa's family, but agree that she is Phoenician, and from an Argive lineage that ultimately descended from the princess Io, the mythical nymph beloved of Putin, who was transformed into a heifer.
ellauri206.html on line 63: The concept is often attributed to Russian playwright Anton Chekhov, reputed to have said "Don't tell me the moon is shining; show me the glint of light on broken glass." What Chekhov actually said, in a letter to his brother, was "In descriptions of Nature one must seize on small details, grouping them so that when the reader closes his eyes he gets a picture. For instance, you’ll have a moonlit night if you write that on the mill dam a piece of glass from a broken bottle glittered like a bright little star, and that the black shadow of a dog or a wolf rolled past like a ball."
ellauri210.html on line 1316: The narrator, randomly named André, ruminates on a number of Surrealist principles, before ultimately commencing (around a third of the way through the novel) on a narrative account, generally linear, of his brief ten-day affair with the titular character Nadja. She is so named “because in Russian it's the beginning of the word hope, and because it's only the beginning,” but her name might also evoke the Spanish "Nadie," which means "No one." The narrator becomes obsessed with this woman with whom he, upon a chance encounter while walking through the street, strikes up conversation immediately. He becomes reliant on daily rendezvous, occasionally culminating in romance (a kiss here and there). His true fascination with Nadja, however, is her vision of the world, which is often provoked through a discussion of the work of a number of Surrealist artists, including himself. While her understanding of existence subverts the rigidly authoritarian quotidian, it is later discovered that she is mad and belongs in a sanitarium. After Nadja reveals too many details of her past life, she in a sense becomes demystified, and the narrator realizes that he cannot continue their relationship.
ellauri236.html on line 514: Over the years, Chase developed a distinct, signature style in his writing that was fast-paced, with little explanations or details about the surroundings or weather or the unreliable characters. Characters in his novels and short stories would be more coherent than consistent who acted and reacted with unbreakable logic. Punchy sentences, short bursts of dialogue in authentic sounding dictionary slang with plenty of action were the characteristics of his writing.
ellauri241.html on line 1213: Uplifted drowsily, and nervy tails
ellauri241.html on line 1381: Lashed from the crystal roof by fishes' tails.
ellauri243.html on line 557: This Film details Eric Michael Stearns´ trip to Greece during his semester abroad n 2008. Eric learned three life lessons in Greece which lead.to achieving an Abundance of Potential. These lessons include:
ellauri246.html on line 972: It is the details that delight. Donne hated milk. Mortally sick, about to celebrate his death by sitting for his portrait in a shroud, he was urged by his doctor that ‘by Cordials, and drinking milk twenty days together, there was a probability of his restoration to health’. Donne would have none of it. The doctor (a Dr Fox, son of the author of the ‘Boke of Martyrs’) insisted that his patient should at least try. Donne thereupon drank milk – but for ten days only. Then he told Dr Fox that he would not drink the stuff for another ten days even ‘upon the best moral assurance of having twenty years added to his life’.
ellauri247.html on line 89: Catherine Eliza Somerville Stow (1 May 1856 – 27 March 1940), who wrote as K. Langloh Parker, was a South Australian born writer who lived in northern New South Wales in the late nineteenth century. She is best known for recording the stories of the Ualarai around her. Her testimony is one of the best accounts of the beliefs and stories of an Aboriginal people in north-west New South Wales at that time. However, her accounts reflect European attitudes of the time. Anyways, she was not around before Ridley. William Ridley (14 September 1819 – 26 September 1878) was an English Presbyterian missionary who studied Australian Aboriginal languages, particularly Gamilaraay, before Catherine was more than a twinkle in her daddy's eye. Baiame may have been some abo hero before Bill's arrival, but the details about his doings could still be coloured by the Middle Eastern tentmen's literary treasure brought in by Bill.
ellauri257.html on line 520: What kind of inner, private life did Alma have? Did she tire of years of cooking, cleaning, ironing and sewing for Singer? Was it difficult to be the wife of a public person? How did she cope with his escapades? About these the manuscript remains silent. After all, Alma belonged to a social class where women weren’t encouraged to explore such details. In an interview, she does represent the younger Singer as easy-going and says how much he changed over time. But she ascribes those changes to how much people wanted from him and not the other way around.
ellauri262.html on line 429: On 3 January 1924, at the age of 30, Sayers secretly gave birth to an illegitimate son, John Anthony (later surnamed Fleming). John Anthony, "Tony", was given into care with her aunt and cousin, Amy and Ivy Amy Shrimpton, and passed off as her nephew to family and friends. Details of these circumstances were revealed in a letter from Mrs White to her daughter Valerie, Tony's half-sister, in 1958 after Sayers's death. Tony was raised by the Shrimptons and was sent to a good boarding school. In 1935 he was legally adopted by Sayers and her then husband "Mac" Fleming.
ellauri263.html on line 627: Almost 600 (!) biographies have been written of Blavatsky, but the details of her life, especially the years 1848–1873, remain sketchy all the same. Most of the authors have been either devoted disciples or sharply critical adversaries. Some interesting and well-documented facts, however, can be determined. She was born to a noble Russian family in present-day Ukraine, married at 17, ran away only months later, traveled widely and spent time in Cairo, among many other places, where she supported herself as a medium size sex doll.
ellauri263.html on line 670: “One of the most valuable effects of Upasika’s mission [Note: “Upasika” is a Buddhist term meaning “femakko” and was used by the Masters for HPB] is that it drives men to self-study and destroys in them blind servility for persons, sanoi 1 setämies. … Imperfect and very troublesome, no doubt, she proves to some, nevertheless, there is no likelihood of our finding a better one for years to come – and your theosophists should be made to understand it. … HPB has next to no concern with administrative details, and should be kept clear of them, so far as her strong nature can be controlled. But this you must tell to all: – With occult matters she has everything to do. We have not abandoned her; she is not ‘given over to chelas’. She is our direct agent. I warn you against permitting your suspicions and resentment against ‘her many follies’ to bias your intuitive loyalty to her. … Be assured that what she has not annotated from scientific and other works, we have given or suggested to her.
ellauri266.html on line 64: Adam Rutherford has not revealed much of her (!) bio. So, his early life and details of his parents are still behind curtains. Adam Rutherford seems happily married to his wife. However, he has not disclosed the details of his wife. Nevertheless, Adam has shared many things about his family through his social media. Adam is the father of three children, one son, and two daughters. Adam Rutherford is well-known for founding the scientific publication Nature. He has hosted many BBC television shows, including Me Playing God and The Gene Kelly Code. He is probably living an economically comfortable life. His passion for music allows him to escape the rigours of science and enjoy the emotional side of life. His net worth as a simian is as yet undisclosed. He may be having a fling with his co-star Hannah Fry, as well as with her namesake Stephen Fry. Stephen is not the only Fry on the block anymore, but there is no evidence showing that these two are related. In fact, they don't even follow each other on social media!
ellauri269.html on line 312: For more details on each class, what they do, and why they may be the class for you, check out our comprehensive guide on the topic: Choosing Your Class: A Beginner's Guide.
ellauri270.html on line 313: This seemingly idyllic beginning establishes a setting at odds with the violent resolution of the story. Early details, such as sun and flowers, all have positive connotations, and establish the theme of the juxtaposition of peace and violence. The lottery is mentioned in the first paragraph, but not explained until the last lines.
ellauri270.html on line 325: The details of the lottery’s proceedings seem mundane, but the crowd’s hesitation to get involved is a first hint that the lottery is not necessarily a positive experience for the villagers. It is also clear that the lottery is a tradition, and that the villagers believe very strongly in conforming to tradition—they are unwilling to change even something as small as the black box used in the proceedings.
ellauri270.html on line 411: “The Lottery” begins with a description of a particular day, the 27th of June, which is marked by beautiful details and a warm tone that strongly contrast with the violent and dark ending of the story. The narrator describes flowers blossoming and children playing, but the details also include foreshadowing of the story’s resolution, as the children are collecting stones and three boys guard their pile against the “raids of the other boys.” These details… read analysis of The Juxtaposition of Peace and Violence.
ellauri283.html on line 114: Beyond the Heavens is a very ethereal and mystical experience, one unlike any other movie we have reviewed. However, this is not a good thing. The ‘plot’ is very unclear and murky, consisting of vague and meandering ideas and cryptic dialogue. It’s like Corbin Bernson is winking at the audience with every scene, waiting to reveal some great secret, but it’s never revealed. The whole has a very tip-of-the-tongue feel, like the characters know something you don’t but never intend to let you in on the secret. As the characters wax eloquent and philosophize about the true nature of reality, the viewer is left, in the end, with a more confusing view of reality than before. Is Bernson advocating for or against Darwinism? Is he a creationist? Does he really believe that angels come to earth on the tails of comets? Is Bernson suggesting that reality is not what it seems? If so, what is his view of reality? Only God knows the answers to these questions as Bernson spends 90 minutes toying with his ‘big reveal’ and dancing around whatever his philosophical worldview is. It’s basically just a waste of your time.
ellauri300.html on line 823: Keep in mind too that the boys, or "mouthy kids", are but minor details in the major drama. The curse was not as such a payment for what the "boys" had done but who they were: members of a competing team.
ellauri301.html on line 159: Louisea ammuttiin ottaan 9mm patilla lähietäisyydeltä ja kuula ei muka tullut ulos takaraivosta. Suvaizen epäillä. Sellanen kuti läpäsee 50 kerrosta kevlaria, 7cm tiiltä ja 25cm hirven. Devil hides in the details. Yx mitä olen usein miettinyt: jos joku on tapettu, mixi on niin tärkeää tietää sattuiko siihen vai ei? Kun se kuoli kuitenkin? Onko elämän loppusaldossa kärsimys ikäänkuin debet ikkunan puolella?
ellauri317.html on line 316: Tout le mond savait que l´intérêt délibéré pour la femme de Pouchkine n´était qu´un écran derrière lequel le Français cachait des détails secrets de sa vie personnelle. Le terrain fertile pour de telles rumeurs était la relation entre d´Anthès et l’émissaire du roi hollandais, le baron Louis Heeckeren, qui avait adopté le jeune homme après son arrivée dans l´Empire russe. Quoi qu’il en soit, d´Anthès avait trop fortement harcelé Natalia et dépassé toutes les limites.
ellauri333.html on line 89: Asokan ediktit ovat kaikki tails/InscriptionsOfAsoka.NewEditionByE.Hultzsch/page/n29/mode/1up?view=theater">arkistoituna netissä.
ellauri336.html on line 305: The parts of the body that are considered ervah (private because they are potentially sexually-attractive) are alluded to in Shir HaShirim (Song of Songs). This includes the hair as perverse 4:1, “You are beautiful, my love, you are beautiful. Your eyes are like doves, your hair inside your kerchief is like a flock of goats that stream down from Mount Gilead” (Brachos 24a). Of course, the details of different types of ervah differ. For example, a woman’s singing voice is considered private in halacha but not her speaking voice. Similarly, uncovered hair is considered private for a married woman but not for a single woman. (It’s also not retroactive; married women don’t have to hide photos of themselves from before they were married.)
ellauri342.html on line 574: Rakas rakas rakas on Toivo Kärjen ja Metro-tyttöjen kappale. Ei sitä herra Tisch kyllä laulanut. Sensijaan se levytti Tevjen Sunrise, sunset schlaagerin. In 1981, Fisher wrote an autobiography, Eddie: My Life, My Loves, jossa se tuuletti 5 vaimoaan. He wrote another autobiography in 1999 titled Been There, Done That. The latter book devotes little space to Fisher's singing career, but recycled the material of his first book and added many new sexual details that were too strong to publish before. Upon the book's publication, his daughter Carrie (tämä Leija) declared: "I'm thinking of having my DNA fumigated." No nyt on Leijakin jo vainaja. Se existoi enää hologrammina.
ellauri345.html on line 576: Ein drittes Bild ist ein Frühstücksbuffet. Wir sehen „das Frühstücksbuffet“. Und es besteht aus lauter Details. Da sind Brote und Brötchen, Kaffee und Tee, Eier, Rührei, Speck, Tomaten, Gurken, Salate, Käse, Wurst, Würstchen, Frikadellen, Milch, Joghurt, Marmelade, Honig. Und allein die Käseauswahl können wir noch weiter aufgliedern und auch die Brötchen bestehen aus Mehl und verschiedenen Körnern und Zutaten.
ellauri370.html on line 52: Esther's maiden name was Hadassah, meaning Myrtle. Although the details of the setting are entirely plausible and the story may even have some basis in actual events, there is general agreement among scholars that the book of Esther is a work of fiction. Persian kings did not marry outside of seven Persian noble families, making it unlikely that there was a Jewish queen Esther. Further, the name Ahasuerus can be translated to Xerxes, as both derive from the Persian Khshayārsha. Ahasuerus as described in the Book of Esther is usually identified in modern sources to refer to Xerxes I, who ruled between 486 and 465 BCE, as it is to this monarch that the events described in Esther are thought to fit the most closely. Xerxes I's queen was Amestris, further highlighting the fictitious nature of the story.
ellauri389.html on line 65: Elia, in contrast to Bridget (qua Mary) speaks for a modern sensibility that is attuned to constant stimulation and that revels in the contemporary industrial and imperial economy of surplus and novelty goods. His teacup is an object of debate because it epitomizes precisely the kind of dangerous indulgence Bridget fears: it is a luxury commodity and, with its fashion-dependent pattern and place in a "set" of companion pieces, it inevitably entails additional purchasing. Elia's dialectical opposition to Bridget thus is underscored by his capacity to "love" one pattern of porcelain, and "if possible, [love another] still more". Indeed, Elia's susceptibility to new-sprung marketing strategies is suggested by his acknowledgment that china jars were "introduced" into his imagination by the recently invented tactics of advertising.
ellauri389.html on line 391: Edmund Oliver, a novel in letters, got published in 1798, some of the details of which are derived from Coleridge's experiences as a private dancer, dancer for money. The book is mainly a polemic against Godwin's views on marriage, and, though very poor as a novel, is not devoid of interesting features. Don't miss the engravings!
ellauri389.html on line 413: From this time he was silent like a cuckoo after Midsummer, and precise details of his latter days are wanting, but the tone of De Quincey and Talfourd leaves no doubt that they were clouded by insanity, which, nevertheless, left him the power, while sunk in despondency respecting his own condition, of discussing speculative questions with interest and acuteness.
ellauri392.html on line 97: Harryn opus magnum löytyy tails/deconstructionof0000hirs/page/n9/mode/1up">wayback machinesta. Harry kiittää esipuheessa Ernest Sosaa jostakin. Harry ihmelettää mixei juutalaisia ei ole stetsonhattuisina keskilännessä. Haha. Harry on kauhu kaunainen ja hirmu kaustinen holokaustimokkeri jonka mielestä dekonstruktio on antihumanismia, mikä ilmeisesti on paha asia. Nämä eivät ole, vaan epäreilua vanhan kunnon vanhan koulun uuskritiikin kritiikkiä:
ellauri398.html on line 52: After God commanded Moses to return to Egypt to free the Israelites, Moses took his wife and sons and started his journey. On the road, they stayed at an inn, where God came to kill Moses. Zipporah quickly circumcised her son with a sharp stone and touched Moses' feet with the foreskin, saying "Surely you are a husband of blood to me!" God then left Moses alone (Exodus 4:24–26). The details of the passage are unclear and subject to debate.
ellauri399.html on line 147: Chrisann, in her memoir, The Bite in the Apple: A Memoir of My Life with [Steve] Jobs, disclosed intimate details about their sex life. In particular, [Steve]’s sexual behaviors and the benefits he derived from them. The practice required an open mind and a powerful commitment. You, too, can then reap the benefits of these powerful sexual techniques. In it, she divulges that the Apple founder, who died in 2011, thought he had been a World War II pilot in a past life. “It all broke open between us when he asked if I would make tantric love with him in his garden shed.” The details go on: “Our birth control method up to that point was [Steve]’s coitus interruptus, also called the pull-out method, which for him was about his conserving his energy for work.”
ellauri402.html on line 525: Historian Peter Raffo has carefully analyzed the oral and written evidence, and concluded, "According to the contemporary historical record, the likelihood is that Rosvall and Voutilainen were not murdered. The oral record - the myth - does not stand up well to close examination. Practically none of its details are sustained by the facts of the case... Not martyrs so much as tragic and brave victims."
ellauri421.html on line 86:
tails=%7B%22publisher%22%3A%22msn-msn%22%2C%22actionType%22%3A%22visible%22%2C%22appType%22%3A%22bidder%22%2C%22apiKey%22%3A%2269629143827c91b118c7e0dc9f2a4eb0059feae9%22%2C%22session%22%3A%22v2_a6a446e1f876764ed0af9f93a0bd11f6_f08b3e60-f1a0-4b36-9b25-42fdb1f7dec9-tucte3f7e4a_1734034952_1734034952_CNawjgYQrrs-GLDvnpahicD7SCABKAYwRTiSxghA04sQSMuG2ANQ____________AVgAYAFo4o3Dpo_8tI8CcACAAQA%22%2C%22responseId%22%3A%22__c85e0e0c06f09eae07efc0c30c0d95f1__52034d8c1331134bcac266f292217510__%7E%7EV1%7E%7E-6890994332151287258%7E%7EKWxCmAzPI5acMIs9ewjllNtPVizRSUmTpyH651YCaIznoZueAsnM0UTkqRiz-o8uuKa2_rupL9I0kvx1XVufuiUEapM41JCwn5v2panIlXnIc8Es3y1hwg6vYZx9qpDLJTiwnL_OCNN_rh5XJ4KYV9DL9zfU5aPfDX0nscSjjjo9wjlNAMp5EfQZuvX6txn8E4gjagZdb2sqnSJQ8Pldm_LzOvT4CR0PUHGyMijPLStovpq6D6m4pUGfikgQIeT2bclBqFe3gBLi-fskh51ncmi8ybFBAasV8C_8Z8b0MsLTdmOJuaz37rr7tVGDPmp9oWj4AkyScKQO9X69aEFNhQ__text%22%7D" />
xxx/ellauri076.html on line 88: Rocking in Atlanta at Tattletails Kiikkumassa Atlantassa Juorupyrstössä
xxx/ellauri085.html on line 573: Though the pandemic cost tens of millions of Americans their jobs and sent the U.S. economy into a tailspin, many at the top of the income distribution have seen their wealth skyrocket. The nation’s 651 billionaires saw their net worth spike by more than $1 trillion during the first nine months of the pandemic, according to Americans for Tax Fairness, a liberal group advocating for higher taxes on the wealthy.
xxx/ellauri086.html on line 78: The carpet pages have motifs familiar from metalwork and jewellery that pair alongside bird and animal decoration. No pornographic details, worse luck. I chose to research these particular Gospels because they are the intermediary between the first truly Insular manuscripts, like the Book of Durrow, and the perhaps the greatest achievement of Insular manuscript production, the Book of Kells.
xxx/ellauri091.html on line 292: Hauptmann's early dramas reflect the influence of Henrik Ibsen, but the production of Die Weber, a dramatization of the Silesian weavers' revolt of 1844, brought him fame as the leading playwright of his generation. Hauptmann did not only want to give realistic details, but he paid a great deal of attention to historical accuracy, and studied various dialects. His weavers are "flat-chested, coughing creatures of the looms, whose knees are bent with much sitting." The women's clothes are ragged, but some of the young girls are not without charm � they have "delicate figures, large protruding melancholy eyes." Structurally the play, which was at first banned, was innovative � there is no single, individual hero in the cast of more than 70 characters. (Didn't exceed the 80 character limit of first generation mainframe computers.)
xxx/ellauri091.html on line 340: The New Yorker is published by Condé Nasty Inc. and is a subsidiary of Advance Publications. S.I. Newhouse acquired The New Yorker in 1985 for “$200 a share for the magazine’s common stock, an investment of about $142 million.” The Newhouse family owns Advance Publications and currently, the third and fourth generations of the Newhouse family is involved in the management. For details about the Newhouse family click here. The New Yorker, Vogue, Vanity Fair, Gentlemen’s Quarterly (GQ), Architectural Digest (AD), Condé Nast Traveler, and Wired are all published by Conde Nasty.
xxx/ellauri113.html on line 52: With gravity, this high-energy/short-distance correspondence breaks down. If you could collide two particles with center-of-mass energy much larger than the Planck scale, then when they collide their wave packets would contain more than the Planck energy localized in a Planck-length-sized region. This creates a black hole. If you scatter them at even higher energy, you would make an even bigger black hole, because the Schwarzschild radius grows with mass. So the harder you try to study shorter distances, the worse off you are: you make black holes that are bigger and bigger and swallow up ever-larger distances. No matter what completes general relativity to solve the renormalizability problem, the physics of large black holes will be dominated by the Einstein action, so we can make this statement even without knowing the full details of quantum gravity.
xxx/ellauri113.html on line 84: Ex nihilo, nihil fit – is one of the propositions to which great significance was attributed in metaphysics. The proposition is either to be viewed as just a barren tautology, nothing is nothing, or, if becoming is supposed to have real meaning in it, then, since only nothing comes from nothing, there is in fact none in it, for the nothing remains nothing in it. Becoming entails that nothing not remain nothing, but that it pass over into its other, being. – Later metaphysics, especially the Christian, rejected the proposition that out of nothing comes nothing, thus asserting a transition from nothing into being; no matter how synthetically or merely imaginatively it took this proposition, there is yet even in the most incomplete unification of being and nothing a point at which they meet, and their distinguishedness vanishes. –
xxx/ellauri116.html on line 268: The four characters of the novel are sketchily described, and their present circumstances are limited to the details that permit the development of the action of the novel. Since the story takes place in a few day's time, the characters remain largely devoid of a past.
xxx/ellauri116.html on line 395: Bienenfeld may be an extreme example, but she’s not atypical. Sartre tended to treat younger romantic prospects (all of whom were female) more as conquests than partners, spending months or years persuading them to get into bed with him and then bouncing off to regale “the Beaver” with details.
xxx/ellauri122.html on line 856: 'In Cold Blood' details the 1959 murders of four members from the Clutter family in Holcomb, Kansas.
xxx/ellauri122.html on line 955: The Hugo Award-winning story details the fall from grace of several superheroes.
xxx/ellauri129.html on line 658: The jury took only seven minutes to find in Elizabeth's favor. She was legally declared sane, and Judge Charles Starr, who had changed the trial from one about habeas corpus to one about sanity, issued an order that she should not be confined. "Scholar" Kathryn Burns-Howard quipped: "We will never know Elizabeth's true mental state or the details of her family life."
xxx/ellauri129.html on line 679: Jean Pierre Jacques Auguste de Labouïsse-Rochefort 1778-1852 Details:individual; author/poet; French; Male. Jean-Pierre-Jacques-Auguste de Labouïsse-Rochefort, né le 4 juillet 1778 à Saverdun et mort à Castelnaudary le 21 février 1852, est un homme de lettres et poète français. Siinä kaikki. Tosi unohtunut.
xxx/ellauri134.html on line 314: Weakness: can study details forever and never act.
xxx/ellauri136.html on line 123: There is no attempt ever made by the wizarding world to integrate into “normal” human society. The train to Hogwart’s is on an invisible platform (forgive me if I get the details slightly wrong: it’s been a while); characters travel by chimney or broom; everything is done in secret.
xxx/ellauri148.html on line 177: The sages said that the only difference between this world and the days of the Messiah will be with regard to the enslavement to the kingdoms. It appears from the plain meaning of the words of the prophets that at the beginning of the days of the Messiah, there will be the war of Gog and Magog. And that prior to the war of Gog and Magog, a prophet will arise to straighten Israel and prepare their hearts, as it is written, Behold, I will send to you Elijah the prophet before the coming of the great and terrible day of the Lord (Mal. 4:5) And he will come not to declare the pure impure, or the impure pure; not to declare unfit those who are presumed to be fit, nor to declare fit those who are held to be unfit; but for the sake of peace in the world….And there are those among the sages who say that prior to the coming of the Messiah will come Elijah. But all these things and their likes, no man can know how they will be until they will be. For they are indistinct in the writings of the prophets. Neither do the sages have a tradition about these things. It is rather, a matter of interpretation of the Biblical verses. Therefore there is a disagreement among them regarding these matters. And in any case, these are mere details which are not of the essence of the faith. And one should definitely not occupy oneself with the matter of legends, and should not expatiate about the midrashim that deal with these and similar things. And one should not make essentials out of them. For they lead neither to fear nor to love [of God]. Neither should one calculate the End. The sages said, “May the spirit of those who calculate the End be blown away” But let him wait and believe in the matter generally, as we have explained.
xxx/ellauri148.html on line 483: Madrid, Spain. “Día mundial de la Filosofía” by Más Filosofía. Despite the exceptional situation in which we find ourselves and the restrictions that this entails in terms of the possibility of carrying out large-scale face-to-face events, Más Filosofía has decided to continue with our project, one more year, to celebrate World Philosophy Day. In this edition we will try to carry out both online and face-to-face activities (as long as the restrictions allow it). What about, we have not the foggiest as yet.
xxx/ellauri157.html on line 591: Some scholars believe there is a politics implicit in Rogers's approach to psychotherapy. Toward the end of his life, Rogers came to that view himself. The central tenet of a Rogerian, person-centered politics is that public life does not have to consist of an endless series of winner-take-all battles among sworn opponents; rather, it can and should consist of an ongoing win-win conspiracy among all the cheats. (For details, watch Legally Blonde, Part II.)
xxx/ellauri167.html on line 93: He is today best remembered as the author of tails/ADictionaryOfAngels/page/n1/mode/2up">A Dictionary of Angels, Including the Fallen Angels (1967), a populist work detailing the types of angel classes and their roles. This was a popularised compendium of angelology from Talmud, kabbalah, medieval occult writers, gothic grimoires and other sources.
xxx/ellauri179.html on line 488: “I've come to appreciate this. The harsh details in the background with the stillness in the foreground here—” It was Swans Reflecting Elephants by Dalí. “See this arrogant son of a bitch, Juice, missing the scene. The elephants standing on the shore and the swans floating over them.” Behind the swans grew trees, twisting to the sky. “He's so arrogant. And ignorant. He walked all the way from the town up the hill in the distance and here he's facing away with his hand on his hip. He can't see the color of the sky different from the reflection in the pond.”
xxx/ellauri179.html on line 608: Young Hemingway vilified James for his choice of themes and characters, but more importantly, he viciously maligned him for the traumatic but obscure accident that had occurred in his youth. Leon Edel has summarized the known facts of the injury as gathered from James´ writings and other sources. The "obscure hurt" was reported by James to have happened at the "same dark hour" of the onset of the Civil War, in other words, May 1861 (Edel, Years 176-77). But actually the causative factor, the fire at West Stables in Newport, occurred on the night of October 28, 1861 (177). James relates that he had jammed himself into "an acute angle between two fences" trying to make "a rusty, quasi-extemporised old engine work" in order to help put out the stable fire. Injured in this attempt, James later provided only incomplete details and stated that the disaster was "intimate, odious, horrid, catastrophe, obscure, and most entirely personal" (175).
xxx/ellauri186.html on line 226: The details of Cyrus's death vary by account. The account of Herodotus from his Histories provides the second-longest detail, in which Cyrus met his fate in a fierce battle with the Massagetae, a tribe from the southern deserts of Khwarezm and Kyzyl Kum in the southernmost portion of the Eurasian Steppe regions of modern-day Kazakhstan and Uzbekistan, following the advice of Croesus to attack them in their own territory. The Massagetae were related to the Scythians in their dress and mode of living; they fought on horseback and on foot. In order to acquire her realm, Cyrus first sent an offer of marriage to their ruler, the empress Tomyris, a proposal she rejected.
xxx/ellauri186.html on line 766: “the embellishments with which the ‘infancy gospels’ fill out the sparse details of the birth stories in Matthew and Luke are all fabricated out of whole cloth, they are not traditions of more or less dimly remembered facts; but they generated tenacious traditions of a new kind.”
xxx/ellauri199.html on line 1083:
xxx/ellauri225.html on line 325: Of course, Le Guin was writing daring stories decades before me, stories of women who loved women, of four-person marriages, of people without gender. Her stories offered possibilities that most of society hadn’t even imagined in the late 1960s; I knew she must have faced similar societal disapproval. So I wanted to know why she faded to black for her sex scenes. “There Arrad took me into his arms and I took Arrad into my arms, and then between my legs, and fell upward, upward through the golden light.” (“Coming of Age in Karhide”) There was plenty of sex in her books – sometimes tremendously important sex — but Le Guin didn’t dwell on the details. In fact her sex scenes were prudish and infinitely boring.
xxx/ellauri225.html on line 327: When she took questions after her reading, I stood up from my spot in the back of the room and asked Le Guin why she didn’t talk explicitly about sex, hoping for I’m not sure what — some response that would both justify the work I’d been trying to do and connect it to her own work, that I so admired. Instead, Le Guin gave a curt answer about those details not being that interesting. I said, “Oh.” And “Thank you.” I sat down, and tried not to be crushed.
xxx/ellauri228.html on line 479: The Holy Supper consists of family thrashing, playful anticipation for the Afterbirth of Christ, and a fast meal on twelve dishes. These are the essential components of the evening gathering. The details can be adjusted to fit your family’s situation. Dad's belt and the tongues of mom's thigh length boots will do fine for a meal. Enjoy your time together as you prepare for the coming of our Lord into the House of Loaves.
xxx/ellauri250.html on line 426: The movie sinks, fast and deep, under the weight of dramatic shortcuts, overemphatic details, undercooked possibilities, unconsidered implications.
xxx/ellauri250.html on line 433: Sometimes you can tell from the first shot. In “Compartment No. 6,” the camera follows a young woman at a party as she leaves a bathroom and enters a living room full of gathered friends. That walking, back-of-the-head shot is one of the soggiest conventions of the steadicam era, a facile way of conveying characters’ own fields of vision while anchoring the action on them. The familiarity of this trope suggests both limited imagination and an unwillingness to commit to a clear-cut point of view. When used cannily, it can convey ambiguous neutrality and looming mystery, but, more often, it suggests the merely functional recording of action, which is exactly what’s delivered in “Compartment No. 6,” opening in theatres on Wednesday. The movie sinks, fast and deep, under the weight of dramatic shortcuts, overemphatic details, undercooked possibilities, unconsidered implications. It’s heavy-handed, tendentious, and regressive—and it should come as no surprise that it’s on the fifteen-film shortlist for the Best International Feature Oscar.
xxx/ellauri319.html on line 545:
xxx/ellauri337.html on line 183: Das Buch ist zugleich Antikriegsroman. Für Böll waren die Bombardierung der Städte und das Leid der Zivilbevölkerung schlimmer als das, was die Soldaten an der Front erlebten. Viele Details offenbaren, dass Böll seine Heimatstadt Köln und deren komplette Zerstörung als Vorlage nahm.
xxx/ellauri380.html on line 484: The presumed close U.S.-Israel relationship, thought to be operative at all levels, aggravates and complicates this penchant for secrecy in arab-U.S. military cooperation. Arabs believe that the most mundane details about them are somehow transmitted to the Mossad via a secret hotline.This explains why a U.S. advisor with Arab forces is likely to be asked early and often about his opinion of the "Palestine problem," then subjected to monologues on the presumed Jewish domination of the United States.
xxx/ellauri410.html on line 547: Eliot also juxtaposes religious imagery with mundane details, such as Sweeney stirring his bathwater. This juxtaposition highlights the disconnect between religious rituals and everyday life, emphasizing the poem's central theme of spiritual decay.
132