xxx/ellauri027.html on line 1052: In actual practice, much of academic philosophy is elitist and assumes a pretence of knowledge (somewhat like economics, as described by Hayek in his towering Nobel speech). I find much of academic philosophy fear-based as it seeks to pinpoint mistakes and operates with conceptual criticism as the leading faculty of mind. The result is the lack of synthetic, life-enhancing contributions (a point made clear in Gardner’s Five Minds for the Future).
xxx/ellauri113.html on line 84: Ex nihilo, nihil fit – is one of the propositions to which great significance was attributed in metaphysics. The proposition is either to be viewed as just a barren tautology, nothing is nothing, or, if becoming is supposed to have real meaning in it, then, since only nothing comes from nothing, there is in fact none in it, for the nothing remains nothing in it. Becoming entails that nothing not remain nothing, but that it pass over into its other, being. – Later metaphysics, especially the Christian, rejected the proposition that out of nothing comes nothing, thus asserting a transition from nothing into being; no matter how synthetically or merely imaginatively it took this proposition, there is yet even in the most incomplete unification of being and nothing a point at which they meet, and their distinguishedness vanishes. –
xxx/ellauri125.html on line 307: Though only 40 minutes long, “Yeezus” weighs a ton, heavy with gravity and mouthiness, yowls, synthetic noise, deep beats and screams. A multi-dimensional contradiction, West tosses out rhyme-schemed similes that employ racial ideas rich with symbolism but often in service of harsh lyrics that suggests he either doesn’t appreciate or care about original intent.
xxx/ellauri149.html on line 367: Conversely, Howard Thompson of The New York Times wrote, "Broadway and Israel meet head on and disastrously in the movie version of the rock opera 'Jesus Christ Superstar,' produced in the Biblical locale. The mod-pop glitter, the musical frenzy and the neon tubing of this super-hot stage bonanza encasing the Greatest Story are now painfully magnified, laid bare and ultimately patched beneath the blue, majestic Israeli sky, as if by a natural judgment." Arthur D. Murphy of Variety wrote that the film "in a paradoxical way is both very good and very disappointing at the same time. The abstract film concept ... veers from elegantly simple through forced metaphor to outright synthetic in dramatic impact."
xxx/ellauri482.html on line 469: Tennysonin pelle sonetti Krakenista (< kroken 'koukku') kokoelmassa Poems, Chiefly Lyrical kuvaa ällöä jättimustekalaa uinumassa meren pohjassa. Isobel Armstrong read the poem politically, seeing the Kraken as representing the "slumbering political might of the working classes." Isobel Armstrong, FBA (born 1937) is a British academic. She is professor emerita of English at Birkbeck, University of London and a senior research fellow of the Institute of English Studies at the University of London. She is a fellow of the British Academy. She has been a visiting scholar at many institutions, including at Princeton University in 2016-2017. She is a jolly good fellow. She is a poet. Isabel rescued Victorian poetry from its longstanding sepia image. For all its integrity, Armstrong's synthetic synopsis of Victorian poetry is still very much a piece of shit. Yhtään Isobelin runoa ei löydy netistä. Lähtiessään eläkkeelle Birkbeckistä se luki eeppisen runon she had composed for the occasion: 'The School of English Rap'.
xxx/ellauri491.html on line 575: Fordlândia was abandoned by the Ford Motor Company in 1934, and the project was relocated upriver to Belterra, 40 kilometres (25 mi) south of the city of Santarém, where better conditions to grow rubber existed. By 1945, synthetic rubber had been developed, reducing world demand for natural rubber. Ford's investment opportunity dried up overnight without producing any rubber for Ford's tires, and the second town was also abandoned.
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