ellauri025.html on line 687: Tää on lainaus Ingeborg Bachmannin (1926) prujauxesta Das dreissigste Jahr (1961). Varmaan kirjoitettu 1956 kolmenkympin kriisissä. Ingeborg on Itävallan tyttöjä, Klagenfurtista, väitteli (uskokaa tai älkää) Heideggerin existentialismista. Voihan se siitä huolimatta olla ihan ok. Vaikka vähän epätodennäköistä se on. Sen byhlainin saxankielinen synopsis on aika hämärä, joku Moll siinä on joka on ilkeä, kun taas tää "er" tai "ich" joka siis on Ingeborg ize, on hyvis, ei luikuri niinkuin Moll. Jotain sekoilua Italiassa ja lopussa joku autokolari. Siinä se. Tää on siis vaan novelli. Olikohan Monikan äidillä tää kirja ruozix kotona? Kirjoittaa vähän samalla lailla kuin Monika, katkonaisilla lauseilla ja runokuvilla. Ottaa Ingeborgilta vähän mallia toi Monika. Se varmaan muistelee omaa kolmenkympin kriisiä.
ellauri133.html on line 82: There are lots of books out there. The reader has to decide quickly which one she is going to spend her time and money on. She's not going to buy something just because it might get good later on. Unless you have won a major prize or had a film made from your book, chances are your reader has never heard of you. She’s going to read a page or two and decide. If it’s on Amazon, she’s going to click “Look Inside” and read a few pages. Yep, "your reader" will do just that, being an analphabet in for mind-numbing pulp. "My reader" takes time to choose a book by its literary merits, not by its gaudy cover and advertising blurbs. And most likely from a public library on the recommendation of a friend. Preferably after reading the plot synopsis.
ellauri161.html on line 493: Initially then I wasn't really overly hooked on watching the 2021 movie "Don't Look Up" since I wasn't really won over by the movie's synopsis. Granted, I hadn't checked out the movie's trailer, so I wasn't really sure what I would be in for here. But as friends started to praise the movie, I opted to sit down and watch it.
xxx/ellauri225.html on line 60: Kahdesti haarautuva jalkoväli: synopsis
xxx/ellauri482.html on line 470: Tennysonin pelle sonetti Krakenista (< kroken 'koukku') kokoelmassa Poems, Chiefly Lyrical kuvaa ällöä jättimustekalaa uinumassa meren pohjassa. Isobel Armstrong read the poem politically, seeing the Kraken as representing the "slumbering political might of the working classes." Isobel Armstrong, FBA (born 1937) is a British academic. She is professor emerita of English at Birkbeck, University of London and a senior research fellow of the Institute of English Studies at the University of London. She is a fellow of the British Academy. She has been a visiting scholar at many institutions, including at Princeton University in 2016-2017. She is a jolly good fellow. She is a poet. Isabel rescued Victorian poetry from its longstanding sepia image. For all its integrity, Armstrong's synthetic synopsis of Victorian poetry is still very much a piece of shit. Yhtään Isobelin runoa ei löydy netistä. Lähtiessään eläkkeelle Birkbeckistä se luki eeppisen runon she had composed for the occasion: 'The School of English Rap'.
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