ellauri001.html on line 13: stylesheet" href="mystyle.css">
ellauri002.html on line 13: stylesheet" href="mystyle.css">
ellauri003.html on line 11: stylesheet" href="mystyle.css">
ellauri004.html on line 9: stylesheet" href="mystyle.css">
ellauri005.html on line 10: stylesheet" href="mystyle.css">
ellauri006.html on line 9: stylesheet" href="youtube.css" />
ellauri006.html on line 10: stylesheet" href="mystyle.css">
ellauri007.html on line 9: stylesheet" href="mystyle.css">
ellauri007.html on line 856: styles/medium/public/kulsa_cache/images/media.onki.fi/4/0/5/saha/kirjasampo/0_-7423857095134729507.jpg?itok=P-jtq5gO" />
ellauri008.html on line 10: stylesheet" href="mystyle.css">
ellauri009.html on line 9: stylesheet" href="mystyle.css">
ellauri011.html on line 9: stylesheet" href="mystyle.css">
ellauri012.html on line 9: stylesheet" href="mystyle.css">
ellauri014.html on line 9: stylesheet" href="mystyle.css">
ellauri015.html on line 10: stylesheet" href="mystyle.css">
ellauri016.html on line 10: stylesheet" href="mystyle.css">
ellauri017.html on line 10: stylesheet" href="mystyle.css">
ellauri018.html on line 10: stylesheet" href="mystyle.css">
ellauri019.html on line 10: stylesheet" href="mystyle.css">
ellauri020.html on line 9: stylesheet" href="mystyle.css">
ellauri021.html on line 8: stylesheet" href="mystyle.css">
ellauri022.html on line 8: stylesheet" href="mystyle.css">
ellauri023.html on line 9: stylesheet" href="mystyle.css">
ellauri024.html on line 8: stylesheet" href="mystyle.css">
ellauri025.html on line 9: stylesheet" href="mystyle.css">
ellauri026.html on line 9: stylesheet" href="mystyle.css">
ellauri028.html on line 14: stylesheet" href="mystyle.css">
ellauri029.html on line 9: stylesheet" href="mystyle.css">
ellauri030.html on line 8: stylesheet" href="mystyle.css">
ellauri031.html on line 8: stylesheet" href="mystyle.css">
ellauri032.html on line 9: stylesheet" href="mystyle.css">
ellauri033.html on line 8: stylesheet" href="mystyle.css">
ellauri034.html on line 15: stylesheet" href="mystyle.css">
ellauri035.html on line 9: stylesheet" href="mystyle.css">
ellauri036.html on line 8: stylesheet" href="mystyle.css">
ellauri037.html on line 8: stylesheet" href="mystyle.css">
ellauri038.html on line 8: stylesheet" href="mystyle.css">
ellauri039.html on line 8: stylesheet" href="mystyle.css">
ellauri040.html on line 9: stylesheet" href="mystyle.css">
ellauri041.html on line 14: stylesheet" href="mystyle.css">
ellauri042.html on line 13: stylesheet" href="mystyle.css">
ellauri043.html on line 9: stylesheet" href="mystyle.css">
ellauri045.html on line 14: stylesheet" href="mystyle.css">
ellauri046.html on line 13: stylesheet" href="mystyle.css">
ellauri047.html on line 8: stylesheet" href="mystyle.css">
ellauri048.html on line 9: stylesheet" href="mystyle.css">
ellauri049.html on line 9: stylesheet" href="mystyle.css">
ellauri050.html on line 12: stylesheet" href="mystyle.css">
ellauri051.html on line 14: stylesheet" href="mystyle.css">
ellauri052.html on line 14: stylesheet" href="mystyle.css">
ellauri053.html on line 14: stylesheet" href="mystyle.css">
ellauri054.html on line 14: stylesheet" href="mystyle.css">
ellauri055.html on line 14: stylesheet" href="mystyle.css">
ellauri058.html on line 15: stylesheet" href="mystyle.css">
ellauri060.html on line 14: stylesheet" href="mystyle.css">
ellauri061.html on line 14: stylesheet" href="mystyle.css" />
ellauri062.html on line 14: stylesheet" href="mystyle.css">
ellauri063.html on line 14: stylesheet" href="mystyle.css">
ellauri064.html on line 14: stylesheet" href="mystyle.css">
ellauri065.html on line 14: stylesheet" href="mystyle.css">
ellauri066.html on line 14: stylesheet" href="mystyle.css">
ellauri066.html on line 462: styles/article_page_image_770px_wide/s3/2020-09/DSC_4625.jpg?itok=Xu3_KVPu" height="200px" />
ellauri067.html on line 14: stylesheet" href="mystyle.css">
ellauri069.html on line 14: stylesheet" href="mystyle.css">
ellauri070.html on line 14: stylesheet" href="mystyle.css">
ellauri071.html on line 14: stylesheet" href="mystyle.css">
ellauri072.html on line 24: stylesheet" href="mystyle.css">
ellauri073.html on line 18: stylesheet" href="mystyle.css">
ellauri074.html on line 18: stylesheet" href="mystyle.css">
ellauri077.html on line 18: stylesheet" href="mystyle.css">
ellauri078.html on line 18: stylesheet" href="mystyle.css">
ellauri078.html on line 250: Everyone has an equal right to contribute to what I called the “moral environment”—even people whose tastes reflect no “ideas” but only very offensive “prejudices, life styles, and cultures.”
ellauri079.html on line 18: stylesheet" href="mystyle.css">
ellauri080.html on line 18: stylesheet" href="mystyle.css">
ellauri082.html on line 18: stylesheet" href="mystyle.css">
ellauri083.html on line 18: stylesheet" href="mystyle.css">
ellauri088.html on line 18: stylesheet" href="mystyle.css">
ellauri089.html on line 18: stylesheet" href="mystyle.css">
ellauri090.html on line 18: stylesheet" href="mystyle.css">
ellauri092.html on line 24: stylesheet" href="mystyle.css">
ellauri092.html on line 523: Irina Krohn's estimated Net Worth, Salary, Income, Cars, Lifestyles & Much More
ellauri093.html on line 18: stylesheet" href="mystyle.css">
ellauri094.html on line 18: stylesheet" href="mystyle.css">
ellauri095.html on line 18: stylesheet" href="mystyle.css">
ellauri096.html on line 18: stylesheet" href="mystyle.css">
ellauri097.html on line 24: stylesheet" href="mystyle.css">
ellauri098.html on line 18: stylesheet" href="mystyle.css">
ellauri098.html on line 564: ISFPs are creative and imaginative, with well-developed aesthetic senses. They are naturally suited for work in music, art, design, or other areas where an eye for beauty is important. They love to explore ideas and experiment with different styles, and constantly seek out new experiences, making them spontaneous and unpredictable. This, however, can lead to a lack of focus. ISFPs also tend to have fragile egos and react badly to criticism — however well-intentioned, it is difficult for them to not take it personally. Like all introverted types, they need time on their own to think and recharge, but they still love to share their latest innovations with others.
ellauri099.html on line 18: stylesheet" href="mystyle.css">
ellauri099.html on line 110: Jari PervoporsaslimaPyknikerstyles/embedded_full/public/2016/01/14/swine.jpg" height="100px" />
ellauri099.html on line 146: William BlakemyyriäinenlimaPyknikerINFP - Parantainenstyles/article_main_large/public/rat_16x9.jpg?itok=t5B4D8Ht" height="100px" />
ellauri100.html on line 18: stylesheet" href="mystyle.css">
ellauri101.html on line 18: stylesheet" href="mystyle.css">
ellauri102.html on line 18: stylesheet" href="mystyle.css">
ellauri105.html on line 19: stylesheet" href="mystyle.css">
ellauri106.html on line 18: stylesheet" href="mystyle.css">
ellauri107.html on line 18: stylesheet" href="mystyle.css">
ellauri108.html on line 18: stylesheet" href="mystyle.css">
ellauri108.html on line 158: Rastas typically smoke cannabis in the form of a large, hand-rolled cigarette known as a spliff. This is often rolled together while a prayer is offered to Jah; the spliff is lit and smoked only when the prayer is completed. At other times, cannabis is smoked in a water pipe referred to as a "chalice": styles include kutchies, chillums, and steamers. The pipe is passed in a counter-clockwise direction around the assembled circle of Rastas.
ellauri108.html on line 187: Rastas use their physical appearance as a means of visually demarcating themselves from non-Rastas like the whites. Male practitioners will often grow long beards, and many Rastas prefer to wear African styles of clothing, such as dashikis, rather than styles that originated in Western countries. However, it is the formation of hair into dreadlocks that is one of the most recognisable Rasta symbols. Rastas believe that dreadlocks are promoted in the Bible, specifically in the Book of Numbers, and regard them as a symbol of strength linked to the hair of the Biblical figure of Samson. They argue that their dreadlocks mark a covenant that they have made with Jah, and reflect their commitment to the idea of 'naturalness'. They also perceive the wearing of dreads as a symbolic rejection of Babylon and a refusal to conform to its norms regarding grooming aesthetics. Rastas are often critical of black people who straighten their hair, believing that it is an attempt to imitate white European hair and thus reflects alienation from a person's African identity. Sometimes this dreadlocked hair is then shaped and styled, often inspired by a lion's mane symbolising Haile Selassie, who is regarded as "the Conquering Lion of Judah".
ellauri108.html on line 189: Rastas differ on whether they regard dreadlocks as compulsory for practicing the religion. Some Rastas do not wear their hair in dreadlocks; within the religion they are often termed "cleanface" Rastas, with those wearing dreadlocked hair often called "locksmen". Some Rastas have also joined the Ethiopian Orthodox Church, the Christian organisation to which Haile Selassie belonged, and these individuals are forbidden from putting their hair in dreadlocks by the Church. In reference to Rasta hairstyles, Rastas often refer to non-Rastas as "baldheads", or "combsome", while those who are new to Rastafari and who have only just started to grow their hair into dreads are termed "nubbies". Members of the Bobo Ashanti sect of Rastas conceal their dreadlocks within turbans, while some Rastas tuck their dreads under a rastacap or tam headdress, usually coloured green, red, black, and yellow. Dreadlocks and Rastafari-inspired clothing have also been worn for aesthetic reasons by non-Rastas. For instance, many reggae musicians who do not adhere to the Rastafari religion wear their hair in dreads. A Rasta man wearing a rastacap has been sighted in Jamaica.
ellauri108.html on line 191: From the beginning of the Rastafari movement in the 1930s, adherents typically grew beards and tall hair, perhaps in imitation of Haile Selassie. The wearing of hair as dreadlocks then emerged as a Rasta practice in the 1940s; there were debates within the movement as to whether dreadlocks should be worn or not, with proponents of the style becoming dominant. There are various claims as to how this practice was adopted. One claim is that it was adopted in imitation of certain African nations, such as the Maasai, Somalis, or Oromo, or that it was inspired by the hairstyles worn by some of those involved in the anti-colonialist Mau Mau Uprising in Kenya. An alternative explanation is that it was inspired by the hairstyles of the Hindu sadhus.
ellauri109.html on line 18: stylesheet" href="mystyle.css">
ellauri110.html on line 18: stylesheet" href="mystyle.css">
ellauri111.html on line 18: stylesheet" href="mystyle.css">
ellauri112.html on line 18: stylesheet" href="mystyle.css">
ellauri115.html on line 18: stylesheet" href="mystyle.css">
ellauri117.html on line 18: stylesheet" href="mystyle.css">
ellauri118.html on line 18: stylesheet" href="mystyle.css">
ellauri119.html on line 18: stylesheet" href="mystyle.css">
ellauri119.html on line 259: The triangular theory of love suggests "intimacy, passion and commitment" are core components of love. The color wheel theory of love is an idea created by Canadian psychologist John Alan Lee that describes six styles of love, using several of the Latin and Greek words for love. First introduced in his book Colours of Love: An Exploration of the Ways of Loving (1973), Lee defines three primary, three secondary and nine tertiary love styles, describing them in terms of the traditional color wheel. The three primary types are eros, ludus and storge, and the three secondary types are mania, pragma and agape.
ellauri119.html on line 428: Scientific research on emotion has increased significantly over the past two decades. The color wheel theory of love defines three primary, three secondary and nine tertiary love styles, describing them in terms of the traditional color wheel. The triangular theory of love suggests "intimacy, passion and commitment" are core components of love. Love has additional religious or spiritual meaning. This diversity of uses and meanings combined with the complexity of the feelings involved makes love unusually difficult to consistently define, compared to other emotional states. Abstractly discussed, love usually refers to an experience one person feels for another. Love often involves caring for, or identifying with, a person or thing (cf. vulnerability and care theory of love), including oneself (cf. narcissism). Tulihan se sieltä!
ellauri119.html on line 504: The color wheel theory of love is an idea created by Canadian psychologist John Alan Lee that describes six styles of love, using several of the Latin and Greek words for love. First introduced in his book Colours of Love: An Exploration of the Ways of Loving (1973), Lee defines three primary, three secondary and nine tertiary love styles, describing them in terms of the traditional color wheel. The three primary types are eros, ludus and storge, and the three secondary types are mania, pragma and agape.
ellauri131.html on line 18: stylesheet" href="mystyle.css">
ellauri132.html on line 18: stylesheet" href="mystyle.css">
ellauri133.html on line 18: stylesheet" href="mystyle.css">
ellauri135.html on line 18: stylesheet" href="mystyle.css">
ellauri140.html on line 18: stylesheet" href="mystyle.css">
ellauri141.html on line 18: stylesheet" href="mystyle.css">
ellauri142.html on line 22: stylesheet" href="mystyle.css">
ellauri143.html on line 22: stylesheet" href="mystyle.css">
ellauri144.html on line 22: stylesheet" href="mystyle.css">
ellauri145.html on line 22: stylesheet" href="mystyle.css">
ellauri146.html on line 22: stylesheet" href="mystyle.css">
ellauri147.html on line 22: stylesheet" href="mystyle.css" />
ellauri147.html on line 860: faces to find out the current standard of good looks on the Internet. On the Hot or Not web site, people rate others' attractiveness on a scale of 1 to 10. An average score based on hundreds or even thousands of individual ratings takes only a few days to emerge. To make this hot or not palette of morphed images, photos from the site were sorted by rank and used SquirlzMorph to create multi-morph composites from them. Unlike projects like Face of Tomorrow, where the subjects are posed for the purpose, the portraits are blurry because the source images are of low resolution with differences in variables such as posture, hair styles and glasses, so that in this instance images could use only 36 control points for the morphs. A similar study was done with Miss Universe contestants, as shown in the averageness article, as well as one for age, as shown in the youthfulness article.
ellauri150.html on line 22: stylesheet" href="mystyle.css">
ellauri151.html on line 28: stylesheet" href="mystyle.css">
ellauri152.html on line 22: stylesheet" href="mystyle.css">
ellauri153.html on line 22: stylesheet" href="mystyle.css">
ellauri155.html on line 22: stylesheet" href="mystyle.css">
ellauri156.html on line 22: stylesheet" href="mystyle.css">
ellauri158.html on line 18: stylesheet" href="mystyle.css">
ellauri159.html on line 18: stylesheet" href="mystyle.css">
ellauri160.html on line 18: stylesheet" href="mystyle.css">
ellauri160.html on line 36: styles/lg/public/2020-09/ezra_pound_ritratto.jpg?itok=R5MbYbWF" height="130px" />
ellauri161.html on line 18: stylesheet" href="mystyle.css">
ellauri162.html on line 18: stylesheet" href="mystyle.css">
ellauri163.html on line 18: stylesheet" href="mystyle.css">
ellauri163.html on line 527: Payot (Hebrew: פֵּאָה, romanized: pe’ot, plural: פֵּאוֹת) is the Hebrew term for sidelocks or sideburns. Payot are worn by some men and boys in the Orthodox Jewish community based on an interpretation of the Tenach injunction against shaving the "sides" of one's head. Literally, pe'ah means "corner, side, edge". There are different styles of payot among Haredi or Hasidic, Yemenite, and Chardal Jews. Yemenite Jews call their sidelocks simanim (סִימָנִים‎), literally, "signs", because their long-curled sidelocks served as a distinguishing feature in the Yemenite society (differentiating them from their non-Jewish neighbors).
ellauri164.html on line 18: stylesheet" href="mystyle.css">
ellauri171.html on line 22: stylesheet" href="mystyle.css">
ellauri172.html on line 28: stylesheet" href="mystyle.css">
ellauri180.html on line 22: stylesheet" href="mystyle.css">
ellauri180.html on line 58: styles/liggend_hoge_resolutie/public/content/images/2019/06/11/vampirediaries.jpg?h=e5a3e083&itok=RgV6_e9d" height="250px" />
ellauri181.html on line 22: stylesheet" href="mystyle.css">
ellauri182.html on line 22: stylesheet" href="mystyle.css">
ellauri183.html on line 22: stylesheet" href="mystyle.css">
ellauri184.html on line 22: stylesheet" href="mystyle.css">
ellauri185.html on line 22: stylesheet" href="mystyle.css">
ellauri188.html on line 22: stylesheet" href="mystyle.css">
ellauri189.html on line 22: stylesheet" href="mystyle.css">
ellauri190.html on line 22: stylesheet" href="mystyle.css">
ellauri191.html on line 23: stylesheet" href="mystyle.css">
ellauri192.html on line 23: stylesheet" href="mystyle.css">
ellauri194.html on line 23: stylesheet" href="mystyle.css">
ellauri194.html on line 734: styles/article_page_image_770px_wide/s3/2017-07/banerjee.jpg?itok=J5EqyNMA" height="200px" />
ellauri196.html on line 23: stylesheet" href="mystyle.css">
ellauri197.html on line 23: stylesheet" href="mystyle.css">
ellauri198.html on line 23: stylesheet" href="mystyle.css">
ellauri198.html on line 689: Robert Browning (7 May 1812 - 12 December 1889) ranks No. 8,206 among the Most Man-Crushed-Upon Celebrity Men, and ranks 12,642nd among all celebrities on the Top Celebrity Crushes list. Robert Browning is straight. Scroll down and check out his short and medium hairstyles.
ellauri203.html on line 23: stylesheet" href="mystyle.css">
ellauri204.html on line 23: stylesheet" href="mystyle.css">
ellauri205.html on line 23: stylesheet" href="mystyle.css">
ellauri206.html on line 23: stylesheet" href="mystyle.css">
ellauri207.html on line 22: stylesheet" href="mystyle.css">
ellauri210.html on line 23: stylesheet" href="mystyle.css">
ellauri211.html on line 23: stylesheet" href="mystyle.css">
ellauri213.html on line 23: stylesheet" href="mystyle.css">
ellauri213.html on line 434: Seuraavassa on listattuna pahoja naisia rikkomuxineen (kuvissa söpöset alleviivattu): Irma Grese (Naziwächterin), Myra Hindley (serial pedocide), Isabela of Castile (born in the year 1451 and died in 1504, Isabella the Catholic, was queen of Castile and León. She and her husband, Ferdinand II of Aragon, brought stability to the kingdoms that became the basis for the unification of Spain. Isabella and Ferdinand are known for completing the Reconquista, ordering conversion or exile of their Muslim and Jewish subjects and financing Christopher Columbus’ 1492 voyage that led to the opening of the “New World”. Isabella was granted the title Servant of God by the Catholic Church in 1974), Beverly Allitt (pedocide, Angel of Death), Queen Mary of England (catholic), Belle Gunness (norwegian-american serial killer), Mary Ann Cotton (serial killer), Ilse Koch (Lagerfrau), Katherine Knight (very bad Aussie), styles/hero_desktop/public/heros/erzsebetbathory.jpg">Elizabeth Bathory (hungarian noblewoman and serial killer), Sandra Avila Beltran (drugs), Patty Hearst (hänen isoisänsä oli lehtikeisari William Randolph Hearst. Hiän joutui kidnappauksen uhriksi, mutta pian tämän jälkeen hiän teki pankkiryöstön ja joutui vankilaan), Genene Jones (infanticide nurse), Karla Homolka (Canadian serial killer), Diane Downs (infanticide), Aileen Wuornos (serial killer), Griselda Blanco (drug lady), Lizzie Borden (kirvesmurhaaja), Bonnie Parker (bank robber), Anne Bonny (pirate), Mary Bell (pedocide), Delphine LaLaurie (serial slavekiller), Patricia Krenwinkel (Manson family member), Leslie van Houten (Manson family member), Darlie Routier (infanticide), Susan Smith (infanticide), Susan Atkins (Manson family member), Ching Shih (pirate), Anna Sorokin Delvey (con woman), Amelia Dyer (serial killer), Assata Shakur (black terrorist), Belle Gunness (serial killer), Gypsy Rose Blanchard (matricide), Pamela Smart (mariticide), Ruth Ellis (nightclub hostess, last woman hanged in UK), Phoolan Devi (bandit), Ma Barker (matriarch), Jennifer Pan (parenticide), Virginia Hill (gangster), Karla Faye Tucker (burglar, first woman injected in US), Leonarda Cianciully (serial murderer, soapmaker), Mary Read, Carill Ann Fugate (murder spree), Grace Marks (maid), Belle Starr (outlaw, friend of Lucky Luke), Zerelda Mimms (Mrs. Jesse James), Jane Toppan (serial killer), Sara Jane Moore (wannabe assassin of Gerald Ford), Martha Beck (serial killer), Doris Payne (jewel thief), Mary Brunner (Manson family member), Barbara Graham (executed by gas), Grace O'Malley (pirate), Sada Abe (jealous geisha. When they asked why she had killed Ishida, “Immediately she became excited and her eyes sparkled in a strange way: ‘I loved him so much, I wanted him all to myself. But since we were not husband and wife, as long as he lived he could be embraced by other women. I knew that if I killed him no other woman could ever touch him again, so I killed him…..’ ), Samantha Lewthwaite (white somali terrorist), Theresa Knorr (murderess), Lynette Fromme (Manson family, wannabe assassin of Gerald Ford), The Freeway Phantom (serial killer), Carol M. Bundy (serial killer), Fanny Kaplan (bolshevik revolutionary), Marguerite Alibert (Ed VII courtesan), Jean Harris (author), Linda Hazzard (physician, serial killer), Mary Jane Kelly (1st victim of Jack the Ripper), Kim Hyon-hui (North-Korean spy), Vera Renczi (serial killer), Clare Bronfman (filthy rich criminal), Kirsten Gilbert (serial killer nurse), Gerda Steinhoff (Lagerwächterin), Linda Carty (baby robber), Estella Marie Thompson (black prostitute, blowjobbed Hugh Grant), Elizabeth Becker (Lagerwächterin), Juana Barraza (asesina en serie), Olivera Circovic (baseball player, writer, jewel thief), Olga Hepnarova (mental serial killer), Sabina Eriksson (knäpp tvilling), Minnie Dean (serial killer), Madame de Brinvilliers (aristocrat parri- and fratricide), Martha Rendell (familicide, last woman hanged in Western Australia), Violet Gibson (wannabe assassin of Mussolini), Idoia López Riaño (terrorist), Styllou Christofi (murdered her daughter in law), Mary Eastley (convicted of witchcraft), Wanda Klaff (Lagerwächterin), Giulia Tofana (avvelenatrice), Tisiphone (1/3 raivottaresta), Jean Lee (murderer for money), Brigitte Mohnhaupt (RAF terrorist), Marcia (mistress of Commodus), Beate Zschäpe (far-right terrorist), Evelyn Frechette (singer, Dillingerin heila), Francoise Dior (naziaktivisti), Linda Mulhall (nirhasi äidin poikaystävän saxilla), Brigit Hogefeld (RAF terrorist), Martha Corey (Salem witchhunt victim), Marie Lafarge (arsenikkimurha), Debra Lafave (teacher, gave blow job to student), Enriqueta Marti (asasina en serie), Alse Young (witch hanging victim), Elizabeth Michael (actress, involuntary manslaughter: nasty boyfriend hit his head and died while beating her), Susannah Martin (witchcraft), Maria Mandl (Gefängnisoffizerin), Mary Frith (pickpocket and fence), Hanadi Jaradat (suicide bomber), Marie-Josephte Carrivau (mariticide), Gudrun Ensslin (RAF founder), Anna Anderson (vale-Anastasia), Ans van Dijk (jutku nazikollaboraattori), Elizabeth Holmes (bisneshuijari), Ghislaine Maxwell (Epsteinin haahka), Julianna Farrait (drugs), Yolanda Saldivar (embezzler, killer), Jodi Arias (convicted killer Jodi Ann Arias was born on July 9, 1980, in Salinas, California. In the summer of 2008, Arias made national headlines when she was charged with murdering her ex-boyfriend Travis Alexander, a 30-year-old member of the Church of Jesus Christ of Latter Day Saints who was working as a motivational speaker and insurance salesman. Aargh. Justifiable homicide.) Alyssa Bustamante (kid murder), Mary Kay Letourneau (kid abuser), Mirtha Young (drugs), Catherine Nevin (mariticide), Pilar Prades (maid), Irmgard Möller (terrorist), Christine Schürrer (krimi), Reem Riyashi (suicide bomber), Amy Fisher (jealous), Wafa Idris (suicide bomber), Jeanne de Clisson (ex-noblewoman), Christine Papin (maid murderer), Sally McNeil (body builder), Mariette Bosch (murderer), Sandra Ávila Beltrán (drugs), Alice Schwarzer (journalist), Andrea Yates (litter murderer), Mimi Wong (bar hostess), Pauline Nyiramasuhuko (criminal politician), Josefa Segovia (murderer), Martha Needle (serial killer), Antonina Makarova (war criminal), Mary Surratt (criminal businessperson), Dorothea Binz (officer), Leona Helmsley (tax evasion), Angela Rayola (reality tv personality), Léa Papin (maid murderer), Ursula Erikssson (kriminell mördare), Maria Petrovna (spree killer), Aafia Siddiqui (criminal), Fatima Bernawi (palestinian militant), La Voisin (fortune teller), Deniz Seki (singer), Rasmea Odeh (Arab activist), Hildegard Lächert (nurse), Sajida al-Rishawi (suicide bomber), Hayat Boumeddiene (ISIS groupie, nähty viimexi Al Holissa), Herta Ehlert (Lagerwächterin), Elizabeth Stride (seriös mördare), Adelheid Schulz (krimi), Jenny-Wanda Barkman (Wächter), Shi Jianqiao (pardoned assassin. The assassination of Sun Chuanfang was ethically justified as an act of filial piety and turned into a political symbol of the legitimate vengeance against the Japanese invaders.), Rosemary West (serial killer), Juana Bormann (Lagerwächterin), Kathy Boudin (criminal), Kate Webster (assassin), Teresa Lewis (murderer), Hermine Braunsteiner (Lagerwächterin), Flor Contemplacion (assassina), Constance Kent (fratricide), Tamara Samsonova (serial killer), Herta Bothe (Lagerwächterin), Maria Gruber (Mörderin), Irene Leidolf (möderin), Waltraud Wagner (Mörderin), Elaine Campione (criminelle), Greta Bösel (Pflegerin), Marie Manning (Mörderin), Darya Nikolayevna Saltykova (sadist), Nora Parham (executed), Maria Barbella (assassina), Linda Wenzel (ISIS activist), Anna Marie Hahn (Mörderin), Suzane von Richthofen (parenticide), Charlotte Mulhall (murderer), Khioniya Guseva (kriminal), Daisy de Melker (serial killer nurse), Stephanija Meyer (Mörderin), Sinedu Tadesse (murderer), Ayat al-Akhras (suicide bomber), Akosita Lavulavu (minister of infrastructure and tourism), Sabrina de Sousa (criminal diplomat), Sally Basset (poisoner), Emma Zimmer (Aufseher), Mary Clement (serial killer), Irina Gaidamachuk (serial killer), Dagmar Overbye (serialmorder), Gesche Gottfried (Mörderin), Frances Knorr (serial killer), Beate Schmidt (Serienmörderin), Elizabeth Clarke (accused victim of witchcraft), Kim Sun-ja (serial killer), Olga Konstantinovana Briscorn (serial killer), Roxana Baldetti (politico), Rizana Nafeek (house maid), Margaret Scott (accused of witchcraft), Jacqueline Sauvage (meurtrier), Veronique Courjault (tueur en série), Barbara Erni (thief), Hilde Lesewitz (Schutzstaffel Wächterin), Thenmoli Rajaratnam (suicide bomber), etc. etc..
ellauri214.html on line 23: stylesheet" href="mystyle.css">
ellauri214.html on line 72: Though Rowling’s transphobia has been publicized the most, fans have also begun to notice prejudice in her writing. Very few people of color are featured in J. K. Rowling’s books, and those that are have few lines and no detailed story arcs. One of the people of color given more thought was Cho Chang, Harry Potter’s love interest who was first introduced in the third book, Harry Potter and the Prisoner of Azkaban. Rowling’s racism toward Asians and lack of knowledge of Asian culture is clearly evident from just the name Cho Chang, which is a mix of Korean and Chinese surnames. Korea and China have a longstanding history as political adversaries and each country has a distinct culture. While Rowling went to great efforts in creating a wonderfully immersive wizarding world, she gave no thought to what Cho’s ethnicity is. Cho was also sorted into Ravenclaw house, the school house for those of high intelligence, playing into a common stereotype of Asians. The only other Asian characters mentioned in the series are Indian twins Padma and Pavarti Patil. While Rowling appears to have given more thought to these characters, placing Padma in Ravenclaw and breaking the Asian stereotype by placing Pavarti in Gryffindor, she ultimately fails to adequately write Asian characters. While Pavarti, as a member of Harry Potter’s house, was given more depth than Cho or her sister, many South Asian fans were irritated by the girls’ dresses in the fourth movie, Harry Potter and the Goblet of Fire. The twins wore dull and unflattering traditional Indian attire, which many saw as a mockery of Indian culture. Cho herself wore an East Asian style dress in this movie which was a mix of different Asian styles. Rowling continued her habit of stereotyping Asians in the Fantastic Beast Movies, the first of which was released in 2016 and set in the 1920’s, several decades before the Harry Potter series. In this pre-series, the only Asian representation is displayed in the form of a woman who has been cursed to turn into a beast. Fans may remember the villain Voldemort’s pet snake, Nagini, who served him throughout the Harry Potter series. Fans were surprised to learn when watching The Crimes of Grindelwald, the second movie in the Fantastic Beasts series, that Nagini was not always a snake, but was actually a woman who had been cursed to turn into a snake. In the movie, Nagini, in human form, is caged and forced to perform in a circus. Though we do not know how Nagini came to meet Voldemort, we do know that she became his servant and the keeper of a wee snakelike portion of his soul. This is more than slightly problematic. Not only was Nagini the only Asian representation in the film, but she was also a half-human who was forced to serve an evil white man for a great part of her existence. Author Ellen Oh commented on Nagini’s inclusion in the film saying “I feel like this is the problem when white people want to diversify and don’t actually ask POC how to do so. They don’t make the connection between making Nagini an Asian woman who later on becomes the pet snake of an EEVIL whitish man.”
ellauri216.html on line 23: stylesheet" href="mystyle.css">
ellauri216.html on line 797: styles/entity_embed_50/public/images/Hariton%20%20ja%20Valamot%20igumenit%20taulurivi%20%201%20Valamo%20Tero%20Somppi_0.jpg?itok=XsL4aM3c" />
ellauri217.html on line 23: stylesheet" href="mystyle.css">
ellauri219.html on line 23: stylesheet" href="mystyle.css">
ellauri220.html on line 23: stylesheet" href="mystyle.css">
ellauri221.html on line 23: stylesheet" href="mystyle.css">
ellauri222.html on line 22: stylesheet" href="mystyle.css">
ellauri222.html on line 771: A Neo-Transcendentalist was an individual who followed the philosophical movement founded by Liam Dieghan on Earth in the early 22nd century. These adherents advocated a return to less technological driven lifestyles with an emphasis on self-reliance and nature. Star Trek: The Next Generation (1987) - S02E18 Up the Long Ladder.
ellauri223.html on line 22: stylesheet" href="mystyle.css">
ellauri223.html on line 105: Each one takes the woman he loves most, and they dance for exercise with propriety and stateliness under the peristyles. The women wear their long hair all twisted together and collected into one knot on the crown of the head, but in rolling it they leave one curl. The men, however, have one curl only and the rest of their hair around the head is shaven off. Further, they wear a slight covering, and above this a round hat a little larger than the size of their head. In the fields they use caps, but at home each one wears a biretta, white, red, or another color according to his trade or occupation. Moreover, the magistrates use grander and more imposing-looking coverings for the head. Vizi että apinat rakastavat hattuja!
ellauri226.html on line 22: stylesheet" href="mystyle.css">
ellauri226.html on line 470: enjoy similar all-American white immigrant lifestyles. When new Hispanic groups and African Americans moved beyond the South Bronx, seeking to avoid the crime and drug use that had already seized the South Bronx, however, they brought their crummy lifestyles along. These cultural peculiarities seemed to clash with those that were in place with the older white immigrants, which only exacerbated the suspicions many whites already had regarding the perceived connection between race and crime rates.
ellauri226.html on line 473: neighbors played at all hours of the night, their loud merrymaking in the sack, and their tendency to throw garbage out of their windows. For Derrick, a graduate student at the time, the difference in lifestyles between him and his new neighbors became too much, and he eventually moved out of the apartment because of the behavior of his Hispanic neighbors.
ellauri226.html on line 480: The whites who had meekly lived under the thumb of the company in the development for many years, were shocked by the behavior of the new, often minority, residents who seemed to have no regard for the rules and the lifestyle that had been established long ago by Metropolitan Life. As a result, the tension and anger felt by many whites towards the minorities as they felt as though their pitiful lifestyles and sorry apartment buildings were being disrespected.
ellauri236.html on line 22: stylesheet" href="mystyle.css">
ellauri236.html on line 559: styles/profile_picture_horizontal/public/images/profile/1053610.jpg?itok=dy7YJatM" height="150px" />
ellauri240.html on line 22: stylesheet" href="mystyle.css">
ellauri240.html on line 276: The Shakespearean play ending thus contains several narrative inconsistencies uncharacteristic of Shakespeare, an unusually unsatisfying dénouement, drastically different styles in different places and an unusually large number of long lines that do not scan.
ellauri241.html on line 22: stylesheet" href="mystyle.css">
ellauri242.html on line 22: stylesheet" href="mystyle.css">
ellauri243.html on line 22: stylesheet" href="mystyle.css">
ellauri243.html on line 669: styles/social_media_1200_x_1200/s3/static-page/img/Ludwig%20von%20Mises%20576x720.jpg?itok=feHt307X" height="200" />
ellauri244.html on line 22: stylesheet" href="mystyle.css">
ellauri245.html on line 28: stylesheet" href="mystyle.css">
ellauri245.html on line 203: The popularity of "goblin mode" may be linked to a rejection of the carefully curated lifestyles often presented by users of social media platforms. The trend has also been linked to a manner of coping with the effects of the COVID-19 pandemic on society since this is described as a way of life that gives people permission to ditch societal norms and embrace their basic instincts and in social media, letting their inner goblin out has been a freeing experience.
ellauri246.html on line 22: stylesheet" href="mystyle.css">
ellauri247.html on line 28: stylesheet" href="mystyle.css" />
ellauri248.html on line 28: stylesheet" href="mystyle.css">
ellauri249.html on line 28: stylesheet" href="mystyle.css">
ellauri254.html on line 28: stylesheet" href="mystyle.css">
ellauri254.html on line 628: styles/1920x1080/public/article-2020-03/yudenich.jpg?itok=wEtQVB9j" width="60%" />
ellauri256.html on line 28: stylesheet" href="mystyle.css">
ellauri257.html on line 28: stylesheet" href="mystyle.css">
ellauri258.html on line 28: stylesheet" href="mystyle.css">
ellauri258.html on line 40: styles/medium/public/kulsa_cache/images/media.onki.fi/3/6/9/saha/kirjasampo/0_1103386978910848218.jpg?itok=pei8XlVF" width="100%" />
ellauri260.html on line 28: stylesheet" href="mystyle.css">
ellauri262.html on line 28: stylesheet" href="mystyle.css">
ellauri263.html on line 27: stylesheet" href="mystyle.css">
ellauri264.html on line 28: stylesheet" href="mystyle.css">
ellauri266.html on line 28: stylesheet" href="mystyle.css">
ellauri266.html on line 451: styles/scale_crop_1280x720/public/2018-04/la_planete_des_singes_3_0.jpg" width="100%" />
ellauri267.html on line 28: stylesheet" href="mystyle.css">
ellauri269.html on line 28: stylesheet" href="mystyle.css">
ellauri270.html on line 28: stylesheet" href="mystyle.css">
ellauri271.html on line 28: stylesheet" href="mystyle.css">
ellauri272.html on line 28: stylesheet" href="mystyle.css">
ellauri274.html on line 28: stylesheet" href="mystyle.css">
ellauri275.html on line 27: stylesheet" href="mystyle.css">
ellauri276.html on line 27: stylesheet" href="mystyle.css">
ellauri277.html on line 27: stylesheet" href="mystyle.css">
ellauri278.html on line 27: stylesheet" href="mystyle.css">
ellauri279.html on line 27: stylesheet" href="mystyle.css">
ellauri281.html on line 27: stylesheet" href="mystyle.css">
ellauri282.html on line 27: stylesheet" href="mystyle.css">
ellauri283.html on line 27: stylesheet" href="mystyle.css">
ellauri284.html on line 27: stylesheet" href="mystyle.css">
ellauri285.html on line 27: stylesheet" href="mystyle.css">
ellauri286.html on line 27: stylesheet" href="mystyle.css">
ellauri288.html on line 27: stylesheet" href="mystyle.css">
ellauri288.html on line 58: styles/web/2013/03/11/1362984179.jpg" />
ellauri288.html on line 221: styles/article_page_image_770px_wide/s3/inline-images/2018/10/joulukortti.jpg?itok=XUzQHLau" />
ellauri288.html on line 233: styles/web/2014/12/06/sofi_oksanen_thumb.jpg" />
ellauri290.html on line 28: stylesheet" href="mystyle.css">
ellauri294.html on line 28: stylesheet" href="mystyle.css">
ellauri297.html on line 22: stylesheet" href="mystyle.css">
ellauri299.html on line 22: stylesheet" href="mystyle.css">
ellauri299.html on line 540: styles/x_large/nprshared/201402/268952932.jpg" width="70%" />
ellauri300.html on line 27: stylesheet" href="mystyle.css">
ellauri301.html on line 22: stylesheet" href="mystyle.css">
ellauri302.html on line 22: stylesheet" href="mystyle.css">
ellauri308.html on line 22: stylesheet" href="mystyle.css">
ellauri309.html on line 22: stylesheet" href="mystyle.css">
ellauri310.html on line 15: stylesheet" href="mystyle.css"> ellauri311.html on line 16: stylesheet" href="mystyle.css">
ellauri313.html on line 17: stylesheet" href="mystyle.css">
ellauri315.html on line 16: stylesheet" href="mystyle.css">
ellauri316.html on line 16: stylesheet" href="mystyle.css">
ellauri317.html on line 16: stylesheet" href="mystyle.css">
ellauri318.html on line 16: stylesheet" href="mystyle.css">
ellauri321.html on line 16: stylesheet" href="mystyle.css">
ellauri321.html on line 28: styles/medium/public/kulsa_cache/images/saha.kirjastot.fi/images/kirjasampo/DfDBh68tEdpiM7dY_17pRss5-csPpziYUkI60GKYllc.jpg?itok=bnGPqvmF" width="100%" />
ellauri322.html on line 16: stylesheet" href="mystyle.css">
ellauri323.html on line 16: stylesheet" href="mystyle.css">
ellauri324.html on line 16: stylesheet" href="mystyle.css">
ellauri325.html on line 16: stylesheet" href="mystyle.css">
ellauri326.html on line 16: stylesheet" href="mystyle.css">
ellauri327.html on line 16: stylesheet" href="mystyle.css">
ellauri327.html on line 41: styles/hero_custom_user_large_1x/public/images/essay/germanpropaganda.jpg?itok=wte8KpZ4" height="200px" />
ellauri327.html on line 91: styles/article/public/images/106_172.jpg?itok=dBkcv3YP" height="200px" />
ellauri328.html on line 15: stylesheet" href="mystyle.css">
ellauri330.html on line 16: stylesheet" href="mystyle.css">
ellauri330.html on line 327: styles/hero_image/s3/media-image/20231010_Ka%CC%88a%CC%88rija%CC%88_2024-28_Mikke_P%C3%B6yh%C3%B6nen_Photomikke_Oy.jpg.webp?itok=TGZIq64J" />
ellauri330.html on line 405: styles/large/public/images/library/marx-bakunin-small.jpg?itok=EDJUiR1c" height="400px" />
ellauri331.html on line 16: stylesheet" href="mystyle.css">
ellauri332.html on line 16: stylesheet" href="mystyle.css">
ellauri333.html on line 16: stylesheet" href="mystyle.css">
ellauri334.html on line 16: stylesheet" href="mystyle.css">
ellauri335.html on line 16: stylesheet" href="mystyle.css">
ellauri336.html on line 16: stylesheet" href="mystyle.css">
ellauri338.html on line 16: stylesheet" href="mystyle.css">
ellauri339.html on line 16: stylesheet" href="mystyle.css">
ellauri339.html on line 639: styles/1340x815_scale/public/01-31-19/27773607903_413391f06d_k.jpg.webp?itok=4aN50oN2" width="90%"/>
ellauri340.html on line 16: stylesheet" href="mystyle.css">
ellauri341.html on line 16: stylesheet" href="mystyle.css">
ellauri342.html on line 16: stylesheet" href="mystyle.css">
ellauri343.html on line 16: stylesheet" href="mystyle.css">
ellauri344.html on line 16: stylesheet" href="mystyle.css">
ellauri345.html on line 20: stylesheet" href="mystyle.css">
ellauri346.html on line 20: stylesheet" href="mystyle.css">
ellauri347.html on line 20: stylesheet" href="mystyle.css">
ellauri348.html on line 20: stylesheet" href="mystyle.css">
ellauri349.html on line 20: stylesheet" href="mystyle.css">
ellauri350.html on line 20: stylesheet" href="mystyle.css">
ellauri351.html on line 19: stylesheet" href="mystyle.css">
ellauri352.html on line 21: stylesheet" href="mystyle.css">
ellauri353.html on line 21: stylesheet" href="mystyle.css">
ellauri355.html on line 21: stylesheet" href="mystyle.css">
ellauri359.html on line 21: stylesheet" href="mystyle.css">
ellauri360.html on line 21: stylesheet" href="mystyle.css">
ellauri362.html on line 21: stylesheet" href="mystyle.css">
ellauri364.html on line 21: stylesheet" href="mystyle.css">
ellauri364.html on line 342: styles/full_600/public/2015/08/william-adolphe_bouguereau_1825-1905_-_biblis_1884.jpg?itok=90d3ffpz&stmp=1441200027" />
ellauri365.html on line 21: stylesheet" href="mystyle.css">
ellauri367.html on line 16: stylesheet" href="mystyle.css">
ellauri368.html on line 16: stylesheet" href="mystyle.css">
ellauri369.html on line 16: stylesheet" href="mystyle.css">
ellauri370.html on line 16: stylesheet" href="mystyle.css">
ellauri371.html on line 16: stylesheet" href="mystyle.css">
ellauri372.html on line 16: stylesheet" href="mystyle.css">
ellauri373.html on line 16: stylesheet" href="mystyle.css">
ellauri374.html on line 16: stylesheet" href="mystyle.css">
ellauri375.html on line 16: stylesheet" href="mystyle.css">
ellauri377.html on line 20: stylesheet" href="mystyle.css">
ellauri378.html on line 20: stylesheet" href="mystyle.css">
ellauri381.html on line 28: stylesheet" href="mystyle.css">
ellauri382.html on line 28: stylesheet" href="mystyle.css">
ellauri382.html on line 408: styles/opengraph_image/public/d6_files/Ali-Clay.jpg?itok=Iylzgqy8" height="200px" />
ellauri382.html on line 572: styles/crop_1_1_180x180/public/field_user_blogger_photo/imi_lo-removebg-preview.jpg?itok=xn_qElUa" />
ellauri382.html on line 762: styles/article_header/public/2023-12/c3a8391e481e75884bacbaa0564aa4641033ce43.jpg?h=199d8c1f&itok=8OXvAZpp" height="150" />
ellauri383.html on line 28: stylesheet" href="mystyle.css">
ellauri384.html on line 28: stylesheet" href="mystyle.css">
ellauri384.html on line 39: styles/largest__800_x_800_/public/prints-images/162039v_0001.jpg?itok=NcYTkDhd" width="100%" />
ellauri386.html on line 28: stylesheet" href="mystyle.css">
ellauri389.html on line 28: stylesheet" href="mystyle.css">
ellauri390.html on line 28: stylesheet" href="mystyle.css">
ellauri390.html on line 39: styles/medium/public/kulsa_cache/images/media.onki.fi/7/5/5/saha/kirjasampo/1_1377849397559407770.jpg?itok=7UIlX4wM" width="100%" />
ellauri391.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri010.html on line 9: stylesheet" href="mystyle.css">
xxx/ellauri013.html on line 9: stylesheet" href="mystyle.css">
xxx/ellauri027.html on line 9: stylesheet" href="mystyle.css">
xxx/ellauri044.html on line 14: stylesheet" href="mystyle.css">
xxx/ellauri056.html on line 14: stylesheet" href="mystyle.css">
xxx/ellauri057.html on line 14: stylesheet" href="mystyle.css">
xxx/ellauri057.html on line 232: styles/content_page_main_image_breakpoints_custom_kt_base_wide_1x/public/mediafiles/1032_kiak2004_0052_027_f.jpg?itok=xaIa09Ms×tamp=1573562645" width="50%" />
xxx/ellauri057.html on line 1385: styles/medium/public/kulsa_cache/images/media.onki.fi/0/0/0/saha/kirjasampo/Vaaskivi.jpg?itok=k8ylv7Ss" height="250px" />
xxx/ellauri059.html on line 15: stylesheet" href="mystyle.css">
xxx/ellauri068.html on line 14: stylesheet" href="mystyle.css">
xxx/ellauri075.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri076.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri076.html on line 59: The members of Mötley Crüe have often been noted for their hedonistic lifestyles and the androgynous personae they maintained. Following the hard rock and heavy metal origins on the band's first two albums, Too Fast for Love (1981) and Shout at the Devil (1983), the release of its third album Theatre of Pain (1985) saw Mötley Crüe joining the first wave of glam metal. The band has also been known for their elaborate live performances, which features flame thrower guitars, roller coaster drum kits, and heavy use of pyrotechnics (including lighting Nikki on fire). Mötley Crüe's most recent studio album, Saints of Los Angeles, was released on June 24, 2008. What was planned to be the band's final show took place on New Year's Eve, December 31, 2015. The concert was filmed for a theatrical and Blu-ray release in 2016.
xxx/ellauri076.html on line 349: styles.com/wp-content/uploads/2017/01/Natural-Hair-Top-Knot.jpg" height="200px" />
xxx/ellauri076.html on line 419: styles/large/public/modern-artistic-representation.jpg?itok=cClGlf0h" height="200px" />
xxx/ellauri081.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri081.html on line 169: Wikipediassa on styles">luettelo lakkimalleista. Säälixi käy Wallua, ei tollasen lakkigallerian (n. 148 s. 1002) teko enää ole temppu eikä mikään. Kalpakki on zhezheenien ym turkislakki. Tsakoo on unkarilainen päältä tasainen sotilaslakki. Toque on pipo kanadaxi.
xxx/ellauri084.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri085.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri086.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri087.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri091.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri103.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri104.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri113.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri114.html on line 17: stylesheet" href="mystyle.css">
xxx/ellauri116.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri120.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri121.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri122.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri123.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri123.html on line 1038: contribution to the development of the Art Nouveau and poster styles was
xxx/ellauri124.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri124.html on line 598: styles/article_page_image_770px_wide/s3/2018-02/Tuksu.gif?itok=41epas_E" height="200px" />
xxx/ellauri125.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri126.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri127.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri128.html on line 19: stylesheet" href="mystyle.css">
xxx/ellauri128.html on line 187: styles/scale_width_300px/public/mediaobjects/Varnhagen-Rahel.jpg?itok=SooigafI" style="clear:both;float:right;width:10%" />
xxx/ellauri129.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri130.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri134.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri136.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri137.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri138.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri139.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri148.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri149.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri154.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri157.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri157.html on line 276: Different Hasidic groups evolved their own distinctive styles of niggun. Followers customarily gather around on Jewish holidays to sing in groups, receive and give spiritual inspiration, and celebrate brotherly camaraderie. Hasidic custom venerated pilgrimage to the particular Rebbe one had allegiance to, either to gain a private audience or to attend their public gatherings (Tish/Farbrengen). The celebrations give over his Torah teachings, sometimes personal messages, and are interspersed with inspirational niggunim.
xxx/ellauri165.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri166.html on line 18: stylesheet" href="mystyle.css">
xxx/ellauri167.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri168.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri169.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri170.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri173.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri174.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri175.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri176.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri177.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri178.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri179.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri186.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri187.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri193.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri193.html on line 244: styles/profile_faculty_std/public/profile_photos/phillip_seib_.jpg?itok=0bGAp9Ys&c=f95e0e9df362cffa4cd2570ed74555e0" width="20%" />
xxx/ellauri195.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri199.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri200.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri200.html on line 507: styles/hs_medium_square_360x360/public/media/capx/martin-kay1402902000000.jpg?itok=pdOgQiTr" height="200px" />
xxx/ellauri201.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri202.html on line 21: stylesheet" href="mystyle.css">
xxx/ellauri208.html on line 23: stylesheet" href="mystyle.css">
xxx/ellauri208.html on line 160: styles/news_item/public/field/image/ralie_bible_study.jpg?itok=70Ks6wuv" />
xxx/ellauri209.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri212.html on line 23: stylesheet" href="mystyle.css">
xxx/ellauri215.html on line 23: stylesheet" href="mystyle.css">
xxx/ellauri218.html on line 24: stylesheet" href="mystyle.css">
xxx/ellauri224.html on line 23: stylesheet" href="mystyle.css">
xxx/ellauri225.html on line 23: stylesheet" href="mystyle.css">
xxx/ellauri225.html on line 277: Several of Le Guin´s works have featured stylistic or structural features that were unusual or even subversive. The heterogeneous structure of The Left Hand of Darkness, described as "distinctly post-modern" (eek!), was unusual for the time of its publication. This was in marked contrast to the structure of (primarily male-authored) traditional science fiction, which was straightforward and linear. The novel was framed as part of a report sent to the Ekumen by the protagonist Genly Ai after his time on the planet Gethen, thus suggesting that Ai was selecting and ordering the material, consisting of personal narration, diary extracts, Gethenian myths, and ethnological reports. Earthsea also employed an outlandishly unconventional narrative form described by scholar Mike Cadden styles/faculty-photo/public/michael_cadden.jpg?itok=I8E2XmpX" style="width:10%;float:right" /> (Princeton U Senior Lecturer in Theater) as "free indirect discourse", in which the feelings of the protagonist are not directly separated from the narration, making the narrator seem sympathetic to the characters, and removing the skepticism towards a character´s thoughts and emotions that are a feature of more direct narration. Cadden suggests that this method leads to younger readers sympathizing directly with the characters, making it an effective technique for young-adult literature like Flaubert or Zola.
xxx/ellauri227.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri228.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri229.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri230.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri231.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri232.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri232.html on line 82: styles/small_wide/public/images/news/naziattacken.jpg?itok=QJ1MMUZx" width="40%" />
xxx/ellauri233.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri234.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri235.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri237.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri239.html on line 22: stylesheet" href="mystyle.css">
xxx/ellauri239.html on line 143: styles/1200/public/media/image/2019/04/amazon-ceo-jeff-bezos_2.jpg?itok=W0EG4pj-" height="200px" />
xxx/ellauri250.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri251.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri251.html on line 91: Answer: Algernon Charles Swinburne's Atalanta in Calydon (1865) is the finest example of Victorian 'Greek' tragedy, a genre of English poetry inspired by the forms, contents, and styles of Attic tragedy.
xxx/ellauri252.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri252.html on line 223: styles/x_large/nprshared/201302/171410051.jpg" width="30%" />
xxx/ellauri253.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri255.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri259.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri261.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri265.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri268.html on line 29: stylesheet" href="mystyle.css">
xxx/ellauri268.html on line 558: styles/blog-post-embedded--tablet/public/2020-02/simon-wiesenthal-g.jpg?itok=8FdGfiHy" />
xxx/ellauri273.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri280.html on line 27: stylesheet" href="mystyle.css">
xxx/ellauri281.html on line 27: stylesheet" href="mystyle.css">
xxx/ellauri286.html on line 27: stylesheet" href="mystyle.css">
xxx/ellauri287.html on line 27: stylesheet" href="mystyle.css">
xxx/ellauri289.html on line 27: stylesheet" href="mystyle.css">
xxx/ellauri291.html on line 27: stylesheet" href="mystyle.css">
xxx/ellauri292.html on line 27: stylesheet" href="mystyle.css">
xxx/ellauri293.html on line 27: stylesheet" href="mystyle.css">
xxx/ellauri295.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri296.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri298.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri303.html on line 27: stylesheet" href="mystyle.css">
xxx/ellauri303.html on line 343: Today, Mea Shearim remains an insular neighbourhood in the heart of Jerusalem. With its Haredi, and overwhelmingly Hasidic, population, the streets retain the characteristics of an Eastern European shtetl, as it appeared in pre-war Europe. Life revolves around strict adherence to Jewish law, prayer, and the study of Jewish religious texts. Traditions in dress include black frock coats and black hats for men (although there are some other clothing styles, depending on the religious sub-group to which they belong), and long-sleeved, modest clothing for women. In some Hasidic groups, the women wear thick black stockings all year long, even in summer. Married women wear a variety of hair coverings, from wigs to scarves, snoods, hats, and berets. The men have beards, and many grow long sidecurls, called peyot. Many residents speak Yiddish in their daily lives, and use Hebrew only for prayer and religious study, as they believe Hebrew to be a sacred language, only to be used for religious purposes.
xxx/ellauri304.html on line 27: stylesheet" href="mystyle.css">
xxx/ellauri304.html on line 583: A lot of pulp writers have (or had) style. Mary Clark (+2020) had a style, Dean Koontz (*1945), Stephen King (*1947), Molly Cochran (*1949), Andrew Klavan (*1954), Larry Block (*1938), Susan Isaacs (*1943), Harlan Coben (*1961), Sue Grafton (+2017), they all have styles. Or had. I am told I have a style too (or had), although I don’t really know what style is. Didn't.
xxx/ellauri304.html on line 584: Among the classics, Hemingway was one thing and Dickens another and Melville and Dreiser and James M. Cain (+1977), though he is not a classic. They all had styles as individual as fingerprints. Hemingway is easiest to ape, because he is the one genetically closest to one.
xxx/ellauri305.html on line 27: stylesheet" href="mystyle.css">
xxx/ellauri305.html on line 275: styles-v0-el0nl2br8h8b1.png?width=640&format=png&auto=webp&s=e2e0547cbdc0687fd29801bbbaecaeff6c4e3abd" height="300px" />
xxx/ellauri306.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri307.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri312.html on line 16: stylesheet" href="mystyle.css">
xxx/ellauri314.html on line 16: stylesheet" href="mystyle.css">
xxx/ellauri319.html on line 24: stylesheet" href="mystyle.css">
xxx/ellauri320.html on line 16: stylesheet" href="mystyle.css">
xxx/ellauri329.html on line 16: stylesheet" href="mystyle.css">
xxx/ellauri337.html on line 28: stylesheet" href="mystyle.css">
xxx/ellauri354.html on line 24: stylesheet" href="mystyle.css">
xxx/ellauri354.html on line 176: styles/full_size/public/2022-04/muistikuvia_Kai_Laitinen.jpg?itok=fv_pivcR" />
xxx/ellauri356.html on line 24: stylesheet" href="mystyle.css">
xxx/ellauri357.html on line 24: stylesheet" href="mystyle.css">
xxx/ellauri358.html on line 24: stylesheet" href="mystyle.css">
xxx/ellauri361.html on line 24: stylesheet" href="mystyle.css">
xxx/ellauri363.html on line 21: stylesheet" href="mystyle.css">
xxx/ellauri366.html on line 21: stylesheet" href="mystyle.css">
xxx/ellauri376.html on line 20: stylesheet" href="mystyle.css">
xxx/ellauri379.html on line 20: stylesheet" href="mystyle.css">
xxx/ellauri380.html on line 20: stylesheet" href="mystyle.css">
xxx/ellauri385.html on line 32: stylesheet" href="mystyle.css">
xxx/ellauri387.html on line 31: stylesheet" href="mystyle.css">
xxx/ellauri388.html on line 28: stylesheet" href="mystyle.css">
468