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ellauri339.html on line 618: Nevertheless, the fickle attention of America shifted to the Middle East just as things started to look more and more like static WWI trench warfare in Ukraine. It was a hard act to follow, but something always follows nonetheless (the same calculus works for natural disasters and mass shootings, which are only as mediagenic-good as the next one coming.) Over 41 percent of Americans now say the U.S. is doing too much to help Kiev. That’s a significant change from just three months ago when only 24 percent of Americans said they felt that way.
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ellauri396.html on line 367: The Toronto Blessing has become synonymous within charismatic Christian circles for terms and actions that include an increased awareness of God's love, religious ecstasy, external observances of ecstatic worship, being slain in the Spirit, uncontrollable laughter, emotional and/or physical euphoria, crying, healing from emotional wounds, healing of damaged relationships, and electric waves of the spirit. "Holy laughter", as a result of overwhelming joy, was a hallmark manifestation, and there were also some reports of instances of participants roaring like lions or making other animal noises such as super loud farts. Leaders and participants present in these services claim that most of these manifestations, including some people roaring like lions, were physical manifestations of the Holy Spirit's presence and power, while some Pentecostal and charismatic leaders believe these were the counterfeits of the Spirit as is mentioned in the biblical passage of 2 Thessalonians 2:9. In December, 1994, Toronto Life Magazine declared TAV (Toronto Airport Vineyard church) as Toronto's most notable tourist attraction for the year.
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ellauri443.html on line 206: Kauffmanista (1916-2013) "elokuvan saapuminen oli tärkeä hetki ihmistietoisuuden historiassa". Kauffmann loi henkisen vanhuuden tunnelman. Ikivanha ukkeli ehti arvostella 10K levaria. Hän ei koskaan näyttänyt korottavan ääntään painetussa tekstissä ja harjoitti villapaita-liiviä. Porter herself was never satisfied with the novel, calling it "unwieldy" and "enormous". The critic Elizabeth Hardwick had this to say about Ship of Fools: "All is too static and the implied parable is never quite achieved. There is something a little musty, like old yellowing notes. The flawless execution of the single scenes impresses and yet the novel remains too snug and shipshape for the waters of history." One of the ship's musicians, a gangly starving boy, feels overjoyed to finally be off the ship and back in his home country, as if Germany were a "human being, a good and dear trusted friend who had come a long way to welcome him". Too right. Still, before the next game, she fashions a sort of penis out of Play-Doh and makes her underpants bulge, tells Kauffman about Tomboy (a movie).
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xxx/ellauri075.html on line 122: Today, Shestov is little known in the English-speaking world. This is partly because his works have not been readily available. Partly the specific themes he discusses are unfashionable and "foreign". A sombre and yet ecstatic atmosphere permeates his writings. And his quasi-nihilistic position and religious outlook are an unsettling and incongruous combination, at first sight.
xxx/ellauri075.html on line 182: Today, Shestov is little known in the English-speaking world. This is partly because his works have not been available in English. Partly the specific themes he discusses are unfashionable and "foreign". A sombre and yet ecstatic atmosphere permeates his writings. And his quasi-nihilistic position and religious outlook are an unsettling and incongruous combination, at first sight.
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xxx/ellauri086.html on line 464: They thought she was ecstatic Professor Higgins! Sing hail and hallelujah!
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xxx/ellauri125.html on line 566: contortions and his ecstatic expression that he takes an
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xxx/ellauri130.html on line 349: Entä sit toi masentavampi erä KILL! tematiikasta, nimittäin static%2F7d00378416e93a9ea53a4adaa3a36bd2%2F31987%2Fskull-emoji.png&f=1&nofb=1" /> (HUU) kuolema? Vaakulla se on positiivisemmin ozikoitu "ELÄMÄ JA KUOLEMA". Aika narsistisesti se siteeraa alkupalaxi nimetöntä töräyttäjää, jonka mukaan elämälle kiitos on turhaa puhetta, kaikki on sittenkin kiinne vaan izestä eli seppoilusta.
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xxx/ellauri157.html on line 275: Hasidism found expression in distinctive Niggunim (ecstatic melodies). Private meditative deveikut niggunim, often in prayer, are usually wordless and bring elevation in worship Joyous niggunim bring the inspiration of deveikut into action and celebration of Hasidic camaraderie.
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xxx/ellauri225.html on line 305: The Dispossessed, set on the twin planets of Urras and Anarres, features a planned anarchist society depicted as an "ambiguous utopia". The society, created by settlers from Urras, is materially poorer than the wealthy society of Urras, but ethically and morally more advanced. Unlike classical utopias, the society of Anarres is portrayed as neither perfect nor static; the protagonist Shevek finds himself traveling to Urras to pursue his research. Nonetheless, the misogyny and hierarchy present in the authoritarian society of Urras is absent among the anarchists, who base their social structure on cooperation and individual liberty. The Eye of the Heron, published a few years after The Dispossessed, was described as continuing Le Guin´s exploration of human freedom, through a conflict between two societies of opposing philosophies: a town inhabited by descendants of pacifists, and a city inhabited by descendants of criminals.
xxx/ellauri225.html on line 350: Bloom was born in 1930 to a poor Orthodox Jewish household in the East Bronx, one of five children. He lost faith early in the Jewish God when he accidentally stumbled on the poetry of Hart Crane. He fell in love with Crane’s enthusiasm for life, his belief in the possibility of ecstatic pleasure, and his overall exuberance. This was in stark contrast to Bloom’s childhood, which he confesses was a lonely time.
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xxx/ellauri261.html on line 470: Cricket Walter Kerr wrote: Hello, Dolly! is a musical comedy dream, with Carol Channing the girl of it. ... Channing opens wide her big-as-millstone eyes, spreads her white-gloved arms in ecstatic abandon, trots out on a circular runway that surrounds the orchestra, and proceeds to dance rings around the conductor. ... With hair like orange sea foam, a contralto like a horse´s neighing, and a confidential swagger, she is a musical comedy performer with all the blowzy glamor of the girls on the sheet music of 1916. The lines are not always as funny as Miss Channing makes them.
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xxx/ellauri312.html on line 546: Kierkegaard’s view was that one’s relation to a deity is irreducible to a creed (TRR, pp. 391–392). Instead of belief, what is vital is the religious romance. Willy to believe. The intimacy between a lesser being and a greater being is something we find in Keats' Endymion. Rorty analogizes religious faith with the experience of lovemaking. Unfair relations are valuable if they are able to deepen an individual’s unique life experience. They redeem the believer and the lover by helping them grow meaningfully, not by stretching uncomfortably. Religious connections range from "one of adoring obedience, or ecstatic communion, or quiet confidence, or some combination of these". Sounds a lot like Al Bundy's Love And Marrage.
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xxx/ellauri320.html on line 197: In her role as wily self-publicist, she once wrote (of Mountbatten's kiss on her cheek): 'A streak of fire ran through me as if I had been struck by lightning. It was a definitely painful but ecstatic sensation. From a woman's point of view, the power was devastating.'
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