ellauri066.html on line 441: No one tends the staring light, Kukaan ole valoissa.
ellauri161.html on line 535: Another propaganda film by Netflix! Too long, slow, and full of annoying overuse scene! Not recommended! Entire film full of boring conversation, and annoying overuse scene! Such as, overuse of the walking scene, overuse of the arguing scene, overuse of the calling names scene, overuse of the kissing scene, overuse of the staring scene, overuse of the driving scene, overuse of the eating scene, overuse of the drinking scene, overuse of the smoking scene, overuse of the taking pill scene, overuse of the singing scene, overuse of the song playing at the background scene, overuse of the watching video scene, overuse of the tweeting scene, overuse of the making speech scene, overuse of the blackout scene, overuse of the talking on the phone scene, and overuse of the interviewing scene!
ellauri236.html on line 415: Miss Blandish lay flat on her back on the bed, covered by a grimy sheet full of tacky blotches. She was staring up at the ceiling.
ellauri270.html on line 371: Finally, the last man has drawn. Mr. Summers says, “all right, fellows,” and, after a moment of stillness, all the papers are opened. The crowd begins to ask who has it. Some begin to say that it’s Bill Hutchinson. Mrs. Dunbar tells her son to go tell his father who was chosen, and Horace leaves. Bill Hutchinson is quietly staring down at his piece of paper, but suddenly Tessie yells at Mr. Summers that he didn’t give her husband enough time to choose, and it wasn’t fair.
ellauri302.html on line 359: Yekel sits there like a madman, staring at the empty Holy Scroll box and mumbling. He neither sees nor hears. What on earth can have possessed him?
ellauri302.html on line 372: Yekel! (Dragging him away from the window.) What's come over you? Act 3 while there is yet time! He might take her off somewhere while we're wasting time here. Let's be off to him at once. Hindel must surely have taken her to him. What are you standing there for? (Abruptly.) I've sent for Reb Ali. We'll hear what he has to say. (Pause. Yekel still peers through the shutter spaces.) What are you staring at there? (Pause.) WTiy don't you say something? Good heavens, its enough to drive a woman insane! (Turns away and hursts into tears.)
ellauri302.html on line 428: Fie! You're out of your head altogether. True, a misfortune has befallen you. May Heaven watch over aU of us. Well? What? Misfortunes happen to plenty of folks. The Lord sends aid and things turn out all right. The important point is to keep your mouth shut. Hear nothing. See nothing. Just wash your hands clean of it and forget it. (To Reizel.) Be careful what you say. Don't let it travel any further, God forbid. Do you hear? (Turns to Yekel, who is staring vacantly into space.) I had a talk with... (Looks around to see whether Reizel is still present. Seeing her, he stops. After a pause he begins anew, more softly, looking at Reizel as a hint for her to leave.) With er, er... (Casts a significant glance at Reizel, who at last understands, and leaves.) I had a talk with the groom's father. I spoke to him between the afternoon and evening prayers, at the synagogue. He's almost ready to talk business. Of course I gave him to understand that the bride doesn't boast a very high pedigree, but I guess another hundred roubles will fix that up, all right. Nowadays, pedigrees don't count as much as they used to. With God's help I'll surely be here this Sabbath, with the groom's father. We'll go down to the Dayon and have him examine the young man in his religious studies... But nobody must get wind of this tale. It might spoil everything. The father comes of a fine family and the son carries a smart head on his shoulders. There, there. Calm yourself. Trust in the Lord and everything will turn out for the best. With God's help I am going home to prepare for the morning prayer. And as soon as the girl returns, notify me. Remember, now. (About to go.)
xxx/ellauri085.html on line 118: Plot Summary: A soundless mix of story fragments and images. Initially, images of death, a man with a guitar, a soirée. Some images are surreal: an older woman eats a leaf; a headless man pours a cocktail into his body. A woman in white walks toward a building, isolated and in ruins, where a man waits. Then more images, some in reflections, some distorted, many in close-ups: women's feet in high heels, two bare feet at play, a snail, a knife, a mask, a woman mugging next to it. Women provocatively dance. A woman's face, staring without affect, rises partially out of water. Now wearing a dark jacket, the woman in white runs as if for her life. Is death at hand, or just images?
xxx/ellauri200.html on line 319: children, who never stopped staring at me, the reluctant
xxx/ellauri237.html on line 129: One tradition claims that Sappho committed suicide by jumping off the Leucadian cliff. No ei nyt ainakaan jonkun äijän tähden! Sappho´s sexuality has long been the subject of debate. Sir Lawrence Alma-Tadema´s Sappho and Alcaeus (above) portrays her staring rapturously at her contemporary chum Alcaeus; images of a lesbian Sappho, such as Simeon Solomon´s painting of Sappho with Erinna (below), were much less common in the nineteenth century.
xxx/ellauri410.html on line 519: Sustained by staring Seraphim
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