ellauri022.html on line 980: as the golden stream did spray splatter and spatter like a shower of shimmering light
ellauri051.html on line 793: 216 They do not think whom they souse with spray. 216 He eivät ajattele, ketä he kastelevat suihkeella.
ellauri054.html on line 275: Only, from the long line of spray Vain pitkästä roiskeviivasta
ellauri060.html on line 477: And the blackbirds and thrushes sang on every green spray
ellauri151.html on line 494: And silence will again spray on the land Ja hiljaisuus sumuttaa jälleen maan pintaa,
ellauri219.html on line 1016: Moonman 157, a Bronx graffiti artist, and the Texas Highway Killer: what do they have in common? One wields spray cans, the other a .38 with a gloved left hand. Moonman paints subway cars, and the Texas Highway Killer shoots random lone drivers? Get it? Okay I'll tell you: They each create an artificial language like Klingon or Ido, that thickens the fog of American collective consciousness; each language is expressed by an individual who remains anonymous. As a natural consequence, they get a lot of copy cats, like de Lillo and myself.
ellauri220.html on line 191: Some critics have stated that the violence and shock of this home movie led to a new way of representing violence in 1970s American cinema, both in mainstream films, and particularly in indie and underground horror movies. Brugioni recalled seeing a "white cloud" of brain matter, three or four feet (91 or 122 cm) above Kennedy's head, and said that this "spray" lasted for more than one frame of the film.
ellauri245.html on line 292: Something about Scandinavia — its snowbound civility, its usually peaceable blend of the cosmopolitan and the isolated — makes the crime novels set there seem automatically more interesting, the way a red spray of blood stands out more starkly against fresh white powder than on a dirt road. By now many of these imports seem to share the same atmospherics: the Nordic good looks, the corruptible officials, the endless pots of coffee.
ellauri382.html on line 371: When Goggins enrolled in the third grade, he was diagnosed with a learning disability due to the lack of schooling. He also found it difficult to learn as he was suffering from toxic stress because of the child abuse that he suffered during his early years in Buffalo, New York. Because of the stress, he developed a stutter. Goggins explains h-ho-how he was c-co-constantly in a f-fight-or-flight response with social anxiety because of his s-st-stuttering. In school, Goggins was subjected to racism and the K-Ku-Klux Klan held a local presence at the time in Brazil and Indiana. Goggins recalls he once found "Niger [sic] we're gonna kill you" on his Spanish notebook. At 16, a better informed student spray painted "nigger" on the door of Goggins's car.
xxx/ellauri103.html on line 257:

I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives.  We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children.  There were five female cousins, an’ in the summertime we hung out together all day long from early until late.  In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building.  Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs.  We had front doors an’ back doors.  The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge.  And the grass was all worn away in that area.  An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear.  And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’.  But still, you entered the front, you left the rear.  We (um) ate our lunches together.  When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night.  So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together.  It was just an institution:  lunch in somebody’s yard.  An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day.  (Um) We gathered at my grandmother’s on Sundays.  All my aunts would get those chairs, form a circle.  (Uh) One crocheted.  (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women.  (Uh) The men would gather around the fish pond, which was in a side yard.  It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built.  There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there.  Or he caught a mud turtle, he’d put it in there.  An’ there it stayed until it was time to kill it an’ cook it, whatever it was.  The pipe in the middle had water that sprayed up all the time.  There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust.  It’s where we always ate the watermelon.  We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind.  I hated the things.  I thought they were the worst things I ever put in my mouth.  But ever’body else thought watermelon pickles were just a great delicacy.  That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias.  ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it.  It was also where we made (uh) ice cream, (uh) on the front porch.  We made ice cream on Sunday afternoons.  I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day:  homemade rolls an’ cakes.  And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course.  (Um) That was just a big treat, to get to crank that ice cream.  It was jus’ our Sunday afternoon thing, an’ I, I think back on it.  All the aunts would sit around an’ they’d talk, an’ they’d smoke.  Even if you never saw those ladies smoke, any other time o’ the week.  On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette.  Just a way of relaxing, I suppose.  The maple tree’s now gone.  In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point.  And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …


xxx/ellauri157.html on line 69: I walk far down the beach, soothed by the rhythm of the waves, the sun on my bare back and legs, the wind and mist from the spray on my hair. Man, aren't I pretty!
xxx/ellauri251.html on line 3057: ⁠Propontis with spray?
12