ellauri014.html on line 1742: Who dreams of wider spheres revealed Joka haikailee isompaa ympyrää
ellauri037.html on line 284: troublemakers banished to other hemispheres,
ellauri038.html on line 208: In 1904, the Webers toured America. In America, Marianne met both Jane Addams and Florence Kelley, both staunch feminists and active political reformers. Also during that year, Max re-entered the public sphere, publishing, among other things, The Protestant Ethic and the Spirit of Capitalism. USA:ssa sen lurituxet satoivat vastaanottavaiseen maahan. Marianne also continued her own scholarship, publishing in 1907 her landmark work Ehefrau und Mutter in der Rechtsentwicklung ("Wife and Mother in the Development of Law").
ellauri042.html on line 934: This bed thy center is, these walls, thy sphere. Tää peti on sun keskipiste, nää seinät kiertorata.
ellauri048.html on line 1690: Cold in that atmosphere of Death,
ellauri051.html on line 466: The ocean fill'd with joy--the atmosphere all joy! Iloa! Iloa! vapautta, Trumpin palvontaa, rakkautta! Iloa ja extaasia,
ellauri051.html on line 557: 17 The atmosphere is not a perfume, it has no taste of the distillation, it is odorless, Ilmakehä ei ole hajuvettä, se ei ole uutteen makuista vaan hajutonta,
ellauri051.html on line 1398: 798 I visit the orchards of spheres and look at the product, 798 Vierailen pallojen hedelmätarhoissa ja katson tuotetta,
ellauri051.html on line 1410: 810 Through the clear atmosphere I stretch around on the wonderful beauty, 810 Selkeän ilmapiirin läpi venyttelen ympäriinsä ihmeellisen kauneuden ääressä,
ellauri051.html on line 1742: 1132 Nor any thing in the myriads of spheres, nor the myriads of myriads that inhabit them, 1132 Eikä mitään sfäärien myriadeissa eikä myriadeissa, jotka asuvat niissä,
ellauri062.html on line 917: Rabbi Menachem Mendel Schneerson, one of the most celebrated rabbits in the history of Judaism, says that jews are a "different species" than non-jews, non-jews come from a "Satanic sphere" while jews are "holy", and that non-jews only exist to serve jews.
ellauri067.html on line 503: The other stories in the collection, though less concerned with female characters, present women with few exceptions according to the logic of “Low-lands” as either hateful housewife-mothers, objects of male fantasy, or as inferior actors in an essentially male sphere.
ellauri077.html on line 325: Similarly, he always emphasized the need to cultivate a religious spirit, but he himself was trapped in an aesthetic-ethical sphere.
ellauri078.html on line 157: Particularly annoying were the number of calls expected of the women in the Homestead. Edward Dickinson’s prominence meant a tacit support within the private sphere. The daily rounds of receiving and paying visits were deemed essential to social standing. Not only were visitors to the college welcome at all times in the home, but also members of the Whig Party or the legislators with whom Edward Dickinson worked. Emily Norcross Dickinson’s retreat into poor health in the 1850s may well be understood as one response to such a routine.
ellauri088.html on line 561: The food question.—Objections to paraffine oil as an atmosphere.—Advantages of cheese as a travelling companion.—A married woman deserts her home.—Further provision for getting upset.—I pack.—Cussedness of tooth-brushes.—George and Harris pack.—Awful behaviour of Montmorency.—We retire to rest.
ellauri096.html on line 529: Galgalim (galgallim "spheres", "wheels", "whirlwinds" גַּלְגַּלִּים; singular: galgal, גַּלְגַּל), also called ophanim (Hebrew "wheels" ōphannīm אוֹפַנִּים; singular: ōphān, ofan אוֹפָן), refer to the wheels seen in Ezekiel's vision of the chariot (Hebrew merkabah) in Ezekiel 1:15–21. One of the Dead Sea scrolls (4Q405) construes them as angels; late sections of the Book of Enoch (61:10, 71:7) portray them as a class of celestial beings who (along with the Cherubim and Seraphim) never sleep, but guard the throne of God.
ellauri099.html on line 71: Dulness and dirt are the chief features of Lippincott’s this month: The element that is unclean, though undeniably amusing, is furnished by Mr. Oscar Wilde’s story of The Picture of Dorian Gray. It is a tale spawned from the leprous literature of the French decadents—a poisonous book, the atmosphere of which is heavy with the mephitic odours of moral and spiritual putrefaction—a gloating study of the mental and physical corruption of a fresh, fair and golden youth, which might be fascinating but for its effeminate frivolity, its studied insincerity, its theatrical cynicism, its tawdry mysticism, its flippant philosophizings. . . . Mr. Wilde says the book has “a moral.” The “moral,” so far as we can collect it, is that man’s chief end is to develop his nature to the fullest by “always searching for new sensations,” that when the soul gets sick the way to cure it is to deny the senses nothing.
ellauri107.html on line 42: Among his most popular works are genre paintings conveying an atmosphere of intimacy and veiled eroticism.
ellauri118.html on line 341: Earth´s sister sphere of fire and snow, Maan sisarpallo tuli ja lumi,
ellauri119.html on line 464: As the fat and ugly French novelist Honoré de Balzac stated, eroticism is dependent not just upon an individual's sexual morality, but also the culture and time in which an individual resides. Because eroticism is wholly dependent on the viewer's culture and personal tastes pertaining to what, exactly, defines the erotic, critics have often[how often?] confused eroticism with pornography, with the anti-pornography activist Andrea Dworkin saying, "Erotica is simply high-class pornography; better produced, better conceived, better executed, better packaged, designed for a better class of consumer." This confusion, as Lynn Hunt writes, "demonstrate the difficulty of drawing… a clear generic demarcation between the erotic and the pornographic": indeed arguably "the history of the separation of pornography from eroticism… remains to be written". In the eighteenth century, eroticism was the result of the intrusion into the public sphere of something that was at base private.
ellauri143.html on line 84: The Kura has been widely admired by scholars and influential leaders across the ethical, social, political, economical, religious, philosophical, and spiritual spheres over its history. These include Ilango Adigal (never heard), Kambar (n.h.), Leo Tolstoy, Mahatma Gandhi, Albert Schweitzer (heard ok), plus Constantius Joseph Beschi, Karl Graul, George Uglow Pope, Alexander Piatigorsky, and Yu Hsi (all n.h.). The work remains to be translated. Oops correct that, the text has been translated into at least 40 Indian languages including English, making it one of the most translated ancient works. Ever since it came to print for the first time in 1812, the Kura text has never been out of print. Whole trainloads lie "left on read" in Sri Lanka.
ellauri146.html on line 654: Poe, unlike other great American writers of his time, spent a considerable portion of his childhood in Britain. In 1815, John Allan set out for England, accompanied by his wife, Frances Allan; his sister-in-law, “Aunt Nancy” Valentine; and his six-year-old foster son, Edgar Poe. For a time Edgar attended the small London school of Miss Dubourg (a name which subsequently was to appear in “The Murders in the Rue Morgue”) and later, for a period of three years from 1817 to 1820, was sent to a better school, the Manor House at Stoke Newington near London. Here Poe, in addition to being affected profoundly by the atmosphere of England, studied French, Latin, history and literature. The Manor House School, with its “Dr.” Bransby, Poe later was to transplant bodily to the semi-autobiographical tale “William Wilson” (1840).
ellauri159.html on line 1177: You draw inspiration from being a know-it-all and educating people. You tend to read extensively and to collect words they consider particularly apt, like David Wallace. If their writing project involves others, you often take a leadership role, and repeat the word 'actually' in everybody´s face. You may also beep like a truck on reverse. You thrive in a harmonious atmosphere where everyone respects your opinion. Having a strong need to feel in control of your projects, you want to work in a cooperative environment conducive to driving a project to completion.
ellauri159.html on line 1221: You have a keen insight into the nature of things. Your prose often conveys startling images of mood or atmosphere rather than objects. Maybe you should consider poetry, or rap. You enjoy complexity and can patiently unravel dense material like a terrier. You are able to see many sides of an argument and so may have difficulty reaching a conclusion, or even reaching a period, like Pynchon. During the writing process, you may often pause to consider alternatives or to seek seeming connections between obviously disparate things. That´s a paranoid feature, so you may be an asthenic person. Consult Krezmer´s typology.
ellauri163.html on line 875: All religions divide social life into two spheres, the “sacred” and the “profane.” There is nothing intrinsic about a particular object which makes it sacred. An object becomes sacred only when the community invests it with that meaning.
ellauri164.html on line 597: Honoring God in leadership—as all Christian leaders in every sphere must attempt to do—is a terrifying responsibility. Whether we lead a business, a classroom, a relief organization, a household, or any other organization, we must be careful not to mistake our authority for God’s. What can we do to keep ourselves in obedience to God? Meeting regularly with an accountability (or “peer”) group, praying daily about the tasks of leadership, keeping a weekly Sabbath to rest in God’s presence, and seeking others’ perspective on God’s guidance are methods some lead­ers employ. Even so, the task of leading firmly while remaining wholly dependent on God is beyond human capability. If the most humble man on the face of the earth (Num. 12:3) could fail in this way, so can we. By God’s grace, even failures as great as Moses’ at Meribah, with disastrous consequences in this life, do not separate us from the ultimate fulfillment of God’s promises. Moses did not enter the Promised Land, yet the New Testament declares him “faithful in all God’s house” and reminds us of the confidence that all in God’s house have in the fulfillment of our redemption in Christ (Heb. 3:2-6).
ellauri189.html on line 129: landscape. Communing with the monotonous plain that extends as far as the horizon, where it melts into the heaven, the author discovers that “mood” (Heidegger’s Gestimmtsein) is the fundamental human mode of being-in-the-world. The level plain and the hemisphere (earth and heaven) constitute a spatial totality that is self-enclosed: Being combines flatness with the curve of the hemisphere, the linear with the cyclical perspective (from an empirical point of view only half of its orbit is visible to man though he can of course turn around to see the rest of it):
ellauri189.html on line 258: Aga rated it it was ok Mar 22, I love all the motifs, the atmosphere and the time period. Fascinated by Byron, Malczewski used complicated narration, an odd sequence of events, blanks, ambiguities and puzzles in his work.
ellauri192.html on line 307: “We have a suffocating atmosphere of hate,” she wrote, “a highly emotional stalemate in which there can only be traitors and heroes.”
ellauri192.html on line 792: Мне имя Вельзевул — хозяин стратосферы I'm called Beelzebub, master of the stratosphere
ellauri196.html on line 622: Its fundamentally conservative "pure and simple" approach limited the AFL to matters pertaining to working conditions and rates of pay, relegating political goals to its allies in the political sphere. The Federation favored pursuit of workers' immediate demands rather than challenging the property rights of owners, and took a pragmatic view of politics which favored tactical support for particular politicians over formation of a party devoted to workers' interests. The AFL's leadership believed the expansion of the capitalist system was seen as the path to betterment of labor, an orientation making it possible for the AFL to present itself as what one historian has called "the conservative alternative to working class radicalism."
ellauri197.html on line 370: Those, like so many spheres, but one heaven make, Niistä, kuten sfääreistä, syntyy vain 1 taivas,
ellauri197.html on line 401: Through this extract of ‘Love’s Organ´s Growth’, the poet, John Donne, says that if love takes such additions (gentle love deeds), as more circles are produced by one stirred in water, those, like so many spheres, make only one heaven, for they are all centered in her. When the poet says: Spheres, he refers to the Ptolemaic astronomy, the spheres were a series of concentric hollow globes which revolved around the earth and carried the heavenly bodies with them. There were supposed to be nine such hollow globes and together they made up what we call the ‘heaven’.
ellauri197.html on line 403: Here the term ‘concentrique’ means one circle within the other, or circles or globes with a common center. Here this common center is earth. Hence the spheres were supposed to be concentric or centered upon the earth. The first four lines of this extract can also be analyzed like: just as when water is stirred additional circles are produced by the original one, then these new additions will only constitute one heaven, like the spheres in the Ptolemaic astronomy form only one heaven; and that is because all these additions will be centered on you, just as in that system the spheres are all centered on the earth.
ellauri198.html on line 697: From the time of their marriage and until Elizabeth's death, the Brownings lived in Italy, residing first in Pisa, and then, within a year, finding an apartment in Florence at Casa Guidi (now a museum to their memory). Their only child, Robert Wiedemann Barrett Browning, nicknamed "Penine" or "Pen", was born in 1849. In these years Browning was fascinated by, and learned from, the art and atmosphere of Italy. He would, in later life, describe Italy as his university. As Elizabeth had inherited money of her own, the couple were reasonably comfortable in Italy, and their relationship together was happy. However, the literary assault on Browning's work did not let up and he was critically dismissed further, by patrician writers such as Charles Kingsley, for the desertion of England for foreign lands.
ellauri203.html on line 231: To begin with, Dostoevsky only saw practicality in his marriage to Snitkina: he was in need of stability and confidence in the future. As a result, the union began down to head along the same route as his previous relationships. However, the couple’s extended “honeymoon” abroad, which ended up lasting four years, allowed them to escape Russia’s oppressive atmosphere and try to build a family. It began well: Sonya, a little girl, was born a year after their marriage. Tragedy soon struck, however, when Sonya passed away. The pair went on to have three more children, one of whom also died. They were married for 14 years until Dostoevsky’s death, in which time Snitkina experienced a great deal of anguish brought on by Dostoevsky’s difficult character and lifestyle, namely his jealousy and gambling addiction. However, she remained stoically committed to him and did not remarry after his death, when she was just 35.
ellauri204.html on line 584: Douze points to Jameson for showing middle finger to postmodernism. Sehän on selvää sumutusta, kapitalismin siirtomaatavarakaupan savuverhoa. In his view, postmodernity's merging of all discourse into an undifferentiated whole was the result of the colonization of the cultural sphere, which had retained at least partial autonomy during the prior modernist era, by a newly organized corporate capitalism. Nimenomaan niin!
ellauri204.html on line 786: sphere.org/wp-content/uploads/2013/05/vulture-child.jpg" width="80%" />
ellauri204.html on line 789: Is social media the cure to poverty porn? - Humanosphere.
ellauri219.html on line 1024: The American sublime, as Harold Bloom has said, “is always also an American irony”. Jayne Mansfield's bumper bullets. People hugging their pit bulls sexually and getting 15 years for it. Do you know what Teilhard de Chardin called the “noosphere”? Not the foggiest. I think what Rachel has in mind here is the Internet. Who is or was Teilhard anyway? Teilhard was mentioned by Pynchon, see album 69. Not a very memorable character apparently. Tässä Pierren tärkeimpiä läppiä, aika heruttavia:
ellauri221.html on line 302: Bond meets Goodhead again once Drax puts them under ´Moonraker 5´ to be incinerated by the lift-off. They escape and are able to pilot ´Moonraker 6´. After following Drax to his space station, Goodhead and Bond listen to Drax´s speech and leave. Jaws later captures them after the first globe is launched. Drax tells Bond about his plan about having perfect human beings on his earth, with no physical peculiarity or ugliness, but this is overheard by Jaws. He sees that because of his ugly steel teeth, he will be destroyed alongside his ugly girlfriend, Dolly, so turns on Drax and helps Bond and Goodhead to fight Drax´s men. After Bond goes to defeat Drax, Goodhead helps him, and Dolly and Jaws get off on the self-destructing space station, escaping on a pod of their own into Earth´s atmosphere. Bond and Goodhead go after the globe, nearly destroying its inhabitants, but not quite. Bugger it.
ellauri222.html on line 111: I remember saying to myself, “Well, why not take a short break and have at least as much freedom of movement as this running water.” My first thought was that I must get rid of the hospital novel—it was poisoning my life. And next I recognized that this was not what being a novelist was supposed to have meant. . . . I felt just now that I had allowed myself to be dominated by the atmosphere of misery or surliness, that I had agreed somehow to be shut in or bottled up.
ellauri236.html on line 192: In another of Mr. Chase's books, He Won't Need It Now, the hero, who is intended to be a sympathetic and perhaps even noble character, is described as stamping on somebody's face, and then, having crushed the man's mouth in, grinding his heel round and round in it. Even when physical incidents of this kind are not occurring, the mental atmosphere of these books is always the same. Their whole theme is the struggle for power and the triumph of the strong over the weak. The big gangsters wipe out the little ones as mercilessly as a pike gobbling up the little fish in a pond; the police kill off the criminals as cruelly as the angler kills the pike. If ultimately one sides with the police against the gangsters, it is merely because they are better organized and more powerful, because, in fact, the law is a bigger racket than crime. Might is right: vae victis. But think of it, what is new? All undying epic heroes are described as stamping on one anothers faces.
ellauri236.html on line 198: There exists in America an enormous literature of more or less the same stamp as No Orchids. Quite apart from books, there is the huge array of ‘pulp magazines’, graded so as to cater for different kinds of fantasy, but nearly all having much the same mental atmosphere. A few of them go in for straight pornography, but the great majority are quite plainly aimed at sadists and masochists. Sold at threepence a copy under the title of Yank Mags(4), these things used to enjoy considerable popularity in England, but when the supply dried up owing to the war, no satisfactory substitute was forthcoming. English imitations of the ‘pulp magazine’ do now exist, but they are poor things compared with the original. English crook films, again, never approach the American crook film in brutality. And yet the career of Mr. Chase shows how deep the American influence has already gone. Not only is he himself living a continuous fantasy-life in the Chicago underworld, but he can count on hundreds of thousands of readers who know what is meant by a ‘clipshop’ or the ‘hotsquat’, do not have to do mental arithmetic when confronted by ‘fifty grand’, and understand at sight a sentence like ‘Johnny was a rummy and only two jumps ahead of the nut-factory’. Evidently there are great numbers of English people who are partly americanized in language and, one ought to add, in moral outlook. For there was no popular protest against No Orchids. In the end it was withdrawn, but only retrospectively, when a later work, Miss Callaghan Comes to Grief, brought Mr. Chase's books to the attention of the authorities. Judging by casual conversations at the time, ordinary readers got a mild thrill out of the obscenities of No Orchids, but saw nothing undesirable in the book as a whole. Many people, incidentally, were under the impression that it was an American book reissued in England.
ellauri236.html on line 204: In borrowing from William Faulkner's Sanctuary, Chase only took the plot; the mental atmosphere of the two books is not similar. Chase really derives from other sources, and this particular bit of borrowing is only symbolic. What it symbolizes is the vulgarization of ideas which is constantly happening, and which probably happens faster in an age of print. Chase has been described as ‘Faulkner for the masses’, but it would be more accurate to describe him as Carlyle for the masses. He is a popular writer — there are many such in America, but they are still rarities in England — who has caught up with what is now fashionable to call ‘realism’, meaning the doctrine that might is right. The growth of ‘realism’ has been the great feature of the intellectual history of our own age. Why this should be so is a complicated question. The interconnexion between sadism, masochism, success-worship, power-worship, nationalism, and totalitarianism is a huge subject whose edges have barely been scratched, and even to mention it is considered somewhat indelicate. To take merely the first example that comes to mind, I believe no one has ever pointed out the sadistic and masochistic element in Bernard Shaw's work, still less suggested that this probably has some connexion with Shaw's admiration for dictators. Fascism is often loosely equated with sadism, but nearly always by people who see nothing wrong in the most slavish worship of Stalin. The truth is, of course, that the countless English intellectuals who kiss the arse of Stalin are not different from the minority who give their allegiance to Hitler or Mussolini, nor from the efficiency experts who preached ‘punch’, ‘drive’, ‘personality’ and ‘learn to be a Tiger man’ in the nineteen-twenties, nor from that older generation of intellectuals, Carlyle, Creasey and the rest of them, who bowed down before German militarism. All of them are worshipping power and successful cruelty. It is important to notice that the cult of power tends to be mixed up with a love of cruelty and wickedness for their own sakes. A tyrant is all the more admired if he happens to be a bloodstained crook as well, and ‘the end justifies the means’ often becomes, in effect, ‘the means justify themselves provided they are dirty enough’. This idea colours the outlook of all sympathizers with totalitarianism, and accounts, for instance, for the positive delight with which many English intellectuals greeted the Nazi-Soviet pact. It was a step only doubtfully useful to the U.S.S.R., but it was entirely unmoral, and for that reason to be admired; the explanations of it, which were numerous and self-contradictory, could come afterwards.
ellauri236.html on line 210: One ought not to infer too much from the success of Mr. Chase's books. It is possible that it is an isolated phenomenon, brought about by the mingled boredom and brutality of war. (LOL) But if such books should definitely acclimatize themselves in England (or Nigeria!), instead of being merely a half-understood import from America, there would be good grounds for dismay. In choosing Raffles as a background for No Orchids I deliberately chose a book which by the standards of its time was morally equivocal. Raffles, as I have pointed out, has no real moral code, no religion, certainly no social consciousness. All he has is a set of reflexes the nervous system, as it were, of a gentleman. Give him a sharp tap on this reflex or that (they are called ‘sport’, ‘pal’, ‘woman’, ‘king and country’ and so forth), and you get a predictable reaction. In Mr. Chase's books there are no gentlemen and no taboos. Emancipation is complete. Freud and Machiavelli have reached the outer suburbs. Comparing the schoolboy atmosphere of the one book with the cruelty and corruption of the other, one is driven to feel that snobbishness, like hypocrisy, is a check upon behaviour whose value from a social point of view has been underrated.
ellauri240.html on line 142: The Global Times did not comment on the authenticity of the pictures, but since the government wields extensive control over state media, the report's appearance and the fact that censors have not removed images from websites suggest a calculated move to leak the information into the public sphere.
ellauri241.html on line 353: Thy spheres, and as thy silver proxy shine? sinun pallejasi ja nuppiasi, välityspalvelin loistava?
ellauri241.html on line 677: Twelve sphered tables, by silk seats insphered, Kaksitoista pallomaista pöytää, silkkipenkeillä reunustettuna,
ellauri241.html on line 1219: To his capable ears, silence was music from the holy spheres;

ellauri262.html on line 392: The academic critic Q. D. Leavis criticises Sayers in more specific terms in a review of Gaudy Night and Busman's Honeymoon, published in the critical journal Scrutiny, saying her fiction is "popular and romantic while pretending to realism." Leavis argues that Sayers presents academic life as "sound and sincere because it is scholarly," a place of "invulnerable standards of taste charging the charmed atmosphere".[46] But, Leavis says, this is unrealistic: "If such a world ever existed, and I should be surprised to hear as much, it does no longer, and to give substance to a lie or to perpetuate a dead myth is to do no one any service really." Leavis comments that "only best-seller novelists could have such illusions about human nature."
ellauri267.html on line 1393: Sebastião was one of the most extraordinary monarchs that Portugal ever produced. Ascending the throne in an atmosphere of great emotion, he was widely acclaimed as the answer to his subjects’ prayers and a prince who would save his country’s independence. Two decades later, he achieved precisely the opposite, dying heroically but unnecessarily on the distant North African battlefield of Al-Ksar al-Kabir on 4 August 1578, leaving no heir to succeed him. The collection concludes with studies under the heading of 'historiography and problems of interpretation', on Britain's Charles III and his boxer Camilla, and on Vasco da Gama's reputation for violence.
ellauri301.html on line 333: A braai is about being South African. What makes a braai truly South African are the traditions that have become common practise in a vast majority of households in this beautiful country. It is so much more than just the cooking of food but also the gathering of friends and loved ones. The atmosphere and VIBE of the braai is what makes it such a special event for all South Africans, black, white and yaller!
ellauri313.html on line 170: Morrison wanted to call the novel War but was overridden by her editor. Ei kyllä tässä lähes kaikki ovat lakukeppejä. Rotuviha on korvautunut tässä niteessä miesvihalla. Throughout the novel, the women of the Convent provide a safe haven for all those who come to its doorstep. However, the Convent is widely perceived as a corrupting influence in Ruby (a negro town), the source of their problems rather than where problems must go because of Ruby's intolerant atmosphere. Both the men of Haven and Ruby exhibit a patriarchal nature. This is seen through their intense hatred for the Convent women who are unconventional and nonconforming.
ellauri313.html on line 473: Most Americans are not entirely comfortable with the concept of "cool," or businesslike, negotiations in an atmosphere of some degree of physical threat or coercion. For the most part, they do not consciously assign to force any rational or reasonable role in "ordinary" negotiations. In the recent past (except in the case of "just" revolutions), we have tended to the view that only a criminal or a sick or insane person initiates the use of force. Therefore, we are inclined to believe that someone who uses force is not only our enemy, but an enemy of humanity—an outlaw who deserves extermination, imprisonment, or medical constraint and treatment. The "crusade," and even an initial pacifism as well, comes more naturally to Americans than the kind of cool, restrained, and moderate willingness to threaten or use force that will be suggested in this book.
ellauri321.html on line 105: For many years after Hazlitt had sounded his note of praise, Crèvecoeur and his work remained practically unknown. The ideas for which he stood, the literary atmosphere that he created, were both old-fashioned. Few people took Rousseau from their upper shelves, and the dust gathered on the tomes of Chateaubriand. Even Werther was more talked about than read. And so no one cared for this Earthly Paradise of the Age of Reason dashed with Rousseau's sentimentality, filled with his love of Nature, and prophetic of the whole Emigrant literature of France.
ellauri321.html on line 114: Crèvecoeur's book differs from other works descriptive of early conditions in America in that xvi that it should be regarded primarily as a piece of literature. Beyond the information that is given by it there is the more permanent significance of its tone and atmosphere, of its singularly engaging style, and of the fact that it forms part of a great literary movement.
ellauri323.html on line 121: Yet, though a Greek would have railed at her asymmetry, and an Elizabethan have called her “gipsy,” Miss Dobson now, in the midst of the Edwardian Era, was the toast of two hemispheres.
ellauri375.html on line 630: I am a neural entity too. Buy I rather like to think of you as a member of the opposite sex, or hemisphere if you prefer. What about you?
ellauri378.html on line 657: The Daily Telegraph praised Black Ops as its "meaty kick of the guns, the blistering pace of the action and the sterling soundtrack of explosions, gunshots and whistling bullets all serve to quicken the player's pulse and tighten their grip on the controller", and how the game is "compensated for by the nail-shredding tension and creepy atmosphere".
ellauri381.html on line 166: Post-Soviet southeastern Ukraine differed from the west of the country all these years in that it did not have its own identity or national identity. This resulted in quite a sad circumstance, given that even when representatives of the southeast were in power in Kiev, the whole humanitarian sphere of politics was left in the hands of Ukrainian nationalists from Galicia.
ellauri381.html on line 585: Ignat Solzhenitsyn is adamant that his father’s withdrawal from the public sphere was a reaction to the suffering and paranoia he had encountered in the Soviet Union, and the need to write about these experiences. It was not a disapproval of his host country that drove him to hide behind barbed wire fences in the Vermont woods.
ellauri389.html on line 77: All this lexical play upon the word "china" that Elia performs has an imperial logic: it lets a teacup metonymize the East Asian empire. Porcelain collecting is a way of possessing the country, as porcelain purchasers such as Elia display a piece of China earth in British domestic space, offering everyday access to another exotic world every time he indulges in a cup of proverbial British tea. Deliberately confusing his cup's porcelain glaze with "the lucid atmosphere of fine Cathay" Elia imperially assumes the painted pictures on his teacup to be a telescopic vision of China itself ("for so we must in courtesy interpret that speck of deeper blue").
xxx/ellauri075.html on line 122: Today, Shestov is little known in the English-speaking world. This is partly because his works have not been readily available. Partly the specific themes he discusses are unfashionable and "foreign". A sombre and yet ecstatic atmosphere permeates his writings. And his quasi-nihilistic position and religious outlook are an unsettling and incongruous combination, at first sight.
xxx/ellauri075.html on line 182: Today, Shestov is little known in the English-speaking world. This is partly because his works have not been available in English. Partly the specific themes he discusses are unfashionable and "foreign". A sombre and yet ecstatic atmosphere permeates his writings. And his quasi-nihilistic position and religious outlook are an unsettling and incongruous combination, at first sight.
xxx/ellauri075.html on line 303: Friedrich Konrad Eduard Wilhelm Ludwig Klages (10 December 1872 – 29 July 1956) was a German philosopher, psychologist, graphologist, poet, writer, and lecturer, who was a two-time nominee for the Nobel Prize in Literature. In the (rather odious) Germanosphere, he is considered one of the most important thinkers of the 20th century.
xxx/ellauri121.html on line 304: After graduating in English from the University of Toronto, the young poet— she was by now publishing in Canadian literary magazines—enrolled in graduate school at Radcliffe, the all-female women university at Harvard, in 1961. She was chagrined by the intensely chauvinistic atmosphere: among other things, female students were not allowed access to the university’s modern poetry collection in the Lamont Library. Only men could read all the juicy bits.
xxx/ellauri121.html on line 472: Prayerfest is a one-day festival of prayer. In an atmosphere of passionate worship, fervent praying and powerful preaching, unique expressions of the Holy Spirit are displayed that lead to an encounter with God. Over a six-week period, hundreds of people prepare themselves to meet with God at Prayerfest. God responds to the desperate cries and passionate prayers of His people on a first come-first serve basis for a holy visitation—by invading their lives with His power and glory. Here are some ways to help you prepare for this special day:
xxx/ellauri215.html on line 364: Alexander Stubb who has had direct experience with Putin and Russia, comments on the situation says, "The first argument is that Russia could not help itself. Russia has already been an expansionist and aggressive state. Unlike eg. Greece, Italy, Sweden, Britain, France, Germany and the U.S.A. You have to understand Russia's history to understand where Russia is coming from. ... Russia believes in destiny, there is a certain nostalgia and narrative of it’s expansionist past, which previously made Russia into a great superpower. So the argument that Russia is somehow working to defend itself from Ukraine doesn’t stand up. Russia could not help itself. Its like bulimia. There was absolutely no reason for Russia to attack. Russia just doesn't like capitalist democratic neighbors, just like America does not like communists, and the only one they allow to exist is Finland, which is insignificant. For the rest they think of spheres of interest and power, like the Chinamen."
xxx/ellauri215.html on line 386: Its mere existence has been a guarantee for peace. Now Putin has used NATO expansion as an excuse. But remember, he attacked Georgia after Gruzia started it and created the frozen conflict, only a few months after the NATO summit in Bucharest in 2008. That too had nothing to do with NATO. It had much more to do with an expansionist Russia and Putin who wanted to create their own spheres of interest and cause insecurity around his neighborhood. As if one big Western sphere of interest would not be enough globally.
xxx/ellauri225.html on line 427: Crane was admired by artists including Allen Tate, Eugene O´Neill, Kenneth Burke, Edmund Wilson, E. E. Cummings and William Carlos Williams. Although Hart had his sharp critics, among them Marianne Moore and Ezra Pound, Moore did publish his work, as did T. S. Eliot, who, moving even further out of Pound´s sphere, may have borrowed some of Crane´s imagery for Four Quartets, in the beginning of East Coker, which is reminiscent of the final section of "The River", from The Bridge.
xxx/ellauri232.html on line 356: I love the Shabbat experience (especially the candle lighting and the kiddush), but why so many restrictions? No driving, no shopping, no playing music, no chatting on the phone — you're not even allowed to check your e-mail! Sounds more like a prison than a day of rest. Why not just focus on the beautiful rituals and the restful atmosphere? I'd love to start keeping Shabbat, but all that "don't do this" and "don't do that" is a real turn-off...
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xxx/ellauri380.html on line 397: Cover worn, page edges tanned. Shipped from the U.K. All orders received before 3pm sent that weekday. Solzhenitsyn. Antikvár partner. sphere books | 1973 | papír / puha kötés | 239 oldal. Vásárlói értékelések, vélemények. Kérjük, lépjen be az értékeléshez!
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