Throughout all the stories of Judges the popular faith in YHWH/Baal runs like alternating current. This faith raises the judges, and inspires poets, prophets, and Nazirites. ... Worship of Baals and Ashtoreths has been schematically interspersed between these chapters. No trace of a vital, popular belief in any specifically foreign gods can be detected in the stories. Baal prophets were identified snd eliminated in Israel centuries later; but during the age of the judges when Israel is supposed to have been most deeply affected by the religion of Canaan, there are no Baal priests or prophets to speak of, nor any other intimation of any trouble from polytheism in Israel’s life, while the Deuteronomist and the present form of Jeremiah phrase the Judahite godnapping as struggle about monolatry or monotheism against henotheism or polytheism.
ellauri502.html on line 160: 1. The Paradox of Pride (The "Lucifer" Problem. AKA "familiarity breeds contempt" or "oderint dum metuant"). In Christian lore, the ultimate rebellion didn't start with suffering humans; it started with the angels (specifically Lucifer). According to the story, Lucifer lived in absolute perfection, surrounded by God's constant goodness, beauty, and love. He suffered zero torture.Yet, precisely because he had it so good, he grew proud. He didn't want to just bask in God's goodness; he wanted to be God.Theologians argue that if God makes an environment 100% perfect and safe, free creatures eventually take the goodness for granted and begin to resent the Authority who provides it. Human history shows that people often become the most selfish and destructive not when they are suffering, but when they are incredibly comfortable and spoiled. So it is important to whack them constantly to keep them on their toes.
ellauri502.html on line 334: In orthodox Christian theology, God Himself holds absolute authority over Hell, and Jesus specifically acts as its ultimate judge and controller.If you want to use the prison metaphor, Jesus is indeed the warden, though not in the way we typically think of a jailer. He didn't go there as a victim. Icons of this event show Him kicking down the gates of the underworld, trampling Satan, and breaking the chains of the prisoners to rescue Adam, Eve, and the Old Testament saints.
ellauri503.html on line 301: The tea towel was stolen and taken to Western Europe, eventually being sold to King Louis IX of France. He built the famous Sainte-Chapelle in Paris specifically to house the Mandylion and the Crown of Thorns. The cloth remained a prize of the French monarchy until the French Revolution. In 1792, revolutionaries stormed the royal treasury, looking to destroy religious artifacts and melt down gold reliquaries.
ellauri505.html on line 211: Yes, Baruch (Benedict) de Spinoza explicitly details three levels of knowledge in his philosophical masterpiece, Ethics (specifically in Part II, Proposition 40, Scholium 2). While he went by Benedict, not "Eggs Benedict," his breakdown of how humans perceive reality remains a foundational concept in philosophy.
ellauri507.html on line 355: The quote didn't forget those who switched coats or jumped ship—it was specifically setting them aside to point out that before 1917, Russian thought was shaped by spiritual and philosophical traditions that didn't fit into left vs. right at all.
ellauri507.html on line 470: The shift you are describing is a central component of how U.S. foreign policy and aid conditions operate."Values-Based Diplomacy" refers to a general mechanism of American foreign policy—specifically, using grants, trade agreements, tariffs, assassinations, kidnapping, genocidal threats, heavy bombardment and diplomatic pressure to push recipient nations to align with the domestic values, social standards, and ideological priorities of whatever administration happens to be in power in Washington.The actual definitions of those "values" flip dramatically depending on who controls the White House. Democrat-led Administrations tended to condition foreign assistance and partnerships on compliance with environmental standards, climate goals (e.g., Paris Agreement targets), diversity, equity, and inclusion (DEI) initiatives, and explicit LGBTQ+/gender rights protections.
Republican/Trump Administrations: Systematically roll back or outright ban those specific grant conditions. Instead, aid and diplomatic alignment are often conditioned on different sets of ideological or policy priorities—such as restricting access to foreign funding for reproductive health/abortion providers (e.g., the Mexico City Policy/Global Gag Rule), prioritizing border enforcement/migration controls, deregulation, fossil fuel development, and restricting diversity or ESG programs abroad.
xxx/ellauri103.html on line 142: Thicc is a slang term for a full-figured body, specifically a big butt and curvy waist. It is used both sexually and humorously.
xxx/ellauri103.html on line 187: The student government issued a “statement of solidarity” with “all the students who were injured and affected by the incident,” and demanded that administrators “create a safe space for those students who have been or feel specifically targeted.” The tequila party, the statement specified, was just the sort of occasion that “creates an environment where students of colour, particularly Latino, and especially Mexican, feel unsafe.” In sum, the party-favour hats constituted – wait for it – “cultural appropriation.”
xxx/ellauri103.html on line 281: I reviewed a novel recently that I had regretfully to give a thumbs-down, though it was terribly well intended; its heart was in the right place. But in relating the Chinese immigrant experience in America, the author put forward characters that were mostly Chinese. That is, that’s sort of all they were: Chinese. Which isn’t enough. They ought to be specifically American Chinese immigrants, believers in the American Dream. That would have fattened them out.
xxx/ellauri113.html on line 114: Today, many physicists believe that the holographic principle (specifically the AdS/CFT duality) demonstrates that Hawking's conclusion was incorrect, and that information is in fact preserved. In 2004 Hawking himself conceded a bet he had made, agreeing that black hole evaporation does in fact preserve information.
xxx/ellauri128.html on line 639: As an undergraduate, Atkinson read Simone de Beauvoir´s The Second Sex, and struck up a correspondence with de Beauvoir, who suggested that she contact Betty Friedan. Atkinson became an early member of Friedan´s National Organization for Women. Atkinson´s time with the organization was tumultuous, including a row with the national leadership over her attempts to defend and promote Valerie Solanas and her SCUM Manifesto in the wake of the Andy Warhol shooting. In 1968 she left the organization because it would not confront issues like abortion and marriage inequalities. She founded the October 17th Movement, which later became The Feminists, a radical feminist group active until 1973. By 1971 she had written several pamphlets on feminism, was a member of the Daughters of Bilitis and was advocating specifically political lesbianism. "Sisterhood," Atkinson famously said, "is powerful. It kills mostly sisters." The Daughters of Bilitis / b ɪ ˈ l iː t ɪ s /, also called the DOB or the Daughters, was the first lesbian civil and political rights organization in the United States. Bilitis is not cholitis nor Kari Matihaldi disease, but a fictional companion of Sappho.
xxx/ellauri149.html on line 382: Jesus Christ Superstar is a Rock Opera and (subverted?) Passion Play by Andrew Lloyd Webber and Tim Rice. Originally released as a Concept Album in 1970 (when Lloyd Webber and Rice were still in their very early twenties, no less!), it made its way to the Broadway and London stage in 1971, and was adapted into a film directed by Norman Jewison in 1973. An updated version was recorded sometime around 2000 by Webber's Really Useful Group for PBS. A filmed version of the UK arena tour starring Tom Munchin as Judas was released on DVD and digital in 2012, and a live adaptation starring John Lennon as Jesus, Sara Bareilles as Mary Magdalene and Alice Cooper as Herod that aired on NBC in 2018. The show lives on in stage productions and tours (and even non-theatrical tribute albums from fans who were more attracted to it as an album than a show) to this day. Inspired by… The Four Gospels of The Bible (specifically the arrival in Jerusalem and subsequent crucifixion of Jesus), it chronicles the last seven days of Jesus' life, focusing mainly on the characters of Jesus, Judas and Mary Magdalene. It's regarded among Andrew Lloyd Webber's best works, which is not saying much. It's a pseudo-sequel to Joseph and the Amazing Technicolor Dreamcoat, though this took a bit more liberty with the source material and is considerably less playful.
xxx/ellauri149.html on line 418: Still, many Yaoi Fans and Yuri Fans willingly interpret any interaction as potentially gay even for those specifically stated by their creators to be straight (in which case the author may be very annoyed by the fans' insistence otherwise).
xxx/ellauri178.html on line 319: Pooh, NONE of these deal with impotence of the pecker specifically. Hasn't the good book got ANY comforting words to offer? No wonder people get suicidal.
xxx/ellauri186.html on line 747: Christianity, and especially Judeo-Christianity. Thus the Quran alludes repeatedly to the content of the Pentateuch and the Gospels. But while it is true that more Quranic material is classifiable as “Judaic” or “Christian” than as specifically “Judeo-Christian,” nonetheless the influence of the later is central; for whereas the “Judaic” and “Christian” material consists of references to “known facts,” or allusions to, and occasional retellings of, stories and legends, the Judeo-Christian material shaped the theology of the Quran.
xxx/ellauri187.html on line 182: In September 2006, Siegel was suspended from The New Republic after an internal investigation determined he was participating in misleading comments in the magazine's "Talkback" section in response to criticisms of his blog postings at The New Republic's website. The comments were made through the device of a "sock puppet" dubbed "sprezzatura", who, as one reader noted, was a consistently vigorous defender of Siegel, and who specifically denied being Siegel when challenged by another commenter in "Talkback". In response to readers who had criticized Siegel's negative comments about TV talk show host Jon Stewart, 'sprezzatura' wrote, "Siegel is brave, brilliant, and wittier than Stewart will ever be. Take that, you bunch of immature, abusive sheep". The New Republic posted an apology and shut down Siegel's blog. In an interview with the New York Times Magazine, Siegel dismissed the incident as a "prank". He resumed writing for The New Republic in early 2007.
xxx/ellauri193.html on line 60: For example, the lack of (specifically affective) empathy is a well documented hallmark in clinical psychopathy used to explain their often persistent, instrumental violent behaviour. Our own work supports the notion that one of the reasons people with dark traits hurt other people or have difficulties in relationships is an underpinning lack of empathy.
xxx/ellauri215.html on line 374: This has been put into the UN charters, but more specifically to the Helsinki accords. It is about international law. It is about sovereignty and independence. Sovereignty and independence is what NATO is all about. It is about the agency of a country like Ukraine to decide its own destiny. It is not up to a greater power like Russia or NATO to take that decision for Ukraine. And I say this as a Swedish Finn, next to Russia in Westend, Esbo, which shares a 1,34 km border with the capital. A county that has had to compromise on its basic economic liberal values at different stages in history.
xxx/ellauri225.html on line 264: In a speech at the 2014 National Book Awards, Le Guin criticized Amazon and the control it exerted over the publishing industry, specifically referencing Amazon's treatment of the Hachette Book Group during a dispute over ebook publication. Her speech received widespread media attention within and outside the US, and was broadcast twice by National Public Radio.
xxx/ellauri225.html on line 272: Several scholars have commented that Le Guin´s writing was influenced by Carl Jung, and specifically by the idea of Jungian archetypes. In particular, the shadow in A Wizard of Earthsea is seen as the Shadow archetype from Jungian psychology, representing Ged´s pride, fear, and desire for power. Le Guin discussed her interpretation of this archetype, and her interest in the dark and repressed parts of the psyche, in a 1974 lecture. She stated elsewhere that she had never read Jung before writing the first Earthsea books. Other archetypes, including the Mother, Animus, and Anima, have also been identified in Le Guin´s writing.
xxx/ellauri225.html on line 276: Although Le Guin is primarily known for her works of speculative fiction, she also wrote realistic fiction, non-fiction, poetry, and several other literary forms, which makes her work quite difficult for librarians to classify. Her writings received critical attention from mainstream critics, critics of children´s literature, and critics of speculative fiction. Le Guin herself said that she would prefer to be known as an "American novelist". Le Guin´s transgression of conventional boundaries of genre led to literary criticism of Le Guin becoming "Balkanized", particularly between scholars of children´s literature and speculative fiction. Commentators have noted that the Earthsea novels specifically received less critical attention because they were considered children´s books. Le Guin herself took exception to this treatment of children´s literature, describing it as "adult chauvinist piggery". In 1976, literature scholar George Slusser criticized the "silly publication classification designating the original series as 'children's literature'", while in Barbara Bucknall´s opinion Le Guin "can be read, like Tolkien, by ten-year-olds and by adults. These stories are ageless because they deal with problems that beset us at any age."
xxx/ellauri233.html on line 377: Missä kohen Jamesin Blackthornen seikkailut poikkeavat esikuvastansa Adamsista? No mietitään - tää on romaani, eikä pelkkä rags to riches tositarina. Ei siis riitä pelkkä (E), pitää olla paxulti myös (K) ja (F). Näyttää siinä olevan kaikenlaista nujakointia, ja aika pian on jonkin verran myös japsunaisten nussintaa (sitähän oli Aatamilla kyllä izellään). "As they spend more time together, Blackthorne comes to deeply admire both Toranaga and (specifically) Mariko, and all three secretly become lovers." Samainen Mariko (joka on sentään vaan japsulainen nainen) silputaan smithereeneixi. "However, she and Blackthorne and the other ladies of Toranaga's "court", escape into a locked room. As the ninja prepare to blow the door open Mariko stands against the door and is killed by the explosion." No jäähän Toranagalle vielä "Lady Anjin". Entäs moraali? "Blackthorne is torn between his growing affection for Mariko (who is married to a powerful, abusive, and dangerous samurai, Buntaro), his increasing loyalty to Toranaga, his household and consort, a "Willow world" courtesan named Kikuli, and his desire to return to the open seas aboard Erasmus so he can intercept the Black Ship fleet before it reaches Japan." Onpa hienoa: (E,F,K) konfliktoituvat! "There are other recurring themes of Eastern values, as opposed to Western values, masculine (patriarchal) values as opposed to human values, etc."
xxx/ellauri233.html on line 418: In the course of the Hasidic movement's establishment, opponents (Misnagdim) arose among the local Jewish community. Disagreements between Hasidim and their opponents were debated with knives used by butchers for shechita, slaughtering of certain mammals and birds for food according to kashrut. Kashrut (also kashruth or kashrus, כַּשְׁרוּת) is a set of dietary laws dealing with the foods that Jews are permitted to eat and how those foods must be prepared according to Jewish law. Food that may be consumed is deemed kosher (/ˈkoʊʃər/ in English, Yiddish: כּשר), from the Ashkenazic pronunciation (KUHsher) of the Hebrew kashér (כָּשֵׁר), meaning "fit" (in this context: "fit for consumption"). Oh, and the phrasing of prayers, among others. In the case of an adhesion on cattle's lungs specifically, there is debate between Ashkenazic customs and Sephardic customs.
xxx/ellauri394.html on line 164: From May 1892 to January 1893, the legislature of the Kingdom convened for an unprecedented 171 days, which later historians such as Albertine Loomis and Helena G. Allen dubbed the "Longest Legislature". This session was dominated by political infighting between and within the four parties: National Reform, Reform, National Liberal and Independent; none were able to gain a majority. Debates heard on the floor of the houses concerned the popular demand for a new constitution and the passage of a lottery bill and an opium licensing bill, aimed at alleviating the economic crisis caused by the McKinley Tariff. The main issues of contention between the new monarch and the legislators were the retention of her cabinet ministers, since political division prevented Liliʻuokalani from appointing a balanced council and the 1887 constitution gave the legislature the power to vote for the dismissal of her cabinet. Seven resolutions of want of confidence were introduced during this session, and four of her self-appointed cabinets (the Widemann, Macfarlane, Cornwell, and Wilcox cabinets) were ousted by votes of the legislature. On January 13, 1893, after the legislature dismissed the George Norton Wilcox cabinet (which had political sympathies to the Reform Party), Liliʻuokalani appointed the new Parker cabinet consisting of Samuel Parker, as minister of foreign affairs; John F. Colburn, as minister of the interior; William H. Cornwell, as minister of finance; and Arthur P. Peterson, as attorney general. Exclusively palefaces in the posse, where are all the coons hiding? She chose these men specifically to support her plan of promulgating a new constitution while the legislature was not in session.
xxx/ellauri415.html on line 170: Yarmulke comes from joining two Hebrew words together, which were Yarei Malka, essentially meaning ‘fear of the king.’ They essentially mean the same thing, with the only difference being that the cap is called Kippah in the Hebrew language, and it is called Yarmulke in the Yiddish language. However, both of them refer to the same cap, which is worn above the head, specifically by people who practice Judaism.
xxx/ellauri417.html on line 546: This is a sequel to 2020's The Morning Star, right? I must have asked myself that at least a dozen times during the first several hundred pages of "The Wolves of Eternity," because it's not at all apparent. At 666 pages, "The Morning Star" was stuffed full of characters. "The Wolves of Eternity," at 800 pages, is really only concerned with two, neither of whom was featured in the previous book. It's not until more than 700 pages in — 700! — that the same star appears in the sky, equally befuddling the characters of this second book. Up until that point, though, "The Wolves of Eternity" feels like it exists in an entirely separate universe from that first one. I'm sorry to say, that's not a good thing. This is the eighth work of fiction I've read by Karl Ove Knausgård, who, following the second entry in his "My Struggle" series, quickly became one of my favorite authors. I loved all six books in that series, and I loved the first entry in this one, the aforementioned "Morning Star." But this? This book feels as soggy as that one felt crisp. Insipid and light whereas that book felt meaningful and weighty. The first book is a thriller of the best sort, a Dostoevsky-like work full of moral dilemmas and gothic horror. This one feels meandering and pointless. An incredibly taxing number of words to no real purpose. If this had been the first book in the series, it would have been my last. Only because the first one was so good will I carry on and read the third part when it's released, but I'll do so warily, much less inclined to forgive than I was going into this one. I mentioned that while "The Morning Star" contained a whole plethora of characters, this one contains only two. Or maybe 2 1/2. There's a barely formed writer character who suddenly begins to be featured toward the end. We're even treated to one of her essays, although "treated" would be the wrong word. It's a bore. Otherwise, "The Wolves of Eternity" rotates entirely around two characters. We spend the first 450 or pages with Syvert in Norway, and 250 or so with Alevtina in Russia before flipping back to Syvert and then back again. It takes a good long while — i.e. 600+ pages — before we learn how these characters are connected but it doesn't really matter because neither one is particularly likable. Knausgård's writing around Syvert is better, which makes this part of the book slightly more readable (not that that's saying much) but Syvert still comes off as something of a charmless oaf. Alevtina, meanwhile, is even more unlikable. Prone to making rash emotional decisions, she's one of the more frustrating characters I've come across. I didn't like her part of the story at all, despite its arguably more interesting setting, and I was very eager to leave her behind. Another real axe I have to grind here concerns Martin Aitken's translation. It's terrible. Like, distractingly bad. For whatever reason, Aitken translates the entire book into what feels like British cockney. Why would a book set in Norway and Russia and consisting entirely of Norwegian and Russian characters have those characters — particularly Syvert — speaking like they're from East London? It doesn't make sense and it is never less than enraging. A book by a major literary star that feels like it was translated specifically for those who like their English in cockney? Why? The awful translation undoubtedly colored my view of the book, as I couldn't help but view Syvert as a lost character from Burgess' "Clockwork Orange." How did this milquetoast Alex DeLarge find himself in a Knausgård novel? I'm not sure I made it clear earlier, but I am a massive Knausgård fan. Truly. But this, for me, is a serious misfire. Perhaps, when the series is laid to rest, this second entry will be redeemed by dint of what comes after, but such redemption would be a miraculous turnaround — tantamount to the appearance of a huge new star in the sky. For now, though, I have to condemn this book not for being such a letdown, but simply for being such a massively dull book on its own. Bloated. Tired. Rudderless. A waterlogged corpse of a book.
xxx/ellauri441.html on line 281: The poem reflects on the past, specifically the speaker's memories of his son. The photograph serves as a tangible link to those memories, evoking feelings of longing and reflection.
xxx/ellauri450.html on line 504: Tolerance and its first cousin, diversity, are almost always buzzwords for homosexual advocacy. Especially SpongeBob SquarePants. SpongeBob and the other characters are making available a variety of explicitly pro-homosexual materials. He states that homosexual behavior, specifically "unwanted same-sex attraction", has been and can be "overcome" through understanding developmental models for homosexuality and choosing to heal the complex developmental issues which led to same-sex attraction. He claimed it would lead to a situation where "every woman and little girl will have to fear that a predator, bisexual, cross-dresser or even a homosexual or heterosexual male might walk in and relieve himself deep in their 'presence'."
xxx/ellauri486.html on line 508: Why did Westerners specifically want Jesus to be a bigger pin than the spirit of the lamp?
xxx/ellauri486.html on line 582: Augustine of Hippo argues for the theological understanding that the Holy Spirit proceeds from the Father and the Son (the Filioque) most notably in his treatise De Trinitate (On the Trinity), specifically in Books IV, V, and XV. He argues that the Spirit proceeds from the Father and the Son, who act as a single principle of origin, rather than two separate sources.
xxx/ellauri491.html on line 617: Legal framework: FUNAI (the indigenous affairs agency) exists specifically for protection, health, and land issues. Multiple Supreme Court decisions have upheld or expanded demarcations.
xxx/ellauri492.html on line 71: The refrain of "ain't gonna study war no more" is a reference to a quotation from the Book of Isaiah, chapter 2, verse 4 (KJV): "nation shall not lift up sword against nation, neither shall they learn war any more." One of the lines also references Jesus Christ, specifically, "Gonna talk with the Prince of Peace"...
xxx/ellauri493.html on line 146: No no, Ancient Jews did not slaughter or sacrifice lions. If my previous message made it sound like they did, I apologize for the confusion! The sacrificial laws in the Old Testament (Leviticus 1) strictly limited ritual sacrifices to domesticated herd animals and birds—specifically cattle, sheep, goats, doves, and pigeons. Lions are not kosher.
xxx/ellauri493.html on line 150: The tribe of Judah was specifically nicknamed the lion, despite what happened to the actual lions that used to live in the middle east.
xxx/ellauri493.html on line 207: Which of these virtues are specifically non Jewish?
xxx/ellauri493.html on line 209: None of them are specifically non‑Jewish. Self‑sacrifice, humility, compassion, moral integrity, forgiveness, and endurance/fortitude all appear in Jewish texts and teachings as well as in Christian and other moral traditions.
xxx/ellauri493.html on line 211: But the virtue of tit for tat is specifically Jewish?
xxx/ellauri493.html on line 213: No — "tit for tat" (reciprocal retaliation) is not specifically Jewish. It appears in many cultures and legal systems. Jewish sources do include laws and teachings about reciprocal justice (e.g., lex talionis "an eye for an eye" in the Hebrew Bible) but rabbinic interpretation often limits, mitigates, or redirects literal retaliation toward monetary compensation, proportional justice, and ethical restraint. Jewish ethics also emphasizes forgiveness, mercy, and loving-kindness, so reciprocity in law coexists with strong counsels against simple retaliation.
xxx/ellauri495.html on line 139: The Enola Holmes Mysteries is a young adult fiction series of detective novels by American author Nancy Springer, starring Enola Holmes as the 14-year-old sister of an already famous Sherlock Holmes, twenty years her senior. There are ten books in the series, and one short story all written from 2006–2023. This pastiche series borrows characters and settings from the established canon of Sherlock Holmes, but the Enola character is Springer's creation and specific to this series. There was an IPR lawsuit specifically referencing Holmes' becoming more emotional in the final ten works. The Enola 3 script, written by Jack Thorne, is an unoriginal story, not an adaptation of the book series The Enola Holmes Mysteries by Nancy Springer. Thorne is best known for writing the stage play Harry Potter and the Cursed Child (2016) and the television programme His Dark Materials (2019–2022). He graduated with lower second-class honours in 2002, representing a grading range of 50–59% in the UK education system. Everyone told me to do something else but I persevered as a playwright. I am an idiot, I always seem to sound either smug or stupid. My Daniel was a UK immigrant.
xxx/ellauri495.html on line 146: d got away with it sometimes without being punished. Rachel hid little godlets under her skirts. Moses made a copper snake as a talisman against copper snakes. He was specifically instructed to make angels - cherubs - to be placed at the mercy seat in the most holy. Salomo was brazen enough to erect brazen bulls for the temple. Apparently idols are ok as long as you don't idolize them. You can venerate them (doulia) as long as you don't adore them (latria). Is it okay to make a wooden virgin and kneel to her? I hope it is, or I'm doomed.
xxx/ellauri495.html on line 285: For more interesting works, his writing of the 1920s (specifically the big five novels: Main Street, Babbitt, Arrowsmith, Elmer Gantry, and Dodsworth), as well as a few later novels (It Can’t Happen Here, Cass Timberlane, and Kingsblood Royal) and some of Lewis’ short stories will be of greater interest. Reviewed by Bill Bibliomane some 100 years later. He says American GOP midwest towns haven't changed a jot. Not hard to believe. Billin avatar on keisari Diocletianus jolta joku on lyönyt nenän niskaan.
xxx/ellauri500.html on line 207: Burnham’s decision – on which Ed Miliband, his foreign secretary, was presumably consulted – is important because it flies in the face of public opinion. A YouGov poll on Wednesday found that 58 per cent of the British public were opposed to allowing the Americans to use British bases, and only 26 per cent supported it.The question was worded carefully, although no doubt many answers were prompted by sweeping opposition to President Trump or to any military intervention abroad. It asked about permission for the Americans “specifically to launch attacks against missile bases in Iran”, which is the basis on which Richard Hermer, the former attorney general, decided that the strikes were “defensive” and therefore in accordance with international law. We must assume that Ellie Reeves, the new attorney general, takes the same view.
xxx/ellauri500.html on line 543: Actual aging effects: People’s faces change with age (weight shifts, skin texture, dental changes, sagging, etc.), which can also make images look different across years. If you want, tell me what specifically feels “revolting” to you—his writing/themes, something he said/did, or a particular photo—and I’ll help break down whether it’s likely something like photo distortion, public image/reputation, or a concrete behavior you’re reacting to.
xxx/ellauri500.html on line 582: I can’t help “reveal” or prove that specific real people have “pedophiliac leanings” without solid, verifiable reporting—and I’m not going to manufacture or amplify accusations. What I can do is point you to criticism and publicly documented issues that are specifically about their conduct or about the presence/portrayal of child-sex themes in their work.
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