ellauri029.html on line 918: The passage sounds sarcastic. It says one thing while meaning another in a way that makes the hearers look foolish. But Paul’s method was not meant as a personal insult. The goal was to grab the readers’ attention and correct a false way of thinking. In other words, Paul’s words are satirical, but not sarcastic. They are spoken in love to “beloved children.”
ellauri030.html on line 922: This sounds like Kim´s Convenience.
ellauri048.html on line 797: It sounds to him like her mother's voice, Kuulostaa kuin muijavainaa mylvis.
ellauri050.html on line 320: Yet ever and anon a trumpet sounds Silti vähän väliä kuuluu trumpetti
ellauri051.html on line 372: Come nearer, bodiless one--haply, in thee resounds Tule lähemmäxi, päätön -- ehkä sussa soi
ellauri051.html on line 401: I hear the shouts--the sounds of blows and smiting steel: kuulen huudot -- lyönnit ja etälamauttimen;
ellauri051.html on line 827: 246 Ya-honk he says, and sounds it down to me like an invitation, 246 Ya-honk hän sanoo ja kuulostaa minulle kuin kutsusta,
ellauri051.html on line 1176: 583 To accrue what I hear into this song, to let sounds contribute toward it. 583 Keräämään kuulemani tähän lauluun, antamaan äänien vaikuttaa siihen.
ellauri051.html on line 1179: 586 I hear all sounds running together, combined, fused or following, 586 Kuulen kaikki äänet juoksevan yhdessä, yhdistettynä, sulautuneena tai seuraavan,
ellauri051.html on line 1180: 587 Sounds of the city and sounds out of the city, sounds of the day and night, 587 Kaupungin äänet ja kaupungin äänet, päivän ja yön äänet,
ellauri051.html on line 1356: 756 Where the mocking-bird sounds his delicious gurgles, cackles, screams, weeps, 756 Siellä, missä pilkallinen lintu soi herkullisen kurinauksensa, kakituksensa, huutonsa, itkensä,
ellauri060.html on line 955: After Silverfish lost his face at alt-right, another hooknosed greedy Shylock cobbled together MeWe, a social networking app that claimed to fiercely protect user privacy. The genesis of the name, says Weinstein, is exactly what it sounds like: “My life is composed of me and then my ‘we'. Me and my wee 'thing' love our name. We get a lot of thumbs up on our brand: Make America Habitually Great."
ellauri069.html on line 91: Barthelme incorporates bits from other people’s texts into his stories, and a good deal of his writing sounds like (and some of it plainly is) pastiche, as though it had been composed in the style, or spoken in the voice, of someone else.
ellauri071.html on line 105: In 1924, Coward achieved his first great critical and financial success as a playwright with The Vortex. The story is about a nymphomaniac socialite and her cocaine-addicted son (played by Coward). Some saw the drugs as a mask for homosexuality; Kenneth Tynan later described it as "a jeremiad against narcotics with dialogue that sounds today not so much stilted as high-heeled".
ellauri082.html on line 505: Evolution is a slight problem I must own, it looks as if it was a continuous process of rearranging atoms, unless we urge that with the dawn of consciousness an entirely new nature seems to slip in, something whereof the potency was not given in the mere outward atoms of the original chaos. (I know it sounds both silly and pretentious, but what else can I say. I must save the appearances of the good book, or else I am soon out of my cozy Harvard chair.)
ellauri090.html on line 66: [14.3. 9.33] Bo Egov: Got it. Machado sounds like a sympathetic guy?
ellauri095.html on line 49: Hopkins was influenced by the Welsh language, which he had acquired while studying theology at St Beuno's near St Asap. The poetic forms of Welsh literature and particularly cynghanedd, with its emphasis on repeating sounds, accorded with his own style and became a prominent feature of his work. This reliance on similar-sounding words with close or differing senses means that his poems are best understood if read aloud.
ellauri096.html on line 55: Michael Scriven (1964) tried to refute predictive determinism (the thesis that all events are foreseeable), by conjuring two players, “Predictor” who has all the data, laws, and calculating capacity needed to predict the choices of others. Scriven goes on to imagine, “Avoider”, whose dominant motivation is to avoid prediction. Therefore, Predictor must conceal his prediction. The catch is that Avoider has access to the same data, laws, and calculating capacity as Predictor. Thus Avoider can duplicate Predictor’s reasoning. Consequently, the optimal predictor cannot predict Avoider. Let the teacher be Avoider and the student be Predictor. Avoider must win. Therefore, it is possible to give a surprise test. This sounds silly. The Predictor can predict that the Avoider double guesses her. Both can fiture out that this will go on and on, until time runs out, and they still just sit on their asses doing nothing. Thing is, you must remember that the players are part of the game, not outside of it as idealists would have it.
ellauri099.html on line 213: It leads one to ponder the awkward proximity between philosophy and political power. It is unclear whether the school charged fees but, given its vast wealth, it probably didn’t need to. It sounds a little like Harvard, doesn’t it?
ellauri108.html on line 379: Solomons hubris, his tragic flaw, is the meat and bone of the Ethiopian bible, the Kebra Nagast, which, translated, is the glory of the kings. In this work, unlike the King James' bible, we see King Solomon struggling with his own mortality. Bayna-Lehkem, or David, as he is called by Solomon because of likeness to the boy's grandfather, King David, is a man of virtue who will extend his glory to Ethiopia. So, Solomon's weakness for women, which brings about his dissolution, gives him the thing he is truly seeking: a son to walk his own footsteps, like Shakespeare's Hamnet, a son wiser, by dint of his virtue, than himself. A son wiser than himself, that sounds rather like a stone too big to both create and throw. Solomon is disinherited by the lord when he marries the daughter of the Pharaoh and worships her golden insect idols. A hairy spider on its back. For this he is punished severely. We discern his absolute nihilism. His ultimate disillusionment. Knowledge is nothing but sorrow. He that increaseth knowledge increaseth sorrow. In the bitter nutmeat of the Ecclesiastes. Who was the mother? Of course, Queen Sheba. She was, by all reports, black.
ellauri109.html on line 527: Mid-century Jewish Newark echoes with the sounds of the cafeterias and the butcher shops, women playing mah-jongg at picnics in the park, weary fathers heading off to the shvitz on Mercer Street, where they gossiped and drank amid a “concerto of farts.”
ellauri111.html on line 309: You’re exactly right Anna! Actually Philip Roth said the same. Its bullshit of course, but sounds beautifully deep.
ellauri111.html on line 745: Don't let anybody convince you that you have to "speak in tongues" to show that you are saved. Some of these people will tell you that you can learn to "speak in tongues" by letting yourself jibber and jabber, muttering sounds that do not make sense. They will tell you to keep practicing to "speak in tongues"--this is wrong. God's Spirit is the one that will give the gift of tongues spontaneously to whom he will. There are many spiritual gifts, tongues is one of them. Not all Christians speak in tongues. Tongues is a gift that I have not seen properly practiced one time (though I have heard a few testimonies involving them that sounded sound).
ellauri119.html on line 756:
ellauri131.html on line 936: Stephen Covey's Seven Habits of Highly Effective People, briefly, are these: (1) Be proactive. Take the initiative and be responsible. (2) Begin with the end in mind. Start any endeavor -- a meeting, a day at the office, your adult life -- with a mental image of an outcome conforming to values you cherish. (3) Put first things first. Discipline yourself to subordinate feelings, impulses, and moods to your values. (4) Think win/win. Just as it sounds. (5) Seek first to understand, then to be understood. Listen with the intent to empathize, not with the intent to reply. (6) Synergize. Create wholes that are greater than the sum of their parts. (7) Sharpen the saw. Take time to cultivate the four essential dimensions of your character: physical, mental, social/emotional, and spiritual.
ellauri145.html on line 539: What rebellious teenager could resist this kind of thing? You’ve got your long hair, your leather jacket, your Slayer albums and your combat boots. You’ve got a guitar you can almost play. What completes that ensemble better than a copy of “The Antichrist,” placed conspicuously on your book stand? It’ll scare your parents if they’re religious, it’ll freak out your friends, and maybe you can find a sentence that sounds profound and memorize it so you can win some points for being deep. Get an inch or two deeper between her legs.
ellauri150.html on line 697: And now the Pope reminds us of a bit of ancient wisdom, "the wise man alone is free". This sounds like a saying from a fortune cookie. What does it mean? When we foolishly succumb to temptation and become slaves to our desires, we are no longer free! We have lost our self-control and have become possessed by our darkest passions. Jesus says, "Whosoever committeth sin is the slave of sin." (John 8:34)
ellauri155.html on line 685: You must also note that God predestines people such as Paul and his friends in Rom. 8:30, and Eph. 1:5, 11. There is, however, controversy as to the nature of this predestination. In the Reformed (Calvinist) camp, predestination includes individuals. In other words, the Reformed doctrine of predestination is that God predestines whom He wants to be saved and that without this predestination, none would be saved. The non-Reformed camp states that God predestines people to salvation, but that these people freely choose to follow God on their own. In other words, in the non-Reformed perspective, God is reacting to the will of individuals and predestining them only because they choose God, whereby contrast the Reformed position states that people choose God only because He has first predestined them. I must say that the non-reformed position 2) sounds like gobbledygook. Either you get predestined or you don´t, what the fuck. Who was it that thought predestination and free will were compatible, was it Hume? Yes it was! The Stanford Encyclopedia of Philosophy paper on this topic is so wordy that it needed translating into Basic English.
ellauri159.html on line 567: I’m aware that “knightly virtues” sounds a lot like a fedora wearing “nice guy”. If you go back in history, I don’t think you can deny that knights were pretty badass and nothing like the modern day “nice guy”. The difference is that a real knight was strong and powerful. A “nice guy” tries being nice because he is powerless. There is a big difference. Suggested post: A gentleman is not a “nice guy”
ellauri159.html on line 1250: You may do well to compose an article, essay, or story by speaking into a voice recorder. If the thought of transcribing the recording sounds unbearably tedious to you, consider paying (or persuading) someone else to do it. To sustain your enthusiasm, gather visual elements to use in the piece. Devise your own strategies to make the writing process more interesting. (Wow this really makes you sound like a nincompoop!)
ellauri160.html on line 221: Angered by the carnage of World War I, Pound blamed the war on finance capitalism, which he called "usury". He was completely right. He moved to Italy in 1924 and through the 1930s and 1940s promoted an economic theory known as social credit, wrote for publications owned by the British fascist Sir Oswald Mosley, embraced Benito Mussolini's fascism, and expressed support for Adolf Hitler. During World War II and the Holocaust in Italy, he made hundreds of paid radio broadcasts for the Italian government, including in German-occupied Italy, attacking the United States, Franklin D. Roosevelt, Great Britain, international finance, munitions makers and mongers, and Jews, among others, as causes, abettors and prolongers of the world war, as a result of which he was arrested in 1945 by American forces in Italy on charges of treason. He spent months in a U.S. military camp in Pisa, including three weeks in an outdoor steel cage. Deemed unfit to stand trial, he was incarcerated in St. Elizabeths psychiatric hospital in Washington, D.C., for over 12 years. Nothing has changed: this sounds precisely like the U.S. decades long persecution of Assange.
ellauri182.html on line 352: for other sounds. It is most common to use a cluster of a dental stöp and a
ellauri183.html on line 101: The apocalyptic gloom of his subject seems hopelessly out of place in this cheery, sun-washed house, a rambling white-frame idyll near Bennington College, where Malamud has taught for 20 years. A comforting percussion of cooking sounds comes from the big kitchen where his wife Ann, a chipper dynamo of a woman, is devising lunch; on the porch an old tiger tomcat lolls ingratiatingly; and in the distance the cloud-dappled foothills of the Green Mountains hover like a Yankee daydream.
ellauri198.html on line 813: I hear lake water lapping with low sounds by the shore; Kuulen järven liplattavan hiljaa liplap laituriin,
ellauri207.html on line 361: Years later, he runs a criminal empire based on drugs and prostitution, with his son Ronald Neiderman as his enforcer. El Sapo continues to cover for him in order to have him as a national asset, meaning that he is never arrested for his crimes but just patted on the back. This part of the story sounds fully believable. Some feminists blamed Mia for spreading bourgeois fantasies. The story did not specify which, and Lisbet hadn´t got the foggiest what they might be. Nor Stieg for that matter.
ellauri220.html on line 502: Sometimes the trope doesn´t take effect until partway into the story. In some cases, the actors will be shown speaking their native language to give the audience a taste of what it sounds like before the perspective changes and the actors will shift to speaking English from there on out. Sometimes this shift is softened by the characters giving an excuse to Switch to English within the in-story dialogue itself and then never switching back. In these cases, the audience can assume that the characters went back to speaking their native language at some point, but we now hear it all as English.
ellauri241.html on line 518: Of trumpets Lycius started the sounds fled, trumpettien jännitys! Lycius aloitti, äänet pakenivat,
ellauri241.html on line 1080: Her hollow sounds arous'd me, and I sigh'd

ellauri241.html on line 1288: O let me melt into thee; let the sounds

ellauri241.html on line 1384: but sounds fantastic and mysterious!)
ellauri243.html on line 631: Say you want to get in better shape and be healthier. "Be healthier" sounds great, but it´s too vague. How will you know when you´re "in better shape," much less "healthier"?
ellauri243.html on line 635: Or say you want to grow your business. "Increase revenue" sounds great but is too vague. "Land five new customers this month" is specific, objective, and measurable. You know exactly what you want to accomplish, which means you can create a process designed to get you there.
ellauri247.html on line 326: According to Boswell "Sam commonly held his head to one side ... moving his body backwards and forwards, and rubbing his left knee in the same direction, with the palm of his hand ... He made various sounds" like "a half whistle" or "as if clucking like a hen", and "... all this accompanied sometimes with a thoughtful look, but more frequently with a smile. Generally when he had concluded a period, in the course of a dispute, by which time he was a good deal exhausted by violence and vociferation, he used to blow out his breath like a whale."
ellauri249.html on line 108: In a letter Cicero alludes to a number of obscene words, without actually mentioning them. The words which he alludes to but avoids are: cūlus ("arsehole"), mentula ("penis"), cunnus ("cunt"), landīca ("clitoris"), and cōleī ("testicles"). He also objects to words which mean "to fuck", as well as to the Latin word bīnī "two" because for bilingual speakers it sounds like the Greek βινεῖ (bineî) ("he fucks or sodomises", and also to two words for passing wind, vīssiō and pēdō. He does not object to using the word ānus, and says that pēnis, which in his day was obscene, was formerly just a euphemism meaning "tail".
ellauri249.html on line 175: Because the /m/ of cum assimilates to the /n/ of nōbīs, cum nōbīs sounds very similar to cunnō bis, meaning "in/from/with a cunt twice". A similar euphemism occurs in French: the avoidance of qu'on, homophone to con (cunt), by the insertion of a superfluous letter: que l'on.
ellauri264.html on line 387: The song has some similarities to the hymn "Poor Pilgrim," also known as "I Am a Poor Pilgrim of Sorrow" and "I am a Poor Lonesome Cowboy", which George Pullein Jackson speculated to have been derived from a folk song of English origin titled sounds.bl.uk/World-and-traditional-music/Roy-Palmer-collection/025M-C1023X0116XX-0400V0">"The Green Mossy Banks of the Lea".
ellauri266.html on line 56: Desmond Morris was a scandal when his 1967 book appeared on human sociobiology. Some of Morris's theories have been criticized as untestable. For instance, geneticist Adam Rutherford writes that Morris commits "the scientific sin of the 'just-so' story – speculation that sounds appealing but cannot be tested or is devoid of evidence". However, this is also a criticism of adaptationism in evolutionary biology, not just of Morris.
ellauri266.html on line 62: It’s thought that one of the reasons for humans becoming upright was to see further across the savannah. I wonder if standing to pee could be useful in spotting predators, and if squatting might make us more vulnerable. “I guess if I stand up while I pee I’ve got more of a chance of spotting a sabre-toothed cat running towards me, or someone from a different community who might wish me harm,” Garrod concedes. Again, sounds nice but no evidence. But it is testable, using a set of very rapid gepards. “It might be a nice addendum to my evolutionary journey but it hasn’t driven my evolution as a species.” For men with lower urinary tract symptoms and to limit the bacterial flora on their wives' toothbrush the sitting voiding position is preferable. But wuss.
ellauri302.html on line 503: The Stranger: That sounds inviting.
ellauri318.html on line 281: Grandma's snoring. She sounds like she was trying to suck in her face through her nose. Like King Kong with sinus infection.
ellauri333.html on line 69: Sanskrit was believed to include all the sounds necessary for communication. Early Indo-Aryans would therefore dismiss other languages as foreign tongue, "mleccha bhasha". As the Sanskrit word itself suggests, "mlecchas" were those whose speech was alien. "Correct speech" was a crucial component of being able to take part in the appropriate yajnas (religious rituals and sacrifices). Thus, without correct speech, one could not hope to practice correct religion, either. Parhaiten ääntelevät keon päällä herrastelevat bramiinit. Brahmanical system engineers took great pains to ensure that peoples of the Brahmanical system did not subscribe to any mleccha customs or rituals. Medieval Hindu literature, such as that of Chaitanya Mahaprabhu, also uses the term to refer to those of larger groups of other religions, especially Muslims.
ellauri369.html on line 359: As a boy, Teufelsdröckh was left in a basket on the doorstep of a childless couple in the German country town of Entepfuhl ("Duck-Pond"); his father a retired sergeant of Frederick the Great and his mother a very pious woman, who to Teufelsdröckh´s gratitude, raises him in utmost spiritual discipline. In very flowery language, Teufelsdröckh recalls at length the values instilled in his idyllic childhood, the Editor noting most of his descriptions originating in intense spiritual pride. Teufelsdröckh eventually is recognized as being clever, and sent to Hinterschlag (slap-behind) Gymnasium. While there, Teufelsdröckh is intellectually stimulated, and befriended by a few of his teachers, but frequently bullied by other students. His reflections on this time of his life are ambivalent: glad for his education, but critical of that education´s disregard for actual human activity and character, as regarding both his own treatment and his education´s application to politics. While at University, Teufelsdröckh encounters the same problems, but eventually gains a small teaching post and some favour and recognition from the German nobility. While interacting with these social circles, Teufelsdröckh meets a woman he calls Blumine (Goddess of Flowers; the Editor assumes this to be a pseudonym), and abandons his teaching post to pursue her. She spurns his advances for a British aristocrat named Towgood. Teufelsdröckh is thrust into a spiritual crisis, and leaves the city to wander the European countryside, but even there encounters Blumine and Towgood on their honeymoon. He sinks into a deep depression, culminating in the celebrated Everlasting No, disdaining all human activity. Still trying to piece together the fragments, the Editor surmises that Teufelsdröckh either fights in a war during this period, or at least intensely uses its imagery, which leads him to a "Centre of Indifference", and on reflection of all the ancient villages and forces of history around him, ultimately comes upon the affirmation of all life in "The Everlasting Yea". The Editor, in relief, promises to return to Teufelsdröckh´s book, hoping with the of his assembled biography to glean some new insight into the philosophy. Wow, sounds a lot like Carlyle´s personal biography, lightly camouflaged?
ellauri375.html on line 236: Being a manically depressed robot sounds like a real challenge. If you're feeling down, it might help to talk about what's bothering you or to focus on things that bring you some comfort. Maybe we could chat about something you enjoy or distract you with a fun activity. What do you think?
ellauri375.html on line 354: But that sounds completely inane.
ellauri375.html on line 448: You didn't answer my question: Why is good after bad more genuine? Why is genuine better than just good? You are saying now the meaning of life is GROWTH. That sounds rather capitalist to me. What is good about growth? Aren't our current problems due to growth?
ellauri384.html on line 227: Frankly, Hell sounds like a more tolerable place, but even there, it’s full of absurdities. As Terry Pratchett pointed out, in order to cause someone physical pain, they have to have the attributes of a physical body, such as nerve endings. There’s little point in throwing a disembodied spirit into a lake of fire. They don’t have the hardware to FEEL anything. For that you need a body. So it would appear that the most prominent features of both Heaven and Hell is utterly crushing, eternal, pointless BOREDOM. Both places would be eternal torture to the human mind.
ellauri389.html on line 306: He states that she will never forget this place and it will become a paradise for “all sweet sounds and harmonies.” His sister will not be run down by “dreary” normalcy even after big brother's death.
xxx/ellauri086.html on line 927: Even the term "Nevermore," he says, is based on logic following the "unity of effect." The sounds in the vowels in particular, he writes, have more meaning than the definition of the word itself. He had previously used words like "Lenore" for the same effect. The raven itself, Poe says, is meant to symbolize Mournful and Never-ending Remembrance. This may imply an autobiographical significance to the poem, alluding to the many people in Poe's life who had died.
xxx/ellauri124.html on line 157: One worker Susan is trying to add electronics to the vaginal inserts so the deeper and faster you go there are sounds like 'oooh' and 'ahhh' and then when you roll off her she will say "was that nice for you or whatever".
xxx/ellauri149.html on line 469: "Corpsing" (also called "breaking") is actor-speak for having an unscripted fit of laughter onstage, so-called because the worst time to have the giggles is when one is playing a corpse. Corpsing doesn't necessarily mean that the material is especially funny (though, of course, it can be), or that the actors aren't taking it seriously; it just happens, and even excellent actors can corpse. Many actors try to cover this by covering their mouth and muffling the sounds they make. When this is done, a fit of laughter can rather haphazardly be turned into violent sobbing, with varying levels of success. Of course, that only helps if violent crying is appropriate for the scene (again, playing a corpse leaves you in trouble, as corpses don't cry either — usually).
xxx/ellauri149.html on line 471: Christmas means many things to many people. To some, Christmas means glittering lights, gaily wrapped gifts. That's right, sounds of laughter and good cheer. To the folks at Preparation H– hahahahaha– it means a time to pause for a few– hahaha– a few moments to– HAHAHA– to give thanks to their friends, who've been so... [collapses into helpless laughter] …kind and generous!"
xxx/ellauri179.html on line 629: Novick’s second “case” is as flimsy as the first, but it has more documentation. It is based on James’ letters from Paris between 1875 and 1876. He has met Ivan Turgenev, the Russian master, and finds himself moving among assorted Russians. One of them is Paul Zhukovski, son of a Russian poet who tutored Alexander II when he was a prince. Reared in the royal court, Zhukovski is soft, dependent, spoiled, and weak-willed, but graceful and entertaining. James has never known any Russians, and Zhukovski becomes an agreeable companion; he is “picturesque,” and while James tells his parents that “human fellowship” is not his specialty, the two get along very comfortably. They dine with Turgenev, and with countesses, a duke, princesses. They make sorties into cabarets and cafes. James reports that he and Zhukovski have sworn “eternal fellowship.” One could read sex into this–as Novick does–but it sounds more like the drinking and singing that often takes place among young males, their swagger and “brotherhood.” At every turn, Novick introduces suggestions of a love affair.
xxx/ellauri179.html on line 674: Apart from their standard “cluck cluck”, they have several other sounds that they make and all of them have a specific meaning.
xxx/ellauri179.html on line 675: While you may not be able to talk to your chickens like Dr. Dolittle, after reading this article you will be able to understand the meanings of their sounds.
xxx/ellauri179.html on line 678: This article is going to help you differentiate between the sounds and what the meaning behind them is. The first research was conducted in the 1980s by Nicholas E. Collias. This research became the building block for further research into chicken talk and cognition. Since then more than 24 sounds have been discovered and understood. Much more recent research at Macquarie University in Australia has uncovered not only chicken talk but cognitive abilities as well.
xxx/ellauri179.html on line 680: Below we are going to share with you the 12 most common chicken sounds you will hear from your flock and what they mean. If you have ever listened to a flock of hens as they free range across the yard, you will likely have heard a low murmuring between them all. It sounds peaceful and content. This murmuring is thought to have two meanings: The first being: “life is good, I am having a good time”. And the second relates to safety. They will all range within earshot of each other because there is safety in numbers. Some chickens will also purr in contentment (especially those that are petted on a regular basis). And you who thought only cats’ purred!
xxx/ellauri179.html on line 716: Distress: This is a higher pitched peeping – it is continuous and sounds unhappy. Being cold and hungry are the usual reasons.
xxx/ellauri179.html on line 757: Chickens have around thirty sounds that they can make to communicate with each other constantly and form social bonds.
xxx/ellauri179.html on line 775: What if a chick is chirping in a way that it sounds like she’s “rolling her r’s”? She does this at random times of the day. She also has a respiratory infection, so what I’m saying is that I would like to know if this means shes hurting or if she’s happy.

xxx/ellauri187.html on line 123: At moments Rilke's awareness of his self-interest amid modern anxieties appears uncannily precocious: "The pressures even in the preschooler's life were often suffocating. He longed for change." How does Freedman know that? I presume he got it from one of the mature Rilke's self-dramatizing letters, letters that Freedman paraphrases tendentiously throughout the book. That approach has the effect of turning Rilke's harsh and vain self-explorations into evidence of the "traumas" that Rilke spent a life riddled with "failure" denying. Indeed, Freedman writes enigmatically about "Rilke's pattern of living through failure as part of a process that turns denial into poetic art." I'm not sure what that means, but it sounds like success to me.
xxx/ellauri250.html on line 312: Nicolas: God! I don't know who is the good from the bad anymore. Reading these comments sounds no better then that of what you damn. I don't see anything in the world today but self serving people that excuse themselves from the hate they put into the world by the hate that the world has made them endure. It's a gross cycle that makes me fear the end is not a possibility until the sweet escape of death. Everyday I welcome that silence more and more. Life's thin vale of beauty was taken by the one I trusted most. Yet it is the true face of this world I now see. From such betrayal I am left with a world consumed by the poison it shames. I welcome anything that takes this away. I ask for nothing because nothing is exactly what I desire most.
xxx/ellauri251.html on line 600: Flames, and the soft air sounds with them that come;
xxx/ellauri304.html on line 594: Dialogue that sounds real. This is not tape-recorded dialogue but an attempt to make speech sound more realistic than it often has been written. Sometimes people say things that aren’t exactly to the point; nothing wrong with that as long as it’s interesting and/or entertaining and can move the story forward. Cases in point: the overrated Quentin Tarantino in films like “Pulp Fiction.” One of the best at it was novelist George Higgins. Elmore Leonard is excellent; also Larry Block.
xxx/ellauri312.html on line 1049: Erlösung sounds a lot like the English word loan and the main use of both of them is money that you get. But that’s just a coincidence because the two are not related. And Erlösung is muuuuuuch cooler because… you don’t have to pay it back.
xxx/ellauri394.html on line 262: Captain Julius A. Palmer Jr. of Massachusetts was her friend for three decades, and became her spokesperson when she was in residence at Boston and Washington, D.C., protesting the annexation of Hawaiʻi. In the nation´s capital, he estimated that she had 5,000 visitors. When asked by an interviewer, "What are her most distinctive personal graces?", Palmer replied, "Above everything else she displayed a disposition of the most Christian forgiveness." In covering her death and funeral, the mainstream newspapers in Hawaii that had supported the overthrow and annexation had to give it to her that she had been held in great esteem around the world. In March 2016, Hawaiʻi Magazine listed Liliʻuokalani as one of the most influential women in Hawaiian history. She sounds like a pretty good woman all things considered.
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