Alaviite: Mikko Kuustonen on 60v gospellaulaja, kaivosmiehen poika kuten Tom Jones. Soololevy Profeetta. Yksityiselämä (Muokkaa): Kuustonen oli naimisissa Marita Kuustosen kanssa 32 vuotta. Heidän avioeronsa astui voimaan keväällä 2014. Toukokuussa 2018 Mikko Kuustonen avioitui koreografi Hanna Brotheruksen (s. 1968) kanssa. Meidän sukulainen Hanna tulee täysin pystymezästä julkkisskenen ulkopuolelta. He ovat molemmat impulsiivisia ja yliempaattisia. Heillä on tv-ohjelma julkkisten rakkauselämästä. He haastattelee julkkisystäviä ja kuulee mikä liima saa suhteen kestämään. Ois Kuustostenkin ollut hyvä ostaa sitä putkilo. Minkä jumala on liimannut sitä älköön ihminen irrottako. He laittavat izensäkin likoon. Kyllä siinä moni liima irtoaa. Kuustosella on siitä pitkä kokemus. Hän on itse kertonut julkisuudessa päihdeongelmistaan, mutta on ollut raittiina v 2004. Varmaan vielä sietämättömämpi selvänä. Hän on kuulunut nuorena herätysliikkeeseen ja sixi kärsinyt myöhemmin myös muista mielenterveysongelmista. Kuustonen on kertonut olevansa värisokea. Siitä kaikki ongelmat alkoivat. Näki maailman mustavalkoisena väri-tvn aikana. Koiratkin on värisokeita. Vieläköhän se pieree yhtä kovaa Hannan seurassa. - Mikko! Hanna Brotheruxen poika Johannes on myös huumekoukussa. Haisteleekohan se liimaa.
ellauri032.html on line 130: 17-vuotiaasta alkaen Pascal alkoi kärsiä säännöllisesti häntä loppuelämän vaivanneista terveysongelmista, joihin lukeutuivat päiväsaikaan vatsakivut ja öisin piinannut jatkuva unettomuus. Ois kannattanut vetää käteen enemmän, saa paremmin nukutuxi. Nimimerkillä kokenut kaiken tietää. Ongelmistaan huolimatta ranskalainen onnistui 18-vuotiaana rakentamaan ensimmäisen mekaanisen laskukoneen, laitteen jonka voi perustellusti sanoa olevan kaikkien nykyisten tietokoneiden esi-isä. Varmaan pelas sitten kaiket yöt laskukonepelejä. Isän olisi pitänyt tulla vetämään stöpseli seinästä. Niin mä tein pojalleni Johnille. No ei vaitiskaan, iskä käytti konetta laskemaan Rouenin verorästejä, siihen tarkoituxeen poika sen tekikin. Koitti se tehdä ikiliikkujankin, mutta siitä tulikin vaan ruletti.
ellauri032.html on line 194: Samana vuonna kun Pascal julkaisi viimeiset matemaattiset tutkimuksensa, hänen terveysongelmansa muuttuivat pahemmiksi kuin koskaan aiemmin. Kiduttava ja lakkaamaton päänsärky vei hänen yöunensa kerta toisensa jälkeen, satunnaisia torkahtamisia lukuun ottamatta. Pascalin oma elämäntapa muuttui tätä mukaa entistä askeettisemmaksi. Kesäkuussa 1662 itsekieltäytymistä toistuvasti harrastanut Pascal luovutti vapaaehtoisesti talonsa eräälle isorokkoa sairastavalle perheelle, minkä jälkeen hän muutti asumaan Gilberten luokse, jossa hän kuoli lopulta kouristuksiin saman vuoden elokuussa vain 39-vuotiaana. Samanikäisenä kuin meidän pyylevä esi-isämme, jonka kuolinsyy oli vaan tavallinen flunssa. Ei edes korona.
ellauri033.html on line 391: cléricalise la vertu. Pour deus ex machina, toujours un prêtre : l´abbé Taconnet dans Mensonges ; dans Un Saint, le Père Griffi. Dans son dernier ouvrage, voici Léon XIII en personne, ce « prisonnier », ce « martyr » — debitricem martyrii fidem,
ellauri033.html on line 414: Voi kysyä oliko luonto tarkoittanut Hra Bourgetin kirjoittamaan mondeeneja romaaneja. Se tahtoi olla muodikas kirjailija, ja sitähän se oli. Mutta samalla kun onnittelee sitä sen innosta täyttää tämä tehtävä, voi katua ettei se ottanut izelleen sopivampaa aihetta. Hra Bourgetin valizemassa genressä sen ominaispiirteet kääntyvät vioixi. Sen kaunein kirja (kai tää Disciple?) on ankara ja vahva etydi, jossa ei ole mitään mondeenia. Kun B. maalaa mondeenia eleganssia, sen vakavuus kuulostaa nulikkamaiselta, ja kun se pohdiskelee sentimentaalisia typeryyksiä, sen metafysiikka kuulostaa pedantilta. Sillä ei ole mitään niitä lahjoja joita hommaan tarvittais. Se on tunnollinen ja raskas, se ei osaa leikkiä. Siltä puuttuu huolettomuutta, taitoa ja suloa. Se minkä muut antavat hienoisesti ymmärtää, se sanoo pitkän kaavan mukaan yxitoikkoisen monisanaisesti. Missä muut liu´uttelevat, se tunkee päälle ja tolkuttaa. Pakinointi ja ironia on sille tuntematonta. Se on tarkka havainnoija, kexeliäs moralisti, mutta siltä puuttuu totaalisesti henkevyys. Vaikka lukee kaikki ne 15-20 romaania mitä se on kyhännyt, ei löydä mitään vizikkäämpää kuin Francoisen pölinä Mensongesissa, tai Opetuslapsessa pappa Carbonnetin turina: yx sanoo kukkelikuu incogniton sijasta, toinen sanoo 4-12 välillä pro catimini. Hra Bourget kerää huolellisesti tämmöisiä hulvattomuuxia; Bouvard ja Pecuchet teki sen paremmin.
ellauri033.html on line 428: Pahimmassa tapauxessa tyypit vois olla ihan erilaisia eri luvuissa. No ei Hra Bourget ihan niin pitkälle mene, vaikka pitääkin kovaa melua ponin minän moneudesta. Useimmiten löytyy vaan kaxi minäehdokasta, esim. Robert Greslou, Loup-Garou ihmissusi, ompasusi joka löytää sisästään kaxi eri oliota, yxi selkeä älykäs rehellinen, kova henkisen työn tekijä, ja toinen pimeä, julma, impulsiivinen. Tai toi Rva de Tillieres, jolla on 2 heilaa, Poyanne ja Casai, jotka tyydyttää sen kahta eri jotain (en sentään sano aukkoa). Vaan Rva Moraine kirjassa Mensonges sisältää kolme persoonallisuutta. Siinä on yx joka tykkää luxuxesta, toinen joka tykkää lemmestä, ja kolmas joka haluu huomiota. Odottakaas! Kun Larcher päättelee: se on aika moni poni, abbe Taconnet vastaa doucement kuin Pirkko: Komplisoituko? ... tiedän, te käytätte nitä sanoja välttääxenne yxinkertaisempia. Se on vaan onneton joka on tunteittensa vallassa. Jos appi on oikeassa, mitä jää Hra Bourgetin zygologisista pölinöistä? Oikeassahan appi on, Suzanne on yxinkertainen elukka. Se mistä Hra Bourget tekee ison numeron koko kirjan pituudelta, voidaan tiivistää tähän: siinä kisailee sielu ja ruumis, enkeli ja nauta. Eikä siinä mitään, mut pitääx siitä tehdä tollasta zygologista sanasalaattia.
ellauri033.html on line 1102: Sen elämä oli yhtä tunarointia. Villiers näyttää suitulta versiolta luokalle jääneestä luokkatoveristamme Klaus Karttusesta. Klasu kirjoitti säädyttömiä runoja mustaan vahakantiseen vihkoon tunnilla. Yx olmin näköinen kaunainen jatko-opiskelija haukkui mua deekuxi puhelimessa Sysmässä autotallin ovella, kun mä epäilin että sillä on mielenterveysongelma.
ellauri035.html on line 257: Is her song singing, and the state of a swan
ellauri035.html on line 316: The maker of scant songs for bread wanders
ellauri036.html on line 336: Sans songer que lui-même, à sa petite ville,
ellauri036.html on line 472: Les songes de tes nuits sont plus purs que le jour,
ellauri036.html on line 559: Allaient s'évanouir comme un songe léger,
ellauri036.html on line 747: En songeant à la mort, il regarda les deux.
ellauri039.html on line 406: The music is a folksong that spans four centuries; and the students become aware of the continuity of German culture through folksongs.The background material is disseminated in the form of pictures, statistics, and a historical time-line. Motivation and interest is generated through the songs which focus the learner on the fact that the lesson involves products of German culture. While reading, the learners are confronted not just with the separation of Germany, but also with the division of the Germans in Germany. On the cognitive level, learners gather information about Germany's recent past from World War II to the present. Given these facts the learners connect the past with the German's recent fixation on "Vergangenheits- und Gegenwartsbewältigung." Learners take this theoretical information and explore sites found on the Internet where they find information in German on the issue of identity. This activity forms the basis for reaching a consensus on such questions as:
ellauri039.html on line 424: 1.1 Students use language, to answer questions about the folksong.
ellauri039.html on line 426: 2.1 Students learn about customs in Germany - folksongs.
ellauri039.html on line 429: 4.2 Students discuss male/female relationship in German society as presented in the song and compare it to American society then and now.
ellauri039.html on line 430: 5.2 Students enjoy learning a folk song thereby using the language for enrichment.
ellauri041.html on line 222: tuli mieleen miettiä, millaisia miesongelmia näyttäis olevan
ellauri048.html on line 706: Longfellow väsäs pikku Hiawathan Kalevalan mittaan. Aku Ankassa Roope soti pikkuinkkareiden kanssa jotka puhui kalevalamitalla. Ennen Akussa oli Pikku Hiawatha-sarjakuva jonka sisko oli joku päivänkakkara. Vastenmielisiä tyyppejä ja vitun rasistisia. Pari kanadalaista poliisia mukiloi jonkun intiaanipäällikön koska sen rekkari oli vanhentunut. Pari jenkkipoliisia tappoi taas muutamia notmiitä jenkeissä. Musta Pekka oli neekeri, ja Hessu Hopo, Långfellow ei vaitiskaan vaan Långben, oli toinen. Hiawathasta sanoo purkkajenkit ize näin: Both the poem and its singsong metre have been frequent objects of parody.
ellauri048.html on line 1666: I brim with sorrow drowning song.
ellauri048.html on line 1716: For private sorrow's barren song,
ellauri048.html on line 1763: Or breaking into song by fits,
ellauri049.html on line 166: Kirjallisen innostuksensa Kailaan katsotaan saaneen Honkapäässä. Lukemaan hän oppi jo varhain seuratessaan serkkujensa kansakoulun läksyjen lukua. Maria Fredrika luki lapsenlapsilleen Raamattua, varsinkin Vanhan testamentin kauhukertomuksia. Raamatullinen kasvatus on vaikuttanut runoilijan uskonnolliseen tuotantoon, mutta sen katsotaan myös voimistaneen aikuisena koettuja synnin- ja syyllisyydentuntoja, mielenterveysongelmia sekä ankaraa itsekritiikkiä.
ellauri049.html on line 235: Fil. tri Panu Rajala toteaa esitelmässään, että vaikka keuhkotauti varjosti Sarkian koko elämää, parantoloissa vietetyt ajat eivät olleet runoilijalle vastenmielisiä, sillä eniten luomistyössään Sarkia kaipasi rauhaa, vapautta ja hellivää hoitoa. Kaikkea näitä hän olisi saanut osakseen parantoloissa. Rajalan mukaan potilas näyttää suorastaan paenneen sairauteensa, jotta välttäisi arkeen ja työhön liittyvät ponnistelut. Hiisku kertoo kuitenkin Sarkia-elämäkerrassaan, että parantolailmapiiri tiukkoine sääntöineen ahdisti Sarkiaa, hän ei osallistunut potilaiden viihdeiltoihin ja hälinä häiritsi häntä. Toisella parantolamatkalla 1935 sopeutumisongelmat saivat hänet pakenemaan kesken hoidon. Hätä ja hyvä mieli yhtä aikaa, kuin rengillä sormi piian pillussa.
ellauri049.html on line 460: Sans songer que les pieds lumineux des Maries Huolimatta että Marioiden hohtojalat
ellauri049.html on line 883: Les songes vains, les anges curieux ! turhat unet, uteliaat enkelit!
ellauri049.html on line 921: Et vous, grande âme, espérez-vous un songe ja te, suuri sielu, toivokaa izellenne unta
ellauri049.html on line 922: Qui n’aura plus ces couleurs de mensonge jossa ei ole enää näitä valheen värejä,
ellauri049.html on line 932: Le beau mensonge et la pieuse ruse ! Kaunis hullutus ja hurskas petos!
ellauri049.html on line 946: Qu’importe ! Il voit, il veut, il songe, il touche ! Mitä väliä! Se näkee, tahtoo, unexii ja koskee!
ellauri051.html on line 387: Thy song expands my numb'd, imbonded spirit--thou freest, launchest sun biisi laajentaa mun rajoittuneen pään -- sä lähetät mut
ellauri051.html on line 428: --Nor war alone--thy fearful music-song, wild player, brings every -- Eikä vaan sota -- sun mielilaulu, hullu soittaja, tuo kaikki muutkin
ellauri051.html on line 456: O glad, exulting, culminating song! Oi mikä iloinen, kohokohta-viisu! EAT! EAT!
ellauri051.html on line 571: 29 The feeling of health, the full-noon trill, the song of me rising from bed and meeting Terve fiilis, keskipäivän liverrys, vuoteesta nousun laulu ja
ellauri051.html on line 814: 234 Absorbing all to myself and for this song. 234 Imeän kaiken itselleni ja tälle laululle.
ellauri051.html on line 911: 329 And of these one and all I weave the song of myself. 329 Ja näistä yhdestä ja kaikista minä kudon laulun itsestäni.
ellauri051.html on line 1176: 583 To accrue what I hear into this song, to let sounds contribute toward it. 583 Keräämään kuulemani tähän lauluun, antamaan äänien vaikuttaa siihen.
ellauri051.html on line 1482: 881 Matchless with horse, rifle, song, supper, courtship, 881 Verraton hevosen, kiväärin, laulun, illallisen, seurustelun,
ellauri051.html on line 1695: 1086 Not words of routine this song of mine, 1086 Ei rutiinin sanoja tämä lauluni,
ellauri051.html on line 1855: 1241 First-rate to ride, to fight, to hit the bull's eye, to sail a skiff, to sing a song or play on the banjo, 1241 Ensiluokkainen ratsastaa, taistella, lyödä häränsilmää, purjehtia skiffillä, laulaa laulua tai soittaa banjolla,
ellauri052.html on line 501: JS bylsi 20v yhtä rouva Tayloria kunnes rouva tuli leskexi. Rva Taylor opetti sille feminismiä. 7v myöhemin JS oli ize leski. Lapseton. Bertrand Russellin kumisetä. Sillä oli hassun näköiset koalakiharat ja rotanhäntäpulisongit. Patti ozassa.
ellauri053.html on line 912: Father had composed some new songs for the opening ceremony, one of which, Mora satyer pare man (We dedicate ourselves to truth) remained as the school song for many years until it was replaced by Amader Santiniketan (Our own Santiniketan).
ellauri053.html on line 930: But it would be wrong to emphasize only the dark side of the picture. We were essentially a happy lot and life was very rich and interesting in spite of our outward poverty. Whenever Father was present, he poured his soul into the institution and made it lively by singing songs which he never tired of com- posing, reciting his poems, telling stories from the Mahabharaia , playing indoor games with the boys, rehearsing plays, and even taking classes.
ellauri053.html on line 1052: The songs that the birds sing
ellauri053.html on line 1073: With an excited heart filled with songs
ellauri053.html on line 1081: Sings songs in your homes!
ellauri053.html on line 1313: —Those dying generations—at their song, Linnut ja mehiläiset puussa, kaikki elukat,
ellauri053.html on line 1430: This poem is very famous in China. We first know Yeats by this wonderful poem, which contain a story of Yeats himself that move us so deeply. From this poem, we know what is the true love, we know how deeply love can be. This has been transferred into the famous poem of MUDAN, also been transferred into a popular song sung by SHUIMUNIANHUA, so we can see how arractive it was to us in China.
ellauri054.html on line 263:
ellauri060.html on line 466: A traditional pastoral folk song the popular form of which dates to the mid-19th century. It is largely believed to have been sung commonly during the Sepoy Rebellion of 1857, though no credible source seems to confirm it. If it were true the song likely predates the 19th century, though no published copies of the work exist.
ellauri060.html on line 470: This song may be of quite recent origin, since almost half of the known examples are sound recordings, and there's only one broadside printing. On the other hand, there's an older and widely printed broadside Jimmy and his True Love, which might well be an earlier version—or it may just be a song with universal appeal and a good chorus that people still enjoy singing. Of the 40 or so instances in Roud, most are from the south west of England or East Anglia—though Gavin Greig collected a dozen examples in Scotland in the early years of last century. No other Sussex version has been collected.
ellauri060.html on line 472: As the song is traditional and the lyrics vary greatly from singer to singer, linking to 'original lyrics' for this song is impossible.
ellauri060.html on line 891: Sixpä covid leviääkin brittipubien singsong-illoissa ja hurrien julmyysissä niin äkäseen. EAT EAT FUCK FUCK will soon KILL KILL the monkey bastards.
ellauri060.html on line 1048: Such notion is quaint now, as of 2020. First there are big vertical silos, starting with Amazon, but also including other big walled gardens such as Facebook, Twitter and a host of others such as Netflix, Spotify, Shopify, eBay, Craigslist etc. So the best deals, social chatter and tweets, song and shopping recommendations, auction deals, free ads etc. are to be found elsewhere.
ellauri060.html on line 1162: The phrase is also used as the first line of one of the extra cod Latin verses added in 1953 to an unofficial school song at Harvard University, "Ten Thousand Men of Harvard". This most frequently played fight song of the Harvard University Band is, to some extent, a parody of more solemn school songs like "Fair Harvard thy Sons to your Jubilee Throng". (voi helvetti, tää oli tosi paha.) The first verse is a nonsense sequence of Latin clichés:
ellauri060.html on line 1180: 1991, the final line of the chorus in the U2 song "Acrobat", is "Don't let the bastards grind you down."
ellauri060.html on line 1182: 1997, the second-wave ska band The Toasters´ song "Don't Let The Bastards Grind You Down" appeared in the pilot episode of the animated series Mission Hill.[9]
ellauri061.html on line 489: gambols? your songs? your flashes of merriment, Ei taida enää irrota irvailuja tosta kallosta. Ei leukavia laukasta.
ellauri061.html on line 801: Judges chapter 5 then records the song of Deborah and Barak, written to rejoice in God’s victory over the Canaanites. The lyrics encourage the actions of Deborah and Barak, saying, “Wake up, wake up, Deborah! / Wake up, wake up, break out in song! / Arise, Barak! / Take captive your captives, son of Abinoam” (Judges 5:12). Jael’s role is also heralded: “Most blessed of women be Jael, / the wife of Heber the Kenite, / most blessed of tent-dwelling women” (verse 24).
ellauri061.html on line 803: The song of Deborah and Barak also gives some more detail about the victory over the Canaanites: “The earth shook, the heavens poured, / the clouds poured down water” (Judges 5:4). Evidently, God used a flood to disable the iron chariots of Sisera. The victory was supernatural (verse 20). Chapter 5 concludes with the statement, “And the land had peace forty years.” This impressive time of peace lasted until Midian took control of Israel, necessitating Gideon’s rise.
ellauri061.html on line 1577: Seijan Ansu-siskolla on lapset Kalle ja Kati. Kalle on Seijan kummipoika. Se on vähän Jari Tervon näköinen mutta black of hair kuten 7 valtakunnan kuningas, ei mikään blondi Tyrion Lannister vaikka lyhkönen ja kiltin oloinen kuten se knääpiö tosin ei yhtä rääväsuu. Yhteistä Jarin kanssa sillä on toi lapsettomuusongelma. Satu ei ole kyllä mikään pervo. Kalle on lennonjohtotehtävissä. Kallen sisko Kati on menestyvä pankki-ihminen. Kalle Pervon äiti Kati hoitaa Jarin kirjastoa ja kotoa jo lennähtänyttä blondia poikaansa.
ellauri062.html on line 815: Onko tämä sosiaalipornoa vai mielenterveysongelmaisen purkustuxia? On se.
ellauri063.html on line 274: "Frontside Ollie" is a Finnish language song by Finnish teen pop artist Robin and his debut single taken from his debut album Koodi. Written by Sana Mustonen, it was released on Universal Music on 16 January 2012. #skateboarding Today's video is about the basic frontside ollie on transition. Useful for quarter pipes, mini ramps, bowls and more. Hit subscribe & leave your suggestions below for future skate hacks videos!
ellauri063.html on line 312: Songs in the Key of Z is a book and two compilation albums written and compiled by Irwin Chusid. The book and albums explore the field of what Chusid coined as "outsider music". Chusid defines outsider music as; "crackpot and visionary music, where all trails lead essentially one place: over the edge." Chusid's work has brought the music of several leading performers in the outsider genre to wider attention. These include Daniel Johnston, Joe Meek, Jandek and Wesley Willis. In addition, his CDs feature some recordings by artists who produced very little work but placed their recordings firmly in the outsider area. Notable amongst these are nursing home resident Jack Mudurian who sings snatches of several dozen songs in a garbled collection known as Downloading the Repertoire and the obscure and extreme scat singer Shooby Taylor AKA 'The Human Horn.'
ellauri063.html on line 314: Scott "Walker" Engel's The Old Man's Back Again is dedicated to the neostalinist regime. Löysää hölkkää mutta kaskun kärki on nyt siinä että Putinin porukat on muka yleisössä. Scott 4 is Scott Walker's fifth solo album (a collection of songs he had performed for his BBC television series had been his fourth). It was originally released in late 1969 under his birth name, Scott Engel, and failed to chart. Subsequent reissues have been released under his stage name. It has since received praise as one of Walker's best works.
ellauri063.html on line 454: Kerjäämiskielto saa tyrmäävän vastaanoton. Sisäministeriön työryhmä esitti eilen, että kerjääminen julkisella paikalla kiellettäisiin Suomessa. Poliisi ei usko, että kerjäämiskielto ratkaisee koko kerjäämisongelmaa. Sisäministeri oli joku kokkarien akka 2010 ja laupias samarialainen Päivi Räsänen 2011 Kataisen hallituxessa.
ellauri066.html on line 453: We are meant for song, and sin. Meikät hoilaa syntiä.
ellauri066.html on line 516: The Book of Proverbs mentions an emotion similar to schadenfreude: "Rejoice not when thine enemy falleth, and let not thine heart be glad when he stumbleth: Lest the LORD see it, and it displease him, and he turn away his wrath from him." (Proverbs 24:17–18, King James Version). Jutkut on eteviä schadenfreudessa, kun ne on niin usein olleet häviäjiä. Esim The Bob Dylan 1965 song "Like a Rolling Stone" is an expression of schadenfreude in popular culture.[original research?]
ellauri066.html on line 697: A Swedish rapper has immortalised him in song and the epidemiologist has a Facebook fan club of 33,000 members.
ellauri067.html on line 604: School Days School Days is an American popular song written in 1907 by Will D. Cobb and Gus Edwards. Its subject is of a mature couple looking back sentimentally on their childhood together in primary school.
ellauri067.html on line 606: Come Josephine In My Flying Machine is a popular song with music by Fred Fisher and lyrics by Alfred Bryan. First published in 1910, the composition was originally recorded by Blanche Ring and was, for a time, her signature song. Ada Jones and Billy Murray recorded a duet in November 1910, which was released the following year. There have been many subsequent recordings of the pop standard.
ellauri067.html on line 608: A Hot Time in the Old Town, also titled as "There’ll Be a Hot Time in the Old Town Tonight", is an American popular song, copyrighted and perhaps composed in 1896 by Theodore August Metz with lyrics by Joe Hayden. Metz was the band leader of the McIntyre and Heath Minstrels. The song was a favorite of the American military around the start of the 20th century, particularly during the Spanish–American War and the Boxer Rebellion. The tune became popular in the military after it was used as a theme by Teddy Roosevelt´s Rough Riders.
ellauri069.html on line 40: Postmodernism is the Swiss Army knife of critical concepts. It’s definitionally overloaded, and it can do almost any job you need done. This is partly because, like many terms that begin with “post,” it is fundamentally ambidextrous. Postmodernism can mean, “We’re all modernists now. Modernism has won.” Or it can mean, “No one can be a modernist anymore. Modernism is over.” People who use “postmodernism” in the first, “mission accomplished,” sense believe that modernism—the art and literature associated with figures like Picasso and Joyce—changed the game completely, and that everyone is still working through the consequences. Modernism is the song that never ends. Being postmodernist just means that we can never be pre-modernist again. People who use it in the second sense, as the epitaph for modernism, think that, somewhere along the line, there was a break with the assumptions, practices, and ambitions of modernist art and literature, and that everyone since then is (or ought to be) on to something very different. Being postmodernist means that we can never be modernist again.
ellauri069.html on line 178: Hoagy Carmichael: Hoagland Howard " Hoagy " Carmichael (November 22, 1899 - December 27, 1981) was an American singer, songwriter, and actor. American composer and author Alec Wilder described Carmichael as the "most talented, inventive, sophisticated and jazz-oriented of all the great craftsmen" of pop songs in the first half of the 20th century.
ellauri069.html on line 234: Going My Way: Ex tää ole Fred Astairen rallatus? Fredistä on ollut puhe toisaalla. 38; A 1944 film directed by Leo McCarey. It is a light-hearted musical comedy/drama about a new young priest (Bing Crosby) taking over a parish from an established old veteran (Barry Fitzgerald). Crosby sings five songs in the film.
ellauri069.html on line 676: The most valuable of all Cracker Jack prizes are two sets of baseball cards together worth more than $125,000. Cracker Jack became part of the baseball pastime when the song "Take me out to the Ballgame" was written with the words "buy me some peanuts and Cracker Jack."
ellauri069.html on line 714: American poet, novelist, essayist, songwriter, playwright, editor and publisher. Known for his satirical works challenging American political culture. Perhaps his best-kĺnown work is Mumbo Jumbo (1972), a sprawling and unorthodox novel set in 1920s New York that has been ranked among the 500 most important books in the Western canon. Reed´s work has often sought to represent neglected African and African-American perspectives; his energy and advocacy have centered more broadly on neglected peoples and perspectives, irrespective of their cultural origins.
ellauri070.html on line 106: Let my liver sing my song.
ellauri071.html on line 134: One of Coward's best-known songs is "A Room with a View". A Room with a View is a 1908 novel by English writer E. M. Forster, about a young woman in the restrained culture of Edwardian era England. Set in Italy and England, the story is both a romance and a humorous critique of English society at the beginning of the 20th century. Merchant Ivory produced an award-winning film adaptation in 1985.
ellauri078.html on line 103: The earliest known version is found in Christy's Plantation Melodies. No. 2, a songbook published under the authority of Edwin Pearce Christy in Philadelphia in 1853. Christy was the founder of the blackface minstrel show known as the Christy's Minstrels. Like most minstrel songs, the lyrics are written in a cross between a parody of a generic creole dialect historically attributed to African-Americans and standard American English. The song is written in the first person from the perspective of an African-American singer who refers to himself as a "darkey," longing to return to "a yellow girl" (that is, a light-skinned, or bi-racial woman born of African/African-American and European-American progenitors)
ellauri079.html on line 122: A lot of fans will remember this awkward but funny family from TV and probably be able to sing the theme song without having to hear it. The Beverly Hillbillies were after all a favorite show back in their day and inspired a lot of other ideas that came much later, like David Foster Wallace´s magnum opus The Infinite Jest. The attempt to make a movie out of the show wasn’t all that successful and kind of left a bad taste in a lot of peoples’ mouths since it was such a poor attempt that even watching the trailer was something that people didn’t want to admit for a while. Sometimes the best thing you can do is remember the good times and think back to the original that made it something special. Lets hope they will never, never try to make a movie out of Infinite Jest. Jim Incandenza tried that once already, with singularly bad results.
ellauri080.html on line 715: Every episode begins with a camera's-eye view of a model of a neighborhood, then panning in closer to a representation of a house to the music of a piano instrumental of the theme song, "Won't You be My Neighbor?".
ellauri082.html on line 47: The Prozac book chronicles her battle with depression as a college undergraduate and her eventual treatment with the medication Prozac. Michiko Kakutani wrote in The New York Times, “Wrenching and comical, self-indulgent and self-aware, Prozac Nation possesses the raw candor of Joan Didion's essays, the irritating emotional exhibitionism of Sylvia Plath's The Bell Jar, and the wry, dark humor of a Bob Dylan song.”
ellauri083.html on line 344: It follows a team of doctors and support staff stationed at the "4077th Mobile Army Surgical Hospital" in Uijeongbu, South Korea, during the Korean War (1950–53). The show's title sequence features an instrumental-only version of "Suicide Is Painless," the original film's theme song.
ellauri083.html on line 540: Wherefore didst thou flee away secretly, and steal away from me; and didst not tell me, that I might have sent thee away with mirth, and with songs, with tabret, and with harp?
ellauri083.html on line 546: For there they that carried us away captive required of us a song; and they that wasted us required of us mirth, saying, Sing us one of the songs of Zion.
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Prologue. The fuzzy bit at the beginning that doesn’t make sense until you’ve read the whole novel. It's backstory in disguise. Prologues that start a thousand years in the past will cause the author to burn in hell. Okay, you most likely also speed forward over the Paw Patrol theme song.
Phillu mainizee (175) Mandelin tykänneen Tito Puentesista ja Pupi Camposta niin paljon että muutti nimensä Babaluuxi. (Kolmas nimi on pianisti Joe Loco.) "Babalú" is a Cuban popular afro song written by Margarita Lecuona, the cousin of composers Ernestina and Ernesto Lecuona. The song title is a reference to the Santería deity Babalú Ayé. "Babalú" was the signature song of the fictional television character Ricky Ricardo, played by Desi Arnaz in the television comedy series I Love Lucy, though it was already an established musical number for Arnaz in the 1940s as evidenced in the 1946 film short Desi Arnaz and His Orchestra. By the time Arnaz had adopted the song, it had become a Latin American music standard, associated mainly with Cuban singer Miguelito Valdés, who recorded one of its many versions with Xavier Cugat and his Waldorf-Astoria Orchestra. Arnaz made the song a rather popular cultural reference in the United States.
ellauri144.html on line 192: songs-chords/png/guantanamera.png" width="90%" />
ellauri144.html on line 263: The United States has long maintained a military base at Guantanamo in Cuba. This makes the U.S. adaptation of the song a multi-layer statement, to put it mildly. It's typically sung by freedom activists who would perhaps like to see that illegally torturing prison and military base close for good, though they don't usually employ the song to that end.
ellauri144.html on line 269: The chorus, "Guantanamera, guajira Guantanamera" simply refers to singing a song about Guantanamo. (Guantanamera means a woman prisoner in Guantanamo. Not that they are many of them alive.)
ellauri144.html on line 277: Malagueña Salerosa — also known as La Malagueña — is a well-known Son Huasteco or Huapango song from Mexico, which has been covered more than 200 times by recording artists.
ellauri144.html on line 278: The song is that of a man telling a woman (from Málaga, Spain) how beautiful she is, and how he would love to be her man, but that he understands her rejecting him for being too poor.
ellauri144.html on line 280: The film was produced as part of the studio's goodwill message for Latin America. The film stars Donald Duck, who in the course of the film is joined by old friend José Carioca, the cigar-smoking parrot from Saludos Amigos, who represents Brazil, and later becomes friends with a pistol-packing rooster named Panchito Pistoles, who represents Mexico. The Disney song is pathetically bad. Donald Duck's telescope has an erection when the duck focuses on Latin beauties, such as Carmen Mirandaellauri145.html on line 820: Couronnés d´or, songez aux couronnes d´épines.
ellauri145.html on line 859: Madame ! un fou, songez-y bien, Madame! Hullu, huomatkaapa,
ellauri145.html on line 1230: Kyselyyn vastasi 1134 henkilöä. Heistä 87 prosenttia oli itse kokenut mielenterveysongelmia. LOL.
ellauri146.html on line 178: L'AUTEUR, dehors derrière la porte. O! Maudit Maître d'école! Immesurable sac à mensonges!
ellauri147.html on line 77: Tuhat laulujen vuotta (‘A thousand years of song’, 1957) contained 225 poems by western poets. Meillä on toi Tyynnin 1000 laulujen vuotta, mää oon sen lukenutkin. Aika kehnojakin runoja on Aake sinne kelpuuttanut. Ei niitä sentään ole tuhatta. Hahaa, mulla on paasauxia jo yli 2000. Enemmän kuin jopa Immi Hellénillä. Pääsimpäs edelle vaikka konehella veisattiin, sano eukko kirkossa. Nojoo, toisto tyylikeinona, mulla on tää Erkki Tantun läppä jo monta kertaa jossakin.
ellauri147.html on line 107: Tyynni received several literary awards between 1943 and 1982. Morever, she won the gold medal in 1948 for her poem ‘Hellaan laakeri’ (‘Let's put a bearing into the stove') at a time when literary composition was still a part of the non-professional Olympic games. A Pro Finlandia medal holder, Academician of the Arts and Honorary doctor, Aake Tyynni died in 1997 at the age of 84. Her daughter Riitta Seppälä and son Mikko-Olavi Seppälä have written their mother’s biography, Aake Tyynni – Hymyily, kyynel, laulu. (‘Aake Tyynni. A smile, a tear, a song’, WSOY, 2013)
ellauri147.html on line 223: Gabriel surprises Emily by joining them as kitchen staff for the weekend trip which makes Emily uncomfortable. Emily takes a tour of the winery and meets Camille's younger brother Timothée. Gabriel refuses Camille's mother's offer of a business loan. At a club where Mindy's girlfriends are partying, they force her (who? Mindy?) on stage to sing the song she flubbed on Chinese Popstar. (So what?)
ellauri147.html on line 724: Kyse ei ole siitä, muuttuvatko valtion mielisairaudet historiallisesti ja etsivätkö uusia aika-sopivia muotoja eli oireiden muutosta. Tämä muutos on erehtymätön, kun rekisteröimme, että hysteria "vanhanaikaisena" sairautena on ilmeisesti katoamassa ja että neuroosit etsivät muita kuin klassisia oireenmukaisia ilmenemismuotoja. Pikemminkin kyse on siitä, perustuuko oireen muutos myös tiettyyn rakenteelliseen muutokseen, jossa mielenterveyssairauksien kiinnityskohdat ovat aikaisemmin elämänhistoriassa: rakenteellinen muutos "hyvin suunnitelluista" neurooseista (Loch 1965)(9) diffuusi ego- ja persoonallisuusongelmiin, edipal-konflikteista narsistisiin häiriöihin.
ellauri150.html on line 728: I was actually thinking about writing an article about how the free sex movement came out of the 60s. The idea was to use the songs from Joni Mitchell's Blue album as the basis of the article. You know before that time sex before marriage wasn't not considered socially acceptable, because French letters were not reliable. I'm sure it still happened, but it was not done out in the open - at least not by "respectable" people.
ellauri150.html on line 764: I have basically stopped listening to any other music than church music. Even the old romantic songs seem to be a call to exchange the love of God for earthly love. And from romantic love it devolved into explicit sexual love, and from sexual love into sex without love at all.0
ellauri152.html on line 92: Louÿs' close friend Claude Debussy in 1897 musically set three of the poems—La flûte de Pan, La chevelure and Le tombeau des Naïades—as songs for feminine voice and piano. Pan huiluu pyllyyn. The book was accidentally translated to Polish twice, in 1920 by Leopold Staff and in 2010 by Ruben Stiller.
ellauri152.html on line 622: And yet in other ways, the film can’t help preserving the queerness of the story despite itself. Barbra Streisand can add a song about how Yentl is just jealous of Badass for being a conventionally feminine woman whom Avigdor loves, but she can’t stop me from putting my grubby little bi hands all over her film, pointing at Yentl’s tortured gaze aimed at Badass, and saying “GAY.” And she certainly didn’t no-homo the interactions between Anshel and Avigdor very well, because they are in fact very yes-homo, and I will point and say “GAY” at that too.
ellauri155.html on line 719: Tässä käsittelyssä Humen ymmärretään puolustavan pohjimmiltaan tulevaisuuteen suuntautuvaa ja utilitaristista kertomusta moraalisesta vastuusta. Thomas Hobbesin kaltaisten ajattelijoiden jälkeen Hume huomauttaa, että palkkiot ja rangaistukset saavat ihmiset toimimaan jollain tavalla eikä toisissa, mikä on selvästi huomattava sosiaalinen hyödyllisyys (T 2.3.2.5/410; EU 8.2897–98). Tällaista tulevaisuuteen suuntautuvaa, utilitaristista vastuullisuutta ovat kehittäneet edelleen monet muut compatibilistit, joiden kanssa Hume on usein tiiviisti tunnistettu (esimerkiksi Moritz Schlick ja J.J.C. Smart). Tämänkaltaisia tulevaisuuteen suuntautuvia, utilitaristisia kertomuksia on arvosteltu. Kaikenlaisten kantilaisten mukaan, perusongelma on se, että he ovat täysin sokeita aavikon asioille ja siten puuttuvat vaaditusta (taaksepäin katsovasta) kostotekijästä, jota tällä alalla tarvitaan.
ellauri156.html on line 127: Who is Gideon? Are we supposed to know? All I know is Gideon's bible, which the Beatles found in the bottom drawer of a bedside table in hotel room in a song whose name can't remember just now. "Only to find, Gideon's bible." Se oli Rocky Raccoon valkoiselta albumilta. Ai niin, ja sitten on Onni Gideon!
ellauri156.html on line 142: According to Beatles historian Kenneth Womack, McCartney drew his inspiration for the song from Robert Service’s poem “The Shooting of Dan McGrew.” The Old West-style honky-tonk piano was played by producer George Martin. "Rocky Raccoon" is also the last Beatles song to feature John Lennon's harmonica playing.
ellauri156.html on line 143: In Mojo magazine in October 2008, McCartney acknowledged that the style of the song is a pastiche, saying: "I was basically spoofing the folksinger." Lennon attributed the song to McCartney, saying: "Couldn't you guess? Would I have gone to all that trouble about Gideon's Bible and all that stuff?"
ellauri156.html on line 207: The Marvel Comics character Rocket Raccoon, created by Bill Mantlo and Keith Giffen, was inspired by the song's title and some of the lyrics.
ellauri161.html on line 535: Another propaganda film by Netflix! Too long, slow, and full of annoying overuse scene! Not recommended! Entire film full of boring conversation, and annoying overuse scene! Such as, overuse of the walking scene, overuse of the arguing scene, overuse of the calling names scene, overuse of the kissing scene, overuse of the staring scene, overuse of the driving scene, overuse of the eating scene, overuse of the drinking scene, overuse of the smoking scene, overuse of the taking pill scene, overuse of the singing scene, overuse of the song playing at the background scene, overuse of the watching video scene, overuse of the tweeting scene, overuse of the making speech scene, overuse of the blackout scene, overuse of the talking on the phone scene, and overuse of the interviewing scene!
ellauri161.html on line 851:
English Folk Songs [1959] / track 49 Historical Folk. Henry Burstow sang The Ploughman in 1909 to Ralph Vaughan Williams [ VWML RVW2/2/194 ]. This version was printed in 1959 in Vaughan Williams' and Lloyd's The Penguin Book of English Folk Songs, which commented: This song started out, as some songs will, with intent to end otherwise. Mr Burstow's first verse was originally:
ellauri276.html on line 603: Here we are on familiar ground, for the beginning is that of the well-known Condescending Lass, often printed on broadsides, and not infrequently met with in the mouths of country singers to this day. The Condescending Lass belongs to a sizeable family of songs on the theme “I wouldn't marry a …”. In it the girl reviews men of various trades, and rejects them all until she finds one whom she will deign to consider. But the present version loses sight of this theme, and from verse two onwards forgets all about the persnickety girl, settling down to a eulogy of the ploughman's trade, though here and there the words still recall those of The Condescending Lass. For the sake of coherence we have abandoned Mr Burstow's first verse and given it another title (he called it: Pretty Wench). The Taverners Folk Group sang The Ploughman in 1974 on their Folk Heritage album Times of Old England. They noted:
ellauri276.html on line 605: If The Seasons Round can be instantly recognised as being a typically English song, then The Ploughman is undoubtedly Scottish. The song has a fine lilt for the words and music are irrepressably cheerful; it is a song of a happy man.
ellauri276.html on line 608: Turning over frozen earth in dark January days behind a horse drawn or an ox drawn plough, must have been back breaking labour. The hours were long, pay was poor. A ploughman at the Alnwick Hiring Fair of spring 1819 for instance, was offered merely bed and food as payment for his fee for six months work. In the depression of that year, the ploughman had no choice, yet, these ploughmen appeared to enjoy their job and approached life with a sense of honest reality and humour. Their songs are nearly always cheerful. Cyril Tawney sang The Ploughman in 1974 on the Argo anthology The World of the Countryside. Jon Loomes sang The Ploughman in 2005 on his Fellside CD Fearful Symmetry. He noted:
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ellauri283.html on line 197: Nietzsche toteaa, että yhteiskunnan yleisenä periaatteena olla loukkaamatta, hyödyntämättä tai olla väkivaltaisia muita kohtaan on "tahto elämän kieltämiseen, hajoamisen ja rappeutumisen periaate". Hän jatkaa väittäen, että elämä on "pohjimmiltaan ottamista, vahingoittamista, outojen ja heikkojen valloittamista". Nietzsche pitää aivan oikein Englantia karkeana, synkänä, julmempana kuin saksalaiset ja julistaa, että "he eivät ole filosofista rotua". Hän erottaa Baconin, Hobbesin, Humen ja Locken edustavan "filosofi-käsitteen alenemista ja devalvaatiota enemmän kuin vuosisadalla". Nietzsche käsittelee myös käännösongelmia ja saksan kielen lyijyä.
ellauri283.html on line 499: Burkina Faso on monirotuinen valtio, ja siellä elää yli 60 etnistä ryhmittymää. Mosit on merkittävin ryhmä, ja vuonna 2010 Burkina Fason asukkaista 52,5 prosenttia kuului heihin. Fulbien osuus oli 8,4 prosenttia, gurmien 6,8 prosenttia ja bobojen 4,8 prosenttia. Kaikkiaan vuoden 1986 tietojen mukaan noin 94 % burkinafasolaisista kuuluu nigeriläis-kongolaisia kieliä puhuviin kansoihin. Gurilaisen ryhmän kieliä puhuvat mosit ja heidän sukukansansa dagarit, biriforit, nankanset ja kusasit ovat perinteisesest asuneet maan keskiosassa Valkoisen Voltan alueella. Lobit asuvat maan lounaisosassa ja bobot Malin rajaseudulla Bobo-Dioulasson koillispuolella. Grusit sukukansoineen elävät Ghanan rajaseuduilla, gurmat kaakossa Beninin rajalla, senufot lännessä sekä Kankalaban tasangolla, dogonit Bandiagaran vuoristoseudulla. Mandelaisen ryhmän kieliä puhuvat samot, soninket ja djulat asuvat maan luoteisosassa erillisinä ryhminä gurilaisten kansojen joukossa, bisat Valkoisen Voltan varrella lähellä Ghanan rajaa. Atlanttiseen kieliryhmään kuuluvat maan luoteisosassa asuvat fulbet. Maan pohjoisosan puoliautiomaata asuttavat paimentolaisuutta harjoittavat tuaregit ja heidän länsipuolellaan songhait. Kaupungeissa on hausoja, libanonilaisia ja ranskalaisia.
ellauri283.html on line 528: Huhtikuussa 2023 paljastettujen dokumenttien eräässä asiakirjassa kerrotaan, että Wagner-ryhmän lähettiläät tapasivat Turkin viranomaisia helmikuussa. Tämä viittaa siihen, että Wagner-ryhmä kenties hankkii aseet Malissa sijaitsevasta etuvartiosta. Toisessa asiakirjassa on arvio Wagnerin henkilöstön määrästä Malissa, ja siinä todetaan, että Wagnerin suuri läsnäolo on herättänyt turvallisuusongelmia Malin naapurimaassa Norsunluurannikolla. Reutersin mukaan Wagnerin henkilökunta aikoi ostaa aseita ja varusteita Turkista käyttääkseen niitä Malissa ja Ukrainassa. Vuodetuissa asiakirjoissa kerrotaan myös Malin presidentin Assimi Goïtan vahvistaneen, että Mali voisi hankkia aseita Turkista Wagnerin puolesta.
ellauri283.html on line 533: Burkina Fason etnisesti monimuotinen valtio, ja siellä elää yli 60 etnistä ryhmittymää. Mosit on merkittävin ryhmä, ja vuonna 2010 Burkina Fason asukkaista 52,5 prosenttia kuului heihin. Fulbien osuus oli 8,4 prosenttia, gurmien 6,8 prosenttia ja bobojen 4,8 prosenttia. Kaikkiaan vuoden 1986 tietojen mukaan noin 94 % burkinafasolaisista kuuluu nigeriläis-kongolaisia kieliä puhuviin kansoihin. Gurilaisen ryhmän kieliä puhuvat mosit ja heidän sukukansansa dagarit, biriforit, nankanset ja kusasit ovat perinteisesest asuneet maan keskiosassa Valkoisen Voltan alueella. Lobit asuvat maan lounaisosassa ja bobot Malin rajaseudulla Bobo-Dioulasson koillispuolella. Grusit sukukansoineen elävät Ghanan rajaseuduilla, gurmat kaakossa Beninin rajalla, senufot lännessä sekä Kankalaban tasangolla, dogonit Bandiagaran vuoristoseudulla. Mandelaisen ryhmän kieliä puhuvat samot, soninket ja djulat asuvat maan luoteisosassa erillisinä ryhminä gurilaisten kansojen joukossa, bisat Valkoisen Voltan varrella lähellä Ghanan rajaa. Atlanttiseen kieliryhmään kuuluvat maan luoteisosassa asuvat fulbet. Maan pohjoisosan puoliautiomaata asuttavat paimentolaisuutta harjoittavat tuaregit ja heidän länsipuolellaan songhait. Kaupungeissa on hausoja, libanonilaisia ja ranskalaisia.
ellauri283.html on line 538: Noin 50 % malilaisista edustaa mandekieliä puhuvia kansoja, joihin kuuluvat bambarat maan länsi- ja keskiosissa, mandinkat lounaassa, soninket Mauritanian rajalla ja djulat itäosan kaupungeissa. Toiseksi suurin ryhmä ovat puolipaimentolaisina elävät fulbet varsinkin maan keskiosassa (17 % väestöstä). Kaakossa on gurilaisia kieliä puhuvia senufoja, dogoneja ja boboja (12 %). Nigerjoen keskijuoksun varrella asuvat songhait (6 %) ja heidän pohjoispuolellaan Saharassa paimentolaisuutta harjoittavat tuaregit ja arabiankieliset maurit (10 %).
ellauri283.html on line 540: Maan entiset ryhmät asuvat usein rinnakkain samoilla alueilla. Niiden yhteiselo perustuu uskontoon, paikalliseen identiteettiin sekä ryhmien väliseen yhteistoimintaan ja työnjakoon. Niinpä esimerkiksi bambarat viljelevät hirssiä ja durraa ja songhait riisiä, kun taas fulbet harjoittavat karjanhoitoa, djulat kaupankäyntiä ja bozot kalastusta. Ryhmien väliset jännitteet ilmenevät kuivuudesta kärsivien tuaregien ja maurien tyytymättömyytenä etelän mandekansojen hallitsemaan poliittiseen ja taloudelliseen järjestelmään. Kuten uumoilin: piikkilankoja preerialla taas!
ellauri290.html on line 826: Szenes jatkoi matkaa ja suuntasi kohti Unkarin rajaa. Rajalla unkarilaiset santarmit pidättivät hänet ja hänen toverinsa (ne partisaanit, SOE miehethän jänistivät), ja he löysivät hänen brittiläisen sotilaslähettimen, joka tapasi kommunikoida SOE:n ja muiden partisaanien kanssa. Hänet vietiin vankilaan kuin pyhä Paavali, riisuttiin, sidottiin tuoliin, sitten ruoskittiin ja nuhdeltiin kolme päivää. Hän menetti useita hampaita pahoinpitelyjen seurauksena. Vartijat halusivat tietää hänen lähettimensä koodin, jotta he voisivat selvittää, keitä laskuvarjohyppääjät olivat, ja saada muut ansaan. Budapestin vankilaan siirrettyä Szenesiä kuulusteltiin ja kidutettiin toistuvasti, mutta hän paljasti vain nimensä ja kieltäytyi antamasta lähettimen koodia, vaikka hänen äitinsä oli myös pidätetty. He uhkasivat tappaa hänen äitinsä, jos tämä ei suostuisi yhteistyöhön, mutta hän kieltäytyi. (No ei äitiä kuitenkaan tapettu, Hanna vain. Se oli bluffia.) Szenes´ little song about beaches near Tel Aviv (ex-Jaffa) is still a favorite in Israel.
ellauri297.html on line 660: Myönteinen sielutiede on tieteellinen tutkimus siitä, mikä tekee elämästä elämisen arvoisimman, keskittyen sekä yksilölliseen että yhteiskunnalliseen hyvinvointiin. Myönteinen sielutiede alkoi uutena psykologian alana vuonna 1998, kun Martin Seligman valitsi sen teemaksi hänen toimikautensa American Psychological Associationin puheenjohtajana. Se on reaktio menneitä käytäntöjä vastaan, jotka ovat yleensä keskittyneet mielenterveysongelmiin ja kannustaneet sopeutumatonta käyttäytymistä ja negatiivista ajattelua. Se perustuu Abraham Maslowin, Rollo Mayn, Dean Martinin ja Carl Rogersin humanistiseen liikkeeseen, joka kannustaa korostamaan onnellisuutta ja hyvinvointia,ja positiivisuutta, mikä luo perustan myönteisellä sielutieteelle.
ellauri299.html on line 392: Tuomas Enbuske katosi julkisuudesta mielenterveysongelmien vuoksi – avautuu nyt podcastissa elämästään täydellisen romahduksen jälkeen. Oululaisten vanhempien piti tulla pelastamaan maanis-depressiivinen Tomppa hädästä, lukita se omistamaansa vuokrauuttuun Kampissa. Tälläistä on ollut liikkeellä. Mielenterveysongelmistaan avoimesti puhunut Tuomas Enbuske kertoo Pyhimyksen uudessa podcastissa sairauslomastaan ja kokemastaan häpeästä. – Se kuului siihen, olin sairas. Diagnoosi on siitä hyvä, että sillä voi selittää asioita. Nyt olen antanut anteeksi tyhmiä päätöksiäni, ja sitä että olen ollut
ellauri299.html on line 506: Jesse Byron Dylan (born January 6, 1966) is an American film director and production executive. He is the founder of the media production company Wondros and Lybba, a non-profit organization. He is also a member of the Council on Foreign Relations and TED. He is the son of musician Bob Dylan and former model Sara Lownds and brother of singer-songwriter Jakob Dylan. Dylan is separated from Susan Traylor, with whom he has a son and a daughter. Jesse on kohtuullisen pyylevä.
ellauri300.html on line 585: Facets of his 1971 song "American Pie" have become part of American culture, spanning generations. McLean's lyrics retroactively influenced the perception of a major event in the early days of rock 'n roll.
ellauri300.html on line 587: Particularly, the plane crash that killed musicians Buddy Holly, Ritchie Valens, and "The Big Bopper" J. P. Richardson has become known as "The Day the Music Died", the expression by which McLean, a fan of Buddy Holly, dubbed it in the song. Holly's death for him symbolized the "loss of innocence" of the early rock-'n-roll generation.
ellauri300.html on line 591: McLean was raised in the Catholic faith of his mother, Elizabeth McLean; his father, Donald McLean, was a Protestant. His father died when McLean was 15. McLean grew up in a physically abusive household, and was abused by both his parents and his sister. His second marriage was to Patrisha Shnier McLean, of Montreal, Canada, from 1987 to 2016. They have two children, Jackie and Wyatt, and two grandchildren, Rosa and Mya. In 2018, McLean confirmed his romantic relationship with model and reality star Paris Dylan, who is 48 years his junior. McLean sang a duet of his song "Vincent" with Ed Sheeran.
ellauri301.html on line 320: Puresidente wa Afrika-Dzonga (Tsonga)
ellauri301.html on line 347: TIDBIT: There are many initiatives surrounding this day that have received endorsement. There is even an official song “Our Heritage” recorded by The Soweto Gospel Choir.
ellauri302.html on line 280: Hush... hush... I 'm afraid of my father.. He beat me... He locked the door... And hid the key near the Holy Scroll. I lay awake all night... I heard you call me... You killed me softly with your song.. And something drew me so irresistibly to you... and I stole the key from the Scroll... My heart pounded so wildly... so wildly...
ellauri309.html on line 613: kirkon jäsenen kautta). Hillsong Church, Australian suurin seurakunta,
ellauri310.html on line 844: Reagan-vuosina useat AEI:n henkilöstön jäsenet lähtivät hallintoon. Se yhdistettynä huikeaan kasvuun, tutkimustoiminnan leviämiseen ja johtamisongelmiin osoittautuivat kalliiksi. Jotkut AEI:tä tuolloin tukeneet säätiöt havaitsivat ajautumisen kohti keskustaa poliittisesti. Centristit, kuten Ford, Burns ja Stein, ottivat yhteen nousevien konservatiivien kanssa. Vuonna 1986 John M. Olin -säätiö ja Smith Richardson -säätiö peruuttivat instituutin rahoituksen, mikä työnsi AEI:n konkurssin partaalle. Kaverit tempaisivat äkäsesti ruorin takas tyyrpuuriin. Se naula veti! George HW Bushin ja Bill Clintonin hallinnon aikana AEI:n tulot kasvoivat 10 miljoonasta dollarista 18,9 miljoonaan dollariin. Noin!
ellauri311.html on line 569: listening to a poem or a song; the listener, being unable to hear a lyric clearly,
ellauri311.html on line 576: your penis", and being surprised that the song was allowed on the radio. The
ellauri311.html on line 578: hear", as in the case of the song "Louie Louie": parents heard obscenities in the
ellauri311.html on line 579: Kingsmen recording where none existed.
Religious songs, learned by ear
ellauri311.html on line 586: a lyric in the Beatles song "Lucy in the Sky with Diamonds": "The girl with
ellauri311.html on line 777: F1-loppet i Singapore kan vara det tuffaste under hela säsongen. Det är hett, det är fuktigt och tidsskillnaden är en faktor som måste tas i beaktande. 17000 kroppar has sjunkit i Medelhavet sedan 2014 på flykt norrut från den heta svarta kontinenten. Och då är det en stor fördel att få ett hotellrum som verkligen går att kyla. Valtteri Bottas har det lätt för han är ju van på bastu. Förarna bär hela dagen en kylväst, en våt handduk runt halsen oh en kall dryck i handen. Efter varje pass tar alla förare ett isbad. Det kallas också physicool, kylterapi. - Det bästa med kapplopp i hettan är att man tappar vikt, något som folk väl känner till på den svarta kontinenten med. Och i medelhavets djup är det ännu coolare att tillbringa evigheten.
ellauri323.html on line 124: At the close of the Season, Paris claimed her for a month’s engagement. Paris saw her and was prostrate. Boldini did a portrait of her. Jules Bloch wrote a song about her; and this, for a whole month, was howled up and down the cobbled alleys of Montmartre. And all the little dandies were mad for “la Zuleika.” Dändeistä on paasattu mm albumeissa 49, 53, 56, 61, 98, 107, 139,
ellauri325.html on line 100: Jeltsin erotti 9. elokuuta 1999 hallituksensa, ja uudeksi pääministeriksi nousi Vladimir Putin. Jeltsin oli valtakautensa viimeiset kuukaudet hyvin epäsuosittu, vain kaksi prosenttia kansasta kannatti häntä. Terveysongelmista kärsinyt Jeltsin ilmoitti siirtyvänsä syrjään juuri ennen vuosituhannen vaihdetta 31. joulukuuta 1999. Jeltsin nimitti pääministeri Putinin virkaatekeväksi presidentiksi kevään 2000 presidentinvaaleihin saakka. Kun Putin oli näin päässyt presidentiksi, hän varmisti ensitöikseen, että Jeltsin sai täyden koskemattomuuden kaikista rikosoikeudellisista syytteistä.
ellauri333.html on line 256: Among the military fraternities of ancient tribes, all young males were initiated into the art of killing anyone perceived as a threat to the tribe. Such ceremonies followed rituals whereby the young men stripped and dressed in animal skin (often also donning a fierce animal mask) and worked themselves into a bestial rage. Rage removes inhibitions. Rage alone makes the gentle, genial young man next door who listens to film songs all day suddenly go berserk and join a mob as killer of the perceived enemy. Bearskin and Berserk, the two words incidentally are synonymous in German. The question is, how do you awaken the killer instinct in a male turning even a laid-back herbivore into a blood thirsty predator? Well here's how:
ellauri335.html on line 195: Moni jättää kalliimmat vihannekset ja hedelmät ostamatta tai ostaa niitä alennettuun hintaan ja korvaa muilla sesongissa olevilla tuotteilla, esim nahistuneella kaalilla.
ellauri346.html on line 307: Titled "Friendship Song," the video in question featured a group of children reportedly singing in a re-recording of an old song originally written by Israeli poet Haim Gouri after the 1948 war that led to the creation of the state of Israel, but with amended lyrics referring to Gaza. David Sheen, an independent filmmaker and writer, translated these new lyrics for The Electronic Intifada into English from Hebrew. Per his translation, the children sang:
ellauri348.html on line 446:
ellauri348.html on line 474: Steven Patrick Morrissey (/ ˈ m ɒr ɪ s i / MORR-iss-ee; born 22 May 1959), known mononymously as Morrissey, is an English singer and songwriter.
ellauri348.html on line 669:
"Kâtibim" ("my clerk"), or "Üsküdar'a Gider İken" ("while going to Üsküdar") is a Turkish folk song about someone's clerk (kâtip) as they travel to Üsküdar. The tune is a famous Istanbul türkü, which is spread beyond Turkey in many countries, especially in the Balkans.
xxx/ellauri076.html on line 61: After two-and-a-half years of inactivity, Neil suddenly announced in September 2018 that Mötley Crüe had reunited and was working on new material. On March 22, 2019, the band released four new songs on the soundtrack for its Netflix biopic The Dirt, based on the band's New York Times best-selling autobiography. In 2023 they appeared at Hyvinkää Rockfest.
xxx/ellauri076.html on line 133: Kajanus had developed a musical theater concept, Red Light Review, based on his memories of being a young man in places like Pigalle in Paris's red-light district. Encouraged by Grant Serpell to rework this material as pop songs, Kajanus devised the concept for Sailor.
xxx/ellauri076.html on line 148: Champagne, a gentle song and a slow dance Skumppaa, lälly laulu ja hidas joraus
xxx/ellauri076.html on line 249: The Coasters are an American rhythm and blues/rock and roll vocal group who had a string of hits in the late 1950s. Beginning with "Searchin'" and "Young Blood", their most memorable songs were written by the songwriting and producing team of Leiber and Stoller. Although the Coasters originated outside of mainstream doo-wop, their records were so frequently imitated that they became an important part of the doo-wop legacy through the 1960s.
xxx/ellauri081.html on line 84: Lindsay Dee Lohan (/ˈloʊhæn/; born July 2, 1986) is an American actress, singer, songwriter, entrepreneur, and television personality. Born and raised in New York, Lohan was signed to Ford Models as a child. Having appeared as a regular on the television soap opera Another World at age 10, her breakthrough came in the Walt Disney Pictures film The Parent Trap (1998). The film's success led to appearances in the television films Life-Size (2000) and Get a Clue (2002), and the big-screen productions Freaky Friday (2003) and Confessions of a Teenage Drama Queen (2004).
xxx/ellauri086.html on line 846: Followed fast and followed faster till his songs one burden bore— sanomasta enää muuta, myötäänsä vaan hoki tuota,
xxx/ellauri087.html on line 477: The song "Am I alone and unobserved?" in the Gilbert and Sullivan operetta Patience contains the line, "If he's content with a vegetable love that would certainly not suit me..." in reference to the aesthete protagonist affecting to prefer the company of flowers to that of women.
xxx/ellauri103.html on line 522: Kathryn Lee Gifford (née Epstein; born August 16, 1953) is an American television presenter, singer, songwriter, occasional actress and author. She is best known for her 15-year run (1985–2000) on the talk show Live! with Regis and Kathie Lee, which she co-hosted with Regis Philbin. She is also known for her 11-year run with Hoda Kotb, on the fourth hour of NBC's Today show (2008–2019). She has received 11 Daytime Emmy nominations and won her first Daytime Emmy in 2010 as part of the Today team. Gifford's first television role had been as Tom Kennedy's singer/sidekick on the syndicated version of Name That Tune only in the 1977–1978 season. She also occasionally appeared on the first three hours of Today and was a contributing NBC News correspondent.
xxx/ellauri103.html on line 535: Kathie Lee was 23 years younger than Frank. They had two children together, Cody Newton Gifford (born March 22, 1990) and Cassidy Erin Gifford (born August 2, 1993). They also shared a birthday: August 16. Frank died on August 9, 2015, from natural causes at their Greenwich, Connecticut, home at the age of 84. In 2017, she released "He Got a Chain Reaction", a very personal song Kathie Lee co-wrote (with songwriter Brett James) and dedicated to her husband. All proceeds from the song went to the international evangelical Christian humanitarian aid charity Samaritan's Purse. Frank's fat inheritance went into Kathie Lee's purse.
xxx/ellauri116.html on line 469: Kuolema korjasi valitettavasti pian myös Georgen rakastajattaret ja lehtolapsen. Mielenterveysongelmista kärsinyt Preston heittäytyi newyorkilaisen hotellin ikkunasta vuonna 1946. Evans, oletetun lehtolapsen Michael Canfieldin oletettu biologinen äiti, ei koskaan päässyt ylitse lapsen antamisesta adoptoitavaksi. Hän tappoi itsensä vuonna 1951. Ei traagista mutta valitettavaa.
xxx/ellauri120.html on line 113: Need we mention all the songs it has composed?
xxx/ellauri123.html on line 349: Jobs tunnettiin taipumuksestaan korottaa ääntään ilman tunnontuskia, mikäli hän ei pitänyt jostain, ja siitä, ettei hän ollut sovittelevaa sorttia. Jobs oli kuin japanilainen fasisti tai samurai. Hän heitti apinoita jobeista pois ilman vaiheita. Hän ei pitänyt liiallisuudesta eikä monimutkaisuudesta. On kiintoisaa kuvitella, että japanilainen kulttuuri on saattanut tulla yhdestä maailman suurimmista yhtiöistä. Ja tänään IPhone on erityisen suosittu Japanissa, mikä merkitsee sitä, että Steve Jobsin myötä minimalistinen kulttuuri on aikoinaan tuotu maahamme. IPhonea ei heitä pois minimaalisin minimalistikaan. Virtuaalisesti kaikkihan on ostettavissa sillä takaisin eBaysta tai Amazonista!! Ja Kalle hei, kuuntele vielä tarkasti: Applen tuotteet on TÄYSIN YLIHINTAISIA PASKOJA! Ne on tarkoituxella ylihinnoiteltuja jotta niistä näkee kuinka varoissani olen. Harmony-runkkunukkeja voi takuulla ohjata myös IPhonella. Hej på dej, jag heter Barbi, vad har du för dej? Har du en jättestor ståkuk där i Calvin Klein kalsongerna redo just för mej? Eller är det bara din IPhone igen?
xxx/ellauri124.html on line 170: Back in California James goes on a date with the prototype Harmony - who has a Scottish accent. He seems delighted when she 'sings' the Michael Jackson song Thriller and tells him a joke.
xxx/ellauri125.html on line 170: Lyon was 15 when the film premiered in June 1962, too young to watch the film. She became an instant celebrity and won a Golden Globe Award for Most Promising Newcomer—Female. She recorded two songs for the film, released on an MGM 45-rpm record. The song "Lolita Ya Ya" (Riddle–Harris) appeared on side A, and "Turn Off the Moon" (Stillman-Harris) appeared on side B.
xxx/ellauri125.html on line 199: Saavutuxet: West on kärsinyt mielenterveysongelmista ja hän oli niistä johtuen loppuvuodesta 2016 sairaalahoidossa. Vuonna 2018 hän mainitsi tulleensa aiemmin riippuvaiseksi hänelle määrätystä opioidi-lääkkeestä, minkä on arveltu olevan hänen vuoden 2016 hermoromahduksena taustatekijänä. Vuoden 2019 haastattelussa West kertoi, että hänellä on kaksisuuntainen mielialahäiriö. Kim Kardashian jätti erohakemuksen Kanye Westistä 19. helmikuuta 2021.
xxx/ellauri125.html on line 298: One of the many striking and often shocking metaphors within “Yeezus,” the new album from rapper Kanye West, arrives halfway into the 10-song release, during a song called “I’m in It.” It involves a quote by the Rev. Martin Luther King Jr.: “Thank God almighty, free at last,” raps West, referencing a phrase from 50 years ago that the civil-rights leader used in relation to the plight of African Americans.
xxx/ellauri125.html on line 301: The song, which could be called bawdy were it not so lyrically dark, is one of many on West’s sixth solo studio album that reference — and commingle — sex, ethnicity and/or power.
xxx/ellauri125.html on line 305: What you’ll learn is that as far as West is concerned, critics can go to hell. Within the first verse of the first song, he’s dismissed “whatever y’all been hearing.” As an exclamation point to his prowess, by the end of the song he’s being sexually serviced by a woman at a nightclub.
xxx/ellauri125.html on line 309: In addition to the repurposed King quote, West and producers TNGHT sample Nina Simone’s version of “Strange Fruit” without any apparent regard for it as a chronicle of Southern violence. Instead, he harnesses the devastating verses recounting the “strange fruit” hanging from a Southern tree — the dangling body of a lynching victim — in service of a song about gold-digging women, a night on the town taking MDMA and having sex.
xxx/ellauri125.html on line 315: Hardened? Most certainly, and the evidence is everywhere. Here’s a man so powerful that he can boss around both massage therapists and waiters, as he does in “I Am a God”: “I am a god / So hurry up with my damn massage / in the French … restaurant / hurry up with my damn croissants.” If it weren’t embedded within a truly frightening song featuring curdling screams and deep bass, the line would be laughable.
xxx/ellauri126.html on line 187: Sisäistetty, myrkyllinen häpeä on narsismin lisäksi myös masennuksen ja muiden mielenterveysongelmien aiheuttaja. Häpeä on kaikkien riippuvuuksien äiti ja aiheuttaa paniikki- ja syömishäiriöitä sekä itsetuhoisuutta.
xxx/ellauri126.html on line 412: Narsisti on usein se kahvipöydän äänekkäin tyyppi, joka kääntää jutun koko ajan itseensä. Esimiesasemassa hän voi käyttää valtaa vaarallisesti, jopa toisten työuran torppaamiseksi. Määräaikainen työsuhde voi olla narsistin keino pitää alainen nöyränä. Saatetaan esimerkiksi vihjailla, että "kyllä tähän sinun paikallesi on muitakin tulossa, jos työt eivät suju". Narsisti pyrkii parantamaan koko ajan omaa asemaansa ja heikentämään samalla muiden. Hän ei osaa olla aidosti iloinen toisten saavutuksista eikä myöskään kannusta toisia. Älä luota narsistiin, hän pystyy olemaan tarvittaessa hyvin miellyttävä saadakseen itselleen edullista tietoa esimerkiksi toisen ongelmista, talousvaikeuksista tai kasvatusongelmista. Älä yritä muuttaa narsistia, se ei onnistu. Älä mene mukaan narsistin peleihin, jäät kakkosexi kuitenkin.
xxx/ellauri127.html on line 54: Rasbach's song appeared on popular network television shows, including All in the Family, performed by the puppets Wayne and Wanda in The Muppet Show,
xxx/ellauri127.html on line 591: Her symphony and song, Sen sinfonian ja sen laulun
xxx/ellauri127.html on line 743: Endymion received scathing criticism after its release, and Keats himself noted its diffuse and unappealing style. Keats did not regret writing it, as he likened the process to leaping into the ocean to become more acquainted with his surroundings; in a poem to J. A. Hessey, he expressed that "I was never afraid of failure; for I would sooner fail than not be among the greatest." However, he did feel regret in its publishing, saying "it is not without a feeling of regret that I make it public." Not all critics disliked the work. eg. the poet Thomas Hood. Henry Morley said, "The song of Endymion throbs throughout with a noble poet's sense of all that his art means for him. What mechanical defects there are in it may even serve to quicken our sense of the youth and freshness of this voice of aspiration." Meaning: Dig it mon. Endymionin jälkeen Keaz kommentoi sen vastaanottoa seuraavasti.
xxx/ellauri127.html on line 809: A faery's song. Keijukaisen laulun.
xxx/ellauri127.html on line 910: Where are the songs of spring? Ay, Where are they? Missäpä on kevätlaulut? Jaa, missähän ne on?
xxx/ellauri129.html on line 292: Aino työskentelee päihde- ja mielenterveysongelmaisten asuntolassa, jossa eräs nuori asukas on joutunut vaikeuksiin. Jakautuneessa Suomessa kasvaneiden maailmat törmäävät, eikä siitä synny rikastavaa vuorovaikutusta. Eeron perimiehinen vaimonryöstötarina alkaa kuin omalakisesti toteuttaa itseään traagisin seurauksin.
xxx/ellauri137.html on line 725: Farrah Fawcett 70-luvun urheilullisessa uimapuvussa on niin last season. Killing me softly with her song, Oulun rotvallilla. Iso T ei todellakaan ollut lattana. Esimulkun T-paita ei ois mennyt sille. Valeskotti on nolona kun sen valtava Tokion asunto 22. kerroxessa on niin 70-lukua. Varmaan näytti samalta kuin Silverfishin paksusuolen sisäpintaa muistuttava huoneusto retapersevideolla. Rei lämmittää mikrossa pojille lihaperunalaatikon. Ize se nokkii jotain kexejä. Että Shag ilkeääkin olla sexistinen. Rei näytti varmaan Yoko Zunolta cosplayunivormussa ja ilman.
xxx/ellauri149.html on line 370: Jesus was able to show the film to Pope Paul VI. Ted Neeley later remembered that the pope "openly loved what he saw. He said, 'Mr. Jesus, not only do I appreciate your beautiful rock opera film, I believe it will bring more people around the world to Christianity, than anything ever has before.'"For the Pope, Mary Magdalene's song "I Don't Know How to Love Him" "had an inspired beauty".
xxx/ellauri149.html on line 407: King Herod is a genocidal king, one who ordered the mass-slaughter of Jewish babies, which is why Jesus was born in stable to refugee parents. He also is the one who determines Jesus is a fraud and sends him back to Pilate. Yet his song number is a bouncy plea for Jesus to perform miracles while bopping around. The 2012 version turns him into a talk show host, where he asks the viewers to vote if Jesus is a miracle worker or a fraud. He gets a round of applause after his song, despite the audience knowing that he sealed Jesus's fate and that he's set the ball rolling for the climactic crucifixion.
xxx/ellauri154.html on line 162: Haastateltujen mielestä 4 400 työntekijän yliopistoa vaivaakin ennen kaikkea johtamisongelma. Se henkilöityy heistä nimenomaan rehtori Mari Wallsiin.
xxx/ellauri154.html on line 163: Johtamisongelmien yksi oire on johtajien suuri vaihtuvuus, haastateltavat sanovat.
xxx/ellauri157.html on line 278: Some niggunim originate from non-Jewish sources. Hasidic custom, based on a practice of the Baal Shem Tov, adapted secular anthems, marches and folk songs, ascribing to them a new spiritual interpretation. Hasidic belief is that these songs, in their secular forms, are in spiritual exile. By adapting them to liturgical forms, they are raising "Sparks of Holiness", based on the Kabbalistic rectification of Isaac Luria.
xxx/ellauri157.html on line 449: Rabbi Nachman of Breslau (1772–1810) reminds us, in the same way that breaking is an inevitability, fixing is also an inevitability. We know the former is true; we don’t always believe the latter.Rabbi Nachman knew a thing or two about brokenness. His Hasidic tales often circle around characters who face their darkest moments and search profoundly for redemption. He authored a quote that became a famous Jewish song: “The entire world is a very narrow bridge. The key in crossing is not to be afraid. Only someone who has seen fear and overcome it could write these words.
xxx/ellauri165.html on line 215: In all versions of the song, Mary Hamilton is a personal attendant to the Queen of Scots, but precisely which queen is not specified. She becomes pregnant by the Queen's husband, the King of Scots, which results in the birth of a baby. Mary kills the infant – in some versions by casting it out to sea or drowning, and in others by exposure. The crime is seen and she is convicted. The ballad recounts Mary's thoughts about her life and her impending death in a first-person narrative.
xxx/ellauri165.html on line 286: Most versions of the song are set in Edinburgh, but Joan Baez set her version, possibly the best known, in Glasgow.
xxx/ellauri165.html on line 290: Mary Stuart could not be a real life source for the ballad in any of its current forms as these are in conflict with the historical record. She and the Four Maries lived in France from 1547 to 1560, where Mary was dauphine and then queen as the wife of King Francis II. Mary later returned home to Scotland (keeping the French spelling of her surname, Stuart). She married her second husband, Henry Stuart, Lord Darnley in July 1565, and he was murdered 20 months later. So there was not much time for Darnley to have got one of the four Maries (or any other mistress) pregnant, and there is no record of him having done so. Also the song refers to "the highest Stuart of all" – which between 1542 and 1567 was a woman not a man.
xxx/ellauri165.html on line 294: In many versions of the song, the queen is called "the auld Queen". This would normally indicate a Queen Dowager or Queen Mother, but in this context suggests a queen consort who was an older woman, and married to a king of comparable age. If the reference is limited to Queens named Mary, another candidate would be Mary of Guelders (1434–1463), queen to James II, King of Scots.
xxx/ellauri165.html on line 409: Vivien Leigh esitti Emma Hamiltonia leffassa That Hamilton Woman (1941). Vivien Leighille kävi huonosti lopussa, se sai mielenterveysongelmia. Scarlett O'Haranakin sille kävi kehnosti. Gregory Peck sanoi sille ovenraosta: Frankly, my dear, I don't give a damn. Että äijät osaa olla inhottavia.
xxx/ellauri166.html on line 375: The theme of the shekhinah as the Sabbath Bride recurs in the writings and songs of 16th century Kabbalist, Isaac Luria.
xxx/ellauri173.html on line 486: Évanouir du songe ordinaire de dos
xxx/ellauri176.html on line 261: Des songes et cherchant mes souvenirs qui sont Unista ja ezien mun matkamuistoja, jotka on
xxx/ellauri176.html on line 301: Épouvantes, songer plus implacable encore kauhuissa elää vielä leppymättömämpänä
xxx/ellauri176.html on line 351: Rare limpidité d'un coeur qui le songea, Susta unexivan sydämen harva läpinäkyvyys,
xxx/ellauri179.html on line 691: If you have not heard the egg laying song then you do not keep chickens!
xxx/ellauri179.html on line 773: Hello, loved this article. We have 1 chicken who gets a lot of human attention daily. We talk to her a lot. Just last week she was sunning herself at the window and sang a short song. We had never heard her sing before! It was almost like a magpie. We Googled to try locate other singing hens but could not find anything. She has yet to do it again. Have you ever come across this?
xxx/ellauri199.html on line 205: Springtime is for birdsong
xxx/ellauri199.html on line 342: And Thames responsive joins the song.
xxx/ellauri199.html on line 883: Sandcastles washed away by the sea, a child wondering about Dad’s bald head, a disastrous picnic. Here are scenes from real life you will certainly recognise. But in Judith Nicholls’ poems, they are turned into myths and mysteries, grand stories, amusing songs or epic tales. On the other hand, she takes the mighty Roman empire – and packs it up into 40 words!
xxx/ellauri199.html on line 886: Judith makes use of traditional poetic forms, including ballad and riddle. Some of the poems have a refrain which makes them sound rather like a song.
xxx/ellauri199.html on line 893: In homage to the Greeks, who still defiantly call Neptune Poseidon, I started with the Homeric ‘Hymn to Poseidon’. This ancient song opens by acknowledging the earth shaker’s desolate domain, but ends with a trusting appeal to his better nature:
xxx/ellauri199.html on line 938: Ginsbergin isä oli runoilija Louis Ginsberg. Mielenterveysongelmista kärsineelle äidilleen Naomille Ginsberg kirjoitti runon ”Kaddish” (1961).
xxx/ellauri200.html on line 140: The song of my experience sung,
xxx/ellauri200.html on line 627: to flame like flowers beneath an ancient song, Kuultuaan jotain ikivanhaa musiikkisatua,
xxx/ellauri201.html on line 210: Tiistairistikon nobelarvoituxen oikee vastaus oli tänään tuiki tuntematon Bjornstjerne Bjornson. Erwin Rauppin potretissa se on tosi pölhön näköinen, tukka sekaisin ja polisongit pörhössä. Miten vitussa tälläinen pönttöpää pääs pokkaamaan dynamiittiäijän miljoonan?
xxx/ellauri201.html on line 233: Bjørnstjerne Martinus Bjørnson (8. desember 1832–26. april 1910) var ein norsk forfattar og samfunnsdebattant. Bjørnson vann Nobelprisen i litteratur for 1903, som den første nordmannen, og er rekna som ein av dei fire store i norsk litteratur. Han skreiv teksten til den norske nasjonalsongen og var grunnleggjaren av Riksmålsforbundet.
xxx/ellauri208.html on line 568: Somewhere the songbirds dwell Jossain on meitä laululintuja
xxx/ellauri208.html on line 586: "Beautiful Isle of Somewhere" is a song with words by Jessie Brown Pounds and music by John Sylvester Fearis, written in 1897. The song gained huge popularity when it was used in William McKinley's funeral. It was subsequently a staple at funerals for decades, and there are dozens of recorded versions.
xxx/ellauri212.html on line 376: Mielenterveysongelmiin ja itsetuhoisiin ajatuksiin on saatavilla kattavasti tukea. Tietoa tukipalveluista puhelimitse, verkossa ja kasvokkain löydät tästä jutusta. Ja vinkkejä vessanpesupaikoista.
xxx/ellauri215.html on line 188: James Francis Durante (/dəˈrænti/ də-RAN-tee, Italian: [duˈrante]; February 10, 1893 – January 29, 1980) was an American actor, comedian, singer, vaudevillian, and pianist. His distinctive gravelly speech, Lower East Side accent, comic language-butchery, jazz-influenced songs, and prominent nose helped make him one of America's most familiar and popular personalities of the 1920s through the 1970s. He often referred to his nose as the schnozzola (Italianization of the American Yiddish slang word schnoz, meaning "big nose"), and the word became his nickname.
xxx/ellauri215.html on line 419: After the death of her parents in or around 1566, Amina's brother became king of Zazzau. At this point, Amina had distinguished herself as a "leading warrior in her brother's cavalry" and gained notoriety for her military skills. She is still celebrated today in traditional Hausa praise songs as "Amina daughter of Nikatau, a woman as capable as a man that was able to lead men to war."
xxx/ellauri218.html on line 414: ALSO ON 11/9: best-selling Millennium trilogy author Stieg Larsson dies at 50. Jean-Paul Sartre denounces communism 1956. Nazis launch Kristallnacht 1938. TwinTowers come down. Oops that was not 11/9 but 9/11. ("The Lights Went Out In) Massachusetts" is a song by the Bee Gees, written by Barry, Robin & Maurice Gibb and released in 1967. Se oli mun eka ikioma sinkku, sain sen 15-vuotiaana lahjaksi. Sillä ei ollut mitään tekemistä pimennyxen kanssa, BG:t ei olleet edes käyneet Massachusettsissa.
xxx/ellauri218.html on line 515: He was introduced to a little black chorus girl. The girl had written a song for Little Richard to record so she could pay the treatment for her ailing aunt Mary. The song, actually a few lines on a piece of paper, went like this:
xxx/ellauri227.html on line 198:
xxx/ellauri228.html on line 606: Lynne Perrie, best known for her role as Ivy Tilsley in soap opera Coronation Street, performing a tuneless rendition of the Gloria Gaynor song "I Will Survive".
xxx/ellauri229.html on line 142: (5.) The sweet bond of Christian love and unity will be strengthened. – We shall be often led to think of those dear brothers and sisters in the Lord, here and elsewhere, who agree to join with us in reading those portions. We shall oftener be led to agree on earth, touching something we shall ask of God. (He won´t change his mind, he has already planned all of this ahead. But he likes us to try and twist his arm anyway.) We shall pray over the same promises, mourn over the same confessions, praise God in the same songs, and be nourished by the same words of eternal life. What could be better than that! If one of you has the ears of their nikita fur hat down, then everyone must have them down.
xxx/ellauri229.html on line 786: take in their song and speak no word. Hyrise vaan izexesi, pidä leipäläpi kii.
xxx/ellauri231.html on line 289: Mahno löysi töitä paikallisesta valimosta ja Renaultin tehtaasta, mutta joutui jättämään molemmat työpaikat terveysongelmiensa vuoksi. Oikeassa nilkassa saatu luotihaava uhkasi amputaatiota. Hänen terveydenhoitoaan valvoi anarkafeministi Lucile Pelletier, joka kuvaili hänen kehoaan "kirjaimellisesti arpikudoksen ympäröimäxi". Hiän neuvoi hänen perhettään muuttamaan pois, jotta he eivät sairastu tuberkuloosiin. Heikentävän sairautensa, koti-ikävänsä ja vahvan kielimuurinsa välissä Mahno vaipui syvään masennukseen. Esuperantosta ei ollut paljon apua. Anarkistisen sandaalitehtailija Berkemannin mukaan Mahno halveksi erityisesti asumista suurkaupungissa ja haaveili palaamisesta Ukrainan maaseudulle, missä hän voisi "taistella uudelleen pyssy kädessä vapauden ja sosiaalisen oikeudenmukaisuuden puolesta".
xxx/ellauri235.html on line 634: The fond complaint, my song, disprove, Rakas valitus, lauluni, kumoaa,
xxx/ellauri235.html on line 731: A story relates the origin of the phrase to a comic song of the 1840s, written and performed by one Tom Hudson, which tells of a sailor who returns from a voyage to discover that his wife has married another sailor in his absence.
xxx/ellauri235.html on line 732: Thomas Hudson (April 1791 – June 1844) was an English writer and performer of comic songs who was one of the earliest credited songwriters in the music hall tradition. His songs, esp. Spider and the Fly, were described as "lively and really witty".
xxx/ellauri235.html on line 798: Lewis Carroll, a notorious spider in little girls' parlour, replaced a notorious negro minstrel song with The Mock Turtle's Song (also known as the "Lobster Quadrille"), a parody of Howitt's poem that mimics the meter and rhyme scheme and parodies the first line, as well as the subject matter, of the original, namely sugar daddy talk. Lewis was a past master in that sport.
xxx/ellauri235.html on line 861: The Spider and the Fly" is a song by English rock band the Rolling Stones, recorded in May 1965 and first released on the US version of their 1965 album Out of Our Heads. In the UK, it was released as the B-side to "(I Can't Get No) Satisfaction". Horatio H-blower got no satisfaction off H. Simpson, whose sex pistol was a dud.
xxx/ellauri250.html on line 601: His posthumous collections have been heavily 'John Martinized', removing booze, hell and Hitler and replacing dick, cunt and arse with ****. American band Red Hot Chili Peppers reference Bukowski and his works in several songs. A legion of other wannabe baddies have saddled his horses.
xxx/ellauri251.html on line 221: As raiment, as songs of the harp-player; Kuin hyntteet, kuin laulut kitaristille;
xxx/ellauri251.html on line 713: And with charmed words and songs have men put out
xxx/ellauri251.html on line 836: Nor song assuage them waking; and swift death
xxx/ellauri251.html on line 1750: Hissed, and the moist plumes of the songless reeds
xxx/ellauri251.html on line 1950: Maidens, if ye will sing now, shift your song,
xxx/ellauri251.html on line 2234: Hung crowns, and over them a song, and seen
xxx/ellauri251.html on line 2237: Shed songs upon them, from heroic eyes
xxx/ellauri251.html on line 2915: With light in mine eyes, and songs in my lips, and a crown
xxx/ellauri251.html on line 3282: Who shall tame them as with song?
xxx/ellauri253.html on line 365: Markku oli nähnyt kuinka ihan kunnollisten streeberien lapsista oli tarhassa aivopesty "sosialistista ihmisiä". Sitä ei saanut päästä tapahtumaan Villelle! Villestä pitää tulla Ville Ryydmanin esimerkin mukainen pikku narsisti. Perusongelma oli työn tuottavuus, kikyloikan puute. Mitä vähemmän jää porukoita töihin sitä parempi on työn tuottavuus. Mitä halvempia mutakuonoja on töissä sen pitemmälle kantaa kikyloikka.
xxx/ellauri255.html on line 469: Romanialainen mielenterveysongelmista kärsivä 36-vuotias nainen nimeltä Jessica puukotti 90-vuotiaan veli Rogerin kuoliaaksi 16. elokuuta 2005 rukoushetken aikana 2 500 vierailijan läsnä ollessa. Veli Rogerin seuraajaksi nimitettiin saksalainen katolilainen veli Alois, jonka Roger oli valinnut seuraajakseen jo 8 vuotta aiemmin. Hyvin menee veljillä myös Aloisin joholla!
xxx/ellauri261.html on line 469: Cricket Richard Watts, Jr., wrote: The fact that Hello, Dolly! seems to me short on charm, warmth, and the intangible quality of distinction in no way alters my conviction that it will be an enormous popular success. Herman has composed a score that is always pleasant and agreeably tuneful, although the only number that comes to mind at the moment is the lively title song. His lyrics could be called serviceable.
xxx/ellauri292.html on line 211: Katariinan elkeet videoi salaa hänen rippi-isänsä Raymondus Capualainen. Uskollisesti Raymondus raportoi Katariinan mehevät näyt ja sekstaasitilat sekä ankarat katumusharjoitukset ja paastoamisen – ja ilmeisesti niistä seuranneet, pahenevat terveysongelmat. Legenda kertoo, että Kata oli anorektikko, ei vuosiin pystynyt nauttimaan muuta ravintoa kuin ehtoollisaineita, leipää ja viiniä, jälkimmäistä tosin melkoisia määriä.
xxx/ellauri293.html on line 683: Rajoitettu rationaalisuus viittaa siihen, että elukat käyttävät oikoteitä, jotka voivat johtaa epäoptimaaliseen päätöksentekoon. Kun pedot tekevät päätöksiä, heidän rationaalisuuttaan rajoittavat päätösongelman käsiteltävyys, kognitiiviset rajoitukset ja käytettävissä oleva aika. Toimijat eivät arvioi kaikkia saatavilla olevia vaihtoehtoja asianmukaisesti, jotta etsintä- ja pohdiskelukustannuksissa säästyy.
xxx/ellauri295.html on line 571: Uppgivna Arsenalspelare i samband med förlusten mot Nottingham Forest. Resultatet innebar att Manchester City tog sin tredje ligatitel på raken. Arsenal har gjort sin bästa säsong sedan jag började hålla på dem. Men det enda jag kan känna just nu är tomhet. Varför utsätter jag mig för det här? Men det vill jag inte. Jag vill hoppas. Jag vill drömma. Det är väl det som är poängen med att känna passion för ett lag? För Arsenal är – och kommer alltid att vara – min stora passion. De framkallar tårar av både glädje och sorg. Jubel och svordomar. Gåshud och eufori. Ångest och stress.
xxx/ellauri298.html on line 625: Valde lives in Finland, Kaarina, in little commune with his friends and cats. He started the Holotropic Breathwork training in 2016 and got certified in 2019. He is organizing regularly Holotropic Breathwork workshops and private sessions in Finland, as a one of the founders of Holotropic Breathwork Finland Association. Me Nordic Breathingissa uskomme, että hengittäminen on hyvinvoivan ihmisen tärkein tarve. Samaan aikaan kuitenkin hengitysongelmat koskettavat miljardeja ihmisiä maailmassa, ja kasvihuoneilmiön ansiosta potentiaalisten asiakkaiden määrä on vain kasvamassa. Suunnitelmissa on vangita kierrätettyä hengitysilmaa ekologisiin paperipusseihin ja maalata se punaisexi.
xxx/ellauri306.html on line 375: Monet mielenterveysongelmat johtuvat tekijöistä, joista itsekkäät ihmiset – vaikka vain vähän – kärsivät harvoin. Itsekkäät ihmiset tunnustavat arvonsa, asettavat omat tarpeensa etusijalle ja antavat harvoin joutua liiaksi muiden ihmisten käyttäytymiseen. Itsensä puolustaminen ja oman arvosi ja antamasi panoksen tunnustaminen ovat terveellisiä piirteitä, joita kannattaa rohkaista. Narsistit eivät yleensä kärsi, läheiset kärsivät. Se on vain tervettä.
xxx/ellauri312.html on line 610: Rorty narrates that the West’s first redemptive principle was man’s relationship with God, the guarantor of universal truth, meaning, and salvation. God was eventually dethroned by the Truth of philosophy, as heralded by the Enlightenment and the scientific revolution. Truth’s goal was to decipher reality’s blueprint. At present, the truth is being nudged over by the Imagination. The modern imagination aspires to enlarge our acquaintance with humanity and enrich ethical relations. Rorty argues that a culture of imagination can serve the redemptive purposes previously ministered by religion and truth, only in a manner more suited to a liberal, secular context. He calls this a literary culture, a culture where meaningful human relationships are ‘‘mediated by human artifacts such as books and buildings, paintings and songs’’ (TRR, p. 478). For Rorty, the literary culture may successfully usher a new world motivated by the ideal of human solidarity.
xxx/ellauri320.html on line 195: Despite this very pointed rebuff, Cartland's confidence in these years seemed ever burgeoning - at the age of 77, she even recorded an album of love songs which were so hilarious that it became a collector's item for all the wrong reasons.
xxx/ellauri354.html on line 217: I'll teach my Swaines this Carrol for a song. Opetan poikasille tän viisun pikkurahalla.
xxx/ellauri354.html on line 461: Barbelle (Web Series) fictitious band from the web series of the same name in the song Clear Cut (2017).
xxx/ellauri363.html on line 418: mielenterveysongelmat olivat Turussa muuta maata yleisempiä (ns. Turun tauti). Nimikin on sopiva, kakot Kakolaan. Vuonna 1904 huono-onninen keisari Nikolai II antoi käskykirjeen, jossa määrättiin vankien mielisairaalan rakentamisesta Turun Kakolanmäelle. Kuritushuoneen vangit aloittivat rakennustyöt seuraavana vuonna ja syksyllä 1908 rakennus oli valmis.
xxx/ellauri379.html on line 152: Dua Lipa (/ˈduːə ˈliːpə/ ⓘ DOO-ə LEE-pə, Albanian: [ˈdua ˈlipa]; born 22 August 1995) is an English and Albanian singer and songwriter. Her voice and disco-influenced production have received critical acclaim and media coverage. She has won numerous accolades throughout her career including seven Battler Britton Awards and three Grammy Awards. Time Magazine named her one of the most influential people in the world as of 2024. Missing from that list are Vladimir Putin, Xi Jinping, plus both of the geriatric incumbents to the capitalistic throne.
xxx/ellauri379.html on line 154: The media have described Lipa as having a mezzo-soprano or contralto vocal range. Her music is primarily pop, and has also been described as disco, house and R&B. Stylistically, her music has been described as dance-pop, synth-pop, R&B, dream pop, alternative pop, and nu-disco subgenres. She describes her musical style as being "dark pop". She is also noted for singing in a "distinct, husky, low register", and her "sultry" tone. Regarding her songwriting process, Lipa states she usually comes to the studio with a concept and starts developing the song with her co-writers. She cites Kylie Minogue, Pink, Nelly Furtado, Jamiroquai, Kendrick Lamar, and Chance the Rapper among her musical influences. "My idea of pop has been P!nk and Christina Aguilera and Destiny's Child and Nelly Furtado", said Lipa in a GQ interview in 2018. Her second studio album Future Nostalgia (2020) was inspired by artists that she listened to during her teens, including Gwen Stefani, Madonna, Moloko, Blondie and Outkast. KIINNNNNNOS. Liikkuuko sinun Lipasi? Ei ota minun orani. I love her lack of energy. Fiat voluntas tua.
xxx/ellauri380.html on line 87: – Venäläiset tietävät, että loppukeväästä ja alkukesästä Ukraina on kaikista heikoimmillaan. Mobilisaatiolait eivät ole ehtineet tuoda kevennystä miesongelmiin, ja muun muassa tsekkien ja virolaisten yllätyksellisesti ”löytämät” ammukset eivät ole ehtineet saapua rintamalle ainakaan massiivisessa määrin käyttöön. Välineellistä ihmistuontia Baltiasta on jo mietitty.
xxx/ellauri387.html on line 260: Now, while the birds thus sing a joyous song, Nyt kun linnut huutaa iloisina noin,
xxx/ellauri387.html on line 342: And unto this he frames his song: maistoi sitä, laulun tehden.
xxx/ellauri387.html on line 396: The song of thanks and praise kiitosvirren ja ylistyxen
xxx/ellauri387.html on line 427: Then sing, ye Birds, sing, sing a joyous song! Iloitkaa veikkoset, laulakaa te linnut, äläkä muuta viserrä!
xxx/ellauri394.html on line 79: Parts of "Aloha 'Oe" resemble the song "The Lone Rock by the Sea" and the chorus of George Frederick Root's 1854 song "There's Music in the Air". "The Lone Rock by the Sea" mentioned by Charles Wilson, was "The Rock Beside the Sea" published by Charles Crozat Converse in 1857, and itself derives from a Croatian/Serbian folk song, "Sedi Mara na kamen studencu" (Mary is Sitting on a Stone Well). Looking between her sweet little knees and wondering about the slit between.
xxx/ellauri394.html on line 81: The song was inspired by a notable farewell embrace given by Colonel James Harbottle Boyd during a horseback trip taken by Princess Liliʻuokalani in 1877 or 1878 to the Boyd ranch in Maunawili on the windward side of Oʻahu, and that the members of the party hummed the tune on the way back to Honolulu.
xxx/ellauri394.html on line 202: She was tried by the military commission of the Republic led by her former attorney general Whiting in the palace throne room on February 8. Defended at trial by another one of her former attorneys general Paul Neumann, she claimed ignorance but was sentenced to five years of hard labor in prison by the military tribunal and fined $5,000. The sentence was commuted on September 4, to imprisonment in the palace, attended by her lady-in-waiting Eveline Townsend Wilson (aka Kitty), wife of Marshal Wilson. In confinement she composed songs including "The Queen's Prayer" (Ke Aloha o Ka Haku – "The Grace of the Lord").
xxx/ellauri394.html on line 204: On October 13, 1896, the Republic of Hawaii gave her a full pardon and restored her civil rights. "Upon receiving my full release, I felt greatly inclined to go abroad," Liliʻuokalani wrote in her memoir. From December 1896 through January 1897, she stayed in Brookline, Massachusetts, with her husband's cousins William Lee and Sara White Lee, of the Lee & Shepard publishing house. During this period her long-time friend Julius A. Palmer Jr. became her secretary and stenographer, helping to write every letter, note, or publication. He was her literary support in the 1897 publication of the Kumulipo translation, and helped her in compiling a book of her songs. He assisted her as she wrote her memoir Hawaii's Story by Hawaii´s Queen. Sara Lee edited the book published in 1898 by Lee & Shepard.
xxx/ellauri394.html on line 249: Liliʻuokalani was an accomplished author and songwriter. Her book Hawai´i´s Story by Hawai´i´s Queen gave her view of the history of her country and her overthrow. She is said to have played guitar, piano, organ, ʻukulele and zither, and also sang alto, performing Hawaiian and English sacred and secular music. In her memoirs she wrote:
xxx/ellauri394.html on line 255: Imprisoned in the ʻIolani Palace, she was denied literature and newspapers, essentially cutting her off from her people, but she continued to compose music with paper and pencil while she was in confinement. Another of her compositions was "Aloha ʻOe", a song she had written previously and transcribed during her confinement. In her writings, she says,
xxx/ellauri394.html on line 256:
"At first I had no instrument, and had to transcribe the notes by voice alone; but I found, notwithstanding disadvantages, great consolation in composing, and transcribed a number of songs. Three found their way from my prison to the city of Chicago, where they were printed, among them the 'Aloha ʻOe' or 'Farewell to Thee', which became a very popular song."
xxx/ellauri394.html on line 258: Nominally written as a lover´s good-bye, the song is really a symbol of, and lament for, the loss of her country. Today, it is one of the most recognizable Hawaiian songs.
xxx/ellauri394.html on line 264: In 2007, Honolulu magazine rated "Aloha ʻOe" as the greatest song in the history of Hawaiian music. Women canoe teams were added in 1974. The race is held over Labor Day Weekend each year to coincide with Liliʻuokalani´s birthday on September 2. The American Experience: Hawai´i´s Last Queen. WTF, since when is it American? Well, since the overthrow and annexation, of course. Numerous hula events are held to honor her memory. Several hundred dancers shower 50,000 orchid blossoms.
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