ellauri026.html on line 225: The idea is there, but all the lingering emphasis in the original has been smoothed away. This, too, unfortunately, is typical of the whole. I have said that Wilson’s translation reads easily, and it does, like a modern novel: at shockingly few points does one ever need to stop and think. There are no hard parts; no difficult lines or obscure notions; no aesthetic arrest either; very little that jumps out as unusual or different. Wilson has set out, as she openly confesses, to produce an Odyssey in a “contemporary anglophone speech,” and this results in quite a bit of conceptual pruning. If you wait for the “Homeric tags,” the phrases that contained so much Greek culture they have been quoted over and over again by Greeks ever since—well, you are apt to miss them as they go by. A famous one occurs in book 24, when Odysseus and Telemachus are about to go into battle together: Odysseus tells Telemachus not to disgrace him, and Telemachus boasts that he need not fear. Laertes, Odysseus’s father, exclaims (Wilson’s translation), “Ah, gods! A happy day for me! My son and grandson are arguing about how tough they are!”
ellauri035.html on line 466: She with young limbs as smooth as flower pollen,
ellauri042.html on line 943: Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society. Another important theme in Donne´s poetry is the idea of true religion, something that he spent much time considering and about which he often theorised. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits.
ellauri050.html on line 214: But whether they swept, smoothly fleet, Mut vaikka ne lensi huimasti kuin huispaajat
ellauri065.html on line 496: taqiyya: Muslim scholars teach that Muslims should generally be truthful to each other, unless the purpose of lying is to "smooth over differences" or "gain the upper-hand over an enemy." There are several forms of lying to non-believers that are permitted under certain circumstances, the best known being taqiyya (the Shia name). These circumstances are typically those that advance the cause of Islam - in some cases by gaining the trust of non-believers in order to draw out their vulnerability and defeat them.
ellauri080.html on line 469: ESTP Entrepreneurial smooth operators.
ellauri080.html on line 516: Mitäs kirjaimia nää sit saa? Marx olis varmaan INTJ Tenacious visionary, oriented towards action. Oisko Carnegie sit ESTP Entrepreneurial smooth operators.
ellauri095.html on line 72: As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding kuin luistimen kantapää käännöxessä: liukutaklaus
ellauri098.html on line 525: ESFJs are everyone’s friend. They are consensus builders and conflict defusers who enjoy helping social situations flow smoothly. They may not be the “life of the party,” but they’re the ones who make sure everyone is having a good time. Because they’re so easy to get along with, ESFJs tend to have large circles of friends.
ellauri098.html on line 538:
ESTP Entrepreneurial smooth operators.

ellauri100.html on line 804: In tones as smooth as honey,
ellauri106.html on line 146: Sanford Roth, more affectionately known as "Sandy," lived with flair and boldness in his roles as an accomplished artist, a successful advertising executive spanning three decades, and a smooth dancer some likened to Fred Astaire.
ellauri131.html on line 680: He rerevels in saying The "n" word. "'As long as someone calls you a nigger and gets that kind of response from you I've seen right now, where you're ready to explode, then what you've done is given that person absolute control of you. You have no control in your life. You are still a goddam nigger and a slave. Now go get me a smoothie boy."
ellauri131.html on line 689: Sometimes his morning smoothie is too strong
ellauri131.html on line 695: Drinkin' smoothies puts him out like a light
ellauri133.html on line 662: Shùnlì success, smoothness, prosperity, successfulness,
ellauri133.html on line 689: Shùnshǒu success, successfulness, prosperity, smoothness,
ellauri133.html on line 694: Shùndang prosperity, smoothness, success, successfulness,
ellauri140.html on line 697: And well could file his tongue as smooth as glas, Se osas sanoja myös viilata,
ellauri180.html on line 401: And made her smooth white shoulder bare, mun käden sinne, ja paljasti sen
ellauri192.html on line 861: In the Soviet Union in 1927, a former Marshal of Nobility, Ippolit Matveyevich "Kisa" Vorobyaninov, works as the registrar of marriages and deaths in a sleepy provincial town. His mother-in-law reveals on her deathbed that her family jewry was hidden from the Bolsheviks in one of the twelve chairs from the family’s dining room set. Those chairs, along with all other personal property, were taken away by the Communists after the Russian Revolution. Vorobyaninov wants to find the treasure. The “smooth operator” and con-man Ostap Bender forces Kisa to become his partner, as they set out to find the chairs. Bender's street smarts and charm are invaluable to the reticent Kisa, and Bender comes to dominate the enterprise. Father Fyodor (who had known of the treasure from the confession of Vorobyaninov's mother-in-law), their obsessed rival in the hunt for the treasure, follows a bad lead, runs out of money, ends up trapped on a mountain-top, and loses his sanitary pad. Ostap remains unflappable, and his mastery of human nature eliminates all obstacles, but Vorobyaninov steadily deteriorates.
ellauri194.html on line 1048: Privately-held since 1983, A&M is a leading global professional services firm that delivers business performance improvement, turnaround management and advisory services to organizations seeking to transform operations, catapult growth and accelerate results through decisive action. Our senior professionals are experienced smooth operators, world-class consultants and industry veterans who leverage the firm's restructuring heritage to help leaders turn change into a strategic business asset, manage risk and unlock value at every stage.
ellauri197.html on line 260: For they, for all smooth lips can say, sillä sanoivatpa alahuulet mitä tahansa,
ellauri214.html on line 720: smooth-storage.aptoma.no/users/ksfmedia/images/67551624.jpg?t%5Bquality%5D=80&t%5Bresize%5D%5Bwidth%5D=1200&t%5Bresize%5D%5Bheight%5D=1200&accessToken=5a57905dd631bd7df586c4a97c08db89ff16d6cd6802c1a761f14164722e67d4" width="50%" />
ellauri222.html on line 929: For n≤4 and any bounded smooth domain Ω⊂ℝ n , we establish the existence of a global weak solution for the Landau-Lifshitz equation on Ω with respect to smooth initial-boundary data, which is smooth off a closed set with locally finite n-dimensional parabolic Hausdorff measure. The approach is based on the Ginzburg-Landau approximation, a time slice energy monotonicity inequality, and an energy decay estimate under the smallness of renormalized Ginzburg-Landau energies.
ellauri241.html on line 163: "Thou smooth-lipp'd serpent, surely high inspired! "Sinä sileähuulinen käärme, varmasti korkea inspiroitunut!
ellauri241.html on line 207: Real are the dreams of Gods, and smoothly pass Todelliset ovat jumalien unelmat, ja ne menevät sujuvasti,
ellauri241.html on line 452: With curled gray beard, sharp eyes, and smooth bald crown, Käpristynyt harmaa parta, terävät silmät ja sileä kalju kruunu,
ellauri241.html on line 960: I‟ll smoothly steer

ellauri241.html on line 1235: These toying hands and kiss their smooth abscess?

ellauri241.html on line 1437: Sleep will come smoothly to my weary brow.

ellauri241.html on line 1512: I sought for her smooth arms and lips, to slake

ellauri245.html on line 261: First devised and created in the Belgian Congo by King Leopold, son of Queen Victoria. A smooth metallic ball, slightly smaller than a tennis ball in circumference with tiny apertures along its contours. Made of gold, GAL-TAN, and steel, the ball is a minor feat of engineering. An additional small opening reveals a looped wire. The ball is placed in the victim´s mouth. When the wire is pulled, 24 tiny termite monkey antennae jut out from the ball, causing it to lodge itself in the mouth. At this point, though not overly painful, the victim cannot remove the ball, nor can another extract it for them. With a second pull of the wire, 24 needles erupt outwards from the extended antennae in 24 directions, causing severe damage to throat, cheek, tongue, palate, nasal cavity, etc....the victim will usually bleed out slowly in excruciating pain. How was this used for torture? It usually involved 2 victims. One who who was forced to swallow the ball, and the second who was forced to watch the effects. That second person would usually begin talking quickly about other things. Naah, too sophisticated. A waste on the Congolese niggahs. Cutting hands and feet worked just as well.
ellauri249.html on line 181: ("A hairy cunt is fucked much better than a smooth one
:
ellauri285.html on line 766: the data used by Losada in several analyses do not meet basic criteria for the use of differential equations (such as the use of continuous variables that evolve smoothly and deterministically over time);
ellauri302.html on line 173: Rifkele: I 'll call up Manke and have her comb me... I love to have her comb me. She does it so beautifully. Makes my hair so smooth... And her hands are so cool. (Takes something and taps the floor with it, calling.) Manke! Manke!
xxx/ellauri068.html on line 70: The cyrillization was conducted more swiftly than romanization. It did not have thesynchrony observed during the first Soviet alphabet shifts: for some peoples it tookplace in 1937-1938, for others a little later, from one to two years. With that, a singlestate body, similar to the All-Union Committee for the Development of the NewTurkic Alphabet, dedicated only to cyrillization, was not set up. New alphabets werecreated directly "in the field." Even so, the transition from the Latin alphabet to theRussian alphabet was more smooth and easy than the first “letter revolution”(Alpatov, 1993). The successful completion of cyrillization was announced in June 1941.
xxx/ellauri138.html on line 287: This was the second defibrillator he'd had after the first had to be replaced. Philip's original defibrillator had pride of place on the kitchen table. When he first handed it to me, I had no idea what it was and palmed the smooth metal disc in my hand. I almost dropped it when he started laughing and told me its original purpose. Over time, I came to appreciate it too and when I was alone in the kitchen, I often picked it up and held it in my hand. We called each other Toots. I found out Philip died when a friend called me at work. I swivelled around in my office chair and googled Philip Roth. There he was on the front page of The New York Times. Dead.
xxx/ellauri139.html on line 668: In blanched linen, smooth, and lavender’d, Porfyyri kostuttaa kynnetöntä sylellä.
xxx/ellauri139.html on line 708: Upon his knees he sank, pale as smooth-sculptured stone. Kyylää Porfyyrin huojuvaa toteemipaalua.
xxx/ellauri177.html on line 122: Ja kun hän oli jo antanut Marialle kaiken, ruumiinsa, sielunsa, maalliset omaisuutensa, hengelliset omaisuutensa, kassiensa koko sisällyxen, ollessaan alasti hänen edessään, hänen rukoustensa lopussa neitsyen litaniat pomppasivat taas hänen voimiinsa palanneesta mulkustaan, toistuvia vetoomuksia, itsepäisiä, hellittämättömiä nykäyxiä, jotka tarvitsivat äärimmäisen taivaallista ensiapua. Hänestä näytti, että hän kiipesi uudelleen halun portaikkoa; jokaisella "sydämen" aiheuttamalla pikku hypyllä hän kiipesi askeleen pystymmäxi. Ensin hän kutsui hiäntä pyhäksi. Sitten hän kutsui hiäntä Äidiksi, erittäin puhtaaksi, erittäin erittäinkin puhtaaksi, rakastettavaksi, ihailtavaksi. Ja hän jatkoi parantaen kuin sika vauhtiaan huutaen hänelle kuusi kertaa neitsyyttään, hänen pipunsa ikään kuin joka kerta virkistyi sanasta neitsyt, johon hän lisäsi ajatuksia voimasta, kestävyydestä ja uskollisuudesta. Kun hänen "sydämensä" kasvoi siitä aina korkeammalle, mitattuna asteilla, outo ääni, joka tuli hänen suonistaan, puhui hänessä paljastuen lopulta loistavana terhona. Hän olisi halunnut sulaa hajuveteen, venyä pituutta levittääxeen sitä selkeästi lisää, vanhentua musiikillisessa soudussa ja huopauksessa. Kun hän kutsui hiäntä oikeuden uuspeiliksi. viisauden käsipelixi, hänen puuilonsa lähteexi, hän näki itsensä peilistä kangistuneena himosta tässä pasianssipelissä, hän tumputti pajazon tyhjäxi nyt jo haaleille kivilaatoille, tarjosi smoothiejuomaa pitkin kulauxin tämän lähteen päihtymyksestä.
xxx/ellauri186.html on line 444: And smooth as monumental alabaster.
xxx/ellauri187.html on line 149: Rilke's most benevolent patron, Princess Marie von Thurn und Taxis, was wise enough both to nurture Rilke's gift and to keep her distance from her complicated protégé. An unblinking observer of Rilke's life, she was able to see his liaisons for what they were. And she knew how Rilke's acute sensitivity to his own condition, combined with his talent for self-pity, often landed him in the arms of the wrong people: "You must always be seeking out such weeping willows, who are by no means so weepy in reality, believe me--you find your own reflection in those eyes." But Freedman, doggedly indifferent to the available evidence, makes Rilke's lovers and women friends out to be helpless victims of a smooth seduction machine.
xxx/ellauri187.html on line 197: But why did aging Rodin in his 60s capture Rilke’s imagination at the turn of the last century? It’s hard to see at first. What made Rodin radical then is no longer radical today. In his “Self-Portrait” (1890), Rodin grimaces amidst rough marks. The picture emblematizes how Rodin heralded raw and unpolished sculptures that were strikingly modern. It was a breath of fresh air since most of early-19th-century sculpture was smooth, neoclassical, and to be harshly honest, predictably dainty. Charles Baudelaire lamented this nadir in 1846 when he wrote his provocative essay “Why Sculpture is Boring.” Rodin went on to prove Baudelaire wrong. He showed how sculpture could be modern with distorted, coarse, rough textures. Rodin knocked the idealized body off its pedestal. And the modern sculptors that came after him saw no reason to put it back.
xxx/ellauri232.html on line 322: A shochet is a ritual slaughterer who skillfully practices shechitah, slitting the throat of the animal as per Torah tradition. He does so using a chalef, a perfectly sharp and smooth knife with which he can swiftly and cleanly cut through the trachea and esophagus in an uninterrupted sweeping motion. Before beginning his work, the shochet says the traditional blessing, “Blessed are you … Who has commanded us regarding shechitah [slaughter].”
xxx/ellauri232.html on line 324: A shochet must be learned in the laws of kosher slaughter and adept at sharpening and polishing his knives, known as shtellen ah chalef in Yiddish. He also trains under an experienced shochet to learn how to hold the animal firmly, to slaughter it quickly and smoothly.
xxx/ellauri235.html on line 590: Deep, majestic, smooth, and strong, Syvä, majesteettinen, sileä ja vahva,
xxx/ellauri281.html on line 432: – Hoidin Veskua pitkään, ja olin hänen kanssaan tekemisissä päivittäin. Loppuvaiheessa hän ei voinut enää syödä kuin marjasmoothieita, joita tein hänelle maaliskuuhun saakka, Riitta kertoi maksa- ja ruokatorven syöpää sairastaneesta ex-miehestään.
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