ellauri112.html on line 682: Yet to hail the film as a feminist project is to value the representation of the structural co-option of maternity over its interrogation. Tully’s treatment of social reproduction is dangerously simplistic. Cody has spoken in interviews about how her own, financially easier, experience of parenting in L.A. inspired her to explore a narrative in which economic anxieties are combined with the other hardships of parenthood, yet here class and poverty are only fleeting concerns. The transactional system of care that governs child-rearing under capitalism is done away with via Tully’s otherworldliness. Until the revelation of her non-existence, the viewer, although encouraged to believe in her, is never asked to consider her financial reality, and the fact that the service is paid for by Marlo’s wealthy brother is a narrative convenience that reinforces its fairytale quality. Similarly, Tully’s whiteness allows the racial politics of care to be completely overlooked, and the repeated idea that it’s ‘unnatural’ for hired help to bond with your newborn is taken as a given, rather than seen as an impetus for a consideration of the social conditions that require mothers to make that choice.
ellauri159.html on line 1179: You focus your writing on received values and ideals. You use polished language to persuade. You want to influence people’s lives for the betterment of the individual and society. If you’re a technical writer, you focus your talent on expressing a complex idea simplistically so school kids understand it. Recognize that this gift benefits your readers by helping them perform their menial tasks more effectively.
ellauri161.html on line 677: Look, I appreciate cynicism but this is unbearably smug and simplistic. Honestly it pulls a lot of punches too (especially at Hollywood and the media) so it really isn't all that edgy, just fairly typical condescension and rage that's entirely unearned.
ellauri171.html on line 775: The lesson: God always wins. That's a pretty simplistic way of saying it, but it's true nonetheless. Even when people like Athaliah try to stomp out an entire family and put an end to God's plan for redemption, when people like the priests of Baal lead others to worship idols instead of the true God, God will always triumph in the end. The negative forces of our culture make us wonder where we're headed as a people. Many of our leaders show little integrity or morality, and dishonesty is overlooked in the workplace. Kindness is often the exception rather than the rule. But don't despair. This is not a battle God plans to lose. In the end, he will prevail! You just wight Enry Jiggins!
ellauri299.html on line 156: Anie: After 130 pages of preaching, with no plot in sight, I gave up. This book is so full of platitudes, generalizations, and simplistic solutions that it belongs in the harlequin category. There are too many good books with great plots out there to waste any more time on this book.
xxx/ellauri087.html on line 456: Further in the field of science fiction, Ursula K. Le Guin wrote a Hugo-nominated short story whose title, "Vaster than Empires and More Slow", is taken from the poem. Ian Watson notes the debt of this story to Marvell, "whose complex and allusive poems are of a later form of pastoral to that which I shall refer, and, like Marvell, Le Guin's nature references are, as I want to argue, "pastoral" in a much more fundamental and interesting way than this simplistic use of the term." There are other allusions to the poem in the field of Fantasy and Science Fiction: the first book of James Kahn's "New World Series" is titled "World Enough, and Time"; the third book of Joe Haldeman's "Worlds" trilogy is titled "Worlds Enough and Time"; and Peter S. Beagle's novel A Fine and Private Place about a love affair between two ghosts in a graveyard. The latter phrase has been widely used as a euphemism for the grave, and has formed the title of several mystery novels.
xxx/ellauri212.html on line 305: McGraw's advice and methods have drawn criticism from both fellow psychotherapists as well as non-experts. McGraw's critics regard advice given by him to be at best simplistic and at worst ineffective or harmful. The National Alliance on Mental Illness called McGraw's conduct in one episode of his television show "unethical" and "incredibly irresponsible". McGraw said in a 2001 Sun-Sentinel interview that he never liked traditional one-on-one counseling, and that "I'm not the Hush-Puppies, pipe and 'Let's talk about your mother' kind of psychologist."
xxx/ellauri224.html on line 372: s a threat to his cloistered virtue. Or perhaps I am wrong. Eliot's racism towards African-Americans was expressed in the crudest and most simplistic of doggerel; the antisemitism creeps into, if not his greatest work, at least into work closely allied to it.
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