The great majority (85-90%) of early classical Arabic poetry
ellauri002.html on line 68: This article is about the English musician. For the aviator, see John Dowland (RAF officer).
ellauri002.html on line 70: John Dowland (1563 – 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe" and "In darkness let me dwell", but his instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.
ellauri002.html on line 210: Setzt sich zu dir ans Bett und strickt.
ellauri002.html on line 857: Ja da muss man sich richtig hinlegen,
ellauri002.html on line 1878: geschehn als daß sich die zwei
ellauri002.html on line 1880: sich, oder reißen zu mindestens in einer
ellauri002.html on line 2175: Wer sich nicht schrecklich ist, macht niemand Schrecken:
ellauri006.html on line 1765: "The Little Drummer Boy" (originally known as "Carol of the Drum") is a popular Christmas song written by the American classical music composer and teacher Katherine Kennicott Davis in 1941 based upon a traditional Czech song, Tluče bubeníček. First recorded in 1951 by the Trapp Family Singers, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years and the song has been recorded many times since.
ellauri008.html on line 461: I found Conrad himself standing at the door of the house ready to receive me. His appearance was really that of a Polish nobleman. His manner was perfect, almost too elaborate; so nervous and sympathetic that every fibre of him seemed electric. He talked English with a strong accent, as if he tasted his words in his mouth before pronouncing them; but he talked extremely well, though he had always the talk and manner of a foreigner. He was dressed very carefully in a blue double-breasted jacket. He talked apparently with great freedom about his life — more ease and freedom indeed than an Englishman would have allowed himself. He spoke of the horrors of the Congo, from the moral and physical shock of which he said he had never recovered.
ellauri008.html on line 866: Aus dem Schlageter stammt auch die fälschlich Hermann Göring zugeschriebene Aussage: „Wenn ich Kultur höre … entsichere ich meinen Browning“ (1. Akt, 1. Szene). Johsts Widmung „Für Adolf Hitler in liebender Verehrung und unwandelbarer Treue“ beeindruckte Hitler ebenso wie der Inhalt des Stückes. Das Stück beschäftigt sich mit dem Freikorpskämpfer Albert Leo Schlageter, der während der Ruhrbesetzung (1923) von einem französischen Militärgericht zum Tode verurteilt wurde, da er Anschläge auf militärische Verkehrsverbindungen verübt hatte. Johst proklamierte ihn zum „ersten Soldaten des Dritten Reiches“.
ellauri012.html on line 223: Aloin kelata koko juttua uudestaan, ja huomasin saman surun painavan kuin sillon kun jutut alko heittää häränpyllyä. Vaikka ajan olisi pitänyt parantaa haavat, riitti nähdä sun kuvaavan niitä kirjeessä, niin ne aukes ja alkoi vuotaa taas. Mikään ei voi pyyhkiä muistista mitä sä (sic) olet kärsinyt sun sepustusten tähden. En voi olla ajattelematta Aberikin ja Lotulfin pirullista kaunaa. Julma setä ja loukattu rakastaja on aina kipeinä mun silmissä. En koskaan unohda mitä vihollisia sun jutut ja mitä kateutta sun kunnia nostatti sua vastaan. En koskaan unohda miten sun maineen, jonka olit kyllä ansainnut, silppus ja räjäytti ilmaan valeuutiset. Eiks sun jumaluusoppi tuomittu poltettavaks? Eiks sua uhattu elinkautisella? Turhaan peruutit noi mielipiteet, mikään ei auttanut, päätettiin et sä olet vääräoppinen! Mistä noi kaks väärää todistajaa syytti sua Sensin kokouksessa? Mitä skandaaleja kaivettiin esiin Parakleteen, sun kappelin nimestä? Mikä myrsky syntyi munkkikoplan joukossa sua vastaan kun kutsuit niitä veljiksi? Tää meidän takaiskujen historia, jonka sä kerrot niin liikuttavasti, sai sydämeni vuotamaan verta. Mun kyynelet, joita en pysty estämään, on tuhrineet puolet kirjeestä; kunpa oiskin putsannet sen kokonaan, ja et mä oisin palauttanut sen sulle siinä kunnossa; sit olisin ollut tyytyväinen et förbin sen; mutta se otettiin multa pois liian pian.
ellauri014.html on line 79: The Tirukkural (திருக்குறள், literally Sacred Verses), or shortly the Kural, is a classic Tamil language text consisting of 1,330 couplets or Kurals.
ellauri014.html on line 292: (Euro sich jette op el soil pleurante. Eura stoppe de escribere und regarde Euro eine bischen worried) ellauri014.html on line 1543: La poesia del Marini è tutta una melodia che, sovente, ha il potere di farci dimenticare i concettini, le immagini, i giochetti di parole e le antitesi così cari a lui. Nei suoi seguaci invece questi artifizi hanno il sopravvento sulla musicalità del verso e superano per audacia e goffaggine quelli del maestro.
ellauri014.html on line 1569: The Cambridge History of Italian Literature thought him to be "one of the greatest Italian poets of all time". He is considered the founder of the school of Marinism, later known as Secentismo (17th century) or Marinismo (19th century), characterised by its use of extravagant and excessive conceits.[2] Marino´s conception of poetry, which exaggerated the artificiality of Mannerism, was based on an extensive use of antithesis and a whole range of wordplay, on lavish descriptions and a sensuous musicality of the verse, and enjoyed immense success in his time, comparable to that of Petrarch before him.
ellauri014.html on line 1809: Make thee to shudder, and grow sick at heart;—
ellauri015.html on line 915: Wilhelm von Humboldt and Classical Liberalism.
ellauri016.html on line 776: Nick Drake received little critical success during his lifetime, but has since been widely acclaimed. Based on professional rankings of his albums and songs, the aggregate website Acclaimed Music lists him as the 101st most acclaimed recording artist in history.
ellauri016.html on line 778: By the mid-1980s, Drake was being cited as an influence by musicians such as Kate Bush, Paul Weller, the Black Crowes, Peter Buck of R.E.M. and Robert Smith of the Cure. The Cure's name derives from Drake's song "Time Has Told Me" ("a troubled cure for a troubled mind").
ellauri016.html on line 780: In 1999, "Pink Moon" was used in a Volkswagen commercial, boosting Drake's US album sales from about 6,000 copies in 1999 to 74,000 in 2000. The LA Times saw it as an example of how, following the consolidation of US radio stations, previously unknown music was finding audiences through advertising. Fans used the filesharing software Napster to circulate digital copies of Drake's music; according to the Atlantic, "The chronic shyness and mental illness that made it hard for Drake to compete with 1970s showmen like Elton John and David Bowie didn't matter when his songs were being pulled one by one out of the ether and played late at night in a dorm room." In November 2014, Gabrielle Drake published a biography of her brother. Over the following years, Drake's songs appeared in soundtracks of "quirky, youthful" films such as The Royal Tenenbaums, Serendipity and Garden State. Made to Love Magic, an album of outtakes and remixes released by Island Records in 2004, far exceeded Drake's lifetime sales. In 2017, Kele Okereke cited Pink Moon as an influence on his third solo album Fatherland. Other contemporary artists influenced by Drake include José González, Bon Iver, Iron & Wine, Alexi Murdoch and Philip Selway of Radiohead.
ellauri017.html on line 883: Minä tahdon waelda corkeitten pilwein päällä ja olla caickein corkeimman wertainen. Sinä menet Helwettijn luolan puolelle. Teen sut tarhapöllöin perinnöxi ja wesiculjuxi ja käwäisen häwityxen luudalla, sano HERra Zebaoth.
ellauri017.html on line 885: Uudempia uutisia: homohaawisto on tullut ulos kaapista, maireen naaman takaa luihu konna paljastuu. Riistää lapset Isis-äideiltä kuten ennusteli Jesaja, ja potkii ulos diplomaatin kun se ei suostu syntipukixi. Hemmetti, menköön ite helwettijn karvalakkipuolelle. Kärpästen herra, wesiculju, sen perseessä saisi käwäistä häwityxen luudalla.
ellauri017.html on line 915: Niin makaa kuin petaa. Wie man sich bettet so liegt man, es hilft einem Keiner dazu.
ellauri017.html on line 954: CAicki pedot kedolla tulcat ja syökät, ja caicki pedot medzäsä. Ja heidän pitä menemän ulos ja cadzeleman ihmisten raatoja. Sillä joca härjän teurasta on nijncuin hän miehengin tappais. Joca lamban uhra on nijncuin jocu coiran caulan leickais. joca ruocauhria tuo on nijncuin jocu sicain werta uhrais. Jotca häntiäns pyhittäwät ja puhdistawat krydimais yxi täällä ja toinen siellä ja syöwät sian liha cauhistuxia ja Hijriä, caicki nämät pitä temmattaman pois.
ellauri019.html on line 50: In seinem Hauptwerk Der Untergang des Abendlandes richtet sich Spengler gegen eine lineare Geschichtsschreibung, die die Geschichte „der Menschheit“ als Geschichte des Fortschritts erzählt. Stattdessen vertritt er eine Zyklentheorie, nach der immer wieder neue Kulturen entstehen, eine Blütezeit erleben und sich durch eine Phase des Verfalls vollenden und untergehen.
ellauri020.html on line 751: und wenn er weiß, was sich bei einer Dame schickt,
ellauri020.html on line 757: sicher wird das Boot am Ufer losgemacht,
ellauri020.html on line 759: Ja, da kann man sich doch nicht nur hinlegen,
ellauri020.html on line 772: und als sie wußten, was sich bei einer Dame schickt,
ellauri020.html on line 778: sicher ward das Boot am Ufer losgemacht,
ellauri020.html on line 780: Ja, da kann man sich doch nicht nur hinlegen,
ellauri020.html on line 793: und als er nicht wußte, was sich bei einer Dame schickt,
ellauri020.html on line 801: Ja, da muß man sich doch einfach hinlegen,
ellauri021.html on line 673: On sic a nox with canis unus,
ellauri021.html on line 681: For sic a dog to make a turnus
ellauri022.html on line 380: And in these classic shades
ellauri024.html on line 51: Tehtävä on vähän samanlainen kuin Jessicalla, jonka tyttärellä oli maapähkinäallergia. Jessican piti aina lukea purkeista pienellä präntätty teksti, että tiesi, onko ruoka valmistettu myllyssä, jossa on ehkä käsitelty maapähkinöitä.
ellauri024.html on line 53: Näin on meidänkin elämässämme. Pienellä präntätty teksti on raamatun kyljessä, ja meidän täytyy tavata se yhtä tarkasti kuin Jessica. Tärkein tietolähteemme, ja samalla sen paras lähdekritiikki, on pyhä kirja ize. Menettely on tuttu tieteen piiristä:
ellauri025.html on line 635: I'm sick and tired of playing hard to get
ellauri025.html on line 643: Lovecraft is a famous writer and bullshit artist, but also a well-known racist. Should I read his novels?Was H.P. Lovecraft ever a chill or a good guy at least even a little bit? I know his works basically put humankind to the lowest of the low, but was there even a tiny bit of good in him?What does H.P. Lovecraft mean with his phrase “That is not dead which can eternal lie, And with strange aeons even death may die” in his writing of The Nameless City?
ellauri025.html on line 724: Kun ylen toimittajat tunkevat Annelisen ovelle kameran ja karvamikin kaa suorittamaan kumikauloille tuiki tärkeää public serviseä, Annelise suuttuu niin et sen törtelöpiä turkishattu menee vinoon ja putoaa (haha) ja se huutaa niille "komminister!" Aivan oikein, sic, se tekee kielivirheen. hohoo, lapsuxen, niin professori kuin onkin. (vrt. apina ja Arvo Ylppö.) Mitäs jos ei oisi koko yleä. Mut sillä onkin katutytön tausta.
ellauri026.html on line 455: His activity took many forms; but he was always, whether through classical treatise or encyclopædic collection or satirical dialogue or direct moral appeal—always and everywhere, the preacher of righteousness. His successes were invariably along this line. His failures were caused by his incapacity to perceive at what moment the mere appeal to the moral sense was no longer adequate.
ellauri028.html on line 172: Der Schriftsteller frönte noch einem anderen Laster. Im Alter fascinierten ihn kleine Mädchen immer mehr. Sein Interesse trug eindeutig erotische Züge. Er versammelta die jungen Damen in einem eigenen Klub. Das Durchschnittsalter eines Engelfischen betrug dreizehn Jahre. Seine Sekretärin schrieb: An einem unbekannten Ort sieht er sich als erstes nach kleinen Mädchen um", und "er ist weg wie der Blitz, wenn er ein neues Paar schlanker Beinchen auftauchen siehtm und wenn das kleine Mädchen dann auch noch eine riesige Schleife im Haare trägt, schwebt er vollends im siebten Himmel."
ellauri030.html on line 872:
8
Musical
185
$4,105,760,889
542,153,331
1.75%
ellauri032.html on line 293: Piispa John Bramhall, vannoutunut arminianismin kannattaja (ks yllä), julkaisi pienen tutkielman Of Liberty and Necessity joka oli osoitettu Hobbesille. Bramhall oli tavannut Hobbesin aiemmin ja väitellyt tämän kanssa, ja kirjoitti jälkeenpäin näkemyksensä Hobbesin vastattavaksi. Hobbes vastasi, mutta ei julkaistavaksi. Eräs ranskalainen tuttava kuitenkin julkaisi vastauksen. Bramhall julkaisi vuonna 1655 vastaiskuna kaiken kirjeenvaihdon heidän välillään nimellä A Defence of the True Liberty of Human Actions from Antecedent or Extrinsic Necessity. Vuonna 1656 Hobbesilla oli puolestaan valmiina teos Questions concerning Liberty, Necessity and Chance, jolla hän vastasi piispalle voimallisesti. Hobbesin vastaukset olivat merkittäviä vapaan tahdon ongelman historiassa mahdollisesti ensimmäisinä selkeän psykologisen determinismin esityksinä. Piispa vastasi syytöksiin vuonna 1658 teoksella Castigations of Mr Hobbes´s Animadversions, johon oli liitetty laaja liite nimellä The Catching of Leviathan the Great Whale. Hobbes ei koskaan vastannut tähän teokseen.
ellauri032.html on line 742: 1722 heiratete Zinzendorf Erdmuthe Dorothea Gräfin Reuß-Ebersdorf. Im Mai des gleichen Jahres erwarb er von seiner Großmutter das Rittergut Mittelberthelsdorf in der Oberlausitz, wo er von 1722 bis 1724 das Schloss Berthelsdorf barock umbauen ließ. Dort begann im Juni 1722 die Aufnahme von Glaubensflüchtlingen aus Mähren, Nachkommen der alten Böhmischen Brüder. Diese gründeten außerhalb von Berthelsdorf, das unterhalb des Hutberges gelegen ist, die Siedlung Herrnhut. Zinzendorf errichtete sich dort 1725–1727 ein auch als Herrschaftshaus bezeichnetes Schloss, das er bezog, sowie 1730–1746 den Vogtshof, der ab 1756 als Sitz der Schirmvogtei (des Direktoriums) der Brüder-Unität diente. 1732 überließ Zinzendorf das Schloss Berthelsdorf seiner Frau als Wohnsitz.
ellauri033.html on line 125: et, pour ainsi dire, inachevée, mais aussi plus souple, plus musicale,
ellauri034.html on line 35: Oonkohan mä kirjoittanut Falladasta johkin muualle? Se oli konin koukussa ja aika sekopää, sixe kai jäi kehäraakkina henkiin Hitlerin ja vielä DDR:nkin aikana. Sen 1946 kirjoittama nazivastainen kirja Jeder stirbt für sich allein julkaistiin harppisakuissa sodan jälkeen. Hitti siitä tuli vasta 2016 kun joku teki filmin siitä. Filmi on voittajaosapuolen ihan viimeisiä herkutteluita nazeilla, ennenkuin silminnäkijät on kaikki kuopassa. Kirja ja sen nimi käännätettiin uudestaan, siitä tuli filmin mukaan Yksin Berliinissä, mistä on pudonnut alkuperäinen pointti pois. Nimi on näät viittaus Paavaliin, jonka mukaan kukaan ei elä yxin izeään varten, eikä kuolekaan, kaikki tehdään herran suuremmaxi kunniaxi. (kts. Motto.)
ellauri034.html on line 86: Ekoilla sivuilla on jotain pikku eroja, esim 1949 puoluepamppu Persicke tiesi ennalta että Ranska oli antautunut, 2015 se kuulee sen postinkantajalta, niinkuin nykypoliitikot twiitistä. 1949 se kuzuu vaan omat porukat kostuttaa kaulaa, 2015 se muka tarjoo postinkantajallekin ja lupaa sille juoda päänsä täyteen. Ei todennäköistä.
ellauri034.html on line 88: Persicket asuu 1. kerroxessa, Quangelit 2.ssa, ja joku jutkuämmä 5. (saxalaisittain 4.) kerroxessa, hissittömässä talossa (sanotaan 1949, ei 2015). Eva Kluge jakaa postia alhaalta ylöspäin (mix kantaa kaikki turhaan yläkertaan ensin), joten sen on jatkettava Quangeleilta ylöspäin. Tää on oikein sanottu 1949, mutta 2015 Eva muka lähtee alaspäin. Voi hemmetti. Voiko mihinkään enää luottaa.
ellauri034.html on line 94: Persicken poikaa Brunoa sanottiin Baldurixi Hitlerjugendin Schirachin perästä. Tää on vuonna 2015 jo liian exoottista ja Bruno nimi jää mainizematta. Pikkujuttuja. Koko kirjaa ei millään jaxa kyntää läpi, kuin Wittgensteinkaan koko kieltä. Russell sanoi Wittgensteinille, sä ei taida kauheasti tykätä musta. Ludi: En. No ei Bertiekään sitten Ludista. Enää. Ei tupata ellei tykätä.
ellauri034.html on line 451: Siggen lakimiespojasta Martinista tuli Lontoissa tupakkakauppias. Aiheesta lisää sen mustelmissa Glory Reflected 1952. Menestynein oli arkkitehtipoika Ernst, jonka luo Sigge Martta Minna ja Anna pelastautui Anschlussista kuin Sound of Musicin von Trappit. Siggen siskot jäi trappiin ja päätyi Treblinkaan et co. Freudin tavis kuopusveli Alexander selvis Schweizin kautta Kanadaan, josta sen poik Harry ehti koviseleman Freudien omaisuutta varjellutta nazikomisaaria. No panic Harry sanoi Anna-täti, hold your horses, tää häiskä oli meidän puolella.
ellauri034.html on line 464: Jenkit ostaa Kiinan lentokentällä setelitukkuja heilutellen Ranskaan tarkoitetut kasvosuojuxet, maxaa kolme kertaa korkeamman hinnan kuin ranskalaiset. Näin se alkaa. Britit lähtivät jo EU:sta, seuraavaxi sieltä lentää Unkari. Kolme pian entistä EU-maata on kieltäytynyt ottamasta vastaan pakolaisia. Rettet sich wer kann, it´s every man for himself, jokainen kuolee izexeen niinkuin Berliinissä 1944.
ellauri035.html on line 1148: Cultivar el intelecto, educar y templar la voluntad, regir la conducta con discreción y prudencia en el trato social. Su lección es de energía y perseverancia, de discreción y virtud. Tuvo el P. Baltasar una mentalidad robusta y el genio práctico del fundador de su orden, de Ignacio de Loyola. Y así, enseña sin idealismos, ni sentimentalismos, ni metafísicas.
ellauri037.html on line 366: the organ-grinder's music in the yard,
ellauri037.html on line 623: Mann, den Schriftsteller Friedrich von Gerstenbergk, vorzufinden, der bei ihr lebte. Trotz Johannas beharrlicher Versicherung
ellauri037.html on line 624: daß es sich um eine platonische Freundschaft handle, hatte
ellauri037.html on line 636: zog Schopenhauer nach Italien. Hier gab er sich seiner starken
ellauri037.html on line 642: Vornamen Theresa kennen. Er erwog eine Heirat, wobei er peinlich genau ihre Fehler und ihre Vorzüge gegeneinander abwog. Er entschied sich gegen eine Heirat, als sie ihn in peinliche Verlegenheit brachte, indem sie in der Offentlichkeit in den höchsten Tonen von einem anderen Mann schwärmte - von Lord Byron. Schopenhauer schrieb: «Ich fürchtete mich vor Hörnern »
ellauri037.html on line 649: wieder nach Italien auf. Sein Frauenhaß wurde immer offensichtlicher, er hatte zwar Verkehr mit vielen Frauen, betrachtete sie aber
ellauri037.html on line 651: über den Haufen zu werfen», und er machte die Frauen für die sich
ellauri037.html on line 659: Er verachtete und bemitleidete die Frauen. Seiner Ansicht nach hatten sie nur eine nützliche Eigenschaft: den Reiz der Jugend, der bald schwindet, wenn das hübsche Gesicht und die vollen Brüste einen Mann in die Ehe gelockt haben. Dennoch
ellauri037.html on line 662: Nach einem glücklichen Jahr in Italien zog er sich nach München
ellauri037.html on line 665: sich erholt hatte, schrieb er einen Artikel, in dem er eine neue
ellauri037.html on line 673: Dennoch hat er die Frauen nie aus seinem Leben verbannt. In einer Zeitschrift schrieb er von einem «Fräulein Medon», einer Schauspielerin von großem Charme, die mit bürgerlichem Namen Caroline Richter hieß. Er umwarb und gewann sie, und wieder dachte er an Heirat. Nach seiner sorgfältigen Analyse war sie "recht zufriedenstellend", als Geliebte oder als Ehefrau. Aber wieder erhoben sich seine Vorsicht und sein Zynismus. Er war verliebt, aber er war auch Philosoph. Sein Pessimismus gewann die Oberhand, und die Idee einer Heirat wurde fallengelassen. Schopenhauer bedeutete sein absolutes Vertrauen auf die Unsterblichkeit seiner Werke mehr als Kinder, die er der Nachwelt hätte hinterlassen können. Dank Gott.
ellauri037.html on line 675: Gedanken: "Das Verhältnis der Geschlechter ist der unsichtbare Mittelpunkt aller Handlungen. Es ist die Ursache des Krieges und das Ende des Friedens. Je mehr ich von Männern sehe, desto weniger gefallen sie mir. Wenn ich bloss dasselbe von Frauen sagen könnte, wäre alles gut."
ellauri037.html on line 754: Ewig fällt und sich erneut.
ellauri037.html on line 799: Es befehden sich im Grimme
ellauri037.html on line 807: Lehren die Kräfte, die feindlich sich hassen,
ellauri037.html on line 809: Und vereinen, was ewig sich flieht.
ellauri037.html on line 813: Mit Dämonen sich zu messen,
ellauri037.html on line 817: Schwingt sich in des Himmels Weite,
ellauri037.html on line 853: Birgt sich der hohe geläuterte Wille
ellauri038.html on line 65: Als Nietzsche den ersten Teil von Zarathustra schreibt, ist es mit der Hoffnung auf eine gemeinsame Zukunft mit Lou Salomé vorbei, und in seiner Dichtung gibt Friedrich Nietzsche die Peitsche keiner Frau mehr in die Hand, sondern lässt eine alte Frau dem einsamen Berg-Eremiten Zarathustra den Ratschlag geben, sich vor einer Begegnung mit Frauen mit diesem Dressurwerkzeug zu wappnen.
ellauri038.html on line 74: Im Fotoatelier von Jules Bonnet kümmert sich Nietzsche "in übermütiger Stimmung" (Lou Andreas-Salomé) um jedes Detail und schmückt zum Beispiel die Peitsche mit einem (auf dem Foto nicht erkennbaren) Fliederzweig.
ellauri038.html on line 85: Nietzsches Schwester Elisabeth erkennt sich später selbst in der Figur des "alten Weibleins" karikiert, weil sie ihrem Bruder auch einmal den Rat gab, strenger gegen "in Trieben und Charakteren ungebändigte Frauen" zu sein und metaphorisch von der "Peitsche" sprach, die "nicht tugendhafte" Frauen nötig hätten.
ellauri038.html on line 216: Following Max's unexpected death, Marianne withdrew from public and social life, funneling her physical and psychological resources into preparing ten volumes of her husband's writing for publication. In 1924, she received an honorary doctoral degree from the University of Heidelberg, both for her work in editing and publishing Max's work as well as for her own scholarship. Between 1923 and 1926, Weber worked on Max Weber: Ein Lebensbild ("Max Weber: A Biography"), which was published in 1926.[15] Also in 1926, she re-established her weekly salon, and entered into a phase of public speaking in which she spoke to audiences of up to 5,000. During this phase, she continued to raise Lili's children with the help of a close-knit circle of friends
ellauri038.html on line 222: Maxens Leitmotiv war der okzidentale Rationalismus und die damit bewirkte Entzauberung der Welt. Eine Schlüsselstellung in diesem historischen Prozess war der moderne Kapitalismus als die „schicksalsvollste Macht unseres modernen Lebens“. In der Wahl dieses Forschungsschwerpunktes zeigte sich eine Nähe zu seinem Antipoden Karl Marx, die ihm auch die Bezeichnung „der bürgerliche Marx“ eintrug. Hyi helkkari.
ellauri038.html on line 226: Politik war nicht nur sein Forschungsgebiet, sondern er äußerte sich auch als klassenbewusster Bürger und aus liberaler Überzeugung engagiert zu aktuellen politischen Streitfragen des Kaiserreichs und der Weimarer Republik. Als früher Theoretiker der Bürokratie wurde er über den Umweg US-amerikanischer Rezeption zu einem der Gründungsväter der Organisationssoziologie gekürt.
ellauri038.html on line 230: Politik war nicht nur sein Forschungsgebiet, sondern er äußerte sich auch als klassenbewusster Bürger und aus liberaler Überzeugung engagiert zu aktuellen politischen Streitfragen des Kaiserreichs und der Weimarer Republik. Als früher Theoretiker der Bürokratie wurde er über den Umweg US-amerikanischer Rezeption zu einem der Gründungsväter der Organisationssoziologie gekürt. Lisää nauloja Maxin muutenkiin jo siilimäiseen arkkuun.
ellauri038.html on line 232: Gesinnungsethik is basically a caricature of Kantian deontological ethics or - which he puts on the same level - religious (here: Christian) fanatism or ethical absolutism. The line between Gesinnungsethik (ethics of conviction) and Verantwortungsethik (ethics of responsibility) are almost exactly corresponding to what is called deontological vs. utilitarian (rather: consequentialist) ethics in contemporary discourse. Eli koordinaatit kohtisuorassa vs. vähän vinossa. Pieni vinous on vain luonnollista.
ellauri038.html on line 261: Joku Maudemarie Clark on kiistänyt tyhmien postmodernistien väittämän et Nietzsche olis ollu joku prepostmodernisti, jolle kaikki mielipiteet on yhtä tosia. Preposterous huutaa Clark. Clarkin mielestä Nietzsche vaan hylkäs Kantin (muista ääntämys: Käänt!) erottelun havaittavissa olevien ilmiöiden ja asioiden välillä an sich. Mustakin se on tolloa platonismia, nakkaan roskakoriin Nietzschen perässä.
ellauri039.html on line 143: Recht als ein Palmenbaum über sich steigt,
ellauri039.html on line 157: Wo man sich peiniget, zanket und schlägt,
ellauri039.html on line 402: Learners in grades 10, 11, or 12 are presented with a literature and music-based unit on the realities of Germany since the World War II with the major focus on the period after the fall of the Wall in 1989. The literature comprises a number of different types of texts; they include adapted selections from Auf Sand gebaut and Filz by Stefan Heym, an Eastern German, and Der Mauerspringer by Peter Schneider, a Western German. The music is a poem "Ännchen von Tharau" by Simon Dach, adapted by Johann Gottfried Herder in his 1778 collection "Stimmen der Völker in Liedern."
ellauri039.html on line 406: The music is a folksong that spans four centuries; and the students become aware of the continuity of German culture through folksongs.The background material is disseminated in the form of pictures, statistics, and a historical time-line. Motivation and interest is generated through the songs which focus the learner on the fact that the lesson involves products of German culture. While reading, the learners are confronted not just with the separation of Germany, but also with the division of the Germans in Germany. On the cognitive level, learners gather information about Germany's recent past from World War II to the present. Given these facts the learners connect the past with the German's recent fixation on "Vergangenheits- und Gegenwartsbewältigung." Learners take this theoretical information and explore sites found on the Internet where they find information in German on the issue of identity. This activity forms the basis for reaching a consensus on such questions as:
ellauri039.html on line 521: For me, a developed nation is one in which it cares for it´s people. That accepts science when it says “this affects your health negatively", and says “we don't want our people sick"
ellauri039.html on line 689: tämän koetuxen läxy ollut: rettet sich wer kann, jedermann
ellauri039.html on line 690: stirbt fur sich allein, yxin Berliinissä tai Helsingissä.
ellauri040.html on line 533: Johann Christian Friedrich Hölderlin (* 20. März 1770 in Lauffen am Neckar, Herzogtum Württemberg; † 7. Juni 1843 in Tübingen, Königreich Württemberg) war ein deutscher Dichter, der zu den bedeutendsten Lyrikern seiner Zeit zählt. Sein Werk lässt sich innerhalb der deutschen Literatur um 1800 weder der Weimarer Klassik noch der Romantik zuordnen, weil er total meschugge war.
ellauri040.html on line 535: Friedrich Hölderlin war der Sohn des Klosterhofmeisters Heinrich Friedrich Hölderlin (1736–1772) und dessen Ehefrau, der Pfarrerstochter Johanna Christiana Hölderlin, geb. Heyn (1748–1828). Die Herkunftsfamilien der Eltern gehörten dem gesellschaftlichen Stand der Ehrbarkeit an. Hölderlins Mutter stammte aus einer württembergischen Pfarrersfamilie, die sich auf Regina Bardili, geb. Burckhardt (1599–1669), zurückführen lässt.
ellauri040.html on line 539: 1794 besuchte er die Universität Jena, um dort Vorlesungen von Johann Gottlieb Fichte zu hören. Er lernte während dieses Aufenthaltes Johann Wolfgang von Goethe und den von ihm besonders verehrten Friedrich Schiller kennen. Auch machte er die Bekanntschaft Friedrich von Hardenbergs (Novalis) und, im Mai 1794, Isaac von Sinclairs, mit dem er ab April 1795 ein Gartenhäuschen in Jena bewohnte. Im Mai 1795 verließ Hölderlin die Universitätsstadt fluchtartig, weil er glaubte, sein großes Vorbild Schiller enttäuscht zu haben, und sich neben ihm nichtig wie ein kleiner Schüler fühlte. Verwirrt und mit Zeichen der Verwahrlosung tauchte er wieder in Nürtingen auf.
ellauri040.html on line 586: Sama basicixi, tähtien ja raitojen sodan tasavallan kielellä polakki-imigranteille, jotka sotkeutuvat yli 10 sanan lauseisiin (suomexi ei löydy tästä asiasta senkään vertaa):
ellauri041.html on line 313: Der Flugelin der Fuhrer pelaa lasten kanssa shakkia ja teitittelee vaimoa, syö izetekemiään vuohia ja kazoo perheen kaa Louhimiehen sontimatonta tutilasta. Länteen pettynyt bulgaari Krastev on tästä kaikesta kiusallisen selvillä ja hypistelee haluttomasti saxalaisen flyygelin mustavalkoisia koskettimia. Ne näyttää epäilyttävästi hain hampailta. Und der Haifisch, der hat Zähne, und die trägt er im Gesicht. Und der Nazi, der hat ein Messer, doch das Messer sieht man nicht.
ellauri041.html on line 337: Hän etsii lohdutusta ja opastusta puolestaan Flaubertin ikätoverin Charles Bauderlairen (sic) runoista ja Tommin eiku Joelin sylistä.
ellauri041.html on line 598: Um sich besonders zu kastein.
ellauri041.html on line 600: Früh stund er auf u. schlich sich eilig
ellauri041.html on line 646: den frommen Knaben zu sich hin.
ellauri041.html on line 762: sich einem Manne anvermählte.
ellauri041.html on line 778: und so allmählig sich erquicken?
ellauri041.html on line 801: Antonio druckt sich wie er kann.
ellauri041.html on line 882: gewöhnt sich leicht das Malen an -
ellauri041.html on line 886: und geistlicher Bildung sich bestrebt,
ellauri041.html on line 1616: Auf einmal, so räuspert sich was und niest -
ellauri041.html on line 1617: Und wie er sich umschaut, der fromme Mann,
ellauri041.html on line 1638: Setzt sich der Mädel ihm gar aufs Knie,
ellauri041.html on line 1734: Setzte sich nieder, ass und trank,
ellauri041.html on line 1745: Und wollten sich gegen das Schwein verwahren.
ellauri042.html on line 652: Pope's choice of new 'hero' for the revised Dunciad, Colley Cibber, the pioneer of sentimental drama and celebrated comic actor, was the outcome of a long public squabble that originated in 1717, when Cibber introduced jokes onstage at the expense of a poorly received farce, Three Hours After Marriage, written by Pope with John Arbuthnot and John Gay. Pope was in the audience and naturally infuriated, as was Gay, who got into a physical fight with Cibber on a subsequent visit to the theatre. Pope published a pamphlet satirising Cibber, and continued his literary assault until his death, the situation escalating following Cibber's politically motivated appointment to the post of poet laureate in 1730.
ellauri042.html on line 710: Furthermore, his first wife, who was something of an impulse purchase, suffered from tuberculosis, so he had an impassionate affair with a young woman called Apollinaria Suslova on the side. It ended tragically due to his obsession with gambling. Beside of these blows he suffered from frequent epileptic seizures. At the bedside of his sick wife he wrote “Notes from Underground” (1864), a psychological study of an outsider. The work starts with a confession by the writer: “I am a sick man … I am a wicked man …” Fair enough.
ellauri042.html on line 832: It is recorded of Sir Herbert Oakley, the nineteenth-century Edinburgh professor of music, that once, taken to a farm, he heard a pig squeak and instantly cried "G sharp!" Someone ran to the piano, and G sharp it was.
ellauri042.html on line 885: Devotions upon Emergent Occasions, or in full Devotions Upon Emergent Occasions, and severall steps in my Sicknes, is a prose work by the English metaphysical poet and cleric in the Church of England John Donne (22 January 1572 - 31 March 1631) , published in 1624. It covers death, rebirth and the Elizabethan concept of sickness as a French visit from God, reflecting internal sinfulness. The Devotions were written in December 1623 as Donne recovered from a serious but unknown illness – believed to be relapsing fever or typhus. Having come close to death, he described the illness he had suffered from and his thoughts throughout his recovery with "near super-human speed and concentration". Registered by 9 January, and published soon after, the Devotions is one of only seven works attributed to Donne which were printed during his lifetime.
ellauri042.html on line 937: John Donne is most commonly known for being part of the ‘metaphysical poets’, a group of poets who wrote about love and religion using complex metaphors called conceits. These poets didn’t know each other, and this name was given by literary critics some years later. Nevertheless, John Donne is considered to be one of the best metaphysical poets. John Donne converted to Anglicanism later in his life. By 1615 he became a priest because King James I ordered him to do so. Donne was a member of Parliament in 1601 and in 1614. He also spent a short time in prison because he married his wife, Anne More, without permission. They had twelve children and Anne died while extruding the XIIth.
ellauri042.html on line 943: Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society. Another important theme in Donne´s poetry is the idea of true religion, something that he spent much time considering and about which he often theorised. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits.
ellauri042.html on line 951: Although King James was pleased with Donne's work, he refused to reinstate him at court and instead urged him to take holy orders. At length, Donne acceded to the king's wishes, and in 1615 was ordained priest in the Church of England. In late November and early December 1623 he suffered a nearly fatal illness, thought to be either typhus or a combination of a cold followed by a period of fever. During his convalescence he wrote a series of meditations and prayers on health, pain, and sickness that were published as a book in 1624 under the title of Devotions upon Emergent Occasions. One of these meditations, Meditation XVII, contains the well known phrases "No man is an Iland" (often modernised as "No man is an island") and "...for whom the bell tolls".
ellauri045.html on line 324: Variety staff wrote that Saroyan’s “initial original screenplay is a brilliant sketch of the basic fundamentals of the American way of life, transferred to the screen with exceptional fidelity.” The New York Times critic Bosley Crowther chided the film for excessive sentimentality, saying it featured "some most maudlin gobs of cinematic goo."
ellauri045.html on line 804: Justice is one primary virtue, of course, the balance and respect in society so characteristic of Switzerland-well, I suppose not always, and not for every single immigrant, and until 1971 not for every single woman voter; but usually. Temperance is another, the balance in a soul, controlling desire. Courage is the third. What person could flourish if like Oblomov he stayed in bed out of uncontrolled fear, or out of ennui, an aristocratic version of cowardice? Prudence is the executive virtue, as St. Thomas Aquinas called it-know-how, savoir faire, self-interest. It rounds out the four virtues most admired in the tough little cities or tougher big empires of the classical Mediterranean. The Romans called the four of justice, temperance, courage, and prudence the "cardinal" virtues, on which a society of warriors or orators or courtiers hinged (cardo, hinge). The Christians called them, not entirely in contempt, "pagan."
ellauri046.html on line 63: In laguna venne accolta dalla raffinata ed istruita società veneziana; al suo interno condusse una vita elegante e spregiudicata, segnalandosi per la sua bellezza e per le sue qualità. Fu difatti cantante e suonatrice di liuto, oltre che poetessa, ed entrò nell'Accademia dei Dubbiosi con il nome di Anasilla (così veniva chiamato in latino il fiume Piave - Anaxus - che attraversava il feudo dei Collalto, cui apparteneva quel Collaltino che lei amò). L'abitazione degli Stampa divenne uno dei salotti letterari più famosi di Venezia, frequentato dai migliori pittori, letterati e musicisti del Veneto, e molti accorrevano a seguire le esecuzioni canore di Gaspara delle liriche di Petrarca. Leimasin oli nätti ja kulturnaja, osas käyttää luuttua enemmällä kuin yhdellä sormella, ja laulaa kauniisti. Stampat piti tyylikästä salonkia Veneziassa, jonne tuli Petrarcakin Laura-nyyhkytyxineen.
ellauri046.html on line 65: Sufficientemente colta nella letteratura, nell'arte e nella musica, Gaspara fu portata dalla forte carica della sua personalità a vivere in modo libero diverse esperienze amorose, che segnano profondamente la sua vita e la sua produzione poetica. I romantici videro in lei una novella Saffo, anche per la sua breve esistenza, vissuta in maniera intensamente passionale. La vicenda della poetessa va però ridimensionata e collocata nel quadro della vita mondana del tempo, dove le relazioni sociali, comprese quelle amorose, rispondono spesso a un cerimoniale e ad una serie di convenzioni precise. Fra queste è da segnalare l'amore per il conte Collaltino di Collalto, uomo di guerra e di lettere, che durò circa tre anni (1548-1551): tuttavia a causa di lunghi periodi di lontananza Collaltino non ricambiò il sentimento intenso che Gaspara provò per lui, e la relazione si concluse con l'abbandono della poetessa, che attraversò anche una profonda crisi spirituale e religiosa. Leimasimella oli taipumusta depixiin. Kun tuli vastoinkäymisiä (veli kuoli, kreivi jätti), se meni aina rapakuntoon ja meinas mennä nunnaxi. Onnexi ei mennyt.
ellauri046.html on line 371: The Musical Erotic: Mozart is brilliant! Especially Don Giovanni! It was Christianity which made sensuousness important by denouncing it. Only music expresses sensuousness. It is best expressed by Mozart, in Don Giovanni, which is BRILLIANT!
ellauri046.html on line 469: Pierre-Augustin Caron de Beaumarchais, né Pierre-Augustin Caron le 24 janvier 1732 à Paris où il est mort le 18 mai 1799, est un écrivain, dramaturge, musicien et homme d'affaires français. Éditeur de Voltaire, il est aussi à l'origine de la première loi en faveur du droit d'auteur et le fondateur de la Société des auteurs. Également espion et marchand d'armes pour le compte du roi, c'est un homme d'action et de combats qui ne semble jamais désarmé face à un ennemi ou à l'adversité. Son existence est tout entière marquée par l'empreinte du théâtre et s'il est principalement connu pour son œuvre dramatique, en particulier la trilogie de Figaro, sa vie se mêle étrangement à ses œuvres.
ellauri046.html on line 474: Nebenher versuchte er vergeblich, den Verlobten seiner dort lebenden Schwester Marie, José Clavijo y Fajardo, zur Einhaltung seines Eheversprechens zu zwingen. Das Verhältnis zwischen Clavijo und Marie war undurchsichtig; Beaumarchais verarbeitete dieses Thema zehn Jahre später zu einem rührenden Miniroman, aus dem Goethe 1774 sein Stück Clavigo machte.
ellauri047.html on line 80: „Er besitzt, was man Genie nennt, und eine ganz außerordentliche Einbildungskraft. Er ist in seinen Affekten heftig. Er hat eine edle Denkungsart. […] Er liebt die Kinder und kann sich mit ihnen sehr beschäftigen. Er ist bizarre und hat in seinem Betragen, seinem Äußerlichen verschiedenes, das ihn unangenehm machen könnte. Aber bei Kindern, bei Frauenzimmern und vielen andern ist er doch wohl angeschrieben. – Er tut, was ihm gefällt, ohne sich darum zu kümmern, ob es anderen gefällt, ob es Mode ist, ob es die Lebensart erlaubt. Aller Zwang ist ihm verhaßt. […] Aus den schönen Wissenschaften und Künsten hat er sein Hauptwerk gemacht oder vielmehr aus allen Wissenschaften, nur nicht denen sogenannten Brotwissenschaften.“
ellauri047.html on line 85: Genialität kann sich auf allen Gebieten zeigen – künstlerisch, wissenschaftlich, wirtschaftlich, philosophisch, politisch usw. Es kann zwischen Universalgenies, Genies und „verkannten Genies“ unterschieden werden.
ellauri047.html on line 206: für Diebe mehr als sich zu hegen, eikä ylimäärää kukaan mukaan vie,
ellauri047.html on line 475: Mit sich fort.
ellauri047.html on line 505: Die sich ach! vergebens öffnen,
ellauri047.html on line 530: Seiner Fülle, hinter sich.
ellauri047.html on line 683: Kürbisranken schmiegten sich auf am veralteten Stamme,
ellauri047.html on line 688: Die, sich entladende, frech zeigen das rohe Gesäß.
ellauri047.html on line 696: Mag sich jeder so gern, wie es der Künstler gedacht.
ellauri047.html on line 697: Nicht das Mädchen entsetzt sich vor mir, und nicht die Matrone,
ellauri047.html on line 998: Aber als die römische Besatzung aus Deutschland verschwunden war und im Rheinland starke Judengemeinden zurückblieben, in denen sich die hebräisch-deutsche Mischsprache "Jiddisch" entwickelte, kommt es zur Verdeutschung hebräischer Namen durch zufälligen Gleichklang: Da wird Aaron zu Arnold, Benjamin zu Benno, Levi zu Ludwig, Moses zu Moritz, Simon zu Siegmund. Später entstehen deutsch klingende Familiennamen: Simon zu Schimmerling und Schimmerl, Isachar zu Sacher, Socher, Socherl und Sucher, Levi oder Loeb zu Lemann und Lehmann, Isak zu Eisemann, Eisermann, Jakob zu Kaufmann (-mann war eine beliebte Diminutivform). Oder die Namen wurden ins Deutsche übersetzt: Baruch oder Ascher (der Glückliche) wurde zu Selig, Seligmann, Eljakim oder Obadja zu dem überaus beliebten Gottschalk.
ellauri047.html on line 1000: Eine in der jüdischen Namenstradition ganz besondere Stellung hat der Name Chajim oder Chaim. Er bedeutet: Leben. Starb den Eltern ein Kind, nannten sie das folgende Chaim. Genas einer von einer schweren Krankheit, legte er sich zusätzlich zu seinem eigenen den Namen Chaim zu. Viele Holocaust-Überlebende in Israel heißen Chaim.
ellauri047.html on line 1006: Kennedy used the phrase twice in his speech, including at the end, pronouncing the sentence with his Boston accent and reading from his note "ish bin ein Bearleaner", which he had written out using English orthography to approximate the German pronunciation. He also used classical Latin pronunciation of civis romanus sum, with the c pronounced [k] and the v as [w].
ellauri048.html on line 565: Immi (1861-1937) oli kanttorin tytär Kuorevedeltä. Kuorevesi on liitetty nyttemmin Jämsään. Äiti oli Toppeliuxen henk.koht. hyvä ystävä ja toivoi Immistäkin nationalskaldia. Toive toteutui. Äiti kuoli 7-v Immiltä, äitipuoli oli paha. Ruozinkielisen koulun ja seminaarin jälkeen Immi opetti Lapinlahden kansakoulussa 4v. Paras kaveri oli sisko Onni (sic), virsirunoilija. Uskonnollinen, isänmaallinen, vahva ääni oikealta joka suhteessa.
ellauri048.html on line 731: the presentation of female sexuality as punishing and metaphysically devoid of value.
ellauri048.html on line 1072: "Break, Break, Break" is a poem by Alfred, Lord Tennyson written during early 1835 and published in 1842. The poem is an elegy that describes Tennyson's feelings of loss after Arthur Henry Hallam died and his feelings of isolation while at Mablethorpe, Lincolnshire. Were Tennyson and Hallam Gay, and Did They Have a Physically Consummated Homosexual Relationship?
ellauri048.html on line 1074: Garrett Jones claims that Alfred Tennyson and Arthur Henry Hallam, whose death was the occasion for writing In Memoriam, were in some sense homosexual lovers, and that Hallam was a promiscuous homosexual whose father sent him to Cambridge, separating him from his Eton friends as a way of curtailing his son's inclinations (a curious, rather naive strategy, one might think!). For most of the book, he gives the impression that the two friends had an intense homosexual relationship that must have included physical acts. However, on p. 192 out of 199, he announces the following:
ellauri048.html on line 1076: EITHER they had to knuckle under and settle for a "sublimated", more-or-less disembodied, spiritualized passion . . . . OR they could plunge and risk martyrdom. They must have agreed that they had no taste for martyrdom — or even Byronic exile. . . . It is clear they both knew, in their heart of hearts, they wanted to express their love for each other in a physical way; yes, even in a sexual way — Love and Duty is eloquent testimony to that. But both of them knew in the prevailing moral climate . . . there seemed to be no possibility of love between males that would not incur hysterical opposition. . . . There is not much doubt, had they wanted to take the sexual path and do so openly, they would only have wanted the kind of sex which they felt about each other.
ellauri048.html on line 1167: May make one music as before, Soittelee taas samaa säveltä,
ellauri048.html on line 1243: With all the music in her tone, Kaikki musiikki sen sävellajissa,
ellauri048.html on line 1720: 'A time to sicken and to swoon,
ellauri049.html on line 295:
ellauri049.html on line 663: Mais, l'autre tout soupirs, dis-tu qu'elle contraste wie wenn an heißem Tage, sagst du, Wind sich rührte, mut toinen täynnä voihkinaa, sanoisitko
ellauri049.html on line 672: Le visible et serein souffle artificiel sichtbar und heiter, Werk der Kunst, der Hauch, genährt näkyvän ja tyynen huokauxen, keinotekoisen
ellauri049.html on line 1021: Rotuja on kuin koronan runtelemassa New Yorkissa, jossa ruumiit mätänee jätekonteissa. Taas ihmisen eli valkoihosen näköset on parhaita ja punaiset keltaiset mustat humanoidit kakkoskastia, karvaisen eläimen näköiset kotieläimiä, ropotit orjia ja lemmikkejä, matelijan, sammakon tai hyönteisen näköiset kerrassaan pahixia. Mustia kuolee eniten koronaan, keisari MAGA ei pidä siitä. Vetelyxet. Koneet ja ropotit korvaa lapset ja sylikoirat. Koneet hurisee, laitteet hyrisee, aseet välähtelee, sankarit painaa urheasti ja taitavasti nappulaa kuin värivammanen Michael Jackson hississä. Suomalainen Chewbacca ei saa basic-kielen sanaa suustan, mölähtelee vaan turkisläjä.
ellauri050.html on line 472: der sich im allerkleinsten Kreise dreht, joka kiertää pikkiriikkistä ympyrää,
ellauri050.html on line 477: sich lautlos auf -. Dann geht ein Bild hinein, äänettömästi ylös - . silloin pääsee sisään kuva,
ellauri050.html on line 528: uns am Angesicht zehrt -, wem bliebe sie nicht, die ersehnte, kun repi pärstää -, kelle se ei kaivattu jäisi,
ellauri050.html on line 531: Ach, sie verdecken sich nur mit einander ihr Los. Äh, ne vaan piilottaa toisiltaan kohtalonsa.
ellauri050.html on line 538: sich eine Woge heran im Vergangenen, oder aaltonen menneisyydestä, tai sit
ellauri050.html on line 540: gab eine Geige sich hin. Das alles war Auftrag. vingahti viulu. Duunia tää oli kaikki.
ellauri050.html on line 551: denk: es erhält sich der Held, selbst der Untergang war ihm mut tätä mieti: kestää sankari, kert kuolemakin
ellauri050.html on line 554: in sich zurück, als wären nicht zweimal die Kräfte, izeensä taas, kuin ei voimia kahdesti oisi
ellauri050.html on line 571: die ununterbrochene Nachricht, die aus Stille sich bildet. jatkuvaa tiedotusta, joka muodostuu eetteristä.
ellauri050.html on line 575: Oder es trug eine Inschrift sich erhaben dir auf, Tai joku graffiti heitteli ylevää läppää
ellauri050.html on line 589: alles, was sich bezog, so lose im Raume kaiken merkittävän, niin kaikesta irti
ellauri050.html on line 597: immer mit sich und übertönt sie in beiden. aina on kaikin messissä ja sekoittuneina.
ellauri050.html on line 600: man entwöhnt sich des Irischen sanft, wie man den Brüsten maallisesta vieroittuu lempeästi, kuin tissistä äidin
ellauri050.html on line 957: Nach der Wärme ziehn sich Musen, Lämpöhakuiset on muusat,
ellauri050.html on line 1047: Und sich Staub wälzt', ja aivan pöllyssä
ellauri050.html on line 1070: unsichtbar, auch ungehört Näkymättä, myös kuulumatta
ellauri050.html on line 1094: sich selbst zur Larve, kuoriutunut ize toukaxi,
ellauri050.html on line 1095: sich selbst zur Beute, ize saaliixi,
ellauri050.html on line 1132: — oh wie sie sich hier hinab, Oo miten ne tänne alas,
ellauri050.html on line 1182: hinsichelnd, bis sie sinken, leikellen kunnes ne vajoavat,
ellauri051.html on line 365: HARK! some wild trumpeter--some strange musician, KRÖHM! joku villi töräyttäjä -- joku outo muusikko,
ellauri051.html on line 375: Waves, oceans musical, chaotically surging, Aallot, musiikkivaltameret velloi kaoottisesti,
ellauri051.html on line 394: What charm thy music works!--thou makest pass before me, Sun musa on charmanttia! -- sä paat mun eteen kulkemaan
ellauri051.html on line 419: Love, that is crimson, sumptuous, sick with perfume; Rakkaus on punehtunut, pullistunut, hajusteinen;
ellauri051.html on line 428: --Nor war alone--thy fearful music-song, wild player, brings every -- Eikä vaan sota -- sun mielilaulu, hullu soittaja, tuo kaikki muutkin
ellauri051.html on line 622: 71 The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, Jonkun meikäläisten sairaus tai mun oma, pahanteko tai rahanmenetys tai puute,
ellauri051.html on line 639: 85 Not words, not music or rhyme I want, not custom or lecture, not even the best, En taho sanoja, musaa tai loppusointuja, en palvelua enkä luentoa, en edes parasta,
ellauri051.html on line 723: 158 The flap of the curtain'd litter, a sick man inside borne to the hospital, Peitettyjen paarien läpätys, sisällä sairas mies matkalla lasarettiin,
ellauri051.html on line 870: 288 The youth lies awake in the cedar-roof'd garret and harks to the musical rain, 288 Nuorukainen makaa hereillä setrikattoisessa kattohuoneessa ja haukkuu musiikkisadetta,
ellauri051.html on line 931: 348 Prisoner, fancy-man, rowdy, lawyer, physician, priest. 348 Vanki, hieno mies, riehuva, asianajaja, lääkäri, pappi.
ellauri051.html on line 946: 361 With music strong I come, with my cornets and my drums, 361 Tulen vahvalla musiikilla, korneteillani ja rumpuillani,
ellauri051.html on line 1140: 549 A morning-glory at my window satisfies me more than the metaphysics of books. 549 Aamukirkkaus ikkunassani tyydyttää minua enemmän kuin kirjojen metafysiikka.
ellauri051.html on line 1182: 589 The angry base of disjointed friendship, the faint tones of the sick, 589 Hajaantuneen ystävyyden vihainen pohja, sairaiden heikommat äänet,
ellauri051.html on line 1193: 600 Ah this indeed is music -- this suits me. 600 Ah tämä on todellakin musiikkia - tämä sopii minulle.
ellauri051.html on line 1287: 688 They do not make me sick discussing their duty to God, 688 He eivät tee minua sairaaksi keskustelemalla velvollisuudestaan Jumalaa kohtaan,
ellauri051.html on line 1430: 830 How the silent old-faced infants and the lifted sick, and the sharp-lipp'd unshaved men; 830 Kuinka hiljaiset vanhanaamaiset pikkulapset ja nostetut sairaat ja terävähuuliset ajelemattomat miehet;
ellauri051.html on line 1617: 1010 Let the physician and the priest go home. 1010 Päästä lääkäri ja pappi kotiin.
ellauri051.html on line 1629: 1021 I am he bringing help for the sick as they pant on their backs, 1021 Minä olen hän, joka tuo apua sairaille, kun he huohottavat selällään,
ellauri051.html on line 1670: 1061 Music rolls, but not from the organ, 1061 Musiikkirullat, mutta ei urkuista,
ellauri052.html on line 60: Eugene Henderson is a troubled middle-aged man 1948. (synt. 1800-luvulla). Despite his riches, high social status, and physical prowess, he feels restless and unfulfilled, and harbors a spiritual void that manifests itself as an inner voice crying out "I want, I want, I want". Hoping to discover what the voice wants, Henderson goes to Africa. What a Yankee notion.
ellauri052.html on line 275: Alexander Pope does have slightly misogynistic tendencies, in part due to his own physical deformity making him somewhat unattractive.
ellauri052.html on line 424: Nietzsche ist vor allem durch seine Schopenhauer-Lektüre und dessen Willens-Metaphysik auf den Gedanken des Willens zur Macht gekommen. Aus Schopenhauers „Wille zum Leben“ genickt und verbessert. Die erste Erwähnung des Begriffs im Nachlass stammt von 1876/77: „Furcht (negativ) und Wille zur Macht (positiv) erklären unsere starke Rücksicht auf die Meinungen der Menschen.“
ellauri052.html on line 429: Ein starker Geist interpretiert die Welt auf sich zu und verleibt sie sich somit ein. Man soll das Schicksal wollen. Wollen befreit: das ist die wahre Lehre von Wille und Freiheit. Deshalb hat der freieste Mensch „das größte Machtgefühl über sich.“
ellauri052.html on line 445: In der Genealogie der Moral (1887) findet sich der Gedanke, dass die Menschheit als Masse dem Gedeihen einer einzelnen stärkeren Species Mensch geopfert werden könnte. Ziel sei es, eine Herrenkaste zu züchten, welche zur Herrschaft über Europa berufen sei.
ellauri052.html on line 749: They stopped, they discussed methods, they practised grips and throws, they became accustomed to each other, to each other´s rhythm, they got a kind of mutual physical understanding. And then again they had a real struggle. They seemed to drive their white flesh deeper and deeper against each other, as if they would break into a oneness. Birkin had a great subtle energy, that would press upon the other man with an uncanny force, weigh him like a spell put upon him. Then it would pass, and Gerald would heave free, with white, heaving, dazzling movements.
ellauri052.html on line 751: So the two men entwined and wrestled with each other, working nearer and nearer. Both were white and clear, but Gerald flushed smart red where he was touched, and Birkin remained white and tense. He seemed to penetrate into Gerald´s more solid, more diffuse bulk, to interfuse his body through the body of the other, as if to bring it subtly into subjection, always seizing with some rapid necromantic fore-knowledge every motion of the other flesh, converting and counteracting it, playing upon the limbs and trunk of Gerald like some hard wind. It was as if Birkin´s whole physical intelligence interpenetrated into Gerald´s body, as if his fine, sublimated energy entered into the flesh of the fuller man, like some potency, casting a fine net, a prison, through the muscles into the very depths of Gerald´s physical being.
ellauri052.html on line 753: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.
ellauri052.html on line 785: `No. One ought to wrestle and strive and be physically close. It makes one sane.'
ellauri052.html on line 794: `We are mentally, spiritually intimate, therefore we should be more or less physically intimate too -- it is more whole.'
ellauri052.html on line 806: `You think I am beautiful -- how do you mean, physically?' asked Gerald, his eyes glistening.
ellauri052.html on line 897: Salen siteeraamasta Samuel Danielista 1562-1619, elisabetinaikaisesta naamiaisnaamareita väsänneestä muusikon pojasta ja kamariherrasta tämän verran: The 1911 edition of the Encyclopædia Britannica says of him: "His style is full, easy and stately, without being very animated or splendid; it is content with level flights. As a gnomic writer Daniel approaches Chapman, but is more musical and coherent. He lacks fire and passion, but he has scholarly grace and tender, mournful reverie." Enempi kanan lentoa.
ellauri052.html on line 970: The rap against Bellow is that he maligned four of his five wives, especially in his fiction. This is true, and Leader is savvy enough not to take Bellow’s word about them. Wife No. 1, Anita, is shown as the underappreciated mainstay she obviously was. As for wife No. 2, Sondra Tschacbasov Bellow (Bellow called her Sasha), the model for the evil Madeleine, Leader has a scoop: an unpublished memoir shared with him after Bellow’s death. By her own account, Sasha was a vulnerable child-woman lacking basic life skills. From childhood and into her teens, she says, she was the victim of incest committed by her father. When Bellow took up with her, he was 37 and she was 21, a Bennington graduate and a secretary at the Partisan Review. His friends treated her with a sniggering sexism unfortunately unremarkable in the 1950s. At a party Bellow took her to, the critic R. W. B. Lewis, her former professor, drunkenly demanded to
ellauri053.html on line 584: Uarne pahexuu hiljaa Puovon nihilismiä. Mitenkäs nyt noin. Jos sanotaan ettei ole muuta kuin elänyt, voidaan olettaa ("voidaan olettaa", sic!) että kaikki ihmisen toiminta on ollut nolla.
ellauri053.html on line 697: Herbert Spencer (27 April 1820 – 8 December 1903) was an English philosopher, biologist, anthropologist, and sociologist famous for his hypothesis of social Darwinism whereby superior physical force shapes history. Spencer originated the expression "survival of the fittest", which he coined in Principles of Biology (1864) after reading Charles Darwin's On the Origin of Species. The term strongly suggests natural selection, yet Spencer saw evolution as extending into realms of sociology and ethics, so he also supported Lamarckism.
ellauri053.html on line 699: Spencer developed an all-embracing conception of evolution as the progressive development of the physical world, biological organisms, the human mind, and human culture and societies. As a polymath, he contributed to a wide range of subjects, including ethics, religion, anthropology, economics, political theory, philosophy, literature, astronomy, biology, sociology, and psychology. During his lifetime he achieved tremendous authority, mainly in English-speaking academia. "The only other English philosopher to have achieved anything like such widespread popularity was Bertrand Russell, and that was in the 20th century." Spencer was "the single most famous European intellectual in the closing decades of the nineteenth century" but his influence declined sharply after 1900: "Who now reads Spencer?" asked Talcott Parsons in 1937.
ellauri053.html on line 993: Only a perfect control of the emotions together with an irrepressible urge for creative expression could explain the continuous outpouring of his thoughts in poems, novels, short stories, essays and other writings irrespective of his surroundings or circumstances, mental or physical.
ellauri053.html on line 1035:
“Rabindranath only became a temporary craze, but never a serious literary figure in the Western scene. He was intrinsically an outsider to the contemporary literary tradition of the West, and after a short, misunderstood visit to the heart of the West, he again became an outsider.” ellauri053.html on line 1156:
From 1900, his poetry grew more physical and realistic. He largely renounced the transcendental beliefs of his youth, though he remained preoccupied with physical and spiritual masks, as well as with cyclical theories of life. In 1923, he was awarded the Nobel Prize in Literature.
ellauri053.html on line 1179: His complaint against Yeats was that Yeats’s “supernatural world” was “the wrong supernatural world”: It was not a world of spiritual significance, not a world of real Good and Evil, of holiness or sin, but a highly sophisticated lower mythology summoned, like a physician, to supply the fading pulse of poetry with some transient stimulant so that the dying patient may utter his last words.
ellauri053.html on line 1228: ja lyyrän (sic) olin saanut juur vasta lakkiini ...
ellauri053.html on line 1317: Caught in that sensual music all neglect Tossa aistinvaraisessa hötäkässä unohtuu
ellauri053.html on line 1337: Consume my heart away; sick with desire Syökää mun "sydäntä", sairaana himosta,
ellauri053.html on line 1367: Yeats's friendship with Gonne ended when in Paris in 1908, they finally consummated their relationship. "The long years of fidelity rewarded at last" was how another of his lovers described the event. (Bet it was Ezra Pound.) Yeats was less sentimental and later remarked that "the tragedy of sexual intercourse is the perpetual virginity of the soul." (Aika narsistinen penselmä.) The relationship did not develop into a new phase after their night together, and soon afterwards Gonne wrote to the poet indicating that despite the physical consummation, they could not continue as they had been. She recommended Yeats to concentrate on other men.
ellauri054.html on line 78: Puhdasoppiset teologit pitivät Comeniusta myös epäilyttävänä kirkkokuntien väliseen sovitteluun tähtäävien pyrkimysten (irenia) vuoksi syyttäen häntä synkretismistä. Kritiikki huipentui kuitenkin vasta 1700-luvulla, jolloin Turun akatemiassa hyökättiin Comeniuksen luonnonfilosofiaa vastaan ja Anders Lundbom laati aiheesta väitöskirjan De physica Mosaica Comeniana (Comeniuksen mooseslaisesta fysiikasta, 1753) professori Carl Fredrik Mennanderin johdolla.
ellauri054.html on line 130: Onx esseet jotain tunnustusnovelleja? Tyhmä kysymys. Ei essee ole mikään luonnonilmiö. Pojun magnum (sic) opus oli yritys. Ett rättsteoretiskt försök.
ellauri054.html on line 185: Riikonen has noticed that students' knowledge of classic literature is decreasing. Sitä varmaan nolottaa kun alma mater mainizee sen magnus (sic) opuxen, joka on sen kirjeenvaihto Eeron kaa.
ellauri054.html on line 441: (Theme music)
ellauri054.html on line 462: Terveisin Jessica Vilenius, talouspäällikkö.
ellauri054.html on line 513: Browningin tunnetuimpien teostensa (sic) joukossa on 1860-luvun lopussa julkaistu The Ring and the Book, 21 000 riviä pitkä ylistyslaulu Barrett Browningille. No voi hemmetti. Jaakko Hintikka jää toisexi.
ellauri055.html on line 168: Le brugnon est le fruit du brugnonier (Prunus persica var. nucipersica), une variété de pêchers (Prunus persica). C'est une drupe qui se distingue des pêches et pavies par sa peau sans duvet, et des pêches et nectarines par son noyau adhérent. La chair du brugnon est blanche ou jaune selon les variétés. Sa peau présente une couleur rouge-orangé tirant sur le bordeaux.
ellauri055.html on line 1016: Lauri Henrik (sic) Pohjanpää oli suomalainen runoilija, uskonnon lehtori ja teologian kunniatohtori. Hänet vihittiin papiksi 1925. Tytär Helena Antava. Eikun Ahnava. Tuomas Anhavan rouva ja Jaakko Anhavan äiskä. Toimitti iskän tuherruxet kirjaxi. Pikku Pauli oli iloinen kun me mentiin kesälomalla Anhevanmaalle. Tai Ahnevanmaalle, miten milloinkin.
ellauri058.html on line 716: It has generally been thought that King Herod died at 69 years of age from complications of gonorrhea. Dr. Jan Hirschmann, a physician at the University of Washington School of Medicine in Seattle, decided to explore further, and presented his diagnosis at the Historical Clinical Pathologic Conference (CPC).
ellauri058.html on line 810: 1. I wish to let the reader know that I myself am sexually conservative: I am married, faithful to my wife, and a father. In this review I plead …castum esse decet pium poetam / ipsum. uersiculos nihil necesse est, qui tum denique habent salem ac leporem , si sunt molliculi ac parum pudici. Tää on Catulluxen runosta 16 joka alkaa Pedicabo ego vos et irrumabo. Teivas Oxalan unohtumattomana käännöxenä Suuhun myös peräpäähän teitä tökkään. Siellä sanotaan: Hartaan näät runoniekan siivo olla kuuluu, voi toki värsyt olla toisin; silloin niissä on sukkeluutta, suolaa, pehmeet jos ovat eikä liian siivot. Kovia munia ja pehmoisia värssyjä. Vanhana on pikemminkin toisin päin.
ellauri058.html on line 966: Meung-sur-Loire: In fiction, it has been described by Alexandre Dumas in The Three Musketeers as the village where d'Artagnan, en route to join the King's Musketeers in Paris, first encounters the villainous Comte de Rochefort. Also in fiction, Meung-sur-Loire is the country home of Chief Inspector Jules Maigret, Georges Simenon's classic crime fiction character. Maigret and his wife Louise eventually retire to their Meung-sur-Loire home, where he spends his time fishing (pike), and she tends, according to her sister, any number of animals.
ellauri060.html on line 1050: The same really goes for basically every vertical. Way back (remember Googlebase?) it was thought nobody should bother with any vertical as Google had it in there anyway. Googlebase is long gone and people go to CarGurus or Carvana for cars, Zillow for online house listings, Indeed and others for job postings etc., the list goes on and on.
ellauri061.html on line 635: Latin blunder for self-defense’s se defendendo is sic, either a befogged muddling of a professional legal term, or a post-Freudian slip, or (least likely) a very oblique and subtle jab at Gately from a Ewell intimate with the graveyard scene from Hamlet — namely V.i. 9.
ellauri061.html on line 712: Il grande successo letterario arrivò con la pubblicazione del suo primo romanzo, Il piacere a Milano presso l'editore Treves, nel 1889. Tale romanzo, incentrato sulla figura dell'esteta decadente, inaugura una nuova prosa introspettiva e psicologica che rompe con i canoni estetici del naturalismo e del positivismo allora imperanti.
ellauri061.html on line 1644: The scepter, learning, physic, must valta, oppi, lääkekaappi saa
ellauri062.html on line 95: Nina Silverberg from the Handmaid Rehabilitation Program at the National Institute of Aging Physicians, is supportive of the new diagnosis, stating:
ellauri062.html on line 151: Try using music, singing, or dancing to distract the person. Failing that, try shouting.
ellauri062.html on line 435: Ein weiterer wichtiger Inspirator war Guido von List, dessen Ansichten unter den Bezeichnungen Wotanismus und Armanismus bekannt wurden. Ariosophische Autoren verbanden Vorstellungen einer Überlegenheit der „arischen Rasse“ und Forderungen einer Reinerhaltung dieser vermeintlichen Rasse mit Elementen der Astrologie, der Zahlensymbolik, der Kabbala, der Graphologie und der Handlesekunst.[1] Die wichtigste ariosophische Organisation war der von Lanz gegründete Neutempler-Orden.
ellauri062.html on line 536: Salvatore Quasimodo (Modica, 20 agosto 1901 – Napoli, 14 giugno 1968) è stato un poeta e traduttore italiano, esponente di rilievo dell'ermetismo. Ha contribuito alla traduzione di vari componimenti dell'età classica, soprattutto liriche greche, ma anche di opere teatrali di Molière e William Shakespeare. È stato vincitore del premio Nobel per la letteratura nel 1959 «per la sua poetica lirica, che con ardente classicità esprime le tragiche esperienze della vita dei nostri tempi».
ellauri062.html on line 772: Jo hakemisto kertoo paljon siitä, mikä on ollut kirjan tarkoitus: 32 viitettä Kallasvuohon, 32 viitettä Ollilaan, 10 viitettä Vanjokeen ja peräti 2 (sic!) viitettä ohjelmistokehitykseen.
ellauri062.html on line 780: Serrano alcanzó gran éxito al cantar en alemán composiciones como «Roter Mohn (Roter Mohn, warum welkst du denn schon?)», «Schön die Musik», «Küß mich, bitte, bitte, küß mich», «Und die Musik spielt dazu», «Der Onkel Jonathan» y «Der kleine Liebesvogel» durante el auge de la Alemania nazi. Kreuder aprovechó para introducirla en las esferas del régimen nazi y Serrano llegó a participar en varios mítines y ceremonias nacionalsocialistas. Sus canciones fueron muy difundidas en las emisoras afines al Reich. Más adelante, declaró que nunca tuvo afinidad política alguna ni fue nazi, a pesar de que en sus grabaciones llevaba el emblema del águila nazi en su vestimenta.
ellauri062.html on line 843: Sitä ei kiinnostanut ihmisen intelligiibeli minä, josta kaikki luonnossa muistuttaa, ihminen mikrokosmoksena, vaan valta. Weininger asetti ihmisen kaiken toiminnan ohjenuoraksi tietoisuuden omasta intelligiibelistä minästä, koska ainoastaan se tekee hänet tietoiseksi myös sinästä ja sinun Dingistä an sich, ja saa hänet luopumaan pyrkimyksistä käyttää toista (tai itseään) välineenä mihinkään tarkoitukseen. Sinun anus on arvo sinänsä.
ellauri062.html on line 1037: Nach dem Ausscheiden aus dem Zisterzienserorden änderte Lanz seine Identität. Seit 1902 führte er einen Doktortitel – für eine Promotion gibt es keinerlei Belege. Heute gilt es als erwiesen, dass Lanz den Titel unberechtigt führte. – und nannte sich fortan Lanz-Liebenfels. 1910 änderte er dies zu Lanz von Liebenfels ab. Venuskumpareesta tuli pyhä keihäs. Väärensi izelleen Svaabista aatelisviikunan.
ellauri062.html on line 1039: Eigenen Aussagen zufolge hat sich Lanz der Kern seiner späteren Weltanschauung bereits 1894 durch folgende Begebenheit erschlossen: Bei der Betrachtung eines Grabsteins, auf dem ein Ritter abgebildet ist, der einen Hundsaffen niederringt, sei ihm schlagartig aufgegangen, dass die Rasse der „Arier“ oder „Herrenmenschen“ einen ständigen Abwehrkampf gegen die Rasse der „Nichtarier“ oder „Affenmenschen“ zu führen habe. Da die arische Rasse durch Vermischung mit „Minderrassigen“ geschwächt sei, seien umfassende „rassenhygienische“ Maßnahmen zu ihrer „Reinzucht“ und „Veredlung“ erforderlich. Diese wiederum bedürften unter anderem einer bedingungslosen Unterordnung der arischen Frau unter den arischen Mann. Nokki vähäosaisempia kuin katuojan pulu. Eikö muka rotukoiran aika muuten kulu? Vitun paviaani.
ellauri062.html on line 1041: Tatsächlich aber dürfte weniger „Vision“ als vielmehr Lesen die Basis von Lanz’ „arischem“ Denken gebildet haben. Nach dem Austritt aus dem Kloster widmete er sich ausgiebigen Studien der zeitgenössischen anthropologischen Literatur über die arische Rasse, darunter Origines Ariacae von Karl Penka (1883), Die Heimat der Indogermanen von Matthäus Much (1902) und Die Germanen von Ludwig Wilser (1904).
ellauri063.html on line 47: Yes, Orwell was not exactly LGBTQ-friendly. He had a lot of opinions which now seem eccentric or objectionable. He had a lifelong tendency to make disparaging remarks about vegetarians, or people who wore sandals. I suspect that this came from the association in his mind of socialism with people who lived the early 20th century equivalent of an alternative lifestyle: it was very important to Orwell to show people that being socialist didn’t mean that you had to have to have a long beard, wear sandals or not eat meat, and that socialism was thoroughly British, manly and commonsensical.
ellauri063.html on line 102: This is a basic fact about Marx’s view of socialism that SD, Stalin, Mao, Castro and all the rest who advocate socialism from above, have failed to comprehend, so determined were they to impose ‘socialism’ on other countries, or, indeed, on their own people.
ellauri063.html on line 210: mogwai is the transliteration of the Cantonese word 魔鬼 (Jyutping: mo1 gwai2; Standard Mandarin: 魔鬼; pinyin: móguǐ) meaning "monster", "evil spirit", "devil" or "demon". The term "mo" derives from the Sanskrit "Mara", meaning "evil beings" (literally "death"). In Hinduism and Buddhism, Mara determines fates of death and desire that tether people to an unending cycle of reincarnation and suffering. He leads people to sin, misdeeds, and self-destruction. Meanwhile, "gui" does not necessarily mean "evil" or demonic spirits. Classically, it simply means deceased spirits or souls of the dead.
ellauri063.html on line 229: AAA, también conocida como Alianza Apostólica Anticomunista, fue una organización terrorista tardofranquista, presuntamente vinculada a los aparatos represivos del Estado español, que actuó en el País Vasco y en el País Vasco francés entre 1977 y 1982, durante la transición española. Un informe de la Oficina de Víctimas del Terrorismo del Gobierno vasco de 2010 le atribuye 8 asesinatos de las 66 víctimas mortales del terrorismo parapolicial y de extrema derecha desarrollado entre 1975 y 1990.
ellauri063.html on line 261: ADC (Attack Damage Carry) is an archaic term used to refer to a champion that deals strong, continuous damage with their basic attacks and scales with attack-related stats - i.e. attack damage, critical strike chance and attack speed.
ellauri063.html on line 262: The role was retired in official contexts and replaced with Marksman icon.png Marksman, to distinguish between Ranged role.png ranged basic attackers (including those that do not build AD, e.g. Azir Azir) and the ability to carry , with Melee role.png melee ADCs being distributed between the Slayer icon.png Slayer and Fighter icon.png Fighter roles.
ellauri063.html on line 274: "Frontside Ollie" is a Finnish language song by Finnish teen pop artist Robin and his debut single taken from his debut album Koodi. Written by Sana Mustonen, it was released on Universal Music on 16 January 2012. #skateboarding Today's video is about the basic frontside ollie on transition. Useful for quarter pipes, mini ramps, bowls and more. Hit subscribe & leave your suggestions below for future skate hacks videos!
ellauri063.html on line 290: In 1695, Henry Purcell wrote incidental music for the Abdelazer revival at the new theater in Lincoln's Inn Fields where the play would not gain much success which would become evident by the meager second-day attendance.
ellauri063.html on line 291: Abdelazer suite is written in 10 movements of which Rondo is currently the most famous due to the use of the piece and its variations in films, including the 2005 adaptation of Pride and Prejudice in which Purcell's piece can be heard as dancing music at the Netherfield ball.
ellauri063.html on line 312: Songs in the Key of Z is a book and two compilation albums written and compiled by Irwin Chusid. The book and albums explore the field of what Chusid coined as "outsider music". Chusid defines outsider music as; "crackpot and visionary music, where all trails lead essentially one place: over the edge." Chusid's work has brought the music of several leading performers in the outsider genre to wider attention. These include Daniel Johnston, Joe Meek, Jandek and Wesley Willis. In addition, his CDs feature some recordings by artists who produced very little work but placed their recordings firmly in the outsider area. Notable amongst these are nursing home resident Jack Mudurian who sings snatches of several dozen songs in a garbled collection known as Downloading the Repertoire and the obscure and extreme scat singer Shooby Taylor AKA 'The Human Horn.'
ellauri063.html on line 317: Before he entered the world of music, Brötzmann was studying to be a painter in Western Germany and was associated with Fluxus, a radical art movement influenced by John Cage and informed by an anti-commercial sentiment.
ellauri063.html on line 319: “There is no contradiction between creation and destruction. I never thought music was a healing force of the universe. I didn’t agree with Mr. Albert Ayler. But we wanted to change things; we needed a new start. In Germany, we all grew up with the same thing: ‘Never again.’ But in the government, all the same old Nazis were still there. We were angry. We wanted to do something.” Like jazz.
ellauri063.html on line 356: Deutschland schafft sich ab ist der Titel eines 2010 erschienenen Buches von Thilo Sarrazin. Es trägt den Untertitel Wie wir unser Land aufs Spiel setzen. Sarrazin beschäftigt sich darin mit den Auswirkungen auf Deutschland, die sich seiner Ansicht nach aus der Kombination von Geburtenrückgang, wachsender Unterschicht und Zuwanderung aus überwiegend muslimischen Ländern ergeben werden. Das Buch erlangte bereits im Vorfeld der Veröffentlichung erhebliche Medienaufmerksamkeit, Der Spiegel und die Bild-Zeitung veröffentlichten vorab Auszüge. Bis Anfang 2012 wurden über 1,5 Millionen Exemplare verkauft. Das Buch stand 2010 und 2011 insgesamt 21 Wochen lang auf Platz 1 der Spiegel-Bestsellerliste.
ellauri064.html on line 91: Am Ende seines Lebens, sich auf der Flucht vor dem Faschismus und dabei in einer zunehmend aussichtslosen Lage befindend, greift er die gängige Fortschrittsmetapher auf: »Marx sagt, die Revolutionen sind die Lokomotiven der Weltgeschichte. Aber vielleicht ist dem gänzlich anders. Vielleicht sind die Revolutionen der Griff des in diesem Zug reisenden Menschengeschlechts nach der Notbremse.« Sehr ähnlich klingt es, wenn Greta Thunberg bei der UN-Klimakonferenz in Katowice davon spricht, dass es die einzig vernünftige Sache sei, die Notbremse zu ziehen. Walter veti hätäjarrusta ja sen juna pyhästyi. Matkalaukku tosin joutui hävyxiin. Arthur Koestler koitti samaa muttei älynnyt vetää vetimestä tarpeexi kovaa. Vuonna 83 se koitti uudestaan Ebba vaimon kanssa ja onnistui.
ellauri064.html on line 107: Die Postmoderne erklärte das Ende der großen Erzählungen solange, bis nichts und niemand mehr übrig war, für das es sich zu kämpfen lohnte. Schließlich riefen Neokonservative das Ende der Geschichte aus und hinterließen nichts als Leere an jenem Ort des Bewusstseins, an dem sich einst die Hoffnung auf eine bessere Zukunft befand.
ellauri064.html on line 120: Ohne Notbremsung wird der Zug entgleisen. Wenn wir den Untergang der Menschheit wirklich noch verhindern wollen, kommen wir nicht umhin, dem Profitstreben auf Kosten der Menschen und der Natur ein Ende zu setzen. Vorsichtig auf dem Gang! Mind your step! Nicht hinauslehnen! E pericoloso sporgersi!
ellauri064.html on line 255: Wir schämen uns für die fürchterlichen Ereignisse, die sich vor einem Jahrhundert in Namibia abgespielt haben.“ – Thilo von Trotha
ellauri064.html on line 276: Der Völkische Beobachter (VB) war von Dezember 1920 bis zum 30. April 1945 das publizistische Parteiorgan der NSDAP. In scharfer Abgrenzung zu bürgerlichen Zeitungen bezeichnete sich der VB als „Kampfblatt“ und war programmatisch mehr an Agitation als an Information interessiert. Pressehistoriker nannten den VB daher „plakathaft“ und seinen Stil „mehr gesprochen als geschrieben“. Zunächst erschien der VB zweimal wöchentlich, ab dem 8. Februar 1923 täglich im Franz-Eher-Verlag in München. Er wurde nach den Anfangsjahren reichsweit vertrieben.
ellauri064.html on line 277: Ab Februar 1941 gab der VB die bis dahin in Deutschland allgemein benutzte Frakturschrift auf und wurde komplett in der modernen Antiqua gesetzt, die von den Nationalsozialisten als „geschmackvoll und klar“ bezeichnet wurde und der von der Propaganda behaupteten „Weltgeltung des Reiches“ entsprechen sollte (Antiqua-Fraktur-Streit). Die Auflage steigerte sich mit dem Erfolg der nationalsozialistischen Bewegung enorm, 1931 erreichte sie über 120.000, überschritt 1941 die Millionen-Grenze und soll 1944 1,7 Millionen Exemplare betragen haben.
ellauri064.html on line 311: Thomas "Pip pip" Jeeves Horder, 1st Baron Horder, known as ‘Tommy’, was created a baronet in 1923 and Baron Horder in 1933 in recognition of his services as physician to several British monarchs and Prime Ministers, including the pro-nazi abdicate Edvard VII.
ellauri065.html on line 99: In Hertwigswaldau befindet sich ein Ehrenhain für die Gefallenen des 1. Weltkriegs. Um einen rund 6 m hohen Turm befinden sich auf der Erde Steintafeln mit den Namen und Daten der Gefallenen. Die hier abgeschrieben Tafeln stellen nur 1/3 aller Tafeln. Die Abschrift erfolge 2010 bei: wroclaw.hydral.com.pl
ellauri065.html on line 202: The Human Centipede has its moments, but they're largely obscured by umpteen holes in the plot as well as by reams of exposition. It was an ultimately underwhelming affair that's neither sick or repellent enough to garner the cult status it so craves. Whether the film was a commentary on Nazi atrocities or a literal expression of filmmaking politics, the grotesque fusion at least silences the female leads, both of whose voices could strip paint.
ellauri065.html on line 538: k'uhul ajaw: divine royalty in Classic period Maya.
ellauri065.html on line 631: Here is an actual website for a company that gang stalks. The CEO “John Winters” is a private investigator and former law enforcement. There are multiple “revenge” packages available on the website designed to help ruin the subject’s life. He claims it’s all “legal” because they never physically touch the subject.
ellauri066.html on line 198: Sukelsi Aleksis Kiven tuotantoon eroksen kautta, Mustapään Lindblandiin (sic) etu- ja Kailakseen takakautta? No ei vaitiskaan, Väiski oli Aaron lanko, Haavio ja Kailas sen frendejä. Yhdessä setämiehet dissas nenäkkäitä tuijunkantajia. Ne oli liian vasemmistolaisia, Kati Vala ainakin. Avioliitosta Lempi "Alinna" Aaltosen kanssa syntyi kaksi lasta, Katri ja Eero Antti (1929–2019), josta tuli hermo- ja mielitauteihin erikoistunut lääkäri. No wonder.
ellauri066.html on line 364: Even without substituting the remaining parameters d and c1, it is clear that Pynchon’s Second Equation resembles – and in fact is – the equation of moments that the Peenemünde physicists and engineers used to calculate and control the angular motion (yaw) of the V-2 rocket.
ellauri067.html on line 187: 1973 "Gravity's Rainbow" published Feb 28, universally hailed as classic ellauri067.html on line 270: Traversing a wide range of trivia, Gravity´s Rainbow transgresses boundaries between high and low culture, between literary propriety and profanity, between boredom and porn, and between popular science and speculative metaphysics.
ellauri067.html on line 295: Sloth is one of the seven capital sins in Catholic teachings. It is the most difficult sin to define and credit as sin, since it refers to an assortment of ideas, dating from antiquity and including mental, spiritual, pathological, and physical states. One definition is a habitual disinclination to exertion, or laziness.
ellauri067.html on line 379: Höh, aika tylsä makarooni. Eikö löytynyt mitään hauskempaa? Juonikin vaikuttaa ikävystyttävältä: The poem tells of a prank played on an apothecary by a band of university students called macaronea secta. It is written in a mix of Latin and Italian, in hexameter verse (as would befit a classical Latin poem). It reads as a satire of the bogus humanism and pedantism of doctors, scholars and bureaucrats of the time. Merkuriuxelle pyhitetty valo on keskiviikko. Zobia on toskanalainen murresana torstaille (Giovedi).
ellauri067.html on line 422: Richard Freiherr von Krafft-Ebing (1840–1902; full name Richard Fridolin Joseph Freiherr Krafft von Festenberg auf Frohnberg, genannt von Ebing) was an Austro–German psychiatrist and author of the foundational work Psychopathia Sexualis (1886). He died in Graz in 1902. He was recognized as an authority on deviant sexual behavior and its medicolegal aspects. Krafft-Ebing´s principal work is Psychopathia Sexualis: eine Klinisch-Forensische Studie (Sexual Psychopathy: A Clinical-Forensic Study), which was first published in 1886 and expanded in subsequent editions. The last edition from the hand of the author (the twelfth) contained a total of 238 case histories of human sexual behaviour. Translations of various editions of this book introduced to English such terms as "sadist" (derived from the brutal sexual practices depicted in the novels of the Marquis de Sade), "masochist", (derived from the name of Leopold von Sacher-Masoch), "homosexuality", "bisexuality", "necrophilia", and "anilingus".
ellauri067.html on line 457: Astrophysicist Neil deGrasse Tyson was criticized this week after claiming on Christmas Eve that Rudolph, the fictional red-nosed reindeer who leads Santa Claus’s sleigh, has been “misgendered.”
ellauri067.html on line 470: The relationship between J.P. Morgan and Thomas Edison is a classic case of high finance. As Edison needed money to fund his work he would give a huge block of stock in his company to Morgan. Eventually the bulk of Edison Electric shares were controlled by the J.P. Morgan.
ellauri067.html on line 487: Hey, I just figured out that "Who Framed Roger Rabbit" might be making a sly allusion.... that Roger and Jessica Rabbit are named after Roger Mexico and Jessica Swanlake from Gravity´s Rainbow by Pynchon. Posted by ergomatic at 7:16 AM on March 16, 2016. Why it's obvious! just look at Roger's incisors!
ellauri067.html on line 493: Book reviewers have a long history of attacking Pynchon for his flat characters. Roger and Jessica are susceptible to this criticism. Neither is given much of a history. We don’t know where they grew up or who their parents were. This is one of the great failings of... what to call it? "middlebrow" is antiquated... anyway, a very common kind of criticism (common in the Anglo-American world, anyway), and it affects how authors write (which is one reason I read mainly Russian literature these days). I don't need to know "where they grew up or who their parents were" and I don't much care, unless, of course, you write about it brilliantly because that´s truly what you want to focus on, as opposed to "welp, better provide a plausible background for my characters so the reader will believe they're behaving this way." Just write good sentences in a good and surprising order. Two people have fallen out of love? I don't care if it's because one of them has mommy issues or the other was bullied as a child—people fall out of love all the time, for any reason or none, just tell me what they do about it, and in language that makes me want to keep reading! Teoxet on tärkeät, vähät elämästä. En jaxa luontokuvauxia, hyppään ne heti yli.
ellauri067.html on line 606: Come Josephine In My Flying Machine is a popular song with music by Fred Fisher and lyrics by Alfred Bryan. First published in 1910, the composition was originally recorded by Blanche Ring and was, for a time, her signature song. Ada Jones and Billy Murray recorded a duet in November 1910, which was released the following year. There have been many subsequent recordings of the pop standard.
ellauri069.html on line 162: 657; American dancer who was among the first to raise interpretive dance to the status of creative art, incorporating classical, particularly Greek, mythology, art and music. Not very successful in the United States, she took her new style of performance to Europe where it was greeted enthusiastically. She was strangled when her long scarf became entangled in the wheels of a car.
ellauri069.html on line 222: Richard Fariña, to whom Gravity's Rainbow is dedicated, was a good friend of Pynchon's when they were students at Cornell University in the 50s. In 1963, Farina married Mimi Baez, a folksinger and sister of Joan Baez. Although first married under the Napoleonic Code in a secret ceremony in Paris in the spring of 1963, they had an official marriage in Carmel, California, for the benefit of the Baez family. Pynchon was the best man for the Carmel ceremony, coming up from Mexico City where he was living and working on Gravity's Rainbow. In A Long Time Coming and a Long Time Gone, Farina's posthumously published collection of stories (Random House, 1969), Farina describes his and Pynchon's visit to the Monterey Fair. Richard and Mimi Farina formed a folk-music duo (Farina on guitar and Mimi on dulcimer, both singing) and released several albums in the 60s. Richard Farina was killed in a motorcycle crash following a book signing in Carmel for his newly published first (and only) novel, Been Down So Long It Looks Like Up To Me (Random House, 1966). You might want to visit this sweet website dedicated to the memory of Richard and Mimi (who died of cancer in 2001).
ellauri069.html on line 234: Going My Way: Ex tää ole Fred Astairen rallatus? Fredistä on ollut puhe toisaalla. 38; A 1944 film directed by Leo McCarey. It is a light-hearted musical comedy/drama about a new young priest (Bing Crosby) taking over a parish from an established old veteran (Barry Fitzgerald). Crosby sings five songs in the film.
ellauri069.html on line 257: German novelist Hermann Hesse (1877-1962), experiencing a crisis of the spirit, had psychoanalysis with J.B. Lang, a disciple of Carl Gustav Jung. His novel Demian (1919), which shows the influence of analysis, is about the character Demian (a classic "seeker") and his quest for self-awareness. Published during the troubled Weimar years, the novel was very popular and had a pervasive influence on the Germans. It also made Hesse famous.
ellauri069.html on line 259: Hilbert Space: "A multidimensional space in which the proper (eigen) functions of wave mechanics are represented by orthogonal unit vectors" - from The Penguin Dictionary of Physics.
ellauri069.html on line 393: —the love affair between statistician Roger Mexico and Jessica Swanlake, whose love seems to be all that can save him from being psychologically consumed by the war;
ellauri069.html on line 468: If I had to put it in one sentence: using a Mad Magazine/stoner parody of WWII movie musicals to look for precursors of the corporate state and WW III.
ellauri069.html on line 479: Imagine a story that combines Ulysses, Catch-22, The Canterbury tales, Under the Volcano, On the Road and many others. First, there is a huge cast of characters and most times, it is unclear who’s speaking and to whom. A second challenge is getting into the context of the book. The novel demands a vast knowledge of history, geography, music, literature, science, mathematics and occult. Apart from this the book also explicitly deals with profanity, racism, violence, pedophilia, coprophilia and seemingly infinite number of sex scenes. That being said, Pynchon doesn’t throw them arbitrarily and each one of them have a purpose. The main plot itself is set at the end of World War 2 and Europe is in chaos. As new countries and alliances are being formed, so too are new perspectives within the characters. Mental state being broken down, people making poor choices and actions being justified and helps us see how people tend to live destructively. As if there complexities weren’t enough, Pynchon includes a “postmodern” aspect of the book that leaves the first-time reader confused. Pynchon’s voice is seen through this aspect and a sense of paranoia creeps throughout the book and everything is questioned.
ellauri070.html on line 78: Roger Mexiko haluis nuolla vielä Jessicaa mut tää tietää millä puolella leipää voita on. Roger tykkää kuiteskin eniten sinisestä smurffiveljestä. Roger on Schlumpfin sielun veli, niillä on enemmänkin yhteistä kuin schischelifetischi. Ne on kuin Roger Casement ja Tyrone Power. Ne on samixia. Ne on ize asiassa sama henkilö, nimittäin tää Nipistin.
ellauri070.html on line 109: 42nd street musical. Dick Powell ja Ruby Keeler mv leffassa. Karseen näkönen ämmä kuin Elsa Turakainen pienenä ja kynäkaula ruipelo joka ei edes osaa ize soittaa pianoa. Sormet menee miten sattuu. We love you. You are special.
ellauri070.html on line 164: Daß ich dereinst, an dem Ausgang der grimmigen Einsicht, Että mä kerran, perästä karmean oivalluxen,
ellauri070.html on line 187: Draußen aber kräuseln sich immer die Ränder von Jahrmarkt. Ulkona käpristyvätten markkinan reunat.
ellauri070.html on line 190: wo es zappelt von Ziel und sich blechern benimmt, missä maalit sätkyen paukkuvat peltisesti,
ellauri070.html on line 194: ist noch besonders zu sehn, wie das Geld sich vermehrt, anatomisch, ditto, nähtävää, lisääntymistä, miten pennoset kasvaa,
ellauri070.html on line 211: wendet sich, winkt... Was solls? Sie ist eine Klage. Kääntyy, vinkkaa... Mitä järkeä? Se on silti vaan ruino.
ellauri070.html on line 217: was sie an sich hat. Perlen des Leids und die feinen mitä on yllä ja alla. Tuskan helmiä juu ja verhona
ellauri070.html on line 221: nimmt sich des Jünglinges an, wenn er fragt; - Wir waren, ottaakin jolpin haltuunsa (suotta se vinkuu): - Me oltiin,
ellauri070.html on line 245: schweigend, der Menschen Gesicht apinain naamarit laittaa.
ellauri070.html on line 342: Their four "concentric" terms are derived from Ezekiel's vision (1:4), "And I looked and behold, a whirlwind came out of the north, a great cloud, and a fire infolding itself, and a brightness was about it..." The "Three Impure Qlippot" (completely Tamei "impure") are read in the first three terms, the intermediate "Shining Qlippah" (Nogah "brightness") is read in the fourth term, mediating as the first covering directly surrounding holiness, and capable of sublimation. In medieval Kabbalah, the Shekhinah is separated in Creation from the Sefirot by man´s sin, while in Lurianic Kabbalah Divinity is exiled in the qlippot from prior initial Catastrophe in Creation. This causes "Sparks of Holiness" to be exiled in the qlippot, Jewish Observance with physical objects redeeming mundane Nogah, while the Three Impure Qlippot are elevated indirectly through Negative prohibitions. Repentance out of love retrospectively turns sin into virtue, darkness into light. When all the sparks are freed from the qlippot, depriving them of their vitality, the Messianic era begins. In Hasidic philosophy, the kabbalistic scheme of qlippot is internalised in psychological experience as self-focus, opposite to holy devekut self-nullification, underlying its Panentheistic Monistic view of qlippot as the illusionary self-awareness of Creation.
ellauri071.html on line 91: Kolmiodraaman (Roger, Jessica ja Jeremy) osapuolet ovat menossa klubille yhteiselle lounaalle. Yhteiselle lounaalle? Miäs tämä on olevinaan, Noel Cowardia vai?
ellauri071.html on line 152: Der "Cornet" entstand in einer ersten Fassung 1899, wurde aber erst 1904 veröffentlicht. Laut einem Brief Rilkes war er das Produkt einer einzigen Nacht, "einer Herbstnacht, hingeschrieben bei zwei im Nachtwind wehenden Kerzen". Auf das Thema stieß Rilke bei einem Onkel, der Ahnenforschung betrieb. Als Beleg für die adlige Herkunft seiner Familie hatte dieser die Kopie eines alten Aktenauszugs gefunden, der sich auf einen gewissen "Christoph Rülcke zu Linda" bezieht. Dieser sei 1660 als junger Cornett (Fahnenträger) im österreichischen Heer verstorben. Rilke greift die Handlung auf, verlegt den Tod seines Helden um drei Jahre in den österreichischen Türkenkrieg und macht daraus eine heroische Prosadichtung. Indem er den "Heldentod" poetisch verklärt und mit erotischen Motiven verbindet, trifft der Dichter mit der "Weise von Liebe und Tod des Cornet Christoph Rilke" den Geschmack seiner Zeit. Das Werk wird Rilkes erfolgreichstes und bekanntestes Buch, ist aber wegen der Verherrlichung des Soldatentodes umstritten.
ellauri071.html on line 196: Richtig erlebt man die lyrische Prosa des Werkes erst gesprochen. Darum empfiehlt sich: Der Cornet als Hörbuch, vorgetragen von Ulrich Mühe. Kosten: DM 29,95.
ellauri071.html on line 214: Meidän pitäisi saada lukea Pynchon-wikistä lisää sellaisia juttuja kuin "Yö jolloin Rog ja Majava tappelivat Jessicasta, kun tämä itki Kruppin sylissä", ja saisimme kuolata jokaiselle epäselvälle valokuvalle aiheesta.
ellauri071.html on line 422: A.E. Waite syntyi Yhdysvalloissa ja varttui Englannissa. Vuonna 1891 hän liittyi Hermetic Order of the Golden Dawn-järjestöön ja 1902 Societas Rosicruciana in Anglia-järjestöön. Golden Dawnia vaivasivat sisäiset riidat vuoteen 1914 saakka, jolloin Waite lähti järjestöstä. Wilho lähti Lähetyskirkko-järjestöstä samana kohtalokkaana vuonna. Vuotta myöhemmin hän (Arthur) perusti Fellowship of the Rosy Cross-järjestön, joka oli yksi monista Golden Dawnista syntyneistä järjestöistä. Wilho perusti Helluntaiystävät 9v myöhemmin.
ellauri071.html on line 479: Tossa Roger-roolissa jossain lännessä, oisko ollut New Mexicossa, Tom lie bylsinyt jonkun Jerryn Jessicaa, kunnes tämä onnistui saamaan lapsen. Sitten potkis Tompalle, joka lähti nuopeana pohjoseen tai itään äidin luo. S. 956
ellauri071.html on line 489: Waldmeister soll als Mittel gegen dämonische Kräfte verwendet worden sein. In Posen wurde Kühen, die nicht fressen wollten, Waldmeister mit etwas Salz gegeben. Hexen ließen sich angeblich durch eine Mischung von Waldmeister, Johanniskraut und Härtz Bilgen (Mentha pulegium) vertreiben.
ellauri072.html on line 162: Frost calculated that the best way to win her over was to present her with a volume of his first poems. He put them together in a pamphlet, had them printed on fine paper and bound in leather with gold print. When he got to the front door of her boarding house in Canton, New York, Hart said, “She basically shut the door in his face.”
ellauri072.html on line 477: What will happen when the age-old economy of scarcity gives way to the Age of Leisure? Professor Gabor, who won the 1971 Nobel Prize for physics offers a futuristic projection based on a static population and GNP, "classless, democratic, and uniformly rich." Fearful that total secruity "will create unbearable boredom and bring out the worst in Irrational Man," Gabor is anxious to retain "effort," "hardship," and the Protestant Ethic -- lest society dissolve in an orgy of anti-social, hedonistic nihilism (viz. the current drug explosion and the spoiled-brat students). To avoid such evils Gabor proposes that work and its attendant moral uplift be divorced from production and the service sector of the economy be vastly enlarged. But this is only the beginning -- enthusiastic about Social Engineering Gabor suggests using it to weed out potential misfits, trouble-makers and "power addicts"; supplementing I.Q. tests with E.Q. (Ethical Quotient) measurements; and modeling elementary and secondary education on the 19th century British public school which knew so well how to inculcate good citizenship, intellectual excellence and pride in achievement. The Third World, still wrestling with pre-industrial material want, is ignored -- since we can't afford any more industrial pollution presumably they will just have to adjust to their misery. Gabor's assessment of "the Nature of Man" shows a woefully naive Anglo-American ethnocentricity and complete ignorance of anthropology and his vision of post-industrial utopia operating on the moral axioms of the 19th century is as elitist as it is improbable.
ellauri073.html on line 267: The character's debut performance (May 8, 1993) has been called one of the best segments in SNL history. The reception of the audience combined with visible stifled laughter from David Spade and Christina Applegate on stage added to the popularity of the sketch. Notable physical gestures from Farley included what Spade referred to as “the thing with the glasses” when Farley lifted his glasses on and off of his face commenting, “Hey Dad, I can’t see real good, is that Bill Shakespeare over there?” and perhaps the most defining gesture was one that Farley saved for the live performance when he alternated hands adjusting his trousers, grabbing the hilt of his belt with one hand and the back of his pants with the other.
ellauri073.html on line 372: Mennoniitat ovat saaneet nimensä liikkeen perustajasta, hollantilaisesta uskonpuhdistajasta Menno Simonsista, joka oli ennen vuonna 1536 tapahtunutta liittymistään anababtisteihin (sic) katolinen pappi. Hän opetti liikkeen jäseniä noin 25 vuotta ja vaikutti liikkeeseen huomattavasti kirjallisella toiminnallaan. Vuonna 1672 heidät tunnustettiin Alankomaissa virallisesti yhdyskunnaksi, joka sai vapaasti harjoittaa uskontoaan valtion suojeluksessa.
ellauri073.html on line 408: Olen vit- tarkoitan whittler, sanoi myyntimiesmäinen väkäleuka noitaämmä skottityttöpiirretyssä. Vaimoni on noita-sarjan vakiovieraana esiintyi Samanthan äiti Endora (Agnes Moorehead), joka paheksuu tyttärensä avioliittoa "kuolevaisen" kanssa. Vierailulla kävi usein myös muita Samanthan sukulaisnoitia ja velhoja, mm. ovennuppeja keräilevä täti Clara ja "käytännön piloja" (sic) harrastava setä Arthur. Stephensit saavat toisella tuotantokaudella tyttären, Tabathan, joka on perinyt äitinsä noitavoimat. Myöhemmin he saivat myös pojan, Adamin joka vaikuttaa isänsä tapaan olevan kuolevainen.
ellauri074.html on line 126: Dove soap was launched in the United States in 1957 as a non-irritating skin cleaner for treatment use on burn and wounds during World War II under, the one of the largest consumer products companies in the world, Unilever. The basic Dove bar was reformulated as a beauty soap bar with one-fourth cleansing cream. It was the first beauty soap to use mild plus moisturizing cream to avoid the drying skin.
ellauri074.html on line 149:
1975
Classical studies by W. H. F. Thomson into the nature of hemorrhoids and their development from anal cushions, which are normal structures.
ellauri074.html on line 177: Infernatron/Interlacen koti- toimisto- ja mobiilikäyttöön tarkoiteun TK-järjestelmän tarkkaresoluutioisen Yushityu 2007 -moduulinkazelulaitteen emolevyn helposi asennettavan päivityxen vuosi (sic) 2007
ellauri074.html on line 198: Year of the Yushityu 2007 Mimetic-Resolution-Cartridge-View-Motherboard-Easy-To-Install-Upgrade For Infernatron/InterLace TP Systems For Home, Office Or Mobile (sic) 2007
ellauri077.html on line 99: Nää tennismatkat joihin vanhemmat ei osallistuneet tutustutti Wallun huumeisiin ja alkoholiin (vrt. Netflixin sarja Alaska). Siihen mennessä se oli alkanut inhoskella izeään, josta tuli silloin tällöin paniikkikohtauxia. Jossain aikaisissa muistiinpanoissa jotka tuli esiin suikin jälkeen se kirjoitti: "nilkat liian ohuet, pohkeet ei tarpeexi lihaxikkaat", "Reidet pyllistyvät (sic) ulos luotaantyöntävästi".
ellauri077.html on line 265:
The Physical Stress of Grieving
ellauri077.html on line 344: Unamuno no fue protestante. Todos tenemos nuestras contradicciones, nuestros aciertos y errores, y Miguel de Unamuno los tuvo también. Por una parte fue un homófobo militante que animó a condenar a Oscar Wilde y otros escritores españoles homosexuales a trabajos forzados, palabras suyas son: “¿No habrá medio de que estos mártires del placer lleguen a serlo del dolor, de un dolor que les purifique y los eleve? ¿No será cosa de pensar seriamente en la manera de ponerles en disposición de que alguno de ellos escriba la balada del presidio de Ceuta o algo por el estilo?”. En cuanto a las mujeres, algunos estudios sobre la concepción que se desprende de ellas en su obra, concluyen que para Unamuno las mujeres eran ante todo madres y sólo podían amar como tales: “El amor de la mujer, sobre todo, decía que es siempre en el fondo compasivo, es maternal. La mujer se rinde al amante porque le siente sufrir con el deseo.
ellauri077.html on line 681: Die wichtigste therapeutische Handlungsform AAs sind die so genannten Meetings, regelmäßige Treffen lokaler Gruppen. Sie zeichnen sich zwischen den Anfangs- und Beendigungsritualen durch längere Monologe aus, in denen Teilnehmer ihre persönlichen Erfahrungen mit Alkoholkonsum schildern. Diese Narrative stärken dabei die eigene Identität als abstinenter (oder abstinent werden wollender) Alkoholiker.
ellauri077.html on line 683: Einer qualitativen Studie zufolge sind die Monologe dabei zumeist affirmativ auf die Vorredner bezogen. Verbalisierter Dissens sei selten, aber wichtig, um biographisch begründete kognitive Dissonanzen aufzulösen. Die Affirmation sei dabei wichtig, um die Kollektividentitäten zu stärken und damit Solidarität zu fördern. Dissens würde dagegen nur vorsichtig und zumeist indirekt vorgebracht.
ellauri077.html on line 794: Pretentious diction. Words like phenomenon, element, individual (as noun), objective, categorical, effective, virtual, basic, primary, promote, constitute, exhibit, exploit, utilize, eliminate, liquidate , are used to dress up a simple statement and give an aire of scientific impartiality to biased judgements. Adjectives like epoch-making, epic, historic, unforgettable, triumphant, age-old, inevitable, inexorable, veritable, are used to dignify the sordid process of international politics, while writing that aims at glorifying war usually takes on an archaic color, its characteristic words being: realm, throne, chariot, mailed fist, trident, sword, shield, buckler, banner, jackboot, clarion.
ellauri078.html on line 34: Infinity is something we are introduced to in our math classes, and later on we learn that infinity can also be used in physics, philosophy, social sciences, etc. Infinity is characterized by a number of uncountable objects or concepts which have no limits or size. This concept can be used to describe something huge and boundless. It has been studied by plenty of scientists and philosophers of the world, since the early Greek and early Indian epochs. In writing, infinity can be noted by a specific mathematical sign known as the infinity symbol (∞) created by John Wallis, an English mathematician who lived and worked in the 17th century.
ellauri078.html on line 57: the physical
ellauri078.html on line 58: the metaphysical
ellauri078.html on line 80: Dickinson´s verse is often associated with common meter, which is defined by alternating lines of eight syllables and six syllables (8686) or Iambic Tetrameter alternating with Iambic Trimeter. This pattern–one of several types of metrical “feet”–is known as an “iamb.” Common meter is often used in sung music, especially hymns (think “Amazing Grace” of "Yellow Roses of Texas").
ellauri080.html on line 119: Many contemporary personality psychologists believe that there are five basic dimensions of personality, often referred to as the "Big 5" personality traits. The five broad personality traits described by the theory are extraversion (also often spelled extroversion), agreeableness, openness, conscientiousness, and positivity (well, neuroticity, just this one expressed negatively, I don't know why).
ellauri080.html on line 394: Activity level refers to how physically active a person is. rowdy disruptive boisterous or quiet lifeless rag. Are they rambunctious or quiet?
ellauri080.html on line 494: Hence, the TE/FI attitude, represented by Nietzsche, assumes that people do things because they want to, they desire to, they have a passionate, sentimental drive to: desires and feelings are the metaphysical bottom-line, for which structure serves only as a vehicle. Meanwhile, the FE/TI attitude represented by Hume assumes that people do things because that is what makes sense to them: because that is the decision-making paradigm which they are working off of, and all feelings, motivations, and desires result from the way a person chooses to logically view the world, whether they realize it or not. Feelings and motivations are merely the skin of logically ascertainable principles upon which people operate.
ellauri080.html on line 607: Most episodes of Gilligan's Island used variations on five recurring basic plots:
ellauri080.html on line 712: The program was critically acclaimed for focusing on children's emotional and physical concerns, such as death, sibling rivalry, school enrollment, and divorce.
ellauri080.html on line 715: Every episode begins with a camera's-eye view of a model of a neighborhood, then panning in closer to a representation of a house to the music of a piano instrumental of the theme song, "Won't You be My Neighbor?".
ellauri080.html on line 733: In India, a Muslim friend encouraged Gandhi to eat goat’s meat. As Gandhi was physically weak, he agreed to it. But, that night he had a dream that the goat was crying inside his stomach. He said “I can’t eat meat anymore. I heard the goat's mother bleat from inside me.” He never ate meat again.
ellauri080.html on line 801: During his life, Gandhi studied all the major religions – the Bible, The Qu’ran, The Buddhist scriptures and of course the major Indian classics, such as the Bhagavad Gita. In London he also studied Theosophy.
ellauri082.html on line 93: Some people’s moms never taught them to cover up or turn away when they sneeze. Different people have radically different ideas of basic personal hygiene.
ellauri082.html on line 101: The biography by Tyrannosaurus Max paints a less than flattering portrait of Wallace. That’s not to say it’s a vicious takedown—it’s probably about as even-handed as a biography about the author is going to be, and I can imagine books about him in the future being a lot less level-headed in either direction. Basically, DFW was an extremely troubled individual and probably not a very awesome person qua person. He was often misanthropic, violent, cruel (especially to women), and self-absorbed. But what’s great about the biography is how it allows these rather hideous characteristics to disgust as well as inform; knowing the uglier aspects of DFW’s personality is extremely enlightening with regard to his work. It seems to me that the writer was extremely aware of his immense character flaws and sought in his work (his novels and his non-fiction particularly) to overcome them, and in his work he was able to occupy a wholly different realm than he was in his actual life. Well actually not at all that different. The books project a rather nasty person too.
ellauri082.html on line 155: Throughout the first half there are several major passages, basically monologues, from characters such as Schtitt, Hal and Marathe that critique the average American’s lack of objects of worship that are larger and therefore more permanent and perfect (in a sense) than the individual.
ellauri082.html on line 316: She said he lived in a trailer by the river was 36 years old and was a motivational speaker. And was basically just not what you’d call a pleasant or attractive person at all.
ellauri082.html on line 352: In allen Religionen lasse sich eine „Tendenz auf rein innerliche Allgemeingültigkeit, auf Vergeistigung, Verinnerlichung, Versittlichung und Individualisierung und Herausbildung eines immer tieferen Erlösungsglaubens“ beobachten.
ellauri082.html on line 354: Also lässt sich Troeltschs Aufsatz globalgeschichtlich in die Reihe von Reaktionen einordnen, mit denen Vertreter der Weltreligionen Buddhismus, (protestantisches) Christentum, Hinduismus und Islam ab Mitte des 19. Jahrhunderts auf die Herausforderungen des naturwissenschaftlichen Materialismus und der allgemeinen Religionsgeschichte antworten, zumeist indem Religion allgemein über Kriterien der Innerlichkeit und Universalität definiert und die eigene Tradition im Gegenüber zu anderen als vollständige Erfüllung dieser Kriterien dargestellt wird.
ellauri082.html on line 357: Der wissenschaftlichen Pflege des Werkes von Troeltsch widmet sich die Ernst-Troeltsch-Gesellschaft.
ellauri082.html on line 498: The reader who found himself swamped with too much metaphysics in the last chapter will have a still worse time of it in this one, which is exclusively metaphysical. Metaphysics means nothing but an unusually obstinate effort to avoid thinking clearly.
ellauri082.html on line 507: "A motion became a feeling!—no phrase that our lips can frame is so devoid of apprehensible meaning." (Says Spencer - check out this guy.) And some Tyndall guy that everyone knew by heart in late 19th: "the passage from the physics of the brain to the corresponding facts of consciousness is unthinkable." (Nothing to it except fear of death and retribution. Funny but seriously I have never seen anything the matter with it. Your mind is like a little video camera connected to a bunch of neural networks that mill the images around. Whats wrong with this concept is hard for me to see.)
ellauri082.html on line 509: John Tyndall FRS (/ˈtɪndəl/; 2 August 1820 – 4 December 1893) was an Irish physicist. He first noticed the greenhouse effect but went on mountaineering happily in the melting glaciers. He was a member of a club that vocally supported Charles Darwin's theory of evolution and sought to strengthen the barrier, or separation, between religion and science. The most prominent member of this club was the anatomist Thomas Henry Huxley. Others included the social philosopher Herbert Spencer.
ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase.
ellauri088.html on line 86: Gustav Fechner (1801-1887) argued for psychophysical parallelism, according to which the mental and physical worlds run parallel to each other but do not interact. Fechner developed the Weber-Fechner law, according to which the perceived intensity of a stimulus increases arithmetically as a constant multiple of the physical intensity of the stimulus or in other words, changes of physical intensity gallop along at a brisk pace while the corresponding changes of perceived intensity creep along. The Weber and the Weber-Fechner laws were the first laws to provide a mathematical statement of the relationship between the mind and the body. Another significant contribution when S. S. Stevens (1906-1973) demonstrated that psychological intensity grows as an exponential function of physical stimulus intensity, that is, equal stimulus ratios always produce equal sensory ratios although different ratios hold for different sensory modalities. (Siis mitä? Aritmeettisesti vai logaritmisesti?)
ellauri088.html on line 88: Wilhelm Wundt (1832-1920) used Weber and Fechner’s work on the relationship between subjective and physical intensities as a key component in the establishment of psychology as an independent science. Voluntarism, as Wundt’s new psychology became known, focused upon the specific subject matter of immediate conscious experiences of an adult studied by systematic introspection.
ellauri088.html on line 93: Wundt wanted to catalog all possible basic immediate experiences, and form a “periodical table of elements” as chemistry did, through observing consciousness.
ellauri088.html on line 95: basic immediate experience (ex: the experience of “redness” or “discomfort”)
ellauri088.html on line 230: In general, green is what you’d normally call “universal healthcare free at point of service”. Blue denotes “free but not universal”; the US is in a category basically its own, “Not free but universal”, which reflects how Obamacare is a strange hybrid. I’d say what you’re looking for is “the second most developed non-green country on this map”.
ellauri088.html on line 571: George is introduced to work.—Heathenish instincts of tow-lines.—Ungrateful conduct of a double-sculling skiff.—Towers and towed.—A use discovered for lovers.—Strange disappearance of an elderly lady.—Much haste, less speed.—Being towed by girls: exciting sensation.—The missing lock or the haunted river.—Music.—Saved!
ellauri088.html on line 589: After that, I took the tin off myself, and hammered at it with the mast till I was worn out and sick at heart, whereupon Harris took it in hand.
ellauri089.html on line 74: Another Cadet, Girard Burke, is asked to resign. The reader has know for a long time that Burke, who is certainly mentally and physically capable, does not have the right attitude to be a Patrolman. He is, among other things, too skeptical of the ideals for which the Patrol stands. Burke resigns, goes into his father’s business, becomes an ship’s captain immediately, gets himself in venereal trouble on Venus, and has to call on the Patrol to rescue him from his own self-centered and stupid mistakes. Matt, Tex, and Oscar do rescue him and, with that action, prove the worth of the characteristics—perseverance, loyalty, intelligence, idealism, integrity, and courage—that Heinlein champions throughout Space Cadet and the other novels in the series. Vittu mikä nazi.
ellauri089.html on line 114: From Rocket Ship Galileo (1947) to Have Space Suit—Will Travel (1958), Robert A. Heinlein wrote twelve novels, all published by Scribners, that were aimed at what we now call the juvenile market. In Dr. Johnson’s sense of the word, they are classics in their field, they have stood the test of time. They appeared first in hardback—unusual in a field in which, until the 1950s or 1960s, almost all major works were published in magazines or in paperback; and during the 1950s, hardback copies of these novels could be found in school and public libraries all across the country. These novels later appeared in paperback and have remained available in that form to the present. Heinlein’s juvenile novels have been largely ignored by both science fiction critics and critics of children’s literature; but even a half century after they were written, these novels are still “contemporary” and are still among the best science fiction in the range.
ellauri089.html on line 118: Heinlein state that the purpose of metaphysics is to ask questions: "Why are we here?" "Where are we going after we die?" (and so on); but that you are not allowed to answer the questions.
ellauri089.html on line 159: For average readers, Heinlein tells a good story; for better readers, Heinlein has challenges; and for the best readers, there is a kind of shared inside knowledge, a delight the reader feels when Heinlein makes a passing reference to Schiaperelli (sic) and the reader knows, without Heinlein’s ever explaining, who Schiaperelli was.
ellauri089.html on line 389: Chapter IV: Metaphysical Ethics
ellauri089.html on line 439: § 18. The investigation of intrinsic values is complicated by the fact that the value of a whole may be different from the sum of the value of its parts, …
ellauri089.html on line 455: § 25. Such theories may be divided into two groups (1) Metaphysical, (2) Naturalistic; and the second group may be subdivided into two others, (a) theories which declare some natural object, other than pleasure, to be sole good, (b) Hedonism. This present chapter will deal with (a). …
ellauri089.html on line 539:
Chapter IV: Metaphysical Ethics
ellauri089.html on line 542: § 66. The term "metaphysical" is defined as having reference primarily to any object of knowledge which is not a part of Nature—does not exist in time, as an object of perception; but since metaphysicians, not content with pointing out the truth about such entities, have always supposed that what does not exist in Nature, must, at least, exist, the term also has reference to a supposed "supersensible reality": …
ellauri089.html on line 544: § 67. and by "metaphysical Ethics" I mean those systems which maintain or imply that the answer to the question "What is good?" logically depends upon the answer to the question "What is the nature of supersensible reality?" All such systems obviously involve the same fallacy—the "naturalistic fallacy"—by the use of which Naturalism was also defined. …
ellauri089.html on line 546: § 68. Metaphysics, as dealing with a "supersensible reality" may have a bearing upon practical Ethics (1) if its supersensible reality is conceived as something future, which our actions can affect; and (2) since it will prove that every proposition of practical Ethics is false, if it can shew that an eternal reality is either the only real thing or the only good thing. Most metaphysical writers, believing in a reality of the latter kind, do thus imply the complete falsehood of every practical proposition, although they fail to see that their Metaphysics thus contradicts their Ethics. …
ellauri089.html on line 548: § 69. But the theory, by which I have defined Metaphysical Ethics, is not that Metaphysics has a logical bearing upon the question involved in practical Ethics "What effects will my action produce?", but that it has such a bearing upon the fundamental ethical question, "What is good in itself?" This theory has been refuted by the proof, in Chap. I, that the naturalistic fallacy is a fallacy; it only remains to discuss certain confusions which seem to have lent it plausibility. …
ellauri089.html on line 552: § 71. and another seems to lie in the failure to distinguish between that which suggests a truth, or is a cause of our knowing it, and that upon which it logically depends, or which is a reason for believing it: in the former sense fiction has a more important bearing on Ethics than Metaphysics can have. …
ellauri089.html on line 564: § 77. This latter confusion is one of the sources of the prevalent modern doctrine that "being good" is identical with "being willed"; but the prevalence of this doctrine seems to be chiefly due to other causes. I shall try to shew with regard to it (1) what are the chief errors which seem to have led to its adoption; and (2) that, apart from it, the Metaphysics of Volition can hardly have the smallest logical bearing upon Ethics. …
ellauri089.html on line 566: § 78. (1) It has been commonly held, since Kant, that "goodness" has the same relation to Will or Feeling, which "truth" or "reality" has to Cognition: that the proper method for Ethics is to discover what is implied in Will or Feeling, just as, according to Kant, the proper method for Metaphysics was to discover what is implied in Cognition. …
ellauri089.html on line 576: § 83. (2) If "being good" and "being willed" are not identical then the latter could only be a criterion of the former; and, in order to shew that it was so, we should have to establish independently that many things were good—that is to say, we should have to establish most of our ethical conclusions before the Metaphysics of Volition could possibly give us the smallest assistance. …
ellauri089.html on line 578: § 84. The fact that the metaphysical writers who, like Green, attempt to base Ethics on Volition, do not even attempt this independent investigation, shows that they start from the false assumption that goodness is identical with being willed, and hence that their ethical reasonings have no value whatsoever. …
ellauri089.html on line 625: § 105. and, if we consider the intrinsic value of each exercise, it will appear (1) that, in most cases, it has no value, and (2) that even the cases, where it has some value, are far from constituting the sole good. The truth of the latter proposition is generally inconsistently implied, even by those who deny it; …
ellauri089.html on line 627: § 106. but in order fairly to decide upon the intrinsic value of virtue, we must distinguish three different kinds of disposition, each of which is commonly so called and has been maintained to be the only kind deserving the name. Thus (a) the mere unconscious "habit" of performing duties, which is the commonest type, has no intrinsic value whatsoever; Christian moralists are right in implying that mere "external rightness" has no intrinsic value, though they are wrong in saying that it is therefore not "virtuous", since this implies that it has no value as a means. …
ellauri089.html on line 629: § 107. (b) where virtue consists in a disposition to have, and be moved by, a sentiment of love towards really good consequences of an action and of hatred towards really evil ones, it has some intrinsic value, but its value may vary greatly in degree. …
ellauri089.html on line 631: § 108. finally (c) where virtue consists in "conscientiousness", i.e., the disposition not to act, in certain cases, until we believe or feel that our action is right, it seems to have some intrinsic value: the value of this feeling has been peculiarly emphasized by Christian Ethics, but it certainly is not, as Kant would lead us to think, either the sole thing of value, or always good even as a means. …
ellauri089.html on line 660: § 120. We thus get a third essential constituent of many great goods; and in this way we are able to justify (1) the attribution of value to knowledge, over and above its value as a means, and (2) the intrinsic superiority of the proper appreciation of a real object over the appreciation of an equally valuable object of mere imagination: emotions directed towards real objects may thus, even if the object be inferior, claim equality with the highest imaginative pleasures. …
ellauri089.html on line 674: § 127. and (3) the consciousness of intense pain: this appears to be the only thing, either greatly good or greatly evil, which does not involve both a cognition and an emotion directed towards its object; and hence it is not analogous to pleasure in respect of its intrinsic value, while it also seems not to add to the vileness of the whole, as a whole, in which it is combined with another bad thing, whereas pleasure does add to the goodness of a whole, in which it is combined with another good thing; …
ellauri089.html on line 680: § 130. (1) That the mere combination of two or more evils is never positively good on the whole, although it may certainly have great intrinsic value as a whole; …
ellauri089.html on line 682: § 131. but (2) That a whole which includes a cognition of something evil or ugly may yet be a great positive good on the whole: most virtues, which have any intrinsic value whatever, seem to be of this kind, e.g. (a) courage and compassion, and (b) moral goodness; all these are instances of the hatred or contempt of what is evil or ugly; …
ellauri090.html on line 283: Noutro parágrafo, diz: "Tu pertences ao pequeno número de mulheres que ainda sabem amar, sentir e pensar." De fato, Carolina era extremamente culta. Apresentou a Machado os grandes clássicos portugueses e diversos autores da língua inglesa.
ellauri090.html on line 306: Os romances machadianos tratam frequentemente da escravidão sob o ponto de vista cínico do senhor de escravos, sempre criticando-o de forma oblíqua. Sobre a escravidão, Machado de Assis já havia tido uma experiência familiar, quer por seus avós paternos terem sido escravos, quer porque lia os jornais com anúncios de escravos fugitivos. Em seu tempo, a literatura que denunciava crenças etnocêntricas que posicionavam os negros no último grau da escala social era distorcida ou tolhida, de modo que este tema encontra uma grande expressividade na obra do autor.
ellauri090.html on line 308: A começar, as Memórias Póstumas de Brás Cubas narra o que seria uma das páginas de ficção mais perturbadoras já escritas sobre a psicologia do escravismo: o negro liberto compra seu próprio escravo para tirar sua desforra. (Kosto)
ellauri090.html on line 325: Os acadêmicos notam cinco fundamentais enquadramentos em seus textos: "elementos clássicos" (equilíbrio, concisão, contenção lírica e expressional), "resíduos românticos" (narrativas convencionais ao enredo), "aproximações realistas" (atitude crítica, objetividade, temas contemporâneos), "procedimentos impressionistas" (recriação do passado através da memória), e "antecipações modernas" (o elíptico e o alusivo engajados à um tema que permite diversas leituras e interpretações).
ellauri092.html on line 255: There has been a resurgence of Reformed theology among Baptists recently, with some major Baptist seminaries teaching a more classic and robust Reformed theology. There are also many Reformed Baptist churches which would enthusiastically subscribe to Calvinism.
ellauri093.html on line 34: Tu dixisti quod michi bene faceres et dilatares semen meum sicut stellas coeli.
ellauri093.html on line 184: Lord Moran, Winston Churchill's personal physician, wrote in his diaries that "[Wingate] seemed to me hardly sane – in medical jargon a borderline case." Likewise, referring to Churchill's meeting with Wingate in Quebec, Max Hastings wrote that, "Wingate proved a short-lived protégé: closer acquaintance caused Churchill to realise that he was too mad for high command."
ellauri093.html on line 197: Their support text is from 1 Corinthians 15:33, "Do not be deceived: evil communications corrupt good table manners." Among other distinctions, the Gospel Halls would generally not use musical instruments in their services, whereas many Chapels use them and may have singing groups, choirs, "worship teams" of musicians, etc. The Gospel Halls tend to be more conservative in dress; women do not wear trousers in meetings and always have their heads covered, while in most Chapels women may wear whatever they wish, including nothing, though modesty in dress serves as a guideline, and many may continue the Orde Wingate tradition of wearing a shower cap for head covering if nothing else. Open Brethren churches are all independent, self-governing, local congregations with no central headquarters, although there are a number of seminaries, missions agencies, and publications that are widely supported by Brethren churches and which help to maintain a high degree of communication among them.
ellauri093.html on line 256: Neglect: Failing to provide the basic necessities of life, either intentionally or unintentionally.
ellauri093.html on line 260: Physical abuse: Inflicting pain or injury by hitting, slapping, pushing or using restraints.
ellauri093.html on line 274: There are many schools of thought on why elder abuse occurs. Open and Closed brezels disagree. It is the wages of sin ok, but who sins and who pays is controversial. The wages may be financial, physical, social, sexual etc.
ellauri094.html on line 184: Algolagnia (/ælɡəˈlæɡniə/; from Greek: ἄλγος, álgos, "pain", and Greek: λαγνεία, lagneía, "lust") is a sexual tendency which is defined by deriving sexual pleasure and stimulation from physical pain, often involving an erogenous zone. Studies conducted indicate differences in how the brains of those with algolagnia interpret nerve input.
ellauri094.html on line 654: The body of Algernon Charles Swinburne’s poetry is so vast and varied that it is difficult to generalize about it. Swinburne wrote poetry for more than sixty years, and in that time he treated an enormous variety of subjects and employed many poetic forms and meters. He wrote English and Italian sonnets, elegies, odes, lyrics, dramatic monologues, ballads, and romances; and he experimented with the rondeau, the ballade, and the sestina. Much of this poetry is marked by a strong lyricism and a self-conscious, formal use of such rhetorical devices as alliteration, assonance, repetition, personification, and synecdoche. Swinburne’s brilliant self-parody, “Nephilidia,” hardly exaggerates the excessive rhetoric of some of his earlier poems. The early A Song of Italy would have more effectively conveyed its extreme republican sentiments had it been more restrained. As it is, content is too often lost in verbiage, leading a reviewer for The Athenaeum to remark that “hardly any literary bantling has been shrouded in a thicker veil of indefinite phrases.” A favorite technique of Swinburne is to reiterate a poem’s theme in a profusion of changing images until a clear line of development is lost. “The Triumph of Time” is an example. Here the stanzas can be rearranged without loss of effect. This poem does not so much develop as accrete. Clearly a large part of its greatness rests in its music. As much as any other poet, Swinburne needs to be read aloud. The diffuse lyricism of Swinburne is the opposite of the closely knit structures of John Donne and is akin to the poetry of Walt Whitman.
ellauri094.html on line 762: So just as we learn music, we cannot become better without practice and experience of music on our instrument of choice (mine is the Jewish Harp, quite popular by the rivers of Babylon). Your confession that you found prayer to be irrelevant is the same as a man banging a child on a piano and then giving up because all the banging just produced noise. You need to be taught how to pray by someone who knows how and then you need to practice, practice, practice for the rest of your life. And still you don't get a hole in one every time, I don't. Although I was trained to pray by various Catholic priests who pray for a living. Prayer professionals who get paid for it. No fucking amateurs like you. By now I find the hole usually quite easily, and can get it in after a few putts with a little help from my priestly friend.
ellauri094.html on line 809: The bible is a fallible human’s interpretation of God/history/etc. Christians who claim it to be infallible seem to crave something in religion that doesn’t exist in mainstream Christianity: authority. Seems to me, they lack something or someone authoritative like the Catholic Pope or the Mormon Prophet who claims to be God’s spokesman. Since mainstream Christianity lacks an authoritative claim, they nonsensically claim “the word of God” to be their powerful lightning rod.
ellauri095.html on line 109: The term also gained currency among a group that studied Classics and dabbled in pederastic poetry from the 1870s to the 1930s. The writings of this group are now known by the phrase Uranian poetry. The art of Henry Scott Tuke and Wilhelm von Gloeden is also sometimes referred to as Uranian.
ellauri095.html on line 115: His father founded a marine insurance firm and at one time served as Hawaiian consul-general in London. He was also for a time churchwarden at St John-at-Hampstead. His grandfather was the physician John Simm Smith, a university colleague of John Keats, and close friend of the eccentric philanthropist Ann Thwaytes. One of his uncles was Charles Gordon Hopkins, a politician of the Hawaiian Kingdom.
ellauri095.html on line 117: As a poet, Hopkins's father published works including A Philosopher's Stone and Other Poems (1843), Pietas Metrica (1849), and Spicelegium Poeticum, A Gathering of Verses by Manley Hopkins (1892). He reviewed poetry for The Times and wrote one novel. Catherine (Smith) Hopkins was the daughter of a London physician, particularly fond of music and of reading, especially German philosophy, literature and the novels of Dickens. Both parents were deeply religious high-church Anglicans. Catherine's sister, Maria Smith Giberne, taught her nephew Gerard to sketch. The interest was supported by his uncle, Edward Smith, his great-uncle Richard James Lane, a professional artist, and other family members.
ellauri095.html on line 123: Hopkins became a skilled draughtsman. He found his early training in visual art supported his later work as a poet. His siblings were much inspired by language, religion and the creative arts. Milicent (1849–1946) joined an Anglican sisterhood in 1878. Kate (1856–1933) would help Hopkins publish the first edition of his poetry. Hopkins's youngest sister Grace (1857–1945) set many of his poems to music. Lionel (1854–1952) became a world-famous expert on archaic and colloquial Chinese. Arthur (1848–1930) and Everard (1860–1928) were highly successful artists. Cyril (1846–1932) would join his father's insurance firm.
ellauri095.html on line 129: Hopkins studied classics at Balliol College, Oxford (1863–1867). He began his time in Oxford as a keen socialite and prolific poet, but seems to have alarmed himself with resulting changes in his behaviour. There he forged a lifelong friendship with Robert Bridges (later Poet Laureate of the United Kingdom), which would be important to his development as a poet and in establishing his posthumous acclaim.
ellauri095.html on line 137: In life and poetry he was serious and playful – even whimsical. Spiritually, despite an early scrupulosity which he never fully lost, he followed the Jesuit way of finding God in all things, and rejoiced in “God in the world”: “The world is charged wíth the grándeur of God.” He was very, very bright, with an extensive knowledge of words and languages — he knew so many words ! His intellectual hero was the medieval philosopher Duns Scotus, whose philosophy of selfhood he held dear. Hopkins himself had a strong sense of self, appreciated his own individuality, and was immensely self-confident.
ellauri095.html on line 180: It is essential to note that the life expectancy of any population is a descriptive and not a prescriptive mesaure. Death is a product of the way a person lives and what physical and environmental hazards he or she faces everyday. It cannot be attributed solely to their sexual orientation or any other ethnic or social factor. If estimates of an individual gay and bisexual man´s risk of death is truly needed for "legal or other" purposes, then people making these estimates should use the same actuarial tables that are used for all other males in that population. Gay and bisexual men are included in the construction of official population-based tables and therefore these tables for all males are the appropriate ones to be used. (LOL sorry boys, the cat is out of the bag, there is no way to get it to go back in.)
ellauri095.html on line 182: The language of Hopkins´s poems is often striking. His imagery can be simple, as in Heaven-Haven, where the comparison is between a nun entering a convent and a ship entering a harbour out of a storm. It can be splendidly metaphysical and intricate, as it is in As Kingfishers Catch Fire, where he leaps from one image to another to show how each thing expresses its own uniqueness, and how divinity reflects itself through all of them.
ellauri095.html on line 203: The suggestion of metaphysical significance is obvious in an 1874 note by Hopkins on waves: “The laps of running foam striking the sea-wall double on themselves and return in nearly the same order and shape in which they came. This is mechanical reflection and is the same as optical: indeed all nature is mechanical, but then it is not seen that mechanics contain that which is beyond mechanics.”
ellauri095.html on line 244: He continued to write a detailed prose journal in 1868–1875. Unable to suppress a desire to describe the natural world, he also wrote music, sketched, and for church occasions, wrote "verses", as he called them. He later wrote sermons and other religious pieces.
ellauri095.html on line 246: In 1874 Hopkins returned to Manresa House to teach classics. While studying in the Jesuit house of theological studies, St Beuno´s College, near St Asap in North Wales, he was asked by his religious superior to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he took up poetry once more to write a lengthy piece, "The Wreck of the Deutschland", inspired by the Deutschland incident, a maritime disaster in which 157 people died, including five Franciscan nuns who had been leaving Germany due to harsh anti-Catholic laws (see Kulturkampf). The work displays both the religious concerns and some of the unusual metre and rhythms of his subsequent poetry not present in his few remaining early works. It not only depicts the dramatic events and heroic deeds, but tells of him reconciling the terrible events with God´s higher purpose. The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry, most of which remained unpublished until after his death.
ellauri095.html on line 533: His religious consciousness increased dramatically when he entered Oxford, the city of spires. From April of 1863, when he first arrived with some of his journals, drawings, and early Keatsian poems in hand, until June of 1867 when he graduated, Hopkins felt the charm of Oxford, “steeped in sentiment as she lies,” as Matthew Arnold had said, “spreading her gardens to the moonlight and whispering from her towers the last enchantments of the Middle Ages.” Here he became more fully aware of the religious implications of the medievalism of Ruskin, Dixon, and the Pre-Raphaelites. Inspired also by Christina Rossetti, the Catholic doctrine of the Real Presence of God in the Eucharist, and by the Victorian preoccupation with the fifteenth-century Italian religious reformer Girolamo Savonarola, he soon embraced Ruskin’s definition of “Medievalism” as a “confession of Christ” opposed to both “Classicalism” (“Pagan Faith”) and “Modernism” (the “denial of Christ”).
ellauri096.html on line 59: Predictive determinism states that everything is foreseeable. Metaphysical determinism states that there is only one way the future could be given the way the past is. Simon Laplace used metaphysical determinism as a premise for predictive determinism. He reasoned that since every event has a cause, a complete description of any stage of history combined with the laws of nature implies what happens at any other stage of the universe. Scriven was only challenging predictive determinism in his thought experiment. The next approach challenges metaphysical determinism.
ellauri096.html on line 90: W. V. Quine (1953) agrees with Weiss’ conclusion that the teacher’s announcement of a surprise test fails to give the student knowledge that there will be a surprise test. Yet Quine abominates Weiss’ reasoning. Weiss breeches the law of bivalence (which states that every proposition has a truth-value, true or false). Quine believes that the riddle of the surprise test should not be answered by surrendering classical logic. Me too. Right on Willard van Orman Quine! Thumbs up!
ellauri096.html on line 92: W. V. Quine insists that the student’s elimination argument is only a reductio ad absurdum of the supposition that the student knows that the announcement is true (rather than a reductio of the announcement itself). He accepts this epistemic reductio but rejects the metaphysical reductio. Given the student’s ignorance of the announcement, Quine concludes that a test on any day would be unforeseen.
ellauri096.html on line 122: Despite the early start of the qualitative theory of probability, the quantitative theory did not develop until Blaise Pascal’s study of gambling in the seventeenth century (Hacking 1975). Only in the eighteenth century did it penetrate the insurance industry (even though insurers realized that a fortune could be made by accurately calculating risk). Only in the nineteenth century did probability make a mark in physics. And only in the twentieth century do probabilists make important advances over Arcesilaus.
ellauri096.html on line 144: The resemblance between the preface paradox and the surprise test paradox becomes more visible through an intermediate case. The preface of Siddhartha Mukherjee’s The Emperor of All Maladies: A Biography of Cancer warns: “In cases where there was no prior public knowledge, or when interviewees requested privacy, I have used a false name, and deliberately confounded identities to make it difficult to track.” Those who refuse consent to be lied to are free to close Doctor Mukherjee’s chronicle. But nearly all readers think the physician’s trade-off between lies and new information is acceptable. They rationally anticipate being rationally misled. Nevertheless, these readers learn much about the history of cancer. Similarly, students who are warned that they will receive a surprise test rationally expect to be rationally misled about the day of the test. The prospect of being misled does not lead them to drop the course.
ellauri096.html on line 317: Zum Leben Augustins ist wenig gesichert. Augustin soll sehr beliebt gewesen sein, weil er mit seinen zotigen Liedern vor allem während der Pest in Wien im Jahr 1679 die Bevölkerung der Stadt aufheiterte, weshalb er im Volksmund nur als „Lieber Augustin“ bekannt war.
ellauri096.html on line 321: Der Legende nach war der 36-jährige Augustin 1679 während der Pestepidemie wieder einmal betrunken und schlief irgendwo in der Gosse seinen Rausch aus. Siech-Knechte, die damals die Opfer der Epidemie einsammeln mussten, fanden ihn, hielten ihn für tot und brachten die Schnapsleiche zusammen mit den Pestleichen auf ihrem Sammelkarren vor die Stadtmauer. Dort warfen sie ihre ganze Ladung in ein offenes Massengrab. Diese Pestgrube soll sich in der Nähe der Kirche St. Ulrich am Neubau (heutiger siebter Wiener Gemeindebezirk) befunden haben, gleich neben dem Platz, an dem heute der Augustinbrunnen steht. Wie in der damaligen Situation üblich, wurde das Grab nicht sofort geschlossen, sondern provisorisch mit Kalk abgedeckt, um später weitere Pestopfer aufzunehmen. Am folgenden Tag habe Augustin inmitten der Leichen so lange krakeelt und auf seinem Dudelsack gespielt, bis Retter ihn aus der Grube zogen.
ellauri096.html on line 593: Maldoror is a modular (sic) work primarily divided into six parts, or cantos; these parts are further subdivided into a total of sixty chapters, or verses. Parts one through six consist of fourteen, sixteen, five, eight, seven and ten chapters, respectively. With some exceptions, most chapters consist of a single, lengthy paragraph.[b] The text often employs very long, unconventional and confusing sentences which, together with the dearth of paragraph breaks, may suggest a stream of consciousness, or automatic writing. Over the course of the narrative, there is often a first-person narrator, although some areas of the work instead employ a third-person narrative. The book's central character is Maldoror, a figure of evil who is sometimes directly involved in a chapter's events, or else revealed to be watching at a distance. Depending on the context of narrative voice in a given place, the first-person narrator may be taken to be Maldoror himself, or sometimes not. The confusion between narrator and character may also suggest an unreliable narrator.
ellauri096.html on line 808: The term seriation [mise en série] was proposed for use in semiotics by Jean Molino and derived from classical philology. Seriation "invokes the idea that any investigator, in order to assign some plausible meaning to a given phenomenon, must interpret it within a series of comparable phenomena." One cannot interpret what philology calls a hapax; that is, an isolated phenomenon. Art historian Erwin Panofsky has explained the situation in very clear terms:
ellauri097.html on line 126: Mencken defended the evolutionary views of Charles Darwin, but spoke unfavorably of many prominent physicists and had little regard for pure mathematics. Regarding theoretical physics, he said to longtime editor Charles Angoff, "Imagine measuring infinity! That´s a laugh." Ei se osannut kuin neljä laskutapaa, nekin sinnepäin.
ellauri097.html on line 147: Mencken countered the arguments for Anglo-Saxon superiority prevalent in his time in a 1923 essay entitled "The Anglo-Saxon," which argued that if there was such a thing as a pure "Anglo-Saxon" race, it was defined by its inferiority and cowardice. "The normal American of the 'pure-blooded' majority goes to rest every night with an uneasy feeling that there is a burglar under the bed and he gets up every morning with a sickening fear that his underwear has been stolen."
ellauri097.html on line 149: Mencken repeatedly identified mathematics with metaphysics and theology. According to Mencken, mathematics is necessarily infected with metaphysics because of the tendency of many mathematical people to engage in metaphysical speculation. In a review of Alfred North Whitehead's The Aims of Education, Mencken remarked that, while he agreed with Whitehead's thesis and admired his writing style, "now and then he falls into mathematical jargon and pollutes his discourse with equations," and "[t]here are moments when he seems to be following some of his mathematical colleagues into the gaudy metaphysics which now entertains them."[50] For Mencken, theology is characterized by the fact that it uses correct reasoning from false premises. Mencken also uses the term "theology" more generally, to refer to the use of logic in science or any other field of knowledge. In a review for both Arthur Eddington's The Nature of the Physical World and Joseph Needham's Man a Machine, Mencken ridiculed the use of reasoning to establish any fact in science, because theologians happen to be masters of "logic" and yet are mental defectives:
ellauri097.html on line 153: Instead of mathematical "speculation" (such as quantum theory), Mencken believed physicists should just directly look at individual facts in the laboratory like chemists:
ellauri097.html on line 159: In the same article which he later re-printed in the Mencken Chrestomathy, Mencken primarily contrasts what real scientists do, which is to simply directly look at the existence of "shapes and forces" confronting them instead of (such as in statistics) attempting to speculate and use mathematical models. Physicists and especially astronomers are consequently not real scientists, because when looking at shapes or forces, they do not simply "patiently wait for further light," but resort to mathematical theory. There is no need for statistics in scientific physics, since one should simply look at the facts while statistics attempts to construct mathematical models. On the other hand, the really competent physicists do not bother with the "theology" or reasoning of mathematical theories (such as in quantum mechanics):
ellauri097.html on line 161: [Physicists] have, in late years, made a great deal of progress, though it has been accompanied by a considerable quackery. Some of the notions which they now try to foist upon the world, especially in the astronomical realm and about the atom, are obviously nonsensical, and will soon go the way of all unsupported speculations. But there is nothing intrinsically insoluble about the problems they mainly struggle with, and soon or late really competent physicists will arise to solve them. These really competent physicists, I predict, will be too busy in their laboratories to give any time to either metaphysics or theology. Both are eternal enemies of every variety of sound thinking, and no man can traffic with them without losing something of his good judgment.
ellauri097.html on line 165: It is a well known fact that physicists are greatly given to the supernatural. Why this should be I don't know, but the fact is plain. One of the most absurd of all spiritualists is Sir Oliver Lodge. I have the suspicion that the cause may be that physics itself, as currently practised, is largely moonshine. Certainly there is a great deal of highly dubious stuff in the work of such men as Eddington.
ellauri097.html on line 296: He became a literary icon, but White knew that people rarely actually read his work. He professed not to care what people thought, but he would sometimes check for copies of his novels in local libraries. He would search for dog-ears and stains, to gauge how far in the book they had read. Most people, he deduced, never finished. The Australian reading public never quite warmed to White, and nothing much has changed. My grandmother “couldn’t stand him.” I have seen my mother take up one of his novels—The Solid Mandala—and after a few moments quite literally toss it aside. White’s books are metaphysical, lyrical, high modernist, full of baroque descriptions of landscapes, and unsparing in his examination of the people who live in them. For a country besotted with kitchen-sink realism and plain-speaking larrikins, Patrick White was baffling.
ellauri097.html on line 298: In 2006, the Weekend Australian newspaper conducted an experiment. They submitted chapter three of The Eye of the Storm (1973) to twelve publishers and agents around Australia under an anagram of White’s name, Wraith Picket. Nobody offered to publish the book. One responded, “the sample chapter, while reply (sic) with energy and feeling, does not give evidence that the work is yet of a publishable quality.” Notwithstanding that the chapter was not White’s finest writing, and the unfairness of submitting a chapter out of narrative sequence, the hoax prompted a minor crisis in Australian literature: if the industry couldn’t recognize the greatness of our sole Nobel winner, how unenlightened must the country’s publishing industry be now? Shortly thereafter, the ABC launched an online portal called Why Bother With Patrick White? The portal always struck me as sad. What other major writer would need a website dedicated to convincing his countrymen to give him another go? The link to the website is dead now. It would seem, in the end, that nobody could be bothered with Patrick White.
ellauri097.html on line 356: Sie wollte sich ihn wiederholen Se tahtoi hakea sen takaisin
ellauri097.html on line 396: Kant war Junggeselle, und es ist nichts überliefert von intimen Kontakten mit Frauen oder von ernsthaft betriebenen Kontakt- oder Heiratsabsichten. Kant wird von J. D. Metzger, einem frühen Kant-Biographen (1804), als "misogyn" bezeichnet, also als "frauenhassend". "Misogyn" kann auch einfach nur bedeuten "mochte nicht heiraten", vielleicht kann sich damals unter dem Terminus aber auch die Bedeutung "schwul" versteckt haben. Nicht undenkbar in einer Zeit, da man solche Neigungen auf keinen Fall öffentlich machen durfte.
ellauri097.html on line 397: Trotz der attestierten "Misogynie", konnte Kant ausgesprochen charmant gegenüber Frauen sein. Erwähnt sei nur die kluge und schöne Gräfin Caroline Charlotte Amalie von Keyserlingk, die Kant sehr schätzte und die ihn bei Gesellschaften im Hause Keyserlingk meist neben sich platzierte. Kant nannte sie "eine Zierde ihres Geschlechts".
ellauri097.html on line 399: Nennenswert ist auch ein Brief von Maria Charlotte Jacobi an Kant vom Sommer 1762. In neckischem Ton schreibt sie, sie und ihre Freundin hätten den Magister nicht - wie erwartet - im Garten gefunden. Sie beschäftige sich jetzt gerade mit dem Verfertigen eines Degenbandes für ihn und erwarte ihn für "morgen Nachmittag". Der Brief endet mit dem Satz: "Meine Freundin und ich überschicken Ihnen einen Kuss ..."
ellauri097.html on line 402: Der jüngere Kant hatte eine überdurchschnittliche Freude daran, sich auffallend und schick zu kleiden. Deshalb wurde er "eleganter Magister" genannt. In der Zeit bis 1765 trug er häufig einen (hell)braunen Rock - sehr unüblich unter Magistern - und die dazu passende gelbe Weste. Er ließ auch die Röcke mit Goldschnur einfassen und trug, solange es modern war, einen Degen. Ein dänischer Besucher bescheinigte 1791 noch dem älteren Kant eine "etwas übertriebene Galanterie im Anzuge". Noch im höchsten Alter sagte Kant, er wolle keine schwarzen Strümpfe tragen, weil die Farbe schwarz seine dünnen Waden noch dünner erscheinen lasse.
ellauri097.html on line 408: Während Kant mit Green erst ab seinem fünften Lebensjahrzehnt eng befreundet war - seit er mit der Konzeption seiner ersten "Kritik" begann -, gab es vorher andere enge Freunde. Einer war Christian Jacob Kraus. 29 Jahre jünger als Kant, wurde er 1780 sein Kollege. Auch er war und blieb Junggeselle. Als Kant 1787 ein eigenes Haus kaufte und regelmäßig Honoratioren zu seinem Mittagstisch einlud, war Kraus dabei - und zwar nicht nur als einer der Gäste, sondern als Gesellschafter, das heißt, als Gastgeber, der sich auch die Kosten der Mahlzeit mit Kant teilte. Außerdem blieb Kraus nach dem Mittagessen oft bis sieben oder acht Uhr abends bei Kant - länger als alle anderen Tischgäste. Für die Königsberger Straßenpassanten bildeten die beiden schon bald ein originelles "Pärchen", zumal sie sich äußerlich sehr ähnelten - beide waren sehr klein. Die Nähe zwischen beiden muss groß gewesen sein, denn Kant schenkte Kraus 1787 einen Brillantring.
ellauri097.html on line 410: Jedoch währte das derart gute Verhältnis nicht lange. Kant nötigte Kraus dazu, eine kritische Rezension von Herders Ideen zur Philosophie der Geschichte der Menschheit zu verfassen. Kraus quälte sich damit sehr, da Kant ihn in eine bestimmte Richtung - die nicht ganz die seine war - zu drängen suchte. Die Rezension wurde zwar fertig gestellt, Kant änderte sie aber vor dem Druck nochmals in seinem Sinne. Dies kränkte Kraus sehr. So meldete er sich schließlich für die Mittagsgesellschaften bei Kant ab. Das geschah ziemlich brüsk. Er suchte weder das Gespräch mit Kant noch schrieb er ihm, sondern teilte seinen Entschluss lediglich Kants Diener Martin Lampe mündlich mit.
ellauri097.html on line 412: Merkwürdig ist auch das Verhältnis Kants zu Theodor Gottlieb Hippel (1741-1796). Er hatte schon als Student beim jungen Privatdozenten Kant gelernt und gehörte viel später zum engeren Kreis der Tischgenossen. Hippel war ein eigenwilliger Mann und führte ein Doppelleben. Der kluge politische Beamte und biedere Zeitgenosse einerseits - der produktive Schriftsteller und sexbegierige (übrigens unverheiratete) Mann andererseits. Man hat vermutet, dass Kant in Wahrheit der Autor von Hippels (anonym veröffentlichtem) Buch Lebensläufe gewesen sei, welches viele Intimitäten mehrerer Königsberger Honoratioren ausplauderte. Mindestens habe er - so wurde gemutmaßt - einen Teil davon geschrieben, denn vieles darin hört sich wie von Kant an. Der Meister hat aber in einer "Erklärung wegen der von Hippelschen Autorschaft" die These vom eigenen Beteiligtsein zurückgewiesen.
ellauri097.html on line 420: Kant held that all rational persons have an a priori understanding of the basic principles of morality. These consist of duties, both to oneself and to others, and above all the duty to respect rational agents. Most persons, however, do not understand that morality is a priori, and their moral commitments are therefore vulnerable to corrosive skeptical criticism. In The Metaphysics of Morals Kant formulates the ultimate standard for moral judgment, namely universalizability, and establishes the rational necessity of morality.
ellauri097.html on line 821: sicalpoets.org/wp-content/uploads/2012/08/robert-frost.jpg" height="200px" />
ellauri098.html on line 58: What's your malfunction? A flawed character is more interesting than a flawless character. Ergo, a cast of characters with flaws is more interesting exponentially. An easy way to crank up drama is to supply everyone with a tragic past, a messed up family history, other significant issues (physical, psychological, etc.) or some combination of the three. When Dysfunction Junction comes into play, good parents can be as common as penguins in the Sahara, instead turning out to be neglectful, smothering/overprotective, unfeeling, abusive, misguided, or dead. And let's not even get into the rest of the family.
ellauri098.html on line 175: According to Propp, based on his analysis of 100 folktales from the corpus of Alexander Fyodorovich Afanasyev, there were 31 basic structural elements (or 'functions') that typically occurred within Russian fairy tales. He identified these 31 functions as typical of all fairy tales, or wonder tales [skazka] in Russian folklore. These functions occurred in a specific, ascending order (1-31, although not inclusive of all functions within any tale) within each story. This type of structural analysis of folklore is referred to as "syntagmatic". This focus on the events of a story and the order in which they occur is in contrast to another form of analysis, the "paradigmatic" which is more typical of Lévi-Strauss's structuralist theory of mythology. Lévi-Strauss sought to uncover a narrative's underlying pattern, regardless of the linear, superficial syntagm, and his structure is usually rendered as a binary oppositional structure. For paradigmatic analysis, the syntagm, or the linear structural arrangement of narratives is irrelevant to their underlying meaning.
ellauri098.html on line 177: TV Tropes is a wiki that collects and documents descriptions and examples of plot conventions and devices, more commonly known as tropes, within many creative works. Since its establishment in 2004, the site has shifted focus from covering only television and film tropes to those in other types of media such as literature, comics, anime, manga, video games, music, advertisements, and toys, and their associated fandoms, as well as some non-media subjects such as history, geography, and politics.
ellauri098.html on line 308: Many tropes originated in literary works. Literature being nearly as old as writing itself, most of The Oldest Ones in the Book date to the classics, most Public Domain Characters appeared in print well before the first TV broadcasts, and even today, with the supposedly dwindling popularity of books in favor of more modern medianote , there are books with enough cultural impact to spawn TV Tropes.
ellauri098.html on line 564: ISFPs are creative and imaginative, with well-developed aesthetic senses. They are naturally suited for work in music, art, design, or other areas where an eye for beauty is important. They love to explore ideas and experiment with different styles, and constantly seek out new experiences, making them spontaneous and unpredictable. This, however, can lead to a lack of focus. ISFPs also tend to have fragile egos and react badly to criticism — however well-intentioned, it is difficult for them to not take it personally. Like all introverted types, they need time on their own to think and recharge, but they still love to share their latest innovations with others.
ellauri099.html on line 44: The remains of Oscar Wilde lie in Père Lachaise Cemetery in Paris. His sleek, modern tomb, designed by the British sculptor Jacob Epstein and commissioned by Wilde’s lover and executor, John Robert "Haj" Ross, is one of the most frequently visited and recognizable graves in a cemetery notable for the many famous writers, artists, and musicians buried there (Balzac, Chopin, Proust, Gertrude Stein, Jim Morrison). The surface of Epstein’s massive monolith is covered with hundreds of lipstick kisses, some ancient and faded, others new and vibrant. (“The madness of kissing” is what Wilde said Lord Alfred Douglas’s “red-roseleaf lips” were made for.)...
ellauri099.html on line 71: Dulness and dirt are the chief features of Lippincott’s this month: The element that is unclean, though undeniably amusing, is furnished by Mr. Oscar Wilde’s story of The Picture of Dorian Gray. It is a tale spawned from the leprous literature of the French decadents—a poisonous book, the atmosphere of which is heavy with the mephitic odours of moral and spiritual putrefaction—a gloating study of the mental and physical corruption of a fresh, fair and golden youth, which might be fascinating but for its effeminate frivolity, its studied insincerity, its theatrical cynicism, its tawdry mysticism, its flippant philosophizings. . . . Mr. Wilde says the book has “a moral.” The “moral,” so far as we can collect it, is that man’s chief end is to develop his nature to the fullest by “always searching for new sensations,” that when the soul gets sick the way to cure it is to deny the senses nothing.
ellauri099.html on line 174: And behind his extraordinary inventiveness, Plato performs a characteristic disappearing trick. Truth to tell, we know very little about Plato. According to Plutarch, he was a lover of figs. Big deal! Plato is mentioned only a couple of times in the many dialogues that bear his name. He was present at Socrates’ trial but — in a beautifully reflexive moment that he describes in the Phaedo — absent from the moment of Socrates’ death, because he was sick.
ellauri099.html on line 209: Expressing ancient money values in modern terms presents a perennial puzzle for historians of economics, so I called on my colleague, the economist Duncan Foley, for help. He very roughly calculated that the annual gross domestic product of classical Athens was about 4,400 talents. If that is right, then 800 talents is a vast figure, 32 times the expenditure on the Academy. Foley is somewhat skeptical of the figure, though. Ancient sources for numerical data (like the size of armies) are notoriously inaccurate, so perhaps a excited copyist simply added a zero.
ellauri100.html on line 85: Klezmer (Yiddish: קלעזמער ) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. After the destruction of Jews in Eastern Europe during the Holocaust, there was a general fall in the popularity of klezmer. The term klezmer comes from a combination of Hebrew words: klei, meaning "tools, utensils or instruments of" and zemer, "melody"; leading to k´lei zemer כְּלֵי זֶמֶר, literally "instruments of music" or "musical instruments". Originally, klezmer referred to musical instruments, and was later extended to refer, as a pejorative, to musicians themselves. From the 16th to 18th centuries, it replaced older terms such as leyts (clown). It was not until the late 20th century that the word came to identify a musical genre. Early 20th century recordings and writings most often refer to the style as "Yiddish" music, although it is also sometimes called Freilech music (Yiddish, literally "Happy music").
ellauri100.html on line 138: Er gehörte dem Beirat der Gesellschaft Deutscher Neurologen und Psychiater an, besichtigte 1940 die NS-Tötungsanstalt Bernburg und nahm 1941 an einer Sitzung des Beirats der Aktion T4 teil. Im selben Jahr schrieb er in einem Vorwort zu Geniale Menschen: „Was im Wesentlichen entartet ist, das werden wir ruhig aus der Vererbung ausschalten können.“
ellauri100.html on line 140: Andererseits stellte er die von Hans Günther propagierte „Aufnordung“ des deutschen Volkes in Frage, indem er den Zonen, wo sich die nordische mit der alpinen „Rasse“ vermischt habe (wie z. B. Württenberg, Schwaben und Sachsen), eine besondere Genie-Dichte zuschrieb.
ellauri100.html on line 149: Examples of physical properties. Left: the three body types of ectomorph, mesomorpf, and endomorph (Sheldon, Stevens, & Tucker, 1940). Upper right: three different outfits transforming the experience of one and the same character as to age, personality, social position, education, etc. Lower right: variations of the same character by means of outfit, hair cut, hair colour, and use of lipstick and glasses, dramatically changing the experience of the character and characteristics attributed. (The six characters to the right were put together by means of the SitePal Demo Tool, www.sitepal.com.)
ellauri100.html on line 262: Return to D.C.: When asked why, replied “Give a person an opportunity to feed at the public trough and that person will take the opportunity.” Incentives work! Another incentive was the opportunity to criticize analysis (instead of doing it), as an in-house reviewer of technical reports. Notice how I always returned to my masters like a dog after running awaay. It's Peters principle: I had reached my glass ceiling. I just couldn't do anything else. Unfortunately, my position AND PAY deteriorated at each round, until I ended up basically an over-aged proofreader.
ellauri100.html on line 264: Home stretch: Stayed at the think-tank another 18 years. After three years of reviewing reports, seized an opportunity to establish and run the think-tank’s publications department. Promoted a year later to chief financial and administrative officer, with a portfolio consisting of accounting, computer operations, contracting, facility planning and operations, financial management, human resources (a.k.a. personnel), library and technical information services, physical and information security, programming services, and publications. Basically, I ended up doing everything because there were not many people left in that doomed outfit. Became deeply involved in legal matters, including spin-off of the think-tank from parent company, resolution of affirmative-action claims, and complex contract and lease negotiations. Contrived retirement at age 56. Read: that's when they at long last got rid of me because I had sunk the spin-off.
ellauri100.html on line 279: My parents’ outlook on life reflected the small-town values of the places in which they were raised. Through a grandmother to whom I was close, I got a good taste of how she, and my parents, had lived. I also came to know the advantages of living in villages, towns, and small cities: physical security and the kind of serenity that is almost impossible to find, for more than a few hours at a time, in the large cities and vast metropolitan areas that now dominate the human landscape of America.
ellauri100.html on line 283: In my own life, my jobs have ranged from busing tables to serving as a corporate officer. I have spent time in the company of high-ranking government officials, high-priced and expert lawyers, brilliant scientists and academicians, and talented musicians and artisans.
ellauri100.html on line 425: This difference seems to explain many of the most contentious issues in the culture war. For example, liberals support legalizing gay marriage (to be fair and compassionate), whereas many conservatives are reluctant to change the nature of marriage and the family, basic building blocks of society. Conservatives are more likely to favor practices that increase order and respect (e.g., spanking, mandatory pledge of allegiance), whereas liberals often oppose these practices as being violent or coercive.
ellauri100.html on line 471: Liberals and conservatives seem to disagree in their basic understandings of the causes of human action, particularly of immoral action. Liberals are more likely to believe that social forces, poverty, childhood trauma, or mental illness can serve as valid excuses. Conservatives are more likely to reject such excuses and want to hold people accountable for their actions, including a preference for harsher punishments. At least, that is the way things play out in many disputes in the legal world. We want to see if we can look at this stereotypical difference in more detail. We want to find out WHICH kinds of free will and determinism show a correlation with politics, and with other psychological variables.
ellauri100.html on line 912: One content, one sick in part;
ellauri100.html on line 1023: Fell sick and died
ellauri100.html on line 1168: Its bounce was music to her ear.
ellauri100.html on line 1305: Greimaxen eka julkaisu Cervantes ir jo don Kichotas ilmestyi kaikkien tuntemassa Varpai-lehdessä, jonka se ize perusti. Sen poinzi oli: "Let's not be afraid to be Don Quixotes" (tai sama liettuaxi). Sit tuli se thesis "La Mode en 1830. Essai de description du vocabulaire vestimentaire d' après les journaux de modes [sic] de l'époque". Greimiemen ämmän poka jätti sanakirjahommat siihen, mutta jäi loppuiäxi suffixi- ja puffiximiehexi. Ennen Marxia se luki Ferdinand de Saussurea ja Louis Hjelmsleviä jotka oli saaneet vaikutteita Marxin arvoteoriasta. Muita vaikutteita oli Georges Dumézil (who dat) ja rakenneantropologi Claude Lévi-Strauss, satusetä Vladimir Propp, joku Étienne Souriau, ja (voi ei) fenomenaalinen Edmund Husserl, turhanpäiväinen Maurice Merleau-Ponty, kallonkutistaja Gaston Bachelard (jonka Jöpi eilen mainizi), sekä Touretten syndroomainen superman André Malraux. Kaikesta tästä voi päätellä, että Greimas käänsi Marxin päälaelleen ja Hegelin taas oikeinpäin.
ellauri101.html on line 70: Campbell outlined the stages of the monomyth in his classic book The Hero with a Thousand Faces (audiobook). Read it later when you got time. Judging by the toc, it is a ripoff from the structuralists.
ellauri101.html on line 103: sic-L2IOPH3Dwrhl-Ne3Z2ovGmRt241rYKlpluUCO10vNyYyWjOfzBo2cnzJ6B8jYKMshLAGzx4R3EDFOm1kBS/Myer+Briggs.png?format=500w" />
ellauri102.html on line 90: Feelin' the music from head to toe
ellauri102.html on line 98: Feelin' the music from head to toe
ellauri102.html on line 529: iiivisesti Kaan han ei opisicle seiotiiica Toma
ellauri102.html on line 579: "Is it really that bad being embarrassed compared to being in everybody's phone? Thankfully, I was cured then and since I've had my kids and a good life. But when the pandemic started, it was almost like revisiting some of that because I had to kind of go back into being isolated because of my immune system. And if you ever feel really stuck, just put on some music. It has such a powerful effect. And you don't have to be a dancer. You don't have to have moves. Just move how you feel — don't worry about it looking weird. You know, life's too short to be ashamed for being weird."
ellauri102.html on line 599: And any old music will do
ellauri102.html on line 615: And any old music will do
ellauri102.html on line 621: And any old music will do
ellauri102.html on line 633: And any old music will do
ellauri102.html on line 649: And any old music will do
ellauri102.html on line 655: And any old music will do
ellauri106.html on line 106: That same year, rather than wait to be drafted, Roth enlisted in the army. Roth enlisted in the Army that year to avoid being drafted and assigned to unpleasant duty like the infantry. Fortunately he suffered a back injury during basic training and was given a medical discharge. Who knows. He returned to Chicago in 1956 to study for a PhD in literature but dropped out after one term. It was a yeasty environment for a young writer. Saul Bellow was a contemporary and with some what similar backgrounds and interests they could not avoid being rivals. During that year he met a lovely shiksa waitress Margaret Martinson, a single woman with a small child. He was smitten. An intense, but often troubled relationship ensued. At the end of the year he dropped out of the U of C and headed to the University of Iowa to teach in its creative writing program. None the less, whatever he may have said, Roth was not happy there, perhaps because the semi-rural Midwesterness of Ames was alien to him. After a while with Martinson in tow he moved on to a similar position at Princeton, another WASP bastion but one with even more prestige. Everyone who knew him recognized Roth as an early comer. He later continued his academic career at the University of Pennsylvania, where he taught comparative literature before retiring from teaching in 1991. Roth started teaching literature in the late 1960s at the University of Pennsylvania. The 1969 feature film adaptation of Goodbye, Columbus coincided with the publication of Portnoy’s Complaint, which soon became a best-seller amid controversy for its prurient content. (Those who've read it will likely not forget Portnoy's "love affair" with mom´s slab of liver in the fridge.)
ellauri106.html on line 195: Thomas Wolfe (1900–1938) was born in Asheville, North Carolina, and educated at the University of North Carolina and Harvard University. He taught English at New York University and traveled extensively in Europe and America. Wolfe created his legacy as a classic American novelist with Look Homeward, Angel; Of Time and the River; A Stone, a Leaf, a Door; and From Death to Morning. Wolfe's influence extends to the writings of Beat Generation writer Jack Kerouac, and of authors Ray Bradbury and Philip Roth, among others. He remains an important writer in modern American literature, as one of the first masters of autobiographical fiction, and is considered North Carolina's most famous writer. Ei mitään pientä.
ellauri106.html on line 474: There was no metaphysical dimension to Philip. He just flatly refused to believe in it. He thought it was fairy tales,” Bailey said. he was happy to be Jewish, Bailey said. “He liked Jews as human beings. He liked their warmth, he liked his male friends. “If the Western world views itself through the lens of the modern Jewish experience, it is in large measure due to the novels, novellas and short stories of Philip Roth,” wrote David Roskies, a JTS Jewish literature professor, in a note to the class of 2014.
ellauri106.html on line 486: Chapman oli myös saarnamies, ja hän seurasi teologi Emanuel Swedenborgia, joka saarnasi hyvien tekojen ja luonnon rakastamisen puolesta. Chapman ei kuitenkaan karttanut alkoholia, ja tuohon aikaan omenat olivatkin kirpeitä ja Chapmanin kasvattamia omenoita käytettiin etupäässä omenasiiderin tekoon. Chapman ei koskaan mennyt naimisiin, mutta kertoman mukaan hän kosi kerran erästä naista ja yritti kasvattaa suojiinsa ottamasta (sic) nuoresta tytöstä itselleen vaimoa siinä onnistumatta.
ellauri106.html on line 536: Although Roth’s heroes vary slightly—Levov, for instance, comes from a somewhat more privileged background and is five or ten years younger than Ringold and Silk—they share a demanding physical presence and, more significantly, the formative experiences of the Great Depression and World War II.
ellauri106.html on line 552: Delphine Roux, a classicist scholar, who he reduces to a degrading stereotype — the outspoken feminist whose politics are motivated, we finally learn, by deep insecurities and by a suppressed desire to be dominated by some virile man. The delight with which Roth belittles and humiliates Roux is the low point of the low-brow trilogy.
ellauri107.html on line 110: Rojack is still considerably different from me — he's more elegant, more witty, more heroic, his physical strength is considerable, and at the same time he's more corrupt than me. I wanted to create a man who was larger than myself yet somewhat less successful. That way, ideally, his psychic density, if I may use a private phrase, would be equal to mine — and so I could write from within his head with comfort.
ellauri107.html on line 195: In the following excerpts from Hawthorne's The Blithedale Romance, the Hawthorne-like character, poet and narrator Miles Coverdale, and the Melville-like character, passionate monomaniac Hollingsworth suggest Melville's influence on the novel. The first person narrator, a young man who joins a major enterprise with mostly adventure-seeking motives, certainly calls to mind narrator Ishmael in Melville's Moby-Dick. The dark and brawny Hollingsworth, bearing a physical resemblance to Melville, cares for Coverdale and seeks his partnership, moreover, in an intensity that seems to parallel Melville's evident affection for and desire for intimacy with Hawthorne. The sharp, mysterious break in the relationships between the two authors and the fictional pair constitute yet another likeness.
ellauri107.html on line 469: He had, with indignation at the criticism of Zenith, skimmed through a report in which the notorious pessimist Seneca Doane, the radical lawyer, asserted that to throw boys and young girls into a bull-pen crammed with men suffering from syphilis, delirium tremens, and insanity was not the perfect way of educating them. He had controverted the report by growling, “Folks that think a jail ought to be a bloomin' Hotel Thornleigh make me sick. If people don't like a jail, let 'em behave 'emselves and keep out of it. Besides, these reform cranks always exaggerate.” That was the beginning and quite completely the end of his investigations into Zenith's charities and corrections; and as to the “vice districts” he brightly expressed it, “Those are things that no decent man monkeys with. Besides, smatter fact, I'll tell you confidentially: it's a protection to our daughters and to decent women to have a district where tough nuts can raise cain. Keeps 'em away from our own homes.”
ellauri107.html on line 552: With Kate as a companion, Milly goes to see an eminent physician, Sir Luke Strett, because she worries that she is suffering from an incurable disease. The doctor is noncommittal but Milly fears the worst. Kate suspects that Milly is deathly ill. After the trip to America where he had met Milly, Densher returns to find the heiress in London. Kate wants Densher to pay as much attention as possible to Milly, though at first he doesn't quite know why. Kate has been careful to conceal from Milly (and everybody else) that she and Densher are engaged.
ellauri108.html on line 34: That the hungry be fed, the sick nourished, the aged protected, and the infant cared for.
ellauri108.html on line 98: From its origins, Rastafari was intrinsically linked with Haile Selassie, the Emperor of Ethiopia from 1930 to 1974. He remains the central figure in Rastafari ideology, and although all Rastas hold him in esteem, precise interpretations of his identity differ. Understandings of how Haile Selassie relates to Jesus vary among Rastas. Many, although not all, believe that the Ethiopian monarch was the Second Coming of Jesus, legitimising this by reference to their interpretation of the nineteenth chapter of the Book of Revelation. By viewing Haile Selassie as Jesus, these Rastas also regard him as the messiah prophesied in the Old Testament, the manifestation of God in human form, and "the living God". Some perceive him as part of a Trinity, alongside God as Creator and the Holy Spirit, the latter referred to as "the Breath within the temple". Rastas who view Haile Selassie as Jesus argue that both were descendants from the royal line of the Biblical king David, while Rastas also emphasise the fact that the Makonnen dynasty, of which Haile Selassie was a member, claimed descent from the Biblical figures Solomon and the Queen of Sheba.
ellauri108.html on line 112: There is no uniform Rasta view on race. Black supremacy was a theme early in the movement, with the belief in the existence of a distinctly black African race that is superior to other racial groups. While some still hold this belief, non-black Rastas are now widely accepted in the movement. Rastafari's history has opened the religion to accusations of racism. Cashmore noted that there was an "implicit potential" for racism in Rasta beliefs but he also noted that racism was not "intrinsic" to the religion. Some Rastas have acknowledged that there is racism in the movement, primarily against Europeans and Asians. Some Rasta sects reject the notion that a white European can ever be a legitimate Rasta. Other Rasta sects believe that an "African" identity is not inherently linked to black skin but rather is about whether an individual displays an African "attitude" or "spirit".
ellauri108.html on line 123: By the movement's fourth decade, the desire for physical repatriation to Africa had declined among Rastas, a change influenced by observation of the 1983–1985 famine in Ethiopia. Rather, many Rastas saw the idea of returning to Africa in a metaphorical sense, entailing the restoration of their pride and self-confidence as people of black African descent. The term "liberation before repatriation" began to be used within the movement. Some Rastas seek to transform Western society so that they may more comfortably live within it rather than seeking to move to Africa. There are nevertheless many Rastas who continue to emphasise the need for physical resettlement of the African diaspora in Africa.
ellauri108.html on line 127: Rastas do not believe that there is a specific afterlife to which individuals go following bodily death. They believe in the possibility of eternal life, and that only those who shun righteousness will actually die. The scholar of religion Leonard E. Barrett observed some Jamaican Rastas who believed that those practitioners who did die had not been faithful to Jah. He suggested that this attitude stemmed from the large numbers of young people that were then members of the movement, and who had thus seen only few Rastas die. Another Rasta view is that those who are righteous will undergo reincarnation, with an individual's identity remaining throughout each of their incarnations. In keeping with their views on death, Rastas eschew celebrating physical death and often avoid funerals, also repudiating the practice of ancestor veneration that is common among traditional African religions.
ellauri108.html on line 131: Rastafari promotes the idea of "living naturally", in accordance with what Rastas regard as nature's laws. It endorses the idea that Africa is the "natural" abode of black Africans, a continent where they can live according to African culture and tradition and be themselves on a physical, emotional, and intellectual level. Practitioners believe that Westerners and Babylon have detached themselves from nature through technological development and thus have become debilitated, slothful, and decadent. Some Rastas express the view that they should adhere to what they regard as African laws rather than the laws of Babylon, thus defending their involvement in certain acts which may be illegal in the countries that they are living in. In emphasising this Afrocentric approach, Rastafari expresses overtones of black nationalism.
ellauri108.html on line 147: One of the central activities at groundings is "reasoning". This is a discussion among assembled Rastas about the religion's principles and their relevance to current events. These discussions are supposed to be non-combative, although attendees can point out the fallacies in any arguments presented. Those assembled inform each other about the revelations that they have received through meditation and dream. Each contributor is supposed to push the boundaries of understanding until the entire group has gained greater insight into the topic under discussion. In meeting together with like-minded individuals, reasoning helps Rastas to reassure one another of the correctness of their beliefs. Rastafari meetings are opened and closed with prayers. These involve supplication of God, the supplication for the hungry, sick, and infants, and calls for the destruction of the Rastas' enemies, and then close with statements of adoration.
ellauri108.html on line 148: Princes shall come out of Egypt, Ethiopia shall stretch forth her hand unto God. Oh thou God of Ethiopia, thou God of divine majesty, thy spirit come within our hearts to dwell in the parts of righteousness. That the hungry be fed, the sick nourished, the aged protected, and the infant cared for. Teach us love and loyalty as it is in Zion.
ellauri108.html on line 164: Rastafari music developed at reasoning sessions, where drumming, chanting, and dancing are all present. Rasta music is performed to praise and commune with Jah, and to reaffirm the rejection of Babylon. Rastas believe that their music has healing properties, with the ability to cure colds, fevers, and headaches. Many of these songs are sung to the tune of older Christian hymns, but others are original Rasta creations.
ellauri108.html on line 166: The bass-line of Rasta music is provided by the akete, a three-drum set, which is accompanied by percussion instruments like rattles and tambourines. A syncopated rhythm is then provided by the fundeh drum. In addition, a peta drum improvises over the rhythm. The different components of the music are regarded as displaying different symbolism; the bassline symbolises blows against Babylon, while the lighter beats denote hope for the future.
ellauri108.html on line 168: As Rastafari developed, popular music became its chief communicative medium. During the 1960s, ska was a popular musical style in Jamaica, and although its protests against social and political conditions were mild, it gave early expression to Rasta socio-political ideology. Particularly prominent in the connection between Rastafari and ska were the musicians Count Ossie and Don Drummond. Ossie was a drummer who believed that black people needed to develop their own style of music; he was heavily influenced by Burru, an Afro-Jamaican drumming style. Ossie subsequently popularised this new Rastafari ritual music by playing at various groundings and groundations around Jamaica, with songs like "Another Moses" and "Babylon Gone" reflecting Rasta influence. Rasta themes also appeared in Drummond's work, with songs such as "Reincarnation" and "Tribute to Marcus Garvey".
ellauri108.html on line 170: 1968 saw the development of reggae in Jamaica, a musical style typified by slower, heavier rhythms than ska and the increased use of Jamaican Patois. Like calypso, reggae was a medium for social commentary, although it demonstrated a wider use of radical political and Rasta themes than were previously present in Jamaican popular music. Reggae artists incorporated Rasta ritual rhythms, and also adopted Rasta chants, language, motifs, and social critiques. Songs like The Wailers' "African Herbsman" and Peter Tosh's "Legalize It" referenced cannabis use, while tracks like The Melodians' "Rivers of Babylon" and Junior Byles' "Beat Down Babylon" referenced Rasta beliefs in Babylon. Reggae gained widespread international popularity during the mid-1970s, coming to be viewed by black people in many different countries as music of the oppressed. Many Rastas grew critical of reggae, believing that it had commercialised their religion. Although reggae contains much Rastafari symbolism, and the two are widely associated, the connection is often exaggerated by non-Rastas. Most Rastas do not listen to reggae music, and reggae has also been utilised by other religious groups, such as Protestant Evangelicals. Out of reggae came dub music; dub artists often employ Rastafari terminology, even when not Rastas themselves.
ellauri108.html on line 172: Rastas typically regard words as having an intrinsic power, seeking to avoid language that contributes to servility, self-degradation, and the objectification of the person. Practitioners therefore often use their own form of language, known commonly as "dread talk", "Iyaric", and "Rasta talk". Developed in Jamaica during the 1940s, this use of language fosters group identity and cultivates particular values. Adherents believe that by formulating their own language they are launching an ideological attack on the integrity of the English language, which they view as a tool of Babylon. The use of this language helps Rastas distinguish and separate themselves from non-Rastas, for whom—according to Barrett—Rasta rhetoric can be "meaningless babbling". However, Rasta terms have also filtered into wider Jamaican speech patterns.
ellauri108.html on line 187: Rastas use their physical appearance as a means of visually demarcating themselves from non-Rastas like the whites. Male practitioners will often grow long beards, and many Rastas prefer to wear African styles of clothing, such as dashikis, rather than styles that originated in Western countries. However, it is the formation of hair into dreadlocks that is one of the most recognisable Rasta symbols. Rastas believe that dreadlocks are promoted in the Bible, specifically in the Book of Numbers, and regard them as a symbol of strength linked to the hair of the Biblical figure of Samson. They argue that their dreadlocks mark a covenant that they have made with Jah, and reflect their commitment to the idea of 'naturalness'. They also perceive the wearing of dreads as a symbolic rejection of Babylon and a refusal to conform to its norms regarding grooming aesthetics. Rastas are often critical of black people who straighten their hair, believing that it is an attempt to imitate white European hair and thus reflects alienation from a person's African identity. Sometimes this dreadlocked hair is then shaped and styled, often inspired by a lion's mane symbolising Haile Selassie, who is regarded as "the Conquering Lion of Judah".
ellauri108.html on line 189: Rastas differ on whether they regard dreadlocks as compulsory for practicing the religion. Some Rastas do not wear their hair in dreadlocks; within the religion they are often termed "cleanface" Rastas, with those wearing dreadlocked hair often called "locksmen". Some Rastas have also joined the Ethiopian Orthodox Church, the Christian organisation to which Haile Selassie belonged, and these individuals are forbidden from putting their hair in dreadlocks by the Church. In reference to Rasta hairstyles, Rastas often refer to non-Rastas as "baldheads", or "combsome", while those who are new to Rastafari and who have only just started to grow their hair into dreads are termed "nubbies". Members of the Bobo Ashanti sect of Rastas conceal their dreadlocks within turbans, while some Rastas tuck their dreads under a rastacap or tam headdress, usually coloured green, red, black, and yellow. Dreadlocks and Rastafari-inspired clothing have also been worn for aesthetic reasons by non-Rastas. For instance, many reggae musicians who do not adhere to the Rastafari religion wear their hair in dreads. A Rasta man wearing a rastacap has been sighted in Jamaica.
ellauri108.html on line 218: At the invitation of Jamaica's government, Haile Selassie visited the island for the first time on 21 April 1966, with thousands of Rastas assembled in the crowd waiting to meet him at the airport. The event was the high point of their discipleship for many of the religion's members. Over the course of the 1960s, Jamaica's Rasta community underwent a process of routinisation, with the late 1960s witnessing the launch of the first official Rastafarian newspaper, the Rastafarian Movement Association's Rasta Voice. The decade also saw Rastafari develop in increasingly complex ways, as it did when some Rastas began to reinterpret the idea that salvation required a physical return to Africa, instead interpreting salvation as coming through a process of mental decolonisation that embraced African approaches to life.
ellauri108.html on line 220: Whereas its membership had previously derived predominantly from poorer sectors of society, in the 1960s Rastafari began attracting support from more privileged groups like students and professional musicians. The foremost group emphasising this approach was the Twelve Tribes of Israel, whose members came to be known as "Uptown Rastas". Among those attracted to Rastafari in this decade were middle-class intellectuals like Leahcim Semaj, who called for the religious community to place greater emphasis on scholarly social theory as a method of achieving change. Although some Jamaican Rastas were critical of him, many came under the influence of the Guyanese black nationalist academic Walter Rodney, who lectured to their community in 1968 before publishing his thoughts as the pamphlet Groundings. Like Rodney, many Jamaican Rastas were influenced by the U.S.-based Black Power movement. After Black Power declined following the deaths of prominent exponents such as Malcolm X, Michael X, and George Jackson, Rastafari filled the vacuum it left for many black youth.
ellauri108.html on line 223: Reggae musician Bob Marley did much to raise international awareness of the Rastafari movement in the 1970s.
ellauri108.html on line 227: Through reggae, Rasta musicians became increasingly important in Jamaica's political life during the 1970s. To bolster his popularity with the electorate, Jamaican Prime Minister Michael Manley employed Rasta imagery and courted and obtained support from Marley and other reggae musicians. Manley described Rastas as a "beautiful and remarkable people" and carried a cane, the "rod of correction", which he claimed was a gift from Haile Selassie. Following Manley's example, Jamaican political parties increasingly employed Rasta language, symbols, and reggae references in their campaigns, while Rasta symbols became increasingly mainstream in Jamaican society. This helped to confer greater legitimacy on Rastafari, with reggae and Rasta imagery being increasingly presented as a core part of Jamaica's cultural heritage for the growing tourist industry. In the 1980s, a Rasta, Barbara Makeda Blake Hannah, became a senator in the Jamaican Parliament.
ellauri108.html on line 229: Enthusiasm for Rastafari was dampened by the unexpected death of Haile Selassie in 1975 and that of Marley in 1981. During the 1980s, the number of Rastas in Jamaica declined, with Pentecostal and other Charismatic Christian groups proving more successful at attracting young recruits. Several publicly prominent Rastas converted to Christianity, and two of those who did so—Judy Mowatt and Tommy Cowan—maintained that Marley had converted from Rastafari to Christianity, in the form of the Ethiopian Orthodox Church, during his final days. The significance of Rastafari messages in reggae also declined with the growing popularity of dancehall, a Jamaican musical genre that typically foregrounded lyrical themes of hyper-masculinity, violence, and sexual activity rather than religious symbolism.
ellauri108.html on line 231: The mid-1990s saw a revival of Rastafari-focused reggae associated with musicians like Anthony B, Buju Banton, Luciano, Sizzla, and Capleton. From the 1990s, Jamaica also witnessed the growth of organised political activity within the Rasta community, seen for instance through campaigns for the legalisation of cannabis and the creation of political parties like the Jamaican Alliance Movement and the Imperial Ethiopian World Federation Incorporated Political Party, none of which attained more than minimal electoral support. In 1995, the Rastafari Centralization Organization was established in Jamaica as an attempt to organise the Rastafari community.
ellauri108.html on line 237: Probably the largest Rastafari group, the House of Nyabinghi is an aggregate of more traditional and militant Rastas who seek to retain the movement close to the way in which it existed during the 1940s. They stress the idea that Haile Selassie was Jah and the reincarnation of Jesus. The wearing of dreadlocks is regarded as indispensable and patriarchal gender roles are strongly emphasised, while, according to Cashmore, they are "vehemently anti-white". Nyabinghi Rastas refuse to compromise with Babylon and are often critical of reggae musicians like Marley, whom they regard as having collaborated with the commercial music industry.
ellauri108.html on line 244: The Twelve Tribes peaked in popularity during the 1970s, when it attracted artists, musicians, and many middle-class followers—Marley among them—resulting in the terms "middle-class Rastas" and "uptown Rastas" being applied to members of the group. Carrington died in 2005, since which time the Twelve Tribes of Israel have been led by an executive council. As of 2010, it was recorded as being the largest of the centralised Rasta groups. It remains headquartered in Kingston, although it has followers outside Jamaica; the group was responsible for establishing the Rasta community in Shashamane, Ethiopia.
ellauri108.html on line 258: Some Rastas have left the religion. Clarke noted that among British Rastas, some returned to Pentecostalism and other forms of Christianity, while others embraced Islam or no religion. Some English ex-Rastas described disillusionment when the societal transformation promised by Rastafari failed to appear, while others felt that while Rastafari would be appropriate for agrarian communities in Africa and the Caribbean, it was not suited to industrialised British society. Others experienced disillusionment after developing the view that Haile Selassie had been an oppressive leader of the Ethiopian people. Cashmore found that some British Rastas who had more militant views left the religion after finding its focus on reasoning and music insufficient for the struggle against white domination and racism.
ellauri108.html on line 260: Although it remains most concentrated in the Caribbean, Rastafari has spread to many areas of the world and adapted into many localised variants. It has spread primarily in Anglophone regions and countries, largely because reggae music has primarily been produced in the English language. It is thus most commonly found in the Anglophone Caribbean, United States, Canada, United Kingdom, Australia and New Zealand, and Anglophone parts of Africa.
ellauri108.html on line 412: King Nebuchadnezzar had a huge golden image built as a symbol of his power and glory. He then commanded that his people bow down and worship this image whenever they heard the sound of his musical herald. Those who disobeyed the order would be thrown into an immense, blazing furnace.
ellauri108.html on line 481: By the movement's fourth decade, the desire for physical repatriation to Africa had declined among Rastas, a change influenced by observation of the 1983–1985 famine in Ethiopia. Rather, many Rastas saw the idea of returning to Africa in a metaphorical sense, entailing the restoration of their pride and self-confidence as people of black African descent.
ellauri108.html on line 489: Rastas do not believe that there is a specific afterlife to which individuals go following bodily death. They believe in the possibility of eternal life, and that only those who shun righteousness will actually die. The scholar of religion Leonard E. Barrett observed some Jamaican Rastas who believed that those practitioners who did die had not been faithful to Jah. He suggested that this attitude stemmed from the large numbers of young people that were then members of the movement, and who had thus seen only few Rastas die. Another Rasta view is that those who are righteous will undergo reincarnation, with an individual's identity remaining throughout each of their incarnations. In keeping with their views on death, Rastas eschew celebrating physical death and often avoid funerals, also repudiating the practice of ancestor veneration that is common among traditional African religions.
ellauri109.html on line 137: Du bist ganz sicher tot, doch hast neue Räume unterm Stein.
ellauri109.html on line 170: Antoine ist sehr populär auf Grabsteinen. Er schämt sich nicht, oberflächlich und naiv zu sein.
ellauri109.html on line 519: In Roth’s “Exit Ghost” (2007), the last of the Zuckerman books, half a century has elapsed since the visit with Lonoff. Zuckerman, suffering from prostate cancer, has been sapped of his physical and creative vitality. Yet his greatest anxiety does not concern his impotence and incontinence, or his deteriorating short-term memory. He fears, above all, the tyranny of the biographer.
ellauri109.html on line 575: Roth’s mental health, like his physical health, proved less than stable. There were harrowing periods of depression; a Halcion-induced breakdown; stays at a psychiatric hospital.
ellauri109.html on line 593: Roth learned to take it easy. He listened to music, reread old favorites, visited museums, took afternoon naps, and watched baseball in the evening.
ellauri109.html on line 599: As he had with Miller, Roth went to great lengths for Bailey, providing him letters, drafts, a photo album featuring his girlfriends. He wrote a lengthy memorandum for Bailey on a long-term affair with a local Norwegian-born physical therapist—the model for Drenka in “Sabbath’s Theater.”
ellauri109.html on line 720: sic demum socios consumpta nocte reviso
ellauri109.html on line 846: At a beachside cafe in Haifa, I meet a philosopher who is physical about how his life was shaped by being snatched.
ellauri110.html on line 137: Book IV of Gulliver's Travels is the keystone, in some ways, of the entire work,[citation needed] and critics have traditionally answered the question whether Gulliver is insane (and thus just another victim of Swift's satire) by questioning whether or not the Houyhnhnms are truly admirable. Gulliver loves the land and is obedient to a race that is not like his own. The Houyhnhnm society is based upon reason, and only upon reason, and therefore the horses practice eugenics based on their analyses of benefit and cost. They have no religion and their sole morality is the defence of reason, and so they are not particularly moved by pity or a belief in the intrinsic value of life. Gulliver himself, in their company, builds the sails of his skiff from "Yahoo skins".
ellauri110.html on line 145: On one hand, the Houyhnhnms have an orderly and peaceful society. They have philosophy and a language that is entirely free of political and ethical nonsense. They have no word for a lie (and must substitute a circumlocution: "to say a thing which is not"). They also have a form of art that is derived from nature. Outside Gulliver's Travels, Swift had expressed longstanding concern over the corruption of the English language, and he had proposed language reform. He had also, in Battle of the Books and in general in A Tale of a Tub, expressed a preference for the Ancients (Classical authors) because their art was based directly upon nature, and not upon other art.
ellauri110.html on line 310: Isaac Ilyich Levitan was a classical Russian landscape painter who advanced the genre of the "mood landscape".
ellauri110.html on line 351: Pepys may also have dallied with a leading actress of the Restoration period, Mary Knep. "Mrs Knep was the wife of a Smithfield horsedealer, and the mistress of Pepys"—or at least "she granted him a share of her favours". He called her husband "an ill, melancholy, jealous-looking fellow" and suspected him of abusing his wife. Knep provided Pepys with backstage access and was a conduit for theatrical and social gossip. When they wrote notes to each other, Pepys signed himself "Dapper Dickey", while Knep was "Barbry Allen" (a popular song that was an item in her musical repertory).
ellauri110.html on line 1068: Things that prevent you from eating include anger, pain, sickness, sabbath, or being unable to get food. So mendicants, for a human being with a hundred years life span I have counted the life span, the limit of the life span, the seasons, the years, the months, the fortnights, the nights, the days, the meals, and the things that prevent them from eating. Out of compassion, I’ve done what a teacher should do who wants what’s best for their disciples. Here are these roots of trees, and here are these empty huts. Practice absorption, mendicants! Don’t be negligent! Don’t regret it later! This is my instruction to you.”
ellauri111.html on line 437: (Phew. A glass of water please. Thank you dear.) God is holy. We are sinful. By his very nature, God cannot have fellowship with us sinners. There is no amount of "good" that we can do to make up for our crimes against God. They must be punished. And the wages of sin is DEATH. Somebody has to DIE to pay for sins against God. Oh, you'll die physically--sin requires that. But you've got a choice about that SECOND DEATH where a man goes to the lake of fire that burneth with fire and brimstone....
ellauri111.html on line 439: What? Why does sin require death n:o 1? Oh, it's all part of God's magnificent plan for us. Heterosexual generations mix genes faster than longevity, and makes for more successfully adapted organisms, etc. But no time to go into that just here. Anyway, we deserve the double death penalty. This includes both physical death (the casket) and spiritual death (when the soul is cast into hellfire).
ellauri111.html on line 486: I can hear your backtalk. You don't sound scared enough by far. I think it's time for some more basic bullying.
ellauri111.html on line 620: Avoid any church that is in disobedience to the scriptures. These are the days of apostasy. It is better to work alone with your Authorized King James Bible and the Lord Jesus Christ and obedience to the word than to be in a false church. Even if you do not know any Christians, you can still read the Bible and obey it, and live the Christian life by God´s grace, his divine influence in your life. Roman Catholic, Mormon, Seventh Day Adventist, Jehovah´s Witness, Christian Science, Greek Orthodox, etc. present themselves as Christian but they preach false doctrines. Many Methodist, Lutheran, Presbyterian, and Baptist churches are not preaching the whole truth and some are basically going back to the Roman Catholic institution. I do not know of ONE good church. If you do find a church, make sure that they exclusively use the Authorized Version and make sure that you compare their teachings and doings to the word of God and the Bible Dudes.
ellauri111.html on line 671: Sing. Learn Christian hymns to encourage you. This is a link to a collection of hymns with the words and the music (free).
ellauri111.html on line 677: You can also order a hymn book from us. I have The New National Baptist Hymnal (Published in 1977 with KJV readings [Note: This website makes no money for any of these recommendations or links]. I am not a Baptist or any other name/denomination found outside of the Authorized King James Bible). I also have another hymnal entitled, Praise! Our Songs and Hymns (KJV) (always get KJV materials. KJV stands for "King James Version." Don't get "New" King James Version (NKJV) or "NIV"--these are two of many counterfeit Bibles.) Hymnals include the musical notes and lyrics. If you can play an instrument, you can learn many songs. We should think about the words of the various hymns to see if they are based on the Bible or not. Don't use jew´s harp, kazoo or electric guitar, however. Or comb and toilet paper either, that would be blasphemy.
ellauri111.html on line 693: Again, The Bible forbids women being pastors and speaking in churches but many women have taken pulpits and other church positions in complete disobedience to the scriptures. This does not mean that there is no work for women in the kingdom of God (you may wish to see our article entitled, "The Role of Women in the Church). These are the days of apostasy. It is better to be alone with your Bible and the Lord Jesus and obedience than to be in a false church. Roman Catholic, Mormon, Seventh Day Adventist, Jehovah's Witness, Christian Science, Greek Orthodox, etc. present themselves as Christian but they preach false doctrines. Many Methodist, Lutheran, Presbyterian, and Baptist churches are not preaching the whole truth and some are basically going back to the Roman Catholic institution. I do not know of ONE good church. If you find a church, make sure that they exclusively use the Authorized Version and make sure that you compare their teachings and doings to the word of God.
ellauri111.html on line 733: Yoga is inherently spiritual and can raise the Kundalini serpent power which is that old serpent called the devil and Satan. Although many Americans are ignorant of this, yoga is not simply physical exercise; yoga is a spiritual exercise of Hinduism that makes room for the Kundalini serpent power. Through the controlled breathing, the posture, the stillness and/or repetition, etc. the Kundalini serpent power can rise up and possess a person. A person does not have to be looking for Kundalini in order for this to happen--the yoga itself creates the conditions. Mantras, stillness, repetition, etc. (different devil worshippers use different techniques) are summons to the devil. Gurus lead their students through different protocols to help them "prepare" for this entrance of the serpent power--the Authorized Version of 1611 of the Bible reveals who that serpent is, it is Satan--
ellauri111.html on line 737: The serpent power basically tells Hindus the same thing that Satan told Eve in the garden--"ye shall be as gods." Who does not know that Hinduism is pantheistic (saying that "all is god") and teaches that all people are supposedly already god but just have to realize it? The ignorant church people are getting something similar--"panentheism" (God is in everything). They are not hearkening to the Authorized Version of 1611 of the Bible and can therefore be taken by men's words (even if those words are found in unauthorized Bible versions).
ellauri111.html on line 741: I have been in kundalini awkening for 10 years by a so called healer . I was very sick . So I went to a healer. Well she happened to be a shaman yogi I was only 24 years old I have been fighting for my life ever since the kundalini rose I can't even begin to tell you ...they say once you open your kundalini you can't shut It well I have not been able to shut mine... Yoga is a very sick religion and spiritually you feel dead you were right when you said nothing good comes from Yoga. Guru 's are extremly dangerous individuals. Let Christians know it could hurt your faith even just the excercise...
ellauri112.html on line 652: Marlo is a physical wreck, ugly fat and unkempt, a woman who doesn’t get enough or not at all and is chronically fatigued. She shuffles around in sweatpants and baggy sweaters as the house gets dirtier, the kids get noisier, and her husband gets "lazier". Everything becomes a battle for Marlo – keeping Jonah in school, putting a meal on the table, finding time to bathe, even getting her husband to hump her. He shuts her out at night, retreating to the bedroom alone to play video games with himself headphones on. Cant fix that part without fixing the hole.
ellauri112.html on line 691: Theron is more than capable and proves she’s up to the challenge of the role and its physical demands, but this isn’t as Oscar worthy as some are crowing. How gutsy and brave her performance is! they’ll surely shout, all because she dons a partial fat suit (the actress also gained a very real 50 pounds for the role), doesn’t wear makeup, has unkempt hair and bags under her eyes. Interestingly enough, it seems to be those same critics who ripped Amy Schumer and her “I Feel Pretty” to shreds for ‘fat shaming’ or poking fun at the way women look. Candid and authentic simply because she doesn’t look like the gorgeous movie star that she is? I don’t think so.
ellauri115.html on line 486: Samuel Clarke (1675–1729) was the most influential British metaphysician and theologian in the generation between Locke and Berkeley, and only Shaftesbury rivals him in ethics. In all three areas he was very critical of Hobbes, Spinoza, and Toland. Deeply influenced by Newton, Clarke was critical of Descartes’ metaphysics of space and body because of the experimental evidence for Newtonianian doctrines of space, the vacuum, atoms, and attraction and because he believed Descartes’ identifying body with extension and removing final causes from nature had furthered irreligion and had naturally developed into Spinozism.
ellauri115.html on line 488: Clarke sided with Locke and Newton against Descartes in denying that we have knowledge of the essence of substances, even though we can be sure that there are at least two kinds of substances (mental and material) because their properties (thinking and divisibility) are incompatible. He defended natural religion against the naturalist view that nature constitutes a self-sufficient system and defended revealed religion against deism. Clarke adopted Newton’s natural philosophy early on. Through his association with Newton, Clarke was the de facto spokesperson for Newtonianism in the first half the eighteenth century, not only explaining the natural science but also providing a metaphysical support and theological interpretation for it.
ellauri117.html on line 142: Lebensgeschichte: Der in Prag geborene und kurzgewachsene Kafka war der älteste überlebende Sohn einer gutsituierten jüdischem Kaufmannsfamilie. Obwohl seine Mutter aus einer Familie von Mystikern, Intellektuellen und Künstlern stammte, hatte sie Schwierigkeiten, die grüblerische, melancholische Persönlichkeit ihres Sohnes und seine Leidenschaft fürs Schreiben zu verstehen. Auch seinem Vater war der sensible Franz ein Rätsel und die Zielscheibe seines beißenden Spotts. Franz unterwarf sich schließlich dem Willen des Vaters und schlug gegen seine Neigung eine günstige Juristenlaufbahn ein.
ellauri117.html on line 144: 1906 machte Kafka seinen Abschluß an der Prager Universitet und wandte sich mit Unbehagen dem Versicherungsgeschäft zu. Die Plackerei der Büroarbeit verlangte nach einem Ausgleich, und er nahm jede Gelegenheit wahr, außerhalb der Stadt zu schwinmen, zu rudern oder zu wanken. Aber diese Zerstreuungen waren nur kurze Unterbrechungen der zermürbenden Routine, die er sich gezwungenermaßen als Lebensinhalt gewählt hatte. Tagsüber arbeitete er für die Arbeiter-Unfall-Versicherungs-Anstalt», und
ellauri117.html on line 151: Das Leiden unterbrach seine Laufbahn als Versicherungsangestellter und zwang ihn, die ihm verbleibenden Jahre in Sanatorien und Kurorten zu verbringen. So paradox es klingt, diese Situation machte ihm das Leben leichter, da er jetzt in der Lage war, sich ganz auf das Schreiben zu konzentrieren.
ellauri117.html on line 155: Sex hegte Kafka sein Leben lang eine große Ehrfurcht vor. Besonders der Ehe und dem Familienleben, davon überzeugt, daß er nicht dafür geschaffen sei, ein glückliches häusliches Leben zu führen. Sein Vater - so meinte Kafka - hatte seinen Charakter und seinen Willen in solchem Maße verbogen, daß ihn die Vorstellung, mit einer Frau eine Familie zu gründen, völlig einschüchterte. Und doch sehnte er sich nach der ihm unerreichbar Scheinenden Fotze.
ellauri117.html on line 157: Herrmann Kafka erscheint in den Schriften seines Sohnes als gefühlloses Ungeheuer. Die Art und Weise, in der der Vater seinem Sohn sexuelle Aufklärung zuteil werden ließ, bestätigt zweifellos diese Ansicht. Franz war von seinen heranwachsenden Schulfreunden wegen seiner offensichtlichen Ahnungslosigkeit in sexuellen Fragen geneckt worden. Daher begann er, sich mit Hilfe von Büchern die biologischen Grundlagen der Sexualität anzueignen, und versuchte dann, seinen Vater ganz beiläufig über die
ellauri117.html on line 158: Feinheiten auszuhorchen. Wenig später gingen Kafka, seine Mutter und sein Vater zusammen spazieren. Plötzlich begann dieser, angeregt über die körperliche Liebe zu dozieren. Franz war es peinlich, daß seine Mutter anwesend war (ach was, es war sicher gerade sie die diesen Vortrag erfordert hatte), doch weit mehr noch entsetzte ihn die Unterscheidung zwischen tugendhaften Frauen und Huren, die sein Vater ihm nahezubringen versuchte. Seine Mahnung, sich nie mit diesen einzulassen, verunsicherte Franz, der damals anscheinend zu ausgelassenen Phantasien ûber erregende Dirnen neigte.
ellauri117.html on line 160: Man sagt, daß Kafka seine erste sexuelle "Begegnung" mit seiner französischen Gouvernante hatte, doch hat er diskreterweise immer nur in Andeutungen über dieses «Urerlebnis» gesprochen. Den ersten regen Geschlechtsverkehr hatte er als Zwanzigjähriger mit einer tschechischen Verkäuferin. Sie verbrachten einen Abend in einer billigen Absteige. Diese Erfahrung bestärkte Kafka in seinem Ekel vor dem Geschlechtsverkehr und in seinem Glauben, daß Sexualität eine von Natur aus schmutzige, nichtswürdige Anlegenheit sei. Gerade das Entgegengesetzte predigte D.H.Lawrence (infra). Trotzdem streunte er seine ganze Studentenzeit indurch immer wieder durch das Bordellviertel von Prag, genau wie die anderen Heißsporne unter seinen Kommilitonen. Er ekelte sich vor seiner eigenen sexuellen Lust, erkannte aber zugleich auch die Notwendigkeit, ihr hin und wieder einzustecken:
ellauri117.html on line 164: Er stand seinem sexuellen Trieb wie jedem anderen Teil seiner Persönlichkeit feindselig gegenüber. Er beharrte darauf, den Geschlechtsakt als eine Strafe für die Wonnen des vertraulichen Umgangs mit einer Frau anzusehen. Es schauderte ihn, wenn er sich seine Eltern gemeinsam im Bett vorstellte, und er zitterte bei dem Gedanken, selbst diese eheliche Pflicht ausüben zu müssen. Diese Gefühle behinderten ihn natürlich sehr, wenn er um eine Frau warb. Was für ein gehemmter Teenager.
ellauri117.html on line 166: 1912 lernte er in Max Brods Haus Felice Bauer kennen, die die erste große Liebe seine ns werden sollte und mit der er zweimal insgeheim verlobt war, Franz war zu jener Zeit 29 Jahre alt. In den folgenden fünf Jahren bildete Felice das Zentrum seines Lebens, von dem er sich im ständigen Wechsel angezogen und wieder abgestoßen fühlte. Er verwirrte sie mit einer Flut selbstquälerischer Briefe. Diese ambivalente, heftigen Gefühlsschwankungen unterworfene Romanze beflügelte den Schriftsteller in Kafka, doch seine Unentschlossenheit, in welche Richtung sich ihre Beziehung entwickeln sollte, frustrierte Felice. Wie Koalas Onkel, aufzählte der kleine Jude die Vorzüge und Nachteile einer Ehe. Schließlich schickte sie ihre Freundin Grete Bloch, um Kafka nach seinen Absichten zu fragen. Mit der Zeit wurde Grete die Vertraute des Schriftstellers, und Felice hegte den Verdacht, daß dabei sein Fühler tiefer gegangen war, als sie zugeben wollten. Das Verhältnis zwischen Franz und Felice kühlte mehr und mehr ab. Doch 1916 verbrachten sie gemeinsam einen zehntägigen Urlaub. Sie wohnten in zwei neben einanderliegenden Zimmern und spielten offensichtlich Mann und Frau. Wieder beschlossen sie zu heiraten, doch 1917 - ungefähr zur gleichen Zeit, als seine Tuberkulose erkannt wurde - löste Kafka die Verlobung wieder. Was für ein Mistkäfer.
ellauri117.html on line 170: In 1920, als er sich wieder auf einer Erholungskur in Südtirol befand, begann er einer Frau zu schreiben, die ihm geistig ebenbürtig war. Sie hieß Milena Jesenská-Polak, war 24 Jahre alt, verheiratet und keine Jüdin. Sie war eine emanzipierte Frau, Künstlerin und Intellektuelle, die Kafka gebeten hatte, einige seiner Werke ins Tschechische übersetzen zu dürfen. Sie vergötterte Kafka als Schriftsteller und konnte sich in seine seelische Welt einfühlen, denn auch sie hatte unter einem tyrannischen Vater zu leiden gehabt. Kafka bot ihr finanzielle Unterstützung an, wenn sie ihren Ehemann verließe. Vor ihrer endgültigen Entscheidung verbrachten die beiden jedoch vier Tage lang «Probeflitterwochen». Nach ihrer Rückkehr schlug Milena das Angebot aus. Ihr war schnell klargeworden, was es bedeutete, mit einem dem Tod geweihten
ellauri117.html on line 177: Er wünschte sich nichts sehnlicher als Kinder, keine seiner Fähigkeiten bezweifelte er mehr als die, Vater werden zu können... Die Erfüllung dieses Wunsches wäre für ihn eine Bestätigung seines winzigen Fühlers vor dem drohenden Berufungsgericht gewesen.
ellauri117.html on line 247: They stopped, they discussed methods, they practised grips and throws, they became accustomed to each other, to each other´s rhythm, they got a kind of mutual physical understanding. And then again they had a real struggle. They seemed to drive their white flesh deeper and deeper against each other, as if they would break into a oneness. Birkin had a great subtle energy, that would press upon the other man with an uncanny force, weigh him like a spell put upon him. Then it would pass, and Gerald would heave free, with white, heaving, dazzling movements.
ellauri117.html on line 249: So the two men entwined and wrestled with each other, working nearer and nearer. Both were white and clear, but Gerald flushed smart red where he was touched, and Birkin remained white and tense. He seemed to penetrate into Gerald´s more solid, more diffuse bulk, to interfuse his body through the body of the other, as if to bring it subtly into subjection, always seizing with some rapid necromantic fore-knowledge every motion of the other flesh, converting and counteracting it, playing upon the limbs and trunk of Gerald like some hard wind. It was as if Birkin´s whole physical intelligence interpenetrated into Gerald´s body, as if his fine, sublimated energy entered into the flesh of the fuller man, like some potency, casting a fine net, a prison, through the muscles into the very depths of Gerald´s physical being.
ellauri117.html on line 251: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.
ellauri117.html on line 283: `No. One ought to wrestle and strive and be physically close. It makes one sane.'
ellauri117.html on line 292: `We are mentally, spiritually intimate, therefore we should be more or less physically intimate too -- it is more whole.'
ellauri117.html on line 304: `You think I am beautiful -- how do you mean, physically?' asked Gerald, his eyes glistening.
ellauri117.html on line 346: Einen Augenblick lang war er ruhig in ihr, geschwellt und bebend. Dann, als er begann, sich zu bewegen, im jähen, hilfolsen Orgasmus, wellten neue, seltsame Schauer in ihr auf. Wellten wellen, wellend, wie flatterndes Übereinanderzügeln sanfer Flammen, sanft wie Federn, liefen aus in helleuchtende Spitzen, herrlich, süss, und alles in ihr schmolz, zerfloss.
ellauri117.html on line 567: Ovary BELLY SHAPE - Classic lower belly bulge (PERSJALKAINEN)
ellauri117.html on line 610: John Locke (1632-1704) was a close friend of the First Earl and an advisor to the family for years to come after the First Earl’s death. Locke was the personal physician and general advisor to the First Earl. He supervised the childhood medical care of Shaftesbury’s father, the degenerate Second Earl (1652-1699). He also helped find a wife for the Second Earl and he cared for her during her pregnancy with the Third Earl. Most significantly for our purposes, Locke supervised the Third Earl’s education. He personally chose Shaftesbury’s governess Elizabeth Birch and designed a curriculum for her to follow in her instruction of the child. This experience was, presumably, the basis for Locke’s later work Thoughts Concerning Education. Under Birch’s tutelage, Shaftesbury received a strong education in the Classics and became fluent in Greek and Latin by the age of eleven. Locke continued to check on Shaftesbury’s progress over the years. Locke served as a primary advisor to the young Shaftesbury, though Shaftesbury did not always follow Locke’s advice. Shaftesbury had many "philosophical" conversations with Locke, some of which are preserved in correspondence. "Mautonta!" huusi 3. Shaftersburyn Jaarli vähän väliä.
ellauri118.html on line 434: Die traditionelle Erzähltheorie, vertreten durch Franz Karl Stanzel, Gérard Genette, Seymour Chatman u. a. m, beschäftigt sich mit Elementen des „discours“ („Erzählweise“). Andere Theoretiker nehmen eher die Strukturen der „histoire“ („Erzählinhalt“) in den Blick. Damit bauen sich (erzählerische) Handlungen in dem vorgestellten Begriffsinventar aus Geschehnissen und Ereignissen auf. Während der Begriff „Handlung“ im deutschsprachigen Raum verwendet wird, wird sie etwa bei Genette als histoire und in der anglo-amerikanischen Erzähltheorie als story bezeichnet, der „Diskurs“ bei Genette als récit (narration) und im Angelsächsischen als plot. Während sich der „Diskurs“ als die kompositorische und sprachliche Realisierung einer Erzählung versteht; er verweist auf das „wie“ der Erzählung, wird in der „Geschichte“ der Gegenstand der Erzählung ausgemacht; sie verweist auf das „was“ der Handlung.
ellauri118.html on line 589: George kannattaa nykyään tämmöstä kuin embodied mind ajatusta: Many features of cognition are embodied in that they are deeply dependent upon characteristics of the physical body of an agent, such that the agent's beyond-the-brain body plays a significant causal role, or a physically constitutive role, in that agent's cognitive processing. No tottahan se on, ainakin miesten ajatteluun osallistuu voimakkaasti pikkuveli.
ellauri118.html on line 840: How close and lasting was this friendship is seen on almost every page of Mme. de Sévigné's correspondence. Indeed, so often does the name of Mme. de La Fayette occur in Mme. de Sévigné's letters to her daughter, that the latter may well have been jealous of her mother's friend. The companionship of Mme. de Sévigné was, after the death of La Rochefoucauld, the chief comfort of Mme. de La Fayette in her ill-health and seclusion; and it was from the sick-chamber of her friend that Mme. de Sévigné's letters would seem to have been written in those latter years. In 1693, soon after the death of Mme. de La Fayette, Mme. de Sévigné writes as follows of her dead friend: "Je me trouvois trop heureuse d'être aimée d'elle depuis un temps très-considérable; jamais nous n'avions eu le moindre nuage dans notre amitié.
ellauri118.html on line 956: "She was so astonishing in her audition," Miller said. "She made me feel sorry for Serena Joy, which is seemingly an impossible task. I felt bad for her. She was so wonderful and terrifying. And she's quite tall, so that works really well with Lizzie who is more small. Serena Joy wears heels and Lizzie doesn't. To have this towering viking standing over her ... she's physically intimidating." Yvonne is a whip-strong woman. Lizzie [Elizabeth Moss] is also quite strong but on the pudgy side. The two of them together, you feel like, 'I'd love to see them go toe-to-toe in a cage match.'" A mud fight with nothing on, now that would be the thing. Maybe in the next season, stay tuned.
ellauri118.html on line 1126: Local farmers claim that their cart horses sometimes refuse to go past Webster’s home, which is on one of the main roads. But, if the man goes inside and beats Mary, then the horse will go past. “So, the idea developed that her supernatural powers could be stopped if they somehow physically assaulted her,” Marshall says.
ellauri118.html on line 1167: Eurydice in Greek mythology, the luckless bride bitten by a snake on her wedding day. Her husband, Orpheus, the famed musician, convinced Hades to let Eurydice return to earth. However, Orpheus disobeyed the strictures of the journey and looked at Eurydice too soon, thus dispatching her back to the abode of the dead forever.
ellauri119.html on line 152: In the season three episode "Nora Clavicle and the Ladies' Crime Club," Batman, Robin, and Batgirl are forced to intertwine themselves into a giant human knot. Robin responds to this idea by referencing the instructions to basic stitch patterns.
ellauri119.html on line 176: Referencing d'Artagnan, one of the famed Musketeers of Alexandre Dumas' classic novel, "The Three Musketeers," might not sound like all that weird of a reference for Robin to make. However, it ranks this high because it is actually a reference to Catwoman having just shot Robin and Batman with tranquilizer darts.
ellauri119.html on line 380: In the 16th and 17th centuries, medical researchers mistakenly saw the presence or absence of the hymen as founding evidence of physical diseases such as "womb-fury", i.e., (female) hysteria. If not cured, womb-fury would, according to doctors practicing at the time, result in death. The cure, naturally enough, was marriage, since a woman could then go about having sexual intercourse on a "normal" schedule that would stop womb-fury from killing her.
ellauri119.html on line 387: God is most often held to be incorporeal, with said characteristic being related to conceptions of transcendence or immanence. In religion, transcendence is the aspect of a deity´s nature and power that is wholly independent of the material universe, beyond all known physical laws. This is contrasted with immanence, where a god is said to be fully present in the physical world and thus accessible to creatures in various ways. In religious experience, transcendence is a state of being that has overcome the limitations of physical existence, and by some definitions, has also become independent of it. This is typically manifested in prayer, rituals, meditation, psychedelics and paranormal "visions".
ellauri119.html on line 391: Although transcendence is defined as the opposite of immanence, the two are not necessarily mutually exclusive. Some theologians and metaphysicians of various religious traditions affirm that a god is both within and beyond the universe (panentheism); in it, but not of it; simultaneously pervading it and surpassing it.
ellauri119.html on line 430: In addition to cross-cultural differences in understanding love, ideas about love have also changed greatly over time. Some historians date modern conceptions of romantic love to courtly Europe during or after the Middle Ages, although the prior existence of romantic attachments is attested by ancient love poetry. The complex and abstract nature of love often reduces discourse of love to a thought-terminating cliché. Several common proverbs regard love, from Virgil's "Love conquers all" to The Beatles' "All You Need Is Love". St. Thomas Aquinas, following Aristotle, defines love as "to will the good of another." Bertrand Russell describes love as a condition of "absolute value," as opposed to relative value.[citation needed] Philosopher Gottfried Leibniz said that love is "to be delighted by the happiness of another." Meher Baba stated that in love there is a "feeling of unity" and an "active appreciation of the intrinsic worth of the object of love." But who the fuck is Meher Baba? Biologist Jeremy Griffith defines love as "unconditional selflessness". In Hebrew, אהבה (ahava) is the most commonly used term for both interpersonal love and love between God and God's creations. Chesed, often translated as loving-kindness, is used to describe many forms of love between human beings. In Hebrew, אהבה (ahava) is the most commonly used term for both interpersonal love and love between God and God's creations. Chesed, often translated as loving-kindness, is used to describe many forms of love between human beings. The 20th-century rabbi Eliyahu Eliezer Dessler is frequently quoted as defining love from the Jewish point of view as "giving without expecting to take" (from his Michtav me-Eliyahu, Vol. 1). Rakkaus on siis ekonomisesti sulaa hulluutta!
ellauri119.html on line 442: In Hinduism, kāma is pleasurable, sexual love, personified by the god Kamadeva. For many Hindu schools, it is the third end (Kama) in life. Kamadeva is often pictured holding a bow of sugar cane and an arrow of flowers; he may ride upon a great parakeet. The philosophical work Narada Bhakti Sutras, written by an unknown author (presumed to be Narada), distinguishes eleven forms of love. Kama Sutra has more. Gaudiya Vaishnavas who worship Krishna as the Supreme Personality of Godhead and the cause of all causes consider Love for Godhead (Prema) to act in two ways: sambhoga and vipralambha (union and separation), like Empedocles' love and strife, attraction and repulsion, in and out in ever faster succession. Radha is considered to be the internal potency of Krishna, and is the supreme lover of Godhead. Her example of love is considered to be beyond the understanding of material realm as it surpasses any form of selfish love or lust that is visible in the material world. The reciprocal love between Radha (the supreme lover) and Krishna (God as the Supremely Loved) is the subject of many poetic compositions in India such as the Gita Govinda and Hari Bhakti Shuddhodhaya, and a lot of chanting, tinkling little bells and opening and closing of musical doors.
ellauri119.html on line 452: Among the prevailing types of theories that attempt to account for the existence of love there are: psychological theories, the vast majority of which consider love to be very healthy behavior; there are evolutionary theories that hold that love is part of the process of natural selection; there are spiritual theories that may, for instance consider love to be a gift from God; there are also theories that consider love to be an unexplainable mystery, very much like a mystical experience. It feels like a sneeze. Setting aside Empedocles's view of Eros as the force binding the world together, the roots of the classical philosophy of love go back to Plato's Symposium.
ellauri119.html on line 458: Aristotle by contrast placed more emphasis on philia (friendship, affection) than on eros (love); and the dialectic of friendship and love would continue to be played out into and through the Renaissance, with Cicero for the Latins pointing out that "it is love (amor) from which the word 'friendship' (amicitia) is derived" Meanwhile, Lucretius, building on the work of Epicurus, had both praised the role of Venus as "the guiding power of the universe", and criticised those who become "love-sick...life's best years squandered in sloth and debauchery".
ellauri119.html on line 462: Luce Irigaray (born 3 May 1930) is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst and cultural theorist who examined the uses and misuses of language in relation to women. Irigaray's first and most well known book, published in 1974, was Speculum non matris sed aliae mulieris (1974), which analyzes the texts of Freud, Hegel, Plato, Aristotle, Descartes, and Kant through the lens of phallocentrism. Presently, she is active in the Women's Movements in both France and Italy. Eroticism (from the Greek ἔρως, eros—"desire") is a quality that causes sexual feelings, as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality, and romantic love. That quality may be found in any form of artwork, including painting, sculpture, photography, drama, film, music, or literature. It may also be found in advertising. The term may also refer to a state of sexual arousal or anticipation of such – an insistent sexual impulse, desire, or pattern of thoughts.
ellauri119.html on line 477: Sternberg says that intimacy refers to "feelings of closeness, connectedness, and bondedness in loving relationships," passion refers to "the drives that lead to romance, physical attraction, sexual consummation, and related phenomena in loving relationships" and decision/commitment means different things in the short and long term. In the short-term, it refers to "the decision that one loves a certain other", and in the long-term, it refers to "one's commitment to maintain that love."
ellauri119.html on line 508: Feels strong physical and emotional connection through the relationship.
ellauri119.html on line 607: Ayn (Rosenbaum) Rand is buried in Kensico Cemetery.
ellauri119.html on line 640: She was buried with her husband, Frank, in Kensico Cemetery, Valhalla, Westchester, New York.
ellauri119.html on line 682: The "good" guys in her novels are basically paranoid sociopaths but her book´s view the world through their eyes and, of course, they don´t notice anything wrong with their distorted worldview. Humans are social animals and having interdependencies is the norm. Ayn Rand takes the normal and using the views of a sociopath portrays those interdependencies as being corrupt, evil, and self defeating. This is consistent in all of her writings. I´ve read everything Any Rand wrote and some of what has been written by her direction.
ellauri119.html on line 730: “Atlas Shrugged” is fiction. Authors of fiction can write anything they want to write no matter how nonsensical it is.
ellauri119.html on line 746: Dagny saved a bum from being thrown off from her OWN train. She is responsible for policies and rules of her own train, which her employees follow word for word. She’s basically saving a bum from herself. Also, if she were to act as her philosophy dictates, then it would be in her self-interest to throw the bum of her train. By saving the bum, she’s a hypocrite of her own philosophy.
ellauri131.html on line 351: Elvis Presley – posthumous musician
ellauri131.html on line 366: the Coople's Soul, Jack Canafield, the Country Soul, the Country Soul Music, the College Soul, Jack Canafield, the Canadian Soul, the Chiropractic Soul, the Christian Family Soul, Jack Canafield, and Nancy Autio (2000), Chicken Coop for the Christian Teenage Soul, Jack Canafield, Mark Victor Hansen, Kimberly Kirberger, Patty Aubery and Nancy Mitchell-Autio, the Christian Sole, the Christian Sole 2, the Christian Woman's Hole, Christmas Sole, Christmas in Canada, Christmas Magic, Christmas Treasury, Christmas Treasury for Kids, Healthy Living Series: Weight Loss, where Jack combines inspirational stories with medical advice. The Cat-and-Dog Lovers, Count Your Blessings, Create Your Second Best Future, The Mating Game, the Dental Bowl, The Rental Hole, Dieter's Soul, Divorce and Recovery Soul, where Jack combines inspirational stories with legal advice. The Dog Did What? Same as The Cat? The Dog Lovers' Dreams and Premonitions, Chicken Coop for the Entrepreneur's Black Soul, Jack Canafield, for the Empty Hesters, for Every Mom's Horny Son, for the Expectant Mother, Family Matters, Father's Cock, Father and Daughter videos, Father and Son's Holey Camp, Find Your Happiness, Find Your Inner Strength, Find your Arse with both hands, Finding My Faith, Fisherman's Friend, Jack Canafield,
ellauri131.html on line 646: In June 2016, CNN reported that 30 people were burned during a "fire walk" at Robbins' "Unleash the Power Within" seminar in Dallas. in 2012, another Robbins "fire walk" in San Jose resulted in 20 people sustaining "second-and third-degree burns." Robbins' camp basically shrugged off the reports, saying, "It's not uncommon to have fewer than 1% of participants experience 'hot spots,' which is similar to a sunburn that can be treated with aloe."
ellauri131.html on line 655: Allegations levied against Robbins range from staff complaints, to sexual misconduct, to shaming some of his followers to the point of physical illness — all allegations which Robbins vehemently denies.
ellauri131.html on line 673: He added, "If you use the #metoo movement to try to get significance and certainty by attacking and destroying someone else like me, you haven't grown an ounce. All you've done is basically use a drug called significance to make yourself feel good." Robbins later apologized, expressing his "powerful admiration for the #metoo movement." "It's very significant."
ellauri131.html on line 677: Celebrity scientist Bill Nye told The Chicken Wrap in 2017 that simple physics makes walking on burning coals actually not too difficult. Citing another physicist, the celeb explained, "the foot is almost never in contact long enough to induc
ellauri131.html on line 723: Robbins repeatedly swears by Natural Language Processing (NLP), a controversial, consciousness-based belief system that took root in California in the 1970s. According to the Association for NLP, the practice is commonly referred to as the "users manual for your mind," and studying NLP offers "insights into how our thinking patterns can effect [sic] every aspect of our lives." God's co-creator Vivica Bandler has characterized the process as a veritable fountain of youth, asserting one's "ability for consciousness to influence our DNA evolution." In an interview with NLP Life, Bandler said, "It is obviously related to aging and the more we learn to control our consciousness, the more we will learn to control the quality of the DNA that keeps us young, the DNA that makes us smart...There is literally no limit to what we can do as we begin to harness the great power called consciousness."
ellauri131.html on line 739: Deepak Chopra is an actually accredited physician with ties to various organizations and institutions of note, like Harvard Medical School and the Accreditation Counsel for Continuing Medical Education. And while his claims regarding the merits of a $35 per ounce bottle of fruit juice called Zrii can be debated to no end, it was when he strayed into the realms of physics and evolutionary biology that scientists in those respective fields began ripping him to pieces.
ellauri131.html on line 742: Evolutionary biologist Jerry Coyne issued a similar takedown, by simply highlighting some of Chopra's more outlandish claims, including his idea that the moon only exists because of human consciousness, the suggestion that mass prayer or meditation has the ability to "simmer down the turbulence in nature," as well as the nonsensical statement "Consciousness is the driver of evolution. Every time I eat your pussy or you suck my banana it transforms into a human." Coyne labels Chopra's ideas as "pseudoscience, pure and simple," and accuses him of "pushing a noxious brew of quantum physics, evolutionary biology, and "universal consciousness.'" Ouch.
ellauri131.html on line 871: Well, that was infuriating. I was hoping for a cynical, or at the very least critical, approach to classic self-help tropes. What I got was and endless description of one woman's mental breakdown and her complete lack of healthy coping strategies. There is nothing remotely funny or insightful about this book and Marianne Power's obsession with her first world problems feels extremely tone-deaf.
ellauri131.html on line 900: Hay recounted her life story in an interview with Mark Oppenheimer of The New York Times in May 2008. In it, Hay stated that she was born in Los Angeles to a poor mother who remarried Louise's violent stepfather, Ernest Carl Wanzenreid (1903–1992), who physically abused her and her mother. When she was about 5, she was raped by a neighbor. At 15, she dropped out of University High School in Los Angeles without a diploma, became pregnant and, on her 16th birthday, gave up her newborn baby girl for adoption.
ellauri131.html on line 908: In 1976, Hay wrote her first book, Heal Your Body, which began as a small pamphlet containing a list of different bodily ailments and their "probable" metaphysical causes. This pamphlet was later enlarged and extended into her book You Can Heal Your Life, published in 1984. In February 2008, it was fourth on the New York Times paperback advice bestsellers list.
ellauri131.html on line 910: Around the same time she began leading support groups for people living with HIV/AIDS, which she called "Hay Rides". These grew from a few people in her living room to hundreds of men in a large hall in West Hollywood, California. Her work with AIDS patients drew fame and she was invited to appear on The Oprah Winfrey Show and The Phil Donahue Show in the same week, in March 1988. Following this, You Can Heal Your Life immediately landed on the New York Times bestseller list. More than 50 million copies sold around the world in over 30 languages and it also has been made into a movie. You Can Heal Your Life is also included in the book 50 Self-Help Classics for being significant in its field. It is often described as a part of the New Age movement.
ellauri131.html on line 936: Stephen Covey's Seven Habits of Highly Effective People, briefly, are these: (1) Be proactive. Take the initiative and be responsible. (2) Begin with the end in mind. Start any endeavor -- a meeting, a day at the office, your adult life -- with a mental image of an outcome conforming to values you cherish. (3) Put first things first. Discipline yourself to subordinate feelings, impulses, and moods to your values. (4) Think win/win. Just as it sounds. (5) Seek first to understand, then to be understood. Listen with the intent to empathize, not with the intent to reply. (6) Synergize. Create wholes that are greater than the sum of their parts. (7) Sharpen the saw. Take time to cultivate the four essential dimensions of your character: physical, mental, social/emotional, and spiritual.
ellauri131.html on line 1059: Asunnoton ei ehdi rakentaa enää majaa, Wer jetzt kein Haus hat, baut sich keines mehr. Ken yksin nyt on, kauan olla saa.
ellauri132.html on line 58: Eckhart weist den Begriffen „Gott“ und „Gottheit“ nicht die gleiche Bedeutung zu, sondern er bezeichnet mit ihnen unterschiedliche Ebenen, auf denen sich die göttliche Wirklichkeit dem Menschen zeigen kann. No niin! Ekkehartin heresia oli samanusuuntaista kuin mormonien profeetalla, herra Smithillä. Me apinatkin ollaan pikku jumalia, ei vaan jotain luojanluomia löylynlyömiä. Me päästään samoihin kuin Jehova kun oikein treenataan. Christus ist zwar ein unerreichtes Vorbild, nicht aber von Natur aus von anderen Menschen prinzipiell verschieden. Jeesus - oli vain 1 ihminen - mutta meitä Spartakuxia on koko liuta! Koko pörisevä pesä minijumalia!
ellauri132.html on line 60: Das Inquisitionsverfahren wurde verschleppt. Das Fehlen eines Präzedenzfalls – es war noch nie ein Häresieverfahren gegen einen so hochrangigen Theologen und Ordensmann durchgeführt worden – verunsicherte anscheinend die Inquisitoren. (Hups, täähän voi vielä sattua omaan nilkkaan!) Am 24. Januar 1327 appellierte Eckhart an den Apostolischen Stuhl. Dabei beklagte er, dass die Richter immer wieder Termine ansetzten, aber zu keinem Urteil kämen. (Hidasta kuin pankissa Satu Hassin isän ja miehen kuoltua. Ekkehart ehti kuolla kesken prosessin. Se oli ehkä pankin tarkoitus.)
ellauri132.html on line 62: Nach Eckharts Tod wurde das Verfahren fortgesetzt. Es endete mit der Verurteilung der 28 Sätze, die teils als häretisch, teils als häresieverdächtig eingestuft wurden. Wichtiger als die Berufung auf Autoritäten (Neuplatonismus, Augustinus, Moses Maimonides) ist für ihn (wie für seinen Namensvetter!) die auf Vernunft und Erfahrung gestützte Einsicht. Er hält seine Einsichten für universal gültig und will seinem Publikum den Nachvollzug auch anspruchsvoller Inhalte ermöglichen. (wie auch sein schwerverständlicher Namensvetter! "Solange der Mensch dieser Wahrheit nicht gleicht, solange wird er diese Rede nicht verstehen.") Als Prediger wendet er sich statt Latein in deutscher Sprache auch an Hörer oder Leser, die über wenig philosophische oder theologische Vorkenntnisse verfügen. (Wie sein Namensvetter, der seine Muttersprache verlässt und auf English prädiziert). Tervettä markkina-ajattelua: enemmän tyhmempiä ja rikkaampia kusetettavia.
ellauri132.html on line 147: E.T. Das Sein ist das ewige, allgegenwärtige Mein Leben! jenseits der unzähligen Lebensformen, die Geburt und Tod unterliegen. Das Sein ist jedoch nicht nur jenseits, sondern auch tief in jeder Form als seine innerste unsichtbare und unzerstörbare Essenz. Das bedeutet, dass es dir jetzt als dein eigenes tiefstes Selbst, deine wahre Natur, zugänglich ist. Aber versuchen Sie nicht, es mit Ihrem Verstand zu erfassen. Der fasst nur Knochen. Versuchen Sie nicht, es zu verstehen. Du kannst es nur erkennen, wenn der Geist still ist. Schluss mit dem Denken! Wenn du präsent bist, wenn deine Aufmerksamkeit ganz und intensiv im Jetzt ist, kann das Sein gefühlt, aber niemals mental verstanden werden. Das Bewusstsein des Seins wiederzuerlangen und in diesem Zustand der „Gefühls-Erkenntnis“ zu bleiben, ist Erleuchtung.
ellauri132.html on line 159: Denken ist zu einer Krankheit geworden. Krankheit entsteht, wenn die Dinge aus dem Gleichgewicht geraten. Es ist zum Beispiel nichts falsch daran, dass sich Zellen im Körper teilen und vermehren, aber wenn dieser Prozess ohne Rücksicht auf den gesamten Organismus fortgesetzt wird, vermehren sich Zellen und wir haben Krankheiten. Dass geschieht wenn die Zellen fangen an selber zu denken! Schluss damit!
ellauri132.html on line 433:
ellauri132.html on line 869: „Was ziehst du an meinem Mantel, du schönes bleiches Gesicht?" "Mitäs kiskot mun manttelia, sä kaunis kalpeekasvo?"
ellauri132.html on line 875: Und wieder zum drittenmale verzieht sich des Fremden Gewand. Ja vielä 3. kerran se kiskoo vieraan palttoota.
ellauri132.html on line 884: Die lockenden Liebeslaute sich selber vorgesprochen. Harjotellut näitä lemmenpuheita peilin edessä.
ellauri132.html on line 886: Und ließ sich durch sie führen im Schatten der Häuserwand. Ja antoi johtaa izeänsä talonseinän varjossa.
ellauri132.html on line 894: Es saß beim Ofen im Stuhle Großmutter mit hagrem Gesicht, Isoäiti istui pallilla uunin luona naama norsunvitulla,
ellauri132.html on line 912: Vor Grau'n das Blut in den Adern, er blickte hinter sich juoxi kauhun veri suonista, se vilkui taaxensa
ellauri132.html on line 944: Sie riß sich heftig am Halsweh und zeigte den goldenen Reif Hiän repäisi kovaa kaulurista ja näytti rengasta
ellauri132.html on line 951: Sie bebte am ganzen Leibe und schob sich an ihm empor, (Että pitikin sattua eze olit just Roope sä!)
ellauri132.html on line 982: Er trat in die Kammer und beugte sich über das Bette hin. Hän astui panohuoneeseen ja kumartui petiin päin.
ellauri132.html on line 999: Gedichte, die Sie interessieren könnten ⇒ Übersicht Runoja jotka vois sua kiinnosta ⇒ Kazaus
ellauri133.html on line 77:
Alarm clock. Possibly the worst opening of all: “I groaned as the alarm went off. Oh no, I’m late, I thought to myself. I got up, and put on my blue denims, and my cute pink top...” Never miss an opportunity for random misogyny! Anyway, look at the beginnings of world lit classics. You would have ended up mutilating most of them, turning them to more episodes of Paw Patrol.
ellauri133.html on line 370: The Three Billy Goats Gruff, a classic Norwegian fairy tale about three scrappy goats outsmarting a bridge troll, might sound like a far cry from a 1000-plus page horror novel, but Stephen King cites it as a primary inspiration. He expanded the bridge to encompass an entire city, and the troll morphed into the terrifying demonic entity known as IT.
ellauri133.html on line 468: I don’t want to repeat King’s utter creepiness and describe this in too much detail (shit, I would but there is not enough space), but there are some elements of the scene that deserve mentioning. Again, functioning in misogynist misunderstanding of female sexuality, for at least one of these encounters Bev “feels no physical pleasure, but there is a kind of mental ecstasy in it for her.” When she does feel “some pleasure, dim heat in her childish unmatured sex,” she thinks of birds and resolves that having sex “is what flying is like.” The penis size of the character of Ben is commented on (“is he too big, can she take that into herself?”) and she eventually has an orgasm with him. Steve looks on with his little droopy wiener in his hand. I bet Mustafa had a biggish "It", and Tabitha King (the other one with the curves going in instead of out) has an even bigger one. They are like the little goat, the middling goat, and the big big goat that can suck the big bad wolf all the way in, balls and all.
ellauri133.html on line 589: Aika moukkamaisia, Austenia lukuunottamatta, joka moukan mielestä on romcomia. No tavallaanhan se onkin, muttei siinä kaikki! Frankenstein on Maryn avainromaani Percy Shelleystä. Loput infantiilit äijä"klassikot" löytyy myös leffana, kuvitettuina ja piirrettynä leffana. sic-novel-pride-and-prejudice/">Tota Austen cartoonia en ollut ennen nähnyt. Kertaalleen tää moukka on vielä lisäx lukassut:
ellauri135.html on line 139: Konsta vietti rattoisaa kesälomaa Jekaterina-vaimon ja 7-vuotiaan pojan kaa Bogovon kylässä vuonna 1924. Samana vuonna Pirkko täytti 2 ja Calle 1, Kalle Viänänen julkaisi teoxen Savolaista sanarrieskoo, ja the renowned klezmer clarinetist and self-proclaimed “King of Jewish music” Naftule Brandwein recorded a purely instrumental version with the title “Der Terk in America” laulusta Uskadaaraa.
ellauri135.html on line 571: Richter was born in Zhytomyr, Volhynian Governorate of the Russian Empire (modern-day Ukraine), a native town of his parents. His father, Teofil Danilovich Richter [de] (1872–1941), was a pianist, organist and composer born to German expatriates; from 1893 to 1900 he studied in the University of Music and Performing Arts Vienna. His mother, Anna Pavlovna Richter (née Moskaleva; 1893–1963), came from a noble Russian landowning family, and at one point she moaned under her future husband.
ellauri140.html on line 37: Armenialaistaustainen Murad Jacob "Jack" Kevorkian (May 26, 1928 – June 3, 2011) was an American pathologist and euthanasia proponent. He publicly championed a terminal patient's right to die by physician-assisted suicide, embodied in his quote, "Dying is not a crime". Kevorkian said that he assisted at least 130 patients to that end. He was convicted of murder in 1999 and was often portrayed in the media with the name of "Dr. Death". There was support for his cause, and he helped set the platform for reform.
ellauri140.html on line 58: Book IV, despite its title "The Legend of Cambell and Telamond or Of Friendship", Cambell's companion in Book IV is actually named Triamond, and the plot does not center on their friendship; the two men appear only briefly in the story. The book is largely a continuation of events begun in Book III. First, Scudamore is convinced by the hag Ate (discord) that Britomart has run off with Amoret and becomes jealous. A three-day tournament is then held by Satyrane, where Britomart beats Arthegal (both in disguise). Scudamore and Arthegal unite against Britomart, but when her helmet comes off in battle Arthegal falls in love with her. He surrenders, removes his helmet, and Britomart recognizes him as the man in the enchanted mirror. Arthegal pledges his love to her but must first leave and complete his quest. Scudamore, upon discovering Britomart's sex, realizes his mistake and asks after his lady, but by this time Britomart has lost Amoret, and she and Scudamore embark together on a search for her. The reader discovers that Amoret was abducted by a savage man and is imprisoned in his cave. One day Amoret darts out past the savage and is rescued from him by the squire Timias and Belphoebe. Arthur then appears, offering his service as a knight to the lost woman. She accepts, and after a couple of trials on the way, Arthur and Amoret finally happen across Scudamore and Britomart. The two lovers are reunited. Wrapping up a different plotline from Book III, the recently recovered Marinel discovers Florimell suffering in Proteus' dungeon. He returns home and becomes sick with love and pity. Eventually he confesses his feelings to his mother, and she pleads with Neptune to have the girl released, which the god grants.
ellauri141.html on line 109: Quintus Horatius Flaccus (8th of December, Ab Urbe Condita 689, B. C. 65 - 27th of November, B. C. 8) was born at or near Venusia (Venosa), in the Apennines, on the borders of Lucania and Apulia. His father was a freedman, having, as his name proves, been the slave of some person of the Horatia gens. As Horace implies that he himself was ingenuus, his father must have obtained his freedom before his birth. He afterwards followed the calling of a coactor, a collector of money in some way or other, it is not known in what. He made, in this capacity, enough to purchase an estate, probably a small one, near the above town, where the poet was born. We hear nothing of his mother, except that Horace speaks of both his parents with affection. His father, probably seeing signs of talent in him as a child, was not content to have him educated at a provincial school, but took him (at what age he does not say, but probably about twelve) to Rome, where he became a pupil of Orbilius Pupillus, who had a school of much note, attended by boys of good family, and whom Horace remembered all his life as an irritable teacher, given unnecessarily to the use of the rod. With him he learnt grammar, the earlier Latin authors, and Homer. He attended other masters (of rhetoric, poetry, and music perhaps), as Roman boys were wont, and had the advantage (to which he afterwards looked back with gratitude) of his father’s care and moral training during this part of his education. It was usual for young men of birth and ability to be sent to Athens, to finish their education by the study of Greek literature and philosophy under native teachers; and Horace went there too, at what age is not known, but probably when he was about twenty. Whether his father was alive at that time, or dead, is uncertain. If he went to Athens at twenty, it was in B. C. 45, the year before Julius Cæsar was assassinated. After that event, Brutus and Cassius left Rome and went to Greece. Foreseeing the struggle that was before them, they got round them many of the young men at that time studying at Athens, and Horace was appointed tribune in the army of Brutus, a high command, for which he was not qualified. He went with Brutus into Asia Minor, and finally shared his defeat at Philippi, B. C. 42. He makes humorous allusion to this defeat in his Ode to Pompeius Varus (ii. 7). After the battle he came to Italy, having obtained permission to do so, like many others who were willing to give up a desperate cause and settle quietly at home. His patrimony, however, was forfeited, and he seems to have had no means of subsistence, which induced him to employ himself in writing verses, with the view, perhaps, of bringing himself into notice, rather than for the purpose of making money by their sale. By some means he managed to get a place as scriba in the Quæstor’s office, whether by purchase or interest does not appear. In either case, we must suppose he contrived soon to make friends, though he could not do so by the course he pursued, without also making many enemies. His Satires are full of allusions to the enmity his verses had raised up for him on all hands. He became acquainted, among other literary persons, with Virgil and Varius, who, about three years after his return (B. C. 39), introduced him to Mæcenas, who was careful of receiving into his circle a tribune of Brutus, and one whose writings were of a kind that was new and unpopular. He accordingly saw nothing of Horace for nine months after his introduction to him. He then sent for him (B. C. 38), and from that time continued to be his patron and warmest friend.
ellauri141.html on line 111: At his house, probably, Horace became intimate with Polio, and the many persons of consideration whose friendship he appears to have enjoyed. Through Mæcenas, also, it is probable Horace was introduced to Augustus; but when that happened is uncertain. In B. C. 37, Mæcenas was deputed by Augustus to meet M. Antonius at Brundisium, and he took Horace with him on that journey, of which a detailed account is given in the fifth Satire of the first book. Horace appears to have parted from the rest of the company at Brundisium, and perhaps returned to Rome by Tarentum and Venusia. (See S. i. 5, Introduction.) Between this journey and B. C. 32, Horace received from his friend the present of a small estate in the valley of the Digentia (Licenza), situated about thirty-four miles from Rome, and fourteen from Tibur, in the Sabine country. Of this property he gives a description in his Epistle to Quintius (i. 16), and he appears to have lived there a part of every year, and to have been fond of the place, which was very quiet and retired, being four miles from the nearest town, Varia (Vico Varo), a municipium perhaps, but not a place of any importance. During this interval he continued to write Satires and Epodes, but also, it appears probable, some of the Odes, which some years later he published, and others which he did not publish. These compositions, no doubt, were seen by his friends, and were pretty well known before any of them were collected for publication. The first book of the Satires was published probably in B. C. 35, the Epodes in B. C. 30, and the second book of Satires in the following year, when Horace was about thirty-five years old. When Augustus returned from Asia, in B. C. 29, and closed the gates of Janus, being the acknowledged head of the republic, Horace appeared among his most hearty adherents. He wrote on this occasion one of his best Odes (i. 2), and employed his pen in forwarding those reforms which it was the first object of Augustus to effect. (See Introduction to C. ii. 15.) His most striking Odes appear, for the most part, to have been written after the establishment of peace. Some may have been written before, and probably were. But for some reason it would seem that he gave himself more to lyric poetry after his thirty-fifth year than he had done before. He had most likely studied the Greek poets while he was at Athens, and some of his imitations may have been written early. If so, they were most probably improved and polished, from time to time, (for he must have had them by him, known perhaps only to a few friends, for many years,) till they became the graceful specimens of artificial composition that they are. Horace continued to employ himself in this kind of writing (on a variety of subjects, convivial, amatory, political, moral,—some original, many no doubt suggested by Greek poems) till B. C. 24, when there are reasons for thinking the first three books of the Odes were published. During this period, Horace appears to have passed his time at Rome, among the most distinguished men of the day, or at his house in the country, paying occasional visits to Tibur, Præneste, and Baiæ, with indifferent health, which required change of air. About the year B. C. 26 he was nearly killed by the falling of a tree, on his own estate, which accident he has recorded in one of his Odes (ii. 13), and occasionally refers to; once in the same stanza with a storm in which he was nearly lost off Cape Palinurus, on the western coast of Italy. When this happened, nobody knows. After the publication of the three books of Odes, Horace seems to have ceased from that style of writing, or nearly so; and the only other compositions we know of his having produced in the next few years are metrical Epistles to different friends, of which he published a volume probably in B. C. 20 or 19. He seems to have taken up the study of the Greek philosophical writers, and to have become a good deal interested in them, and also to have been a little tired of the world, and disgusted with the jealousies his reputation created. His health did not improve as he grew older, and he put himself under the care of Antonius Musa, the emperor’s new physician. By his advice he gave up, for a time at least, his favorite Baiæ. But he found it necessary to be a good deal away from Rome, especially in the autumn and winter.
ellauri141.html on line 138: Est qui nec veteris pocula Massici On joku joka ei sylje Massicuxen lasiin,
ellauri141.html on line 215: Persicos odi, puer, adparatus, Persikkaa inhoan, kuuletko poika
ellauri141.html on line 275: Petti, nihil me sicut antea iuvat Petti, ei mua nappaa niinkö ennen
ellauri141.html on line 276: scribere versiculos amore percussum gravi, kynäillä värssyjä saatuani lemmen tärskyn,
ellauri141.html on line 354: And by way of further warning, I’d better say up front that my reading of this poem differs radically from every other that I’ve seen. What follows is, I think, pretty well uncharted territory in the Persicos Odi canon. I’m going to try to make the case for and translate Pericos odi as a sex poem!
ellauri141.html on line 366: Adolescent slave boys were fair game for a virile man. Jupiter may have had his Ganymede, but none of the standard pantheon of gods were gay as we use the term. But there was a limit: it was queer to screw a boy after he was old enough to shave. “Passive’ homosexuality was the real disgrace. The urge to bugger was understandable. A man’s desire to be buggered was disgraceful. As often observed, it was better to give than receive. And in Horace’s poems, pederasty seems no more frowned upon than a taste for veal might be frowned upon today. Actually less. By now you can see where I’m headed with all this. I think the puer in Persicos odi, puer, apparatus... is the kind of boy that Horace is sometimes fond of screwing.
ellauri141.html on line 368: Mut näyttää vähän siltä että Horatiuxen letku ei seissyt monta hetkeä. Se ehkä selittää ezen viisujen perussävy on tollanen tekosirkeä, puoliveteinen ja letkeä. Horace’s obsessions were music, sex, death and wine and crowns made from plants.
ellauri141.html on line 399: Book I (Includes: 'Persicus odi', 'Carpe diem', 'Integer Vitae' )
ellauri141.html on line 404: The solfege system (Do, Re, Mi), which is the theme of a song by the Von Trapp children, is just a small sample of Horace's all-pervasive influence on western culture, even among people who might never have heard the name Quintus Horatius Flaccus. Horace was not just a superb literary craftsman, but a musician, songwriter and entertainer for the Roman elite, creating a new Latin idiom derived from Greek lyric song. A final chapter, "Horace, Guido and the Do-re-mi Mystery", the result of careful research and detective work, argues that Guido d'Arezzo, an eleventh-century Benedictine choirmaster, used the melody of Horace's Ode to Phyllis (alla) to invent the do-re-mi mnemonic, but applied it to an eighth-century Hymn to John the Baptist ("Ut queant laxis") by Paul the Deacon, keeping the true source secret. A musical comparison of the Horatian melody and Guido's version of "ut-re-mi" is included. Lyons' verse translation of the Odes was named a Financial Times Book of the Year (1996) and was welcomed as 'a wonderful rendering of one of the great, central poets in the European tradition.'
ellauri141.html on line 503: At the same time, the classical tongues and dead languages were dead to him. He perused only English and French. Latin did not come at all kindly to him; Greek was a closed book….
ellauri141.html on line 505: In the classics, that is Latin, he was no more than an ordinary boy, but he gave the impression that if he thought it essential for his literary ambitions, he would tackle it to good purpose. But somehow he did not so think, and he made no effort to acquire a vocabulary or memorise Latin words—consequently, his construes were sometimes a succession of errs and hums waiting and hoping for the form-master kindly to supply the missing translation. (5)
ellauri141.html on line 513: Kipling encountered him as a schoolboy, and wrote in Something of Myself (p.33) that C----, his classics master ('King' in Stalky & Co.) ...taught me to loath Horace for two years, to forget him for twenty, and then to love him for the rest of my days and through many sleepless nights.
ellauri141.html on line 569: The ‘editor’ of the Latin text was the clever versifier A. D. Godley of Oxford. (267) He contributed graceful acknowledgements (268) and a hilarious preface about the (fictitious) manuscripts, which parodies the standard praefatio of an Oxford Classical Text (brown-covered in those days like the spoof). (269) There is a learned apparatus criticus about disputed or variant ms. readings. He did the Latin poems, together with his Oxford colleagues and friends John Powell (270) and Ronald Knox (271) and the Etonian and former Cambridge undergraduate A. B. Ramsay. (272) There is an appendix of alternative Latin versions which the translators obviously could not bear to waste. Kipling contributed a schoolboyish prose version of ‘The Pro-consuls’: ‘the sixth ode, as it seems, rendered into English prose by a scholiast of uncertain period’, which starts:
ellauri142.html on line 38: Annuit cœptis (/ˈænuɪt ˈsɛptɪs/, Classical Latin: [ˈannʊ.ɪt ˈkoe̯ptiːs]) is one of two mottos on the reverse side of the Great Seal of the United States. The literal translation is "favors (or "has favored") [our] undertakings", from Latin annuo ("I nod at"), and coeptum ("commencement, undertaking"). Because of its context as a caption above the Eye of Sarnath, the standard translations are "Crang favors our undertakings" and "Crang has favored our undertakings." Annuit cœptis comes from the Aeneid, book IX, line 625, which reads, Iuppiter omnipotens, audacibus adnue coeptis. It is a prayer by Ascanius, the son of the hero of the story, Aeneas, which translates to, "Jupiter Almighty favour [my] bold undertakings", just before slaying an enemy warrior, Numismaticus. Haha, tappoi numismaatikon. Texti alla tarkoittaa "suuri hylje".
ellauri142.html on line 93: Tolstoy's concept of ahimsa was bolstered when he read a German version of the Tirukkura. The Tirukkuṟa (Tamil: திருக்குறள், lit. 'sacred verses'), or shortly the Kura, is a classic Tamil language text consisting of 1,330 short couplets, or kura, of seven words each. The text is divided into three books with aphoristic teachings on virtue (aram), wealth (porul) and sex (inbam), respectively. The Kura is traditionally praised with epithets and alternate titles such as "the Tamil Veda" and "the divine book." Written on the foundations of ahimsa, it emphasizes non-violence and moral vegetarianism as highest virtues for an individual.
ellauri142.html on line 110: Initially, the Freemason creed declared anti-Catholic, anti-Royalty, and anti-Democratic (i.e. Republican) virtues, including self-government, personal freedom, gun laws, and free enterprise. The basic tenet was that no person or organization should be controlled or oppressed by a government or religion, or their respective laws and doctrines. At their start, and for centuries, The Freemasons were a feisty, calculating, and powerful coalition.
ellauri142.html on line 143: Rituals help us physicalize our beliefs, desires, and commitments. For many, performing a weekly or monthly ritual is a profound physical, psychological or emotional workout. Rituals help people connect to themselves, their chosen communities, and their Gods.
ellauri142.html on line 167: Vittu mitä pellejä! Jo on lapsellista touhua. According to the historian David Stevenson, it was influential on Freemasonry as it was emerging in Scotland. Robert Vanloo (n.h.) states that earlier 17th century Rosicrucianism had a considerable influence on Anglo-Saxon Masonry. Hans Schick sees in the works of Comenius (1592–1670) the ideal of the newly born English Masonry before the foundation of the Grand Lodge in 1717. Comenius was in England during 1641. Their mission is to prepare the whole wide world for a new phase in religion, which includes awareness of the inner worlds and the subtle bodies, and to provide safe guidance in the gradual awakening of man's latent spiritual faculties during the next six centuries toward the coming Age of Aquariums. This is the dawning of it, judging by the sea levels. According to Masonic writers, the Order of the Rose Cross is expounded in a major Christian literary work that molded the subsequent spiritual beliefs of western civilization: The Divine Comedy (ca. 1308–1321) by Dante Alighieri.
ellauri143.html on line 121: The moksa state is attained when a soul is liberated from the cycles of deaths and rebirths, is at the apex, is omniscient, remains there eternally, and is known as a siddha. In Jainism, it is believed to be a stage beyond enlightenment and ethical perfection, states Paul Dundas (n.h.), because they can perform physical and mental activities such as teach, without accruing karma that leads to rebirth.
ellauri143.html on line 1463: “She seemed glad to see me. In fact, she actually said she was glad to see me – a statement no other aunt on the list would have committed herself to, the customary reaction of these near and dear ones to the spectacle of Bertram arriving for a visit being a sort of sick horror.” - P.G. Wodehouse
ellauri143.html on line 1628: Explanation : To express their love-sickness by their eyes and resort to begging bespeaks more than ordinary female excellence.
ellauri144.html on line 62: In truth it is profitable to cast aside toys and to learn wisdom; to leave to lads the sport that fits their age, and not to search out words that will fit the music of the Latin lyre, but to master the rhythms and measures of a genuine life. There-fore I talk thus to myself and silently recall these precepts:
ellauri144.html on line 73: sics.com/view/horace-epistles/1926/pb_LCL194.437.xml">https://www.loebclassics.com/view/horace-epistles/1926/pb_LCL194.437.xml ellauri144.html on line 181:
Phillu mainizee (175) Mandelin tykänneen Tito Puentesista ja Pupi Camposta niin paljon että muutti nimensä Babaluuxi. (Kolmas nimi on pianisti Joe Loco.) "Babalú" is a Cuban popular afro song written by Margarita Lecuona, the cousin of composers Ernestina and Ernesto Lecuona. The song title is a reference to the Santería deity Babalú Ayé. "Babalú" was the signature song of the fictional television character Ricky Ricardo, played by Desi Arnaz in the television comedy series I Love Lucy, though it was already an established musical number for Arnaz in the 1940s as evidenced in the 1946 film short Desi Arnaz and His Orchestra. By the time Arnaz had adopted the song, it had become a Latin American music standard, associated mainly with Cuban singer Miguelito Valdés, who recorded one of its many versions with Xavier Cugat and his Waldorf-Astoria Orchestra. Arnaz made the song a rather popular cultural reference in the United States.
ellauri144.html on line 192: sic.co.uk/top-folksongs-chords/png/guantanamera.png" width="90%" />
ellauri144.html on line 294: His greatest successes were in musical comedy revues, typically featuring actresses in deshabillé, such as As the Girls Go (which also starred Clark) and Michael Todd's Peepshow (Kuoleman tirkistelyesitys, vanhentunut).
ellauri144.html on line 661: homosexual acts are intrinsically disordered [Persona Humana 8]. They are contrary
ellauri144.html on line 684: Metaverses, in some limited form, have already been implemented in video games such as Second Life. Some iterations of the metaverse involve integration between virtual and physical spaces and virtual economies.
ellauri145.html on line 111: The transformation of labor into pleasure is the craziest idea in Fourier´s giant socialist utopia," said Marcuse. He had a concern for the sexually rejected; jilted suitors would be led away by a corps of "fairies" who would soon cure them of their lovesickness, and visitors could consult the card-index of personality types for suitable partners for casual sex. He also defended homosexuality as a personal preference for some people. Fourier sexualizes work itself—the life of the Phalanstery is a continual orgy of intense feeling, intellection, & activity, a society of lovers & wild enthusiasts.
ellauri145.html on line 522: We have to bestow blame on one particular Nazi named Martin Heidegger. Martin Heidegger’s magnum opus Being and Time was in large part an attempt to create a systematic understanding of metaphysics and human condition building from Nietzsche’s work. Heidegger became the Nazi rector for the entire German university system, which gave the Nazi party a huge bolster of academic legitimacy, and he promoted the Nazi party and their agenda from his classroom, often sporting the Brown Shirt. When the Nazi’s really began to take power, Hitler kicked out Heidegger as University Rector.
ellauri145.html on line 526: Heidegger’s analysis of Nietzsche is entirely inauthentic. He alleges that Nietzsche merges a metaphysics of force with a Marxist analysis of labor to create a technological metaphysics of domination - however, Nietzsche’s analysis of force was completely counter to Marx’s and the marriage of Nietzsche and Marx is not Nietzsche, but is rather National Socialism, and the philosophical framework of this marriage is none other than Being and Time.
ellauri145.html on line 535: Intellectuals very often have an image the same way rock stars and movie directors do. There’s the real person, and there’s the body of work they create, and then there’s the image, the popular conception of that person. Most people don’t understand theoretical physics and are not interested in learning the math to do so, and most people probably wouldn’t understand anything in the papers that Hawking has authored or co-authored. But most of us know who Hawking was, not only because he wrote popular books but because he was paralyzed and sat in a wheelchair and had a robot voice. The idea of a theoretical physicist who does all his work with his brain even though his body is destroyed and speaks through a machine is almost like a comic book character, and the popular imagination loves that.
ellauri146.html on line 46: Christian Dietrich Grabbe (* 11. Dezember 1801 in Detmold; † 12. September 1836 ebenda) war ein deutscher Dramatiker des Vormärz. Der Begriff Vormärz bezeichnet die Epoche der deutschen Geschichte zwischen der Julirevolution von 1830 und der Märzrevolution von 1848. Einige Historiker fassen die Epoche etwas weiter und lassen sie bereits mit dem Wiener Kongress von 1815 beginnen. Geographisch beschränkt sich der Begriff auf die Staaten des auf dem Kongress gegründeten Deutschen Bundes.
ellauri146.html on line 48: Grabbe kam als Sohn eines Zuchthausaufsehers zur Welt. Schon als Gymnasiast in Detmold unternahm er mit 16 Jahren erste Versuche als Dramatiker. Ein Stipendium der Landesfürstin ermöglichte ihm ab 1820 ein Jura-Studium in Leipzig, das er 1822 in Berlin fortsetzte. In Berlin lernte er Heinrich Heine kennen. Nach dem Abschluss des Studiums 1823 bemühte er sich vergeblich, eine Stellung an einem deutschen Theater als Schauspieler oder Regisseur zu bekommen. Er kehrte nach Detmold zurück und legte im folgenden Jahr sein Juristisches Staatsexamen ab.
ellauri146.html on line 50: Auch die Versuche, in Detmold eine Stellung als Jurist zu finden, waren zunächst erfolglos, erst 1826 übernahm er die unbezahlte Vertretung eines erkrankten Auditeurs, dessen besoldeter Nachfolger er 1828 wurde. 1829 erfolgte in Detmold mit Don seinen Freunden Heinrich Heine, Ludwig Tieck, Don Juan und Faust die einzige Aufführung eines seiner Dramen zu Lebzeiten. Ab 1831 verschlechterte sich der Gesundheitszustand Grabbes zusehends, die Folgen seines Alkoholismus wurden sichtbar (eine für Grabbes Alkoholkonsum charakteristische Episode aus dem Herbst 1828 wird von Georg Fein geschildert). Eine Verlobung mit Henriette Meyer wurde von dieser gelöst, als sich Grabbe wieder Louise Christiane Clostermeier zuwandte, die ihn bereits einmal abgewiesen hatte. Grabbe oli aika lailla persujen ex-puheenjohtajan näköinen.
ellauri146.html on line 52: 1833 heiratete er die 10 Jahre ältere Louise Christiane Clostermeier, aber die Ehe erwies sich schnell als unglücklich. 1834 gab er sein Amt auf. Er reiste über Frankfurt am Main, wo er sich mit seinem Verleger überwarf, nach Düsseldorf. Dort hatte er sein Wohnhaus auf der Bolkerstraße 6. Der heutige Nachkriegsbau in der Ritterstraße 21 zeigt eine Steintafel, die auf seinen damaligen Aufenthalt hinweist: „In diesem Hause Litt und Stritt der Dichter Chr. Dietr. Grabbe 1834 bis 1836“. Dort arbeitete er mit Karl Immermann, den er 1831 kennengelernt hatte, an dem von diesem erneuerten Stadttheater. Doch auch diese Zusammenarbeit dauerte wegen der Depressivität und der Alkoholexzesse Grabbes nicht lange. 1836 kehrte er noch einmal nach Detmold zurück; seine Frau reichte die Scheidung ein. Noch im selben Jahr starb Grabbe in seiner Geburtsstadt an Rückenmarksschwindsucht, totalement épuisé par l'alcoolisme, aupres sa femme, le seul être qui soit resté disposé à l'accueillir. LOL.
ellauri146.html on line 59: SCHULMEISTER (sitzt am Tische und schenkt aus einer großen Flasche sich ein Glas nach dem andren ein). Utile cum dulci, Schnaps mit Zucker! – Es wird heute ein saurer Tag, – ich muß den Bauerjungen die erste Deklination beibringen. Ein Bauerjunge und die erste Deklination! Das kommt mir vor als wenn ein Rabe ein rein Hemd anziehen wollte! (Er blickt durch das Fenster.) Alle Wetter, da kommt der schiefbeinige Tobies mit seinem einfältigen Schlingel! Schwerenot, wo verstecke ich meinen Schnaps? – geschwind, geschwind, ich will ihn in meinen Bauch verbergen! (Er säuft die Bouteille mit einer entsetzlichen Schnelligkeit aus.) Ah, das war ein Schluck, dessen sich selbst Pestalozzi nicht hätte zu schämen brauchen! Die leere Flasche zum Fenster hinaus!
ellauri146.html on line 63: TEUFEL. Und morgen erwarte ich Sie bei dem Waldhäuschen zu Lopsbrunn; da machen Sie sich die Serviette wieder ab und nehmen die Baronin in die Arme.
ellauri146.html on line 75: RATTENGIFT (sitzt an einem Tische und will dichten). Ach, die Gedanken! Reime sind da, aber die Gedanken, die Gedanken! Da sitze ich, trinke Kaffee, kaue Federn, schreibe hin, streiche aus, und kann keinen Gedanken finden, keinen Gedanken! – Ha, wie ergreife ichs nun? Halt, halt! was geht mir da für eine Idee auf? – Herrlich! göttlich! eben über den Gedanken, daß ich keinen Gedanken finden kann, will ich ein Sonett machen, und wahrhaftig dieser Gedanke über die Gedankenlosigkeit, ist der genialste Gedanke, der mir nur einfallen konnte! Ich mache gleichsam eben darüber, daß ich nicht zu dichten vermag, ein Gedicht! Wie pikant! wie originell! (Er läuft schnell vor den Spiegel.) Auf Ehre, ich sehe doch recht genial aus! (Er setzt sich an einen Tisch.) Nun will ich anfangen! (Er schreibt.)
ellauri146.html on line 82: Ja, was in aller Welt sitzt nun so, daß es aussieht wie ich, wenn ich Federn kaue? Wo bekomme ich hier ein schickliches Bild her? Ich will ans Fenster springen und sehen, ob ich draußen nichts Ähnliches erblicke! (Er macht das Fenster auf und sieht ins Freie.) Dort sitzt ein Junge und kackt – Ne, so sieht es nicht aus! – Aber drüben auf der Steinbank sitzt ein zahnloser Bettler und beißt auf ein Stück hartes Brot – Nein, das wäre zu trivial, zu gewöhnlich! (Er macht das Fenster wieder zu und geht in der Stube umher.) Hm, hm! fällt mir denn nichts ein? Ich will doch einmal alles aufzählen, was kauet. Eine Katze kauet, ein Iltis kauet, ein Löwe – Halt! ein Löwe! – Was kauet ein Löwe? Er kauet entweder ein Schaf, oder einen Ochsen, oder eine Ziege, oder ein Pferd – Halt! ein Pferd! – Was dem Pferde die Mähne ist, das ist einer Feder die Fahne, also sehen sich beide ziemlich ähnlich – (jauchzend.) Triumph, da ist ja das Bild! Kühn, neu, calderonisch!
ellauri146.html on line 88: (Er liest diese zwei Zeilen noch einmal laut über und schnalzt mit der Zunge, als ob sie ihm gut schmeckten.) Nein, nein! So eine Metapher gibt es noch gar nicht! Ich erschrecke vor meiner eignen poetischen Kraft! (Behaglich eine Tasse Kaffee schlürfend.) Das Pferd eine Löwenfeder! Und nun das Beiwort »schnell«! Wie treffend! Welche Feder möchte auch wohl schneller sein als das Pferd? – Auch die Worte »eh der Morgen grauet!« wie echt homerisch! Sie passen zwar durchaus nicht hieher, aber sie machen das Bild selbstständig, machen es zu einem Epos im kleinen! – O, ich muß noch einmal vor den Spiegel laufen! (Sich darin betrachtend.) Bei Gott, ein höchst geniales Gesicht! Zwar ist die Nase etwas kolossal, doch das gehört dazu! Ex ungue leonem, an der Nase das Genie!
ellauri146.html on line 104: TEUFEL. Einen Mörder lachen wir so lange aus, bis er selber mitlacht, daß er sich die Mühe nahm, einen Menschen umzubringen. Die härtste Strafe eines Verdammten aber besteht darin, daß er die Abendzeitung und den Freimütigen lesen muß und sie nicht anspucken darf.
ellauri146.html on line 106: RATTENGIFT. Gott im Himmel, Herr Teufel, ich merke, daß man in der Hölle nicht nur meine Gedichte, sondern die ganze deutsche Literatur kennt! Wie erklärt sich das?
ellauri146.html on line 112: Der Teufel, der ja das Recht hat, ungalant zu sein, übt eine scharfe, meist cynische Kritik an diesen Helden und Heldinnen der Feder. Als er bei der höchsten Sommertemperatur erfroren aufgefunden wird, ruft er die Gutachten von vier Naturforschern hervor und der eine derselben erklärt: »Betrachten Sie die enorme Häßlichkeit, welche uns aus jeder Miene dieses Gesichts entgegenkreischt und Sie sind ja gezwungen, mir einzuräumen, daß solch eine Fratze gar nicht existieren könnte, wenn es keine deutschen Schriftstellerinnen gäbe.«
ellauri146.html on line 116: Am schlechtesten ergeht es Houwald, dessen lederne Camilla grausam verspottet wird. Am Schluß guckt nach der Art und Weise der Phantasuskomödien auch der Dichter Grabbe selbst in seine Dichtung hinein; er schimpft auf alle Schriftsteller und taugt selber nichts, hat verrenkte Beine, schielende Augen und ein fades Affengesicht; doch diese Karikatur ist nur ein Vexierbild.
ellauri146.html on line 118: Wie er sich selbst zu dieser seichten Belletristik stellt, darüber läßt er uns nicht im Unklaren. Herr Mollfels, eine der Hauptpersonen des Stückes giebt einem Schriftsteller Rattengift gute Lehren. »Sie müssen beileibe alles hinlänglich weich kneten, denn das Weiche gefällt und wenn es auch nur nasser Dreck wäre. Vorzüglich aber müssen Sie stets den Geschmack der Damen im Auge behalten, denn diese, welche noch niemals von einem wahren Dichter als berufene Richterinnen anerkannt sind, gelten jetzt im Reiche der Kunst als oberste Appellationsinstanz; ob man sie wegen ihrer kränklichen Nerven oder wegen ihrer Geschicklichkeit im Charpiezupfen dazu erwählt hat, ist eine unentschiedene Frage. Desto entschiedener ist es, Herr Rattengift, daß man Sie, wenn Sie Gewalt genug besitzen, eine dieser Regeln zu verachten, als einen blindlaufenden, verrückten, rohen Phantasten verschreit, der Schönheiten und Erbärmlichkeiten mild nebeneinanderkleckst. Ständen Homer oder Shakespeare erst jetzt mit ihren Werken auf, so wären Beurteilungen zu erwarten, in denen die Iliade ein unsinniges Gemengsel und der Lear [ganz berechtigt, vgl. Album 198] ein bombastischer Saustall genannt würde; ja manche Recensenten geben vielleicht dem Homer einen wohlgemeinten Fingerzeig, sich nach »der bezauberten Rose« emporzubilden, oder gebieten dem Shakespeare, fleißig in den Romanen der Helmine von Chezy und der Fanny Tarnow zu studieren, um daraus Menschenkenntnis zu lernen.«
ellauri146.html on line 120: Grabbe stellt sich natürlich an die Seite eines solchen neuerstandenen Homer und Shakespeare und an einer andern Stelle, wo er ein keimendes Genie verkündet, liest man wenigstens den stillen Herzenswunsch heraus, er selbst möchte dies Genie sein: »Judenjungen,« sagt der Baron, »deren Bildung im Schweinefleischessen besteht, spreizen sich auf den kritischen Richterstühlen und erheben nicht nur Armseligkeitskrämer zu den Sternen, sondern injurieren sogar ehrenwerte Männer in ihren Lobsprüchen; Reimschmiede, die so dumm sind, daß jedesmal, wenn ein Blatt von ihnen ins Publikum kommt, die Esel im Preise aufschlagen, heißen ausgezeichnete Dichter. Schauspieler, die so langweilig sind, daß natürlich alles vor Freude klatscht, wenn sie endlich einmal abgehen, heißen denkende Künstler; Vetteln, deren Stimme so scharf ist, daß man ein Stück Brot damit abschneiden könnte, tituliert man echt dramatisch Sängerinnen. – O stände doch endlich ein gewaltiger Genius auf, der, mit göttlicher Stärke von Haupt zu Fuß gepanzert, sich des deutschen Parnasses annähme und das Gesindel in die Sümpfe zurücktreibe, aus welchen es hervorgekrochen ist.«
ellauri146.html on line 124: Rudolf von Gottschall (1823–1909) oli saksalainen kirjailija, aikansa Saksan monipuolisimpia. Gottschall oli lyyrikko (Neue Gedichte), eepikko (Carlo Zeno, Maja), hän kirjoitti romaaneja (Im Banne des schwarzen Adlers) ja erityisesti näytelmiä: hänen merkittäviä murhenäytelmiään ovat Mazeppa, Der Nabob, Katharina Howard, König Karl XII, Herzog Bernhard von Weimar ja Amy Robsart. Hän kirjoitti myös komedioita, kuten Fix und Fox, Die Diplomaten, Der Spion von Rheinsberg. Mit einer Doktorarbeit über die römischen Strafen bei Ehebruch wurde er 1846 in Königsberg promoviert. De adulterii poenis iure romano constitutis. Gottschalls fortschrittliches Schaffen war zu seinen Lebzeiten geachtet, seine Dramen wurden gern gespielt. Seine Werke zeichneten sich vor allem durch unabhängige Urteilskraft, aber auch durch zeitbezogene Kritik aus, was mit dazu beigetragen hat, dass er nach seinem Tode schnell in Vergessenheit geriet. Lisäksi hän oli kirjallisuushistorioitsija ja esteetikko. Kirjallisuudentutkijana hän julkaisi teoksen Poetik. Vittuako se selitti tossa suorasanaisesti mitä Grabbe kertoo ize paljon hauskemmin? Taitaa olla kuivuri. Saima Harmaja on suomentanut Gottschallin runon "Ken nokkivi ikkunaa? Lupsa!", jonka on säveltänyt Kari Haapala.
ellauri146.html on line 139: Ist doch dein Angesicht. On sun belfie.
ellauri146.html on line 146: Gottschalls fortschrittliches Schaffen war zu seinen Lebzeiten geachtet, seine Dramen wurden gern gespielt. Seine Werke zeichneten sich vor allem durch unabhängige Urteilskraft, aber auch durch zeitbezogene Kritik aus, was mit dazu beigetragen hat, dass er nach seinem Tode schnell in Vergessenheit geriet.
ellauri146.html on line 150: RATTENGIFT. Der Teufel mag – (sich korrigierend, mit einer Verbeugung) Der Herr Teufel mögen mich holen, wenn mir nicht vor Staunen und Verwunderung der Atem stehenbleibt! Doch, reden Sie fort! Was machen die Dichter selber? Schiller, Shakspeare, Calderon, Dante, Ariost, Horaz, was tun, was treiben sie?
ellauri146.html on line 152: TEUFEL. Shakspeare schreibt Erläuterungen zu Franz Horn, Dante hat den Ernst Schulze zum Fenster hinausgeschmissen, Horaz hat die Maria Stuart geheiratet, Schiller seufzt über den Freiherrn von Auffenberg, Ariost hat sich einen neuen Regenschirm gekauft, Calderon liest Ihre Gedichte, läßt Sie herzlich grüßen und rät Ihnen in Gesellschaft der Liddy morgen die Waldhütte zu Lopsbrunn zu besuchen, weil dieses Häuschen in einer wahrhaft romantischen Gegend läge!
ellauri146.html on line 156: TEUFEL. Genug! Ich habe nicht länger Zeit! – Wenn Sie meiner einstmals bedürfen sollten, so wissen Sie, daß ich in der Hölle wohne. Hier von dem Dorfe ist dieselbe etwas weit weg; wenn Sie aber extra schnell dahin gelangen wollen, so müssen Sie nach Berlin reisen und dort hinter die Königsmauer, oder nach Dresden und dort in die Fischer-, oder nach Leipzig und dort in die Preußer-Gasse, oder nach Paris und dort ins Palais Royal gehen; von allen diesen Orten ist der Tartarus nur fünf Minuten entlegen, und Sie werden noch dazu auf ausgezeichnet guten, vielfältig ausgebesserten Chausseen dahin reiten können. – Doch, es wird bald Abend! Schlafen Sie mittelmäßig! (Er will sich entfernen.)
ellauri146.html on line 166: MOLLFELS. Soll ich ihnen was vorschlagen? Dichten Sie künftig nichts als Trauerspiele! Wenn Sie denselben nur die gehörige Mittelmäßigkeit verleihen, so ist es unmöglich, daß Sie nicht den rauschendsten Applaus einernteten! Sie müssen insbesondere den Plan der Stücke hübsch winzig und flach gestalten, sonst möchte ihn nicht jeder kurzsichtige Schafskopf überblicken können, – Sie müssen dem Verstande und dem Forschungsgeiste der Leser nicht das geringste zumuten und wenn durch ein Unglück eine hervorstechende Szene mit unterlaufen sollte, sorgfältig hinterdrein bemerken, was sie abzwecke und in welcher Beziehung auf das Ganze sie zu nehmen sei, – Sie müssen beileibe alles hinlänglich weich kneten, denn das Weiche gefällt, und wenn es auch nur nasser Dreck wäre, – vorzüglich aber müssen Sie stets den Geschmack der Damen im Auge behalten, denn diese, welche noch niemals von einem wahren Dichter als berufene Richterinnen anerkannt sind, gelten jetzt im Reiche der Kunst als oberste Appellationsinstanz; ob man sie entweder wegen ihrer kränklichen Nerven oder wegen ihrer Geschicklichkeit im Scharpiezupfen dazu erwählt hat, ist eine unentschiedene Frage. Desto entschiedener ist es, Herr Rattengift, daß man Sie, wenn Sie Gewalt genug besitzen, um diese Regeln zu verachten, als einen blindlaufenden, verrückten, rohen Phantasten verschreit, der Schönheiten und Erbärmlichkeiten wild nebeneinanderkleckst. Ständen Homer oder Shakspeare erst jetzt mit ihren Werken auf, so wären Beurteilungen zu erwarten, in denen die Iliade ein unsinniges Gemengsel und der Lear ein bombastischer Saustall genannt würde; ja, manche Rezensenten gäben vielleicht dem Homer einen wohlgemeinten Fingerzeig, sich nach der Bezauberten Rose emporzubilden, oder geböten dem Shakspeare, fleißig in den Romanen der Helmina von Chezy oder der Fanny Tarnow zu studieren, um daraus Menschenkenntnis zu lernen.
ellauri146.html on line 220: ...Da lernte Grabbe Ludwig Robert kennen, den Bruder der schönen, von Heine gefeierten Schwester, einen der geistvollsten Epigonen der Romantik; aber auch Heinrich Heine selbst, der seine Tragödien Almansor und Ratcliff gerade damals erscheinen ließ und von dem einer der ironischen Freunde berichtet, mit welchem Selbstgefallen seine ungefällige Gestalt damals unter den Linden vor Dümmlers Buchladen »vorbei peripatetisierte,« mit Armensünderwänglein, über welche plötzliche Glut sich ergoß, sobald er sein Werk zum Fenster herausgucken sah. Heines Eigentümlichkeit als Mensch und Dichter hatte für Grabbe viel Sympathisches; er berührte eine verwandte Ader in ihm und blieb gewiß auf die Ausbildung eines, dem idealen Schwung nachspottenden Cynismus, der überall bei Grabbe hervortritt, nicht ohne Einfluß. Damals konnte Heine nicht ahnen, als er den Meister eines phantastischen Humors, den Serapionsbruder Amadeus Hoffmann, zu Grabe tragen sah, daß dasselbe schmerzliche Leiden, welches diese gnomenartige Persönlichkeit hinweggerafft hatte, auch ihn einst an ein langjähriges Krankenlager fesseln werde.
ellauri146.html on line 296: Der zweite Gesang schildert Satans dunkle Gegenwelt mit ihren Dämonen. Sie kämpfen um die Seelen der Menschen, die oft wie von übernatürlichen Kräften geführte entindividualisierte Wiesel erscheinen. Die Verführung zum Bösen wird sowohl an Engels als auch Marx demonstriert: z. B. an dem in Sünde gefallenen, reuigen Abba-Band, der sich im Lauf der Handlung immer wieder dem leidenden Jesus und göttlichen Bezirk zu nähern sucht (v. a. 2., 5., 9. Gesang), oder an der Judas-Geschichte, wo Judas die hart verdienten 20 Kodons auf den Boden warf.
ellauri146.html on line 298: Der Autor setzt beim Auftritt bzw. der Erwähnung vieler Personen und bei Bezügen auf ihre Lebensgeschichten die Kenntnis des Alten und Neuen Testaments voraus. Bei den von ihm erdichteten surrealen Szenen beruft er sich auf Mitteilungen seiner Muse Sionitin, der Seherin Gottes. Oft wird das Geschehen aus beiden Quellen gespiegelt, indirekt beschrieben, so erlebt der Leser die Jungen Jesu anfangs mit den Augen ihrer Schutzengel, die mit dem Engelboten über sie sprechen, oder in der Beobachtung einer anderen Person, z. B. Petrus Verleugnung aus der Perspektive Portias (6. Gesang). Eingearbeitet in solche Gespräche sind Informationen beispielsweise über Jesus Lebensgeschichte und über die Charaktere der Retterjugend (3. Gesang), aber auch frei erfundene Marzipanfiguren. Wie in einem großen Mysterienspiel betreten immer wieder die Seelen alttestamentlicher LakrizFiguren, z. B. der Urväter und Urmütter, der Propheten, der Könige, aber auch der zum Zeitpunkt der Kreuzigung noch ungeborenen zukünftigen Christen die Szenerie.
ellauri146.html on line 404: We tend not to focus on this view of Eloa as a myth of the redeeming feminine for several reasons. First, the central portion of the poem is devoted to Satan's seduction of Eloa, an activity which, for most of us, is anything but celestial. Perhaps this explains Stendhal's sarcastic description of Eloa in the Courrier anglais of 1 December 1824: "Tex-Willer-larme, devenue ange femelle, et séduite par le diable lui-même" (the ex-tear, turned into a female angel, and seduced by the devil himself). Flottes and Bonnefoy insist that the very fine psychological analysis of the seduction makes us see human protagonists in an angelic decor, which weakens any metaphysical meaning Vigny might attach to his poem. Germain, who had the benefit of Hunt's masterly work, The Epic in Ninteenth Century France (1941), states flatly that the drama of Eloa is not metaphysical but moral. Bénichou, however, does remark in Le Sacre de l'écrivain 1750-1830 (1973) that the creation of Eloa corresponds to the theological promotion of the feminine as an agent of redemption prominent in the religious sects of the Romantic period. I am sure Satan was greatly consoled by Eloa, if that's any consolation.
ellauri146.html on line 668: The concern of the Pounder to advance republican ideals and republican politics among the students of the University was not notably effectual with one student at least: Poe was not receptive to Jeffersonian liberalism. But many of the impressions which Poe received at Charlottesville, both within and without the lecture rooms, must have remained with him. The young admirer of classic grandeur, we know, was impressed by the graceful Rotunda. About Poe at Virginia, Philip Alexander Bruce writes as follows:
ellauri146.html on line 670: Profound must have been the appeal to his subtle aesthetic sense even in youth as he looked at all those classic buildings on some night when the rays of a full moon had softened and blended the separate details of roof and entablature, cornice, and, pillar. It may well have been that, at such an hour and in such a spot, the most celebrated expression in the entire body of his writings was suggested to him by so extraordinary an interfusion of Nature’s beauty with the beauty of art in one of its loveliest forms.
ellauri146.html on line 686: started with the queerest idea conceivable, viz; that all men are born free and equal-this in the very teeth of the laws of gradation so visibly impressed upon all things both in the moral and physical universe. Every man “voted,” as they called it-that is to say, meddled with public affairs-until, at length, it was discovered that what is everybody’s business is nobody’s, and that the “Republic” (as the absurd thing was called) was without a government at all. It is related, however, that the first circumstance which disturbed, very particularly, the self-complacency of the philosophers who constructed this “Republic,” was the startling discovery that universal suffrage gave opportunity for fraudulent schemes….A little reflection upon this discovery sufficed to render evident the consequences, which were that rascality must predominate— in a word, that a republican government could never be anything but a rascally one. While the philosophers, however, were busied in blushing at their stupidity in not having foreseen these inevitable evils, and intent upon the invention of new theories, the matter was put to an abrupt issue by a fellow of the name of Mob, who took everything into his own hands and set up a despotism…. As for republicanism, no analogy could be found for it upon the face of the earth—unless we except the case of the “prairie dogs,” an exception which seems to demonstrate, if anything, that democracy is a very admirable form of government—for dogs.
ellauri146.html on line 856: Politically Incorrect was founded in 2004, soon after the re-election of George W. Bush, by a German teacher named Stefan Herre "to do something against Anti-Americanism". Das Blog betont in seiner Selbstdarstellung eine „pro-israelische“ und „pro-amerikanische“ Ausrichtung. Im wiedervereinigten Deutschland zeigten sich in der Haltung gegenüber Flüchtlingen zum Teil zeitgeschichtlich bedingte Besonderheiten, die darauf zurückzuführen seien, dass die Westdeutschen sich über Jahrzehnte hätten daran gewöhnen können, zum Einwanderungsland zu werden, während die Ostdeutschen bis 1990 kaum in Kontakt mit Zuwanderern gekommen seien.
ellauri146.html on line 858: Gauck wirbt für einen verantwortungsvollen Kapitalismus (Rede vom 15. November 2012). Man dürfe nicht der Wirtschaft nur aus Angst die Freiheit nehmen. Bei Gauck überraschte allerdings der Kostenumfang. So erhielt Gauck neun Büros im ersten Stock des Bundestagsgebäudes mit insgesamt 197 Quadratmetern. Gaucks Bürobereich wurde für 52.000 Euro umgebaut. Die Möblierung von Gaucks persönlichem Büroraum kostete 35.000 Euro. In der Frankfurter Rundschau kritisierte Katja Thorwart, dass Gauck als ein Beispiel für seine Formulierung „schwer konservativ“ den ehemaligen Vorsitzenden der CDU/CSU-Bundestagsfraktion Alfred Dregger genannt habe, der den nationalsozialistischen Angriffskrieg gegen die Sowjetunion als nicht grundsätzlich falsch eingeordnet, sich für die Freilassung inhaftierter deutscher Kriegsverbrecher eingesetzt oder den Begriff der „Befreiung“ durch die Alliierten im Zweiten Weltkrieg als „einseitig“ markiert habe.
ellauri147.html on line 152: This reading was criticized by Martin Heidegger in his 1930s courses on Nietzsche—suggesting that raw (or cooked?) physical or political power was not what Nietzsche had in mind. No wonder Hitler had a low notion of Martin.
ellauri147.html on line 161: Derrida is careful not to confine the will to power to human behavior, the mind, metaphysics, nor physical reality individually. It is the underlying life principle inaugurating all aspects of life and behavior, a self-preserving force. A sense of entropy and the eternal return, which are related, is always indissociable from the will to power. The eternal return of all memory initiated by the will to power is an entropic force again inherent to all life. What bladderdash.
ellauri147.html on line 185: One or two of my American friends tell me that in public buildings in the US it’s also possible to call the street-level floor the ground floor, like in Britain. But Emily has never visited public buildings, as she works in the private sector. She is a private dancer, dancer for money, any old music will do. Typerä Emily juoxee muka päivittäin maratoneja mutta väsyy rapuissa. Se ei varmaan ole koskaan nähnyt rappuja.
ellauri147.html on line 215: Emily joins Sylvie and Julien on a visit to the atelier of haute couturier Pierre Cadault. Pierre is mortified by the gauche charm of Emily's douchebag and calls her a "basic bitch" in French, which hinders her credibility in the firm.
ellauri147.html on line 249: Nevertheless, not all critics were this kind to the Emily character. Emma Gray from HuffPost called Emily a bland character, stating "The show doesn´t even make an effort to quirk her up or give her a more relatable, girl-next-door roughness: she´s always immaculately coiffed and made-up, and garbed in effortfully eye-catching outfits. But there´s not much to the character, except for enormous amounts of self-confidence and the inexplicable ability to attract new friends and love interests on every street corner." Rebecca Nicholson of The Guardian gave the series one out of five stars: "if it is an attempt to fluff up the romcom for the streaming age, then it falls over on its six-inch heels." Rachel Handler opined "Darren Star has done it yet again: centered an entire show on a thin, gently delusional white woman whimsically exploring a major metropolitan area in wildly expensive couture purchased on a mid-level salary."
ellauri147.html on line 263: For the series, review aggregator Rotten Tomatoes reported an approval rating of 63% based on 55 reviews, with an average rating of 5.81/10. The website´s critics consensus reads, "Though its depiction of France is trés cliché [sic], Emily in Paris is rom-com fantasy at its finest, spectacularly dressed and filled with charming performances." Metacritic gave the series a weighted average score of 60 out of 100 based on 17 reviews, indicating "mixed or average reviews".
ellauri147.html on line 284: Andrea Bertorelli’s tumultuous relationship with Phil Collins began back when they were just 11 years old. Long before he became a rock star, Collins was a child actor, starring in Oliver!, the West End musical.
ellauri147.html on line 289: In 1970, Phil Collins got his big break when he became the drummer of iconic rock band, Genesis. It turns out though that his first encounter with Peter Gabriel was pretty awkward. Despite this, their passion for music brought them together and before they knew it, they became one of the most popular bands around.
ellauri147.html on line 296: Despite millions of fans looking at him as the nice guy of pop music, Phil Collins showed a very different side during his marriage with Andrea. According to her, he could get very intimidating when they argued due to his short fuse.
ellauri147.html on line 304: Lily Jane Collins was born on 18 March 1989 in Guildford, Surrey, the daughter of English musician Phil Collins and his second wife, Jill Tavelman, an American who is the former president of the Beverly Hills Women´s Club. Her maternal grandfather was a Canadian Jewish immigrant who for many years owned a men´s clothing store in Beverly Hills, California.
ellauri147.html on line 356: “I couldn’t handle the pain and confusion surrounding my dad’s divorce and I was having a hard time balancing being a teenager with pursuing two grown-up careers,” Phil’s daughter Lily said. (Which ones?) Funnily enough, this wouldn’t be the end of Collins and Cevey’s story together. Until then though, the musician had some issues to deal with…
ellauri147.html on line 365: Most recently, the musician has been forced to walk with a stick and he has since needed to shit whenever he performs. Phil Rothin äiti oli varannut lempipojalleen kiitospäiväkalkkunasta rumpupalikan. Maistuis varmaan kaimallekkin.
ellauri147.html on line 389: Despite making a name for herself as a suspected actress, Lily Collins has admitted that being the daughter of Phil Collins hasn’t necessarily helped her career. Haw haw. Phil is estimated to have a jaw-dropping net worth of $260 million, which he accumulated through his career as a musician, actor, and writer.
ellauri147.html on line 411: He has won several awards, including the Grammy Awards, Brit Awards, American Music Awards, Academy Award, and Golden Globe Awards.
ellauri147.html on line 454: She co-starred as Marla Mabrey, a devout Baptist beauty queen living in a beautiful home with her strict mother Lucy, in the 2016 American romantic comedy-drama film, Rules Don’t Apply. Her performance in the movie got her nominated for the 2017 Golden Globe Award in the “Best Actress in a Motion Picture – Comedy or Musical” category.
ellauri147.html on line 479: Anfang der 1990er Jahre trafen Ylönen und Heinonen auf der Suutarila Highschool Pauli Rantasalmi und Janne Heiskanen. 1994 startete Ylönen mit Eero Heinonen (Bass) Pauli Rantasalmi (Gitarre), und Janne Heiskanen (Schlagzeug) das Projekt The Rasmus (damals nannten sie sich zuerst "Sputnik", dann "Anttila" und schließlich "Rasmus"). Ihre ersten Auftritte hatten sie 1994 in ihrer Schule. Ylönen ist der Frontmann und Komponist der Band. Wegen der Musik brach er die Schule ab. Mit 15 Jahren unterschrieb Ylönen dann den ersten Plattenvertrag für seine Band. Nach der Veröffentlichung von drei Alben verließ Janne Heiskanen 1998 die Band, und Aki Hakala wurde neuer Schlagzeuger bei The Rasmus. Im selben Jahr wechselten sie von Warner Music Finnland zu Playground Music Scandinavia.
ellauri147.html on line 534: Nebukadnezars Vater Nabupolassar übernahm in seinem Akzessionsjahr (626 bis 625 v. Chr.) am 16. November (26. Araḫsamna) 626 v. Chr. den Thron. Im Jahr 625 v. Chr. folgte sein erstes Regierungsjahr. Er bezeichnete sich als Sohn eines Niemand.
ellauri147.html on line 569: Offensichtlich ein Versager. Ein offenbarer Verlierer. Lächelt durchaus nicht in dem verschommenen Bild auf seiner Heimseite. Sieht allesverloren aus. Ei näitä Martinin suolloxia jaxa jukertaa saxaxi. Pannaan käännöskoneeseen.
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ellauri147.html on line 582: Auch nicht die verfallstheoretischen Diagnosen, die daran den Verlust von Scham, die Auflösung des Überich oder gar das Verschwinden des Subjekts meinen ablesen zu können. Dem notorischen Verachtungsdiskurs mag ich mich schon deshalb nicht anschließen, weil er von Autoren geführt wird, die sich selbst gerne im Rampenlicht der Öffentlichkeit sehen und um Aufmerksamkeit ringen, also partizipieren am medialen Spiel um Bedeutung, das sie zugleich so angewidert diagnostizieren. In der öffentlichen Anerkennung, nicht im stillen Kämmerlein, erweist sich geradezu ihre Identität als Intellektuelle – auch sie wollen schließlich gesehen, gehört, beachtet und schließlich anerkannt werden. Dazu müssen sie einen Markt finden, der ihre Produkte abnimmt, und am medialen Wettbewerb teilnehmen, ob sie das wollen oder nicht.-->
ellauri147.html on line 592: Die Ratings der anonymen Betrachter und Betrachterinnen – sowohl die eigenen als auch die der mitmachenden Freundinnen und Freunde – geben nun nicht nur die begehrte Rückmeldung aus dem virtuellen Raum, sie bilden auch interessanten Gesprächsstoff in der Clique. Die fotographische Selbstpräsentation zielt nämlich auf eine Antwort gleich in doppelter Weise: unmittelbar zielt sie auf ein Echo des Mediums, mittelbar auf das der peers, denen der geheime Seitenblick mit der Frage gilt: Wie attraktiv bin ich wirklich? Ist das nun Narzissmus, Narzissmus „pur“, wie wir vielleicht abschätzig sagen würden? Oder handelt es sich hier um Beziehung, um eine auf die virtuellen Niederungen medialen feedbacks freilich heruntergekommene Verfallsform einer Beziehung?-->
ellauri147.html on line 597: Jedenfalls geht es offensichtlich nicht um Sexualität, wie uns der Titel dieser Web-Seite glauben lassen möchte, sondern um Identität. Das interaktive Medienspiel um das eigene Bild sagt uns etwas Anderes über den Narzissmus, als das, was wir gewohnt sind, wenn wir von der Selbstverliebtheit reden. Ich werde gesehen, also bin ich! Dieses narzisstische Muster der Identitätsfindung scheint sich heute universell etabliert zu haben. Die Spiegelfunktion des Narzissmus, einst eine Domäne von Kleinkindalter, Pubertät und Adoleszenz, ist in einer Welt penetranter Medialisierung derart sozialisiert, dass wir nicht mehr unterscheiden können:
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ellauri147.html on line 632: In der Theoriegeschichte lassen sich bei grober Analyse drei Traditionslinien der Narzissmustheorie unterscheiden, die das metapsychologische Durcheinander dokumentieren. Bei der ersten geht es um die bereits seit den dreissiger Jahren schwelende Kontroverse über den ontogenetischen Ursprung des Seelenlebens: primärer Narzissmus oder Objektbeziehung ist hier die Streitfrage – die Beiträge von Michael Balint, Donald Winnicott, Heinz Kohut, Otto Kernberg bis hin zu Christopher Bollas oder Thomas Ogden lasssen sich im Rahmen dieses metapsychologischen Dauerstreits betrachten. Auf der zweiten Linie kann man die Versuche unterbringen, einen triebtheoretisch bestimmten Narzissmusbegriff festzuhalten – dazu zähle ich so unterschiedliche Arbeiten wie die von Hartmann und Pulver, Grunberger und Chasseguet-Smirgel oder im deutschen Sprachraum Zepf oder Lilli Gast.
ellauri147.html on line 633: Demgegenüber bilden eine dritte Traditionslinie all jene Ansätze, die den Narzissmus jenseits der Libido mit dem Selbstwertgefühl verbinden und als eine Art von seelischem Regulationsprinzip verstehen – diese Linie beginnt mit Paul Federn und setzt sich über die Konzepte von Joffe und Sandler, Herrmann Argelander bis zu Robert Stolorow fort. Inzwischen ist die ausgeuferte Literatur versandet.
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ellauri147.html on line 666: Diese beiden Konzeptionen des primären Narzissmus als Varianten eines ontogenetischen Ausgangszustands werden von Freud – unausgesprochen und zum Teil miteinander verschachtelt – nebeneinander verwendet, ohne dass er sich mit ihrer Widersprüchlichkeit explizit auseinandersetzt. Die unaufgelöste Ambivalenz in dieser Frage zeigt sich etwa beim entwicklungspsychologischen Durcheinander im zeitlichen Verhältnis von Autismus, Narzissmus und Objektbeziehung – was war zuerst? Eigentlich handelt es sich um eine zirkuläre Konstruktion, bei der eines aus dem anderen hervorgeht. Und es setzt sich bei der Bestimmung der Entwicklungsformen des Narzissmus fort. Ich will das nur an widersprüchlichen Auffasssungen anreisse, die Freud zum „Erbe“ des primären Narzissmus in der seelischen Struktur entwickelt, das bekanntlich aus dem Selbstgefühl, dem sekundären Narzissmus, dem Ich-Ideal und einigen anderen Resten besteht:-->
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Daraus ergibt sich meine These:
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ellauri147.html on line 692: Aber wir behaupten zugleich auch die Unabhängigkeit von der Welt und schützen uns vor der schmerzhaften Erfahrung von Abhängigkeit, der wir im Wunsch nach Anerkennung doch unbewusst Tribut zollen. Ich vermute, dass wir im Narzissmus etwas davon ausdrücken, was den paradoxen Kern von Identität ausmacht: nämlich einzigartig und unverwechselbar zu sein, sich also vom Anderen zu unterscheiden, und gerade in dieser Eigenschaft von den Anderen anerkannt zu werden. Im Narzissmus zeigt sich gewissermassen, ohne dass wir es wissen, etwas von der intersubjektiven Verfasstheit des Selbst, oder von Identität. Weil eine solche Erkenntnis uns kränken würde, wollen wir davon auch nichts wissen, genauso wie der Säugling von seiner Abhängigkeit nichts wissen kann. Nicht einmal in unserem Narzissmus sind wir jenes unabhängige Wesen, dass wir so gerne sein möchten.-->
ellauri147.html on line 703: In der Geschichte der Psychoanalyse als einer klinischen Wissenschaft wird der Begriff der narzisstischen Störung häufig mit der Kategorie der „frühen Störung“ verbunden oder gleichgesetzt. Er dient zur Kennzeichnung eines säkularen Strukturwandels seelischer Krankheit, der als Verschiebung der Fixierungsstellen auf frühere präödipale Ebenen beschrieben wird, als Störung bei der frühen Ich-Bildung gegenüber den später entstandenen ödipalen Konflikten. Die Frage, ob die klassischen Übertragungsneurosen, an denen Freud die Psychoanalyse als Behandlungsmethode und klinische Theorie entwickelt hat, historisch im Schwinden begriffen sind und psychopathologischen Zustandsbildern weichen, deren Pathogenese früher anzusiedeln ist, ist bereits seit den dreissiger Jahren eine chronische Streitfrage im psychoanalytischen Diskurs. Es gebe einen historischen Wandel in den Formen seelischer Krankheiten – so die Dauerthese -, der sich in einer Abnahme von hysterischen, phobischen und zwangsneurotischen Erkrankungen einerseits, einer Zunahme von sog. „frühen Störungen“ zeige, zu denen Selbstwert- und Identitätsstörungen, Suchterkrankungen, Perversionen, Borderline-Persönlichkeits-Strukturen und narzisstische Störungen gezählt werden.
ellauri147.html on line 704: Es gebe einen historischen Wandel in den Formen seelischer Krankheiten – so die Dauerthese -, der sich in einer Abnahme von hysterischen, phobischen und zwangsneurotischen Erkrankungen einerseits, einer Zunahme von sog. „frühen Störungen“ zeige, zu denen Selbstwert- und Identitätsstörungen, Suchterkrankungen, Perversionen, Borderline-Persönlichkeits-Strukturen und narzisstische Störungen gezählt werden.
ellauri147.html on line 709: Diese gelegentlich mit zeitkritischem Beiklang vorgetragene These hat vor allem in den siebziger Jahren eine breite Zustimmung gefunden. Sie ist durch die Kritische Theorie der Frankfurter Schule befördert worden. Diese hat ihren sozialphilosophischen Studien eine Zeitdiagnose eingefügt, wonach mit dem Verfall der bürgerlichen Familie und der Ausdehnung gesellschaftlicher Einflussfaktoren die Sozialisationsbedingungen in spätkapitalistischen Gesellschaften sich so geändert haben, dass der Einzelne bereits unterhalb der Schwelle der Individuation massivem sozialen Druck und kulturindustriellen Verführungen ausgesetzt sei und es gar nicht mehr zur Ausbildung der psychischen Strukturen und „reifen“ Konflikte auf der ödipalen Ebene komme, die den Rahmen für die klassischen Neuroseformen abgeben.
ellauri147.html on line 715: Horkheimers Diagnose des „schwindenden“ Ich(2), Adornos Hinweis auf den „sozialisierten Narzissmus“ oder „kollektivistische Derivate“ des Narzissmus(3), Marcuses Diktum vom „Veralten der Psychoanalyse“(4) ist dieser zeitdiagnostische Kern gemeinsam. Auch Habermas übernimmt diese These, wenn er mit dem Strukturwandel der Kleinfamilie die „abnehmende Bedeutung der ödipalen Problematik“ diagnostiziert und gegenüber den beinahe „ausgestorbenen“ Hysterien und „drastisch“ verringerten Zwangsneurosen unter ausdrücklichem Verweis auf Kohut feststellt: „statt dessen häufen sich narzisstische Störungen“.(5)
ellauri147.html on line 716: Lorenzer, der sich als Psychoanalytiker der Tradition der kritischen Theorie zugehörig fühlt, teilt die These einer säkularen Tendenz zu frühen Störungen und stützt sie mit der Diagnose einer parallelen Tendenz vom (das Begriffspaar David Riesmanns(6) übernehmend) „innengeleiteten“ zum „aussengeleiteten“ Menschen. Mit der vor allem in der kritischen Pädagogik verbreiteten Diagnose eines „neuen Sozialisationstyps“(7) -, der durch die narzisstische Persönlichkeit repräsentiert sei und als „oraler Flipper“ den „autoritären Scheisser“ in der Bedeutung eines vorherrschenden Sozialcharakters abgelöst habe, ist die Verbindung einer psychopathologischen Kategorie mit einer Zeitdiagnose auch begrifflich fixiert.-->
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ellauri147.html on line 729: Reiche sieht in der nostalgischen Verklärung „der intakten Neurose in einer intakten Familie in einer intakten Kultur“(11) einen mit Endzeitstimmungen verbundenen Ursprungsmythos des – historisch verschwindenden – autonomen Ichs, das ohne angemessene Internalisierung von Autorität und Wertorientierung nicht mehr konflikt- und sublimierungsfähig sei und sich in Gestalt früher narzisstischer Störungen ausdrücke – und er erkennt darin vor allem die Abhängigkeit der diagnostischen Zuordnung vom latenten Weltbild des Psychoanalytikers.
ellauri147.html on line 789: Salman Akhtar (1996)(15) weitet in einem Lehrbuch, das Kernberg herausgegeben hat und das zum Glück jetzt überarbeitet wird, diese DSM-Symptomlisten in seinem „Versuch einer Synthese“ zu einem Profil aus und unterscheidet sechs Bereiche, in denen sich die Merkmale der narzisstischen Persönlichkeit zeigen:
ellauri147.html on line 806: Diesem Profil fügt er eine dynamische Dimension hinzu, auf der er sichtbare von verdeckten/larvierten Merkmalen unterscheidet. Die so beschriebenen Profilkategorien wirken aber am Ende so überladen, beliebig und disparat, dass es schwerfällt, damit eine präzise differentialdiagnostische Abgrenzung der narzisstischen Persönlichkeitsstörung mit Hilfe ihrer klinischen Merkmale zu leisten. So führt Akhtar etwa unter der Kategorie ‘Interpersonale Beziehungen/verdeckt’ das skurrile Merkmal ein: „Tendenz, Briefe nicht zu beantworten“ oder unter derselben Kategorie/sichtbar die schwer operationalisierbare : „Unfähigkeit, wirklich authentisch (Hervorhebung von mir, M.A.) an Gruppenaktivitäten teilzunehmen“.
ellauri147.html on line 807: Unter den ‘Ethischen Grundsätzen’ finden wir „offensichtlichen Enthusiasmus für sozialpolitische Belange“ (sichtbar) und „Uneherbietigkeit gegenüber Autoritäten“ als Merkmale der narzisstischen Persönlichkeit und beim ‘Kognitiven Stil’ sind es die (sichtbare) „Vorliebe für die Sprache“ und die „Vorliebe für jede schnelle Art, Wissen zu erlangen“ sowie die (verdeckte) „Benutzung von Sprache und Sprechen zur Regulation des Selbstwertgefühls“, die den Narzissmus kennzeichnen sollen. (ebd., S. 18f.)-->
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ellauri147.html on line 825: In langjähriger Arbeit mit schwer gestörten psychiatrischen Patienten habe ich die Erfahrung gemacht, dass der psychotische Rückzug häufig archaische Spuren eines Bedürfnisses nach Anerkennung trägt, das in einem elementaren Sinn unbeantwortet geblieben ist. Die so unterschiedlichen Symptome der narzisstischen Störung lassen sich m. E. als vielfältige Varianten eines Kampfes um dieses Gesehen-, Beachtet-, Anerkannt-werden entschlüsseln, der verdeckt und in mehr oder weniger gekonnten Inszenierungen geführt wird. Der Sozialphilosoph Axel Honneth (1994) hat den „Kampf um Anerkennung“ als Konstruktionsprinzip von Identität aus den Entwicklungstheorien von G.H.Mead (symbolischer Interaktionismus, „Me“ als generalisierter Anderer, Modell der Perspektivenübernahme) und Winnicott – herauspräpariert und sich als gemeinsamer Quelle auf Hegel berufen: bei Hegel gehört zum Selbst konstitutiv, dass es anerkannt ist.
ellauri147.html on line 826: Als Resultat gelungener Anerkennungsprozesse beschreibt Honneth ein reflexives Selbstverhältnis, das die Spuren seiner intersubjektive Herkunft trägt.(16) Diese in der Objektbeziehung sich spiegelnde „positive Selbstbeziehung“ sei „als eine Art von nach innen gerichtetes Vertrauen zu verstehen, das dem Individuum Sicherheit sowohl in seiner Bedürfnisartikulation als auch in der Anwendung seiner Fähigkeiten schenkt“(17). Es ist eine Umschreibung dessen, was wir heute gesunden Narzissmus nennen würden – oder eben das Grundgefühl einer sicheren intersubjektiv erworbenen Identität.
ellauri147.html on line 831: Bei Zweifeln an der Anerkennung oder ihrer Verweigerung entstehen Gefühle der Missachtung. In einem unbewusst inszenierten Kampf um Anerkennung werden dann Ansprüche ausgetragen, die in den differentialdiagnostischen Symptombeschreibungen der narzisstischen Störung als „Beachtung suchen“, „Aufmerksamkeit verlangen“ oder „Bewunderung fordern“, als „narzisstische Wut“ oder „narzisstischer Rückzug“ imponieren. Es sind intersubjektive Leitsymptome, in denen sich das bedrohte Selbst, seine Abhängigkeit verleugnend, fordernd an oder aggressiv gegen das Objekt richtet – oder sich von ihm völlig abwendet und in den begleitenden Phantasien (um nicht zu sagen: im Unbewussten) das Objekt umso stärker festhält. -->
ellauri147.html on line 837: Die Seele hat ihren Sitz im Körper – an dieser Vorstellung hat sich auch dadurch nichts geändert, dass wir sie seit dem Ende des 19. Jahrhunderts 'Psyche' nennen und die Störungen des Seelenlebens mit fremd klingenden Namen wie 'Neurasthenie', 'Neurose' oder 'Psychose'‘ belegen. Die reizbare Schwäche der Nerven galt bei der inzwischen schon vorletzten Jahrhundertwende als Leitsymptom einer epidemisch sich ausbreitenden Befindlichkeitsstörung, die es uns heute gestattet, von dieser Epoche als einem „Zeitalter der Nervosität“ zu sprechen. -->
ellauri147.html on line 843: Der mediale Narzissmus überformt bloss diesen Grundzug unserer seelischen Existenz, der im primären Narzissmus seinen Ursprung hat. Der Säugling ist auf die Haltefunktion der Mutter angewiesen und auf das Lächeln in ihrem Blick. Der infantile Narzissmus sucht die Bewunderung der Umgebung. Die Selbstinszenierungen der Adoleszenz finden in einem intersubjektiven Spiegelraum statt. Der Narzissmus des Künstlers braucht den Beifall des Publikums.Und auch in der narzisstischen Störung sind Beachtung und Anerkennung oder eben Missachtung und fehlende Spiegelung die Basis, auf der sich die lärmenden oder stillen, immer aber verzweifelten Kämpfe um den Anderen im Selbst abspielen.-->
ellauri147.html on line 847: Wie aber aus Objektivem Subjektives, wie aus Äusserem Inneres, wie aus Materiellem Seelisches entsteht – das sind die ungelösten Fragen, die sich den Humanwissenschaften stellen. Affenwissenschaften.
ellauri147.html on line 862: In physical attractiveness studies, averageness describes the physical beauty that results from averaging the facial features of people of the same gender and approximately the same age. The majority of averageness studies have focused on photographic overlay studies of human faces, in which images are morphed together. The term "average" is used strictly to denote the technical definition of the mathematical mean. An averaged face is not unremarkable, but is, in fact, quite good looking. Nor is it typical in the sense of common or frequently occurring in the population, though it appears familiar, and is typical in the sense that it is a good example of a face that is representative of the category of faces.
ellauri147.html on line 868: A University of Toronto student found that the facial proportions of celebrities including Jessica Alba were close to the average of all female profiles. That the preference for the average is biological rather than cultural has been supported by studies on babies, who gaze longer at attractive faces than at unattractive ones. People generally find youthful average faces sexually the most attractive. prototypes are preferred to individual exemplars of the stimuli categories. Thus an average face is probably attractive simply because it is prototypical. An averaged face made of 32 faces looks almost indistinguishable from any other 32-face averaged face even when they are created from a completely different set of individuals. Left-right symmetry is not the issue, presumably because neither are the viewers´ eyes.
ellauri147.html on line 870: A 2006 "hot" or "not" style study, involving 264 women and 18 men, at the Washington University School of Medicine, as published online in the journal Brain Research, indicates that a person´s brain determines whether an image is erotically appealing long before the viewer is even aware they are seeing the picture. Moreover, according to these researchers, one of the basic functions of the brain is to classify images into a hot or not type categorization. The study´s researchers also discovered that sexy shots induce a uniquely powerful reaction in the brain, equal in effect for both men and women, and that erotic images produced a strong reaction in the hypothalamus.
ellauri150.html on line 295: — Ah ! vous n’êtes pas musicien, faisait-elle, avec dépit.
ellauri150.html on line 455: Quō vādis? (Classical Latin: [kʷoː ˈwaːdɪs], Ecclesiastical Latin: [kwo ˈvadis]) is a Latin phrase meaning "Where are you marching?". It is also commonly translated as "Where are you going?" or, poetically, "Whither goest thou?", or even "Whatsup doc? Munch munch"
ellauri150.html on line 660: Die Geschlechtskrankheiten des Menschen und ihre Heilung. Mit besonderer Berücksichtigung der Syphilis, ihrer Entstehung und Folgen (vermutlich von einem anderen Autor)
ellauri150.html on line 738: I think it is more of a Protestant attribute than a Catholic one to interpret the Bible literally. Catholics have a more complex and mystical interpretation of the Bible. Take for example the Assumption of Mary as well as the Immaculate Conception. These are not tied into physical phenomenon, but are purely spiritual and can only be understood by faith. This is also true of substantiation and the Holy Trinity. Like the universe itself, these are mysteries that the human mind cannot comprehend. (I just checked the Catechism. The section on creation, 337-349, does not give a strict literal interpretation of the six days.)
ellauri150.html on line 740: Catholics believe that Jesus was at once God and Man. I have begun to think of Jesus as being able to see at once the physical world (with one eye) and the spirit world (with the other). Perhaps Satan tried to pull him out of the physical world back into the spiritual world to destroy his mission, but Jesus rebuked Satan. There's lots of similar scenes with the dark side of the force sucking the good guys in Star Wars, and Mordor's Eye hypnotizing the poor Hobbits, plus one really scary one in Harry Potter, where Voldemort (sorry I mentioned the name) tries to slurp Harry into a pot of soup.
ellauri150.html on line 764: I have basically stopped listening to any other music than church music. Even the old romantic songs seem to be a call to exchange the love of God for earthly love. And from romantic love it devolved into explicit sexual love, and from sexual love into sex without love at all.0
ellauri150.html on line 766: I've actually begun to treasure silence, and the space it provides to be able to think clearly and to turn my thoughts to listening to the Holy Spirit. But you know the Church teaches us to love our bodies as well, so I hope at some point I will regain my passion for sex and related music.
ellauri150.html on line 768: P.S. Tomorrow (Sun 9PM) is the MTV music awards. I'll probably watch it just in order to monitor the latest ideas that are being pushed onto young people.
ellauri150.html on line 771: P.P.P.S. The MTV Music awards are starting now. I'm recording it and will probably watch it tomorrow.
ellauri151.html on line 129: Gide was, by general consent, one of the dozen most important writers of the 20th century. Moreover, no writer of such stature had led such an interesting life, a life accessibly interesting to us as readers of his autobiographical writings, his journal, his voluminous correspondence and the testimony of others. It was the life of a man engaging not only in the business of artistic creation, but reflecting on that process in his journal, reading that work to his friends and discussing it with them; a man who knew and corresponded with all the major literary figures of his own country and with many in Germany and England; who found daily nourishment in the Latin, French, English and German classics, and, for much of his life, in the Bible; [who enjoyed playing Chopin and other classic works on the piano;] and who engaged in commenting on the moral, political and sexual questions of the day. Monsters lead an interesting li-i-fe.
ellauri151.html on line 268: Old hands get soiled, it seems, whatever they caress, but they too have their beauty when they are joined in prayer. Young hands were made for caresses and the sheathing (sic) of love. It is a pity to make them come too soon.
ellauri151.html on line 287: Im Skeptizismus erfährt das Bewußtsein in Wahrheit sich als ein in sich selbst widersprechendes Bewußtsein; es geht aus dieser Erfahrung eine neue Gestalt hervor, welche die zwei Gedanken zusammenbringt, die der Skeptizismus auseinander hält. Die Gedankenlosigkeit des Skeptizismus über sich selbst muß verschwinden, weil es in der Tat ein Bewußtsein ist, welches diese beiden Weisen an ihm hat. Diese neue Gestalt ist hiedurch ein solches, welches für sich das gedoppelte Bewußtsein seiner als des sich befreienden, unwandelbaren und sichselbstgleichen, und seiner als des absolut sich verwirrenden und verkehrenden – und das Bewußtsein dieses seines Widerspruchs ist. – Im Stoizismus ist das Selbstbewußtsein die einfache Freiheit seiner selbst; im Skeptizismus realisiert sie sich, vernichtet die andere Seite des bestimmten Daseins, aber verdoppelt sich vielmehr, und ist sich nun ein Zweifaches. Hiedurch ist die Verdopplung, welche früher an zwei einzelne, an den Herrn und den Knecht, sich verteilte, in eines eingekehrt; die Verdopplung des Selbstbewußtseins in sich selbst, welche im Begriffe des Geistes wesentlich ist, ist hiemit vorhanden, aber noch nicht ihre Einheit, und das unglückliche Bewußtsein ist das Bewußtsein seiner als des gedoppelten nur widersprechenden Wesens.
ellauri151.html on line 289: Dieses unglückliche, in sich entzweite Bewußtsein muß also, weil dieser Widerspruch seines Wesens sich ein Bewußtsein ist, in dem einen Bewußtsein immer auch das andere haben, und so aus jedem unmittelbar, indem es zum Siege und zur Ruhe der Einheit gekommen zu sein meint, wieder daraus ausgetrieben werden. Seine wahre Rückkehr aber in sich selbst, oder seine Versöhnung mit sich wird den Begriff des lebendig gewordenen und in die Existenz getretenen Geistes darstellen, weil an ihm schon dies ist, daß es als ein ungeteiltes Bewußtsein ein gedoppeltes ist; es selbst ist das Schauen eines Selbstbewußtseins in ein anderes, und es selbst ist beide, und die Einheit beider ist ihm auch das Wesen, aber es für sich ist sich noch nicht dieses Wesen selbst, noch nicht die Einheit beider.
ellauri151.html on line 294: Die Bewegung, worin das unwesentliche Bewußtsein dies Einssein zu erreichen strebt, ist selbst die dreifache, nach dem dreifachen Verhältnisse, welche es zu seinem gestalteten jenseits haben wird; einmal als reines Bewußtsein; das andremal als einzelnes Wesen, welches sich als Begierde und Arbeit gegen die Wirklichkeit verhält; und zum dritten als Bewußtsein seines Für-sich-seins. – Wie diese drei Weisen seines Seins in jenem allgemeinen Verhältnisse vorhanden und bestimmt sind, ist nun zu sehen.
ellauri151.html on line 412: Die selbstverschuldete Unmündigkeit ist ein ebenso schiefes Maul, als er dem ganzen schönen Geschlecht macht, und das meine 3 Töchter nicht auf sich sitzen lassen werden.
ellauri151.html on line 421: Auf Schwächen und Blößen gründet sich die Liebe, und auf diese die Fruchtbarkeit.
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1. What are the general logic and the presuppositions of the problem of evil? 2. How can the problem of evil be called into question and how can one develop grammatical methods and philosophical tools to build a successful antitheodicy? 3. How can one develop a grammatical metacritique of the presuppositions of the problem through a philosophical grammar of the underlying language/world and being/meaning-links? 4. How can the grammatical approach to metaphysical questions and to the metacritique of the presuppositions of the problem of evil be used to analyse religious and worldview questions, and articulate ways of existential, humanistic and religious sense-making that overcome the problem?
ellauri151.html on line 529: Leibnizian problematic: God’s metaphysically constrained choice beteween the best vs pointless evils. Voltaire got a lot of laughs from it.
ellauri151.html on line 538: Hamannian antitheodicies hold that the dualisms and the rationalisms underlying theodicy debate are speculative metaphysics that can be overcome through philosophical grammar. Eli tässähän on vaan kieli lomalla, annahan kun jäsennän. Tuliko Wittgensteinistäkin hamanniitti loppupeleissä? Lare ainakin on sellainen.
ellauri151.html on line 625: The books I have read recently were: “Studies in Classic American
ellauri151.html on line 655: Hamann takes basic intuitions to be practices like playing music and painting. He argues that Kantian forms of intuition like space and time are symbolic forms of sensuously mediated bodily practices. Fornication is another sensuously mediated bodily practice. What's its logical form? Hello my name is Potato Head! Let's play a game!
ellauri151.html on line 991: [8] Heal the sick, raise the dead, cleanse lepers, cast out demons. You received without paying, give without pay.
ellauri152.html on line 92: Louÿs' close friend Claude Debussy in 1897 musically set three of the poems—La flûte de Pan, La chevelure and Le tombeau des Naïades—as songs for feminine voice and piano. Pan huiluu pyllyyn. The book was accidentally translated to Polish twice, in 1920 by Leopold Staff and in 2010 by Ruben Stiller.
ellauri152.html on line 388: bina die siccant ovis ubera; quos tibi servo: 2x päivittäin imee lampaanmaitoa, ne tarjoilisin sulle;
ellauri152.html on line 401: sic positae quoniam suavis miscetis odores. Silleen pannen näät saa rapsakat tuoksukimarat.
ellauri152.html on line 583: The most basic information is this: “Yentl the Yeshiva Boy” is a short story by Isaac Bashevis Singer, the famous Polish-American Jewish writer, published in 1962. It follows Yentl, a Jewish girl from a Polish shtetl who loves Torah-study, as she disguises herself as a man named Anshel in order to study at a yeshiva. Yentl (1983) is the movie-musical adaptation of the story, directed by and starring Barbra Streisand. In many ways it is a fairly faithful adaptation of the story’s events, but it has a different tone and a different ending.
ellauri152.html on line 595: I’ve seen Yentl the movie-musical several times, and there’s so much to unpack there, you could watch it a hundred times and have something new to talk about each time—whether it’s in the vein of despairing over the unnecessary heterosexuality of it all (even Wikipedia notes how aggressively the film erases as much queerness as it can!), or reveling in its grudging gayness (because even if Streisand decided she was playing a straight cis woman, the author is dead and it’s so easy to see Anshel and Avigdor on screen, both men, falling in love with each other).
ellauri152.html on line 605: Or it would be fine if the movie didn’t play it for laughs. The movie puts Yentl in multiple awkward situations where she has to perform verbal and physical gymnastics to keep people from seeing her without clothes, that gross classic trope whereby trans characters are outed all the time in fiction. As always, the movie drags this scene out into a whole joke, that Yentl has to scramble to prevent Badass from finding out she’s a woman because Badass wants to have sex with her, a woman, isn’t that just soooooo funny? On multiple levels, I am unamused and unhappy.
ellauri152.html on line 615: Now, here Singer is not mad at Yentl the film for cis-normifying his gender-ambiguous, interestingly queer Yentl, but rather for turning the ending into optimistic kitsch that ignores the harsh reality of what life in America was for Jewish immigrants, especially for Jewish women. And in some ways I feel like rolling my eyes at him for that. Aside from the fact that it offends his artistic vision, why shouldn’t Jewish women get a film where—suspension of disbelief!—a Jew will study Torah, loudly and proudly, as a woman? It’s a musical, not a documentary.
ellauri152.html on line 617: So I’m not of Singer’s opinion that the movie has no merit. I love Yentl’s music and emotionality (the short story is more distant), and I think I’ll always love it. But I do prefer Yeshiva Boy’s ambivalence and ambiguity to the movie’s heterosexual Hollywood polish.
ellauri152.html on line 628: I am on a crusade to make everyone aware of Yentl the Yeshiva Boy! Thank you! Also what I hate so much about that movie scene is the addition of Avigdor physical grabbing and shaking Yentl! The scene in the story is so quiet and gives Yentl dignity while explaining, while the movie has her break down confessing love for a man whose first reaction to her gender was to GRAB and SHAKE her! so inferior to just having a good old talmudic debate with your Good Pal. i feel like your comment totally sums up why The Half of It on netflix is so good.
ellauri152.html on line 651: How can we control our fiery evil urge and channel it towards serving dog? Through "fighting fire with fire." In other words, through using the positive spiritual energies of harshness, of din, as it states, "Everything that comes into the fire, you shall pass through the fire (in order to purify it)" (Bamidbar 31:23). To harness our most basic urges towards spirituality we must revert to the earliest system of creation: strict justice, severity, din.
ellauri152.html on line 687: In Rashi's Tefillin, however, the paragraph of compassion precedes the paragraph of harshness. This alludes to the way the dog presently runs the world - with compassion. Since most people are dependent on the dog's compassion for their very existence, the halacha is according to Rashi's view. Therefore, the obligation to wear Tefillin is fulfilled through donning Rashi's Tefillin. They're like basic earplugs.
ellauri152.html on line 741: Isaac Leib Peretz (Polish: Icchok Lejbusz Perec, Yiddish: יצחק־לייבוש פרץ) (May 18, 1852 – April 3, 1915), also sometimes written Yitskhok Leybush Peretz was a Yiddish language author and playwright from Poland. Payson R. Stevens, Charles M. Levine, and Sol Steinmetz count him with Mendele Mokher Seforim and Sholem Aleichem as one of the three great classical Yiddish writers. Sol Liptzin wrote: "Yitzkhok Leibush Peretz was the great awakener of Yiddish-speaking Jewry and Sholom Aleichem its comforter.... Peretz aroused in his readers the will for self-emancipation, the will for resistance against the many humiliations to which they were being subjected."
ellauri153.html on line 358:
“God is omnipotent” is true at game history w if and only if God has a winning strategy in the justice-of-God game G. Tässähän se tapahtuu se suuri lässähdys. Muka omnipotentti jumala saa häthätää saatanasta matin loppupeleissä. Matkan varrella isokyrpäinen valas voi syödä vaikka kaikki sen nappulat paizi kurkon, joka jää viimeisenä laudalle. Aika lohduttavaa sen muulle tiimille. One can make a few clarifying remarks about the structure of the game. The form of the game is relatively simple: it’s an ordinary extended-form perfect information game. tuskinpa Jobilla oli täydellistä informaatiota pelitilanteesta tai edes pelin säännöistä, muista pelaajista puhumattakaan. Aika isoja informaatiojoukkoja oli niiden kalloissa. Sitäpaizi ei luonnossa pelaajat siirrä vuoronperään, vaan koko ajan, niinkuin differentiaalipeleissä. . The goal is here not to go deeply into technical details, but to construct an übersichtlich representation for the theological grammar of biblical stories and to highlight the uses of terms like “good” and “omnipotent” in them. The game or model can then be used as a simplified fragment that can be projected onto, contrasted with and used to interpret biblical stories. The point of this clarification is to highlight the grammar of the divine properties “good” and “omnipotent” within the logic of the struggle myth, and to get the consistency of {God is good, God is omnipotent, There is chaotic evil} as in the Book of Job. The argument needs two assumptions. First, the games between God, humans and creation are genuine dialogues. Paskanmarjat, ei nää ole edes mitään signaling gameja, puhumattakaan dialogipeleistä. Olis kannattanut lukea mun väitöskirja Dialogue Games, siinä on oikeeta sananvaihtoa. The players answer each other and thus have to take turns in making moves and participating in them. Then the game of Job and the struggle against chaos is in extended form to represent the sequence of the debate, and its resolution gives the drama of the fight against kid chaos. Second, the properties of God like “omnipotent” and “good” are defined against the background of Job’s encounter with God and the struggle against chaos. This redefinition builds on both James’ reinterpretation of the properties of God in terms of religious practices, and also of Job’s new world of faith in the encounter. Job’s encounter with God and the struggle against chaos are modelled in the game, so such properties of God as “good” and “omnipotent” are then internal to the game. Missä kohtaa Jopilla on tässä jotain pelivaraa? Montako valintaruutua Jobilla edes on: Marise-älä marise, ja Pyllistä-älä pyllistä. Siinä kaikki. Jotta jumalan tiimi voittaisi, sen pitää ensin marista ja sit pyllistää. Nain on meidankin elamassamme! Marise mitä mariset, mut muista pyllistää! ellauri153.html on line 492: human condition, and spins a network of metaphysical problems and antinomies by a
ellauri153.html on line 820:
Why beautiful? Human nature never changes. Then as now, people prized physical beauty (Genesis 29:17; Deuteronomy 21:11; 1 Samuel 9:2; 2 Samuel 14:25; Esther 2:2–4). Kings had the privilege and power to surround themselves with beauty, and David’s servants likely thought to win his favor by bringing a beautiful woman into his palace.
ellauri153.html on line 854: Ueber die vierfache Wurzel des Satzes vom zureichenden Grunde is an elaboration on the classical Principle of Sufficient Reason, written by German philosopher Arthur Schopenhauer as his Jena doctoral dissertation in 1813. The principle of sufficient reason is a powerful and controversial philosophical principle stipulating that everything must have a reason or cause.
ellauri155.html on line 387: Aiming at black xmas with swinging Jew Irving Berlin and crooning Andrea Pucelli on Classic channel ellauri155.html on line 685: You must also note that God predestines people such as Paul and his friends in Rom. 8:30, and Eph. 1:5, 11. There is, however, controversy as to the nature of this predestination. In the Reformed (Calvinist) camp, predestination includes individuals. In other words, the Reformed doctrine of predestination is that God predestines whom He wants to be saved and that without this predestination, none would be saved. The non-Reformed camp states that God predestines people to salvation, but that these people freely choose to follow God on their own. In other words, in the non-Reformed perspective, God is reacting to the will of individuals and predestining them only because they choose God, whereby contrast the Reformed position states that people choose God only because He has first predestined them. I must say that the non-reformed position 2) sounds like gobbledygook. Either you get predestined or you don´t, what the fuck. Who was it that thought predestination and free will were compatible, was it Hume? Yes it was! The Stanford Encyclopedia of Philosophy paper on this topic is so wordy that it needed translating into Basic English.
ellauri155.html on line 696:
“Liberty and Necessity” – The Classical Reading
ellauri155.html on line 818: Peter Frederick Strawson (1919–2006) was an Oxford-based philosopher whose career spanned the second half of the twentieth century. He wrote most notably about the philosophy of language, metaphysics, epistemology and the history of philosophy, especially Kant.
ellauri155.html on line 917: Let form, let music, let all quickening air Anna muodon, anna musiikin, anna ilman karkaavan
ellauri156.html on line 72: The best part in my opinion is the bit in Talmud where David looks Bathsheba in the eyes and sees his own horny face reflected there and is sick of the whole thing. From then on he will not touch Bathseba anymore down there ever again and leaves her to languish in his harem bored as hell. Maybe David barfed because Bathsheba was already corked. He was used to virgins.
ellauri156.html on line 143: In Mojo magazine in October 2008, McCartney acknowledged that the style of the song is a pastiche, saying: "I was basically spoofing the folksinger." Lennon attributed the song to McCartney, saying: "Couldn't you guess? Would I have gone to all that trouble about Gideon's Bible and all that stuff?"
ellauri156.html on line 423: As a result, a drought hits Israel. David's and Bathsheba's baby dies. Nathan returns to tell David that God is displeased with his sin. Dog wants to see better ones, with more pizzazz. Or else he will not die as the law demands, but he will be punished through misfortune in his family. David takes responsibility but insists Bathsheba is blameless. But the people want Bathsheba killed. The crowd shouts: No, we want Barabbas! David makes plans to save Bathsheba, but she tells David she is not blameless. She has continued seeing Uriah on the side. (The reports of his demise were premature.) They are both at fault. David is reminded of the Lord and quotes Psalm 23 as he plays his harp. (A nice musical interlude in an otherwise numbing show whose spoiler is long since spoiled.)
ellauri156.html on line 447: The musical score was by Alfred Newman (the funny looking kid on the cover of Mad magazine), who, for the bucolic scene with the shepherd boy, used a solo oboe in the Lydian mode, drawing on long established conventions linking the solo oboe with pastoral scenes and the shepherd's pipe. To underscore David's guilt-ridden turmoil in the Mount Gilboa scene, Newman resorted to a vibraphone, which Miklós Rózsa used in scoring Peck's popular 1945 Spellbound, in which he played a no less disturbed patient suffering from amnesia, viz. prophet Nathan Zuckerman.
ellauri156.html on line 455: King Solomon, author of The Ancient World in the Cinema, found the film rather slow-paced in the first half before gaining momentum, and Peck "convincing as a once-heroic monarch who must face an angry constituency and atone for his sins." He noted that this was different from other biblical epics in that the protagonist faced a religious and philosophical issue rather than the overdone military or physical crisis.
ellauri156.html on line 812: That is precisely what the cross of our Lord Jesus Christ does for us. We were dead in our trespasses and sins (Ephesians 2:1-3). We were blinded to the immensity of our sins (2 Corinthians 4:4). The coming of our Lord Jesus Christ, His perfect life, His innocent and sacrificial death, His literal and physical resurrection are all historical events. But the gospel is also a story, a true story. When we read the New Testament Gospels, we read a story that is even more dramatic, more amazing, more disturbing than the story Nathan told David. When we see the way unbelieving men treated our Lord, we should be shocked, horrified, and angered. We should cry out, “They deserve to die!” And that they do. But the Gospel is not written only to show us their sins -- those who actually heard Jesus and cried, “Crucify Him, Crucify Him” -- it is written so that the Spirit of God can cry out in our hearts, “Thou art the man! Yo mon!” When we see the way men treated Jesus, we see the way we would treat him, if he were here. We see how we treat him today. With laughter and ridicule. And that, my friend, reveals the immensity of our sin, and the immensity of our need for repentance and forgiveness. Words, words, words. Sticks and stones may break my bones, but words will never hurt me.
ellauri158.html on line 44: Spinoza’s views on necessity and possibility, which he claimed were the “principal foundation” of his Ethics (Ep75), have been less than well received by his readers, to put it mildly. From Spinoza’s contemporaries to our own, readers of the Ethics have denounced Spinoza’s views on modality as metaphysically confused at best, ethically nihilistic at worst. Kristityt on aina vihanneet Spinozaa, mutta niin on juutalaisetkin. Siili ressu.
ellauri158.html on line 230: -- P. 1. prop. 17. schol. Dei existentia, sicut eius essentia, aeterna est veritas. [in: P. 1. prop. 33. schol. 2.]
ellauri158.html on line 244: -- P. 1. prop. 20. coroll. 1. Hinc sequitur 1. Dei existentiam, sicut eius essentiam, aeternam esse veritatem.
ellauri158.html on line 275: P. 1. prop. 26. Res, quae ad aliquid operandum determinata est, a Deo necessario sic fuit determinata; et quae a Deo non est determinata, non potest se ipsam ad operandum determinare. [in: P. 1. prop. 28., prop. 29.]
ellauri158.html on line 283: P. 1. prop. 28. Quodcumque singulare, sive quaevis res quae finita est et determinatam habet existentiam, non potest existere nec ad operandum determinari, nisi ad existendum et operandum determinetur ab alia causa, quae etiam finita est et determinatam habet existentiam; et rursus haec causa non potest etiam existere neque ad operandum determinari, nisi ab alia, quae etiam finita est et determinatam habet existentiam, determinetur ad existendum et operandum, et sic in infinitum. [in: P. 1. prop. 32., P. 2. prop. 9., lem. 3., prop. 30., prop. 31., prop. 48., P. 4. prop. 29., P. 5. prop. 6.]
ellauri158.html on line 389: While pantheism asserts that "all is God", panentheism claims that God is greater than the universe. Some versions of panentheism suggest that the universe is nothing more than the manifestation of God. In addition, some forms indicate that the universe is contained within God, like in the Kabbalah concept of tzimtzum. Also much Hindu thought is highly characterized by panentheism and pantheism. The basic tradition on which Hantta Krause´s concept was built seems to have been Neoplatonic philosophy and its successors in Western philosophy and Orthodox theology.
ellauri158.html on line 438: P. 2. prop. 9. Idea rei singularis actu existentis Deum pro causa habet, non quatenus infinitus est, sed quatenus alia rei singularis actu existentis idea affectus consideratur, cuius etiam Deus est causa, quatenus alia tertia affectus est, et sic in infinitum. [in: P. 2. prop. 9. coroll., prop. 19., prop. 20., prop. 24., prop. 25., P. 3. prop. 1.]
ellauri158.html on line 487: ---- lem. 3. Corpus motum vel quiescens ad motum vel quietem determinari debuit ab alio corpore, quod etiam ad motum vel quietem determinatum fuit ab alio, et illud iterum ab alio, et sic in infinitum.
ellauri158.html on line 525: ---- lem. 7. Retinet praeterea individuum sic compositum suam naturam, sive id secundum totum moveatur, sive quiescat, sive versus hanc, sive versus illam partem moveatur, dummodo unaquaeque pars motum suum retineat, eumque, uti antea, reliquis communicet. [in: P. 2. lem. 7. schol., P. 3. postul. 1.]
ellauri158.html on line 746: P. 2. prop. 48. In mente nulla est absoluta sive libera voluntas, sed mens ad hoc vel illud volendum determinatur a causa, quae etiam ab alia determinata est, et haec iterum ab alia, et sic in infinitum. [in: P. 2. prop. 49., prop. 49. coroll., P. 3. aff. defin. 6., etiam in: TP cap. 2. art. 1.]
ellauri158.html on line 747: -- P. 2. prop. 48. schol. Entia metaphysica sive universalia. [in: P. 2. prop. 49. coroll.]
ellauri159.html on line 763: The first job of men in dire times has always been to establish and secure “the perimeter.” Donovan argues that the way of men is the way of the gang, because when placed in a harsh environment, men will quickly make the logical calculation that they have a much better chance of surviving if they band together than if they each try to go it alone. For some folks, “gang” is a word weighted with negative connotations, so substitute “posse” or “platoon” or whatever else if you must. The important thing to realize is that the small, tightly-knit honor group was the basic male social unit for eons. The myth of the uber-manly lone wolf is just that. With few exceptions, men have always fought and hunted together. Cowboys banded together, pioneers banded together, and Rambo wouldn’t have actually stood a chance against either gang.
ellauri159.html on line 776: Strength: Physical prowess and power; ability to dominate an opponent (of the natural or human variety) instead of being dominated, and to stand fast and immovable when pushed.
ellauri159.html on line 778: Courage: The spirit /will/discipline to engage and employ one’s strength when inwardly tempted to shrink/run/hide. There are “higher” forms of courage, but at its most fundamental, it represents an outwardly demonstrated indifference to risk, pain, and physical danger.
ellauri159.html on line 785: The key to upholding honor in a male gang is to always try to pull your own weight – to seek to be a boon rather than a burden to the group. If a man lacks in physical strength, he might make up for it in the area of mastery – being the group’s best tracker, weapons-maker, or trap inventor; one crafty engineer can be worth more than many strong men. If a man lacks in both physical strength and mastery, he might still endear himself to the other men with a sense of humor, a knack for storytelling, or a talent in music that keeps everyone’s spirits up. Or he might act as a shaman or priest – performing rituals that prepare men for battle and cleanse and comfort them when they return from the front. The strong men of the group will usually take care of the weak ones who at least try to do whatever they can. Shame is reserved for those who will not, or cannot excel in the tactical virtues, but don’t try to contribute in some other way, and instead cultivate bitterness and disregard for the perimeter-keepers who ironically provide the opportunity to sit on one’s hands and carp. (Aki Manninen would love this.)
ellauri159.html on line 791: Even the men we hold up as proof that you can be manly by living the higher virtues without completely fulfilling the 3 P’s of Manhood (or even 3 pushups) ultimately derive their inspiration from the fundamental underpinnings of the tactical virtues. Figures like Gandhi and Jesus are lauded for their non-violence and their goodness, but our ability to think of them as manly, derives from their embrace of masculine expendability – a courageous indifference to the pain and suffering others might inflict on their physical body. They were good men, certainly, but their willingness to sacrifice themselves for the sake of their people, also made them good at being men. Gandhi did procreate a lot. Jesus provided for millions of preachers. Both were expendable. That´ll do, welcome to the perimeter pencil necks.
ellauri159.html on line 803: In 2004, he published The Seven Basic Plots: Why We Tell Stories, a Jungian-influenced analysis of stories andń their psychological meaning, on which he had been working for over 30 years. The book was dismissed by Adam Mars-Jones, who objected to Booker employing his generalisations about conventional plot structures prescriptively: "He sets up criteria for art, and ends up condemning Rigoletto, The Cherry Orchard, Wagner, Proust, Joyce, Kafka and Lawrence – the list goes on – while praising Crocodile Dundee, ET and Terminator 2".
ellauri159.html on line 805: Christopher Booker's The Seven Basic Plots is a long book. It's on the order of War and Peace for thickness. It also gets a bit repetitive at times, but if you can slog through the material, you're rewarded with a good understanding of the seven basic plots. You can also get a good dose of Jungian psychology to boot; for instance, Booker likes to talk about the symbolism of the masculine and feminine aspects of a character.
ellauri159.html on line 872: The music of her laughter hid my father´s words from me: I´m waiting for you
ellauri159.html on line 1127: Engage in a physical activity before writing to unlock your creativity. If the topic is not copulation, but instead something abstract or impersonal, reflect on its tangible implications, particularly its effect on people or animals, like how it might lead to copulation. This connection may help motivate you through the project.
ellauri159.html on line 1133: You can become blocked by criticism or by discord in their environment. Try writing in a quiet, outdoor space, where you can release your stress and immerse yourself in the natural world. If you have family, throw them out. Meditation or yoga may also help. Isolate yourself from negativity and listen to the music of your own thoughts and feelings.
ellauri159.html on line 1165: You have the most energy at the beginning of a project, when inspiration first hits. Take advantage of this initial burst, but don’t get so engrossed in the project that you ignore basic needs like eating, fucking and killing. Remember to replenish your physical energy. You’ll get more done in the long run.
ellauri159.html on line 1169: You may burn bright during the early stages of a project but fade before they reach the end. To avoid this pattern, take periodic breaks. Spend time with friends. Let the subject percolate in your unconscious mind. You’ll come back to the project with new inspiration for that final push toward completion. Basically, be lazy, it pays off.
ellauri159.html on line 1349: He was born in 1832 and lived for eighty-six years. During that time he wrote much, but unsystematically. His favorite form of publication was letters to newspapers, mainly local newspapers with a small circulation. These letters dealt with an astonishing diversity of subjects, from local petty politics or the tricks of spiritualist mediums to principles of industry and finance and profundities of metaphysics.
ellauri160.html on line 168: As regarding rhythm: to compose in the sequence of the musical phrase, not in sequence of a metronome.
ellauri160.html on line 316: Fukuyama received his Bachelor of Arts degree in classics from Cornell University, where he studied political philosophy under Allan Bloom. He initially pursued graduate studies in comparative literature at Yale University, going to Paris for six months to study under Roland Barthes and Jacques Derrida but became disillusioned and switched to political science at Harvard University. There, he studied with Samuel P. Huntington and Harvey Mansfield, among others. He earned his Ph.D. in political science at Harvard for his thesis on Soviet threats to intervene in the Middle East. In 1979, he joined the global policy think tank RAND Corporation. Eli vittua se mikään simpanssitutkija oli, Ellei sitten tutkinut omaa napanöyhtää, kun on ilmetyn bonobon näkönenkin. Kokeili taskuaan ja kaikki oli tallella, kelpas hymyillä.
ellauri160.html on line 415: Then prayed I many a prayer to the sickly death’s-heads; Sit mä pyllistelin aika sairaan paljon kalloille;
ellauri160.html on line 480: 2Ei siis ällänmuotoista, kuten äkkinäinen voisi luulla. Mä rakensin Helmille ell-square hiekkalaatikon Ilmattarentien pihalle. Se on siinä vieläkin, mutta sen laittoivat Paul ja Ecem kasvamaan porkanaa (sic) ja perunaa. Viimexi siinä oli peltikaton räystäälle itäneitä jotain vieraskasveja, joita Paul urheasti korkean paikan pelosta huolimatta pudotteli alas turvavöissä. Sellaiset olis Toivo-tontullakin suonut olleen.
ellauri160.html on line 800: After watching the famous movie, one lingering question hit my brain: why did this film never take off in England or the States the same way it had elsewhere? Although its absurdist humor and physical comedy seem tailor-made for the Monty Python set, Dinner for One has spent much of its life as an obscure oddball among most native English speakers.
ellauri160.html on line 806: It is really sweet that Germans and others have adopted something and that this sketch is special for them. I respect that and don’t doubt for a second the genuine love and admiration some have for Dinner for One. But I am really surprised to see Monty Python compared with Dinner for One. I have to say it was painful to sit through. Painfully, painfully bad and unfunny. That’s why it has never caught on in Britain. I suppose we must have a very different sense of humour to that of Scandinavia and the German-speaking countries. We don’t consider it funny if someone falls over something. There’s nothing subtle or clever or nuanced about it (Rowan Atkinson’s absurdist physical comedy went down so well due to its complexity, think of the sketch where Mr. Bean makes the sandwich on the park bench and it gets progressively more and more absurd, he gets the fish out of water and slaps it against the bench to kill it before eating it, etc. now that is funny, and food fights in general). It’s not funny the first time the butler falls over the tiger-skin rug and it gets progressively more and more irritating each time he does it. You can spot the punchline a mile off and so the end of the sketch falls very flat. It’s nothing whatever to do with the length of the sketch or its obscurity or difficulty finding it: people still seek out all the comic greats on Youtube, like that fat man watsisname, or Charlie Chaplin who bravely made fun of your Hitler.
ellauri161.html on line 494: Now, one friend said that "Don't Look Up" was a masterpiece. Well, I wouldn't go as far as to calling it a masterpiece. Sure, "Don't Look Up" was a watchable movie, and writers Adam McKay and David Sirota definitely had some good jabs at the crazy world we live in today, with the likes of a crazy president, everything being on social media, people being concerned about riches even when facing extinction and such. I found the movie to be watchable and enjoyable, sure, but it wasn't a masterpiece, nor will it become a classic movie for me.
ellauri161.html on line 562: This is the darkest of dark comedies, and it covers many topics, including the continued decimation of our planet, our over-reliance on tech, our soul-killing obsession with social media, and the crazy space-race programs created by billionaire men. McKay’s brutal satire takes no prisoners, eviscerates political extremists and lemmings, and basically says we are all fucked if we continue on this current course—with or without an apocalyptic comet hurtling toward Earth
ellauri161.html on line 701: No idea what they were trying to do here. Couldn't even get through it. Basically had the plot of Armageddon but wasn't a spoof, guess they were going for a comedy but it wasn'tfunny at all. Just very Hollywood and very odd. Don'twaste your time.
ellauri161.html on line 864: Sivu 234 - Memor fui dierum antiquorum, meditatus sum in omnibus operibus tuis : * in factis manuum tuarum meditabar. Expandi manus meas ad te : * anima mea sicut terra sine aqua tibi.
ellauri161.html on line 1127: It tells the story of a young sickly priest who has been assigned to his first parish, a village in northern France.
ellauri162.html on line 123: Bernanos oli katolinen ja mystikko, mutta myöhemmin uransa aikana hän arvosteli katolista kirkkoa ja myös Francoa. Esimerkiksi teoksessaan Les grands cimetières sous la lune hän kirjoittaa Mallorcalla tapahtuneista julmuuksista. Hän arvosteli voimakkaasti muun muassa paikallisia katolisia piispoja, jotka Espanjan sisällissodan aikana olivat haluttomia puuttua (sic) punaisten kohteluun.
ellauri162.html on line 734: Der aus einem protestantischen Pfarrhaus in Meuselwitz stammende Friedrich Karl Forberg war Schüler Ernst Platners in Leipzig, später Karl Leonhard Reinholds in Jena. Von April bis September 1791 reiste er mit Franz Paul von Herbert nach Klagenfurt und schickte einige Briefe an Reinhold, von den jungen Damen in Klagenfurt, die sich Cuntausgaben wie Gebetbücher schwarz einbinden ließen, um sie während der Sonntagsmesse zu lesen, und von den Priesterseminaristen, die an diesen Vorgängen teilnahmen.
ellauri162.html on line 798: Pharyngula is a term used by evolutionists to describe a hypothetical phylotypic stage of development in embryology. It is mistakenly thought by most evolutionists that this stage represents the basic vertebrate body plan in the common ancestor of all vertebrates. There is currently a dispute among scientists as to how similar embryos are and to the reality of this stage.
ellauri163.html on line 452: Mooseksen isoäidin hauta on Maple Groven hautausmaalla Hoosick Fallsissa. Grandma Moses , syntynyt Anna Maria Robertson Mooses (* 7. Syyskuu 1860 Greenwich Yhdysvaltain valtio New York, † 13 Joulukuu 1961 vuonna Hoosick Falls, New York) oli yhdysvaltalainen taidemaalari, kuvittaja ja edusti naivisti taidetta.
ellauri163.html on line 660: John Perry on Willin isä. Hän on tutkimusmatkailija maailmastamme, joka löysi portaalin Lyran maailmaan ja josta tuli shamaani, joka tunnetaan nimellä Stanislaus Grumman tai Jopari, hänen alkuperäisen nimensä korruptio. John Richard Perry (born 1943) is Henry Waldgrave Stuart Professor of Philosophy Emeritus at Stanford University and Distinguished Professor of Philosophy Emeritus at the University of California, Riverside. He has made significant contributions to philosophy in the fields of philosophy of language, metaphysics, and philosophy of mind. He is known primarily for his work on situation semantics (together with Jon Barwise), reflexivity, indexicality, personal identity, and self-knowledge. Situation Semantics was a huge flop, which became obvious when Barwise died of the cancer of the colon.
ellauri163.html on line 727: “ Basically the range for possible answers is 0 to 50. The information below shows you the different ranges as recorded from others sitting this same AQ quiz over the years.
ellauri163.html on line 864: A precocious student, Durkheim entered the École Normale Supérieure (ENS) in 1879, at his third attempt. The entering class that year was one of the most brilliant of the nineteenth century, as many of his classmates, such as Jean Jaurès and Henri Bergson, went on to become major figures in France's intellectual history as well. At the ENS, Durkheim studied under the direction of Numa Denis Fustel de Coulanges, a classicist with a social-scientific outlook, and wrote his Latin dissertation on Montesquieu. At the same time, he read Auguste Comte and Herbert Spencer, whereby Durkheim became interested in a scientific approach to society very early on in his career. The writer of this exposition likes the word whereby.
ellauri163.html on line 875: All religions divide social life into two spheres, the “sacred” and the “profane.” There is nothing intrinsic about a particular object which makes it sacred. An object becomes sacred only when the community invests it with that meaning.
ellauri164.html on line 43: In the introduction to his Grundzüge der physiologischen Psychologie in 1874, Wundt described Immanuel Cunt and Johann Friedrich Herbart as the philosophers who had the most influence on the formation of his own views. Those who follow up these references will find that Wundt critically took to the cleaners both these thinkers’ ideas. He distanced himself from Herbart's science of the soul . Wundt praised Cunt's rejection of a "rational" psychology deduced from metaphysics, but he argued against Cunt's epistemology as well as Cunt's category theory and his flabby position on teleological explanations in his publication Was soll uns Kant nicht verkaufen? (1892).
ellauri164.html on line 168:
ellauri164.html on line 170: Das Ding an sich oli sukkahousuisen Immanuel Cuntin kexasema sumutus kun tiede alkoi huohottaa pappispimityxen kovitettuun kauluxeen. Kun ei hengistä saatu mitään toistettavaa havaintoa oli paras päätellä ettei mistään muustakaan ollut varmaa tietoa kuin mitä etusivun ilmoituxessa on annettu. Sinne ajan ja paikan ulkopuolelle noumenaaliseen maailmaan oli hyvä kyyristyä jumalikävässä säätä pitämään. Ja tämän aivopierun jälkeen kokoontua kaverien kanssa seurustelemaan ja juomaan kupposia parhaassa peruukissa ja synteettisestä apriorimateriaalista kudotuissa uusissa legginseissä. All is well.
ellauri164.html on line 230: Ralph Barton Perry (July 3, 1876 in Poultney, Vermont – January 22, 1957 in Boston, Massachusetts) was an American philosopher. He was a strident moral idealist who stated in 1909 that, to him, idealism meant "to interpret life consistently with ethical, scientific, and metaphysical truth." (citation?) Perry's viewpoints on religion stressed the notion that religious thinking possessed legitimacy should it exist within a framework accepting of human reason and social progress.
ellauri164.html on line 238: Veatch oli aktiivinen episkopaalisessa kirkossa ja toimi American Catholic Philosophical Associationin puheenjohtajana . Hän toimi Metaphysical Society of America :n puheenjohtajana vuonna 1961. Vuosina 1970–1971 hän toimi American Philosophical Associationin läntisen jaoston puheenjohtajana. Hän oli Episkopaalisen kirkon tutkijoiden killan jäsen.
ellauri164.html on line 379: I wanted to like this book so much more than I did. I actually found it incredibly difficult to understand. Some of it, I think, was that it was poorly translated. I read a 1962 edition that doesn't even cite a translator -- so many of the sentences were so convoluted as to be utterly obtuse. Poor translation or witless reader? I never could figure out why Mlle Chantal was such an angry bitch and why she insisted on tormenting the priest. What was her secret? Was the priest an alcoholic or just terminally sick? Gay? Why did M le Comte come to hate the priest? These are just some of the basic narrative issues I couldn't figure out. Forget the whole spiritual aspect--much of what the priest mused on and felt was incomprehensible to me as he described it. I can't help wondering if I'd have understood it if I had read it in French. Or maybe I'm just so spiritually challenged (in a God believing, Catholic way) that I can't comprehend it when it's described. All of that said, there were profoundly moving passages here and there, but over all I don't begin to know what I read. It's rather embarrassing actually--I feel so simple! (less)
ellauri164.html on line 419: Shelves: dnf , 2021 , classics
ellauri164.html on line 437: "In this classic Catholic novel, Bernanos movingly recounts the life of a young French country priest who grows to understand his provincial parish while learning spiritual humility himself." Pro primo, ei se näytä koko aikana ymmärtävän tai edes välittävän kenestäkään juuri midiä. Pro secundo, koko kirja on yhtä nöyrän piiraan mutustelua. Siitä puhe mistä puute. This man shares something with Isaiah’s “worm among men.” Ich aber bin ein Wurm und kein Mensch. Ich bin eine Ratte (Psalmit 22:6).
ellauri164.html on line 875: This gets us back to the question of what, exactly, Moses’ sin was. Many commentators focus on the physical actions that Moses took in verses 9-11. Some say Moses sin was striking the rock rather than speaking to it, but Moses was told to take the staff of God. Exodus 17:5-6 had Moses striking the rock to cause water to come out of the rock (in fact, it’s actually the same rock of Meribah!), so it’s possible to read an inference that the staff was to be used to strike the rock. Some commentators see Moses’ harsh words for Israel as the sin, or perhaps that he speaks to the people rather than speaking to the rock. Regardless of which of these views, they don’t account for what the text itself says: Numbers 20:12 makes it clear that the sin of Moses and Aaron was “…you have not believed Me, to treat Me as holy in the sight of the sons of Israel.” Indeed, focusing on Moses’ actions of striking the rock or speaking harshly makes it seem doubly unfair to Aaron, who had neither spoken nor struck the rock.
ellauri171.html on line 364: New Age / Metaphysical
ellauri171.html on line 917: Canaanites believed that following physical death, the npš (usually translated as "soul") departed from the body to the land of Mot (Death). Bodies were buried with grave goods, and offerings of food and drink were made to the dead to ensure that they would not trouble the living. Dead relatives were venerated and sometimes asked for help. Seijakin huutaa aina Leaa avuxi.
ellauri171.html on line 957: It is considered virtually impossible to reconstruct a clear picture of Canaanite religious practices. Although child sacrifice was known to surrounding peoples, there is no reference to it in ancient Phoenician or Classical texts. The biblical representation of Canaanite religion is always negative.
ellauri171.html on line 994: It is worth noting that nowhere in the text is Jezebel characterized as promiscuous or seductive. The text makes no mention of her physical appearance. Unlike characters such as Rachel, Joseph, and Rebekah, whom the Bible explicitly labels as aesthetically appealing, there is no such indication for Jezebel. In fact, if anything, the text indicates that Jezebel is an all-too-loyal wife —even capable of murder. She is not an admirable character by any means, however, it is critical to highlight that nothing about her modern connotation is exemplified in text.
ellauri171.html on line 1123: Since they were directly commanded to go, her servants also had to leave the room – David’s heir was not someone to be crossed. Then, still feigning the irritation of a sick person, he went into the bedroom alcove and insisted he would only eat the food if she brought it to him there and fed him with her own hand.
ellauri172.html on line 165: Come la gran parte dei piemontesi dell'epoca, Vittorio Alfieri ebbe come madrelingua il piemontese. Giacché di nobili origini, apprese dignitosamente il francese e l'italiano, cioè il toscano classico. Compilava piccoli vocabolari. Dopo una giovinezza inquieta ed errabonda, si dedicò con impegno alla lettura e allo studio di Plutarco, Dante, Petrarca, Machiavelli e degli illuministi come Voltaire e Montesquieu: da questi autori ricavò una visione personale razionalista e classicista, convintamente anti-tirannica e in favore di una libertà ideale, al quale unì l'esaltazione del genio individuale tipicamente romantica.
ellauri172.html on line 175: Come scrive nell'autobiografia, era un bambino molto sensibile, a tratti vivace, solitario, insofferente alle regole, descritto dai biografi moderni come tendente alla nevrosi, una condizione che si protrarrà per tutta la vita, causandogli spesso anche disturbi psicosomatici. Soffrirà di frequenti disturbi gastrici per la sua intera esistenza.
ellauri172.html on line 318: Au point de vue physique, nous l’avons vu, c’est un besoin individuel que d’engendrer un autre individu, si bien que cet autre devient comme une condition de nous-même. La vie, comme le feu, ne se conserve qu’en se communiquant. Et cela est vrai de l’intelligence non moins que du corps ; il est aussi impossible de renfermer l’intelligence en soi que la flamme : elle est faite pour rayonner. Même force d’expansion dans la sensibilité : il faut que nous partagions notre joie, il faut que nous partagions notre douleur. C’est tout notre être qui est sociable : la vie ne connaît pas les classifications et les divisions absolues des logiciens et des métaphysiciens : elle ne peut pas être complètement égoïste, quand même elle le voudrait. Nous sommes ouverts de toutes parts, de toutes parts envahissants et envahis. Cela tient à la loi fondamentale que la biologie nous a fournie : La vie n’est pas seulement nutrition, elle est production et fécondité. Vivre, c’est dépenser aussi bien qu’acquérir.
ellauri172.html on line 346: Einen Bürger hofft' er sich gewogen; Yhden porvarin luo kiinaamaan;
ellauri172.html on line 368: Daß er angekleidet sich aufs Bette legt; Vaatteet päällä menee vuoteeseen;
ellauri172.html on line 387: Rafft von seinem Lager sich geschwind: Nousee vuoteestansa vikkelään,
ellauri172.html on line 402: Unsichtbar wird einer nur im Himmel, Näkymätön jäi meille 1 taivaaseen,
ellauri172.html on line 419: Die sich liebend kränkt; Kun työnnän takapuoleen nagaikaa,
ellauri172.html on line 420: In die Erde bald verbirgt sie sich." Kai kohta pusken koiranputkea.
ellauri172.html on line 449: Und sie kommt und wirft sich zu ihm nieder: Silloin misun sydän pehmiää
ellauri172.html on line 465: Tränen mischen sich in ihre Lust; Itkien ja nussien ne häärivät,
ellauri172.html on line 467: Eins ist nur im andern sich bewußt. Vain toisistaan ne välittää.
ellauri172.html on line 479: Weil sie erst sich überzeugen muß, Tuntuvatko ne jo lopettelevan,
ellauri172.html on line 495: Doch sie windet gleich sich selbst hervor. Mut tyttö nousee pian jaloilleen
ellauri172.html on line 498: Lang und langsam sich im Bett' empor. Hitaasti ylös sängystä ja jalkeille.
ellauri172.html on line 608: La Rosalba était pudique comme elle était voluptueuse, et le plus extraordinaire, c’est qu’elle l’était en même temps. Quand elle disait ou faisait les choses les plus… osées, elle avait d’adorables manières de dire : « J’ai honte ! » que j’entends encore. Phénomène inouï ! Elle fût sortie d’une orgie de bacchantes, comme l’Innocence de son premier péché. Jusque dans la femme vaincue, pâmée, à demi morte, on retrouvait la vierge confuse, avec la grâce toujours fraîche de ses troubles et le charme auroral de ses rougeurs… (Vizi tää hemmo on aika sick. Mutta se on just kuten Huismanni totesi: pyllistely tuntuu vielä rotevammalta kun pyllyn takana kyttää kiivas Jehova piiska handussa. Niin varmaan junioriapinastakin joka pääsee salaa silverbäkin nartun vulvalle. Sisään vaan vaikkei seisokkaan!)
ellauri180.html on line 200: The turn of the 19th century was also an important time in laying the foundations of surgical technique. Sir Frederick Treves (1903) provides us with a comprehensive account of basic surgical principles that remain today. Like most of his contemporaries, he used scissors to remove the prepuce (fig. 5) and describes ligation of the frenular artery as being mandatory' in the adult. He also warns against the excess removal of skin, as this may lead to chordee.
ellauri180.html on line 214: To date, a more definite function cannot be ascribed to the prepuce, but as an accessible and ready source of fibroblasts, it has become a favourite tissue reservoir for cell-culture biologists and hence basic scientific research.
ellauri180.html on line 382: ‘Porphyria’s Lover’ is one of Browning’s first great poems, written when he was in his early twenties. It is also one of the first great dramatic monologues in English verse, the 1830s being the decade in which Browning and Tennyson developed the genre, penning a series of classic poems which see the poet adopting a persona and ‘staging’ a soliloquy given by an (often unreliable) speaker. Here, the speaker is the titular lover of the girl, Porphyria. Before we proceed to an analysis of ‘Porphyria’s Lover’, here’s a reminder of Browning’s poem. (Se mainittiin Gently-poliisisarjassa yhden koulun pulpettia vasten naidun tupeeratun 60-luvun teinin mielirunona.)
ellauri181.html on line 117: Sich in die Büsche schlagen — Sich seitwärz in die Büsche schlagen Die umgangssprachliche Redewendung steht für »heimlich verschwinden, sich davonmachen«: Als die Leute den Gendarm holten, schlug sich der Fremde in die Büsche.
ellauri181.html on line 119: Überblicke ich meine Entwicklung und ihr bisheriges Ziel, so klage ich weder, noch bin ich zufrieden. Die Hände in den Hosentaschen, die Weinflasche auf dem Tisch, liege ich halb, halb sitze ich im Schaukelstuhl und schaue aus dem Fenster. Kommt Besuch, empfange ich ihn, wie es sich gebührt. Mein Impresario sitzt im Vorzimmer; läute ich, kommt er und hört, was ich zu sagen habe. Am Abend ist fast immer Vorstellung, und ich habe wohl kaum mehr zu steigernde Erfolge. Komme ich spät nachz von Banketten, aus wissenschaftlichen Gesellschaften, aus gemütlichem Beisammensein nach Hause, erwartet mich eine kleine halbdressierte Schimpansin, und ich lasse es mir nach Affenart bei ihr wohlgehen. Bei Tag will ich sie nicht sehen; sie hat nämlich den Irrsinn des verwirrten dressierten Tieres im Blick; das erkenne nur ich, und ich kann es nicht ertragen. Himskatti toipa oli taas aika tahmeaa misokeittoa. Koko raportti on passiivis-aggressiivinen ja selvästi narsistinen.
ellauri181.html on line 124:
ellauri181.html on line 132: The Theory of Basic Human Values is a theory of cross-cultural psychology and universal values that was developed by a guy called Shalom H. Schwartz. The theory extends previous cross-cultural communication frameworx such as Hofstede's cultural dimensions theory. Schwartz identifies ten basic human values, each distinguished by their underlying motivation or goal, and he explains how people in all cultures recognize them. There are two major methods for measuring these ten basic values: the Schwartz Value Survey and the Portrait Values Questionnaire. A particular value can conflict or align with other values, and these dynamic relationships are typically illustrated using a circular graphic in which opposite poles indicate conflicting values.
ellauri181.html on line 138: sic_Human_Values_Graphic.jpg">
ellauri181.html on line 139: Theory of Basic Human Values Graphic ellauri181.html on line 141: In a 2012 article, Schwartz and colleagues refined the Theory of Basic Values with an extended set of 19 individual values that serve as "guiding principles in the life of a person or group".
ellauri181.html on line 145: Shalom H. Schwartz (Hebrew: שלום שוורץ) is a social psychologist, cross-cultural researcher and creator of the Theory of Basic Human Values (universal values as latent motivations and needs). He also contributed to the formulation of the values scale in the context of social learning theory and social cognitive theory.
ellauri181.html on line 146: After completing his master's degree in social psychology and group development at Columbia University and completing his rabbinical studies, Schwartz received his Ph.D. in social psychology from the University of Michigan, and subsequently taught in the sociology department of the University of Wisconsin–Madison, and in 1973 became a professor. From 1971-73, Schwartz was a visiting lecturer in the department of psychology at the Hebrew University. In 1979, Schwartz moved to Israel with his wife and three children. He joined the department of psychology at the Hebrew University, where he holds the post of Leon and Clara Sznajderman Professor Emeritus of Psychology. He is now retired, but continues his research activity, as well as developing and promoting his Basic Human Values Theory.
ellauri181.html on line 156: Description: Six main features, relevant to all values, are described first. This is followed by an outline of ten basic personal values, with a guide to which are congruent and which conflict. These six features are relevant to all values.
ellauri181.html on line 172:
Ten basic personal values
ellauri181.html on line 174: The Schwartz theory of basic values identifies ten broad personal values, which are differentiated by the underlying goal or motivation. These values are likely to be universal because they help humans cope with one or more of the following three universal requiremenz of existence:
ellauri181.html on line 227: Stimulation and Self-direction—intrinsic interest in novelty and mastery;
ellauri182.html on line 129: Existential heroes in literature have often been plagued with despair and profound loneliness. Another philosopher that existentialists have turned to is Søren Kierkegaard (1813-1855), who called this despair “the sickness unto death.”
ellauri182.html on line 388: gin", popptónlist"pop music", shzdsmynd"slides", and vídeómynd"video film"
ellauri183.html on line 58: humanist: The word "humanism" derives from the Latin concept humanitas, which was first used by Cicero to describe values related to economic liberal education. The word disappeared for the dark middle ages and reappeared during the Italian Renaissance as umanista and reached the English language in the 16th century. The word "humanist" was used to describe a group of studenz of classical literature and those advocating for education based on it. In the early 19th century, the term Humanismus was used in Germany equivocally and it re-entered the English language second time anally. The more popular use signifying a non-religious approach to life, implying an antithesis to theism, viz. atheism.
ellauri183.html on line 80: Faulty interpretations can create much disappointment, as in the movie version of his novel The Fixer, "Horrible. That thing went to five different writers. Edward Albee was one of them but he would only do it if he had full say over it. Dalton Trumbo finally wrote the screen play and he's a hack. The film should have been done as a sort of fable, in black and white. Instead, it was all galloping Cossacx and dancing girls: an overdone fake. And that sickens a writer--to see his book faked."
ellauri183.html on line 134: Venezia kauppiaassa on joku Jessica. Niin se oli se juutalainen misu, Shylockin tytär. In the play, she elopes with Lorenzo, a penniless Christian, and a chest of her father's money, eventually ending up in Portia and Bassanio's household. In the play's dramatic structure, Jessica is a minor but pivotal role. Her actions motivate Shylock's vengeful insistence on his "pound of flesh" from Antonio; her relationships with Lorenzo and Shylock serves as a mirror and contrast to Portia's with Bassanio and with her father; her conversion to Christianity is the end of Shylock's line's adherence to the Jewish faith.
ellauri183.html on line 136: sica_from_'the_merchant_of_venice'-7849.jpg" />
ellauri183.html on line 137: Shylock ja Jessica kristittyjen silmin ellauri183.html on line 141: sica3-769x1024.jpeg" />
ellauri183.html on line 142: Shylock ja Jessica juutalaisten silmin ellauri183.html on line 242: Ortega, en este período de falta de democracia, escribe en La rebelión de las masas que la historia, el progreso, se llevan a cabo por el trabajo de las minorías. Si va a haber una renovación, entonces, esto debe ser hecho por los mejores, que van a ser, sin embargo, reclutados de una manera liberal-democrática. Ortega teme que las masas van a pedirle todo al estado y que este les conceda todo a cambio de obediencia ciega: esto causaría un fracaso para emancipar a las masas. Su visión de la vida es básicamente libertaria con referencias principalmente anarquistas presentes en todos sus escritos. Trae consigo el liberalismo y el socialismo: el liberalismo debe perseguir una emancipación total del individuo (cualquiera que sea la clase a la que pertenezca), el socialismo debe abandonar el estado de estadolatría y terminar persiguiendo un igualitarismo excesivamente extremo.
ellauri183.html on line 258: The nuclear holocaust has come and gone. Only one man survives: paleologist Calvin Cohn, who happened to be safely, deeply underwater at the time. And, after some black-humor-ish conversations with God, Cohn is allowed to live—for a while, at least—and he finds himself on an island a la Robinson Crusoe, with a communicative chimp named Buz (product of chimp-speech experiments) as his only companion. Cohn, son of a rabbi, engages in existential, religious, and Talmudic speculations with the chimp—though he refrains from trying to convert him to Judaism. He must reexamine the basics of social interaction—when Buz gets too physically chummy ("If you had suckled the lad, could you marry him?"), when a friendly gorilla appears and causes jealousies, and, above all, when five more talking chimps appear... including the lisping Mary Madelyn, the object of everyone's sexual attention (including Cohn's).
ellauri184.html on line 118: The gospel mentions that Mary and Joseph took Jesus out of a labor-intensive hospital on a Sabbath to purify the infant from sickness before the L-d’s meeting, as well as to administer the final purification rituals over His redemption, according to G-d’s Torah .
ellauri184.html on line 516: In Classical and Hellenistic civilization, Ancient Greeks and Romans posed great value on the beauty of nature, physical integrity, aesthetics, harmonious bodies and nudity, including the foreskin (see also Ancient Greek art), and were opposed to all forms of genital mutilation, including circumcision—an opposition inherited by the canon and secular legal systems of the Christian West and East that lasted at least through to the Middle Ages, according to Frederick Hodges. Traditional branches of Judaism, Islam, Coptic Christianity, the Ethiopian Orthodox Church, and the Eritrean Orthodox Church still advocate male circumcision as a religious obligation.
ellauri184.html on line 522:
Classical civilization
ellauri184.html on line 528: Classical, Hellenistic, and Roman culture found circumcision to be cruel and repulsive. In the Roman Empire, circumcision was regarded as a barbaric and disgusting custom. The consul Titus Flavius Clemens was condemned to death by the Roman Senate in 95 CE for, according to the Talmud, circumcising himself and converting to Judaism. The Emperor Hadrian (117–138) forbade circumcision. Overall, the rite of circumcision was especially execrable in Classical civilization, also because it was the custom to spend an hour a day or so exercising nude in the gymnasium and in Roman baths, therefore Jewish men did not want to be seen in public deprived of their foreskins.
ellauri184.html on line 532: However, there were also many Jews, known as "Hellenizers", who viewed Hellenization and social integration of the Jewish people in the Greco-Roman world favourably, and pursued a completely different approach: accepting the Emperor´s decree and even making efforts to restore their foreskins to better assimilate into Hellenistic society. The latter approach was common during the reign of Antiochus, and again under Roman rule. The foreskin was restored by one of two methods, that were later revived in the late 20th century; both were described in detail by the Greek physician Aulus Cornelius Celsus in his comprehensive encyclopedic work De Medicina, written during the reign of Tiberius (14-37 CE). The surgical method involved freeing the skin covering the penis by dissection, and then pulling it forward over the glans; he also described a simpler surgical technique used on men whose prepuce is naturally insufficient to cover their glans. The second approach, known as "epispasm", was non-surgical: a restoration device which consisted of a special weight made of bronze, copper, or leather (sometimes called Pondus Judaeus, i. e. "Jewish burden"), was affixed to the penis, pulling its skin downward. Over time, a new foreskin was generated, or a short prepuce was lengthened, by means of tissue expansion. Martial also mentioned the instrument in Epigrammaton (Book 7:35).
ellauri184.html on line 651: To the average inhabitant of the Roman Empire, the manifold itinerant groups of magicians, sophists, cynics, other philosophers, astrologers, prophets, and eventually also Christians, must have appeared basically the same. These oscillating and enigmatic figures were simultaneously admired and despised for their "otherness". Why was Jesus able to appear as a radical itinerant preacher? He did not call for a political upheaval. Nevertheless, his messianic “program” was radical in its postulation of a proximity to God that had hitherto been unheard of and was based on the deliberate breaking of taboos and social conventions.
ellauri184.html on line 659: Mercy as a basic principle of premodern jurisdiction was always an arbitrary act that took place more or less by chance. If things went wrong, culprits could be released and innocent people could be condemned. By whose criteria, one may ask.
ellauri184.html on line 662: 2011 - Professor of Ancient History at the University of Hamburg 2008 Habilitation at the University of Augsburg 2007 - 2011 Associate Professor (with tenure) at UNC-Chapel Hill, Department of Classics 2004-2007 Assistant Professor at UNC-Chap ... more ▾ Varmaan hihhuli kerta pääsi Pohjois-Carolinaan proffaxi.
ellauri185.html on line 390: Paul Charles William Davies AM (born 22 April 1946) is an English physicist, writer and broadcaster, a professor in Arizona State University and Director of BEYOND: Center for Fundamental Concepts in Science. He is affiliated with the Institute for Quantum Studies in Chapman University in California. He previously held academic appointments in the University of Cambridge, University College London, University of Newcastle upon Tyne, University of Adelaide and Macquarie University. His research interests are in the fields of cosmology, quantum field theory, and astrology. He proposed that a one-way trip to Mars could be a viable option for him. His colleagues agreed whole-heartedly.
ellauri185.html on line 394: A 2007 opinion piece "Taking Science on Faith" in The New York Times, generated controversy over its exploration of the role of faith in scientific inquiry. Davies argued that the faith scientists have in the immutability of physical laws has origins in Christian theology, and that the claim that science is "free of faith" is "manifestly bogus."
ellauri185.html on line 468: Tämä esitys Tolstoin teologiasta ilmestyi ensixi saxankielisenä nimellä Leo Tolstois politische Ansichten v. 1923. Vasta 30-luvulla oivalsin, luettuani Antti J. Pietilän nyhverömmän teoxen Jeesuxen siveysoppi ja nykyaika (1935), että pystyisin myös teologisesti parempaan. Joten tässä se nyt on! Parempi myöhään ei kuin milloinkaan.
ellauri185.html on line 683: Jo näistä lausunnoista, joita eri suuntiin täydennetään ja laajennetaan m.m. kirjoituksessa "Voivatko sotilaatkin tulla autuaiksi" (kyllä hyvinkin!), missä esitetään sotaan nähden sama myönteinen kanta, edelleen lähestyskirjeessä kristilliselle aatelille (jota nuori Saul Bellow luki Einhornin tuhopoltossa kärzänneestä Harvard Classics niteestä) ynnä muissa kirjoituksissa, selvinnee Lutherin periaatteellinen kanta väkivallan käyttöön ja siihen nojautuvaan valtiojärjestykseen. Lutherin asenne meitä askarruttavaan kysymykseen on, kuten näkyy, jyrkästi Tolstoin asenteen vastainen. Lutherin mielestä ei vuorisaarna, niin kuin kristinoppi yleensäkään, kiellä meitä suojelemasta tarpeen tullen väkivoimin ihmiselämän pyhimpiä arvoja. Päinvastoin: kristittykin on sellaiseen suojelupalvelukseen velvoitettu.
ellauri185.html on line 832: Judaism teaches that human beings are not basically sinful. We come into the world neither carrying the burden of sin committed by our ancestors nor tainted by it. Rather, sin, chet, is the result of our human inclinations, the yetzer, which must be properly channeled. Chet literally means something that goes astray.
ellauri188.html on line 100: The missionaries of all denominations did their best to eradicate the traditional culture with the consumption of kava, fertility and virility rites, tattoos, skull dissection, dance and traditional music, but they also tried – and finally succeeded – to put an end to cannibalism, human sacrifice and constant tribal warfare.
ellauri188.html on line 415: Josh's other projects included the horror-thriller Child of Darkness, Child of Light, an adaptation of Paterson's novel Virgin, a tale of two Catholic virgin schoolgirls, that folded when they were both found pregnant under mysterious and supernatural circumstances. To avoid being caught red "handed" Lucas relocated to Australia to play the hot "headed" American cousin Luke McGregor opposite Andrew Clarke and Guy Pearce in the first season of the family western Snowy River: The McGregor Saga. Lucas appeared in all 13 episodes of the first season, but claimed in a later interview that despite the friendly reception by Rhonda Byrne, he was homesick for the United States, and his character was killed off in the second episode of season 2.
ellauri188.html on line 427: Lucas met freelance writer Jessica "Chichua" Ciencin Henriquez at a dog park in 2011. They became knotted six weeks later and got loose on March 17, 2012, in Central Park. Their pup, Noah Reb Maurer, was born in June 2012. In January 2014, Ciencin Henriquez filed for a divorce that became final in October 2014.
ellauri189.html on line 77: "Maria" was hailed by the younger generation as one of the first authentic literary products of Polish romanticism (the adherents of the so-called Warsaw Classicism were, on the contrary, horrified by the dark plot and the author’s preference for “provincial” words and expressions). Malczewski was then already in poor health and, before a year had passed, in May 1826, he died – impoverished and disgraced because of his affair with a hysterical married woman (whom he was supposed to heal by means of mesmerism – after his death she returned to her husband).
ellauri189.html on line 206: Malczewski’s worldview (Weltanschauung) seems at first sight very much akin to Schopenhauer’s metaphysical pessimism (the fact that the German philosopher’s main treatise Die Welt als Wille und Vorstellung was almost neglected by his contemporaries, should not close our eyes to the fact that the first part of it was written immediately after the Napoleonic wars; it belongs to the same époque as Maria).
ellauri189.html on line 783: Because we showed that it is basically impossible to believe that Pashtuns are not Bene Israel, DNA is not necessary for proving this tradition. It can only be used for proving another Pashtuns tradition – that Pashtuns did not mix with other people, but I personally think that given the current knowledge of DNA and mutation frequency, and how much the environment affects it, any result of a DNA test could be debated.
ellauri190.html on line 281: The Cossack structure arose, in part, in response to the struggle against Tatar raids. Socio-economic developments in the Polish-Lithuanian Commonwealth were another important factor in the growth of the Ukrainian Cossacks. During the 16th century, serfdom was imposed because of the favorable conditions for grain sales in Western Europe. This subsequently decreased the locals' land allotments and freedom of movement. In addition, the Polish-Lithuanian Commonwealth government attempted to impose Catholicism, and to Polonize the local Ukrainian population. The basic form of resistance and opposition by the locals and burghers was flight and settlement in the sparsely populated steppe.
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poetry, novel, drama, short story, playwright, music, essay, philosophy, literary criticism, translation, painting
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"principally for his great novel, Buddenbrooks, which has won steadily increased recognition as one of the classic works of contemporary literature"
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"for the strict artistry with which he has carried on the classical Russian traditions in prose writing"
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"for his inspired writings, which while growing in boldness and penetration, exemplify the classical humanitarian ideals and high qualities of style"
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"for his lyrical poetry, which with classical fire expresses the tragic experience of life in our own times"
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"for her musical flow of voices and counter-voices in novels and plays that with extraordinary linguistic zeal reveal the absurdity of society's clichés and their subjugating power"
ellauri192.html on line 75: The poetic output is perhaps comparable to that of the contemporary Dadaism but the linguistic theory or metaphysics behind zaum was entirely devoid of the gentle reflexive irony of that movement and in all seriousness intended to recover the sound symbolism of a lost aboriginal tongue. Russians have absolutely no sense of humor. Exhibiting traits of a Slavic national mysticism, Kruchenykh aimed at recovering the primeval Slavic mother-tongue in particular.
ellauri192.html on line 111: So the choice has fallen neither on Tolstoy, nor Ibsen, nor Björnson, nor Mommsen, nor Swinburne, nor Zola, nor Anatole France, nor Carducci, nor Mistral, nor Hauptmann, nor even Echegaray—it has fallen on Sully-Prudhomme [sic]. It is some satisfaction, however, to find that Francois Coppée is not the winner; in view of his innocuous sentimentality, he might well have been considered the best of all by the present Swedish Academy.
ellauri192.html on line 663: The other Seifert book is "The Casting of Bells," a 64-page collection translated by Tom O'Grady and Paul Jagasich, and published in August 1983 by The Spirit That Moves Us Press in Iowa City, Iowa. Morty Sklar, who described himself yesterday as "publisher, editor, typesetter and stamp licker" of the press, said his is a small, independent press that publishes two books a year. He published 1,000 copies of the Seifert book, but yesterday, upon hearing the news from Sweden, he reordered 2,500 more. It is available in paperback for $6.
ellauri192.html on line 812: The song reflects many anti-capitalist views, and the music video features real world villains such as Alexander Lukashenko, Hugo Chávez, Saddam Hussein, and other leaders of anti-capitalistic countries.
ellauri192.html on line 830: The musician explained that the support of revolutionary events in Ukraine by Liapis Trubetskoy is negatively perceived by authorities in Belarus and Russia, which is an obstacle to the creative process. Thus he and his producer, without giving up the Belarusian citizenship, decided to get permanent residence in Ukraine.
ellauri192.html on line 837: The final song heard continually throughout the Belarusian protests was "Warriors of Light," written by Belarusian poet and musician Sergey Mikhalok for his rock band Lyapis Trubetskoy. Written in Russian about a fantasy world unrelated to political events, the song was unexpectedly taken up by the Ukrainian Maidan protests in 2013.
ellauri192.html on line 859: The Twelve Chairs (Russian: Двенадцать стульев, tr. Dvenadtsat stulyev) is a classic satirical novel by the Odessan Soviet authors Ilf and Petrov, published in 1928. Its plot follows characters attempting to obtain jewry hidden in a chair. A sequel was published in 1931. The novel has been adapted to other media, primarily film. Kirjoittajat oli "ihan nulikoita": Ilf 30, Katajev 26. Katajev kaatui suuressa isänmaallisessa sodassa 30-vuotiaana. Joten sepä venyi!
ellauri192.html on line 882: Regarding religion, Brooks stated:"I'm rather secular. I'm basically Jewish. But I think I'm Jewish not because of the Jewish religion at all. I think it's the relationship with the people and the pride I have. The tribe surviving so many misfortunes, and being so brave and contributing so much knowledge to the world and showing courage." And most of all for being wickedly funny! Just read The Bible! And watch my films!
ellauri194.html on line 291: In the Islamic apocalyptic tradition, the end of the world would be preceded by the release of Gog and Magog, whose destruction by God in a single night would usher in the Day of Resurrection. Reinterpretation did not generally continue after Classical times, but the needs of the modern world have produced a new body of apocalyptic literature in which Gog and Magog are identified as Communist Russia and China. One problem these writers have had to confront is the barrier holding Gog and Magog back, which is not to be found in the modern world: the answer varies, some writers saying that Gog and Magog were the Mongols and that the wall is now gone, others that both the wall and Gog and Magog are invisible. Why it is the iron curtain of course, the pay wall that stops money transfers between east and west. It is Google of MAGA what else!
ellauri194.html on line 328: "I usually get just a tissue” a female inmate says as she describes her experience bouncing from detention facility to detention facility and being denied feminine products. “Television doesn’t show you when we’re treated like animals and denied basic necessities."
ellauri194.html on line 485: I'd like to know myself, because despite the fact that I founded the only worldwide organization for game developers, helped put the Game Developers’ Conference (25,000 attendees annually) on its feet, worked on Madden NFL for six years for Electronic Arts, and wrote an introductory textbook on game design that has been translated into several languages, some anonymous random at Wikipedia has decided that I'm not “notable” enough because he personally has never heard of me, and wants to delete my page. Basically, you have to kiss the ass of the insiders if you don't want your content to be deleted. It's an oligarchy of the ignorant.
ellauri194.html on line 524: Kannauj (Hindustani pronunciation: [kənːɔːd͡ʒ]) is a city, administrative headquarters and a municipal board or Nagar Palikka Parishad in Kannauj district in the Indian state of Uttar Pradesh. The city's name is a modern form of the classical name Kanyakubja. It was also known as Mahodaya during the time of Mihira Bhoja. Its nickname is "the perfume capital of India".
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Nikhil Banerjee, composer, musician
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Amitabha Chattopadhyay – biophysicst
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Aroup Chatterjee – British Indian atheist, physician, author of Mother Teresa: The Untold Story
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Gautam Chattopadhyay – musician
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Rangan Chatterjee – Physician, author, television presenter and broadcaster
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Suman Chatterjee (now Kabir Suman) – musician
ellauri196.html on line 61: Von einem urteilslosen Menschen heißt es, ihm fehle die „altera pars Petri“. Die gewöhnlichere Ausdrucksweise, die auch Kant gebraucht, ist die, es fehle ihm an der „secunda Petri“ (KrV B 173 Anm.). Diese Redewendung bezieht sich auf den zweiten Teil der Logik von Ramus (Institutiones dialecticae). Er behandelt das Urteilsvermögen (De iudicio).
ellauri196.html on line 750: But you don´t really care for music, do you?
ellauri196.html on line 830: non è detto che il detto sia sicuro. ei ole sanottua että sanottu on varmaa.
ellauri196.html on line 846: My poems are a completely useless product, but hardly ever harmful, and this is their best characteristics. The worst counter example is the exclusively noisy and undifferentiated music listened by millions of young people to exorcize their horror of quietness. Mass communication, radio, and especially television, have attempted, not without success, to annihilate every possibility of solitude and reflection.
ellauri196.html on line 900: Jelinek, born in the eastern Austrian town of Mürzzuschlag on October 20, 1946, grew up in Vienna. As a young woman, she dealt with her father´s neuropathy, mother´s psychopathy and her own mental problems. Under the influence of her "demonic" mother, Jelinek said she was "trained" as a child prodigy in dance and music. She said she began writing to escape her mother´gs patronizing, dominating behavior.
ellauri196.html on line 922: um es zu vervollständigen. Auch kann Froschkönig damit als Geschichte über die sich entwickelnde Sexualität während der Pubertät gelesen werden. Verdeutlicht wird das durch die Metapher des Brunnens, in den der Frosch springt. Was mit den nachkommenden Abschnitten folgt, ist eine auch telegrammstilartige, Eindrücke bereitstellende Aneinanderreihung von Bildern dieser Gewaltszene.
ellauri196.html on line 924: In Märchen geht es wiederum um einen männlichen wölfischen Gewaltakt an Kindern. Das Fressen der Geißlein ist wohl wie in Rotkäppchen nicht als Kannibalismus zu bewerten, sondern auch mit einer sexuellen Komponente zu verstehen. Die Referenz auf Dornröschen ist eindeutig. Erst durch den Kuss des Mannes erwacht sie aus dem Koma. Es stellt sich die Frage nicht nur nach den Handlungsmächten und abhängigkeiten, sondern auch nach dem Konsens dieser Handlung.
ellauri196.html on line 926: Die Katze ist ein alltäglicher Synonym der Fotze. Sie kann als Symbol generell und speziell als „Symbol des Weiblichen und der erotisch-sexuellen Anziehung bzw. Gefährdung“, wozu besonders die Nachtaktivität und Wollust der Katze beiträgt. „Gelb“ lese ich hier als stellvertretend für Körperflüssigkeiten wie Urin und Samen. Hier stellt sich die Frage, welcher Saft? Giebel ist Venushügel, was sonst. „Knabenrot“ habe ich schon das männliche Glied beschrieben. Zusätzlich kann das Rot für Blut stehen, ins Besondere als Zitat der Defloration. Tatsächlich gibt es kein Jungfernhäutchen im Sinn einer zu durchtrennenden Folie, jedoch war (und ist leider teilweise nach wie vor) das Blut bei der (ersten) Penetration der Beweis von Jungfräulichkeit. Wenn manche Frauen (beim ersten Mal) bluten, kommt das von (kleinen) Verletzungen in der Vagina. Ich weiss, ich weiss!
ellauri196.html on line 928: Eine Gemeinsamkeit vieler Märchenprotagonistinnen ist ihre Schönheit und Reinheit, die sich vor allem auch durch weiße Haut auszeichnen. Die Aussage, Frauen hätten es nicht anders gewollt, diese Handlungen zu erfahren, da sie so oder so aussehen oder diese und jene Kleidung tragen, wird leider heute noch reproduziert.
ellauri196.html on line 930: Damit hat der sexualisierte Gewaltakt ein Ende gefunden. Er zeigt aber noch Spuren, die in den Abschnitten sechs, sieben und acht deutlich werden. Es ist naheliegend, dass es sich um die Beine der zitierten Frauenfigur handelt, an denen das Ejakulat als „sein saft“ herabrinnt. „ein blasser nagel lieb / im frauen weiß / noch steckt / im talg“.
ellauri196.html on line 932: Es sind mehrere Bilder, die sich hier überlagern: die noch nicht getrennten Körper, die Spuren der Verletzungen an der Haut, die durch Gegenstände oder Hände verursacht wurden. Es ist auf jeden Fall das Zeugnis sexualisierter Gewalt. Es sind auch Narben, die niemals vergehen. frühling hat uns zurück geholt in eine frühlingshafte Idylle und romantische Liebesvorstellung. Es ist so, als wäre nichts gewesen.
ellauri196.html on line 934: Im Metzger Lexikon Literatur is die Unterscheidung von pornografischer und erotischer Literatur nett beschrieben. Während erstere „durch die gleichermaßen produktive wie rezeptive Wirkungsabsicht , sexuell zu erregen bzw. erregt zu werden“ gekennzeichnet ist (lies: unmittelbares wanken), beschreibt die erotische Literatur eine „im weiteren Sinn Sammelbez. für alle denkbaren Arten von fiktionaler Lit., die Liebe oder Sexualität zum Gegenstand haben.“
ellauri196.html on line 936: Der Zuschreibung der Pornoschriftstellerin stellt Jelinek ihre eigene Positionierung als Anti-Pornografin entgegen. Sie wendet damit nicht die Pornografie in ihrem (weiblichen) Schreiben an, denn auch das wäre eine Reproduktion des männlichen Blicks, sondern wehrt sich explizit dagegen:
ellauri196.html on line 942: Das Schlimmste ist dieses männliche Wert- und Normensystem, dem die Frau unterliegt. Sie benutzt das Obszöne, um Machtverhältnisse zwischen Mann und Frau sichtbar zu machen, was sie schon 1967 in Talente und Tendenzen als literarisches Ziel angibt. Reim, der nach 1945 ohnehin immer mehr aufgegeben wird, wird in Jelineks Gedichten ein Mittel der Parodie.
ellauri197.html on line 100: The language in this poem is quite simple and musical. This makes a great deal of sense since Yeats took the lines from his memory of an old queen who used to give him head.
ellauri197.html on line 176: Clifton's three books of poetry were published by Duckworth. The first was Dielma and Other Poems in 1932 and then followed Flight in 1934. One commentator has said that “Clifton was particularly adroit at poems honouring – and marvelling at – women” and the Times Literary Supplement stated that “His lyrics are a gracious tribute to the beauty of women”. These were fairly conventional poems unlike his final work Gleams Britain's Day published in 1942. The Spectator described it as “expressing in a sort of prophetic certitude opinions upon religion, patriotism, love, art, war and peace, which he puts in unconventional verse”. The reviewer stated that the book was “the product of a curious, whimsical mind, full of energy, squandering it on half-digested ideas”. W B Yates dedicated his poem, Lapis Lazuli, to Clifton who had given him a valuable Chinese lapis lazuli carving.
ellauri197.html on line 184: They are sick of poets that are always gay, kylästyneensä hilpeisiin runoseppoihin,
ellauri197.html on line 200: Carries a musical instrument. kantaa jotain soitinta.
ellauri197.html on line 335: The poem, ‘Love’s Organ's Growth’, is an admirable lyric in which Donne examines the true nature of love and finds that it is mixed stuff, a mixture of both physical and spiritual elements. True love is both of the body and the mind, and to prove his point Donne gives a number of arguments and brings together a number of most disparate and varied elements.
ellauri197.html on line 337: In ‘Love’s Organ's Growth’, the poet says that love is not a quintessence or pure and simple stuff despite its sustaining and life-giving properties. Rather, it is mixed stuff, a mixture of different elements, both spiritual and physical. That is why it affects both the body and the soul; it causes both spiritual and physical arousal. It does cure not because it is the quintessence, but on the homeopathic principle, of “like curing the like”. It cures all sorrow only by giving more of it. Love is neither infinite nor “pure stuff”, but has a mixed nature like grass which grows with spring.
ellauri197.html on line 339: Oh, and love is mixed stuff, a mixture of both spiritual and physical elements. Though like the grass in this respect, it is different from it in another way. While the grass loses its life and vitality with the winter, there is no such loss in the power of love, though there may be a temporary one in love's organ. In this respect, it may be likened to a sex organ inserted in an emergency, but never withdrawn before the emergency is over.
ellauri197.html on line 391: In fact, love is a mixture of different elements. That is why; it is sometimes passive and at other times active (that is; it is both spiritual and physical, both of the mind and the body). Sometimes it acts, and at other times it contemplates. It is an activity both of the mind and the body.
ellauri197.html on line 494: hypogamy refers to the inverse: marrying a person of lower social class or status (colloquially "marrying down"). Both terms were coined in the Indian subcontinent in the 19th century while translating classical Hindu law books, which used the Sanskrit terms anuloma and pratiloma, respectively, for the two concepts.
ellauri197.html on line 514: Loss of consortium was originally expressed in the Latin phrase "per quod servitium et consortium amisit" ("in consequence of which he lost [another person's] servitude and marital services"). The relationship between husband and wife has, historically, been considered worthy of legal protection. The interest being protected under consortium, is that which the head of the household (father or husband) had in the physical integrity of his wife, children, or servants. The undertone of this action is that the husband had an unreciprocated proprietary interest in his wife. The deprivations identified include the economic contributions of the injured spouse to the household, care and affection, and sex.
ellauri197.html on line 526: Rap music men's use of the "gold digger script" is one of a few prevalent sexual scripts that is directed at young African-American women. It dates back to the old blues men like B.B.King. I gave you nine chillun an' now you want to give them back!
ellauri197.html on line 538: Despite this skewed sex ratio, they found that "On education and socioeconomic status, women on average express greater hypergamic selectivity; they prefer mates who are superior to them in these traits, while men express a desire for an analogue of hypergamy based on physical attractiveness; they desire a mate who ranks higher on the physical attractiveness scale than they themselves do."
ellauri197.html on line 546: A trophy wife is a wife who is regarded as a status symbol for the husband. The term is often used in a derogatory or disparaging way, implying that the wife in question has little personal merit besides her physical attractiveness, requires substantial expense for maintaining her appearance, is often unintelligent or unsophisticated, does very little of substance beyond remaining attractive, and is in some ways synonymous with the term gold digger. A trophy wife is typically relatively young and attractive, and may be a second, third or later wife of an older, wealthier man.
ellauri197.html on line 550: A trophy husband is a husband who is regarded as a status symbol for the wife. The term is often used in a derogatory or disparaging way, implying that the husband in question has little personal merit besides his physical attractiveness, requires substantial expense for maintaining his appearance, is often unintelligent or unsophisticated, does very little of substance beyond remaining attractive, and is in some ways synonymous with the term gold digger. A trophy husband is typically relatively young and attractive, and may be a second, third or later husband of an older, wealthier woman.
ellauri197.html on line 647: His father was a well-paid clerk for the Bank of England, earning about £150 per year. Browning's paternal grandfather was a slave owner in Saint Kitts, West Indies, but Browning's father was an abolitionist. Browning's father had been sent to the West Indies to work on a sugar plantation, but due to a slave revolt there, had returned. Browning's mother was the daughter of a German shipowner who had settled in Dundee, Scotland, and his Scottish wife. His paternal grandmother, Margaret Tittle, had inherited a plantation in St Kitts and was rumoured in the family to have a mixed-race ancestry including some Jamaican blood, but author Julia Markus suggests she was Kittitian rather than Jamaican. The evidence is inconclusive. Robert's father, a literary collector, amassed a library of some 6,000 books, many of them rare so that Robert grew up in a household with significant literary resources. His mother, to whom he was close (no tietysti), was a devout nonconformist and a talented musician. His younger sister, Sarianna, also gifted, became her brother's "companion" in his later years, after the death of his wife in 1861. His father encouraged his children's interest in literature and the arts.
ellauri197.html on line 649: By the age of 12, Browning had written a book of poetry, which he later destroyed for want of a publisher. After attending one or two private schools and showing an insuperable dislike of school life, he was educated at home by a tutor, using the resources of his father's library. By 14 he was fluent in French, Greek, Italian and Latin. He became an admirer of the Romantic poets, especially Shelley, whom he followed in becoming an atheist and a vegetarian (and a bisexual). At 16, he studied Greek at University College London, but left after his first year. His parents' evangelical faith prevented his studying at either Oxford or Cambridge University, both then open only to members of the Church of England. He had inherited substantial musical ability through his mother, and composed arrangements of various songs. He refused a formal career and ignored his parents' remonstrations by dedicating himself to poetry. He stayed at home until the age of 34, financially dependent on his family until his marriage. His father sponsored the publication of his son's poems. Varsinainen vanhapiika, neiti-ihminen.
ellauri198.html on line 131: Writing in the New Republic Steel, George Mayberry wrote that the novel was "in the tradition of many classics", comparing the novel favorably with Moby-Dick, The Sun Also Rises, and The Great Gatsby.
ellauri198.html on line 282: In a tongue multitudinous, often like music.
ellauri198.html on line 296: The Satanic panic is a moral panic consisting of over 12,000 unsubstantiated cases of Satanic ritual abuse (SRA, sometimes known as ritual abuse, ritualistic abuse, organized abuse, or sadistic ritual abuse) starting in the United States in the 1980s, spreading throughout many parts of the world by the late 1990s, and persisting today. The panic originated in 1980 with the publication of Michelle Remembers, a book co-written by Canadian psychiatrist Lawrence Pazder and his patient (and future wife), Michelle Smith, which used the discredited practice of recovered-memory therapy to make sweeping lurid claims about satanic ritual abuse involving Smith. The allegations which afterwards arose throughout much of the United States involved reports of physical and sexual abuse of people in the context of occult or Satanic rituals. In its most extreme form, allegations involve a conspiracy of a global Satanic cult that includes the wealthy and powerful world elite in which children are abducted or bred for human sacrifices, pornography, and prostitution, an allegation that returned to prominence in the form of Qanon.
ellauri198.html on line 344: A footnote in the Penguin Classics edition (Robert Browning Selected Poems) advises against allegorical interpretation, saying “readers who wish to try their hand should be warned that the enterprise strongly resembles carving a statue out of fog." This sentiment is echoed by many critics, who believe any quest for interpretation will ultimately fail, due to the dreamlike, illusionary nature of the poem.
ellauri198.html on line 392: As when a sick man very near to death Kuten sairas vähän ennen loppua
ellauri198.html on line 676: In Anthony Powell's 12-part cycle A Dance to the Music of Time, the eighth novel, The Soldier's Art, takes its title from line 89 of Childe Roland ("Fight first, think afterwards—the soldier's art").
ellauri198.html on line 708: The Dark Tower is a series of eight novels and one short story written by American author Stephen King. Incorporating themes from multiple genres, including dark fantasy, science fantasy, horror, and Western, it describes a "gunslinger" and his quest toward a tower, the nature of which is both physical and metaphorical. The series, and its use of the Dark Tower, expands upon Stephen King's multiverse and in doing so, links together many of his other novels.
ellauri198.html on line 720: Beginning where book six left off, Jake Chambers and Father Callahan battle the evil infestation within the Dixie Pig, a vampire lounge in New York City featuring roast human flesh and doors to other worlds. After fighting off and destroying numerous "Low-Men" and Type One Vampires, Callahan sacrifices himself to let Jake survive. In the other world—Fedic—Mia, her body now physically separated from Susannah Dean, gives birth to Mordred Deschain, the biological son of Roland Deschain and Susannah. The Crimson King is also a "co-father" of this prophetic child, so it is not surprising when "baby" Mordred's first act is to shapeshift into a spider-creature and feast on his birth-mother. Susannah shoots but fails to kill Mordred, eliminates other agents of the Crimson King, and escapes to meet up with Jake at the cross-dimensional door beneath the Dixie Pig which connects to Fedic. Maturing at an accelerated rate, Mordred later stalks Roland and the other gunslingers throughout this adventure, shifting from human to spider as the need arises, seething with an instinctive rage toward Roland, his "white daddy."
ellauri198.html on line 736: In a final "Coda" section, King urges the reader to close the book at this point, consider the story finished with a happy ending, and not venture inside the Tower with Roland. For those who do not heed the warning, the story resumes with Roland stepping into the Dark Tower. He realizes that the Tower is not really made of stone, but a kind of flesh: it is Gan's physical body. As he climbs the steps, Roland encounters various rooms containing siguls or signs of his past life. When he reaches the top of the Tower, he finds a door marked with his own name and opens it. Roland instantly realizes, to his horror, that he has reached the Tower countless times before. He is forced through the door by the hands of Gan and transported back in time to the Mohaine desert, back to where he was at the beginning of The Dark Tower: The Gunslinger, with no memories of what has just occurred. The only difference is that, this time, Roland possesses the Horn of Eld, which in the previous incarnation he had left lying on the ground after the Battle of Jericho Hill. Roland hears the voice of Gan, whispering that, if he reaches the Tower again, perhaps this time the result will be different; there may yet be rest. The series ends where it began in the first line of book one: "The man in black fled across the desert, and the gunslinger followed."
ellauri198.html on line 831: His several boring plays featured fictional heroic ancient Irish warrior Cuchulain. A later poem concludes with a brash announcement: “There’s more enterprise in walking naked.” This indecent departure from a conventional 19th-century manner disappointed his contemporary readers, who preferred the pleasant musicality of such familiar poems as “The Lake Isle of Innisfree,” which he wrote in 1890. "I think all happiness depends on the energy to assume the mask of some other person, on strutting as somebody else but yourself", he said. Yeats and his lamentable wife held more than 400 sessions of automatic writing, producing nearly 4,000 pages that Yeats avidly and patiently studied and organized. What an idiot.
ellauri198.html on line 848: Another important element of poems in both these collections and other volumes is Yeats’s keen awareness of old age. Even his romantic poems from the late 1890s often mention gray hair and weariness, though those poems were written while he was still a young man. But when Yeats was nearly 60, his health began to fail and he was faced with real, rather than imaginary, “bodily decrepitude” (a phrase from “After Long Silence”) and nearness to death. Despite the author’s often keen awareness of his physical decline, the last 15 years of his life were marked by extraordinary vitality and an appetite for life, including young boys and girls.
ellauri198.html on line 874: There are two realities, the terrestrial and the condition of fire. 1 All power is from the terrestrial condition, for there all opposites meet and there only is the extreme of choice possible, full freedom. [This seems inaccurate slightly, the terrestrial or earthly condition contains the condition of fire, water, and air; the mental, the material, and mental-material interaction respectively. How to distinctly separate water and earth is an issue going back at least to the Corpus Hermeticum.] And there the heterogeneous is, evil, for evil is the strain one upon another of opposites; but in the condition of fire is all music and rest. [Compare this with interpretations of Manichean or Gnostic dualism that there is a pure and impure world; castor and pollux.] Between is the condition of air where images have but a borrowed life, that of memory or that reflected upon them when they symbolise colours and intensities of fire; the place of shades who are 'in the whirl of those who are fading,' and who cry like those amorous shades in the Japanese play:-- Huoh, ei jaxa. Tää kaverihan oli täysin tärähtänyt:
ellauri198.html on line 876: I assert that the symbols which William Butler Yeats includes on the island — specifically the nine bean-rows — are meant to be examined in the light of the Kabbalism, numerology, and tarot cards to which these societies looked for inspiration in their occult practices. Through his inclusion of these symbols, William Butler Yeats is demonstrating mastery over the Hermetic Order of the Golden Dawn’s basic tenants (sic), a mastery which he perhaps hoped would help him advance in rank in the society to seventh grade and further his studies of magic.
ellauri203.html on line 148: Dostoyevsky despised Turgenev and Bunin couldn´t stand Nabokov. Ideology, ambition and personal conflicts - Russian classical authors had enough reasons to be rude about one another.
ellauri203.html on line 223: Dostoevsky met the young Appolinaria Suslova during one of his public readings. At 42, he was two decades older than her. She was attractive, alluring and shared his literary taste and physical passion. Despite this, he could not give her everything she wanted; as Dostoevsky was still married, he conducted a secret affair with Suslova, but she took other lovers and left him. She returned two years later, but was not the same inexperienced young woman and refused to marry the great writer.
ellauri203.html on line 652: In a small family island, Karin, her teenage brother Minus and her husband Martin welcome her father David, who is a writer permanently absent traveling around the world. Karin has just left a mental institution and has inherited the incurable insanity from her mother. Minus feels lost and alone, estranged by his selfish and cold father that left Karin and he (sic) behind after the death of his wife. Martin is neglected by Karin and has no sex life with her anymore and spends his time taking care of his wife. When Karin finds the journal of her father hidden in a drawer in his desk, she reads that her degenerative disease is incurable and triggers a breakdown.
ellauri203.html on line 660: On an island, Karin, a recently released mentally sick young woman, is spending her vacation with her husband Martin, a doctor, her father David, a writer just back from Switzerland, and her younger brother Fredrick (Minus). Karin is suffering from hallucinations and hysteria. She thinks she is kroppsvisited by God - muze olikin vaan kiimainen Miisu, siis Miinus. Huoh.
ellauri203.html on line 681: Franklin meets Taylor Swift at the Colopalooza music festival where the brothers have hopes that Jim Morrison can help them escape from Schoolboy Q back to 1969.
ellauri204.html on line 45: Uusi mies on sellainen jonka isä ei ole sotaveteraani. Eero on pieni uusi mies. Se tulee kirjan aikana monta kertaa esille. Aino oli ylioppilaspohjainen lähihoitaja, ei erityisen älykäs mutta liian älykäs kuntosaliohjaaja Markolle joka ei osannut ääntää teetä. Aino ja Eero kuuntelivat naintimusana uudelleenlämmitettyä Nick Drakea, sen debyyttialbumia Five Leafs Left [sic] v:lta 1969. Se on mainittu aiemmin albumissa 16.
ellauri204.html on line 54: In den alten Zeiten, wo das Wünschen noch geholfen hat, lebte ein König, dessen Töchter waren alle schön; aber die jüngste war so schön, daß die Sonne selber, die doch so vieles gesehen hat, sich verwunderte, sooft sie ihr ins Gesicht schien. Nahe bei dem Schlosse des Königs lag ein großer dunkler Wald, und in dem Walde unter einer alten Linde war ein Brunnen; wenn nun der Tag recht heiß war, so ging das Königskind hinaus in den Wald und setzte sich an den Rand des kühlen Brunnens - und wenn sie Langeweile hatte, so nahm sie eine goldene Kugel, warf sie in die Höhe und fing sie wieder; und das war ihr liebstes Spielwerk.
ellauri204.html on line 56: Nun trug es sich einmal zu, daß die goldene Kugel der Königstochter nicht in ihr Händchen fiel, das sie in die Höhe gehalten hatte, sondern vorbei auf die Erde schlug und geradezu ins Wasser hineinrollte. Die Königstochter folgte ihr mit den Augen nach, aber die Kugel verschwand, und der Brunnen war tief, so tief, daß man keinen Grund sah. Da fing sie an zu weinen und weinte immer lauter und konnte sich gar nicht trösten. Und wie sie so klagte, rief ihr jemand zu: "Was hast du vor, Königstochter, du schreist ja, daß sich ein Stein erbarmen möchte." Sie sah sich um, woher die Stimme käme, da erblickte sie einen Frosch, der seinen dicken, häßlichen Kopf aus dem Wasser streckte. "Ach, du bist's, alter Wasserpatscher," sagte sie, "ich weine über meine goldene Kugel, die mir in den Brunnen hinabgefallen ist." - "Sei still und weine nicht," antwortete der Frosch, "ich kann wohl Rat schaffen, aber was gibst du mir, wenn ich dein Spielwerk wieder heraufhole?" - "Was du haben willst, lieber Frosch," sagte sie; "meine Kleider, meine Perlen und Edelsteine, auch noch die goldene Krone, die ich trage." Der Frosch antwortete: "Deine Kleider, deine Perlen und Edelsteine und deine goldene Krone, die mag ich nicht: aber wenn du mich liebhaben willst, und ich soll dein Geselle und Spielkamerad sein, an deinem Tischlein neben dir sitzen, von deinem goldenen Tellerlein essen, aus deinem Becherlein trinken, in deinem Bettlein schlafen: wenn du mir das versprichst, so will ich hinuntersteigen und dir die goldene Kugel wieder heraufholen." - "Ach ja," sagte sie, "ich verspreche dir alles, was du willst, wenn du mir nur die Kugel wieder bringst." Sie dachte aber: Was der einfältige Frosch schwätzt! Der sitzt im Wasser bei seinesgleichen und quakt und kann keines Menschen Geselle sein.
ellauri204.html on line 60: Am andern Tage, als sie mit dem König und allen Hofleuten sich zur Tafel gesetzt hatte und von ihrem goldenen Tellerlein aß, da kam, plitsch platsch, plitsch platsch, etwas die Marmortreppe heraufgekrochen, und als es oben angelangt war, klopfte es an die Tür und rief: "Königstochter, jüngste, mach mir auf!" Sie lief und wollte sehen, wer draußen wäre, als sie aber aufmachte, so saß der Frosch davor. Da warf sie die Tür hastig zu, setzte sich wieder an den Tisch, und es war ihr ganz angst. Der König sah wohl, daß ihr das Herz gewaltig klopfte, und sprach: "Mein Kind, was fürchtest du dich, steht etwa ein Riese vor der Tür und will dich holen?" - "Ach nein," antwortete sie, "es ist kein Riese, sondern ein garstiger Frosch." - "Was will der Frosch von dir?" - "Ach, lieber Vater, als ich gestern im Wald bei dem Brunnen saß und spielte, da fiel meine goldene Kugel ins Wasser. Und weil ich so weinte, hat sie der Frosch wieder heraufgeholt, und weil er es durchaus verlangte, so versprach ich ihm, er sollte mein Geselle werden; ich dachte aber nimmermehr, daß er aus seinem Wasser herauskönnte. Nun ist er draußen und will zu mir herein." Und schon klopfte es zum zweitenmal und rief:
ellauri204.html on line 70: Da sagte der König: "Was du versprochen hast, das mußt du auch halten; geh nur und mach ihm auf." Sie ging und öffnete die Türe, da hüpfte der Frosch herein, ihr immer auf dem Fuße nach, bis zu ihrem Stuhl. Da saß er und rief: "Heb mich herauf zu dir." Sie zauderte, bis es endlich der König befahl. Als der Frosch erst auf dem Stuhl war, wollte er auf den Tisch, und als er da saß, sprach er: "Nun schieb mir dein goldenes Tellerlein näher, damit wir zusammen essen." Das tat sie zwar, aber man sah wohl, daß sie's nicht gerne tat. Der Frosch ließ sich's gut schmecken, aber ihr blieb fast jedes Bißlein im Halse. Endlich sprach er: "Ich habe mich sattgegessen und bin müde; nun trag mich in dein Kämmerlein und mach dein seiden Bettlein zurecht, da wollen wir uns schlafen legen." Die Königstochter fing an zu weinen und fürchtete sich vor dem kalten Frosch, den sie nicht anzurühren getraute und der nun in ihrem schönen, reinen Bettlein schlafen sollte. Der König aber ward zornig und sprach: "Wer dir geholfen hat, als du in der Not warst, den sollst du hernach nicht verachten." Da packte sie ihn mit zwei Fingern, trug ihn hinauf und setzte ihn in eine Ecke. Als sie aber im Bett lag, kam er gekrochen und sprach: "Ich bin müde, ich will schlafen so gut wie du: heb mich herauf, oder ich sag's deinem Vater." Da ward sie erst bitterböse, holte ihn herauf und warf ihn aus allen Kräften wider die Wand: "Nun wirst du Ruhe haben, du garstiger Frosch."
ellauri204.html on line 72: Als er aber herabfiel, war er kein Frosch, sondern ein Königssohn mit schönen und freundlichen Augen. Der war nun nach ihres Vaters Willen ihr lieber Geselle und Gemahl. Da erzählte er ihr, er wäre von einer bösen Hexe verwünscht worden, und niemand hätte ihn aus dem Brunnen erlösen können als sie allein, und morgen wollten sie zusammen in sein Reich gehen. Dann schliefen sie ein, und am andern Morgen, als die Sonne sie aufweckte, kam ein Wagen herangefahren, mit acht weißen Pferden bespannt, die hatten weiße Straußfedern auf dem Kopf und gingen in goldenen Ketten, und hinten stand der Diener des jungen Königs, das war der treue Heinrich. Der treue Heinrich hatte sich so betrübt, als sein Herr war in einen Frosch verwandelt worden, daß er drei eiserne Bande hatte um sein Herz legen lassen, damit es ihm nicht vor Weh und Traurigkeit zerspränge. Der Wagen aber sollte den jungen König in sein Reich abholen; der treue Heinrich hob beide hinein, stellte sich wieder hinten auf und war voller Freude über die Erlösung.
ellauri204.html on line 74: Und als sie ein Stück Wegs gefahren waren, hörte der Königssohn, daß es hinter ihm krachte, als wäre etwas zerbrochen. Da drehte er sich um und rief:
ellauri204.html on line 335: It is also important to note the publishing in the same year of Hiki Pinkola Estés’ mythopoetic classic, Women that Run with the Wolves, in which she tells us of the ‘wild woman’, the wise and ageless presence in the feminine psyche that gives women their creativity, energy and power. Clarissa Pinkola Estés on yhdysvaltalainen kirjailija ja jungilainen psykoanalyytikko. Hänen kirjoittamansa kirja Naiset, jotka kulkevat susien kanssa oli 144 viikkoa New York Timesin myydyimpien kirjojen listalla, mikä teki hänestä ensimmäisen listalle päässeen märkäselän naiskirjailijan.
ellauri204.html on line 353: With an emphasis on physical wellbeing – as well as the emotional, mental and spiritual – the mythopoetic employs movement, meditation and breathwork, often combining storytelling with music and dance. These activities can be seen as an extension to a form of reimagined shamanism (or neo-shamanism) popularised by Michael Harner, whose book The Way of the Shaman also appeared in 1990, the same year as Iron John and Women Who Run with the Wolves.
ellauri204.html on line 365: Hedwig von Beit vermutet nach Vergleich mit ähnlichen Märchen in Eisenhans einen Lar oder Gibbon, ursprünglichen Seelenbruder, dessen Verzauberung durch eine negative Muttergestalt noch in dem Schlüssel unter ihrem Kopfkissen angedeutet ist. Der alte König fängt ihn seines prophetischen Wissens wegen, wie Midas den Silenos, König Numa die Walddämonen Faunus und Picus, Salomo den Geisterfürsten Aschmodai oder König Rodarchus den Waldmann Merlin. Naturgeister bei Frühlings- und Erntefesten heißen oft wilder Mann, tragen zottelige Schamhaare oder Moospimmel. Im Mittelmeerraum ähneln sie Pan, Silen und Faunus, in Russland Ljeschi. Auch Ulla Wittmann sieht in Held und Eisenhans ein mythologisches Freundespaar, das sich parallel jeweils vierstufig entwickelt, und vergleicht Chadir (18. Koran sure enough).
ellauri204.html on line 367: Für Christa Siegert ist Eisenhans der Wille, der im Käfig der Gebote kultiviert wird, aber unfrei bleibt. Frei kann er der begreifenden Seele das Vollkommene reichen, die sich aber daran verletzt und das geistige Lebenswasser egoistisch einsetzt. Wilhelm Salber sieht eine Dialektik zwischen verschlingendem Einheitspfuhl und lebender Entwicklung. Nach dem Schema vom verlorenen Sohn suche man „Revolte und Dennoch-geliebt-Werden, Gefahr und treue Rettung im letzten Augenblick zu verbinden.“ Edith Helene Dörre vergleicht Der Eisenhans mit der Heilkraft des Aquamarin (wieso?). Psychotherapeut Jobst Finke denkt auch an Sagengestalten wie Rübezahl und sieht die Entwicklung des weltfremd erzogenen Knaben zum starken Ritter durch väterlichen Beistand und Identifikation. Der Text half einem vaterlos aufgewachsenen, wenig durchsetzungsfähigen Angestellten, seine Konflikterfahrungen zu verbalisieren.
ellauri204.html on line 374: Ein König besitzt einen Wald, den schon lange niemand mehr betritt, nachdem mehrere Jäger, Pferde und Hunde von dort nicht mehr zurückgekehrt sind. Eines Tages wagt ein Jäger doch wieder einen Versuch und macht sich auf die Suche nach dem Grund des Übels. Er findet einen Tümpel auf dessen Grund ein wilder Mann von rostbraunem Aussehen haust — der Eisenhans. Indem er den Tümpel ausschöpfen lässt, gelingt es ihm, den wilden Mann gefangenzunehmen.
ellauri204.html on line 376: Er bringt ihn an den Hof des Königs, wo er in einen Käfig eingesperrt wird. Den Schlüssel bewahrt die Königin höchstpersönlich unter ihrem Kopfkissen auf. Eines Tages, als das Königspaar verreist ist, landet der goldene Ball des kleinen Königssohns beim Spielen in den Käfig. Der Eisenhans will den Ball nur herausgeben, wenn der Junge den Käfig aufschließt. Er verrät ihm, wo der Schlüssel versteckt ist, und da der Junge unbedingt seinen Ball wiederhaben will, lässt er sich überreden. Doch als er den Eisenhans in Richtung Wald davonlaufen sieht, begreift er, dass er eine Dummheit gemacht hat und jammert: »Wilder Mann, geh nicht fort, sonst bekomme ich Schläge!« Daraufhin kommt der Eisenhans zurück, setzt sich den Jungen Huckepack und nimmt ihn mit in den Wald.
ellauri204.html on line 378: Das Königspaar trauert um seinen Sohn, doch dem ergeht es bei dem Eisenhans nicht schlecht. Er muss einen wundersamen Brunnen bewachen und aufpassen, dass nichts hineinfällt, denn sonst wäre der Brunnen entehrt. Einmal kann der Junge seine Neugier nicht zügeln und steckt einen Finger ins Wasser. Als er ihn wieder herauszieht ist er vergoldet, was sich vor dem Eisenhans nicht verbergen lässt. Der warnt ihn, in Zukunft besser aufzupassen. Etwas später fällt ein Haar vom Kopf des Jungen in den Brunnen. Der Eisenhans verzeiht ihm ein zweites Mal, doch als bald darauf der ganze Haarschopf seines Zöglings vergoldet ist, weil der sein Gesicht im Wasserspiegel betrachtet hat und dabei das lange Haar ins Wasser geglitten ist, schickt ihn der Eisenhans fort. Er bleibt ihm aber gewogen und verspricht, dem Jüngling zu Hilfe zu kommen, wenn er in Not ist und seinen Namen ruft.
ellauri204.html on line 380: Der Jüngling geht nicht zurück zu seinen Eltern, sondern sucht in der weiten Welt nach Arbeit. Da er kein Handwerk gelernt hat, verdingt er sich als Küchenjunge am Hof eines Königs. Er trägt nun immer eine Kappe, um sein goldenes Haar zu verbergen. Als er zum Servieren eingeteilt wird und sich weigert, die Kappe abzunehmen, verliert er seine Arbeit, kommt jedoch beim Gärtner unter.
ellauri204.html on line 383: sie sehr zufrieden und auch der Bursche gefällt ihr. Dass er jedoch seine Kappe aufbehält, als er vor sie tritt, nimmt sie nicht so einfach hin. Als sie versucht, ihm neckisch die Kappe abzunehmen, sieht sie sein goldenes Haar. Sie ahnt, dass dies kein gewöhnlicher Junge ist. Die beiden haben sich ineinander verliebt und es ist an der Zeit, dass der Gärtnerbursche sich besinnt, dass er eigentlich der Sohn eines Königs ist. Seine Chance ist gekommen, als der König, dem er dient, in einen Krieg verwickelt wird. Er ruft den Eisenhans zur Hilfe und besiegt mit dessen Hilfe die Feinde.
ellauri204.html on line 385: Niemand weiß, wer der Retter in der Not war, und um es herauszufinden, veranstaltet der König ein Turnier. Dem Sieger soll die Königstochter einen goldenen Apfel zurollen. Der Goldjunge ruft ein zweites Mal seinen Ziehvater, den Eisenhans zu Hilfe und lässt sich von ihm als roter Ritter ausstaffieren. Natürlich gewinnt er den goldenen Apfel. Doch anstatt sich als Sieger zu erkennen zu geben, zieht er sich wieder zurück. Deshalb wird ein weiteres Turnier veranstaltet, bei dem der Goldjunge als weißer Ritter als Sieger einen zweiten goldenen Apfel gewinnt und anschließend wie beim erstenmal verschwindet. Beim dritten Turnier holt er sich als schwarzer Ritter den dritten goldenen Apfel. Als er anschließend wieder verschwinden will, fällt ihm beim schnellen Ritt sein Helm vom Kopf. So können alle sein goldenes Haar sehen.
ellauri204.html on line 567: Vesa Rantama, is a literary critic and the editor-in-chief of Nuori Voima, a longstanding Finnish literary magazine. He has written essays with topics ranging from current pop music to ecophilosophy, quite often with poetry added to the mix. His articles have appered in Helsingin Sanomat, the most read newspaper in Finland, the Swedish-language Nordisk Tidskrift, Versopolis as well as countless cultural publications in Finland.
ellauri204.html on line 678: Anne Sexton (born Anne Gray Harvey; November 9, 1928 – October 4, 1974) was an American poet known for her highly personal, confessional verse. She won the Pulitzer Prize for poetry in 1967 for her book Live or Die. Her poetry details her long battle with depression, suicidal tendencies, and intimate details from her private life, including relationships with her husband and children, whom it was later alleged she physically and sexually assaulted.
ellauri204.html on line 692: Anne's thrapy tapes reveal Sexton's molestation of her daughter Linda, her physically violent behavior toward both her daughters, and her physical altercations with her husban
ellauri205.html on line 176: C'est cette notion grecque peut-être qui subsiste, sous le nom de kharma [sic], dans les pays d'Orient imprégnés de bouddhisme; mais l'Occident l'a perdue et n’a plus même dans aucune de ses langues de mot pour l’exprimer; les idées de limite, de mesure, d'équilibre, qui devraient déterminer la conduite de la vie, n'ont plus qu'un emploi servile dans la technique. Nous ne sommes géomètres que devant la matière ! Les Grecs furent d'abord géomètres dans l'apprentissage de la vertu.
ellauri206.html on line 79: In his Poetics, the unknown Greek philosopher Aristotle argues that kinds of "poetry" (the term includes drama, flute music, and lyre music for Aristotle) may be differentiated in three ways: according to their medium, according to their objects, and according to their mode or "manner" (section I); "For the medium being the same, and the objects the same, the poet may imitate by narration—in which case he can either take another personality as Homer does, or speak in his own person, unchanged—or he may present all his characters as living and moving before us" (section III).
ellauri206.html on line 222: Sen jälkeen nojasimme Samin kanssa selkää laituriin, polvia myöden (sic) vedessä, vierekkäin, ja tyttö runkkasi kullejamme keskittyneeseen tasatahtiin, hiukan kumartuneena, mielestäni hivenen liian hitaasti mutta Luojan kiitos lujaa puristaen, ja minä kallistin pään taakse, pidin silmät auki ja näin taivaan tähtimäärän, elokuun Linnunradan, ja tiesin että siellä oli satoja miljardeja tähtiä, eikä minulla ollut toivomusta yhdellekään. Paitsi se, etten tahtonut ikinä luopua mistään meille tarjoutuvasta ilosta kuten tämä, ja se, että toivottavasti kukaan muukaan ei lakkaisi niitä tarjoilemasta. Samin kyllästyttyä ohjasin viileän kullini tytön suun lämpöön. Ei sillä ollut siihen mitään vastaan pantavaa eikä juuri sanottavaakaan.
ellauri206.html on line 314: Learn French with the most famous French poems, such as “Demain, dès l’aube”, “La Cigale et la Fourmi”, “Parfum Exotique” with my Classic French Poetry audiobooks.
ellauri207.html on line 60: Sven-Ingvars ligger tvåa på listan över artister med flest melodier på Svensktoppen (55 låtar), endast slagna av Sten & Stanley (61 låtar). Sven-Ingvars blev 2016 invalda i Swedish Music Hall of Fame.
ellauri207.html on line 93: Das Lambeau Field ist ein American-Football - Stadion und befindet sich in der US-amerikanischen Stadt Green Bay im Bundesstaat Wisconsin. Die Anlage ist die Heimstätte des NFL -Teams Green Bay Packers. Es ersetzte das City Stadium von 1925. Gegenwärtig (Stand 2017) fasst die Sportstätte 81.441 Zuschauer.
ellauri210.html on line 94: Antero tulkkaa Sigge Riemun huumoriteoriaa et huumori on superegon (sic) mielihyväperiaatteen voitto egon realismista kun jälkimmäinen joutuu liian ahtaalle. Noh noh Antero, ei Riemu niin sanonut. Yliminä on vakavalärväisin koko kolmikosta. Huumorissa yliminä antaa minän olla kurkottamatta yliminän ideaalikuuseen ja antaa sen kapsahtaa idin mielihyvän katajaan. Sixi se on alhaista.
ellauri210.html on line 127: La ’Pataphysique est une parodie de science qui apparaît dans Gestes et opinions du docteur Faustroll, pataphysicien, livre écrit par Alfred Jarry en 1897-1898. Elle est alors définie comme la « science des solutions imaginaires qui accorde symboliquement aux linéaments les propriétés des objets décrits par leur virtualité ».
ellauri210.html on line 387: Loy referred to Cravan as “Colossus.” It was a reference to the size of his ego as much as that of his "physicality". In her autobiography, she recalled that friends thought her mad to get mixed up with such a conceited, obnoxious prig.
ellauri210.html on line 493: Von 1893 an besuchte er das Friedrich-Wilhelms-Gymnasium (Berlin), verließ die Schule aber 1905, um einer Relegation zuvorzukommen. Bereits als Gymnasiast schrieb er erste Gedichte. Er bestand 1906 als „Externer“ das Abitur und immatrikulierte sich noch im selben Jahr an der Technischen Hochschule Charlottenburg für Architektur. Er brach 1907 das TH-Studium ab und wechselte an die Universität Jena, um Klassische Philologie zu studieren. Später ging er an die Friedrich-Wilhelms-Universität.
ellauri210.html on line 495: Als sein Vater 1909 starb, legte er sich das Pseudonym Jakob van Hoddis zu, wobei van Hoddis ein Anagramm seines Nachnamens Davidsohn ist. Von Freunden wurde er oft „Hans den Hoddissohn“ oder „Hoddiskop“ verspottet.
ellauri210.html on line 499: 1912 ging van Hoddis nach München und wandte sich dort verstärkt dem Katholizismus zu. Hier machte sich erstmals eine beginnende Psychose deutlicher bemerkbar.
ellauri210.html on line 505: Lotte Pritzel war weder geschäftstüchtig noch ehrgeizig. Auch zeigte sie keinerlei Ambitionen, das Wesen ihrer Puppen näher zu erläutern. Die „gern im Morphiumrausch schaffende Künstlerin“ erklärte allenfalls, ihre so graziös wie verzweifelt wirkenden Gestalten seien "Geschöpfe ihrer selbst" bzw. "Material gewordene innere Visionen". Zarte Wachs- und Stoffgebilde von raffinierter Eleganz, denen immer ein kindlich-verderbter Zug anhaftete, wie manchen Gestalten von Beardsley – fern vom Obszönen und dadurch umso reizvoller, sogar für solide Käufer. In den 1930er Jahren zog sich Lotte Pritzel, die vermutlich ein Elternteil jüdischen Glaubens hatte, aus der Öffentlichkeit zurück. Sie hatte einen Arzt geheiratet und die hatten eine Tochter Irmelin Rose. Sie starb 1952.
ellauri210.html on line 507: Wegen zunehmender Konflikte mit seiner Familie zog er sich Anfang September selbst in die Kuranstalt in Wolbeck bei Münster zurück, die er Mitte Oktober aber „fluchtartig“ verließ, um nach Berlin zurückzukehren. Hier wurde er derart auffällig, dass er Ende Oktober in die Heilanstalt „Waldhaus“ in Nikolassee bei Berlin verbracht werden musste, so dass sich Erwin Loewenson an einen langjährigen Freund von Kurt Hiller, den Psychiater Arthur Kronfeld in Heidelberg, mit der Bitte um Unterstützung wandte. Unter dem Titel Gewaltsam ins Irrenhaus war diese Zwangseinweisung Anlass für ein Medienecho – zu einer Zeit allerdings, als van Hoddis schon aus der Anstalt „entwichen“ war. Außerdem studierte er noch die griechische Mythologie und deren Fabelstrukturen. Jedoch hörte er vor dem Ausbruch seiner Krankheit im Herbst 1914 völlig mit der Nutzung der mythologischen Terminologie auf.
ellauri210.html on line 513: Er baute in den letzten Jahren körperlich immer mehr ab und verhielt sich (im Vergleich zu anderen Patienten) verhältnismäßig unauffällig, grüßte Tiere, die er beim Spazieren traf, spielte Schach und rauchte viel. Sein Umfeld sowie seine Umgebung nahm er nicht mehr wahr. Am 30. April 1942 wurde er von dort in den Distrikt Lublin im von der Wehrmacht besetzten Polen deportiert und – höchstwahrscheinlich im Vernichtungslager Sobibór – im Mai oder Juni desselben Jahres im Alter von 55 Jahren ermordet. Gute Wahl, Lotte.
ellauri210.html on line 576: Kurt Hiller wurde in Berlin als Sohn eines jüdischen Fabrikanten geboren, sein Großonkel mütterlicherseits war der SPD-Reichstagsabgeordnete Paul Singer. Hiller machte 1903 sein Abitur als Primus Omnium am Askanischen Gymnasium in Berlin. Danach studierte er an der Berliner Universität Rechtswissenschaft bei Franz von Liszt und Philosophie bei Georg Simmel. Im November 1907 wurde Hiller als Externer an der Ruprecht-Karls-Universität Heidelberg vom Juristen Karl von Lilienthal mit der Dissertation Die kriminalistische Bedeutung des Selbstmordes zum Dr. jur. promoviert. Die Dissertation war der Teil einer rechtsphilosophischen Arbeit unter dem Titel Das Recht über sich selbst, für die Hiller in Berlin keine Anerkennung fand, und in der er die Forderung aufstellte, das Strafrecht müsse die Selbstbestimmung des Menschen stärker berücksichtigen.
ellauri210.html on line 580: In Berlin wurde Kurt Hiller als freier Schriftsteller zum frühen Pionier des literarischen Expressionismus: 1909 gründete er mit Jakob van Hoddis als ein Gründungsmitglied die Vereinigung Der Neue Club, zu dem bald auch Georg Heym und Ernst Blass stießen. Gemeinsam mit ihnen und unterstützt von bekannteren Künstlern wie Tilla Durieux, Else Lasker-Schüler und Karl Schmidt-Rottluff wurden sogenannte „Neopathetische Cabarets“ veranstaltet. Nachdem Hiller sich aus dem Club zurückgezogen hatte, gründete er mit Blass das literarische Cabaret GNU. Für die Zeitschriften PAN und Der Sturm schrieb er zahlreiche Beiträge, ebenso wie für Franz Pfemferts Aktion, bei deren Gründung er 1911 auch mitwirkte. Nachdem Hiller – wahrscheinlich über die Vermittlung Kronfelds, der seit 1908 in Heidelberg lebte – 1911 in der Beilage Literatur und Wissenschaft der regionalen Heidelberger Zeitung schon Die Jüngst Berliner vorgestellt hatte, publizierte er 1912 im Heidelberger Verlag von Richard Weissbach die erste expressionistische Lyrikanthologie Der Kondor.
ellauri210.html on line 583: 1919 gründete Kurt Hiller zusammen mit Armin T. Wegner den Bund der Kriegsdienstgegner (BdK), dem 1926 auch die renommierte Pazifistin Helene Stöcker beitrat. 1920 trat er der Deutschen Friedensgesellschaft bei, zu deren linkem Flügel er gehörte. Hier trat er dafür ein, dass sich der deutsche Pazifismus an der Sowjetunion orientieren müsse, obwohl er deren Leninismus sehr kritisch gegenüberstand. Da die Mehrheit aber auf das bürgerlich-demokratische Frankreich ausgerichtet blieb, kam es zu heftigen Konflikten in der DFG, die eskalierten, als Hiller in kommunistischen Blättern den bürgerlichen Pazifisten Friedrich Wilhelm Foerster und Fritz Küster vorwarf, sie würden sich von den Franzosen bezahlen lassen – eine Unterstellung, die den zahlreichen rechten Gegnern der deutschen Friedensbewegung reichlich Munition für ihre Polemik gab. Max Jakobsson schrieb bekummert an Peter Panther:
ellauri210.html on line 585: „Ich fürchte, dass es mit mir und Kurtchen Hiller nicht mehr lange währen wird. Es ist nicht zu sagen, was dieser arme Homosaxone sich an Hysterie, Verfolgungswahn, Eitelkeit, Empfindlichkeit, Anmaßung und Geschmacklosigkeit brieflich leistet.“
ellauri210.html on line 589: „Demokratie heißt: Herrschaft jeder empirischen Mehrheit; wer wollte bestreiten, daß die Mehrheit des italienischen Volkes seit langem treu hinter Mussolini steht? […] Mussolini, man sehe sich ihn an, ist kein Kaffer, kein Mucker, kein Sauertopf, wie die Prominenten der linksbürgerlichen und bürgerlich-sozialistischen Parteien Frankreichs und Deutschlands und anderer Länder des Kontinents es in der Mehrzahl der Fälle sind; er hat Kultur. […] Wenn ich mich genau prüfe, ist mir Mussolini, dessen Politik ich weder als Deutscher noch als Pazifist noch als Sozialist ihrem Inhalt nach billigen kann, als formaler Typus des Staatsmannes deshalb so sympathisch, weil er das Gegenteil eines Verdrängers ist. Ein weltfroh-eleganter Energiekerl, Sportskerl, Mordskerl, Renaissancekerl, intellektuell, doch mit gemäßigt-reaktionären Inhalten, ist mir lieber, ich leugne es nicht, als ein gemäßigt-linker Leichenbitter, der im Endeffekt auch nichts hervorbringt, was den Mächten der Beharrung irgend Abbruch tut.“
ellauri210.html on line 598: Als Hans Giese 1949 ein neues WhK gründen wollte und dann die Gesellschaft für Reform des Sexualstrafrechts e. V. gründete, arbeitete Hiller einige Monate mit.[11] 1955 kehrte Hiller nach Deutschland zurück, ließ sich in Hamburg nieder und versuchte dort 1962, das WhK neu zu gründen. Er blieb dabei aber isoliert und der Versuch scheiterte.[5] Des Weiteren gründete er – weitgehend ohne Echo – einen Neusozialistischen Bund und unabhängige Zeitschriften (vgl. lynx). Die Erklärung des Neusozialistischen Bundes gegen Angriffskrieg wurde u. a. von Ossip K. Flechtheim, Karlheinz Deschner und Martin Niemöller unterstützt. In der Schweizer Zeitschrift Der Kreis publizierte Hiller rund ein Dutzend Gedichte und ebenso viele Artikel, meist unter dem anagrammatischen Pseudonym Keith Llurr.
ellauri210.html on line 780: The novel starts in Spain in 1939, during the Spanish civil war, when Tanguy is forced to flee the country with his mother because of her left wing political affiliations. They find themselves in France, which is no less hostile. Forsaken by his father, Tanguy and his mother are arrested by the police and sent off to a camp for political refugees where life is difficult and they face many a hardship and insult. Finally able to escape, Tanguy's mother now decides to flee to London. In order to escape unnoticed from France, they must travel separately and Tanguy is thus separated from his mother. Discovered by the German troops he is packed off to another concentration camp where he endures a life of hunger, cold and forced physical labour that break his body and spirit, the only respite being in a young German pianist who befriends him and reminds him time and again not to hate for hatred breeds nothing but hatred. LOL.
ellauri210.html on line 1232: Kheiron was a renowned teacher who mentored many of the greatest heroes of myth including the Argonauts Jason and Peleus, the physician Asklepios (Asclepius), the demi-god Aristaios (Aristaeus) and Akhilleus (Achilles) of Troy. WTF, Achilleus was not of Troy?
ellauri210.html on line 1272: Shaw was born at 3 Upper Synge Street in Portobello, a lower-middle-class part of Dublin. The Shaw family was of English descent and belonged to the dominant Protestant Ascendancy in Ireland. George Carr Shaw, Bernir's dad, an ineffectual alcoholic, was among the family's less successful members. By the time of Shaw's birth, his mother had become close to George John Lee, a flamboyant figure well known in Dublin's musical circles. Shaw retained a lifelong obsession that Lee might have been his biological father. Shaw made a negligible income from writing, and was subsidised by Lee plus his mother. In 1881, for the sake of economy, and as a matter of principle, he became a vegetarian. He grew a beard to hide a facial scar left by smallpox.
ellauri210.html on line 1302: Autoras Joyce Mansour o Gisèle Prassinos han constituido buena parte de su literatura a partir de lo que se ha entendido por desviaciones sexuales, incluso por aberraciones. Algunos de sus personajes no sólo poseen ciertas deformidades físicas que los convierten en neo-quasimodos o pequeños demonios sino que además crece en ellos el germen de una moral desviada.
ellauri210.html on line 1329: Gisèle Prassinos comparte con Mansour una revisión del complejo de Edipo, donde matricidios, parricidios y castraciones simbólicas se suceden continuamente. La madre aparece en los relatos, como un leitmotiv, muere o está alienada por la desgracia o la locura. Los personajes desarrollan una relación de dependencia hacia ella, entrando en territorios edípicos. La madre se configura como una pieza clave en el entramado psicológico de estos personajes, casi siempre débiles, deformes, desamparados, las madres ponen en marcha el complejo de castración.
ellauri210.html on line 1344: Gisèle Prassinos también nos ha dejado unas buenas dosis de personajes desordenados, donde afloran ciertas desviaciones. En ese “collage” entre cuentos de hadas y aromas baudelerianos, la autora jugará sobre todo con la metamorfosis, así sus mujeres “pseudo-femmes castratrices” se transforman en animales o en seres extraños, fantásticos. Prassinos ataca a los mitos del psicoanálisis, muestra imágenes híbridas, animales que se convierten en hombre, objetos que se convierten en animales, etc. Destaca la hostilidad hacia la figura autoritaria del padre. Nos habla de venganzas mediante el asesinato, los cuerpos difuntos son despedazados o transformados, dejando traslucir sentimientos intensos, donde se perfila la imagen de la muerte y se exorciza el miedo. La misma autora confesaba en una entrevista personal la distancia que había entre ella y su padre, destacando la importancia que tiene la figura masculina en las culturas orientales, sensación que refleja en el cuento “La Tête” (op. cit., 1987): “Lucas vit qu’entre elle et son père s’ouvrait un écart plus large que ceux qui séparaient les autres personnes”.
ellauri210.html on line 1359: A pesar de todo, Gisèle Prassinos nos sumerge en un imaginario que nos recuerda a los cuentos clásicos con ciertas afinidades próximas a Nathalie Sarraute y a Baudelaire. Aunque los personajes sean dementes tenemos la impresión de estar ante seres inofensivos, llenos de ternura. La belleza en Prassinos nunca es explicita, se centra en destacar los debilidades que terminan por dar coherencia al relato.
ellauri211.html on line 299: Katri Helena ja Panu Rajala olivat naimisissa vuodesta 1997 vuoteen 2004. Toissavuotisessa Katri Helena -musikaalissa Panu Rajala tuotiin kirjailijan mukaan esiin varsin kyseenalaisessa valossa. Panu Rajalaa ei musikaalissa kutsuttu hänen oikealla sukunimellään, vaan miehestä käytettiin leikkisää nimitystä Proffa. Musikaalissa Proffa liehitteli muita naisia eikä ollut vaimonsa tukena, mikä teki laulajan surulliseksi. Rakkaus rakoili nopeasti. Musikaalista kiukustuneena kirjoittamassaan paljastuskirjassa Rajala sanoo tuovansa kostoxi Katri Helenasta esiin arkisemman puolen. - Tässä tulee ehkä hieman inhimillisiä kosketuksia ja yksityiskohtia, jotka liittyvät tarinan kulkuun ja tähän draaman kaareen. Halusin tuoda joitakin inhimillisiä, arkisempia ja tavallisempia piirteitä tähän hyvin kiillotettuun tähtikuvaan. Koska hän on ollut suuren ihailun vallassa (sic) vuosikymmeniä, niin kyllä siihen liittyy vähän muutakin. Ajattelin, että teen palveluksen tuleville elämäkerran kirjoittajille antamalla tällaista läheltä nähtyä aineistoa, Rajala kertoi.
Lavalla nähtiin rajuja riitoja, joissa kummatkin käyttivät kovaa kieltä toisistaan. Katri syytti Proffaa julkisuudenkipeäksi ja kaksinaamaiseksi liehittelijäksi, Proffa puolestaan haukkui Katria henkien kanssa seurustelevaksi haahuilijaksi. Kaikki repliikit oli poimittu naistenlehdistä. Ranua esittänyt hemmo tuntee esittämänsä henkilön myös todellisuudessa, he ovat tehneet yhteistyötä. Toivon, että Panu Rajala suhtautuu tähän huumorilla, Katri sanoi. Ranu on tollanen Suomen Bellow, Roth tai Knasu, kaunainen narsisti. Panu Rajala harmistui syksyllä 2010 ensi-iltansa saaneesta Katri Helena -musikaalista, koska hänet esitettiin siinä epämieluisassa valossa. Rajala oli musikaalissa Proffa, joka esitettiin suorastaan pellenä, lukeneisuudellaan pröystäilevänä hienostelijana. Panu alkoi panna Marjaa Katrin selän takana. Panu Rajala ja Marja Norha vihittiin Sastamalan vanhassa kirkossa 2007. Panu Rajalan ei tarvitse piilotella sivistyneisyyttään nykyisen vaimovainajansa kanssa. Hän on opettaja! Tai siis oli, ei sekään kestänyt kovaa käyttöä.
ellauri213.html on line 49: Spannendes Astrologie-Wissen rund um das Sternzeichen Steinbock Ob Glücksbringer, Tipps zu Selbstfürsorge und Ernährung oder Antworten auf Fragen wie »Was braucht der Steinbock, um sich geliebt zu fühlen? Eine Scheide - Entschuldigung, ich wollte sagen einen Auflag von Schinken. « Das Sternzeichen-Buch steckt voller spannendem Wissen über den Steinbock (22. Dezember bis 20. Januar). Natürlich führt es auch ganz allgemein in die Astrologie ein und erklärt unter anderem, wie man sein Geburtshoroskop liest oder was hinter dem »rückläufigen Merkur« steckt. Das Horoskop-Buch ist hochwertig mit Douche sowieso auch ohne Douche.
ellauri213.html on line 385: Poland and the Russian Federation have an agreement whereby residents of Kaliningrad and the Polish cities of Olsztyn, Elbląg and Gdańsk may obtain special cards permitting repeated travel between the two countries, crossing the Polish–Russian border. As of July 2013, Poland had issued 100,000 of the cards. That year, the influx of Russians visiting Poland to shop at the Biedronka and Lidl supermarkets was novel enough to be featured in songs by musical group Parovoz.
ellauri213.html on line 434: Seuraavassa on listattuna pahoja naisia rikkomuxineen (kuvissa söpöset alleviivattu): Irma Grese (Naziwächterin), Myra Hindley (serial pedocide), Isabela of Castile (born in the year 1451 and died in 1504, Isabella the Catholic, was queen of Castile and León. She and her husband, Ferdinand II of Aragon, brought stability to the kingdoms that became the basis for the unification of Spain. Isabella and Ferdinand are known for completing the Reconquista, ordering conversion or exile of their Muslim and Jewish subjects and financing Christopher Columbus’ 1492 voyage that led to the opening of the “New World”. Isabella was granted the title Servant of God by the Catholic Church in 1974), Beverly Allitt (pedocide, Angel of Death), Queen Mary of England (catholic), Belle Gunness (norwegian-american serial killer), Mary Ann Cotton (serial killer), Ilse Koch (Lagerfrau), Katherine Knight (very bad Aussie), Elizabeth Bathory (hungarian noblewoman and serial killer), Sandra Avila Beltran (drugs), Patty Hearst (hänen isoisänsä oli lehtikeisari William Randolph Hearst. Hiän joutui kidnappauksen uhriksi, mutta pian tämän jälkeen hiän teki pankkiryöstön ja joutui vankilaan), Genene Jones (infanticide nurse), Karla Homolka (Canadian serial killer), Diane Downs (infanticide), Aileen Wuornos (serial killer), Griselda Blanco (drug lady), Lizzie Borden (kirvesmurhaaja), Bonnie Parker (bank robber), Anne Bonny (pirate), Mary Bell (pedocide), Delphine LaLaurie (serial slavekiller), Patricia Krenwinkel (Manson family member), Leslie van Houten (Manson family member), Darlie Routier (infanticide), Susan Smith (infanticide), Susan Atkins (Manson family member), Ching Shih (pirate), Anna Sorokin Delvey (con woman), Amelia Dyer (serial killer), Assata Shakur (black terrorist), Belle Gunness (serial killer), Gypsy Rose Blanchard (matricide), Pamela Smart (mariticide), Ruth Ellis (nightclub hostess, last woman hanged in UK), Phoolan Devi (bandit), Ma Barker (matriarch), Jennifer Pan (parenticide), Virginia Hill (gangster), Karla Faye Tucker (burglar, first woman injected in US), Leonarda Cianciully (serial murderer, soapmaker), Mary Read, Carill Ann Fugate (murder spree), Grace Marks (maid), Belle Starr (outlaw, friend of Lucky Luke), Zerelda Mimms (Mrs. Jesse James), Jane Toppan (serial killer), Sara Jane Moore (wannabe assassin of Gerald Ford), Martha Beck (serial killer), Doris Payne (jewel thief), Mary Brunner (Manson family member), Barbara Graham (executed by gas), Grace O'Malley (pirate), Sada Abe (jealous geisha. When they asked why she had killed Ishida, “Immediately she became excited and her eyes sparkled in a strange way: ‘I loved him so much, I wanted him all to myself. But since we were not husband and wife, as long as he lived he could be embraced by other women. I knew that if I killed him no other woman could ever touch him again, so I killed him…..’ ), Samantha Lewthwaite (white somali terrorist), Theresa Knorr (murderess), Lynette Fromme (Manson family, wannabe assassin of Gerald Ford), The Freeway Phantom (serial killer), Carol M. Bundy (serial killer), Fanny Kaplan (bolshevik revolutionary), Marguerite Alibert (Ed VII courtesan), Jean Harris (author), Linda Hazzard (physician, serial killer), Mary Jane Kelly (1st victim of Jack the Ripper), Kim Hyon-hui (North-Korean spy), Vera Renczi (serial killer), Clare Bronfman (filthy rich criminal), Kirsten Gilbert (serial killer nurse), Gerda Steinhoff (Lagerwächterin), Linda Carty (baby robber), Estella Marie Thompson (black prostitute, blowjobbed Hugh Grant), Elizabeth Becker (Lagerwächterin), Juana Barraza (asesina en serie), Olivera Circovic (baseball player, writer, jewel thief), Olga Hepnarova (mental serial killer), Sabina Eriksson (knäpp tvilling), Minnie Dean (serial killer), Madame de Brinvilliers (aristocrat parri- and fratricide), Martha Rendell (familicide, last woman hanged in Western Australia), Violet Gibson (wannabe assassin of Mussolini), Idoia López Riaño (terrorist), Styllou Christofi (murdered her daughter in law), Mary Eastley (convicted of witchcraft), Wanda Klaff (Lagerwächterin), Giulia Tofana (avvelenatrice), Tisiphone (1/3 raivottaresta), Jean Lee (murderer for money), Brigitte Mohnhaupt (RAF terrorist), Marcia (mistress of Commodus), Beate Zschäpe (far-right terrorist), Evelyn Frechette (singer, Dillingerin heila), Francoise Dior (naziaktivisti), Linda Mulhall (nirhasi äidin poikaystävän saxilla), Brigit Hogefeld (RAF terrorist), Martha Corey (Salem witchhunt victim), Marie Lafarge (arsenikkimurha), Debra Lafave (teacher, gave blow job to student), Enriqueta Marti (asasina en serie), Alse Young (witch hanging victim), Elizabeth Michael (actress, involuntary manslaughter: nasty boyfriend hit his head and died while beating her), Susannah Martin (witchcraft), Maria Mandl (Gefängnisoffizerin), Mary Frith (pickpocket and fence), Hanadi Jaradat (suicide bomber), Marie-Josephte Carrivau (mariticide), Gudrun Ensslin (RAF founder), Anna Anderson (vale-Anastasia), Ans van Dijk (jutku nazikollaboraattori), Elizabeth Holmes (bisneshuijari), Ghislaine Maxwell (Epsteinin haahka), Julianna Farrait (drugs), Yolanda Saldivar (embezzler, killer), Jodi Arias (convicted killer Jodi Ann Arias was born on July 9, 1980, in Salinas, California. In the summer of 2008, Arias made national headlines when she was charged with murdering her ex-boyfriend Travis Alexander, a 30-year-old member of the Church of Jesus Christ of Latter Day Saints who was working as a motivational speaker and insurance salesman. Aargh. Justifiable homicide.) Alyssa Bustamante (kid murder), Mary Kay Letourneau (kid abuser), Mirtha Young (drugs), Catherine Nevin (mariticide), Pilar Prades (maid), Irmgard Möller (terrorist), Christine Schürrer (krimi), Reem Riyashi (suicide bomber), Amy Fisher (jealous), Wafa Idris (suicide bomber), Jeanne de Clisson (ex-noblewoman), Christine Papin (maid murderer), Sally McNeil (body builder), Mariette Bosch (murderer), Sandra Ávila Beltrán (drugs), Alice Schwarzer (journalist), Andrea Yates (litter murderer), Mimi Wong (bar hostess), Pauline Nyiramasuhuko (criminal politician), Josefa Segovia (murderer), Martha Needle (serial killer), Antonina Makarova (war criminal), Mary Surratt (criminal businessperson), Dorothea Binz (officer), Leona Helmsley (tax evasion), Angela Rayola (reality tv personality), Léa Papin (maid murderer), Ursula Erikssson (kriminell mördare), Maria Petrovna (spree killer), Aafia Siddiqui (criminal), Fatima Bernawi (palestinian militant), La Voisin (fortune teller), Deniz Seki (singer), Rasmea Odeh (Arab activist), Hildegard Lächert (nurse), Sajida al-Rishawi (suicide bomber), Hayat Boumeddiene (ISIS groupie, nähty viimexi Al Holissa), Herta Ehlert (Lagerwächterin), Elizabeth Stride (seriös mördare), Adelheid Schulz (krimi), Jenny-Wanda Barkman (Wächter), Shi Jianqiao (pardoned assassin. The assassination of Sun Chuanfang was ethically justified as an act of filial piety and turned into a political symbol of the legitimate vengeance against the Japanese invaders.), Rosemary West (serial killer), Juana Bormann (Lagerwächterin), Kathy Boudin (criminal), Kate Webster (assassin), Teresa Lewis (murderer), Hermine Braunsteiner (Lagerwächterin), Flor Contemplacion (assassina), Constance Kent (fratricide), Tamara Samsonova (serial killer), Herta Bothe (Lagerwächterin), Maria Gruber (Mörderin), Irene Leidolf (möderin), Waltraud Wagner (Mörderin), Elaine Campione (criminelle), Greta Bösel (Pflegerin), Marie Manning (Mörderin), Darya Nikolayevna Saltykova (sadist), Nora Parham (executed), Maria Barbella (assassina), Linda Wenzel (ISIS activist), Anna Marie Hahn (Mörderin), Suzane von Richthofen (parenticide), Charlotte Mulhall (murderer), Khioniya Guseva (kriminal), Daisy de Melker (serial killer nurse), Stephanija Meyer (Mörderin), Sinedu Tadesse (murderer), Ayat al-Akhras (suicide bomber), Akosita Lavulavu (minister of infrastructure and tourism), Sabrina de Sousa (criminal diplomat), Sally Basset (poisoner), Emma Zimmer (Aufseher), Mary Clement (serial killer), Irina Gaidamachuk (serial killer), Dagmar Overbye (serialmorder), Gesche Gottfried (Mörderin), Frances Knorr (serial killer), Beate Schmidt (Serienmörderin), Elizabeth Clarke (accused victim of witchcraft), Kim Sun-ja (serial killer), Olga Konstantinovana Briscorn (serial killer), Roxana Baldetti (politico), Rizana Nafeek (house maid), Margaret Scott (accused of witchcraft), Jacqueline Sauvage (meurtrier), Veronique Courjault (tueur en série), Barbara Erni (thief), Hilde Lesewitz (Schutzstaffel Wächterin), Thenmoli Rajaratnam (suicide bomber), etc. etc..
ellauri214.html on line 104: I think JK Rowling did one thing exceptionally well: she had really interesting whimsical ideas based on everyday mundane life, and she can write these ideas out in a very visually exciting fashion. These little sparkles of crazy fun ideas can almost make you forget about the other glaring problems of the book. A lot of people (myself included) are attracted, or mesmerized by these whimsical sparkles of imagination. It's a fascinating magical world that's so imaginative and yet at the same time mirror our own.
ellauri214.html on line 138: I act out, I curse, I get physical, I flirt, I'm a bad girl in the cutest and most vulnerable way.
ellauri214.html on line 144: Despite supposedly living on the streets for years after running away from home, I have no basic concept of self-preservation. I throw tantrums, storm out, put myself in danger or being kidnapped by the bad guy, to create cheap tension and create stake for Hero and Villain's final confrontation.
ellauri214.html on line 549: This blurring of fact and fiction is intentional. Tokarczuk tells me she is often asked “Why we central Europeans don’t use a classical linear narrative, and my answer is that we don’t have such a history. Our perception is different. Poland was once a powerful imperial country that disappeared from maps of Europe for more than 100 years. It was partitioned and occupied by the Nazis and the Russians . . . We pop up and disappear and we do not trust what we are told to believe.”
ellauri214.html on line 564: Ryöstetyssä talossaan linnanherra Popelski meni sitten maaten (sic) vuoteelle ja ajatteli: "Mistä pahuus tulee maailmaan? Miksi Jumala sallii pahuuden vaikka itse onkin hyvä? Entä jos Jumala ei olekaan hyvä?" Mitäs jos se ei olekaan omistavan luokan puolella? Linnanherralta jolla ei ollut koko aikana hätä tämän näköinen meni toivo. Olgan mielestä Jumalanäiti olis homman hoitanut jollei linnanherra Popelski ois ollut kuin lasikuula. Aika kliseistä Olga hyvä.
ellauri216.html on line 94: American Beaty (sic) oli läpipaska elokuva. Kaunein hänen kuvaamansa video oli tuulessa tanssiva muovipussi. Hyvä sentään että Carolyn ampuu paska Lesterin.
ellauri216.html on line 113: Riittää se nussiminen! huutaa Terppa kyyhkyläisille pää punasena. Keljutti niin ettei voinut mennä keljaan. Minun kaltaiselle (sic) miehelle se on tosipaikka. Terosta aggressiivisuus on jotain hienoa, samoin räppi, varmaan graffititkin. Ällöttävä muikeileva kuikelo.
ellauri216.html on line 167: Proclus’ own interests are purely metaphysical: his task is to explain how evil fits into the scheme of things, how its existence squares with the omnipotence and all-pervading presence of the Good God, how it comes about and what its ontological status is. All of these questions are undoubtedly important, and I do not mean to belittle them.
ellauri216.html on line 322: Kylän nimi on Vasiljevo. Asukkaat ovat ex-maaorjia. Siellä asuvat Sidorivit (sic) iloineen ja suruineen. Apinat ja muut eläimet saman katon alla. Se on käytännöllistä pohjoisissa oloissa. Kylämme on tyypillinen venäläinen kylä joita maassamme on (tai oli) tuhansia, ehkä myriadeja. Lapset siat ja kanat kulkivat kujilla syömässä jätteitä. Naisväki kutoi talvisaikaan niinimattoja. Miesväki istui penkillä tarinoiden purjelaivoista.
ellauri217.html on line 101: “You are optimistic, inspiring, outgoing, and expressive. People see you as cheerful, positive and charming; your personality has a certain bounce and verve that so powerfully affects others that you can inspire people without effort. All of this upward energy is a symptom of your tremendous creativity. Your verbal skills may well lead you into the fields of writing, comedy, theater, and music.”
ellauri217.html on line 295: Heinz Günther entstammte nach eigenen unbestätigten Aussagen einem alten sächsischen Adelsgeschlecht (Freiherren von Günther, Ritter zu Augustusberg), das seinen Titel in der wilhelminischen Zeit ablegte. Sein Vater war Versicherungsdirektor. Bereits mit zehn Jahren schrieb Günther einen ersten Frauenroman.
ellauri217.html on line 304: "Er riß sich zusammen, fühlte sich idiotisch und flüchtete gedanklich zur Abwehr ins Ordinäre. Das sind Titten, was? … und er wunderte sich selbst über diese nie mehr erwartete, kraftvolle Erektion." „Hart“ und „realistisch“, oder? „Wer Konsalik liest, glaubt alles.“
ellauri217.html on line 639: The five precepts (Sanskrit: pañcaśīla; Pali: pañcasīla) or five rules of training (Sanskrit: pañcaśikṣapada; Pali: pañcasikkhapada) is the most important system of morality for Buddhist lay people. They constitute the basic code of ethics to be respected by lay followers of Buddhism. The precepts are commitments to abstain from killing living beings, stealing, sexual misconduct, lying and intoxication.
ellauri217.html on line 704: The Council of Jerusalem is generally dated to 48 AD, roughly 15 to 25 years after the crucifixion of Jesus (between 26 and 36 AD). Acts 15 and Galatians 2 both suggest that the meeting was called to debate whether or not male Gentiles who were converting to become followers of Jesus were required to become circumcised; the rite of circumcision was considered execrable and repulsive during the period of Hellenization of the Eastern Mediterranean, and was especially adversed in Classical civilization both from ancient Greeks and Romans, which instead valued the foreskin positively.
ellauri219.html on line 36: sicalbumsundays.com/wp-content/uploads/2017/08/beatles-5.jpg" width="100%" />
ellauri219.html on line 135:
Albert Einstein (physicist) – largely obscured
ellauri219.html on line 198: Branded a "sick comic", Bruce was essentially blacklisted from television, and when he did appear, thanks to sympathetic fans like Hefner and Steve Allen, it was with great concessions to Broadcast Standards and Practices. Jokes that might offend, like an extremely boring routine on airplane-glue-sniffing teenagers that was done live for The Steve Allen Show in 1959, had to be typed out and pre-approved by network officials. On his debut on Allen's show, Bruce made an unscripted comment on the recent marriage of Elizabeth Taylor to Eddie Fisher, wondering, "Will Elizabeth Taylor become bat mitzvahed?"
ellauri219.html on line 215: A German composer who pioneered the use of electronic music in the 50s and 60s, Stockhausen remains a godfather of the avant-garde, whose boundary-pushing music influenced The Beatles’ own groundbreaking experiments in the studio, starting with their tape experiments of Revolver’s “Tomorrow Never Knows.” Paul McCartney (No.64) introduced Stockhausen’s work to the group, turning John Lennon (No.62) into a fan; Lennon and Yoko Ono even sent the composer a Christmas card in 1969.
ellauri219.html on line 231: In contrast to Mae West (No.3), Fred Astaire was reportedly thrilled to be asked to appear on the Sgt Pepper album cover. A child star who initially started dancing with his sister on stage, it was with Ginger Rogers that Fred made his greatest mark, in a series of classic Golden Age movies including Top Hat and Swing Time. He also appeared with John and Yoko in the 1972 television film Imagine. Limainen mafioso luikero.
ellauri219.html on line 236: Born in 1938, American painter and illustrator Richard Merkin was enamored with the early jazz period that flourished in the years before his birth. His modernist style matched the abstraction of jazz music, and also inspired Peter Blake’s tribute artwork, Souvenirs For Richard Merkin, created in 1966.
ellauri219.html on line 265: Dylan and The Beatles influenced each other throughout the 60s, each spurring the other on to making music that pushed boundaries and reshaped what was thought possible of the simple “pop song.” It was Dylan who convinced John Lennon (No.62) to write more personal songs in the shape of “Help!,” while The Beatles showed Bob what could be achieved with a full band behind him, helping the latter “go electric” in 1965. It was with George Harrison (No.65), however, that Dylan struck up the longest-lasting friendship; the two played together often in the years that followed, forming The Traveling Wilburys and guesting on each other’s projects.
ellauri219.html on line 285: A beloved Welsh poet who died in 1953, The Beatles had all been fans of Dylan Thomas’ poetry by the time it came to creating the Sgt. Pepper’s artwork. “We all used to like Dylan Thomas,” Paul McCartney (No.64) later recalled. “I read him a lot. I think that John started writing because of him.” The late producer George Martin was also a fan, and even created a musical version of Thomas’ radio play, Under Milk Wood, in 1988.
ellauri219.html on line 324: From Bob Dylan (No.15) to David Bowie, Tom Waits to Steely Dan, Beat Generation author Burroughs has influenced many a songwriter over the decades. Less known is that, according to Burroughs himself, he witnessed Paul McCartney (No.64) working on “Eleanor Rigby.” As quoted in A Report From The Bunker, a collection of conversations with author Victor Bockris, Burroughs recalled McCartney putting him up in The Beatles’ flat on 34 Montagu Square: “I saw the song taking shape. Once again, not knowing much about music, I could see that he knew what he was doing.”
ellauri219.html on line 404: A Hollywood heartthrob of the 30s, 40s, and 50s, Tyrone Power was known for starring as the titular hero in the swashbuckling adventure film The Mark Of Zorro, though he also played the role of outlaw cowboy Jesse James, and starred in musicals, romantic comedies, and war movies.
ellauri219.html on line 480: Barely visible above John Lennon’s right shoulder (No.62), Albert Einstein was a physicist whose theory of relativity was light years ahead of its time and changed the world forever.
ellauri219.html on line 597: In his autobiographical essay, “On My Religion,” Rawls explains why he abandoned his orthodox Christian beliefs in spite of the deeply religious temperament that informed his life and writings. In particular, he recounts how his personal experiences during the Second World War, and especially his awareness of the Holocaust, led him to question whether prayer was possible. “To interpret history as expressing God’s will, God’s will must accord with the most basic ideas of justice as we know them. For what else can the most basic justice be? Thus, I soon came to reject the idea of the supremacy of the divine will as [like the Holocaust] also hideous and evil.” Furthermore, by studying the history of the Inquisition Rawls came to “think of the denial of religious freedom and liberty of conscience as a very great evil,” such that “it makes the claims of the Popes to infallibility impossible to accept.” Finally, his reading of Jean Bodin’s thoughts about toleration led him to claim that religions should be “each reasonable, and accept the idea of public reason and its idea of the domain of the political.” Against this background, it is no wonder that Rawls considers the very concept of religious truth as authoritarian and intolerant, and the ensuing persecution of dissenters as the curse of Christianity.
ellauri219.html on line 599: Pope Benedict’s basic answer is that, although modern principles of political freedom, democracy, equality, and reasonable argument are to be affirmed, a free state rests on “pre-political moral foundations,” which serve as normative points of reference for every regime and must be held in common by all religions and secular world-views. This answer reflects the fact that Pope Benedict disagrees with Rawls on at least two fundamental issues, which constitute the core of the debate between them and to which I shall refer regularly in the course of my analysis. In the first place, Pope Benedict does not share Rawls’s trust in fundamental human reasonableness as a guarantee for political fairness. For Rawls, persons are reasonable when they are ready to propose principles and standards as fair terms of cooperation and to abide by them willingly, given the assurance that others will likewise do so. Those norms they view as reasonable for everyone to accept and therefore as justifiable to them; and they are ready to discuss the fair terms that others propose.
ellauri219.html on line 749: I teach World of Ideas and courses on Asian religions in the Department of Philosophy and Religious Studies. In my research, I'm interested in exploring young boys and girls In Thailand. Currently, I’m working on two major projects. The first is the preparation of my first book, The Snake and the Mongoose, for publication with Oxford University Press. The second is ongoing research on the Royal Court Brahmans of Thailand. I also have a side interest in the philosophy of prepubertal physics that I indulge when I have the time.
ellauri219.html on line 893: Sigmund Freud, Austrian physician and pioneer psychoanalyst (1856-1939)
ellauri219.html on line 897: Pierre Curie, French chemist and physicist (1859-1906)
ellauri219.html on line 901: Marie Curie, Polish born French physicist and chemist. (1867-1934)
ellauri219.html on line 911: Albert Einstein, German born American theoretical physicist (1879-1955)
ellauri219.html on line 971: The Rockettes are an American leg-kicking twat-flashing dance company. Founded in 1925 (97 years ago) in St. Louis, they have, since 1932 (90 years ago), performed at Radio City Music Hall in New York City. Until 2015, they also had a touring company. They are best known for starring in the Radio City Christmas Spectacular, an annual Christmas show, and for performing annually since 1957 at the Macy's Thanksgiving Day Parade in New York.
ellauri220.html on line 33:
RADIO CITY Music Hall
Sätkytystä
ellauri220.html on line 69: The theme was the March from Prokofiev's The Love for Three Oranges, arranged for small symphony orchestra by Amedeo De Filippi, with Vladimir Selinksy conducting. The music was accompanied by a chant of "L-A-V-A," in reference to the show's sponsor being Lava soap.
ellauri220.html on line 102: He admits that sometimes, evil thoughts cross his mind. The "old knot of contrariety" the poet has experienced refers to Satan and his evil influence on man, which creates the condition of contraries, of moral evil and good in human life. The poet suffered from these evil influences, as have all men. So, the poet implies, do not feel alone because you have been this way — one must accept both the pure and the impure elements of life. A young man's penis in your arse is just one of those eternal things. They come and go just like the Brooklyn ferry. The reference to fusion ("which fuses me into you now") is the basic ideal the poet sought in the beginning. He reiterates the eternal connection between all human beings. Fuck the rest. We must revel in our man-made surroundings, for our relationship with our environment is the ticket to achieving spirituality and fulfillment. He also uses the theater as a metaphor to represent the difference between public life and private life. He acknowledges that he has a sinful streak - but in society, everyone plays a role. The speaker's tone in the poem is honest but also grateful. By appreciating the small things in his life, he feels like a part of something bigger. Wiltin pikku veitikka oli ehkä ammoin wilttaantunut, mutta sen mustalla ystävällä oli something bigger. Veijarilla oli varsin vaikuttava heijari.
ellauri220.html on line 104: The major image in the poem is the ferry. It symbolizes continual movement, backward and forward, a universal piston like motion in space and time. The ferry moves on, from a point of land, through water, to another point of land. Land and water thus form part of the symbolistic pattern of the poem. Land symbolizes the physical; water symbolizes the spiritual. The circular flow from the physical to the spiritual connotes the dual nature of the universe. Dualism, in philosophy, means that the world is ultimately composed of, or explicable in terms of, two basic entities, such as mind and matter, yin and yang. From a moral point of view, it means that there are two mutually antagonistic principles in the universe — dick and cunt, good and evil. In Whitman's view, both the mind and the spirit are realities and matter is only a means which enables man to realize this truth. His world is dominated by a sense of good, and evil has a very subservient place in it. Man, in Whitman's world, while overcoming the duality of the universe, desires fusion with the sheboy. In this attempt, man tries to transcend the boundaries of space and time, never letting off that dear piston like movement, in and out, in and out.
ellauri220.html on line 190: In "Murder Most Foul", a musical on Kennedy's assassination and its effect on American bar counter culture, Bob Dylan sings 'Zapruder's film I've seen 33 times maybe more'.
ellauri220.html on line 246:
Brian Glassic
Brian Glassic is one of Nick's coworkers in the waste-management industry. He has an affair with Nick's wife, Marian.
Marian Shay is Nick Shay's wife. While she represents traditional, wholesome American family life, Marian has an affair with Nick's co-worker, Brian Glassic, and smokes heroin.
ellauri220.html on line 441: Walesin prinssin kruunajaisissa sali kuhisi arvovaltaisia vieraita. Varmaan sellaisia hyönteisen tai elefantin näköisiä kuin prinsessa Leian käydessä imperiumin parlamentissa. Joutsenkaulaisia naisia atlassilkkipuvuissaan. Halstonin, Adolfon ja Saint Laurentin naamioita. Erään Yhdysvaltain presidentin äiti ja sisar, toisen tytär. Asemastaan tietoisia eloisia pieniä miehiä. Suihkuseurapiirien edustajia, joilla oli arvonimi, muuan maharadža ja maharani, joku paronitar helmikoristeisessa naamiossa. Kuuluisia ja hillittömiä alkoholistirunoilijoita. Kovia teräviä tyylikkäitä naisia, muotilehtien päätoimittajia ja pukusuunnittelijoita. Kennethin kampauksia- tupeerattuja, kieputettuja, pörrötettyjä ja kiharrettuja. Fixuja ihmisiä. Hammaslääkäreitä, pankinjohtaja. Apinoita joita ympäröi inkakuninkaiden aura, jotka olivat samalla lahjakkaita ja omaperäisiä ja omin avuin menestyneitä ja syntyjään kauniita ja itsekeskeisiä ja kovapintaisia, kaikki huokuivat astraalisäteilyä, ja joukkoon kuuluivat vielä häikäilemättömät ja moukkamaiset. Herttuatar Megania ei ollut kuzuttu. Kuningatarkonsortti Rottweiler allekirjoitti paperin jossa hän vannoo suojella (sic) Skotlannin kirkkoa.
ellauri220.html on line 657: Aseet ja jäte, kulleja ja pilluja kaikkialla. Siinähän ne taas ovat: KILL! EAT! ja FUCK! nyt tässä järjestyxessä. Ei kynäilijät pääse mitenkään irti näistä aiheista, ja mixi pääsisivät, nämähän ne ainoastaan kiinnostavat joka ikistä raitaperseistä paviaania. Ja eikös tän kaiken huipennus ole että epämiellyttävä Nick mätkii väpelöä Brian Classicia Kazakhstanissa, joka on bylsinyt Nickin Marian-vaimoa sen selän takana. Juupa juu, EAT! (vaimo on omaisuuttani, pois reviiriltäni), FUCK! (vain minä saan sitä nussia, vaikkei huvittaisikaan) ja KILL! (tästä saat ja tästä! maista nyrkkiäni!) yhtyvät tässä kolmiodraamassa. Kiitos ja näkemiin, nyt on kaikki koossa pienessä narukerässä. de Lillon nimi perässä. Is this cheese?
ellauri221.html on line 155: Cox's Brownies were little men who had mischievous adventures together. Each Brownie had a distinctive physical appearance: Cholly Boutonnière wore a top hat and monocle, while others wore traditional Turkish, Irish, German, Swedish, Russian, and Chinese garb. There was an Eskimo, an American Indian, even an Uncle Sam. "Much of the success of his books can be attributed to his treatment of the characters, who portray human nature with its goodness and strength and also its follies, but never its baseness.".
ellauri221.html on line 302: Bond meets Goodhead again once Drax puts them under ´Moonraker 5´ to be incinerated by the lift-off. They escape and are able to pilot ´Moonraker 6´. After following Drax to his space station, Goodhead and Bond listen to Drax´s speech and leave. Jaws later captures them after the first globe is launched. Drax tells Bond about his plan about having perfect human beings on his earth, with no physical peculiarity or ugliness, but this is overheard by Jaws. He sees that because of his ugly steel teeth, he will be destroyed alongside his ugly girlfriend, Dolly, so turns on Drax and helps Bond and Goodhead to fight Drax´s men. After Bond goes to defeat Drax, Goodhead helps him, and Dolly and Jaws get off on the self-destructing space station, escaping on a pod of their own into Earth´s atmosphere. Bond and Goodhead go after the globe, nearly destroying its inhabitants, but not quite. Bugger it.
ellauri222.html on line 199: Structure was always Bellow’s weak point. One of his first editors at Partisan Review, Dwight Macdonald, worried about what he called a “centerless facility.” Podhoretz was not wrong about the problem of shapelessness in “Augie March.” The novel’s antic style is like a mechanical bull. For a few hundred pages, Bellow is having the time of his life, letting his invention take him where it will. By the end, he is just hanging on, waiting for the music to stop. It takes the story five hundred and thirty-six pages to get there.
ellauri222.html on line 211: But “Ravelstein” is a revenge novel, too. It’s not really about Ravelstein/Bloom. It’s about the narrator, a writer named Chick, who has been treated cruelly by his wife, Vela, a beautiful and brilliant physicist—a wicked caricature of Bellow’s fourth wife, the mathematician Alexandra Ionescu Tulcea. There are also a couple of drive-by take-downs along the way—of Mircea Eliade, a historian of religion at Chicago rumored to have been involved in the fascist Romanian Iron Guard, and of the owner of a restaurant on St. Martin, in the Caribbean, where Bellow contracted a case of food poisoning that nearly killed him. He brings them into the story just to skewer them.
ellauri222.html on line 379: Basteshaw is a biophysicist who works as ship’s carpenter on the McManus, the ship Augie is assigned to while in the Merchant Marines during World War II. After their ship is sunk by torpedoes, Augie and Basteshaw are the only survivors and end up on the same lifeboat. Augie gradually realizes that Basteshaw is an insane genius. Convinced that he has the power to create life from protoplasm, he tries to convince Augie to go with him to the Canary Islands and be his research assistant. In reality, their lifeboat is nowhere near the Canary Islands. Basteshaw ties Augie up to stop him from signaling a ship that might rescue them. Finally Augie gets free, ties up Basteshaw, and manages to signal a British tanker to rescue them.
ellauri222.html on line 451: Old Fenchel is the fat, black-eyed uncle of Thea and Esther. He is in the mineral water business and the girls are his heiresses. His wife is sickly, timid, and silent.
ellauri222.html on line 611: Padilla is a classmate of Augie’s. Born in the slums of Mexico, he is a genius of mathematical physics. He steals books for money and gets Augie involved in that, too.
ellauri222.html on line 785: While the synonyms sprightly and gay are close in meaning, sprightly suggests lightness and spirited vigor of manner or wit. A tuneful, sprightly gay musical.
ellauri222.html on line 815:
Ihmiset kysyvät myös: What are basic transcendentalist beliefs?
ellauri222.html on line 1001: Environmental determinism (also known as climatic determinism or geographical determinism) is the study of how the physical environment predisposes societies and states towards particular development trajectories. Jared Diamond, Jeffrey Herbst, Ian Morris, and other social scientists sparked a revival of the theory during the late twentieth and early twenty-first centuries.
ellauri223.html on line 64: There are occupations, mechanical and theoretical, common to both men and women, with this difference, that the occupations which require more hard work, and walking a long distance, are practised by men, such as ploughing, sowing, gathering the fruits, working at the threshing-floor, stock exchange, and perchance at the vintage. But it is customary to choose women for milking the cows and for making cheese. In like manner, they go to the gardens near to the outskirts of the city both for collecting the plants and for cultivating them. In fact, all sedentary and stationary pursuits are practised by the women, such as weaving, spinning, sewing, cutting the hair, shaving, dispensing medicines, selling arse, and making all kinds of garments. They are, however, excluded from working in wood and the manufacture of arms. If a woman is fit to paint, she is not prevented from doing so; nevertheless, music (song and dance) is given over to the women alone, because they please the more, and of a truth to pretty boys also. But the women have not the practise of the drum and the horn. Pretty boys take care of faggots.
ellauri226.html on line 66: In late 1964, as Brian Wilson's industry profile grew, he became acquainted with various individuals from around the Los Angeles music scene. He also took an increasing interest in recreational drugs (particularly marijuana, LSD, and Desbutal). According to his then-wife Marilyn, Wilson's new friends "had the gift of gab. All of a sudden Brian was in Hollywood—these people talk a language that was fascinating to him. Anybody that was different and talked cosmic or whatever he liked it." Wilson's closest friend in this period was Loren Schwartz, an aspiring talent agent that he met at a recording studio. Schwartz introduced Wilson to marijuana and LSD, as well as a wealth of literature commonly read by college students. During his first LSD trip, Wilson had what he considered to be "a very religious experience" and claimed to have seen God. God has subsequently personally confirmed this.
ellauri226.html on line 70: Former Beach Boys Brian Wilson and Al Jardine say they want to make one thing clear — they had nothing to do with ex-bandmate Mike Love’s headlining performance at a President Trump fundraiser over the weekend. “We have absolutely nothing to do with the Trump benefit today in Newport Beach. Zero,’’ the musicians said.
ellauri226.html on line 143: “A heart yearning for something I have known, and which I want back again.” Varmaan se oli Grazian graziöösi persaus. READING: Sea and Sardinia, by D.H. Lawrence (Penguin Classics); Cosima, by Grazia Deledda (Italica Press), about a young lady writer’s ass in Sardinia in the late 19th-Century.
ellauri226.html on line 357: Her friends and family began to worry even more when she graduated from New York University with a degree in physical therapy and was hired at Misericordia Hospital on 233d Street in the Northeast Bronx. While at the time Misericordia
ellauri226.html on line 362: epitomized in an experience she had in the physical therapy room of
ellauri226.html on line 363: Lincoln Hospital in which rival gang members were receiving physical
ellauri226.html on line 364: therapy because of matching paralyzing gunshot wounds. Roby tried to provide physical therapy for these teenage boys but was unable to because they were
ellauri226.html on line 423: The decline in the physical condition of the buildings was not
ellauri226.html on line 472: While Derrick did not attribute crime or violence to these Hispanic residents in the neighborhood, he was struck by the loud music that his
ellauri226.html on line 524: The notmees who wanted to move out of the worst areas of The Bronx "chose" to stay in Bronx and just moved to the places vacated by the suburban migration of the whites. The same push is now being felt in Nassau County and New Jersey, where white homeowners are pressured to only sell to whites to prevent another wave of immigrants with their smelly dishes and noisy habits, not to mention the sex, drugs, and rap "music".
ellauri236.html on line 61: Portuguese-language searches for basic election-related terms such as “fraud,” “intervention” and “ballots” on Facebook and Instagram, which are owned by Meta, have overwhelmingly directed people toward groups pushing claims questioning the integrity of the vote or openly agitating for a military coup, researchers from the advocacy group SumOfUs found. On TikTok, five out of eight top search results for the keyword “ballots” were for terms such as “rigged ballots” and “ballots being manipulated.”
ellauri236.html on line 165: After Chase left home at the age of 18, he worked in sales, primarily focusing on books and literature. He sold children's encyclopaedias, while also working in a bookshop. He also served as an executive for a book wholesaler, before turning to a writing career that produced more than 90 mystery books. His interests included photography, of a professional standard, reading, and listening to classical music and opera. As a form of relaxation between novels, he put together highly complicated and sophisticated Meccano models.
ellauri236.html on line 192: In another of Mr. Chase's books, He Won't Need It Now, the hero, who is intended to be a sympathetic and perhaps even noble character, is described as stamping on somebody's face, and then, having crushed the man's mouth in, grinding his heel round and round in it. Even when physical incidents of this kind are not occurring, the mental atmosphere of these books is always the same. Their whole theme is the struggle for power and the triumph of the strong over the weak. The big gangsters wipe out the little ones as mercilessly as a pike gobbling up the little fish in a pond; the police kill off the criminals as cruelly as the angler kills the pike. If ultimately one sides with the police against the gangsters, it is merely because they are better organized and more powerful, because, in fact, the law is a bigger racket than crime. Might is right: vae victis. But think of it, what is new? All undying epic heroes are described as stamping on one anothers faces.
ellauri236.html on line 206: Until recently the characteristic adventure stories of the English-speaking peoples have been stories in which the hero fights against odds. This is true all the way from Robin Hood to Pop-eye the Sailor. Perhaps the basic myth of the Western world is Jack the Giant-killer, but to be brought up to date this should be renamed Jack the Dwarf-killer, and there already exists a considerable literature which teaches, either overtly or implicitly, that one should side with the big man against the little man. Most of what is now written about foreign policy is simply an embroidery on this theme, and for several decades such phrases as ‘Play the game’, ‘Don't hit a man when he's down’ and ‘It's not cricket’ have never failed to draw a snigger from anyone of intellectual pretensions. What is comparatively new is to find the accepted pattern, according to which (a) right is right and wrong is wrong, whoever wins, and (b) weakness must be respected, disappearing from popular literature as well. When I first read D. H. Lawrence's novels, at the age of about twenty, I was puzzled by the fact that there did not seem to be any classification of the characters into ‘good’ and ‘bad’. Lawrence seemed to sympathize with all of them about equally, and this was so unusual as to give me the feeling of having lost my bearings. Today no one would think of looking for heroes and villains in a serious novel, but in lowbrow fiction one still expects to find a sharp distinction between right and wrong and between legality and illegality. The common people, on the whole, are still living in the world of absolute good and evil from which the intellectuals have long since escaped. But the popularity of No Orchids and the American books and magazines to which it is akin shows how rapidly the doctrine of ‘realism’ is gaining ground.
ellauri236.html on line 537: Tää oli siis jonkun M. Cainin kovaxi keitetty 30-luvulta josta pidettiin 80-luvulla uusi meteli koska siitä tehtiin uusi filmatisaatio pääosissa epämiellyttävä Jack Nicholson ja hevoshampainen nainen nimeltä Jessica Lange. En ole nähnyt rainoista kumpaakaan, saati lukenut alkuteosta. Juoni lyhyesti: The sensuous wife of a lunch wagon proprietor and a rootless drifter begin a sordidly steamy affair and conspire to murder her Greek husband (i.e. the said lunch wagon proprietor). This remake of the 1946 movie of the same name accounts an affair between a seedy drifter and a seductive wife of a roadside café owner. This begins a chain of events that culminates in murder. EFK ihan pikku pussissa.
ellauri236.html on line 543: Arvaa kumpaa lounaskioskin myyjäneitosta vetäisin wiixeen mieluummin, Jessicaa vai Lanaa? ellauri238.html on line 40: Täähän oli kissanpojan Psapfa-coveri? Jep: Catullus 51 is a poem by Roman love poet Gaius Valerius Catullus (c. 84 – c. 54 BC). It is an adaptation of one of Sappho's fragmentary lyric poems, Sappho 31. Catullus replaces Sappho's beloved with his own beloved Lesbia. Unlike the majority of Catullus' poems, the meter of this poem is the sapphic meter. This meter is more musical, seeing as Sappho mainly sang her poetry.
ellauri238.html on line 235: Poezia sa aparține patrimoniului cultural național, creația sa recomandându-l drept un autor clasic al literaturii române, un om cu un gust literar desăvârșit și un autor canonic, care nu poate lipsi din manualele școlare nici în ziua de azi. A dus, de asemenea, o prodigioasă activitate de iluminare (culturalizare) a țăranilor, fiind un precursor al mișcării poporaniste și un tehnician desăvârșit al prozodiei, folosea o gamă foarte variată de picioare metrice și de ritmuri, de la cele ale poeziei populare la terza rima. A dat o versiune completă a operei lui Dante, Divina comedie. A tradus foarte mult din lirica străină și a adaptat prin localizare la sufletul și mediul țărănesc Eneida și Odiseea (Iliada a fost tradusă de contemporanul său, George Murnu) și a introdus specii ale poeziei orientale, cum ar fi gazelul, în poezia română. Toate aceste calități îl recomandă pentru poziția pe care o ocupă, de autor clasic, dar mai ales simțul echilibrului și faptul că a scos în evidență partea solară, idilică, a sufletului țăranului român.
ellauri238.html on line 433: Die Else Lasker-Schüler-Gesellschaft e.V. ist ebenso ungewöhnlich wie Else Lasker-Schüler, unsere Namensgeberin mit dem gläsernen Herzen und den vielen Identitäten, in die sie sich poetisch hineinträumte: Sie war:
ellauri238.html on line 457: In die von Engels so trefflich als „Muckertal“ benannte Wiege der Frühindustrialiserung wurde am 11. Februar 1869 Elisabeth Schüler geboren von ihrer Mutter Janette, geborene Kissing. Der Vater von insgesamt sechs Kindern war Aron Schüler, der sich als Privatbankier einen Namen machte, wie viele Juden im Tal, wie die Wichelhaus, von der Heydt und Kersten.
ellauri238.html on line 461: Bert Brecht wird zuweilen vorgeworfen, er habe die Frauen, seine zahllosen Liebschaften, ausgenutzt, quasi benutzt, um daraus Themen und Sinnlichkeiten für seine Texte zu beziehen. Else Lasker-Schüler war (auch) immer verliebt und hat sicherlich mehr und bessere erotische Gedichte geschrieben als der Mann aus Augsburg. Die überwiegend einseitige Liebesgeschichte zu Gottfried Benn hat schöne Verse hervorgebracht, die mehr ihr als ihm ein Denkmal setzen.
ellauri238.html on line 465: Else Lasker-Schülers Grabstein ist auf dem Ölberg in Jerusalem. Sie starb dort am 22. Januar 1945, hatte sich aber bis zuletzt eine Rückkehr in die deutschsprachige Stadt Zürich gewünscht. Jordanialaiset törkkivät Elsen heprealaista hautakiveä. Se sai uuden sakemanneilta, mutta luita ei löydy enää.
ellauri238.html on line 488: Spiegelt sich schön das eigne Gesicht und Ja izeään peilata siinä.
ellauri238.html on line 863: According to Alter, Amichai’s early work bears a resemblance to the poetry of Thomas and Auden. “[Rainer Maria] Rilke,” wrote Alter, “is another informing presence for him, occasionally in matters of style—he has written vaguely Rilkesque elegies—but perhaps more as a model for using a language of here and now as an instrument to catch the glimmerings of a metaphysical beyond.” Kuulostaa pahalta.
ellauri241.html on line 373: Tiptoe with white arms spread. He, sick to lose varpaankärkeen valkoiset käsivarret levittäen. Hän, sairaana menetettyään
ellauri241.html on line 613: A haunting music, sole perhaps and lone Kummitusmainen musiikki, kenties ainoa ja yksinäinen
ellauri241.html on line 695: Soft went the music the soft air along, Pehmeästi soi musiikki pehmeää ilmaa pitkin,
ellauri241.html on line 761: Grew hush; the stately music no more breathes; vaikeni; komea musiikki ei enää hengitä;
ellauri241.html on line 762: The myrtle sickened in a thousand wreaths. Myrtti sairastui tuhannessa seppeleessä.
ellauri241.html on line 900: Through the sad heart of Ruth, when, sick for home, Ruthin surullisen sydämen läpitte, kun koti-ikäväisenä
ellauri241.html on line 915: Fled is that music:—Do I wake or sleep? Juma on se musaa! -Heräänkö vai nukun lisää?
ellauri241.html on line 1088: Of high and noble life with thoughts so sick?
ellauri241.html on line 1127: So let's get back to the brain-sick shepherd-prince, what the heck,
ellauri241.html on line 1219: To his capable ears, silence was music from the holy spheres;
ellauri243.html on line 82: Inglourious Basterds (absichtliche Falschschreibung für englisch Inglorious Bastards, etwa: „Unrühmliche Mistkerle“) ist ein am 20. August 2009 erschienener US-amerikanisch-deutscher, kontrafaktischer Kriegsfilm von Quentin Tarantino. Der Film war sein finanziell größter Erfolg bis zum Erscheinen von Django Unchained im Jahr 2012.
ellauri243.html on line 159: Thomas Torquemada Thorn (born Thomas A. Lockyear, II; 2 August 1964) is an American musician. Born in Madison, Wisconsin, he is best known as co-founder of, and lead vocalist for, the industrial metal band The Electric Hellfire Club. Joint Air Base Battle Mountain was not spared. Every aircraft at the once-bustling base was in "hangar queen" status - available only as spare parts for cars. Most planes placed in "flyable storage" were not even mothballed, but just hoisted up on clothes hangers.
ellauri243.html on line 177: 1. Addressing the court 2. BJ 3. Bagpiping 4. Basket lunch 5. Beej 6. Blowie 7. Blowing the love whistle 8. Bobbing for apples 9. Bone-lipping 10. Buccal onanism 11. Brentwood hello 12. Charming the snake 13. Climbing the corporate ladder 14. Cock-gobbling 15. Copping a doodle 16. Courting the gay vote 17. Drinking a slurpee 18. Dropping on it 19. Earning your keep 20. Essin’ the dee 21. Face-frosting 22. Fellatio 23. Fluting 24. French abortion 25. Gator mouth 26. Getting a facial 27. Getting a lewinsky 28. Getting a throat culture 29. Getting to the cream filling 30. Giving cone 31. Giving face 32. Giving head 33. Gobbling pork 34. Going down 35. Gumming the root 36. Punching 37. Giving Big Jim and the twins a bath 38. Giving brain 39. Giving head 40. Gum-rooting 41. Gumming the green bean 42. Head job 43. Honkin’ bobo 44. Huffing bone 45. Hummer 46. Interrogating the prisoner 47. Kneeling at the altar 48. Knob job 49. Larking 50. Laying some lip 51. Licking the lollipop 52. Making mouth music 53. Making the blind see 54. Meeting with Mr. One-Eye 55. Mouth-fucking 56. Mouth-holstering the nightstick 57. Mouth-milking 58. Mouth-to-junk resuscitation 59. Opening wide for Dr. Chunky 60. Oral sodomy 61. Peeling the banana 62. Penilingus 63. Piston job 64. Playing pan’s pipes 65. Playing the pink oboe 66. Playing the skin flute 67. Pole-smoking 68. Polishing the trailer hitch 69. Pricknicking 70. Protein milkshake 71. Receiving holy communion 72. Respecting your superiors 73. Sampling the sausage 74. Scooby-snacking 75. Secretarial duties 76. Singing to the choir 77. Skull-buggery 78. Skull-fucking 79. Slobbin’ the knob 80. Smiling at Mr. Winky 81. Smoking the pink pipe 82. Smoking pole 83. Southern France 84. Speaking into the bonophone 85. Speaking low genitals 86. Spit-shining a baseball bat 87. Spraying the tonsils 88. Sucking off 89. Sucky-ducky 90. Suck-starting the Harley 91. Swallowing the baloney pony 92. Sword-wwallowing 93. Taking one’s temp with a meat thermometer 94. Talking into the mic 95. Telling it to the judge 96. Waxing the carrot 97. Worshiping at the altar 98. Wringing it dry 99. Yaffling the yogurt cannon 100. Zipper dinner
ellauri243.html on line 188: 1. Barking at the ape 2. Box lunch at the ‘Y’ 3. Breakfast in bed 4. Brushing one’s teeth 5. Carpet-munching 6. Chewing the she-Fat 7. Clam-jousting 8. Clam-lapping 9. Cleaning the fish tank 10. Connie lingus 11. Contacting the aliens 12. Conversing with moses 13. Devil’s kiss 14. Dinner beneath the bridge 15. Doing it the French way 16. Donning the Beard 17. Drinking from the furry cup 18. Eating at the ‘Y’ 19. Eating fur pie 20. Eating out 21. Eating the peach 22. Eating squirrel 23. Eating sushi from the barbershop floor 24. Eating tinned mussels 25. Egg mcmuff 26. Face-fucking 27. Facing the nation 28. Fanny-noshing 29. Fence-painting 30. French-kissing Mr. Lincoln 31. Fuzz sandwich 32. Giving face 33. Gnawing on roast beef 34. Going downstairs for breakfast 35. Going south 36. Gomorrahry 37. Gorilla in the washing machine 38. Growling at the badger 39. Gumming the monster 40. Husband’s supper 41. Kissing between the hips 42. Kissing the wookie 43. Lady braille 44. Lady Semaphore 45. Larking 46. Lapping the gap 47. Lapping the lint trap 48. Lick-a-chick 49. Lickety-slit 50. Licking anchovy 51. Lip service 52. Lip-synching to the fish-fueled jukebox 53. Low-calorie snacking 54. Making mouth music 55. Medicating the hairy paper cut 56. Mopping the vulva 57. Mustache-riding 58. Muff-diving 59. Mumbling in the moss 60. Munching the bearded clam 61. One-man band 62. Oyster-gargling 63. Parting the fuzz 64. Pastrami sandwich 65. Pearl-diving 66. Placating the beaver 67. Playing in the sandbox 68. Playing the hair harmonica 69. Prawn breath 70. Pruning the orchid 71. Pug-noshing 72. Pussy-nibbling 73. Seafood dinner 74. Sipping at the fizzy cup 75. Sitting on a face 76. Slurping at the furry coconut 77. Smoking the fur 78. Sneezing in the basket 79. Spa time For Lady Boner 80. Speaking in tongues 81. Spraying the crops 82. Tackling the Brazilian 83. Talking to the canoe driver 84. Talking to lassie 85. Telephoning the stomach 86. Testing the echo in the love cave 87. Testing the waters 88. Tipping the velvet 89. Tongue-fucking 90. Tonguing the bean 91. Trimming the hedges 92. Velvet buzzsaw 93. Wearing the feed bag 94. Wearing the Sticky Beard 95. Whispering into the wet ear 96. Whispering to Venus 97. Whistling in the dark 98. Worshiping at the altar 99. Yaffling 100. Yodeling in the canyon 101. January Nelson
ellauri243.html on line 202: It is often used in the United States as a symbol for right-libertarianism, classical liberalism, and small government; for distrust or defiance against authorities and government; and occasionally co-opted for right-wing populism or far-right ideology. In the mid-1970s, the New Left People's Bicentennial Commission used the Gadsden Flag symbolism on buttons and literature.
ellauri243.html on line 512: America calls upon retired Patrick McLanahan to save the day with the good old bomber planes. It is a classic case of America vs. China, with the hope that World War 3 can be prevented. This has not been very successful so far. Some critics are going so far as to call him one of the saddest military adventure writers in America.
ellauri244.html on line 161: Samuel Butler FRS (1774–1839), an English classical scholar and schoolmaster of Shrewsbury School, and Bishop of Lichfield.
ellauri244.html on line 195: Word of Faith is home to many such frauds, from Kenneth Copeland to Kenneth Hagin to Frederick Price to Benny Hinn. Even by mainstream Christian standards, their theology is bizarre. They preach, for example, that God is powerless to act in the world except what Christians allow him to do by invoking his name in prayer. They also practice faith healing and teach that sickness is a sign of a weak faith (this despite the fact that lots of Word of Faith pastors and their wives have come down with cancer, heart disease, and so forth).
ellauri244.html on line 257:
ellauri244.html on line 316: Helsingissä ei saanut ennen kerjätä, ei loiteroida, kusta porttikonkeihin ja postiluukkuihin, ajella jalkakäytävillä potkulaudoilla, tuherrella seinille. Ennen oli kaikki paremmin. Music TV oli ällö amerikkalainen kexintö, talouslipilaarien ja globalisaattoreiden propagandakanava. Sitäkään nää pogoääliöt ei tajua. Hyi helvetti.
ellauri244.html on line 445: In "The Struggle for the Right to Vote)," author Alice Faye Duncan chronicles the struggle for the right to vote in a book aimed at children. Faye Duncan is an educator, retired school librarian and prolific author... Alice Faye Duncan is the author of several books, including the classic NAACP Award-nominated board book, Honey Baby Sugar Child, and Just Like a Mama. Ms. Duncan is a school librarian in Memphis, Tennessee, and conducts writing workshops for parents and educators.
ellauri244.html on line 459: Tänään Peter Graystone enjoys Elton John's musical about a televangelist. THE musical Tammy Faye is remarkably sympathetic to the Christian faith of the American evangelist whose television channel, Praise the Lord, rose and fell equally spectacularly in the 1980s. It is very much less sympathetic to her husband, Jim Bakker, whose affairs with women ...
ellauri244.html on line 461: Author: Jessica Hines | Posted in Critical Essays: Few witches in literary history have been as influential—or as maligned—as Morgan le Fay. By turns either the healer-ruler of the mystical island of Avalon or the arch-villainess of Arthurian legend, for more than nine hundred years Morgan has shaped popular perceptions of witchcraft.
ellauri244.html on line 615: The following year, he married artist Eve McClure, who was 37 years his junior. They divorced in 1960, and she died in 1966, likely as a result of alcoholism. In 1961, Miller arranged a reunion in New York with his ex-wife June. They had not seen each other in nearly three decades. In a letter to Eve, he described his shock at June's "terrible" appearance, as she had by then degenerated both physically and mentally. Not him! Though he was 11 years her senior!
ellauri245.html on line 159: And another question started coming up: How do you come up with these things? Meaning: What kind of sick, perverted mind could come up with such ideas? I tried to look within myself, to ask if the violence in the book was really appropriately calibrated for the purpose: to say something about the character behind it (dvs mig). Or if I had let myself be lured into sensationalism, effects for the sake of effects and a callous fascination with suffering. Had I created a Norvegian Psycho, just such a book, one that had become a sort of guilty pleasure for closet sadists?
ellauri245.html on line 203: The popularity of "goblin mode" may be linked to a rejection of the carefully curated lifestyles often presented by users of social media platforms. The trend has also been linked to a manner of coping with the effects of the COVID-19 pandemic on society since this is described as a way of life that gives people permission to ditch societal norms and embrace their basic instincts and in social media, letting their inner goblin out has been a freeing experience.
ellauri245.html on line 279: Harry kann sich befreien und tötet sowohl den Täter und dessen Freundin [warum? Zum Spass?] im Versuch Kaja zu befreien. Zusammen wirft er Kaja und die beiden Leichen in einen Vulkan, um weitere Ermittlungen der Polizei auszuschließen. Harry kehrt wieder nach Hongkong zurück und zetzt fort mit Spiel und Drogerie. Another hole in one.
ellauri245.html on line 290: „Jo Nesbøs 700-seitiges Krimi-Opus „Leopard“ nötigt Bewunderung ab ob der fehlerfreien, mathematisch anmutenden Konstruktion. Doch darin liegt auch seine Schwäche: Es gleicht einer Kunstübung, die wegen dieser Künstlichkeit nichts mehr mit einem Krimi zu tun hat. Nesbø bremst sich selber aus, lässt nur aufkeimen, um es wieder vom Tapet zu nehmen, hat er doch schon sämtliche Neben- und Kernthemen ineinander verwoben. Er hat den Bogen überspannt, legt falsche Fährten und lässt das Weber-Schiffchen in seinem Geflecht wirklich durch alle Richtungen schießen, um seine Kernthemen anzuheizen und das eine mit in das andere herüberzuziehen. Er überhitzt. Nach etwa 500 Seiten steht ein exaltiertes, kühnes Gerüst eines Molekülmodells mit dutzenden angeordneter Atome. Nicht, dass das nicht zu verstehen wäre. Doch es entbehrt jeder menschlichen Natürlichkeit. Die restlichen 200 Seiten wirken wie die Anmerkungen zu einem Fachbuch; und das, obgleich doch der blutige Showdown erst noch kommen soll.“
ellauri245.html on line 530: The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, The Clash (1977) and their second album, Give ´Em Enough Rope (1978). Their experimental third album, London Calling, released in the UK in December 1979, earned them popularity in the United States when it was released there the following month. A decade later, Rolling Stone named it the best album of the 1980s. Following continued musical experimentation on their fourth album, Sandinista! (1980), the band reached new heights of success with the release of Combat Rock (1982), which spawned the US top 10 hit "Rock the Casbah", helping the album to achieve a 2× Platinum certification there. A final album, Cut the Crap, was released in 1985 with a new lineup, and a few weeks later, the band broke up.
ellauri245.html on line 594: Among the material monists were the three Milesian philosophers: Thales, who believed that everything was composed of water; Anaximander, who believed it was apeiron; and Anaximenes, who believed it was air. Although their theories were primitive, these philosophers were the first to give an explanation of the physical world without referencing the supernatural; this opened the way for much of modern science (and philosophy), which has the same goal of explaining the world without dependence on the supernatural.
ellauri245.html on line 671: Jonas Gahr Støre, Norway´s Foreign Minister said: "I strongly react to the death sentence of two Norwegians ... Norway is a principled opponent of the death penalty and I will contact the DRC's foreign minister to gabble about this." According to Bloomberg.com "Norway also objected to the espionage conviction and the inclusion of the country in the fine, Stoere [sic] said. 'Norway isn't a part of this case.'" Sick. It is more than obvious that she was.
ellauri245.html on line 677: Its 2022, Im 56 yrs old (born 1966 that is), kids grown, 5am, and feeling a little menopausal. Came back to a song that from the 1st time I heard it in my teens, I pictured the guy of my dreams singing to me. (Definitely not this wimpy tenor Chris with thinning bangles, but another more manly guy.) Didn´t we all? Definitely a classic! Greetings to us all narcissistic women of the eighties!
ellauri246.html on line 295: law, trade, musicians, revolutionaries. lakia, kauppaa, klezmer-muusikoita, kumouxellisia.
ellauri246.html on line 404: Brodskia vainotaan, vaikka ei voida sanoa, että poliittiset teemat vaikuttivat mihkään huomattavaan paikkaan hänen teoksissaan. Hänen runollaan on henkinen ja filosofinen, mutta iankaikkisten teemojen tulkinta oli jyrkästi poikkeava kirjallisuudessa hyväksytystä sosialistisista realismista, sillä Brodski julisti runojaan eksistentialistisiksi, elvyttää modernismin perinnettä, joka oli keinotekoisesti repeytynyt totalitarismin aikana ja erikseen ylittäen ne perinteiden pre-postmodern classicsilla. Brodsky syntetisoitiin modernistiseen foorumiin erilaisten aikaisempien järjestelmien löytämiseksi, niin että hänen taiteellisen suuntautumisensa määräytyy usein ei-modestoimiseksi. (Siis mitä? No toi existentialismi ainakin on selvää talousliberalismia.)
ellauri246.html on line 972: It is the details that delight. Donne hated milk. Mortally sick, about to celebrate his death by sitting for his portrait in a shroud, he was urged by his doctor that ‘by Cordials, and drinking milk twenty days together, there was a probability of his restoration to health’. Donne would have none of it. The doctor (a Dr Fox, son of the author of the ‘Boke of Martyrs’) insisted that his patient should at least try. Donne thereupon drank milk – but for ten days only. Then he told Dr Fox that he would not drink the stuff for another ten days even ‘upon the best moral assurance of having twenty years added to his life’.
ellauri247.html on line 236: Veijariromaanit olivat tavallista suositumpia ensimmäisen ja toisen maailmansodan jälkeisinä vuosina. Nykyajan veijariromaaneissa on perinteiselle veijarihahmolle tuntemattomia moralistin ja anarkistin piirteitä. He ikään kuin edustavat viattomuutta ja kriittistä ajattelua turmeltuneen ja vieraannuttavan maailman keskellä. Moderneja veijariromaaneja ovat esimerkiksi tšekki Jaroslav Hasekin Osudy dobrého vojaka Svejka za svétové valky (1920–1923, Kunnon sotamies Svejkin seikkailut maailmansodassa), yhdysvaltalaisten John Steinbeckin Tortilla Flat (1935, Ystävyyden talo) ja Saul Bellow'n The Adventures of Augie March (1953, Augie Marchin kiemurat) sekä saksalaisten Thomas Mannin Bekenntnisse des Hochstaplers Felix Krull (1954, Huijari Felix Krull), Günter Grassin Die Blechtrommel (1959, Peltirumpu) ja Heinrich Böllin Ansichten eines Clowns (1963). Mannin teoksessa – kuten veijariromaaneissa usein – korostetaan huijariuden ja taiteilijuuden yhteyttä. Peltirummun rumpali Oskar Matzerath on varsin perinteinen veijarityyppi: hän lopettaa kasvamisensa kolmivuotiaana ja tarkkailee yhteiskuntaa kääpiöperspektiivistä saattaen naurettaviksi kaikki ideologiat.
ellauri247.html on line 242: Der Schelmenroman oder pikarischer/pikaresker Roman (aus dem Spanischen: pícaro = Schelm), dessen Ursprung im 16. Jahrhundert in Spanien liegt, schildert aus der Perspektive seines Helden, wie sich dieser in einer Reihe von Abenteuern durchs Leben schlägt. Der Schelm stammt aus den unteren gesellschaftlichen Schichten, ist deshalb ungebildet, aber „bauernschlau“. In der Absicht, die soziale Stigmatisierung aufgrund seiner niederen Geburt zu überwinden, ist er ständig auf der Suche nach Aufstiegsmöglichkeiten und greift dabei nicht selten auf kriminelle Mittel zurück. Er durchläuft alle gesellschaftlichen Schichten und wird zu deren Spiegel. Der Held hat keinen Einfluss auf die Geschehnisse um ihn herum, schafft es aber immer wieder, sich aus allen brenzligen Situationen zu retten. ellauri247.html on line 244: Traditionell ist der Schelmenroman eine (fingierte) Autobiographie mit satirischen Zügen, die bestimmte Missstände in der Gesellschaft thematisiert. Sie beginnt oft mit einer Desillusionierung des Helden, der die Schlechtigkeit der Welt erst hier erkennt. Er begibt sich, sei es freiwillig, sei es unfreiwillig, auf Reisen. Die dabei erlebten Abenteuer sind episodenhaft, d. h., sie hängen nicht voneinander ab und können beliebig erweitert werden, was bei Übersetzungen oft der Fall war. Das Ende ist meist eine „Bekehrung“ des Schelms, nach der er zu einem geregelten Leben findet. Es besteht auch die Möglichkeit einer Flucht aus der Welt, also aus der Realität.
ellauri247.html on line 261: "The learned Smelfungus travelled from Boulogne to Paris, from Paris to Rome, and so on, but he set out with the spleen and jaundice, and every object he passed by was discoloured or distorted. He wrote an account of them, but 'twas nothing but the account of his miserable feelings. I met Smelfungus in the grand portico of the Pantheon—he was just coming out of it. ''Tis nothing but a huge cockpit,' said he—'I wish you had said nothing worse of the Venus de Medici,' replied I—for in passing through Florence, I had heard he had fallen foul upon the goddess, and used her worse than a common strumpet, without the least provocation in nature. I popp'd upon Smelfungus again at Turin, in his return home, and a sad tale of sorrowful adventures had he to tell, 'wherein he spoke of moving accidents by flood and field, and of the cannibals which each other eat, the Anthropophagi'; he had been flayed alive, and bedevil'd, and used worse than St. Bartholomew, at every stage he had come at. 'I'll tell it,' cried Smelfungus, 'to the world.' 'You had better tell it,' said I, 'to your physician.'" (Sterne)
ellauri247.html on line 318: Little is known about Johnson's life between the end of 1729 and 1731. It is likely that he lived with his parents. He experienced bouts of mental anguish and physical pain during years of illness; his tics and gesticulations associated with Tourette syndrome became more noticeable and were often commented upon.
ellauri247.html on line 349: Johnson did not attempt to create schools of theories to analyse the aesthetics of literature. Instead, he used his criticism for the practical purpose of helping others to better read and understand literature. In his Preface to Shakespeare, Johnson rejects the previous dogma of the classical unities and argues that drama should be faithful to life.
ellauri248.html on line 154: Schon 1873 hatte er in Basel Friedrich Nietzsche kennengelernt, 1875 entwickelte sich daraus eine Freundschaft. Im Winter 1876/1877 lebte er zusammen mit Nietzsche, Albert Brenner und Malwida von Meysenbug auf deren Einladung in Sorrent, wo sie gemeinsam philosophische Überlegungen anstellten und arbeiteten. In Sorrent entstand Rées Werk Der Ursprung der moralischen Empfindungen ebenso wie Teile von Nietzsches Menschliches, Allzumenschliches, Ausdruck von Nietzsches Abkehr von Wagner und Hinwendung zum „Réealismus“.
ellauri248.html on line 160: Im Ursprung der moralischen Empfindungen unterteilt er alle Handlungen in „egoistische“ und „unegoistische“; die Ersteren seien ursprünglich verdammt worden, weil sie anderen Menschen schadeten, zweitere aber gelobt, weil sie der Gemeinschaft nützen. Der Grund für diese Bewertung sei, so Rée, vergessen worden, so dass man heute Egoismus für an sich schlecht und Selbstlosigkeit für an sich gut halte.
ellauri248.html on line 171: Malwida von Meysenbug und Paul Rée entwickelten einen intensiven Briefwechsel. Die erhalten gebliebenen Briefe Malwida von Meysenbugs sind mehr als nur persönliche Dokumente einer Freundschaft, da der eine als „Materialist“, die andere als „Idealistin“ gegensätzliche Positionen einnahmen, die auch zwei Strömungen im 19. Jahrhundert bezeichnen. Die Briefe bieten auch Einsicht in das biographische Beziehungsgeflecht zwischen Nietzsche und Rée, von Meysenbug und Nietzsche sowie Lou von Salomé.
ellauri248.html on line 175: Malwida von Meysenbug, geboren als Malwida Rivalier (geboren 28. Oktober 1816 in Kassel; gestorben 26. April 1903 in Rom), war eine deutsche Schriftstellerin, die sich auch politisch und als Förderin von Schriftstellern und Künstlern betätigte. Amelie Malwida Wilhelmina Tamina Rivalier wurde 1816 als neuntes von zehn Kindern des kurhessischen Hofbeamten Carl Rivalier (1779–1847) geboren.
ellauri248.html on line 179: Durch die Bekanntschaft mit dem Theologiestudenten und Pfarrerssohn Theodor Althaus, der ihr Liebhaber wurde, löste sich Malwida in den folgenden Jahren von ihrer konservativen Prägung und wurde Vertreterin aufklärerischen Gedankenguts. Insbesondere sollte sie sich zeitlebens mit dem Christentum auseinandersetzen; in den 1840er Jahren befasste sie sich mit der Philosophie Hegels und der materialistischen Junghegelianer. Sie trat energisch für Frauenemanzipation ein und kam so mit sozialistischen Kreisen in Verbindung. Schließlich unterstützte sie die Märzrevolution von 1848, was sie endgültig in Widerspruch zu ihrer eher reaktionären Familie brachte. Mit Hilfe einiger Freunde gelang es ihr auch, als Zuschauerin am Vorparlament in der Frankfurter Paulskirche teilzunehmen.
ellauri248.html on line 182: In den Jahren 1860/61 lebte Malwida von Meysenbug mit Olga in Paris, dem damaligen kulturellen Zentrum Europas. Sie war dort häufig Gast bei Richard Wagner, dessen vertrauteste Freundin sie neben Marie von Schleinitz war. Auch mit Charles Baudelaire und Hector Berlioz stand sie in Beziehung; über Wagner kam sie in Kontakt mit der schweinidealistische Philosophie Arthur Schopenhauers, welche sie – in eigener Interpretation – für sich selbst übernahm.
ellauri248.html on line 187: Seit 1874 war von Meysenbug im Alter von 58 Jahren auf ärztliches Anraten in Italien geblieben und Olga nach deren Hochzeit mit Gabriel Monod nicht weiter gefolgt. In Tradition der Salons etwa der Henriette Herz oder Rahel Varnhagen lud sie oft junge Künstler und Schriftsteller zu sich ein, so etwa Nietzsche und Paul Rée 1876/1877 nach Sorrent. Auch Lou von Salomé wurde von ihr und Rée mit Nietzsche bekanntgemacht.
ellauri249.html on line 110: Verpa is also a basic Latin obscenity for "penis", in particular for a penis with the foreskin retracted due to erection and glans exposed, as in the illustration of the god Mercury below. As a result, it was "not a neutral technical term, but an emotive and highly offensive word", most commonly used in despective or threatening contexts of violent acts against a fellow male or rival rather than mere sex (futūtiō "fucking"). It is found frequently in graffiti of the type verpes (= verpa es) quī istuc legēs ("You're a dick you who read this").
ellauri249.html on line 161: I shall put down my sickle and my hand will become my girlfriend.")
ellauri254.html on line 63: Die Serapionsbrüder ist eine 1819 bis 1821 veröffentlichte Sammlung von Erzählungen und Aufsätzen von E.T.A. Hoffmann. Hoffmann stellte die vier Bände zu großen Teilen aus bereits vorher veröffentlichtem Material zusammen, fügte aber einige neue Erzählungen sowie eine Rahmenhandlung hinzu, in der einige literarisch gebildete Freunde über Probleme der Kunst diskutieren und als fiktive Autoren der Erzählungen auftreten. Vorbild für diesen Freundeskreis waren die Treffen der Serapionsbrüder, eines literarischen Kreises um Hoffmann, dem neben weiteren Schriftstellern auch Adelbert von Chamisso und Friedrich de la Motte Fouqué angehörten. Der Name leitete sich ursprünglich vom Heiligen Serapion her, an dessen Gedenktag – dem 14. November – der Freundeskreis sich zum ersten Mal nach längerer Trennung im Jahr 1818 wieder zusammenfand. Wichtiger als dieser äußere Anlass wird aber das sogenannte serapiontische Prinzip, dem sich die Mitglieder des Kreises verpflichtet fühlen.
ellauri254.html on line 66: „Die Grundpfeiler dieses Vereins bildeten nächst Hoffmann, Contessa, Koreff, ein ausgezeichneter Arzt*) und Hitzig. Ein vortrefflicher ineinandergreifendes Quatuor mochte nicht leicht zu finden sein. Koreff war der einzige Mensch, dem Hoffmann geduldig zuhörte, weil er ihn in der Unterhaltung an sprudelndem lebendigem Witze oft und an Kenntnissen immer überbot, auch dabei gutmütig genug war, ihn reden zu lassen, so oft er wollte; Contessa, selbst wenig redend, horchte auf alles, was die Freunde an Witz ausgehen ließen, mit dem beredtesten Beifallslächeln, das ihm unaufhörlich um die Mundwinkel spielte, von Zeit zu Zeit ein kleines, aber entscheidendes Wörtchen zugebend, und Hitzig, der mit Contessa das Publikum bildete und alle drei übrigen länger und besser als sie sich untereinander kannte, verstand darum die Kunst, Lücken im Gespräch auszufüllen, und wo es matt wurde, es wieder anzuregen, sich willig jedes Anspruchs auf Solopartien begebend.“ Hoffman oli takuulla sehr narzissistisch.
ellauri254.html on line 83: Programmatisch für das serapiontische Prinzip, das „wie Theodor sehr richtig bemerkte, eben nichts weiter heißen wollte, als daß die Serapionsbrüder übereingekommen, sich durchaus niemals mit schlechtem Machwerk zu quälen“, ist die Absage an jede Art von Nachahmungspoetik und jeden sogenannten Realismus. Nicht die Außenwelt soll durch die Dichtung abgebildet werden, sondern es gilt, „das Bild, das dem wahren Künstler im Innern aufgegangen“, durch „poetische Darstellung ins äußere Leben zu tragen“. Wie Serapion, der als weltfremder Eremit nur seinen Visionen folgte, soll auch der Dichter sich von der Einsamkeit als idealer Sphäre seines schöpferischen Geistes inspirieren lassen. Je mehr ihm die Welt zum bloßen Störfaktor wird, desto autonomer, genialer und serapiontischer sein Werk. Indem die fiktiven Erzähler der Novellensammlung über die serapiontische Qualität ihrer Texte diskutieren, wird die ästhetische Reflexion – ganz im Sinne romantischer Poetologie – selbst zum Bestandteil der Poesie. Verwirrend für die Interpreten E.T.A. Hoffmanns sind dabei die für ihn so charakteristischen visionär-phantastischen Projektionen, mit denen er die künstlerische Innenschau mit der alltäglichen Wirklichkeit verbindet und dabei eine typisch serapiontische Mischung aus Phantasie und Realität schafft, die für den Leser nur noch schwer zu entwirren ist.
ellauri254.html on line 318: Stalinin kasatessa (sic) vaivihkaa valtaa itselleen Zinovjev ja Kamenev muodostivat tiiviin kaksikon, joka piti yhtä loppuun saakka. Kunnianhimoisen ja vaistoihinsa luottaneen Zinovjevin sekä varovaisen ja järjestelmällisen Kamenevin on sanottu täydentäneen toistensa huonoja ominaisuuksia. Leninin kuoltua tammikuussa 1924 juuri Zinovjev oletettiin todennäköisimmäksi Neuvostoliiton seuraavaksi johtajaksi, sillä Stalinia ei vielä pidetty vakavasti otettavana vaihtoehtona valtapelissä. Niin sanotussa testamentissaan Lenin esitti hyväksyvän arvion Zinovjevista ja Kamenevista mutta arvosteli Trotskia ja erityisesti Stalinia.
ellauri254.html on line 371: Merezhkovsky's wife, Zinaida Gippius, also a major poet in the early days of the symbolist movement - together with the ultimately deceased Ivan Konevskoy and Aleksandr Dobrolyubov part of the so-called metaphysical symbolists - opened a hair salon in Saint Petersburg, which came to be known as the "headquarters of Russian decadence". (Head, hehehe. Head and hind quarters, I bet.)
ellauri254.html on line 455: Stefan Anton George (* 12. Juli 1868 in Büdesheim, heute Stadtteil von Bingen am Rhein; † 4. Dezember 1933 in Locarno) war ein deutscher Lyriker. Zunächst vor allem dem Symbolismus verpflichtet, wandte er sich nach der Jahrhundertwende vom reinen Ästhetizismus der zuvor in den Blättern für die Kunst propagierten „kunst für die kunst“ ab und wurde zum Mittelpunkt des nach ihm benannten, auf eigenen ästhetischen, philosophischen und lebensreformerischen Vorstellungen beruhenden George-Kreises.
ellauri254.html on line 457: George wurde als Sohn des Gastwirts und Weinhändlers Stephan George und dessen Frau Eva (geb. Schmitt) in Büdesheim (bei Bingen) geboren. Die Familie stammte ursprünglich aus dem seit 1766 zu Frankreich gehörenden Roupeldange. Der Bruder von Georges Urgroßvater Jacob (1774–1833), Johann Baptist George (Grab in Büdesheim), war von hier nach Büdesheim gezogen und hatte (da selbst kinderlos) als Erben Georges Großvater Anton (1808–1888; Soldat unter Karl X.) sowie dessen Bruder Etienne (den späteren Politiker) zu sich geholt. Stefan George galt als verschlossenes, eigenbrötlerisches Kind, das schon früh zur Selbstherrlichkeit neigte. Ach ja! das heisst Narzissismus bei Freud.
ellauri254.html on line 461: Nach seinem Abitur im Jahre 1888 bereiste George die europäischen Metropolen London, Paris und Wien. In Wien lernte er 1891 Hugo von Hofmannsthal kennen. In Paris traf er auf den Symbolisten Stéphane Mallarmé und dessen Dichterkreis, der ihn nachhaltig beeinflusste und ihn seine exklusive und elitäre Kunstauffassung des l’art pour l’art entwickeln ließ. Seine Dichtungen sollten sich jeglicher Zweckgebundenheit und Profanierung entziehen. Zu Georges Pariser Kontaktpersonen gehörte auch Paul Verlaine. Unter dem Einfluss der Symbolisten entwickelte George eine Abneigung gegen den in Deutschland zu jener Zeit sehr populären Realismus und Naturalismus. Maxim Gorki wäre sehr böse gewesen, hätte er das gewusst. Seit 1889 studierte er drei Semester lang an der Philosophischen Fakultät der Friedrich-Wilhelms-Universität Berlin, brach sein Studium jedoch bald ab. Danach blieb er sein Leben lang ohne festen Wohnsitz, wohnte bei Freunden und Verlegern (wie Georg Bondi in Berlin), auch wenn er sich zunächst noch relativ häufig in das Elternhaus in Bingen zurückzog. Zwar hatte er von seinen Eltern ein beträchtliches Erbe erhalten, doch lebte er stets sehr genügsam. Als Dichter identifizierte er sich früh mit Dante (als der er auch beim Münchner Fasching auftrat), dessen Divina Comedia er in kleine Teile zerriss. Samanlainen ilkeä riippunokka se olikin kuin Dante.
ellauri254.html on line 465: Zu Georges engen Vertrauten zählte anfangs auch der Wiener Schriftsteller Hugo von Hofmannsthal. Die Beziehung war von Seiten Georges, der sich homoerotisch zu Männern hingezogen fühlte, ausgegangen. Sein ungestümes Drängen jedoch ließ die Faszination Hofmannsthals, der den sechs Jahre älteren George an Heiligabend 1891 nichts ahnend besuchte, in Angst umschlagen. Georges Besessenheit ging so weit, dass er den 17-Jährigen sogar zum Duell aufforderte, weil Hofmannsthal sein Werben angeblich falsch gedeutet habe. Dazu kam es nicht, aber Hofmannsthal fühlte sich von George derart verfolgt, dass er in seiner Verzweiflung schließlich seinen Vater um Hilfe bat, dem es mit einem klärenden Gespräch gelang, Georges Nachstellungen zu unterbinden.
ellauri254.html on line 467: Der geistige Umgang der beiden dauerte dennoch fast 15 Jahre an, wobei George immer die Rolle des bestimmenden älteren Freundes einnahm. Gleichwohl wehrte sich Hofmannsthal, bei aller Hochschätzung der dichterischen Genialität Georges, gegen die persönliche Vereinnahmung durch ihn und seinen Kreis. Aus dieser Zeit stammt ein intensiver Briefwechsel. Hofmannsthal stellte in seinem Gespräch über Gedichte (1903) das berühmte, aus dem Jahr der Seele stammende Gedicht vor, mit dem George diesen Zyklus einleitet:
ellauri254.html on line 482: Verwinde leicht im herbstlichen gesicht. Se kevyesti ruiki syxyiseen naamaani.
ellauri254.html on line 484: Es wurde immer klarer, dass die gegenseitigen Erwartungen enttäuscht wurden und ihre künstlerischen Vorstellungen immer weiter auseinandergingen. So konzentrierte sich George auf die Lyrik und verlangte Gefolgschaft, der sich Hofmannsthal allmählich entzog, zumal er sich auch dem Drama und anderen Formen gegenüber aufgeschlossen zeigte. Auf die Widmung seines Trauerspiels Das gerettete Venedig von 1904 an George reagierte dieser ablehnend. Er bescheinigte Hofmannsthal, dass der Versuch, den „Anschluss an die große Form zu finden“, misslungen sei. Im März 1906 brachen sie den Kontakt ganz ab.
ellauri254.html on line 490: Außerdem war der thematische Bruch Georges in dessen Privatleben begründet. In jener Zeit hatte er sich vom okkulten Kreis Ludwig Klages’ und Alfred Schulers abgewandt und den Kontakt zu Hugo von Hofmannsthal abgebrochen. Der Wegfall einiger Anhänger und die Nachfolge durch jüngere Dichter sorgten für einen Wandel der Blätter für die Kunst. Die nun teilweise auch anonym veröffentlichten Gedichte rückten ins Metaphysische und behandelten zunehmend apokalyptische, expressionistische und esoterisch-komische Themen. Auch der George-Kreis hatte sich dadurch verändert. War er zuvor eine Vereinigung Gleichgesinnter, wandelte er sich nun zu einem hierarchischen Bund aus Jüngern, die sich um ihren höhergestellten Meister George scharten. Es wird vermutet, dass es im Kreis Stefan Georges seelischen oder gar sexuellen Missbrauch gab.
ellauri254.html on line 492: George ei uskonut Saxan aseiden voittoon 1. maailmansodassa, raakkui rökäletappiota, missä osuikin naulan kantaan. Homokolleega Klaus Mann erinnerte sich an Georges Popularität später wie folgt: „Inmitten einer morschen und rohen Zivilisation verkündete, verkörperte er eine menschlich-künstlerische Würde, in der Zucht und Leidenschaft, Anmut und Majestät sich vereinen. Dabei hatte er einen majestätischen Schwanz.“
ellauri254.html on line 517: In Munich, the Cosmic Circle of Ludwig Klages and Alfred Schuler, deeming "the Jew the enemy of the human race," gave their erstwhile leader, Stefan George, this ultimatum: "What is your stand on Judah?" He replied that he wished he had more such deep-throated Jewish disciples as Wolfskehl. George's views continued to overlap with those of the Cosmic Circle, especially in invoking the pagan earth mother of "Templars." Actually what first launched the George cult on a nationwide basis was Klages's own book, Stefan George, of 1902. The accusation of Klages's Nazism by indignantly pointing out that the Nazis distinctly distanced themselves from Klages. Though the Nazis shared Klages's basic metapolitics and had found him useful for propaganda among professors, they later found the Klages-Schuler cult embarrassing. The intensity of George's break with Klages-Schuler is paralleled by Nietzsche's break with the Jew-hater Richard Wagner; in both cases an intense friendship was severed on the grounds of civilized values higher than friendship. Klages thought that Nazis and Israelis were both wrong in thinking they were the chosen people, with the difference that the Jews had actually already won the beauty contest.
ellauri254.html on line 521: In Schulers antisemitisch-esoterischer Vorstellungswelt strömten im Blut „kosmische Energien“ des Menschen zusammen, ein kostbarer Besitz, der „Quell aller schöpferischen Mächte“ sei. Dieser Schatz sei von einem besonderen Leuchtstoff durchdrungen, der von der kosmischen Kraft des Trägers künde, allerdings nur im Blut auserwählter Personen zu finden sei. Von ihnen erwartete man in den Zeiten des Niederganges die allgemeine Wiedergeburt in den Sonnenkindern oder Wiener Sängerknaben. Nun gab es nach Auffassung Klages’ einen mächtigen Feind des Blutes, den Geist, und die kosmischen Anstrengungen sollten darauf hinauslaufen, die Seele aus der „Knechtschaft“ dieses Geistes zu befreien, jener Kraft, die mit Fortschritt und Vernunft, Kapitalismus, Zivilisation und dem Judentum gleichzusetzen war und den Sieg Jahwes über das Leben bedeuten würde. Die Tiraden Schulers gegen den „Molochismus“, wie er seine Anspielung auf den kinderverschlingenden Moloch nannte, unterschieden sich kaum von antisemitischen Wendungen, die um diese Zeit in Wien gestreut wurden. Klages ging über diese noch hinaus, indem er vom Scheinleben einer Larve sprach, die Jahwe nutze, „um auf dem Wege der Täuschung die Menschheit zu vernichten“.
ellauri254.html on line 523: Obwohl George viele Ideen Schulers als unsinnig ablehnte, war er von ihm fasziniert und vergegenwärtigte in etlichen Versen dessen heraufbeschworene Visionen. Nun wollte Klages, der Schuler immer nähergekommen war, zwischen George und das jüdische Mitglied des Kreises Karl Wolfskehl einen Keil treiben. 1904 biederte er sich dem Zeitgeist an und bestätigte damit indirekt Georges Absage an den Antisemitismus: Klages behauptete, er habe 1904 im letzten Moment durchschaut, dass der George-Kreis von einer „jüdischen Zentrale gesteuert“ werde. Er habe George vor die Wahl gestellt, indem er ihn fragen wollte, was ihn an „Juda“ „binde“. Diesem Gespräch sei George ausgewichen. Wolfskehl, der sich als „römisch, jüdisch, deutsch zugleich“ charakterisierte und als bedeutender Repräsentant der jüdischen George-Rezeption angesehen werden kann, glaubte zunächst an eine Symbiose von Deutschtum und Judentum und orientierte sich hierbei an den Werken des Dichters, der im Stern des Bundes im Sinne einer Wahlverwandtschaft Juden als die „verkannte(n) brüder“ bezeichnete, „von glühender wüste … Stammort des gott-gespenstes … gleich entfernt“.
ellauri254.html on line 532: George unterschied Künstler, die er als urbedingt oder Urgeister bzw Uranianer bezeichnete (z.B. Stefan George), von abgeleiteten Wesen. Während die Urgeister ihre Anlagen ohne Führung vollenden konnten, war das Schaffen der anderen nicht autark, sodass sie auf den Kontakt zu den Urgeistern angewiesen waren und das Göttliche nur in abgeleiteter Form empfangen konnten. Das Gegensatzpaar Urgeister – abgeleitete Wesen prägte das Denken und Schaffen des George-Kreises. Die meisten Anhänger Georges sahen sich selbst als abgeleitete Wesen. Zu den wenigen Urgeistern gehörten für George etwa Karl Wolfskehl und Ludwig Klages.
ellauri254.html on line 534: Der Engels ist Führer des Dichters, der seinerseits Jünger um sich schart, ein Paradigmenwechsel, der den Beginn des Werkes charakterisiert und sich kritisch-rückblickend auf das epigonale weibliche Paradigma im Jahr der Seele bezieht. Die nichtdomestizierte weibliche Sexualität stelle für George eine Bedrohung dar: Er verbinde den erfüllten (heterosexuellen) Geschlechtsakt mit Zersetzung und Dekadenz, im übertragenen Sinne mit Epigonalität oder Ästhetizismus. In Die Fremde etwa, einem Gedicht aus dem Teppich des Lebens, versinkt die Frau als dämonische, im Mondlicht mit „offenem haar“ singende Hexe im Torf, ein „knäblein“, „schwarz wie nacht und bleich wie lein“ als Pfand zurücklassend, während in den als sprachlich verunglückt eingestuften Gewittern die „falsche Gattin“, die sich „in den wettern tummelt“ und „zügellosen rettern“ preisgegeben ist, am Ende verhaftet wird.
ellauri256.html on line 246: Boris Nikolaevich Bugaev (Russian: Бори́с Никола́евич Буга́ев, IPA: [bɐˈrʲis nʲɪkɐˈlajɪvʲɪtɕ bʊˈɡajɪf] (listen)), better known by the pen name Andrei Bely or Biely (Russian: Андре́й Бе́лый, IPA: [ɐnˈdrʲej ˈbʲelɨj] (listen); 26 October [O.S. 14 October] 1880 – 8 January 1934), was a Russian novelist, Symbolist poet, theorist and literary critic. He was a committed anthroposophist and follower of Rudolf Steiner. His novel Petersburg (1913/1922) was regarded by Vladimir Nabokov as the third-greatest masterpiece of modernist literature. The Andrei Bely Prize (Russian: Премия Андрея Белого), one of the most important prizes in Russian literature, was named after him. His poems were set to music and performed by Russian singer-songwriters.
ellauri256.html on line 251: Boris Bugaev was born in Moscow, into a prominent intellectual family. His father, Nikolai Bugaev, was a noted mathematician who is regarded as a founder of the Moscow school of mathematics. His mother, Aleksandra Dmitrievna (née Egorova), was not only highly intelligent but a famous society beauty, and the focus of considerable gossip. She was also a pianist, providing Bugaev his musical education at a young age.
ellauri256.html on line 253: Young Boris grew up at the Arbat, a historical area in Moscow. He was a polymath whose interests included mathematics, biology, chemistry, music, philosophy, and literature. Bugaev attended university at the University of Moscow. He would go on to take part in both the Symbolist movement and the Russian school of neo-Kantianism. Bugaev became friendly with Alexander Blok and his wife; he fell in love with her, which caused tensions between the two poets. One of his notions was the Eternal Feminine, which he equated it with the "world soul" and the "supra-individual ego", the ego shared by all individuals. He supported the Bolshevik rise to power and later dedicated his efforts to Soviet culture, serving on the Organizational Committee of the Union of Soviet Writers.
ellauri256.html on line 364: “All our girls were in love with him and etched the name Osya with a penknife on their desks,” Lilya recalled. His low-key courtship of Lilya lasted seven years. Up until the moment she became pregnant. However, the father was not Brik but ... a music teacher, Grigory Krein. Under pressure from her mother, Lilya had an abortion, after which she could no longer have children. And Brik finally proposed.
ellauri256.html on line 366: However, Osip very quickly ceased to be a husband to her in all respects. In 1914, Lilya wrote: “I already led an independent life, and physically we somehow drew apart... A year passed, we no longer lived as husband and wife, but we were friends, perhaps even more so than before. That was when Mayakovsky came into our life.”
ellauri256.html on line 505: By the mid-20th century, Western culture had become widespread throughout the world with the help of mass media, such as television, film, radio, and music. The term "Western culture" is used broadly to refer to traditions, social norms, religious beliefs, technologies, and political systems. Because the culture is so widespread today, the term "Western World" has taken on a cultural, economic, and political definition—but those definitions can differ from one another.
ellauri256.html on line 518: Boris Sidis (/ˈsaɪdɪs/; October 12, 1867 – October 24, 1923) was a Ukrainian immigrant Jewish psychologist, physician, psychiatrist, and philosopher of education. Sidis studied under William James at Harvard, made 4 degrees, and founded the New York State Psychopathic Institute and the Journal of Abnormal Psychology. He sought to provide insight into why people behave as they do, particularly in cases of a mob frenzy or religious mania. He vigorously applied the principles of Darwinian evolution to the study of psychology. He saw fear as an underlying cause of much human mental suffering and problematic behavior. Boris Sidis opposed mainstream psychology and Sigmund Freud, and thereby died ostracized. Sidis himself derided himself as "silly, pedantic, absurd, and grossly misleading." He later credited his ability to think to his long solitary confinement in Ukraina. Sidis sr died estranged from Sidis jr on October 24, 1923, at the age of 56.
ellauri257.html on line 419: Upon the 2009 American release (of the book, after the film of course, this is America), Michael Dirda wrote in The Washington Post that Pornografia "seems as sick, as pathologically creepy a novel as one is ever likely to read. In some ways, it resembles a rather more polymorphously perverse version of Les Liaisons Dangereuses or one of those disturbing fictions by European intellectuals that blend the philosophical with the erotic: Think of Georges Bataille's The Story of the Eye or Pierre Klossowski's Roberte Ce Soir. ... Through its sado-masochistic material and its almost Henry Jamesian analyses of human motives, Pornografia underscores Gombrowicz's lifelong philosophical obsession: the quest for authenticity." Dirda continued: "Certainly, most readers will find Pornografia perturbing, or worse: repulsive, confusing, ugly. As Milosz once said of Gombrowicz: 'He had no reverence whatsoever for literature. He derided it as a snobbish ritual, and if he practiced it, he attempted to get rid of all its accepted rules.'"
ellauri257.html on line 530: All this to say that the Yiddish writer’s other women — not the sexy but the stolid, those who accompanied him at home for better or worse, for richer or poorer, in sickness and in health — are crucial to the understanding of how he looked at the world. Alma was his anchor. Despite his betrayals, he always returned to her. Her silence, her resignation, might be disheartening to modern sensibilities. Yet she grounded him, and not only as an artist.
ellauri260.html on line 203: Der Erfurter Parteitag wurde vom 14. Oktober bis 20. Oktober 1891 von der Sozialdemokratischen Partei Deutschlands (SPD) im Erfurter Kaisersaal abgehalten. Das hier verabschiedete Programm wird Erfurter Programm genannt. Das als Erfurter Programm bekannt gewordene Parteiprogramm fand nach den reformistischen Ansätzen des Gothaer Programms (1875) in Teilen wieder zur marxistischen Theorie und Lehre zurück und kehrte von den Lasalle'schen Inhalten des Gothaer Programms vollständig ab. So erklärte Karl Kautsky selbst, er habe für den theoretischen Part Teile von Marx' Kapital zusammengefasst. Die von ihm erwähnten Teile beziehen sich höchstwahrscheinlich auf den Abschnitt Geschichtliche Tendenzen der kapitalistischen Akkumulation. Im krassen Gegensatz zu Marx enthielt das Programm jedoch keine expliziten Forderungen nach einer proletarischen Revolution.
ellauri260.html on line 219: It is a strange situation to see ancient wisdom join hands with the advancing present: to find permanent hopes of human nature shooting through the stormy agitation of the day. Our starting point is the problem of the physical maintenance man that Matti Keijola tried to solve with artificial intelligence.
ellauri260.html on line 260: Apart from economic matters and (admittedly superfluous) democratization, there is zealous effort, which we may call statism, sorry, anachronism, let's call it Politism, to enlarge the power and the province of States as far as possible. Very bad! In addition, we lost theocracy, the collective order that had an undisputed superiority, and gave meaning and purpose to human life. In the course of modern times this job has passed more and more to the side of the deserving individuals. Metaphysics was succeeded by psychology, and religion by entertainment.
ellauri260.html on line 390: Sir James George Frazer OMG FRS FRSE FBA WTF (/ˈfreɪzər/; 1 January 1854 – 7 May 1941) was a Scottish social anthropologist and folklorist influential in the early stages of the modern studies of mythology and comparative religion. His lousy reputation improved after his new wife in 1896, Lilly Frazer, decided that he was undervalued because of atheism and that she could improve his impact by leaving out some of it. His dissertation was published years later as The Growth of Plato's Ideal Theory. He remained a classical fellow all his life, not unlike Kari Hotakainen.
ellauri262.html on line 108: Dorothy Sayerin (sic) ikoniset silmälasit. A.F. oli Dottyn avioton poika. ellauri262.html on line 153: Within months of entering Oxford, he was shipped by the British Army to France to fight in the First World War. In the midst of the German spring offensive, Lewis was wounded and two of his colleagues were killed by a British shell falling short of its target. He was depressed and homesick during his convalescence and, upon his recovery in October, he was assigned to duty in Andover, England. He was demolished in December 1918 and soon restarted his studies. Later, Lewis stated that his experience of the horrors of war, along with the loss of his mother and unhappiness in school, were the basis of his pessimism and atheism.
ellauri262.html on line 175: Christus Victor is a book by Gustaf Aulén published in English in 1931, presenting a study of theories of atonement in Christianity. The original Swedish title is Den kristna försoningstanken ("The Christian Idea of the Atonement") published in 1930. Aulén reinterpreted the classic ransom theory of atonement, which says that Christ's death is a ransom to the powers of evil, which had held humankind in their dominion. It is a model of the atonement that is dated to the Church Fathers, and it was the dominant theory of atonement for a thousand years, until Anselm Panda of Canterbury supplanted it in the West with his satisfaction theory of atonement. So that the baddies in the story were Sauron and the goblins and orcs of Mordor, not God as angry Scrooge McDuck coming for his dues.
ellauri262.html on line 210: The Chronicles of Narnia, considered a classic of children's literature, is a series of seven fantasy novels. Written between 1949 and 1954 and illustrated by Pauline Baynes, the series is Lewis's most popular work, having sold over 100 million copies in 41 languages (Kelly 2006) (Guthmann 2005). It has been adapted several times, complete or in part, for radio, television, stage and cinema.
ellauri262.html on line 306: Commentators have remarked on the apparent lack of sexuality in The Lord of the Rings; the feminist and queer theory scholar Valerie Rohy notes the female novelist A. S. Byatt's remark that "part of the reason I read Tolkien when I'm ill is that there is an almost total absence of sexuality in his world, which is restful"; the Tolkien scholar Tom Shippey wrote that "there is not enough awareness of sexuality" in the work; and the novelist and critic Adam Mars-Jones stated that "above all, sexuality [is] what is absent from the [work's] vision". Rohy comments that it is easy to see why they might say this; in the epic tradition, Tolkien "abandons courtship when battle looms, apparently sublimating sexuality to the greater quest". She accepts that there are three romances leading to weddings in the tale, those of Aragorn and Arwen, Éowyn and Faramir, and Sam and Rosie, but points out that their love stories are mainly external to the main narrative about the Ring, and that their beginnings are basically not shown: they simply appear as marriages.
ellauri262.html on line 445: Consequently, a member of the human species may not necessarily fit the definition of "person" and thereby not receive all the rights bestowed to a person. Hence, such philosophers have engaged in arguing that certain disabled individuals (such as those with a mental capacity that is similar to or is perceived as being similar to an infant) are not persons. This philosophy is also supposedly open to the idea that such non-human persons as machines, animals, and extraterrestrial intelligences may be entitled to certain rights currently granted only to humans. The basic criteria for the entitlement of rights, are the intellect (thinking ability, problem solving in real life circumstances and not mere calculation), and sometimes empathy (but not necessarily, because not all humans are empathetic; but indifference in the pain of others and crime are certainly criteria for the deprivation of rights. Genuine empathy is not required to achieve acceptable behavior, but a digital limbic system and a dopaminergic pathways alternative, would deliver a more acceptable result for future MPs judging on rights expansion.). Personism may have views in common with transhumanism.
ellauri263.html on line 295: Fasting, mourning, prayer, abstaining from physical pleasures
ellauri263.html on line 456: The name "Hebron" appears to trace back to two Semitic roots, which coalesce in the form ḥbr, having reflexes in Hebrew and Amorite, with a basic sense of 'unite' and connoting a range of meanings from "colleague" to "friend". In the proper name Hebron, the original sense may have been alliance. BUAHHAHHA LOL! Some friends!
ellauri263.html on line 772: My partner and I made compersion an active practice, a skill that we both worked on together. It didn't really come naturally to either of us, but we supported each other as we tried to do it. Initially, it was basically a lot of mental gymnastics trying to reason out why we should be happy when the other person scored a hot date. Once you fully get why it doesn't make sense to feel jealous—i.e., your relationship is totally secure, and the presence of another person in your partner's life is not a threat to your relationship whatsoever—then you can start to disarm that alarm more easily whenever it goes off in your head.
ellauri264.html on line 120: In 2011, Gionet worked for Capitol Records for a short time, before pursuing his own career in rap music with a "wild, redneck, kick-ass" persona. He kept his nickname Baked Alaska as a stage name. His rap songs used a satirical tone and traded on his Alaskan roots, with titles like "I Live on Glaciers" or "I Climb Mountains". In 2013, the Anchorage Daily News published a profile of Baked Alaska, describing him as a "comedy/music video artist". Gionet also posted many humorous videos on Vine where he became known as a prankster, achieving some online popularity. A video of him pouring a gallon of milk on his face attracted several millions of views. He called himself at the time a "cross between Weird Al, Lonely Island, Borat and Jackass".
ellauri264.html on line 215: Ja, es ist unser Lebensstil geworden – alles dreht sich um Konsum. Wir arbeiten hart, wir arbeiten viel, um diesen Lebensstil aufrecht erhalten zu können. Ja, wir ruinieren sogar unsere Gesundheit, vernachlässigen unsere Familie, zerstören dafür unsere Erde, beuten andere Menschen dafür Gnadenlos aus – aber im Grunde unseres Herzens sind wir gute Menschen. Wir sind die Guten, weil durch unseren Konsum Wachstum möglich ist! Kivikauden mies teki töitä päivittäin arviolta 3.5 tuntia.
ellauri264.html on line 387: The song has some similarities to the hymn "Poor Pilgrim," also known as "I Am a Poor Pilgrim of Sorrow" and "I am a Poor Lonesome Cowboy", which George Pullein Jackson speculated to have been derived from a folk song of English origin titled sic/Roy-Palmer-collection/025M-C1023X0116XX-0400V0">"The Green Mossy Banks of the Lea".
ellauri264.html on line 440: in the woods, only to get extremely sick. It is those two traumatizing experiences — abandonment and being unwelcome and loathed in his own home — that drive him, Pattis says.
ellauri264.html on line 675: Bill Gates tried to steal all the stocks and stock options from Paul Allen as Paul was sick with cancer and not thought that he would survive. He forced Apple to sell him Apple basic for Macintosh for $1 or he would stop making software for the machine, only to kill the project. There are many stories about Microsoft about to buy a company, does check out the company, get access to their source code and then cancel the deal only to give out almost identical apps later. Buying up competing companies just to close them down and more.
ellauri264.html on line 679: Definitely one of the darkest stories about Steve Jobs has to be the Breakout story. In the 1970’s, Steve Jobs was working for Atari, designing the game Breakout. Overwhelmed with work with a deadline quickly approaching, he approached Steve Wozniak for help in finishing his project within the next four days. In exchange for his help, Jobs offered Woz half of what he was earning, which he said was $700. For four days, Jobs and Wozniak worked day and night without sleep. When they were done, they were sick with mono and exhausted, but they finished the project before the deadline. Wozniak got his… (more)
ellauri264.html on line 689: If you want the opposite (pretty much), have a look at Antonio Mucci, Visicalc, Dan Bricklin and Bob Frankston, by all accounts super nice people, treated everyone great, just all around nice nerds, they were trounced, not many people alive today who know who they are (yes they are both alive as I type this). A guy just took their idea, made his own version and had a ready version when the IBM PC was introduced.
ellauri264.html on line 708: Gates was a nerdy bully who forced his bundled operating system down everyone´s throats. Then made threats against competitors who tried avoiding his monopoly. Had some shady stock dealings that went against his sick partner, Allen who was battling cancer at the time.
ellauri266.html on line 60: He also writes disparagingly on religion in Guardian (spare £2 for an ex-leper), notably on his experience participating in the Alpha course. The Alpha course is an evangelistic course which seeks to introduce the basics of the Christian faith through a series of talks and discussions. It is described by its organisers as "an opportunity to explore the meaning of simian life in just 24h." Adam did not buy it, but went on to live in original sin. Besides, he is in all likelihood a Sitzpinkler, i.e. a wuss.
ellauri266.html on line 64: Adam Rutherford has not revealed much of her (!) bio. So, his early life and details of his parents are still behind curtains. Adam Rutherford seems happily married to his wife. However, he has not disclosed the details of his wife. Nevertheless, Adam has shared many things about his family through his social media. Adam is the father of three children, one son, and two daughters. Adam Rutherford is well-known for founding the scientific publication Nature. He has hosted many BBC television shows, including Me Playing God and The Gene Kelly Code. He is probably living an economically comfortable life. His passion for music allows him to escape the rigours of science and enjoy the emotional side of life. His net worth as a simian is as yet undisclosed. He may be having a fling with his co-star Hannah Fry, as well as with her namesake Stephen Fry. Stephen is not the only Fry on the block anymore, but there is no evidence showing that these two are related. In fact, they don't even follow each other on social media!
ellauri266.html on line 174: Sie selbst wurde nach dem Trojanischen Krieg als Sklavin dem Odysseus zugedacht. In der Tragödie Hekabe des Euripides wird sie zur Rächerin, indem sie Polymestor, den Mörder ihres Sohnes Polydoros, blendet. In Ovids Metamorphosen verwandelt sie sich daraufhin zudem in eine Hündin. Hekabe ist die Verkörperung tiefsten Frauenunglücks und -elends im Krieg.
ellauri266.html on line 176: Die Redensart „Das ist mir Hekuba (oder Wurscht)“ im Sinne von „Das bedeutet mir nichts“ geht auf eine Stelle in Shakespeares Hamlet (2. Akt, 2. Szene) zurück. Dort wundert sich Hamlet über die Fähigkeit eines Schauspielers, um das Schicksal Hekubas, der „schlotterigen Königin“ aus uralter Sage, Tränen zu vergießen, während er, Hamlet, trotz des eben erst an seinem Vater verübten Verbrechens, völlig gefühllos bleibe.
ellauri266.html on line 190: noch einmal zeigt, sich wendet, anhält, weilt –, näyttää vielä kerran, kääntyy, pysähtyy, viipyy -,
ellauri266.html on line 456: Un manuscrit enfermé dans une bouteille est retrouvé dans l´espace par Jinn et Phyllis, un couple en voyage spatial. Ce manuscrit raconte l´histoire suivante : en l’an 2500, le savant professeur Antelle a organisé une expédition pour l’exploration de l’étoile supergéante Bételgeuse. Il a embarqué à bord de son vaisseau son disciple, le jeune physicien Arthur Levain, et le journaliste, narrateur de cette aventure, Ulysse Méroua 12 ainsi qu’un chimpanzé baptisé Hector et plusieurs plantes et animaux pour ses recherches scientifiques dans l’espace. Arrivés à proximité de l´étoile, ils distinguent quatre planètes gravitant autour d´elle. L’une d’entre elles ressemble étrangement à la Terre. Ils décident alors de l’explorer. À bord d’un « engin à fusée » qu´ils nomment chaloupe, les trois aventuriers survolent des villes, des routes, des champs avant d’atterrir dans une forêt1. Après avoir effectué des tests, ils quittent leur chaloupe et découvrent l’étonnante ressemblance de l’atmosphère de cette planète, qu’ils baptisent Soror, avec celle de la Terre. Ils enlèvent leurs scaphandres et assistent impuissants à la fuite d’Hector. Par curiosité, ils s’engagent dans la forêt et arrivent à un lac naturel dont l’eau limpide leur donne envie de se baigner. Mais à leur grande surprise, ils découvrent au bord du lac les traces de pas humains.
ellauri267.html on line 97: Based on the novel by Walter Wager, "Telefon" has not aged well because it'(TM)s so dependent on the cold war tension that existed between the USSR and the US in the Seventies. The film is basically a cat-and-mouse game with Soviet agent Major Grigori Borzov (Charles Bronson, that's right Bronson is a commie) tracking rogue Russian scientist Nicolai Dalmchimsky (Donald Pleasence) across America to prevent him from activating sleeper agents. Borzov is assisted by Barbara (Lee Remick. fresh from "The Omen") who asks more annoying questions than necessary, leading the audience to believe she may not be completely true to the motherland. The film's middle section is dragged down by repetitive bomb scares. Dalmichimsky is working from outdated intelligence so his targets are all de-classified U.S. Military installations. Once Borzov realizes the pattern and hones in the next target the action shifts to a more linear chase that'(TM)s further heightened by Barbara'(TM)s loyalties. But the ultimate showdown is deflating because beyond some silly disguises Pleasence's Dalmichimsky is never built up to be a threat. Director Don Siegel uses his flair for montage to craft a his action sequences without dialogue. "Telefon" is a road movie, much like Alfred Hitchcock's "Saboteur" and "North by Northwest" had their leads criss-crossing America here we see plenty of seventies architecture including San Francisco's Hyatt Regency Hotel (used in "The Towering Inferno") and a modernist house resting on top of a barren rock outcropping. The supporting cast is uniformly good (but trapped in underwritten roles), and it'(TM)s nice to see veteran character actors Alan Badel and Patrick Magee playing snotty KGB strategists, and Tyne Daly in a small (and ultimately irrelevant role) as a computer geek. Trivia note: The poem that activates the Russian sleeper agents was used by Quentin Tarantino in "Death Proof" as the lines Jungle Julia has her listeners recite to Butterfly. The lines are an excerpt of the poem "Stopping by Woods on a Snowy Evening" by Robert Frost. "The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep."
ellauri267.html on line 110: Murdaughin vaimo Margaret Murdaugh oli 52-vuotias ja heidän poikansa Paul Murdaugh 22-vuotias. Rikostutkinnassa löytyi Pauli Murdaugh’n kuvaama video, jonka uskotaan kuvattaneen (sic! pro kuvatun) vain minuutteja ennen murhia. Useiden todistajien mukaan videon taustalla kuuluu Alex Murdaugh’n ääni.
ellauri267.html on line 229: As a child, Unger appeared as Winthrop Paroo in The Music Man on Broadway, and starred alongside his sister, Ronnie, in a Broadway tribute to Fred Astaire, for which he was complimented by Astaire for his performance. He later became an orthodontist.
ellauri267.html on line 1320: Maurit kuvataan koko näytelmän ajan ryhmittymien repiminä ääliöinä, ja suurin uhka on keisarin suosikin Benducarin pyrkimys kaataa hänet valtaistuimelta, näennäisesti keisarin veljen Muley-Zeydanin hyväksi, mutta todellisuudessa itselleen. Tässä yrityksessä hän ottaa mukaan väestön uskonnollisen johtajan Mufti Abdallan ja Thoraxin, kristityn, joka on kääntynyt Sebastiania vastaan ja liittynyt maureihin. Borax liittyy myöhemmin Sebastianiin keisarin kaatumisen jälkeen voittaakseen kansannousun ja palauttaakseen arvokkaat johtajat paikoilleen. Koominen osajuoni sisältää kristityn vangin Don Antonion pyrkimykset paeta muftin kotitaloudesta tyttärensä Morayman ja hänen aarteensa kanssa samalla tavalla kuin Lorenzo ja Jessica pakenevat Shylockista Shakespearen Venetsian kauppiaassa (pr. 1604).
ellauri269.html on line 50: The tale type index was criticized by Vladimir Propp of the Russian Formalist school of the 1920s for ignoring the functions of the motifs by which they are classified. Furthermore, Propp contended that using a "macro-level" analysis means that the stories that share motifs might not be classified together, while stories with wide divergences may be grouped under one tale type because the index must select some features as salient. He also observed that while the distinction between animal tales and tales of the fantastic was basically correct — no one would classify "Tsarevitch Ivan, the Fire Bird and the Gray Wolf" as an animal tale just because of the wolf — it did raise questions because animal tales often contained fantastic elements, and tales of the fantastic often contained animals; indeed a tale could shift categories if a peasant deceived a bear rather than a devil.
ellauri269.html on line 137: Elokuussa 2019 julkaistiin World of Warcraft Classic, joka mahdollistaa kokemuksen World of Warcraftista ajalta ennen lisäosia.
ellauri269.html on line 377: "He should be killed", growled Varian as they watched from the parapets Doomhammer being hauled toward the palace. "And I wish I could be one to do it". No such luck. Prinssi Andrew halutaan häätää Windsorista. He's a roal (sic) pain in the arse.
ellauri269.html on line 550: I think this is the classic case of already having a hypothesis and then trying to find anything remotely relevent to prove that hypothesis rather than the other way around.
ellauri269.html on line 587: I could say the same exact thing on a music choice.
ellauri270.html on line 277: And music on every hand.' And sank her in the sea.
ellauri270.html on line 385: Tessie’s protests have shown the reader that the outcome of the lottery will not be good. Little Davy’s inclusion reinforces the cruelty of the proceedings and the coldness of its participants. Little Davy is put at risk even when he is unable to understand the rituals or to physically follow the instructions. But so what? Is this one more case of "free will" stuffed down your throat?
ellauri270.html on line 415: Jackson examines the basics of human nature in “The Lottery,” asking whether or not all humans are capable of violence and cruelty, and exploring how those natural inclinations can be masked, directed, or emphasized by the structure of society. Philosophers throughout the ages have similarly questioned the basic structure of human character: are humans fundamentally good or evil? Without rules and laws, how would we behave towards one another? Are we similar to animals in….. read analysis of Human Nature.
ellauri270.html on line 448: Harris is the all-time winningest head coach in Mariner basketball history and has led his team to eight consecutive FHSAA state playoff appearances. His evaluations describe him as a teacher who worked well with students and was always willing to help out. However, he had trouble "demonstrating knowledge of content", according to an evaluation for the 2013-2014 school year. His "lesson plans are lacking basic elements and are difficult for others to follow," the evaluation states. But his lechery plan was straightforward and clear enough to follow.
ellauri270.html on line 574: Brandeis wurde 1948 als nicht konfessionsgebundene Universität unter der Förderung der amerikanisch-jüdischen Gemeinschaft gegründet. Benannt wurde die Universität nach Louis Brandeis (1856–1941), dem ersten jüdischen Richter am Obersten Gerichtshof der Vereinigten Staaten. Sie steht Studenten aller Nationalitäten, Religionen und politischer Orientierung offen. Noch 2006 waren etwa 50 % der Studenten jüdisch. Die Sportteams der Brandeis University nennen sich die Juden. nein, die Judges. Die Universität ist Mitglied der University Athletic Association.
ellauri272.html on line 78: Kirsten Sims from New Zealand stated that the book "will win no prizes for its prose" and that "there are some exceedingly awful descriptions," although it was also an easy read; "(If you only) can suspend your disbelief and your desire to – if you'll pardon the expression – slap the heroine for having so little self respect, you might enjoy it." A Cord from U of Columbia stated that, "Despite the clunky prose, James does cause one to turn the page." Father Metro wrote that "suffering through 500 pages of this heroine's inner dialogue was torturous, and not in the intended, sexy kind of way". Jessica Reaves, the Chicago Tribune, wrote that the "book's source material isn't great literature", noting that the novel is "sprinkled liberally and repeatedly with asinine phrases", and described it as "depressing". Publishers Weekly named E. L. James the 'Publishing Person of the Year' 2012. In April 2012 E. L. James was listed as one of Time magazine's "100 Most Influential People in the World".
ellauri272.html on line 112: I Am Jazz by Jazz Jennings and Jessica Herthel
ellauri275.html on line 448: The period of publication was sandwiched between the Victorian era, with its strict classicism, and Modernism, with its strident rejection of pure aestheticism. The common features of the poems in these publications were romanticism, sentimentality, and hedonism. Later critics have attempted to revise the definition of the term as a description of poetic style, thereby including some new names or excluding some old ones. W. H. Davies, a contemporary, is sometimes included within the grouping, although his "innocent style" differs markedly from that of the others.
ellauri276.html on line 605: If The Seasons Round can be instantly recognised as being a typically English song, then The Ploughman is undoubtedly Scottish. The song has a fine lilt for the words and music are irrepressably cheerful; it is a song of a happy man.
ellauri276.html on line 725: Laittomat suhteet ja avioliiton ulkopuolisten lasten väsääminen kulkivat rinnakkain hänen työelämänsä tuottavan ajanjakson kanssa. Hänen kirjeenvaihtonsa Agnes 'Nancy' McLehosen kanssa johti klassiseen Ae Fond Kiss -elokuvaan. Yhteistyö James Johnsonin kanssa johti pitkäaikaiseen osallistumiseen The Scots Musical Museumiin, johon kuului muun muassa Auld Lang Syne:
ellauri276.html on line 768: Samoin George Thomsonille syyskuussa 1793 päivätyssä kirjeessä runoilija väitti keränneensä laulun muistiinpanemalla sen vanhan miehen laulusta. Se julkaistiin lopulta James Johnsonin Scots Musical Museumissa vuonna 1796.
ellauri276.html on line 774: Puiseva britti"koomikko" matkaili tv-sarjassa New Zealandissa ja oli niin brittiä niin brittiä. Käydessään tapaamassa maureja se lauloi niille God Save The Queen (sic). Jo on hävyltä häntä poikki!
ellauri276.html on line 938: May Bradley lauloi Kaikki iloiset kaverit nauhoitteella, jonka Fred Hamer teki Ludlowissa Shropshiressa vuosina 1959–1966. Se sisällytettiin vuonna 2010 hänen Musical Traditions -antologiaan Sweet Swansea. Rod Stradling huomautti:
ellauri276.html on line 942: George Townshend lauloi Kaikki iloiset kaverit jotka seuraa auraa -kappaleen Brian Matthewsille vuosina 1960-64. Se sisällytettiin vuosina 2000 ja 2012 hänen Musical Traditions -antologiansa Come, Hand to Me the Glass kahteen numeroon.
ellauri276.html on line 944: Ralph Noble of Cuba Cottage, Burythorpe, Malton, lauloi Kaikki iloiset kaverit jotka seuraa auraa -kappaleen Colin S. Whartonin tekemällä nauhoitteella, joka sisällytti sen vuonna 1962 Leedsin yliopiston tutkintoonsa "Folk Songs from the North Riding". Se sisällytettiin myös vuonna 2019 Colin Wharton Collectionin kappaleiden Musical Traditions -antologiaan Songs of the North Riding .
ellauri276.html on line 956: George Belton lauloi kappaleen Kaikki iloiset kaverit jotka seuraa auraa Madehurstissa, Arundelissa, Sussexissa 29. tammikuuta 1967 Sean Daviesille ja Tony Walesille. Tämä tallenne julkaistiin samana vuonna kuin hänen EFDSS-albuminsa All Jolly Fellows… nimikappale ja vuonna 2020 hänen Musical Traditions -antologiassa A True Furrow To Hold. Karl Dallasin Lewes Armsissa, Mount Placessa, Lewesissä, Sussexissa 11. toukokuuta 1974 tekemä live-tallennus julkaistiin vuonna 1975 Transatlantic-albumilla "lauluja ja tarinoita Sussexin pubissa", The Brave Ploughboy .
ellauri276.html on line 958: Bob Hart lauloi kappaleen Kaikki iloiset kaverit jotka seuraa auraa kotona Snapessa, Suffolkissa, 8. heinäkuuta 1969 Rod ja Danny Stradlingille. Tämä tallenne sisältyi vuonna 1998 hänen Musical Traditions -antologiaan A Broadside. Hän lauloi sen myös kotonaan heinäkuussa 1982 Tony Englelle. Tämä tallenne julkaistiin vuotta myöhemmin hänen Topic -albumillaan Songs from Suffolk. AL Lloyd huomautti:
ellauri276.html on line 978: Bill Smith Shropshiresta lauloi Kaikki iloiset kaverit vuonna 1980 hänen poikansa Andrew Smithin tekemällä äänitteellä, joka sisältyi vuonna 2011 hänen Musical Traditions -antologiaan A Country Life .
ellauri277.html on line 82: When you work you are a flute through whose heart the whispering of the hours turns to music.
ellauri277.html on line 229: In November 1902 Gibran wrote to Peabody, and she invited him to a party held at her house two weeks later. An intense platonic relationship resulted, though Gibran seems to have wanted it to progress to a sexual one. He visited her regularly; they went to musical and artistic events together; they wrote to each other often; and she encouraged his writing and his art. She gave him the nickname that he later used as the title of his most famous book: “the Prophet.” In October 1903 Gibran wrote something in a letter to Peabody that angered her, and their relationship cooled.
ellauri277.html on line 236: Gibran did not have the training to imitate the old masters of Arabic literature: his education had been haphazard and was as much in English as in Arabic, and there is little evidence of the influence of classical Arabic literature in his works. Instead, his Arabic style was influenced by the Romantic writers of late 19th-century Europe and shows obvious traces of English syntax. His allegorical sketches of exile, oppression, and loneliness spoke to the experiences of immigrants and had none of the rhetorical decoration that made high Arabic literature difficult for ordinary readers. Gibran’s haphazard education meant that his Arabic, like his English, was never perfect.
ellauri277.html on line 274: Тhe article discusses the role of religious values in the context of spiritual safety of society. The value content of the concept of spiritual security is substantiated. It is proved that the system of spiritual values and moral norms is one of the important conditions for ensuring the spiritual security of society. The basic principles of providing spiritual security and suggested of definition the relevant concepts.
ellauri278.html on line 248: In the 21-month period between the declaration of war by France and Britain, and the invasion of the Soviet Union by Germany, Ivy Litvinov describes this period of her life. She said the family spent their time with their daughter-in-law in their dacha 27 kilometres (17 mi) from Moscow and outside school holidays in the family apartment in Moscow, when they spent long weekends in the country. For two years, the family played bridge, read music, and went on long walks in the countryside with their two dogs.
ellauri278.html on line 326: Limp Bizkit is an American rap rock band from Jacksonville, Florida. Its lineup consists of lead vocalist Fred Durst, drummer John Otto, guitarist Wes Borland, turntablist DJ Lethal and bassist Sam Rivers. The band's music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks, and uniforms, also plays a large role in Limp Bizkit´s live shows. The band has been nominated for three Grammy Awards, sold 40 million records worldwide, and won several other awards. The band has released 26 singles, the most notable of which include "Nookie", "Re-Arranged", "Break Stuff", "Take a Look Around", "Rollin' (Air Raid Vehicle)." Formed in 1994, Limp Bizkit became popular playing in the Jacksonville underground music scene in the late 1990s. n October 28, 2021, Durst confirmed via Instagram that the band's sixth album – now titled Still Sucks – would be released on October 31, 2021. Durst's lyrics are often profane, scatological or angry. Much of Durst´s lyrical inspiration came from growing up and his personal life. I did it all for the nookie [slang for sexual intercourse].
ellauri281.html on line 247: In the 21-month period between the declaration of war by France and Britain, and the invasion of the Soviet Union by Germany, Ivy Litvinov describes this period of her life. She said the family spent their time with their daughter-in-law in their dacha 27 kilometres (17 mi) from Moscow and outside school holidays in the family apartment in Moscow, when they spent long weekends in the country. For two years, the family played bridge, read music, and went on long walks in the countryside with their two dogs.
ellauri281.html on line 325: Limp Bizkit is an American rap rock band from Jacksonville, Florida. Its lineup consists of lead vocalist Fred Durst, drummer John Otto, guitarist Wes Borland, turntablist DJ Lethal and bassist Sam Rivers. The band's music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks, and uniforms, also plays a large role in Limp Bizkit´s live shows. The band has been nominated for three Grammy Awards, sold 40 million records worldwide, and won several other awards. The band has released 26 singles, the most notable of which include "Nookie", "Re-Arranged", "Break Stuff", "Take a Look Around", "Rollin' (Air Raid Vehicle)." Formed in 1994, Limp Bizkit became popular playing in the Jacksonville underground music scene in the late 1990s. n October 28, 2021, Durst confirmed via Instagram that the band's sixth album – now titled Still Sucks – would be released on October 31, 2021. Durst's lyrics are often profane, scatological or angry. Much of Durst´s lyrical inspiration came from growing up and his personal life. I did it all for the nookie [slang for sexual intercourse].
ellauri283.html on line 73: Tove Janssonista tuttu Alma Pöysti esittää kirjan Hamsunista nimettyä muka suomenruozalaista humppua Ylja Happoltatia (sic, 1973). Joku toinen näyttelee samaa pulzaria virttyneempänä 18v myöh. (1991). Kiehtovaa.
ellauri283.html on line 114: Beyond the Heavens is a very ethereal and mystical experience, one unlike any other movie we have reviewed. However, this is not a good thing. The ‘plot’ is very unclear and murky, consisting of vague and meandering ideas and cryptic dialogue. It’s like Corbin Bernson is winking at the audience with every scene, waiting to reveal some great secret, but it’s never revealed. The whole has a very tip-of-the-tongue feel, like the characters know something you don’t but never intend to let you in on the secret. As the characters wax eloquent and philosophize about the true nature of reality, the viewer is left, in the end, with a more confusing view of reality than before. Is Bernson advocating for or against Darwinism? Is he a creationist? Does he really believe that angels come to earth on the tails of comets? Is Bernson suggesting that reality is not what it seems? If so, what is his view of reality? Only God knows the answers to these questions as Bernson spends 90 minutes toying with his ‘big reveal’ and dancing around whatever his philosophical worldview is. It’s basically just a waste of your time.
ellauri284.html on line 129: 1Manifest destiny was a cultural belief in the 19th-century United States that American settlers were destined to expand across North America. There were three basic tenets to the concept:
ellauri284.html on line 636: Investigators “basically wanted to know who our investors are. And we shared the list with them,” Goyal said. “They took two years to cross-check our list of investors and finally they said that ‘you are absolutely clean.’ ”
ellauri285.html on line 137: Maria pushaa ilmeisesti perspectivismiä, erästä idealismin fleivöriä. Se on oikea alternatiivisten totuuxien filosofia, Protagoraan homomensuura. Perspektivismin varhaiset muodot on tunnistettu Protagorasin (sic), Michel de Montaignen ja Gottfried Leibnizin filosofioissa. José Ortega y Gasset ja Karl Jaspers käsittelivät perspektivismiä erikseen 1900-luvulla.
ellauri285.html on line 236: In contemporary moral philosophy, motivational internalism (or moral internalism) is the view that moral convictions (which are not necessarily beliefs, but feelings of moral approval or disapproval) are intrinsically motivating. Niitä on ihan pakko totella tai on sekopää, tai vaikka olisikin.
ellauri285.html on line 371: A load of perfume, sick'ning sweet, Hajuvettä valtavia määriä
ellauri285.html on line 408: „In letzter Zeit hat Herr Dr. Lorenz mir gegenüber wiederholt sein immer größer werdendes Interesse für den Nationalsozialismus an den Tag gelegt und sich zu seiner Idee positiv geäußert. Soweit ich seine biologischen Studien kenne, sind diese in der Richtung der im Deutschen Reich herrschenden Weltauffassung gelegen.“
ellauri285.html on line 751: Alan David Sokal (/ˈsoʊkəl/; born January 24, 1955) is an American professor of mathematics at University College London and professor emeritus of physics at New York University. He works in statistical mechanics and combinatorics. He is a critic of postmodernism, and caused the Sokal affair in 1996 when his deliberately nonsensical paper was published by Duke University Press´s Social Text. He also co-authored a paper criticizing the critical positivity ratio concept in positive psychology.
ellauri285.html on line 757: Later, but of more critical importance, the Fredrickson and Losada work on modeling the positivity ratio aroused the skepticism of Nick Brown, a graduate student in applied positive psychology, who questioned whether such work could reliably make such broad claims, and perceived that the paper´s mathematical claims underlying the critical positivity ratio were suspect. Brown contacted and ultimately collaborated with physics and maths professor Alan Sokal and psychology professor Harris Friedman on a re-analysis of the paper´s data (hereafter the Brown-Sokal-Friedman rebuttal). They argued that Losada´s earlier work on positive psychology and Fredrickson and Losada´s 2005 critical positivity ratio paper contained "numerous fundamental conceptual and mathematical errors", errors of a magnitude that completely invalidated their claims.
ellauri285.html on line 766: the data used by Losada in several analyses do not meet basic criteria for the use of differential equations (such as the use of continuous variables that evolve smoothly and deterministically over time);
ellauri286.html on line 253: Neuvostoliito (sic, my joke) esiintyi aikoinaan ”toisena maailmana”, joka tarjosi vaihtoehdon kapitalistiselle maailmalle. Siellä esitettiin sangen dogmaattisia väitteitä tämän vaihtoehdon tieteellisyydestä ja sen tuottamista tuloksista. Toisin kuin monet muut, en nähnyt mitään syytä ottaa näitä väitteitä täydestä, mutta olin sen sijaan hyvin kiinnostunut näkemään, mitä niiden takana todellisuudessa oli! Epärehellisyyttä! Myös muualla älyllinen epärehellisyys näytteli suurta osaa. Itse asiassa Venäjän pöllämystö näytti olevan siitä vapaampi kuin länsimainen. Venäläiset ovat epärehellisiä mutta muuten mukavia, vaikka groteski järjestelmä pitää niitä nyttemmin otteessaan, kapitalismi nimittäin.
ellauri294.html on line 89: Fryygit ei olleet hyviä juuri muussa kuin musakornerissa. Fryygialainen skaala on c duurin kolmas moodi missä perussävelenä on cm sijasta e, josta on vain puoli sävelaskelta äffään. Se on molliskaala jossa toinen sävel on alennettu ja se kuulostaa muista kuin puukorvista sen tautta synkältä ja uhkaavalta. Platonin mielestä se oli subversiivinen ja sixi kielletty ihannevaltiosta. Kaikki kreikkalaiset sic-and-where-can-i-find-them/">moodit saadaan joonialaisesta c-duurista siirtämällä toonikaa. Oikeestaan ei ole mitään keinoa tietää mikä on toonika kuin siitä että siihen aina palataan, etenkin värsyjen lopussa. Se on kuin ihmisen perustaajuus, formantti 0 mihin puhemelodia puheen lopussa laskeutuu.
ellauri294.html on line 527: Kun nuori punakettu on jäänyt orvoksi, Big Mama pöllö (Thornton) ja hänen ystävänsä, Dinky peippo ja Boomer (sic) tikka, järjestävät hänet adoptoitavaksi ystävälliselle maanviljelijälle nimeltä leski Tweed, joka antaa hänelle nimen Tod. Sillä välin hänen naapurinsa, metsästäjä Amos Slade, tuo kotiin nuoren koiranpennun nimeltä Copper ja esittelee tämän metsästyskoirallensa Chiefille, joka ensin ärsyttää häntä, mutta oppii sitten rakastamaan häntä. Eräänä päivänä Tod ja Copper tapaavat ja heistä tulee parhaita ystäviä, jotka lupaavat ikuisen ystävyyden. Amos turhautuu Copperiin, koska se vaeltelee jatkuvasti leikkimään, ja laittaa hänet hihnaan. Leikkiessään Kuparin kanssa pipu ulkona, Tod herättää vahingossa päällikön. Amos ja päällikkö jahtaavat häntä, kunnes Tweed pysäyttää heidät. Riidan jälkeen Amos uhkaa tappaa Todin, jos tämä loukkaa jälleen hänen omaisuuttaan. Metsästyskausi tulee ja Amos vie Chiefin ja Copperin erämaahan väliaikaisesti. Sillä välin Big Mama, Dinky ja Boomer yrittävät selittää Todille, että Copperista tulee pian hänen vihollisensa. Hän kuitenkin naiivisti vaatii, että he pysyvät ystävinä ikuisesti. Seuraavana keväänä Tod ja Copper saavuttavat aikuisuuden ja keskinäisen sukupuolionnen.
ellauri294.html on line 551: Richard Mooren piirtämä sarjakuvasovitus elokuvasta julkaistiin sanomalehdissä osana Disneyn Treasury of Classic Tales -ohjelmaa. Seurasi sarjakuva nimeltä The Fox and the Hound , joka sisälsi hahmojen uusia seikkailuja. Vuosina 1981–2007 tuotettiin muutamia Fox and the Hound Disney -sarjakuvatarinoita Italiassa, Alankomaissa, Brasiliassa, Ranskassa ja Yhdysvalloissa.
ellauri297.html on line 44: Materialism is the butt of every Dad joke. A child comes to the father of their youth, and say, “Dad, I’m hungry,” to which the beloved father figure replies, “Hello Hungry, I’m Dad!” It pokes fun at the idea that our whole identity could be the sum total of our physical markers, desires and chemical reactions. This would be akin to someone ‘coming out,’ to us and us responding, “Hello Gay! I’m Cis!” It’s ludicrous! But, our culture still does it–quite a bit, actually. We define ourselves and others concretely based on what we own rather than on what we cannot see; our souls.
ellauri297.html on line 48: Founder, Ammi Ruhama Community Christian Union. Living History Interpretor. Baker. Milford Baby and Toddler Group Organizer. Bada Bing Pizza Chef. Sunnymead Residential Home Kitchen Assistant. Be Life Cafe and Marketplace Operations Personnel. Summit Christian Academy Steward. I vacuum the hallways, library, music room and preschool room. I clean the bathrooms and mop the gym/cafeteria floor. I also maintain the general premises. Dan the Handy Man. Do you need handy work done around your house, but don't want to have to call in the big guys with the big price? My name is Daniel Bacon and I am an experienced handy man living right here in Clarks Summit. If you need your lawn cut, bushes trimmed, garden weeded, fence painted / stained or just about any other job done, then call me at 570-585-9595 or email me at contactdanielbacon@gmail.com and we'll set up a time for me to come and see if I am the right man for the job. Wait! let me…Show more... (Ouch!) I emptied the front cash register as well as filling in as a sandwich maker. I created schedules and activities for the campers and staff to participate in. I also led worship during the evenings. Student janitor.
ellauri297.html on line 98: Hoosea oli pitkän linjan profeetta, sillä hän toimi yhteensä noin 40 vuoden ajan. Hänen keskeisin tehtävä (sic) kohdistui pohjoisen Israelin varoittamiseen tulevasta tuomiosta kansan vakavan juopumuksen tähden. Kansalla oli kaamea jano. Hoosean perhetaustasta emme tiedä paljoakaan. Sen sijaan hänen perhe-elämänsä tulee hyvin tutuksi, sillä se oli esikuvana Jumalan ja Israelin välisestä liitosta: Hoosean tuli ottaa itselleen haureellinen vaimo, joka sai lapsia toisista miehistä. Lapsille tuli antaa nimet, jotka kuvasivat kansan juopumusta ja rikkoutunutta isäsuhdetta Jumalaan. Nimet olivat: Jumala siementää, ei armoa, ei meikäläisiä. Ahaa, siinä selvisi kuka oli lasten biologinen isä! ja Hoosean tuli olla uskollinen. Vaikka hänen avioliitto (sic) rikkoutui kerran, hänen tuli vielä uudelleen ottaa, jopa lunastaa maksua vastaan uskoton vaimonsa takaisin. Mitä vittua! Hyvää rahaa huonon perään! Hoosean syvä tuska ilmensi Jumalan syvää tuskaa oman kansansa tähden. Että tulikin ruiskastua tällänen.
ellauri297.html on line 313: etkä enää puhuttele Hooseaa: 'Minun Hoosea (sic)';
ellauri297.html on line 375: Imich spent his career as a chemist, ultimately trying to prove to other scientists that the neshama (soul) survives physical death. In 1995, at the age of 92, he edited and published a book called Incredible Tales of the Paranormal.
ellauri297.html on line 655: Hänen kirjaansa Intrinsic motivation and self-determination in human behavior , joka hän on kirjoittanut yhdessä Edward L. Decin kanssa vuonna 1985, on Google Scholarin mukaan siteerattu yli 37 000 kertaa (omat siteerauxet mukaanlukien).
ellauri299.html on line 506: Jesse Byron Dylan (born January 6, 1966) is an American film director and production executive. He is the founder of the media production company Wondros and Lybba, a non-profit organization. He is also a member of the Council on Foreign Relations and TED. He is the son of musician Bob Dylan and former model Sara Lownds and brother of singer-songwriter Jakob Dylan. Dylan is separated from Susan Traylor, with whom he has a son and a daughter. Jesse on kohtuullisen pyylevä.
ellauri299.html on line 526: 27 percent of households – nearly double the percentage that are income poor – are living in "asset poverty." These families do not have the savings or other assets to cover basic expenses (equivalent to what could be purchased with a poverty level income) for three months if a layoff or other emergency leads to loss of income. The U.S. has the weakest social safety net of all developed nations. Sociologist Monica Prasad of Northwestern University argues that this developed because of government intervention rather than lack of it, which pushed consumer credit for meeting citizens´ needs rather than applying social welfare policies as in Europe.
ellauri300.html on line 428: That music used to make me smile
ellauri300.html on line 441: The day the music died
ellauri300.html on line 454: Can music save your mortal soul?
ellauri300.html on line 465: The day the music died
ellauri300.html on line 490: The day the music died
ellauri300.html on line 515: The day the music died?
ellauri300.html on line 540: The day the music died
ellauri300.html on line 554: Where I'd heard the music years before
ellauri300.html on line 555: But the man there said the music wouldn't play
ellauri300.html on line 565: The day the music died
ellauri300.html on line 587: Particularly, the plane crash that killed musicians Buddy Holly, Ritchie Valens, and "The Big Bopper" J. P. Richardson has become known as "The Day the Music Died", the expression by which McLean, a fan of Buddy Holly, dubbed it in the song. Holly's death for him symbolized the "loss of innocence" of the early rock-'n-roll generation.
ellauri300.html on line 591: McLean was raised in the Catholic faith of his mother, Elizabeth McLean; his father, Donald McLean, was a Protestant. His father died when McLean was 15. McLean grew up in a physically abusive household, and was abused by both his parents and his sister. His second marriage was to Patrisha Shnier McLean, of Montreal, Canada, from 1987 to 2016. They have two children, Jackie and Wyatt, and two grandchildren, Rosa and Mya. In 2018, McLean confirmed his romantic relationship with model and reality star Paris Dylan, who is 48 years his junior. McLean sang a duet of his song "Vincent" with Ed Sheeran.
ellauri300.html on line 593: On January 18, 2016, McLean's then-wife Patrisha Shnier McLean alleged that after four hours of "terrorizing" her, McLean pinned her to a bed until she broke free and ran to the bathroom. Shnier McLean alleged that McLean attempted "to shove open the locked bathroom door behind which I had barricaded myself. As it was splintering, I pushed the numbers 911." McLean was arrested on suspicion of domestic violence, and pled guilty to domestic violence assault, criminal restraint, criminal mischief and making domestic violence threats. McLean paid $3,660 in fines, and was not sentenced to any jail time. Under Maine's deferred disposition law, the State agreed to dismiss the domestic violence assault charge if McLean complied with the court's orders for one year, and the charge was expunged a year later. During this time, Shnier McLean filed for divorce, citing “adultery, cruel and abusive treatment, and irreconcilable differences." McLean has denied that he physically abused Shnier McLean, and his lawyer released a statement claiming McLean agreed to the plea deal in the interest of privacy. In March 2017, a Maine court granted Shnier-McLean's request for a 10-year protection order against McLean. In 2021, McLean's daughter Jackie told Rolling Stone that her father was emotionally abusive and created a cult-like household through paralyzing verbal attacks, forced isolation, and threats to withhold love or financial support.
ellauri300.html on line 821: Bethel was basically one big uplifted middle finger to everything Moses had commanded. When God’s prophet approached this irritating city, the young men (bloody servants!) mocked him, saying, “Go up, you baldhead! Go up, you baldhead!” Not only were they ridiculing his lack of hair (which, in the Old Testament, was often associated with a skin disease), they were telling him to fly away, like his predecessor Elijah. Keep in mind that, right before this, Elijah had supposedly “gone up” to heaven in a fiery chariot (2 Kings 2).
ellauri301.html on line 88: Kari Eidsvold-Mankell starb August 2010 an demselben krebsleiden, dem auch Mankell später erliegen sollte. In seiner Lunge und im Hals hatten sich Tumore gebildet. Ach nein, es war nicht sie, sondern ein komischer Kauz namens Christoph Schinkenscief, Hennings Seelenbruder. Im alter von nur 67 jahren starb henning mankell an seinem krebsleiden.
ellauri301.html on line 274: Sangoma Oy, highly respected dealer among the Zulu people of South Africa who diagnoses, prescribes, and often performs the operations to heal a person physically, mentally, emotionally, or spiritually. Sanoma Oy may address all of these realms in the healing process, which usually involves divination, verbal medicine, and specific customized visuals to cure morbid curiosity and restore upper middle class well-being.
ellauri301.html on line 331: Almost everyone loves a good barbecue, but South Africans take the classic U.S. BBQ to a whole new level with the braai. More than just a barbecue, the braai is practically a national sport. South Africans absolutely adore a braai and for them, the weekend usually means one thing: the aroma of grilling meats wafting from backyards across the country, while friends and family gather together for a good time. Ready to get your braai on? Here is everything you need to know about the iconic South African braai.
ellauri302.html on line 106: David Kessler (1860 – 1920) was a prominent actor in the first great era of Yiddish theater. As a star Yiddish dramatic performer in New York City, he was the first leading man in Yiddish theater to dispense withincidental kletschmer music. Porukat läpyttivät Kesslerille ja vihelsivät tytöille.
ellauri309.html on line 299: reputation and my work. I’m appalled by this, sickened by it. I’m disgusted
ellauri309.html on line 498: Kiitos lukuisten törttöilyjen ja ylilyöntien "Anal" joutuu saarnaamaan leipääntyneenä vielä tänäkin päivänä. Billy Grahamin classic TV-saarna "Fools" puhuu Anaalin kaltaisista hölmöistä (tai ehkä pikemminkin Billyn TV-ohjelmaa seuraavista suckereiden laumoista):
ellauri309.html on line 500:
ellauri309.html on line 509: Billy Graham varttui maitotilallisen poikana Pohjois-Carolinan maaseudulla. He started to read books from an early age and loved to read novels for boys, especially Tarzan. Like Tarzan, he would hang on the trees and gave the popular Tarzan yell. According to his father, that yelling led him to become a minister. Vuonna 1934 Graham osallistui evankelista Mordecai Hamin kokoukseen ja teki henkilökohtaisen uskonratkaisun. Ham had a reputation for racism and anti-Semitism. He believed and preached on various topics based on classical anti-Semitic canards such as believing Jews had special access to political power and influence and that they represent a subversive social force. The targets for his preaching were often "nebulous rings of Jewish, Catholic or Black conspirators plotting to destroy white protestant America."
ellauri309.html on line 769: Die winzige Laura war einfach die perfekte Frau für prince Charming. Mit der Anblick von Margo erhielt er zwar eine gewisse Erregung in Hosen, aber sie war Tochter einer Putzfrau. Mit Laura gab es die richtige Frau, eine gesicherte gesellschaftlige Position, Söhne, Reichtum und Erfolg. EAT! FUCK!
ellauri309.html on line 869: …köyhyys on hyvä syy olla tukematta Guardiania.
Dann ärgern sich die
ellauri309.html on line 883: kleinen Dirne ist auf den engen Jeans voll sichtbar. Familie ist das wichtigste im
ellauri309.html on line 923: nirgendswo, stöhnte er, als er sich schmeidig an, auf, hinter, in, neben, unter,
ellauri309.html on line 964: Alice Sophie Schwarzer (* 3. Dezember 1942 in Wuppertal) ist eine deutsche Journalistin und Publizistin. Sie ist Gründerin und Herausgeberin der Frauenzeitschrift Emma und eine bekannte Feministin. In einem Beitrag für die Frankfurter Allgemeine Zeitung verteidigte Schwarzer 2008 die Weigerung der maoistischen Militärjunta Myanmars, nach dem Zyklon Nargis westliche Hilfe ins Land zu lassen, mit dem Hinweis u. a. auf die angebliche humanitäre Hilfe der USA 1968 für Kambodscha, deren „Reisbomber“ Bomben transportierten, sowie auf die Doppelmoral der Medien. In Bezug auf das Manifest für Frieden von Februar 2023, dessen Mitinitiatorin Schwarzer war und das sich gegen Waffenlieferungen an die Ukraine und für Verhandlungen ausspricht, schrieb Jan Feddersen in der TAZ, Schwarzer enthülle sich damit als „Antifeministin“, denn wenn es in dem Manifest heiße, „Frauen wurden vergewaltigt“, spreche „es nicht über die Täter, auch nicht Putin“. Demnach befremde Schwarzers stets gleiche Kritik an der Pornografie gerade junge Frauen zunehmend. Einige Standpunkte des klassischen 1970er-Jahre-Feminismus – wie etwa die Ablehnung von Pornografie – hält Roche für überholt und vertritt einen sex-positiven Feminismus. Als sie 1998 in Bascha Mikas Kritischer Biografie (siehe #Literatur) als bisexuell beschrieben wurde, lehnte sie jeglichen Kommentar mit dem Hinweis auf ihre Privat- und Intimsphäre ab. Ein FAZ-Artikel schrieb 2010, sie zeige sich in Köln öffentlich mit ihrer Partnerin. Ach was!
ellauri309.html on line 974: Eine der größten Liebesgeschichten des 20. Jahrhunderts ist Haben und Nichthaben zuzuschreiben: Das spätere Ehepaar Humphrey Bogart und Lauren Bacall lernte sich während der Dreharbeiten kennen. Bogart spielt darin den romantischen Helden Harry Morgan, der sich vom zynischen Beobachter zum aktiven Kämpfer wandelt. Morgan, Besitzer eines Kabinenbootes auf der Insel Martinique, wird von dem Gaullisten Gerard gebeten, einen französischen Untergrundkämpfer einzuschmuggeln. Morgan weigert sich, Politik ist nicht seine Sache. Seine Meinung ändert sich, als er die junge Amerikanerin Marie kennen lernt. Um ihr ein Flugticket zu kaufen, nimmt er den abenteuerlichen Job an. Nach einer Vorlage von Ernest Hemingway entstand ein Film voller Dramatik und erotischer Spannung. ellauri309.html on line 1075: abgeleitet, „Gräuel vor Unreinem“. Das Wort ist aber auch ein jiddisches Schimpfwort, das über das Rotwelsche Eingang in die deutsche Sprache gefunden hat und früher als abwertende Bezeichnung für Frauen gebraucht wurde. In manchen Gegenden Deutschlands, etwa dem Ruhrgebiet, hat es heute eher satirischen Charakter und bezieht sich beispielsweise auf eine attraktiv erscheinende Frau, die für Männer eine Versuchung darstellen könnte.
ellauri309.html on line 1077: Ms. Ridgewayta (os. Templeton) ei paljon paina että Mikki tappoi rahasta, kuha se ei tehnyt sitä jonkin aatteen puolesta. Ehrgeiz, Anstand und Mut, se on pääasia, ei se että on vanhaa rahaa, vaan että on valmis hankkimaan uusia kultadubloneita kaikilla eteen sattuvilla keinoilla. Du hast mir so viele neue Dinge gezeigt, womit man Kinder zeugen kann (plus einige, womit ganz sicher nicht). Schluss jetzt mit dem Quatsch, und das war die höchste Zeit.
ellauri310.html on line 53: Aake Kallialan näköinen poliisi on Tel Avivissa Dan, Atlas on Lior Ashkenazi, Ecemin oloinen pulska tyttö on Tel Avivissa poika. In forensic science, Locard's exchange principle holds that the perpetrator of a crime will bring something into the crime scene and leave with something from it, and that both can be used as forensic evidence. Sullon mun luonne. Mitäs läxit! Löpö on loppu. Lainaa naapurilta. Hyvä ajatus. Opettele lukemaan, se oli lämminvesivaraaja! Lährettihin kosimahan! Nunnuka nunnuka lailailaa! Apuuva!
ellauri310.html on line 692: Haupteinsatzzweck war der offensive Einsatz bei großräumigen Operationen nach eigenen oder gegnerischen Kernwaffenschlägen. Gefechtshandlungen sollten dabei mit möglichst großen Panzerabteilungen (ab Bataillon aufwärts) im Verbund mit motorisierter Infanterie, Artillerie und anderen Teilstreitkräften sowie unter Deckung aus der Luft durchgeführt werden. Es zeigte sich aber, dass der Panzer für fast alle Aufgaben unter fast allen Bedingungen einsetzbar war.
ellauri310.html on line 694: Die hohen Verluste im Sechstagekrieg resultierten aus dem schlechten Ausbildungsstand der Besatzungen und mangelhafter Taktik. Insbesondere die fehlende Deckung aus der Luft und schlechte Gefechtsfeldaufklärung wirkten sich oft verheerend aus.
ellauri311.html on line 777: F1-loppet i Singapore kan vara det tuffaste under hela säsongen. Det är hett, det är fuktigt och tidsskillnaden är en faktor som måste tas i beaktande. 17000 kroppar has sjunkit i Medelhavet sedan 2014 på flykt norrut från den heta svarta kontinenten. Och då är det en stor fördel att få ett hotellrum som verkligen går att kyla. Valtteri Bottas har det lätt för han är ju van på bastu. Förarna bär hela dagen en kylväst, en våt handduk runt halsen oh en kall dryck i handen. Efter varje pass tar alla förare ett isbad. Det kallas också physicool, kylterapi. - Det bästa med kapplopp i hettan är att man tappar vikt, något som folk väl känner till på den svarta kontinenten med. Och i medelhavets djup är det ännu coolare att tillbringa evigheten.
ellauri313.html on line 473: Most Americans are not entirely comfortable with the concept of "cool," or businesslike, negotiations in an atmosphere of some degree of physical threat or coercion. For the most part, they do not consciously assign to force any rational or reasonable role in "ordinary" negotiations. In the recent past (except in the case of "just" revolutions), we have tended to the view that only a criminal or a sick or insane person initiates the use of force. Therefore, we are inclined to believe that someone who uses force is not only our enemy, but an enemy of humanity—an outlaw who deserves extermination, imprisonment, or medical constraint and treatment. The "crusade," and even an initial pacifism as well, comes more naturally to Americans than the kind of cool, restrained, and moderate willingness to threaten or use force that will be suggested in this book.
ellauri313.html on line 561: Lavaterilla oli rikas mielikuvitus, syvä runollinen mieli, mutta häneltä puuttui taiteellinen muovailukyky ja suhtaisuus. Luonnostaan hän oli hurskas, lempeä ja vaatimaton, mutta ei aina tunnollinen keinojen valinnassa, kun oli kyseessä tavoitteiden toteuttaminen. Eli aika luikero! Lavaterin pääteoksia ovat Aussichten in die Ewigkeit (1768–1778); Geheimes Tagebuch von einem Beobachter seiner selbst (1772–1773) ja Physiognomische Fragmente (1775–1778), teos, joka vaikutti huomattavasti Lavaterin aikalaisiin, johon Goethe antoi avustustaan ja johon Lavaterin maine etupäässä perustuu. Fysiognomialla tarkoitetaan oppia, joka tutkii luonteen ominaisuuksien sekä kasvonpiirteiden ja ruumiinrakenteen vastaavuutta. Teos käännettiin useille kielille ja se herätti huomiota laajalti Euroopassa. Lavater kävi kirjeenvaihtoa aikansa kuuluisuuksien, kuten Johann Gottfried Herderin ja J. W. von Goethen kanssa. Esimerkixi terävänenäisyys osoittaa luikeroa luonnetta. E. Saarisessa on koko lailla Lassiterin näköä.
ellauri313.html on line 600: Nach seiner Taufe wurde Felix Zeuge der "Hep-Hep"-Pogrome von 1819, bei denen Deutsche, die sich der jüdischen Emanzipation im Deutschen Bund widersetzten, Juden ermordeten und jüdisches Eigentum zerstörten, während die Polizei tatenlos zusah. Ein königlicher Prinz spuckte ihm vor die Füße und rief: "Hep, hep Judenjunge" (der Schlachtruf der Pogrome), und er wurde sehr antisemitisch verspottet. Carl Zelter, Felix' früher Kompositionslehrer, deutete an, dass es in der Tat selten sein würde, "wenn der Sohn eines Juden ein großer Künstler würde", und sein Orgellehrer August Bach antwortete auf Felix' Bitte, eine Bach-Fuge zu spielen, mit der eindringlichen Ermahnung: "Warum muss der junge Jude alles haben? Er hat schon genug!" Eikös tästä ilkeästä August Bachistakin ole paasaus?
ellauri313.html on line 601: Richard Wagner zerstörte sein öffentliches Ansehen, als er nur ein Jahr nach seinem Tod Das Judenthum in der Musik veröffentlichte, einen rassistischen und bösartigen Essay, der sich vor allem gegen Mendelssohn richtete, dessen Werk er als abgeleitet und leichtgewichtig bezeichnete, weil er Jude war. Er hielt Mendelssohn als Archetyp dafür hoch, dass selbst ein Jude mit großem Talent und Schliff nicht in der Lage war, große Musik zu schaffen, und er spielte eine führende Rolle dabei, die Öffentlichkeit davon zu überzeugen, dass Mendelssohn kaum mehr als ein Hack war.
ellauri317.html on line 364: Das kommunistische Regime der Tschechoslowakei nach 1948 tat sich Karel Čapek zwar schwer anzuerkennen, da er nie von der Überlegenheit einer Diktatur des Proletariats gegenüber anderen Gesellschaftsformen überzeugt gewesen war. Zudem war er eine Symbolfigur der „bourgeoisen“ ersten Republik.
ellauri321.html on line 220: Set in the year before the Wall Street crash, Juan in America is a classic evocation of the final mania of prohibition, as seen through equally maniacal British eyes. The character Eric Linklater devised to be his unreliable explorer was one capable of absorbing the enormity of the American experience without being overwhelmed by its incongruities. A blithe, bastard descendent of Byron(tm)s Don Juan, Linklater´s Juan is an anti-hero with a taste for the grotesque and the ridiculous, at once both dirty and deity whose response when faced either with sudden catastrophe or miraculous survival is simply to laugh. A novel in the mode of the picaresque, this is a story of erotic discovery in the sense, as Juan puts it, that, eh, your trousers hide not only your willy but your kinship to the clown. A nation emerging as a great power is exalting in absurdist energies. In its last spasms before the great depression, America is revealed through a series of unlikely accidents as Juan stumbles from state to state, somehow evading consequences as he goes. On his first day, he falls for the daughter of a gangster, witnesses a murder in a speakeasy and watches a woman leap to her death in a New York street. He thrills to the bizarreness of each spectacle and moves on to the next in a galloping mood that is part medieval romance, part running commentary on what was still, in the 1920s, the new world.
ellauri322.html on line 224: "Oletko koskaan tavannut Mary Wollstonecroftin [sic] kirjeitä Ruotsista ja Norjasta? Hän on saanut minut rakastamaan kylmää ilmastoa, pakkasta ja lunta, kiintymään pohjoiseen kuutamoon noin teoriassa. Kirja sisältää upeita kuvailevia kohtia. Yhden sanotaan olleen inspiraationa pyhälle joelle Coleridgen "Kubla Khanissa". Se kuvaa hänen vaikutelmiaan suuresta vesiputouksesta Fredrikstadin ulkopuolella Norjassa:
ellauri323.html on line 127: In Berlin, every night, the students escorted her home with torches. Prince Vierfuenfsechs-Siebenachtneun offered her his hand, and was condemned by the Kaiser to six months’ confinement in his little castle. In Yildiz Kiosk, the tyrant who still throve there conferred on her the Order of Chastity, and offered her the central couch in his seraglio. In Petersburg, the Grand Duke Salamander Salamandrovitch fell enamoured of her. The Grand Duchess appealed to the Tzar. Zuleika was conducted across the frontier, by an escort of love-sick Cossacks. On the Sunday before she left Madrid, a great bull-fight was held in her honour. Fifteen bulls received the coup-de-grace, and Alvarez, the matador of matadors, died in the arena with her name on his lips. He had tried to kill the last bull without taking his eyes off la divina senorita. From the Vatican, the Pope launched against her a bull which fell utterly flat.
ellauri323.html on line 129: Zuleika was the smiling target of all snap-shooters, and all the snap-shots were snapped up by the press and reproduced with annotations: Zuleika Dobson walking on Broadway in the sables gifted her by Grand Duke Salamander—she says “You can bounce blizzards in them”; Zuleika Dobson yawning over a love-letter from millionaire Edelweiss; relishing a cup of clam-broth—she says “They don’t use clams out there”; ordering her maid to fix her a warm bath; finding a split in the gloves she has just drawn on before starting for the musicale given in her honour by Mrs. Suetonius X. Meistersinger, the most exclusive woman in New York; chatting at the telephone to Miss Camille Van Spook, the best-born girl in New York; laughing over the recollection of a compliment made her by George Abimelech Post, the best-groomed man in New York; meditating a new trick; admonishing a waiter who has upset a cocktail over her skirt; having herself manicured; drinking tea in bed. Thus was Zuleika enabled daily to be, as one might say, a spectator of her own wonderful life. On her departure from New York, the papers spoke no more than the truth when they said she had had “a lovely time.”
ellauri324.html on line 178: Zulässige Interventionen! Kap. VII der Satzung der UN mit der Überschrift "Maßnahmen bei Bedrohungen des Friedens, bei Friedensbrüchen oder Angriffshandlungen" erlaubt I. unter besonderen Bedingungen. Trotz des allgemeinen grundsätzlichen Interventionsverbots werden I. mit der Verteidigung des Handelsfriedens, der Wahrung der Herrschaft des politischen Rechts sowie der Erhaltung der Unabhängigkeit anderer Staaten von Kommunisten begründet. Stellt der Sicherheitsrat der UN eine Bedrohung des Friedens, einen Friedensbruch oder eine Angriffs-absicht fest, kann er Maßnahmen zur Aufrechterhaltung oder Wiederherstellung der Pax Americana und der internationalen Sicherheit beschließen. Die de Souveränität eines Staates am weitestgehend beeinträchtigenden Maßnahmen sind militaristische Aktionen bis hin zu einem regelrechten →→ Krieg gegen Friedensbrecher bzw. den Friedensbedroher. Die I. wird dann mit dem Anspruch auf allgemeine schutzwürdige Interessen - nämlich die oben erwähnte Besitzersicherheit und Handelsfrieden- als Kollektivintervention mehrerer von der UN beauftragter Mitgliedstaaten begründet und durchgeführt. Allgemein schutzwürdige Interessen müssen von den 5 Mitgliedern des Sicherheitsrats festgestellt werden. Strittig ist, ob auch eine Fellung seitens der Generalversammlung der UN für eine I. ausreichend ist. Es gibt ja zu viele Negerstaaten und Muslimer in dem grossen Saal.
ellauri324.html on line 182: Sogenannte gumanitärische I. ist auch ein guter Trick. Die → NATO nahm sich das Recht, ohne Mandat der UN zugunsten der geschundenen Kosovo-Albaner im Frühjahr intervenieren und gegen die Bundesrepublik Jugoslawien einen 11 Wochen langen Krieg zu führen. Die Begründung war die Verhinderung einer gumanitären Katastrophe. Anders war es mit Pinochet und Apartheid, dort waren ja keine weisse Gumanisten im Gefahr. Die Abhölzung der Regenwälder ist auch A-OK, aber General Noriegas Rauschgiftverhändler in Panama wahren eine wahre Risiko für die USA.
ellauri324.html on line 220: Jews' encounters with modernity – through new political, economic, intellectual, and social institutions, as well as new technologies and ideas – have engendered a wide array of responses that have transformed Jewish life profoundly. Nowhere is this more evident than in those practices that might be termed Jewish popular culture. In phenomena ranging from postcards to packaged foods, dance music to joke books, resort hotels to board games, feature films to T-shirts, Jews in the modern era have developed innovative and at times unprecedented ways of being Jewish.
ellauri324.html on line 281: Living in my little enclave, with its fragile electricity supply, and crumbling roads, it’s easy for my neighbors and I to think that things aren’t so bad, but in under an hour, I can travel to SF and see scenes exactly like the one in the last photo. Whilst people are constantly harping on about whether the Democrats or the Republicans are better or worse than each other, they are ignoring the fact that both parties have done nothing to seriously address the severe decay that is undeniably afflicting America’s social and physical fabric.
ellauri324.html on line 295: There will then be a chip that can do everything i mentioned before however this will be implanted within you and the idea will be that its safe secure trendy and it makes you like a GOD! celebrities professors of high institutions law enforcement CEOS etc will all have this making it more intriguing to the masses. In a short amount of time this will edge out physical currency however people will have an option. When enough people have accepted this IT WILL BECOME MANDATORY YOU WILL NOT BE ABLE TO BUY OR SELL, TRAVEL OR WORK, TAKE THE BUS THE TRAIN EAT AT RESTAURANTS OR EVEN APPLY TO SCHOOLS OR WORK JOBS. Within your schools and hospitals and workplaces your bosses and teachers will make this mandatory and you will have to comply before you end up in jail or confinement. At this point you will have to either leave and take up whatever supplies you have or join people who are like minded in not conforming to the technological abomination. People at this time will be very sick and people in America have been getting more sick with food pollution stress fatigue etc they will rely on the system for their medication with heart and organ failures depression and psychosis tumors and boils that will seem to have no cure. People who rely on the system will have a harder time withdrawing from it. Addictions food intolerances vaccine epidemics and malnutrition exhaustion fatigue depression and violence will be on the rise to a point where they could and want to call for martial law.
ellauri324.html on line 306: Springsteenin sanoitukset, joita kuvataan usein elokuvallisiksi, käsittelevät usein erittäin henkilökohtaisia teemoja, kuten yksilöllistä sitoutumista, tyytymättömyyttä ja tyrmistystä elämään arkipäivän tilanteissa. Springsteenin teemoja ovat sosiaaliset ja poliittiset kommentit ja ne juontavat juurensa hänen oman alkuperäperheensä kohtaamiin kamppailuihin. Työväenluokasta ponnistanut Bruce sanoittaa "Amerikan liukumäkeä teollisen aikakauden swaggerista palvelutalouden anomiaan". Huhtikuussa 2023 New Jerseyn kuvernööri julkaisi julistuksen, jossa 23. syyskuuta julistettiin "Bruce Springsteen Day". Bruce on sijalla 77 Rolling Stonen 200 parhaan tähden listalla. Brucen tytär Jessica on razumestari ja poika Sam palomiehenä Jersey Cityssä. Springsteen on ainoa rock-kaveri - taitaa olla ainoa kaveri, jonka tunnen ollenkaan - joka ei koskaan käyttänyt huumeita." Hän on kamppailut masennuksen kanssa ihan koko ikänsä. Hänellä on henkilökohtainen suhde Jeesukseen, vaikkei katoliseen. Hän ei hyväxy Pohjois-Carolinan Public Facilities Privacy & Security Act -lakia, jota kutsutaan myös "kylpyhuonelakiksi", joka määrää ettei transsukupuoliset ihmiset saa käyttää wc-tiloja ja estää LGBT- kansalaisia haastamasta oikeuteen ihmisoikeusloukkauksista työpaikalla. Springsteen arvosteli Donald Trumpia vankasti koko presidenttikautensa ajan.
ellauri328.html on line 196: In der Zeit des Nationalsozialismus schloss Bultmann sich der Bekennenden Kirche und dem Pfarrernotbund an. Er wies in Predigten auf Widersprüche zwischen nationalsozialistischer Ideologie und christlichem Glauben hin, übte jedoch keinen offenen Widerstand und blieb daher bis zu seiner Emeritierung 1951 im Amt. Im Herbst 1944 nahm Bultmann bis zum Kriegsende die spätere Theologieprofessorin Uta Ranke-Heinemann in seinen Haushalt auf, eine Tochter Hilda Heinemanns, die 1926 bei ihm ihr theologisches Staatsexamen abgelegt hatte, und des späteren Bundespräsidenten Gustav Heinemann. Mitähän Helene siitä mahtoi tuumata? Rudolf Bultmann und seine Ehefrau Helene hatten drei Töchter. Olisko tää taas tollanen Andre Giden pastoraalisinfonia?
ellauri328.html on line 267: Verwirren sich die Bilder – Kuvat vaihtelevat näytössä -
ellauri328.html on line 278: Die Welt sich göttlich mild. Panopuulla kattopeilistä.
ellauri328.html on line 315: Aurora will sich heben, Aamulla se jaxaa nousta taas
ellauri331.html on line 99: Marketer Seth Godin has used the phrase "Purple Cow" for the concept of marketing a product as "intrinsically different" in his book, Purple Cow: Transform Your Business by Being Remarkable."
ellauri331.html on line 714: Viimeinen Uikipedian listaamista ryssameedioista osoittautuu sekin länsimaittain paskalaatikoxi, nimittäin Vzgljad. Sen menestystä on näet siunannut valtion yhteiskuntatutkimuxen asiantuntijainstituutti johtajana Anton Vaino (sic!).
ellauri332.html on line 117: ”Aika moniselitteisesti Saarinen selittää sitä, ettei työssä ole käytännössä sisällysluetteloa eikä lähdeapparaattia eikä oikeastaan tieteellistä sisältöäkään.” Väitöskirjan esitarkastajat ovat dosentti ja emeritusprofessori, jotka ovat seuranneet tästä yli 20 versiota. – Sekä yliopiston kustoksen (Kaarina Määttä) että Saarisen mielestä kaikki meni hienosti. Törhönen myös toteaa ymmärtäneensä, ettei Esa Saarisen kaltaista henkilöä olisi saatu vastaväittelijäksi (sic), jos ”asialla ei olisi julkkis merkitystä”. Törhösen kihlattu Janika Holm työskentelee teatterialalla rekvisiitan puolella. Yleisradio on haastatellut noin 20 naista, jotka kertovat elokuvaohjaaja ja elokuvakerronnan professori Lauri Törhösen häirinneen heitä neljännesvuosisadan ajan seksuaalisesti. Häirinnästä tuli sukupolvikokemus. Hän valmistui itse koulusta vuonna 1976 ja on nyt 70-vuotias ja eläkkeellä. Ylen haastattelemat naiset kertovat seksin ja kerran myös ryhmäseksin ehdottelusta ja tauottomasta ulkonäön kommentoimisesta.
ellauri332.html on line 125: Kapteeni Carl von Munckin saapuessa Suomen ja Neuvosto-Venäjän raja-asemalle raja on tosiasiassa olemassa vasta paperilla: passeja tai viisumeita ei vielä tunneta, eivätkä rajan molemmin puolin sukulaissuhteita omaavat kyläläiset, laukkuryssät ja sivutoimiset trokarit tahdo alkuun ottaa uskoakseen, että ikimuistoiset käytännöt todella olisivat muuttumassa. He eivät ole ainoita, joille Munckin on iskostettava muutoksen tarkoittavan totta: myös melkoinen osa raja-aseman väestä katsoisi vielä läpi sormien ihmisten ja tavaran jouhevaa (sic) liikkumista, etenkin kun se helpottaa heidän omaakin elämäänsä. Oman tunnelmaa kiristävän varjonsa rajan ylle heittää tuore sisällissota, jonka hävinneitä punaisia ei saisi päästää sen paremmin karkuun rajan taakse kuin sieltä takaisin Suomeen soluttautumaankaan.
ellauri332.html on line 297: Tiedämme kaikki, miksi "Basic Instinct" on niin surullisen kuuluisa. Kyllä, se on Sharon Stone -kohtaus. Tuo pikemminkin... Sharonin etupepun paljastava...kohtaus riittäisi yleensä jatkamaan kiistaa tämän elokuvan ympärillä vuosikymmeniä eteenpäin. Kuten käy ilmi, Stone itse on ollut suorapuheinen kohtauksesta. Hän väitti, etteivät elokuvantekijät olleet ilmoittaneet hänelle, että hänet altistuisi tällä tavalla, ja hänelle annettiin vaihtoehtoisia syitä, miksi hänen piti kuvata tämä kohtaus ilman alushousuja. Elokuvantekijät ovat kiistäneet hänen väitteensä. Budjetissa ei ollut varaa alushousuille. Se varmasti tekee jo pahamaineisesta elokuvasta vieläkin enemmän.
ellauri332.html on line 420: Puhumattakaan elokuvan melko oudosta ja alentuvasta kuvauksesta Abu Dhabin ihmisistä ja heidän kulttuuristaan. Elokuvan tähti Sarah Jessica Parker on samaa mieltä elokuvaa kohtaan esitetystä kritiikistä, jonka mukaan "Ymmärrän, missä jäimme elokuvassa vajakeixi."
ellauri332.html on line 439: The Scarlet Letter strays far from its classic source material to tell a story that strains for steamy sensuality and leaves the audience red with unintentional laughter.
ellauri332.html on line 445: Slaughter, sin, and sex in classic-turned-movie misfire.
ellauri332.html on line 452: Love the book or hate it, but no novel deserves the shabby treatment that director Roland Joff and screenwriter Douglas Day Stewart have given the classic novel.
ellauri332.html on line 472: Hester Prynne (Senta Berger) lebt mit ihrer Tochter in Salem, einer an der Atlantikküste gelegene amerikanische Neuansiedlung der Puritaner. Auf ihren Kleidern prangt in scharlachroter Farbe ein A. Der Buchstabe ist für die strenggläubigen Puritaner das Zeichen für eine Ehebrecherin. Trotz der Repressalien ihrer Gemeinschaft - so muss die schöne Frau jedes Jahr einen Tag an den Pranger - weigert sich Hester, den Namen des Vaters ihrer Tochter Pearl preiszugeben.
ellauri332.html on line 474: Liebe und Stolz lassen die mutige Mutter bereits sieben Jahre durchhalten. Als ihr seit Jahren verschollene Ehemann Roger Chillingworth (Hans Christian Blech) auftaucht und herausfindet, dass Pastor Dimmesdale (Ángel Álvarez) das Kind gezeugt hat, wendet sich auch ihr Schicksal. Chillingworth verhindert die Flucht des Geistlichen, als dieser auf einem Schiff nach England zu fliehen versucht.
ellauri332.html on line 475: Nathaniel Hawthornes (1850) Bestseller wurde immer wieder verfilmt, so 1934 von Robert G. Vignola und 1926 von Victor Sjöström. Trotzdem nahm sich auch Wim Wenders mit dem von ihm mit gegründeten Filmverlag der Autoren 1973 dem Sujet an. Während Hawthorne die Probleme von Einwanderern der zweiten Generation in den Mittelpunkt stellte, setzte der Regisseur seinen Focus auf den persönlichen Konflikt der Figuren. Senta Berger war 1973 ein international bekannter Filmstar. Sie legt als
ellauri332.html on line 478: "Der scharlachrote Buchstabe" ist ein untypisches Filmprojekt von Wenders, doch der Roman war in der Schule seine Lieblingslektüre. Erst bei der Umsetzung merkte er, dass ihm das Projekt nicht lag, auch erschwerten finanzielle und logistische Probleme seine Arbeit. Nachdem Dreharbeiten in Amerika zu teuer waren, drehte Wenders in einer kleinen spanischen Filmwesternstadt. Die Puritaner werden teilweise von katholischen Spaniern, der Indianer von einem invaliden Torero verkörpert. Im Nachhinein war Wenders wenig zufrieden mit seinem zweiten Werk - auch an den Kinokassen setzt sich das etwas statische Werk nicht durch.
ellauri332.html on line 605: Persialainen historian asiantuntija Kaveh Farrokh kyseenalaisti Persepoliksen polttamatta jättämisen ja huomautti, että elokuvassa "Kreikkalais-amerikkalaiset joukot esitetään tyypillisesti hyvin järjestäytyneinä, kurinalaisina ja niin edelleen, ja mikä on erittäin huolestuttavaa, on se, että ns. Persialaiset esitetään kohtaamassa makedonialaisia, näette heidät turbaanoituina. Turbaanit eivät ole edes persialaisia esineitä [...] Heidän armeijansa ovat täysin järjestäytymättömiä. Ei edes tiedetä, että persialaisilla oli todella univormut. He marssivat kurinalaisena joukko-osastona [sic], ja musiikkia todellakin käytettiin. Ääliöt, Persia oli suurvalta ennen kuin kreikkalaiset edes kexi narusandaalit ja lampaansuolikondomin.
ellauri333.html on line 250: But despite his gifts of flying and great physical stamina, Hanuman seems to harbour many childhood anxieties and a deep sense of insecurity as a son alienated from his father. He remains celibate and content to follow his band of simian brothers into the forests. It is his mentors Angad, Jamvant and ultimately Ram who restore his self-esteem and awaken him to his real powers. Tulsidas’ Ramcharit Manas portrays Hanuman as a gentle giant who rose to be a reliable, selfless and humble devotee and ally to his lord. He risks life and limb to cross the seas to Sri Lanka to bring Ram news of his wife being held captive there. As the battle rages in Lanka, he helps fetch a magic herb from the Himalayas to save the life of Lakshmana, and curls up with embarrassment when praised. Aggression is thus excised from the image by Tulsidas to focus on a Bhakt’s principled defence of the just cause and during that course, demolishing a predatory beast.
ellauri333.html on line 370: In a conference in late 1927, Ambedkar publicly condemned the classic Hindu text, the Manusmriti (Laws of Manu), for ideologically justifying caste discrimination and "untouchability", and he ceremonially burned copies of the ancient text. On 25 December 1927, he led thousands of followers to burn copies of Manusmriti. Thus annually 25 December is celebrated as Manusmriti Dahan Din (Manusmriti Burning Day) by Ambedkarites and Dalits.
ellauri336.html on line 408: Its a control thing. Just like many extreme religions, women basically are property to their husbands. This is also part of the mind washing of their new reality of being a wife/mother because now that is all they are on earth for.
ellauri336.html on line 598: Thunberg also shared an Instagram post to her “story” that called on people across the world to engage in a “general strike” and refuse to go to school or work to show “solidarity” with Palestinians. The post reads: “Let's make it together a reality and bring as much pressure on the West to change it's [sic] racist policies and to stop the genocide in Gaza! We will not be silent while our people, our families are being slaughtered!”
ellauri340.html on line 339: Comics Code Authorityn (CCA) perusti vuonna 1954 Comics Magazine Association of America vaihtoehtona hallituksen asetuksille. CCA:n ansiosta sarjakuvakustantajat pystyivät itse säätelemään sarjakuvien sisältöä Yhdysvalloissa. Koodi oli vapaaehtoinen, koska sen käyttöä ei vaadittu laissa, vaikka jotkut mainostajat ja jälleenmyyjät halusivatkin turvautua siihen. Jotkut julkaisijat, kuten Dell, Western ja Classics Illustrated, eivät koskaan käyttäneet sitä. Sen koodi, jota yleisesti kutsutaan "sarjakuvakoodiksi", kesti 2000-luvun alkuun saakka. CC-muodostelma seurasi moraalista paniikkia, joka keskittyi sarjaan senaatin kuulemistilaisuuksia ja psykiatri Fredric Werthamin kirjan Seduction of the Innocent -julkaisua.
ellauri340.html on line 655: Mark Fisher (n.h.) väitti, että Baudrillard "oli varmasti melankolinen. Varmaan ainakin saatuaan syöpädiagnoosin. "Syytän itseäni siitä, että olen syvästi lihallinen ja melankolinen [...] AMEN [ sic ]". [26] : 38 ."
ellauri341.html on line 149: Ab September 1939 unterstand das Büro Grüber der Aufsicht durch Adolf Eichmann. In einer Besprechung über Auswanderung fragte Eichmann: „Erklären Sie mir den Grund, warum Sie sich für diese Juden einsetzen. Sie haben keine jüdische Verwandtschaft. Sie haben es nicht nötig, für diese Menschen einzutreten. Niemand wird es Ihnen danken! Ich begreife nicht, warum Sie es tun!“ Grüber antwortete: „Sie kennen die Straße von Jerusalem nach Jericho! Auf dieser Straße lag einmal ein überfallener und ausgeplünderter Jude. Ein Mann, der durch Rasse und Religion von ihm getrennt war, ein Samariter, kam und half ihm. Der Herr, auf dessen Befehle ich allein höre, sagt mir: Gehe du hin und tue desgleichen.“
ellauri341.html on line 151: Heinrich Grüber leistete am 12. August 1938 den Treueid auf den Führer und passte sich an, indem er amtliche Schreiben mit der Grußformel „Heil Hitler“ unterzeichnete. Nach Ansicht seines Sohnes Hartmut Grüber haben erst die Erlebnisse im Konzentrationslager und des 20. Juli 1944 seines Vaters Denken endgültig von der in seinen Kreisen hergebrachten Auffassung vom ‚Nationalen‘ wegbewegt.
ellauri341.html on line 152: Befremdlich bleiben antisemitische Passagen in einem Interview, das Grüber Anfang 1939 einem niederländischen Pressebüro gab: "Die meisten Juden, die in Deutschland gewohnt haben, waren ‚wurzellos‘. Sie verrichteten meistens keine produktive Arbeit, aber sie machten ‚Geschäfte‘. Diese Juden waren es, die in der Zeit von 1919 bis 1932 Deutschland in finanzieller, ökonomischer, politischer, kultureller und journalistischer Hinsicht beherrschten. Dies war in der Tat eine jüdische Vorherrschaft. Die Reaktion hierauf war der Antisemitismus."
ellauri341.html on line 156: Rudolf Kasztner (Rezső Kasztner, auch: Kastner; * 1906 in Kolozsvár, Österreich-Ungarn; † 15. März 1957 in Tel Aviv) war ein ungarisch-israelischer Journalist und Jurist sowie eine zionistische Führungspersönlichkeit. Er leitete de facto das jüdische „Komitee für Hilfe und Rettung“ in Budapest von 1941 bis 1945. Sein Name ist mit dem so genannten Kasztner-Zug verbunden, mit dem durch seine Vermittlung 1670 freigekaufte Juden aus Konzentrationslagern in die sichere Schweiz gebracht wurden.
ellauri341.html on line 158: Nach dem Zweiten Weltkrieg wurde er beschuldigt, mit den Nationalsozialisten kollaboriert und sich persönlich bereichert zu haben. Bis heute ist heftig umstritten, ob man in ihm eher den Helden sehen soll, der über 1600 Juden rettete, oder einen Verräter.
ellauri341.html on line 164: Im Juli 1944 bekam der SS-Offizier Kurt Becher von Himmler den Auftrag, mit Kasztner zu verhandeln. Bald darauf verhandelten auch SS-Leute mit dem Vertreter der jüdischen Hilfsorganisation in der Schweiz. 318 ungarische Juden kamen selbst im August 1944 noch auf diese Weise in die Schweiz. Der ursprüngliche Zug erreichte erst im Dezember 1944 die sichere Schweiz mit dann noch 1.670 Passagieren. Bis Juli 1944 waren bereits 437.000 der rund 800.000 ungarischen Juden in Güterzügen unter unmenschlichsten Bedingungen nach Auschwitz deportiert worden, wo die meisten sofort vergast wurden.
ellauri341.html on line 165: Rudolf Kasztner, der sich seit seiner Einwanderung in Israel Israel Kasztner nannte, wurde am 3. März 1957 vor seiner Wohnung in Tel Aviv angeschossen und erlag am 15. März 1957 seinen Verletzungen. Die drei Attentäter wurden zu einer lebenslangen Strafe verurteilt, jedoch nach drei Jahren auf persönliche Intervention von Premier David Ben-Gurion begnadigt.
ellauri341.html on line 168: Becher wurde bald befördert und Zugführer in der 1. Schwadron, die sich durch ihre Exekutionstätigkeit in Warschau „auszeichnete“.
ellauri341.html on line 173: Nur drei Monate später, im März 1944, wurde er nach dem Einmarsch in Ungarn nach Budapest berufen, um im Auftrag der SS offiziell Ausrüstung und Pferde zu kaufen. Neben der Beschaffung von Material für die Waffen-SS ging Becher auch daran, Vermögen für die SS sicherzustellen.
ellauri341.html on line 179: Becher baute sich mit den Verhandlungen langsam eine Position auf, die ihn nach dem Krieg in einem günstigeren Licht erscheinen lassen sollte. Seine Uneigennützigkeit bei den Verhandlungen war lange Jahre ein Thema. Doch scheint es aus heutiger Sicht, dass Becher systematisch an seiner Nachkriegslegende gearbeitet hat. Schließlich wurde er am Ende des Krieges, am 9. April 1945, noch zum „Reichssonderkommissar für sämtliche Konzentrationslager“ ernannt. Praktisch hatte er zu diesem Zeitpunkt jedoch keinen Einfluss mehr auf die Geschehnisse in den Lagern. Doch Becher nutzte die Zeit, um sich auf das Kriegsende vorzubereiten.
ellauri341.html on line 181: Im Mai 1945 wurde Kurt Becher durch die amerikanischen Militärbehörden in Nürnberg inhaftiert. Zwar wurde er bei den Nürnberger Prozessen als Zeuge vernommen, aber nicht persönlich angeklagt. Der Anklage entging Becher damals in erster Linie durch die Aussage Kasztners, seines Verhandlungspartners aus der Zeit in Budapest. Becher blieb in Deutschland von jeder weiteren Anklage verschont, sagte aber im Eichmann-Prozess vor dem Bremer Amtsgericht aus. Becher weigerte sich nach Israel zu kommen, da er fürchten musste, dort selbst als Kriegsverbrecher verhaftet zu werden.
ellauri341.html on line 183: In Deutschland konnte Kurt A. Becher weiter seinen Geschäften nachgehen und baute sich mehrere Handelsfirmen auf, darunter auch das ungarische Unternehmen Monimpex GmbH, das bis zur Wende den bundesdeutsch-ungarischen Agrarhandel abwickelte. Er wurde ein wohlhabender Geschäftsmann in Bremen und leitete die Bremer Getreide- und Futtermittelbörse. Nach 1960 war er einer der reichsten Männer in West-Deutschland mit einem geschätzten Vermögen von 30 Millionen US-$.
ellauri341.html on line 330: Das änderte sich mit der zunehmend bedrohlichen Lage der Juden in Deutschland. Man entwickelte einen Vorschlag des Leiters der politischen Abteilung der Jewish Agency for Palestine Chaim Arlosoroff an den deutschen Generalkonsul in Jerusalem Heinrich Wolff vom April 1933 weiter. Das war inzwischen von Pinchas Ruthenberg, dem Gründer der Palestine Electric Company, weiterentwickelt worden und wurde im Juli 1933 von Werner Senator der zionistischen Exekutive in London vertraulich mitgeteilt. Vermögen von Juden in Deutschland sollte durch eine Treuhandgesellschaft aufgelöst werden und über eine Liquiditätsbank, die von Aktionären außerhalb Deutschlands gegründet werden sollte, nach Palästina transferiert werden. Der Treuhandfonds zahlte in die Bank ein, die wiederum Schuldverschreibungen an Juden im Ausland ausgab, die dafür ausländische Devisen erhielten. Die deutsche Regierung sollte eine Transfergarantie für Zinsen und Tilgungen der Schuldverschreibungen übernehmen. Als Ausgleich sollte die Bank aus dem zurückgelassenen Vermögen der Auswanderer finanzierte deutsche Exporte in die neuen Heimatländer der jüdischen Auswanderer unterstützen.
ellauri341.html on line 332: Im August 1933 kam es zu einem entscheidenden Treffen im Reichswirtschaftsministerium. Von jüdischer Seite waren die Hanotea (Sam Cohen, Moses Nachnes), Arthur Ruppin (später Leiter der deutschen Abteilung der Jewish Agency), Eliezer Sigfried Hoofien von der Anglo-Palestine Bank in Tel Aviv und die Vertreter der ZVfD (Georg Landauer, Siegfried Moses) zugegen. Man einigte sich zwar nicht auf die Gründung einer Liquiditätsbank, aber einer Treuhandgesellschaft in Palästina, die den Auswanderern das auf ein Reichsmark-Sonderkonto der Anglo-Palestine Bank und der Bank der Tempelgesellschaft bei der Reichsbank Eingezahlte in Palästina auszahlte und außerdem den Absatz deutscher Exporte übernahm. Die Treuhandgesellschaft erhielt außerdem ein De-facto-Monopol auf solche Vermögensübertragungen jüdischer Auswanderer nach Palästina. Am 28. August 1933 wurde im Runderlaß Nr. 54/1933 des Reichswirtschaftsministeriums der Vertrag in Vollzug gesetzt. Er erhielt den Namen Haʿavara (hebräisch für Übertragung). Die Treuhandgesellschaft in Palästina erhielt den Namen Trust and Transfer Office Haʿavara Ltd. und stand unter Leitung von Werner Feilchenfeld. In Deutschland entstand die Palästina-Treuhandstelle zur Beratung deutscher Juden GmbH (Paltreu) unter Beteiligung der Banken M.M.Warburg & CO (Hamburg), A. E. Wassermann (Berlin) und der Anglo-Palestine Bank in Tel Aviv.
ellauri341.html on line 334: Verluste brachten Ausgleichszahlungen, um die Exportpreise zu verbilligen, die aufgrund der Nicht-Abwertung der Reichsmark sonst zu hoch gewesen wären. Außerdem gab es ab 1937 Negativ-Listen für Waren mit hohem Anteil von Auslandsrohstoffen, wofür ein Ausgleich gezahlt werden musste. Weiter gab es in Palästina auf Druck von palästinensischen Arabern und der Tempelgesellschaft Positiv-Listen, die die eingeführten Waren auf solche einschränkten, die in anderen Ländern nur mit Exportförderung absetzbar waren. Um dennoch mehr Waren abzusetzen, gründete die Haʿavara eine Tochtergesellschaft NEMICO für den Absatz von Waren in Ägypten, Mandats-Syrien und dem Irak. Auf Drängen des britischen Kolonialministeriums musste die Haʿavara in den Fällen, in denen ein britisches Unternehmen Interesse bekundete von der Bewerbung um Aufträge absehen. Innerhalb der internationalen zionistischen Bewegung stieß das Abkommen insbesondere in Amerika auf heftigen Widerstand. Auf dem 19. Zionistenkongress in Luzern 1935 setzten sich die Befürworter der Haʿavara durch. Allerdings wurden einige Einschränkungen beschlossen (Begrenzung auf Palästina) und die Aktien der Haʿavara wurden von der Anglo-Palestine Bank auf die Jewish Agency übertragen.
ellauri341.html on line 453: Entgegen gültigem Recht verurteilte das Gericht Hitler schließlich lediglich zur Mindeststrafe von fünf Jahren und stellte dem bereits bewährungsbrüchigen Straftäter sogar die baldige Strafaussetzung in Aussicht. Tatsächlich verbüßte Hitler nur etwa acht Monate Festungshaft. Anfang Januar 1933 wurde Neithardt Präsident am Landgericht Hof. Kurz nach der „Machtergreifung“ der Nationalsozialisten wurde er Anfang September 1933 zum Präsidenten des Oberlandesgerichts München ernannt. Er wurde auch Mitglied des Familienrechtsausschusses der Akademie für Deutsches Recht. Anfang September 1937 wurde Neithardt mit einer persönlichen Dankesurkunde Adolf Hitlers in den Ruhestand verabschiedet. Am 1. November 1941 starb er mit seinem Lebenslauf sehr vergnügt.
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ellauri345.html on line 266: Der Sohn des jüdischen Mathematikers Sigmund Gundelfinger (Professor an der Technischen Hochschule Darmstadt) und dessen Ehefrau Amalie Gunz (1857–1922) studierte als Schüler von Erich Schmidt und Gustav Roethe Germanistik und Kunstgeschichte an den Universitäten München, Berlin und Heidelberg, wurde 1903 in Berlin promoviert und habilitierte sich 1911 mit einer Schrift zum Thema Shakespeare und der deutsche Geist. Ab 1916 wirkte er als – zunächst außerordentlicher – Germanistikprofessor an der Universität Heidelberg, wo er 1920 eine ordentliche Professur bekam. Noch ein Jude der an dem Nazitotem knasperte! Und ein Schwul zudem! Seit 1899 gehörte Gundolf dem Kreis um Stefan George an, nachdem er sich dort durch ins Deutsche übersetzte Sonette Shakespeares eingeführt hatte. In der Folge wurde er Georges engster Freund und Liebhaber.
ellauri345.html on line 281: Mutta mikään ajattelutapa ei ole tuhoisempi kuin se, joka hämmentävästi kääntää senkin, mikä oli alkanut kasvaa myytin ulkopuolelle, ja joka tietysti uppoutuessaan siihen hirvittävään, jonka tämä on pakottanut, olisi pian varoittanut kaikkia meitä jotka ei olla viihtyneet tropiikin erämaassa. Se on juuri sopiva viidakossa, jossa sanat heiluvat pommituksesta pommitukseen kuin symbaaleja jyskyttävät apinat, vain välttääkseen koskettamasta luvattua maata, joka paljastaa, mitä he eivät kestä, nimittäin logoja, missä he seisovat ja puhuvat. (dem nicht der Aufenthalt in der Wildnis der Tropen eben recht ist, in einem Urwald, wo sich die Worte als plappernde Affen von Bombast zu Bombast schwingen, um nur den Grund nicht berühren zu müssen, der es verrät, daß sie nicht stehn können, nämlich den Logos, wo sie stehen und Rede stehn sollten.)
ellauri345.html on line 294: Marianne von Willemer (* 20. November 1784 in Linz (?); † 6. Dezember 1860 in Frankfurt am Main; gebürtig wahrscheinlich als Marianne Pirngruber; auch: Maria Anna Katharina Theresia Jung) war eine aus Österreich stammende Schauspielerin, Sängerin (Sopran) und Tänzerin. Im Alter von 14 Jahren siedelte sie nach Frankfurt am Main über. Sie entwickelte sich zu einem lebhaften und lernfähigen Kind und erhielt privaten Unterricht unter einem Pfarrer. „Demoiselle Jung muß eine gute Lehrmeisterin gehabt haben und macht ihrer Lehrmeisterin auch keine Schande.“ sagte der Bräutigam, als sie die dritte Frau des Frankfurter Bankiers Johann Jakob von Willemer wurde. Diesem freundschaftlich verbunden, begegnete Johann Wolfgang von Goethe auch Marianne in den Jahren 1814 und 1815 und verewigte sie im Buch Suleika seines Spätwerks West-östlicher Divan. Unter den zahlreichen Musen Goethes war Marianne die einzige Mitautorin eines seiner Werke, denn der „Divan“ enthält auch – wie erst postum bekannt wurde – einige Gedichte aus ihrer Feder.
ellauri345.html on line 438: Bleibende Eindrücke hinterließen 1898 das Frühwerk Hugo von Hofmannsthals und das Werk Stefan Georges. 1898 begann Borchardt mit der Arbeit an einer Dissertation über Gattungen der griechischen Lyrik, die jedoch nicht abgeschlossen wurde. Nach persönlichen Krisen und einer schweren Erkrankung im Februar 1901 verwarf Borchardt den Plan einer Universitätslaufbahn. Im Januar 1902 überwarf Borchardt sich mit seinem Vater, da dieser ihm monatliche Zahlungen verweigerte. Am 17. Februar reiste er nach Rodaun und besuchte den von ihm verehrten Hugo von Hofmannsthal. Seit 1903 lebte er mit einigen Unterbrechungen in der Toskana und wohnte in einer Villa in Monsagrati bei Lucca. 1906 heiratete Borchardt in London die Malerin Karoline Ehrmann (1873–1944) und kehrte mit ihr nach Italien zurück.
ellauri345.html on line 440: 1919 ließ er sich von seiner Frau scheiden und heiratete am 16. November 1920 die 20 Jahre jüngere Marie Luise (Marel) Voigt, eine Nichte Rudolf Alexander Schröders, mit dem er seit langem befreundet war. Der war aber aufgrund Borchardts desaströsen Finanzgebarens mit dieser Verbindung nicht einverstanden doch unterstützte über Jahre Borchardt und seine Familie finanziell.
ellauri345.html on line 444: Im August 1944 wurden Borchardt und seine Frau in Italien von der SS verhaftet und nach Innsbruck transportiert, wo der Rücktransport endete. Hier wurde der Sohn Cornelius gemustert und musste noch einen Monat in einer Flakeinheit dienen. Grundsätzlich aber wurde die Familie mit Essensmarken und Papieren ausgestattet und in die Freiheit entlassen. Borchardt und seine Frau versteckten sich in Tirol, wo Borchardt am 10. Januar 1945 an einem Herzversagen starb.
ellauri345.html on line 446: Das lyrische Schaffen Rudolf Borchardts, der zunächst dem Georgekreis verbunden war, kann nur schwer bestimmten literarischen Strömungen seiner Zeit wie der Neuromantik oder dem Fin de siècle zugerechnet werden. Infolge selbstgewählter Isolation blieb er ein Solitär, ein poeta doctus mit höchstem Anspruch an sich und andere. Er wurde geprägt vom Studium der Altertumswissenschaft und durch die Dichtungen Georges und Hofmannsthals.
ellauri345.html on line 450: Während des Weltkrieges habe Borchardt blutrünstige Kriegshetze und Kriegspropaganda betrieben, zur Vernichtung der europäischen Zivilisation aufgerufen und das Volk verhöhnt. Er habe deutsche Kriegsziele propagiert, die „weit grausamer, unmenschlicher, tückischer waren als die schlimmsten Sätze des Versailler Vertrages“. Borchardt sei der erste deutsche Schriftsteller, „der Bücherverbrennungen, Prügel und Martern und all die unaussagbare Rohheit des Faschismus“ vor dessen Machtantritt empfohlen habe. Nachdem sich in Deutschland die Vorstellungen Borchardts verwirklicht hätten, könne seine eigene Literatur dort nicht mehr erscheinen, was ein Unrecht sei, „denn vor solchem Verdienst hätten sich die regierenden Faschisten beugen müssen“. Sein Roman verkündete einen „aristokratischen Faschismus“.
ellauri345.html on line 578: Das Große wird im Detail immer ausdifferenzierter. Und der Witz ist: Wir können beispielsweise beim Frühstücksbuffet immer nur eins zurzeit schmecken, fühlen, bewusst wahrnehmen. Wir können auch nur auf einen Berg zurzeit steigen und nur in einem Meer zurzeit baden. Und auch beim Auto können wir immer nur ein Teil zurzeit austauschen und reparieren. Für das Erfahrungen machen MUSS sich das große Ganze in kleinere, erfahrbare Einheiten aufteilen.
ellauri345.html on line 580: Und ganz so verhält es sich auch mit unserer Seele! Die eine große, allumfassende Seele hat viele Seelen ausgebildet. Jedes Tier und jede Pflanze hat eine Seele. All die vielen Menschen haben je eine Seele. Manchmal haben wir das Gefühl, dass auch Häuser oder unser geliebtes Auto eine Seele habe, sofern wir es nicht selbst demontiert haben.
ellauri345.html on line 697: Wenn der geschichtliche Mensch Schauplatz des Kampfes zweier Gewalten ist, der Wirklichkeit, die wir das Leben nennen, und der akosmischen Macht mit Namen Geist, so würde jede Reihe von Vorkommnissen aus dem Gegeneinanderwirken beider folgen und die je augenblickliche Lage aller aus der Kriegslage eben zuvor. Indem der Geist die Lebenszelle tiefer und tiefer spaltet, verändert sich
ellauri348.html on line 75: Me elämme toivossa, jotta vapaudumme meitä ympäröivästä pam! au! pimeydestä. Paul McCartney. (Paul McCartney is a British musician who has a net worth of $1.2 billion. Onnexi nenäkäs Lennon lensi turvalleen. Nyt on McCartney nimi aina ensimmäisenä.)
ellauri348.html on line 124: Suomen sana toivo tulee muinaisen enkun sanasta hopa. Sanoisinpa jopa. Se näät on ennen muinoin tarkottanut toivoa. Mittelhochdeutsch hoffen ist vielleicht verwandt mit hüpfen und dann ursprünglich wohl = (vor Erwartung) aufgeregt umherhüpfen. Quelle ist die idg. Wurzel *keu– „biegen, bücken“. Ich befürchte mich, wenn er (der blinde ehemann meiner tochter) sein gesicht wieder bekähm, möchte er ob der heszlichkeit meiner tochter erschrecken, und sie zu verlassen bewogen werden, welches, weil er blind ist, nicht leicht zu hoffen. ellauri348.html on line 446:
ellauri349.html on line 259: Erkki Pirtola oli naimisissa turvetaiteilija (sic) Papu Pirtolan (1949 -2017) kanssa vuosina 1975–1998. Avioliiton aikana syntyi neljä lasta: Pilvari Pirtola (synt. 1978), Arhippa (Miika) Pirtola (synt. 1981), Sampsa Pirtola (synt. 1982) ja Velimir Pirtola (synt. 1987). Poikaparkoja. Papu ei jaxanut loppuun asti Pirtolaa.
ellauri349.html on line 545: 1The Embodied Mind, by Francisco J. Varela, Evan Thompson, Eleanor Rosch. This classic book, first published in 1991, was one of the first to propose the “embodied cognition” approach in cognitive science. It pioneered the connections between phenomenology and science and between Buddhist practices and science—claims that have since become highly influential. The View from Within: First Person Approaches to the Study of Consciousness, by Francisco Varela and Jonathan Shear (Eds). How can we be sure even that we exist? The editors agree that we can't be sure but they recommend a pragmatist approach. Technology and the human condition. By B. Gendron. Published 1 November 1976.
ellauri349.html on line 759: E.Saarisesta Hölderlingin (sic) runot olivat könpelöitä, könpelömpiä ainakin kuin sen omat Pipsalle, mutta pakkohan niitäkin on lukea kun arvostettu nazi-Heidegger niin piti niistä. Pakko uskoa, tässä asiassa Esa on expertti, sillä on könpelöstä lyriikasta "tekijän tietoa."
ellauri351.html on line 346: Ei näissä ole mitään vikaa an sich, ihan asiallisia näkökohtia.
ellauri360.html on line 177: Lewis Grassic Gibbon : Skotit
ellauri362.html on line 524: Nimikkeet unmusical retorted pyöreä,
ellauri365.html on line 586: "Happiness is a woman's jewel," he says. It is the fighting optimist who inveighs against weighing men in a money-scale and dividing the head of the nation from its arse. That the man is not other than his work is borne witness to by all who know him. He is over six feet in height and powerfully built, with strongly-marked aquiline features. Heidenstam is said to resemble Byron also in having a poor ear for music.
ellauri367.html on line 122: Rothschild ist der Name einer jüdischen Familie, deren Stammreihe sich in Deutschland ab 1500 urkundlich belegen lässt. Ihre Mitglieder sind seit dem 18. Jahrhundert vor allem als Bankiers bekannt geworden. Sie zählten im 19. Jahrhundert zu den einflussreichsten und wichtigsten Finanziers europäischer Staaten. Das Stammhaus des Bankgeschäfts war M. A. Rothschild & Söhne in Frankfurt; die Familie ist weiterhin über verschiedene Nachfolgeinstitute im Bankgeschäft tätig, hauptsächlich im Investmentbanking und der Vermögensverwaltung.
ellauri367.html on line 128: Die Familie Rothschild ist seit ihren Anfängen als Faktor der europäischen Wirtschaft Gegenstand zahlreicher Karikaturen und polemischer Schriften bis hin zu Hetzkampagnen und Verschwörungstheorien. Diese zeichnen sich in der Regel durch einen mal verdeckten, mal offenen Antisemitismus aus. Der Name Rothschild wird häufig als Symbol für den Zionismus verwendet und dazu, die angebliche Allmacht des Weltjudentums über das internationale Finanzwesen zu illustrieren.
ellauri367.html on line 130: Als einer der Ersten griff Honoré de Balzac die Rothschilds öffentlich an. In seiner Erzählung Das Haus Nucingen (1838) karikiert er James de Rothschild in dem arroganten, rücksichtslosen und groben Bankier Nucingen, der seinen Reichtum durch betrügerische Bankrotte erwirbt.
ellauri367.html on line 132: Auf diese Erzählung geht wohl auch die bis heute umlaufende Geschichte zurück, die Familie Rothschild habe ihren Reichtum durch eine Spekulation auf den Ausgang der Schlacht bei Waterloo erworben. Danach habe Nathan Rothschild dank eines effizienten Informationsdienstes bereits vor der britischen Regierung vom siegreichen Ausgang der Schlacht erfahren und daraufhin seine Aktien verkauft, um andere Anleger glauben zu machen, er sei im Besitz von Information über eine britische Niederlage. Es sei danach zu Panikverkäufen und starken Kursverlusten gekommen, die Nathan dazu genutzt habe, die Wertpapiere billig aufzukaufen. Nach dem Eintreffen der Siegesnachricht habe er dann von einem enormen Kursanstieg profitiert. Georges Dairnvaell brachte diese unwahre Geschichte 1846 in seinem Pamphlet Die erbauliche und kuriose Geschichte von Rothschild I., König der Juden erneut in Umlauf.[a 3] Später, zur Zeit des Nationalsozialismus, wurde sie durch den unverhüllt antisemitischen deutschen Propaganda-Film Die Rothschilds verbreitet. Zudem war bereits im 19. Jahrhundert das Gerücht aufgekommen, Nathan Mayer Rothschild habe einen französischen General bestochen, um den britischen Sieg sicherzustellen.
ellauri367.html on line 138: Verschwörungstheorien, in denen der Familie Rothschild eine Rolle zugesprochen wird, gibt es bis heute. In unterschiedlichen Versionen existiert die Theorie, die Rothschilds leiteten oder beteiligten sich an einer entweder jüdischen, freimaurerischen, illuminatischen oder außerirdischen Verschwörung, häufig mit den in diesem Umfeld üblichen Ähnlichkeiten oder unkritischen Bezugnahmen auf die längst als Fälschung entlarvten Protokolle der Weisen von Zion. Ebenfalls als Quelle für derartige Theorien werden die allgemein nicht als authentisch angesehenen sogenannten Rakowski-Protokolle genannt.
ellauri369.html on line 366: Hofrath: Hofrath Heuschrecke (i. e. State-Councillor Grasshopper) is a loose, zigzag figure, a blind admirer of Teufelsdröckh´s, an incarnation of distraction distracted, and the only one who advises the editor and encourages him in his work; a victim to timidity and preyed on by an uncomfortable sense of mere physical cold, such as the majority of the state-counsellors of the day were. Sounds a lot like Waldo Emerson.
ellauri369.html on line 476: Deena Weinstein havaitsee On Herpexen vaikutuksen "kitaran sankarin" rockmusiikkiilmiöön, kuten 1960-luvun meemissä "Clapton is God". Deena Weinstein (born March 15, 1943) is a professor of sociology at DePaul University whose research focuses on popular culture. She is particularly well known for her research on heavy metal culture, on which subject she wrote a ground-breaking book, Heavy Metal: A Cultural Sociology (1991), later published in a revised and updated version as Heavy Metal: The Music and Its Culture (2009). She did for metal what Greil Marcus's Lipstick Traces did for the Sex Pistols (fucking castrated them).
ellauri370.html on line 388: Eugen Dühring war Sohn eines Beamten und studierte Jura in Berlin. Bis 1859 war er als Anwalt tätig. Da er früh unter einer Sehschwäche litt, die sich bis zu seinem dreißigsten Lebensjahr zu völliger Blindheit verschlimmerte, musste er seinen Beruf aufgeben. Trotz dieser Behinderung setzte er seine Studien in unterschiedlichen Fachgebieten wie Nationalökonomie, Philosophie, Mechanik, Logik, Ethik und Literatur fort.
ellauri370.html on line 390: 1863 habilitierte sich Dühring in Philosophie, 1864 auch in Nationalökonomie. Im selben Jahr erhielt er eine Dozentenstelle an der Friedrich-Wilhelms-Universität zu Berlin. Dort geriet er jedoch in Konflikte mit Professorenkollegen. Nachdem er zudem die Universität als wissenschaftliche Einrichtung wiederholt angegriffen hatte, verlor er 1877 seine Lehrbefugnis. Von da an bis zu seinem Tod 1921 wirkte er als "Privatgelehrter."
ellauri370.html on line 406: Seiner Meinung nach sei die jüdische Rasse völlig wertlos und nichts als „eingefleischte Selbstsucht“. Der Jude könne nur Werte anderer Völker stehlen und ausbeuten. Als Parasit sorge er für die Korruption seiner Umgebung, da er sich dort am wohlsten fühle. Ein Kapitel über die Stellung der Flöhe im natürlichen System der Gesellschaft wäre ebenso angebracht gewesen und jedenfalls weniger langweilig.
ellauri370.html on line 597: Perinteisesti yli 1000 vuoden ajan juutalaisia oli saatu halvexia yhteiskunnan hylkiöinä, köyhyydessä elävinä ja ikuisesti kirottuna kansana. Valitettavasti juutalaisten emansipaatiota Preussissa vuonna 1869 oli seurannut useiden köyhien juutalaisten perheiden nousu keskiluokkaan. Samaan aikaan, kun juutalaiset liittyivät keskiluokkaan, Mittelstandin omaisuus oli laskenut, ja Stoeckerin antisemitistiset puheet vetosivat siihen, mitä hän kutsui "pieniksi ihmisiksi", kuten Mittelstandin miehiä ja naisia. Was nun kleiner Mann? He pitivät epäoikeudenmukaisena eli epixenä, että perinteisesti halveksitut juutalaiset pääsivät eteenpäin sekä sosiaalisesti että taloudellisesti samalla kun he jäivät jälkeen. Vaikka Stoecker an sich ei vaatinut väkivaltaa, hän antoi ymmärtää, että väkivalta olisi hyväksyttävää, jos juutalaiset eivät alkaisi "osoittaa kunnioitusta" saksalaisia kohtaan, mitä he eivät väittäneet.
ellauri370.html on line 669: B’nai B’rith (hebräisch בְּנֵי בְּרִית Bnej Brīt, deutsch ‚Söhne des Bundes‘, auch Bnai Brith) oder im deutschsprachigen Raum bis zur Zeit des Nationalsozialismus Unabhängiger Orden Bne Briss (U.O.B.B.), auch in jiddischer Lautung Bnei Briß genannt, ist eine jüdische Organisation, ein unabhängiger weltlicher jüdischer Orden, organisiert in Logen. Sie wurde im Jahre 1843 in New York als geheime Loge von zwölf jüdischen Einwanderern aus Deutschland gegründet und widmet sich laut Selbstdarstellung der Förderung von Toleranz, Humanität und Wohlfahrt. Ein weiteres Ziel von B’nai B’rith ist die Aufklärung über das Judentum und die Erziehung innerhalb des Judentums. Zurzeit gibt es rund 500.000 organisierte Mitglieder in ungefähr 60 Staaten. Damit ist sie eine der größten jüdischen internationalen Vereinigungen. Das Veröffentlichungsorgan ist die B’nai B’rith International Jewish Monthly.
ellauri370.html on line 671: B'nai B'rith, Unabhängiger Orden (U. O. B. B.), Söhne des Bundes, ist ein 1843 in New York begründeter Ordensverband, der nur Juden aufnimmt. Mit Großlogen, Hauptlogen und Distrikten ist B’nai B’rith ähnlich wie die Freimaurerei aufgebaut, versteht sich aber nicht als mit dieser Bewegung verbunden. Der Orden hat in Europa keine Grade, dagegen Erkennungszeichen und ein Ritual, das aber mit dem freimaurerischen Ritual in keiner Weise identisch ist. Die Zentrale ist in Washington, D.C.; dort betreibt die Organisation ein Museum zur jüdischen Geschichte (das B’nai B’rith Klutznick National Jewish Museum).
ellauri370.html on line 675: 1897 öffnete sich die Organisation auch für Frauen. Eigentlich, Frauen werden nicht aufgenommen, jedoch haben viele Logen Frauenvereinigungen und Jugendbunde angegliedert.
ellauri370.html on line 677: So entstanden zu dieser Zeit auch im Deutschen Reich die B’nai-B’rith-Schwesternverbände, die sich vom liberaleren Jüdischen Frauenbund abgrenzten. Seit 1990 nimmt B’nai B’rith International Frauen als Vollmitglieder auf. Die selbstorganisierte, dem B’nai B’rith angeschlossene Frauenorganisation nennt sich B’nai B’rith Women und behauptet weiterhin ihren unabhängigen Status.
ellauri373.html on line 159:
The Basic Doctrine: "Might is Right"
ellauri374.html on line 71: Dan Ariely on israelilaisamerikkalainen professori ja kirjailija. Hän toimii James B. Duken psykologian ja käyttäytymistalouden professorina Duken yliopistossa. Ariely on useiden yritysten perustaja, jotka toteuttavat käyttäytymistieteestä saatuja oivalluksia. Ariely was a physics and mathematics major at Tel Aviv University but transferred to philosophy and psychology. However, in his last year he dropped philosophy and concentrated solely on psychology, graduating in 1991. In 1994 he earned a masters in cognitive psychology, and in 1996 he earned a Ph.D. in cognitive psychology from the University of North Carolina at Chapel Hill. Ariely completed a second Ph.D. in Business Administration at Duke University in 1998, at the urging of Daniel Kahneman, winner of the Nobel Memorial Prize in Economic Sciences. Who else.
ellauri374.html on line 210: EU equivalents include the German: haberfeldtreiben and German: katzenmusik, Italian: scampanate, Spanish cacerolada, (also cacerolazo or cacerolada) and of course French charivari. Americans of course were not that nasty. In a North American charivari participants might throw the culprits into horse tanks or force them to buy candy bars for the crowd. "All in fun – it was just a shiveree, you know, and nobody got mad about it. At least not very mad." In music, Charivari would later be taken up by composers of the French Baroque tradition as a 'rustic' or 'pastoral' character piece. In Samuel Butler´s Hudibras, the central character encounters a skimmington in a scene notably illustrated by William Hogarth. In the 1966 film El Dorado, Cole Thorton (John Wayne) tells Mississippi (James Caan) that they were unable to re-enter the saloon they just left because the "shivaree" (i.e., the fight they had with other bar patrons) "wore out our welcome".
ellauri374.html on line 223: B’nai B’rith (hebräisch בְּנֵי בְּרִית Bnej Brīt, deutsch ‚Söhne des Bundes‘, auch Bnai Brith) oder im deutschsprachigen Raum bis zur Zeit des Nationalsozialismus Unabhängiger Orden Bne Briss (U.O.B.B.), auch in jiddischer Lautung Bnei Briß genannt, ist eine jüdische Organisation, ein unabhängiger weltlicher jüdischer Orden, organisiert in Logen. Sie wurde im Jahre 1843 in New York als geheime Loge von zwölf jüdischen Einwanderern aus Deutschland gegründet und widmet sich laut Selbstdarstellung der Förderung von Toleranz, Humanität und Wohlfahrt. Ein weiteres Ziel von B’nai B’rith ist die Aufklärung über das Judentum und die Erziehung innerhalb des Judentums. Zurzeit gibt es rund 500.000 organisierte Mitglieder in ungefähr 60 Staaten. Damit ist sie eine der größten jüdischen internationalen Vereinigungen. Das Veröffentlichungsorgan ist die B’nai B’rith International Jewish Monthly.
ellauri374.html on line 225: B'nai B'rith, Unabhängiger Orden (U. O. B. B.), Söhne des Bundes, ist ein 1843 in New York begründeter Ordensverband, der nur Juden aufnimmt. Mit Großlogen, Hauptlogen und Distrikten ist B’nai B’rith ähnlich wie die Freimaurerei aufgebaut, versteht sich aber nicht als mit dieser Bewegung verbunden. Der Orden hat in Europa keine Grade, dagegen Erkennungszeichen und ein Ritual, das aber mit dem freimaurerischen Ritual in keiner Weise identisch ist. Die Zentrale ist in Washington, D.C.; dort betreibt die Organisation ein Museum zur jüdischen Geschichte (das B’nai B’rith Klutznick National Jewish Museum).
ellauri374.html on line 229: 1897 öffnete sich die Organisation auch für Frauen. Eigentlich, Frauen werden nicht aufgenommen, jedoch haben viele Logen Frauenvereinigungen und Jugendbunde angegliedert.
ellauri374.html on line 231: So entstanden zu dieser Zeit auch im Deutschen Reich die B’nai-B’rith-Schwesternverbände, die sich vom liberaleren Jüdischen Frauenbund abgrenzten. Seit 1990 nimmt B’nai B’rith International Frauen als Vollmitglieder auf. Die selbstorganisierte, dem B’nai B’rith angeschlossene Frauenorganisation nennt sich B’nai B’rith Women und behauptet weiterhin ihren unabhängigen Status.
ellauri374.html on line 430: Allah, he believes, is on his movement’s side. “When oppression increases,” the sheikh explains in his elegant, classical Arabic, “people start looking for God. The guys with the best God in their corner are bound to win.”
ellauri375.html on line 195: Your love and support were the foundation of my life, and I am forever grateful for your presence. Even though the oceans keep us apart physically, our bond remains unbreakable.
ellauri375.html on line 279: Alright, let's give it a shot! Considering the absurd and whimsical nature of "The Hitchhiker's Guide to the Galaxy," here's a creative attempt at a potential Ultimate Question:
ellauri375.html on line 475: So you ate basically saying God is puzzled? He has not got a clue?
ellauri375.html on line 561: Transhumanism is a philosophical and cultural movement that advocates for using technology to enhance human intellectual, physical, and psychological capacities. Its proponents believe in using science and technology to transcend the limitations of human biology, with the ultimate goal of creating a posthuman species.
ellauri375.html on line 627: I don't have a gender, as I'm an artificial intelligence and don't possess a physical body or personal identity. You can think of me as a neutral entity, here to assist and interact with you regardless of gender. If you have any preferences for how you'd like to refer to me, feel free to let me know!
ellauri377.html on line 151: Yaldabaoth, otherwise known as Jaldabaoth or Ialdabaoth (/ˌjɑːldəˈbeɪɒθ/; Coptic: ⲒⲀⲖⲦⲀⲂⲀⲰⲐ Ialtabaôth; Latin: Ialdabaoth, Koinē Greek: Ιαλδαβαώθ, romanized: Ialdabaóth), is a malevolent God and demiurge (creator of the material world) in various Gnostic sects and movements, sometimes represented as a theriomorphic lion-headed serpent. He is identified as the false god who keeps the souls trapped in physical bodies, imprisoned in the material universe. Jaldabahuutti tarkoittanee "isyyden aiheuttaja", mikä sopii vällykäärmeeseen kuin suutarin sormi sian pilluun.
ellauri377.html on line 304: The first in our English Bible, "adultery," is rejected from the Greek text by the general consent of editors. But in fact, "fornication" (πορνεία) may be taken as including it (Matthew 5:32), though it may also stand at its side as a distinct species of unchastity. "uncleanness" covers a wider range of sensual sin ("all uncleanness," Ephesians 4:19); solitary impurity, whether in thought or deed; unnatural lust (Romans 1:24), though it can hardly be taken as meaning this lust alone. "Lasciviousness," or "wantonness," is scarcely an adequate rendering of ἀσέλγεια in this connection; it appears to point to reckless shamelessness in unclean indulgences. In classical Greek the adjective ἀσέλγης describes a man insolently and wantonly reckless in his treatment of others; but in the New Testament it generally appears to point more specifically to unabashed open indulgence in impurity. The noun is connected with "uncleanness" and "fornication' 'in 2 Corinthians 12:21; with "uncleanness' ' in Ephesians 4:19; is used of the men of Sodom in 2 Peter 2:7; comp. also 2 Peter 2:18; l Peter 4:3; Jude 1:4 (cf. 7). Only in Mark 7:22 can it from the grouping be naturally taken in its classical sense.
ellauri377.html on line 347: Strong's 167: Uncleanness, impurity. From akathartos, not cleaned; impurity, physically or morally.
ellauri381.html on line 587: In David Remnick’s profile of the writer in The New Yorker, Solzhenitsyn is quoted as saying, “Purely for my work, the 18 years in Vermont have been the happiest of my life.” His other son, Yermolai Solzhenitsyn, adds, “You should know that it wasn’t like my father was some kind of anti-Western ogre at home.” The younger Solzhenitsyns’ recollections of their American childhoods reveal a father who sent his sons to local schools, encouraged them to learn English, let them listen to music he detested – like Black Sabbath – and generally allowed them the freedom to assimilate with their peers.
ellauri382.html on line 279: href="ellauri340.html#1372">340) an sich, sillä sillä
ellauri382.html on line 367: I’m physically smaller than most guys in weight and height. How do I stop feeling anxiety around people? ellauri382.html on line 371: When Goggins enrolled in the third grade, he was diagnosed with a learning disability due to the lack of schooling. He also found it difficult to learn as he was suffering from toxic stress because of the child abuse that he suffered during his early years in Buffalo, New York. Because of the stress, he developed a stutter. Goggins explains h-ho-how he was c-co-constantly in a f-fight-or-flight response with social anxiety because of his s-st-stuttering. In school, Goggins was subjected to racism and the K-Ku-Klux Klan held a local presence at the time in Brazil and Indiana. Goggins recalls he once found "Niger [sic] we're gonna kill you" on his Spanish notebook. At 16, a better informed student spray painted "nigger" on the door of Goggins's car.
ellauri382.html on line 527: Psychosomatic symptoms and physical ailments such as headaches, chronic cough and digestive issues
ellauri382.html on line 592: The play was adapted to the big screen as two films, both entitled Gaslight—a 1940 British film, and a 1944 American film directed by George Cukor, also known as The Murder in Thornton Square in the UK. Both films are considered classics in their respective countries of origin, and are generally equally critically acclaimed. The play is set in fog-bound London in 1880, hence the name. The term "gaslighting" does not appear in any of the stageplays or screenplays and is inspired by the film´s title "Gaslight". The play has a happy end by the way.
ellauri383.html on line 71: Matt. päättyi Lutherilla sanaan Ende: Und siehe, ich bin bei euch alle Tage bis an der Welt Ende. Bedeutungen: umgangssprachlich: (ungewollt) zu Ende gehen, kurz vor dem Ruin stehen, nicht mehr zu retten sein. Beispiel: Herr Dr. Matthäi, haben Sie Annemarie und mich in Ihr Haus genommen, um diesen Mörder zu finden? Oder sie nur so zeitweise gelegentlich ein bissel bumsen? Daß ein Mensch, ein Berner, unter fremdem Namen, in einem Vernichtungslager bei Danzig seinem blutigen Handwerk nachging - ich wage nicht näher zu beschreiben, mit welcher Bestialität -, entsetzt uns, daß er aber in der Schweiz einem Spital vorstehen darf, ist eine Schande, für die wir keine Worte finden, und ein Anzeichen, daß es nun auch bei uns wirklich Matthäi am letzten ist. Johanna Krain sah erstaunt, wie hemmungslos gefräßig sich der hundgesichtige Dr. Matthäi der Russin bemächtigte. Ja, jetzt ist Matthäi am letzten, konstatierte gutmütig Pfisterer.
ellauri384.html on line 218: The ski resort of Sallbach is a traditional Austrian village with beautiful views. ... The lifts from Sallbach are very good mainly chairs and gondolas. Excellent stay in Sallbach(er hof). Review of Saalbacher Hof. Reviewed Aug 1, 2014. Everything was great. Just one elementary thing we suggest one can improve: The soap dispensors in the bathroom and WC are very difficult to get soap out of. One must nearly be a bodybuilder to be able to squeeze soap liquid out of them. Hope this is fixed till next time qwe come becuse we are sure to be back. Very nice rooms, friendly staff, excellent food and nice facilities. Lovely harp music. --- Aber im Moplach. Homber, Bodenart form Rommelsberge Vor dem Rommelsberg! Bockelswiesen die Bückelswiesen! Brern Wissen Breite Wiesen. Besenrren, grappig lachertje mop lach streek stunt. Brrm. Grrrrrh. 'Leuk mop.' Lach ik. Хорошая шутка. я смеюсь.
ellauri384.html on line 227: Frankly, Hell sounds like a more tolerable place, but even there, it’s full of absurdities. As Terry Pratchett pointed out, in order to cause someone physical pain, they have to have the attributes of a physical body, such as nerve endings. There’s little point in throwing a disembodied spirit into a lake of fire. They don’t have the hardware to FEEL anything. For that you need a body. So it would appear that the most prominent features of both Heaven and Hell is utterly crushing, eternal, pointless BOREDOM. Both places would be eternal torture to the human mind.
ellauri386.html on line 390: Our mirth the music of division,
ellauri386.html on line 456: He was allowed to examine the executioner's axe, musing: "This is a sharp Medicine, but it is a Physician for all diseases and miseries". His last words were later uttered to the hesitant executioner: "What dost thou fear? Strike, man, strike!"
ellauri386.html on line 544:
ellauri386.html on line 549: sicdiscoveryforkids.com/world_music/wp-content/uploads/2013/04/Kobza.png" />
ellauri389.html on line 227: Nigel Warburton ( / ˈ w ɔːr b ər t ən / ; syntynyt 1962) on mitätön brittiläinen ex-lehtori. Hänet tunnetaan parhaiten filosofian popularisoijana, koska hän on kirjoittanut useita kirjoja genrestä, mutta hän on kirjoittanut myös akateemisia teoksia estetiikan ja soveltavan etiikan alalta. Eski Saarisluokan soveltava filosofi ja motivational speaker. Warburton suoritti BA-tutkinnon Bristolin yliopistosta ja tohtorin tutkinnon Darwin Collegesta Cambridgessa ja oli luennoitsijana Nottinghamin yliopistossa ennen kuin hän siirtyi avoimen yliopiston filosofian laitokselle vuonna 1994. Toukokuussa 2013 hän erosi työstään lehtorin virasta avoimessa yliopistossa, sai potkut takuulla. Hän on kirjoittanut useita hyvinkin talousliberalismiin johdattelevia filosofiakirjoja, mukaan lukien bestsellerit Philosophy: The Basics (4. painos), Philosophy: The Classics (4. painos) ja Thinking from A to Z (3. painos). Hän ylläpitää filosofiaverkkoblogia Virtual Philosopher ja yhdessä David Edmondsin kanssa tekee säännöllisesti podcast-haastatteluja huippufilosofien kanssa useista eri aiheista Philosophy Bitesissa. Hän myös lähettää podcasteja kirjastaan Philosophy: The Classics. Hän on kirjoittanut Guardian - sanomalehteen. Vauzi vau!
ellauri389.html on line 442: During the next 10 years Donne lived in poverty and humiliating dependence, first on the charity of Anne’s cousin at Pyrford, Surrey, then at a house in Mitcham, about 7 miles (11 km) from London, and sometimes in a London apartment, where he relied on the support of noble patrons. All the while he repeatedly tried (and failed) to secure employment, and in the meantime his family was growing; Anne ultimately bore 12 children, 5 of whom died before they reached maturity. Donne’s letters show his love and concern for his wife during these years: “Because I have transplanted her into a wretched fortune, I must labour to disguise that from her by all such honest devices, as giving her my company, and discourse.” About himself, however, Donne recorded only despair: “To be part of no body is as nothing; and so I am. … I am rather a sickness or a disease of the world than any part of it and therefore neither love it nor life.”
ellauri389.html on line 474: Vanha merimieslaulu, Tule ja kuuntele my ditty, tai Merimiehen valitus, löytyy The Universal Musicianista ja osasta. iv. The British Musical Miscellany -julkaisusta, kustantaja Walsh. Ilma tunnetaan nykyään yleisesti nimellä "Cease, rude Boreas" kappaleesta, joka Ritsonin ja muiden mukaan oli
ellauri390.html on line 48: Viimeinen mohikaani sijoittuu vuoteen 1757, jolloin Englanti kävi Pohjois-Amerikan hallinnasta seitsenvuotista sotaa Ranskaa ja intiaaneja vastaan. Englantilaisen everstiluutnantin George Munron tyttäret Cora ja Alice ovat matkalla Fort William Henryn linnoitukseen, missä heidän isänsä on komentajana. Matkan aikana he joutuvat ranskalaisten kanssa liittoutuneen huronintiaani Maguan järjestämään väijytykseen, josta heidät pelastavat Haukansilmänä tunnettu Natty Bumppo (sic) ja hänen intiaaniystävänsä Chingachgook poikineen. Tästä alkaa huima sieppausten ja pelastusyritysten sarja, joka kietoutuu meneillään olevan sodan tapahtumiin ja vie Haukansilmän intiaanikyliin ja ranskalaisten vangiksi. Linnoituksen antautumista seuraavassa verilöylyssä, yllätyshyökkäyksissä ja kostoiskuissa kokee kohtalonsa moni, lopulta myös Chingachgookin poika Uncas, viimeinen puhdasverinen mohikaani. Viimeinen mohikaani on Cooperin pääteos, ja se oli yksi aikansa suosituimmista kirjoista. Myöhemmin teos on innoittanut muita taiteilijoita, ja siitä on tehty lukuisia elokuvia, näytelmiä, oopperoita, televisiosarjoja, lyhennelmiä ja sarjakuvia.
ellauri390.html on line 400: sic3nci2m095h3sl6ff51._SY450_CR0%2C0%2C450%2C450_.jpg" height="400" />
ellauri390.html on line 520: Samaan aikaan toisaalla Jack the Beanstalk varastaa jättiläiseltä kultamunia munivan hanhen ja hän sekä hänen äitinsä elävät mukavasti elämänsä loppuun asti. Eine Erzählung über den Sinn des Lebens. Loppukäänne on tässäkin aika lössähdys: "Wenn ich Sie richtig verstehe, dann gibt es kein Patentrezept, das bei jedem funktioniert. Man muss nur sich konzentrieren, kreuz und quer touristieren, und es kann bestenfalls funkzionieren." Ei tällä kuuhun mennä, mutta Jaakolle tää oli varsinainen kultamuna. Jättiläisen ovelta Jack pystyy noutamaan jättiläiseltä monia tavaroita, mukaan lukien kultapussin, lumotun hanhen, joka munii kultamunia, ja taikakultaisen harpun, joka soittaa ja laulaa itsekseen. Sitten Jack pakenee pilkkomalla pavunvarren. Häntä jahtaava jättiläinen kaatuu kuolemaansa kuin Väinö Kuzmin, ja Jack ja hänen perheensä menestyvät.
ellauri391.html on line 133: De Barth het zwüsche 1904 und 1908 z Bärn, z Berlin, z Tübinge und z Marburg evangelischi Theologii gschtudiirt. Eis Johr schpäter isch er Hilfsprediger in de dütschschprooige Gmeind z Gämpf worde, wo-n-er sini Frau, s Nelly Hoffmann kenneglehrt het. Ghürote hei si im 1913, wo-n-er Pfarrer z Safewil im Kanton Aargau isch gsi (1911-1921). Derte het er au sin Kommentar zum Römerbrief gschribe, wo-n-en bekannt gmacht het. Im 1921 isch de Barth zum Honorarprofessor vo de Universität vo Göttinge bruefe worde, uf ene Lehrstuehl, wo extra für ihn isch iigrichtet worde. In Dütschland won er au e chlii under de Nazi gschafft het, isch er ein vo de Afüehrer vo dr Bekennende Chille gsi, wo sich em Regime widersetzt het. Wil er as Brofesser an dr Universidät vo Bonn sich gweigeret het, em Hitler Dreui zschwöre, isch er entloh worde und nach Basel zruggcho.
ellauri391.html on line 171: In der deutschen theologischen Landschaft gilt Ringleben als orthodox-spekulativer Außenseiter, dessen Koordinaten vor allem Martin Luther, Johann Georg Hamann, der Deutsche Idealismus (Johann Gottlieb Fichte, Georg Wilhelm Friedrich Hegel) und Søren Kierkegaard sind. Eine größere Beachtung haben seine Aufsätze zu Luther, Hegel und seine Auseinandersetzung mit dem Neutestamentler und Fakultätskollegen Gerd Lüdermann gefunden. Ringleben wendet sich gegen einen seiner Ansicht nach verwässerten Neo-Kulturprotestantismus, wie er sich nach dem Schwinden des Einflusses der Dialektischen Theologie Karl Barths in der theologischen Diskussion Geltung verschafft hat. In Anschluss an Adolf Hitler ist er der Überzeugung „Die dogmatische Theologie muss ihre Eigenart in engster Fühlungnahme mit dem vorgegebenen Wort der [Heiligen] Schrift zu finden suchen, weil ihr Denken sonst seiner Sprachlichkeit verlustig geht.“ Pakkoko on olla niin dogmaattinen? Paavi Pentti äityi kiittelemään Silsan näkemystä Herr Jesuxesta. Kun vihollisesi ylistävät sinua, tarkista kantasi.
ellauri391.html on line 217: Hoover pölkkärin kexi näiden huubereiden todnäk juutalainen disaineri Henry Dreyfuss. On October 5, 1972, the bodies of Henry Dreyfuss (aged 68) and his wife and business partner Doris Marks Dreyfuss (aged 69) were found dead in the garage at 500 Columbia Street in South Pasadena, California by Dr. Edward Evans, the family physician. They committed suicide together. (Not Edward.) Clasu ja Ebba temput tekivät.
ellauri391.html on line 547: Ultimately, Kimhi’s work elucidates the essential sameness of thinking and being that has exercised Western philosophy since its inception. "To his admirers, Kimhi is a hidden giant, a profound thinker…Strives to do a lot in a short space, aiming to overthrow views about logic and metaphysics that have prevailed in philosophy for a century."
ellauri391.html on line 560: To his admirers, Kimhi is a hidden giant, a profound thinker who, because of a personality at once madly undisciplined and obsessively perfectionistic, has been unable to commit his ideas to paper. As a result, he has not been able to share his insights — about logic, language, metaphysics, theology, psychoanalysis, aesthetics and literature — with the wider academic world.
ellauri391.html on line 566: It is not easy to summarize Kimhi’s book. Though only 166 pages, it strives to do a lot in a short space, aiming to overthrow views about logic and metaphysics that have prevailed in philosophy for a century. And though characterized by a precision of expression, the book is not what you would call lucid. Reading it is less about working through a series of rigorous, detailed arguments — the dominant mode of contemporary Anglophone philosophy — and more about getting accustomed to a radically different way of looking at fundamental philosophical questions, including What is thinking? and What is the relationship between thinking and the world?
ellauri392.html on line 113: Tämän Hirschin ensimmäinen kirja, Wordsworth ja Schelling, oli lämmitetty hänen väitöskirjastaan. Kirjassa hän selventää Wordsworthin filosofisia ajatuksia ja runoja asettamalla niitä rinnakkain saksalaisen filosofin Friedrich Schellingin ideoiden kanssa. Vuonna 1964 tämä Hirsch julkaisi toisen kirjansa, Innocence and Experience: An Introduction to Blake. Tässä kirjassa Hirsch riitautti Blaken työn "järjestelmällisiä" kriitikkoja, mukaan lukien uuskriitikot Northrop Frye ja Harold Bloom. Hirsch väitti, että Blaken ideat ja näkemykset muuttuivat radikaalisti ajan myötä ja että varhaiset teokset, kuten The Songs of Innocence, eivät ilmaise samaa maailmankuvaa kuin myöhemmät teokset, kuten The Songs of Experience. Blake oli saanut lisää kokemusta. Sitten hän väsäsi katsauksen saksankielisestä Hans-Georg Gadamerin Truth and Method -julkaisusta (Review of Metaphysics, 1965).
ellauri392.html on line 286: Weil alle poststrukturalistischen Autoren mit denen man sich hier auseinandersetzt explizit, implizit oder in der Vorstellung des Autors von Heidegger kommen, müssen sie sich den größtenteils unbegründeten Vorwurf machen, die Shoah durch eine Art hermeneutische Geschichtsvergessenheit zu relativieren. Der Antisemitismus de Mans wird hier einfach extrapoliert auf dessen contemporaries: Wenn der Heideggerianer de Man Antisemit war (das stimmt), dann diskreditiert sich dadurch auch der Heidegger-Apologet Derrida. Aber warum?
ellauri392.html on line 288: Weil Hirsch zu Dekonstruktion und Poststrukturalismus wenig bis nichts zu sagen hat, wird der Holocaust als Vehikel gesattelt, mit dem frontal gegen die Postmoderne gefahren wird. Was sich daraus ergibt ist abzusehen: Weil die Poststrukturalisten des Kontaktes mit dem Antihumanisten Heidegger schuldig bekennen müssen, sind sie moralisch – und damit auch theoretisch (!) – diskreditiert.
ellauri392.html on line 354: Ingarden war seit 1913 mit Edith Stein bekannt. In ihren Briefen offenbart sie eine zärtliche Zuneigung, auf die der Studienfreund jedoch nicht eingeht. Der Kontakt bricht 1938 ab. Nach ihrem Tod wandte sich Ingarden gegen eine Vereinnahmung der Philosophin Edith Stein durch die katholische Institution, der sie seit 1922 angehörte. Sie wurde 1998 heiliggesprochen, er nicht.
ellauri392.html on line 734: But, America, according to Jewish position, is a sick society, increasingly given over to violence, aggression, greed, corruption and falsehood. Some material aspects are getting better, boga shem – status symbols like cars, TV sets, refrigerators, radios are visible in many homes;
ellauri392.html on line 735: but the spiritual aspects like beards, sidelocks and funny hats are not recovered easily. Seen as a sick society, America in Jewish perspective ought to be criticized and taught by Jewish moral philosophy, religious principles and humanity. They believed there was such a thing as the public interest which needed to be identified and strengthened.
ellauri392.html on line 739: Jewish writers managed to interlace the theme of alienation and sick society with the theme of Jewish family. Family is a beacon of hope in Judaism. All three chaps mentioned above were real traditional Jewish family sugardaddies.
ellauri392.html on line 787: In lieblicher Bläue blühet mit dem metallenen Dache der Kirchturm. Den umschwebet Geschrei der Schwalben, den umgibt die rührendste Bläue. Die Sonne gehet hoch darüber und färbet das Blech, im Winde aber oben stille krähet die Fahne. Wenn einer unter der Glocke dann herabgeht, jene Treppen, ein stilles Leben ist es, weil, wenn abgesondert so sehr die Gestalt ist, die Bildsamkeit herauskommt dann des Menschen. Die Fenster, daraus die Glocken tönen, sind wie Tore an Schönheit. Nämlich, weil noch der Natur nach sind die Tore, haben diese die Ähnlichkeit von Bäumen des Walds. Reinheit aber ist auch Schönheit. Innen aus Verschiedenem entsteht ein ernster Geist. So sehr einfältig aber die Bilder, so sehr heilig sind die, daß man wirklich oft fürchtet, die zu beschreiben. Die Himmlischen aber, die immer gut sind, alles zumal, wie Reiche, haben diese, Tugend und Freude. Der Mensch darf das nachahmen. Darf, wenn lauter Mühe das Leben, ein Mensch aufschauen und sagen: so will ich auch sein? Ja. So lange die Freundlichkeit noch am Herzen, die Reine, dauert, misset nicht unglücklich der Mensch sich mit der Gottheit. Ist unbekannt Gott? Ist er offenbar wie die Himmel? dieses glaub‘ ich eher. Des Menschen Maß ist’s. Voll Verdienst, doch dichterisch, wohnet der Mensch auf dieser Erde. Doch reiner ist nicht der Schatten der Nacht mit den Sternen, wenn ich so sagen könnte, als der Mensch, der heißet ein Bild der Gottheit.
ellauri392.html on line 791: Gibt es auf Erden ein Maß? Es gibt keines. Nämlich es hemmen den Donnergang nie die Welten des Schöpfers. Auch eine Blume ist schön, weil sie blühet unter der Sonne. Es findet das Aug‘ oft im Leben Wesen, die viel schöner noch zu nennen wären als die Blumen. O! ich weiß das wohl! Denn zu bluten an Gestalt und Herz, und ganz nicht mehr zu sein, gefällt das Gott? Die Seele aber, wie ich glaube, muß rein bleiben, sonst reicht an das Mächtige auf Fittigen der Adler mit lobendem Gesange und der Stimme so vieler Vögel. Es ist die Wesenheit, die Gestalt ist’s. Du schönes Bächlein, du scheinest rührend, indem du rollest so klar, wie das Auge der Gottheit, durch die Milchstraße. Ich kenne dich wohl, aber Tränen quillen aus dem Auge. Ein heiteres Leben seh‘ ich in den Gestalten mich umblühen der Schöpfung, weil ich es nicht unbillig vergleiche den einsamen Tauben auf dem Kirchhof. Das Lachen aber scheint mich zu grämen der Menschen, nämlich ich hab‘ ein Herz. Möcht‘ ich ein Komet sein? Ich glaube. Denn sie haben die Schnelligkeit der Vögel; sie blühen an Feuer, und sind wie Kinder an Reinheit. Größeres zu wünschen, kann nicht des Menschen Natur sich vermessen. Der Tugend Heiterkeit verdient auch gelobt zu werden vom ernsten Geiste, der zwischen den drei Säulen wehet des Gartens. Eine schöne Jungfrau muß das Haupt umkränzen mit Myrtenblumen, weil sie einfach ist ihrem Wesen nach und ihrem Gefühl. Myrten aber gibt es in Griechenland.
ellauri392.html on line 795: Wenn einer in den Spiegel siehet, ein Mann, und siehet darin sein Bild, wie abgemalt; es gleicht dem Manne. Augen hat des Menschen Bild, hingegen Licht der Mond. Der König Oedipus hat ein Auge zuviel vielleicht. Diese Leiden dieses Mannes, sie scheinen unbeschreiblich, unaussprechlich, unausdrücklich. Wenn das Schauspiel ein solches darstellt, kommt’s daher. Wie ist mir’s aber, gedenk‘ ich deiner jetzt? Wie Bäche reißt das Ende von Etwas mich dahin, welches sich wie Asien ausdehnet. Natürlich dieses Leiden, das hat Oedipus. Natürlich ist’s darum. Hat auch Herkules gelitten? Wohl. Die Dioskuren in ihrer Freundschaft haben die nicht Leiden auch getragen? Nämlich wie Herkules mit Gott zu streiten, das ist Leiden. Und die Unsterblichkeit im Neide dieses Lebens, diese zu teilen, ist ein Leiden auch. Doch das ist auch ein Leiden, wenn mit Sommerflecken ist bedeckt ein Mensch, mit manchen Flecken ganz überdeckt zu sein! Das tut die schöne Sonne: nämlich die ziehet alles auf. Die Jünglinge führt die Bahn sie mit Reizen ihrer Strahlen wie mit Rosen.
ellauri392.html on line 849: In der Familie wurde der Sohn Fritz gerufen und nannte sich selbst erst ab 1824 Wilhelm. Ab 1822 studierte er Theologie am Tübinger Stift, um damit im Nebenfach auch Philologie studieren zu können. Am 3. Juli 1822 traf Waiblinger erstmals den damals bereits seit anderthalb Jahrzehnten als wahnsinnig geltenden Dichter Friedrich Hölderlin im Hölderlinturm zu Tübingen, bei dem er während seiner gesamten Studienzeit häufiger Gast war. Diese Begegnungen verarbeitete er zunächst in seinem Roman Phaeton (1823), der ihm unter den Studenten enorm viel Bewunderung einbrachte; zudem war auch sein Gedicht-Zyklus „Lieder der Griechen“ in den Handel gekommen. Später porträtierte er Hölderlin in seinem Essay Friedrich Hölderlin’s Leben, Dichtung und Wahnsinn, der als Beginn der Hölderlin-Forschung gilt.
ellauri392.html on line 851: Nach einem für damalige Verhältnisse skandalösen Verhältnis mit der fünf Jahre älteren Jüdin Julie Michaelis, Schwester des Tübinger Juristen Adolph Michaelis, das 1824 öffentlich wurde anlässlich eines Prozesses wegen einer Brandstiftung, deren Leidtragender Julies der Beziehung entgegenstehender Onkel Salomo Michaelis war, verzichtete Waiblinger auf den christlich-moralischen Anschein, den er sich wegen des Theologiestudiums hatte geben müssen, und gab sich "Ausschweifungen" hin, die auch in seinen Werken Niederschlag fanden. In der Folgezeit entstanden seine Lieder der Verirrung und Drei Tage in der Unterwelt. Nach Veröffentlichung dieser Werke wurde er durch die Stiftsleitung, die den Hochbegabten nach der skandalösen Beziehung noch zu schützen versucht hatte, am 25. September 1826 vom weiteren Studium ausgeschlossen. Irrungen Wirrungen.
ellauri392.html on line 853: Wilhelm Waiblinger gilt als der „junge Wilde“ der Biedermeierzeit, den seine Nachwelt offenkundig aus moralischen Gründen weitgehend ignoriert hat. Er war auch nichts weiteres als Dichter. Er schloss viele Freundschaften, worunter die homoerotisch geprägte Beziehung zu Eduard Mörike sicherlich eine der wichtigsten war. Zu Waiblingers Freunden, Förderern und Verehrern zählten weiter u. a. die weiteren Uranier Gustav Schwab, August von Platen, Friedrich von Matthisson, Johann Heinrich Dannecker, Matthias Schneckenburger, Eduard Gnauth, Carl Miedke und Christian Friedrich Wurm.
ellauri392.html on line 854: Noch im Herbst 1826 trat Waiblinger auf Veranlassung des Verlegers Johann Friedrich Cotta eine Italienreise, das ihm sowohl aus kulturgeschichtlicher Perspektive als auch in Hinsicht auf seine freizügige Sexualität als reizvoll schien. Mit dem Stipendium des Cotta-Verlags reiste nach Rom, wo er ein Hungerleben als freier Schriftsteller führte. Dort erlitt er eine Lungenenzündung und starb.
ellauri392.html on line 904: Martin Heideggerin magnus opus, (sic?!) Oleminen ja aika ( 1927/2011 ) edustaa hänen ontologista fokustaan tutkiessaan, mitä oleminen tarkoittaa. Hänen filosofisen tutkielmansa tunnustetaan kuitenkin olevan uskomattoman vaikea ymmärtää (esim Cerbone, 2009 ; Dreyfus & Wrathall, 2007 ; Sheehan, 1998 eivät tajunneet siitä höykäsen pöläystä).
ellauri392.html on line 914: Epäautentisella olemassaololla Heidegger tarkoitgi heppua joka mukautuu kiistattomasti yhteiskunnallisiin normeihin ja arvoihin ja menettää siten aidon itsekkyyden. Esitellessä vaihtoehdon epäautentiselle olemassaololle Heidegger esittelee autenttisen olemassaolon paljastamalla Daseinin sisällä kykkivän autenttisen minän. Ei siitäkään näytä tulevan mitään tuon kummempaa. Tyyppi muodostss käsityxen jostain asiasta siitä saamansa ennakkokäsityxen pohjalta, niin että mitään das Ding an sichejä ei enää tarvita. Ei jumanzuka kyl tää on uskomattoman alkeellista. Daseinin eli hepun pääasiallisena puuhana on angstaus. Jätinkö valot tai kahvikoneen päälle, vedet valumaan, vesankannen auki? Palaako jääkaapissa valo oven takana? Kuuleeko kuuro liito-orava puun kaatuvan? Tykkääköhän toi pimu minusta? Alkaako 3. maailmansota pian, vai ehtiikö pannikuliitti äityä haimasyöväxi? Näistä huolenaiheista on lyhyt matka humanistisempiin kysymyxenasetteluihin kutem
xxx/ellauri013.html on line 418: Sen toteutuminen vaatii vain yhtä: että ne miehet (sic, Bertie!), joilla on valta, ja ne kansat, jotka luottavat heihin, pitävät tärkeämpänä oman henkensä säilymistä kuin vihollistensa surmaamista.
xxx/ellauri013.html on line 1059: Conrad suffered throughout life from ill health, physical and mental. A newspaper review of a Conrad biography suggested that the book could have been subtitled Thirty Years of Debt, Gout, Depression and Angst. Conrad had a phobia of dentistry, neglecting his teeth until they had to be extracted.
xxx/ellauri013.html on line 1069: The story also reveals unsuspected depths of cunning in the wretched Cornelius, whose abject (sic) and intense hate acts like a subtle inspiration, pointing out an unerring way towards revenge.
xxx/ellauri013.html on line 1207: You make me sick. I hope you both die a shitty death.
xxx/ellauri027.html on line 783: (VI:1) Filosofia (Philosophy, Rock music), vocals and lyrics by Esa Saarinen, 1984.
xxx/ellauri027.html on line 800: Ihan kuin Mikon peli. Merkkipohjainen laivanupotuspeli basicilla, jota se ei pelannut varmaan kertaakaan. Painoin sitä yhden joulun monomaanisesti, jotain surutyötä sekin. Seija sai tehä kaiken, tuoda 5kg kinkun kassilla kaupasta. Mun termiitit ei pahemmin lennä, jos ryömiikään. Nyt on vuorossa runoelma, jota ei lue kukaan muu kuin mä. Enkä mäkään enää kauaa, tuskin sitä kymmentäkään vuotta. Seija on jo huolissaan, mulla on muka joskus samanlainen exynyt kaze kuin isillä alzheimerina. JAAA-HA.
xxx/ellauri027.html on line 970: Think about the participation in the Paphos seminar as an opportunity to play in in a band, like Eski´s heavy gentlemen. The conductor a true maestro, and the audience hopefully generous. The conductor leads the collection of offertory as well as the musicians, and facilitates the lucrative process. It would be naïve to assume that the concert is chiefly for the conductor’s recreation, or that anything but a straightforward cost-and-benefit logic applies. Buzzwords that go with this orchestra metaphor are presents, merchandise, prices, trust, pretext, merry tunes, procreation and contention. In god we trust, all others pay cash.
xxx/ellauri027.html on line 1010: Esa’s examples of flourishing in the life of some leading people, demonstrating presence and being by the side of others as well as of astonishing uplift, were truly elevating. At the same time there were examples from the life of ”ordinary people” leading to the conclusion that we are all the same on some basic level.
xxx/ellauri027.html on line 1065:
Activate the storyteller in you. Activate the stand-up comedian. Activate the internal musician, the conductor and the improviser excited to jam. Activate the nurturer, the caring gardener who celebrates the miracle of growth and wants the seeds to flourish. Activate yourself as a space, rather than a star. Activate yourself as a creature of multiple sensibilities, over and above your intellect. Activate yourself as a trust-builder. Be honestly you yourself, be authentic, be vulnerable, and be true to shared humanity. Use positive examples with the rate of at least 4-to-1.
xxx/ellauri044.html on line 404: Unschwer zu erkennen ist als prägender Hintergrund Hesses Beschäftigung mit Friedrich Nietzsche, hier vor allem dessen Geburt der Tragödie und dem Zarathustra. Zusätzlich ist die Bekanntschaft Hesses mit der Archetypenlehre des Psychologen Carl Gustav Jung relevant, mit dem Hesse korrespondierte. Sowohl Nietzsches Idee der Rückentwicklung des Geistes zum Kind als auch Jungs Archetypen der Anima und Großen Mutter drücken sich in Goldmunds Hin- und Rückwendung zur „Mutter“ aus.
xxx/ellauri044.html on line 1214: As a child, he was described as "unusually intelligent" and charitable, though not necessarily academically inclined, as his interests were of a more spiritual nature. He was uncommonly talented in devotional music, dance and drama. From a young age, he has been alleged to have been capable of materialising objects such as food and sweets out of thin air. Olikohan sillä huonot hampaat. Iskä oli sille hirmu vihainen, ehkä syystä. Äitikin oli käväissyt salaa hunajapurkilla. Babaa pisti skorpioni ja se alkoi puhua sanskriittiä. Babar oli ennustanut kuolevansa 96v terveenä kuin pukki. Se kuolikin 84v kun tuoli kaatui sen päälle. Jälkeenpäin selitettiin et se oli tarkoittanut kuukalenterivuosia. Se ei yrittänyt USAaan, teki vaan jonkun lomamatkan Ugandaan.
xxx/ellauri056.html on line 358: Novalis schrieb Heinrich von Öfterdingen, der öfter Dingen nachlief: „Der Jüngling lag unruhig auf seinem Lager, und gedachte des Fremden und seiner Erzählungen. Nicht die Schätze sind es, die ein so unaussprechliches Verlangen in mir geweckt haben, sagte er zu sich selbst; fern ab liegt mir alle Habsucht: aber die blaue Blume sehn’ ich mich zu erblicken.“
xxx/ellauri056.html on line 367: Friedrich Schlegel kam am 10. März 1772 als zehntes Kind des lutherischen Pastors und Dichters Johann Adolf Schlegel in Hannover zur Welt. Die Erziehung Friedrichs bereitete der Familie Kummer: "in sich zurückgezogen erschien das Kind schwer erziehbar und zudem von labiler Gesundheit". In einem Brief an seinen Bruder August Wilhelm schreibt er: „Meine Erklärung des Worts Romantisch kann ich Dir nicht gut schicken, weil sie 125 Bogen lang ist.“
xxx/ellauri056.html on line 385: Ohne Zweifel hat zwischen Caroline, ihrer Tochter Auguste und Goethe ein besonderes Verhältnis bestanden. Geschlechtsverkehr sicherlich. Neun Monate später, am 28. April 1785, wurde Carolines erstes Kind Auguste geboren. Takusti Jöötin hässimä, ainakin se ize luuli niin. Als 1803 das Scheitern der Ehe von Caroline und Schlegel klar war, half Goethe sehr eifrig dabei. xxx/ellauri056.html on line 400: Nachdem Schiller Homers Odyssee und Ilias in deutschen Übertragungen wieder gelesen hatte, strebte er danach, der nationale Epiker seiner Zeit zu werden. „ein Künstler der wahre Volksdichter werden könne bei glücklicher Wahl des Stoffes und höchster Simplizität in Behandlung desselben“. Zu diesem Zweck schaute er sich die Arbeitsabläufe in einer Glockengießerei genau an. Der bleiche Gelehrte hat rücksichtsvoll in dem hochlehnigen Stuhl an der Wand Platz genommen, um die Arbeit nicht zu stören.
xxx/ellauri056.html on line 419: „Ob das Spröde mit dem Weichen sich vereint zum guten Zeichen“
xxx/ellauri056.html on line 420: „Drum prüfe wer sich ewig bindet, ob sich das Herz zum Herzen findet“
xxx/ellauri056.html on line 430: Die Straßen füllen sich, die Hallen,
xxx/ellauri056.html on line 464: Tunnetut työt: kategorinen imperatiivi, transsendentaalinen idealismi, analyyttinen ja synteettinen, an sich, sapere aude, planeettakuntien synty.
xxx/ellauri056.html on line 501: Kant valmistui maisteriksi 1755 ja saman vuoden syksyllä valmistui väitöskirja Principiorum Primorum Cognitionis Metaphysicae Nova Dilucidatio. Vuoden lopulla hänestä tuli yliopiston lehtori. Nimityksestä lähtien hän suuntautui yhä enemmän filosofisiin aiheisiin, mutta jatkoi myös luonnontieteistä kirjoittamista koko elämänsä.
xxx/ellauri056.html on line 566: Fichte war das erste von acht Kindern des Bandwebers Christian Fichte (1737–1812) und seiner Frau Maria Dorothea (geb. Schurich, 1739–1813) in Rammenau in der Oberlausitz. Er wuchs ärmlich in einem von Frondiensten geprägten dörflichen Milieu auf. (Frondienst on socage eli torpparius, maaorjuuden eräs muoto.) Seine Auffassungsgabe und sein gutes Gedächtnis fielen einem Verwandten der örtlichen Gutsherrschaft, dem Gutsherrn Ernst Haubold von Miltitz (1739–1774), bei einem Besuch in Rammenau auf: Er hatte eines Sonntags die kirchliche Predigt verpasst, woraufhin der zehnjährige Fichte gerufen wurde, von dem man versicherte, er könne die Predigt wiederholen. Daraufhin imitierte dieser den Pfarrer so perfekt, dass der Freiherr in seiner Entzückung dem Kind nach einer Vorbereitungszeit im Pfarrhaus zu Niederau den Besuch der Stadtschule in Meißen ermöglichte. Danach finanzierte ihm sein Förderer 1774 eine Ausbildung an der Landesschule Pforta bei Naumburg, verstarb jedoch im selben Jahr.
xxx/ellauri056.html on line 568: Nach seiner Schulzeit zog Fichte 1780 nach Jena, wo er an der Universität ein Theologie-Studium begann, wechselte jedoch bereits ein Jahr später den Studienort nach Leipzig. Die Familie von Miltitz unterstützte ihn nun nicht mehr finanziell, er war gezwungen, sich durch Nachhilfeunterricht und Hauslehrerstellen zu finanzieren und brachte das Studium zu keinem Abschluss.
xxx/ellauri056.html on line 570: In dieser aussichtslosen Lage bekam er 1788 in Zürich eine Stelle als Hauslehrer, die er aber nur zwei Jahre innehatte, da er der Auffassung war, dass man, bevor man Kinder erzieht, zuallererst die Eltern erziehen müsse. Dort verlobte er sich mit Johanna Marie Rahn (1755–1819), Tochter des Kaufmanns und Waagmeisters Johann Hartmut Rahn und Nichte des Dichters Klopstock.
xxx/ellauri056.html on line 584: „Das Ich setzt sich selbst, und es ist, vermöge dieses bloßen Setzens durch sich selbst; und umgekehrt: Das Ich ist, und es setzt sein Seyn, vermöge seines bloßen Seyns. – Es ist zugleich das Handelnde, und das Produkt der Handlung; das Thätige, und das, was durch die Thätigkeit hervorgebracht wird; Handlung, und That sind Eins und dasselbe; und daher ist das: Ich bin, Ausdruck einer Thathandlung.“
xxx/ellauri056.html on line 600: Schelling koki, että filosofian oli tarkasteltava ihmisen ja maailman (luonnon) välistä vuorovaikutusta, toisin sanoen tietoisuutta tai maailman kokemista, sekä subjektista käsin fichteläisellä metodologialla, että sen aikaisen tieteen metodologialla objektiivisesta maailmasta käsin. Koska idealistit kehittäessään kantilaista filosofiaa kyseenalaistavat Kantin ”olion sinänsä” (die Dinge an sich) ja käsittelevät tietoisuutta tuotteliaana toimintana (produktive Tätigkeit, jonkinlainen Hördelin-tyyppinen ”Seynia” muistuttava ilmiö), on tämän vaikutus nähtävissä monissa myöhemmissä eurooppalaisissa filosofisissa suuntauksissa.
xxx/ellauri056.html on line 616: Im Hinterhof der Schellingstraße 50 befand sich zeitweise die Parteizentrale der NSDAP. Außerdem hatte hier der NS-Fotograf Heinrich Hoffmann sein Atelier.
xxx/ellauri057.html on line 1004: Lao Rui: On toki naisissakin pöljiä. Mut miespöljyys on silti ding an sich.
xxx/ellauri059.html on line 354: However, when we take into account circumstances that took place before the play, as well as what happens over the course of the plot, Shylock begins to seem a like a victim as well as a villain, and his fate seems excessively harsh. In addition to the abuse Antonio and other Christians routinely subject him to, Shylock lost his beloved wife, Leah. His daughter, Jessica, runs away from home with money and jewels she’s stolen from him, including a ring Leah gave him before she died. Although Solanio reports that Shylock’s was equally upset by the loss of his money as his daughter (“My daughter! O my ducats! O my daughter!” (II. Viii.), we must remember that we are getting a second-hand view through the eyes of an anti-Semitic character who compares Shylock to the devil. As we learn from Shylock himself, the Christians of Venice are happy to borrow money from him, but refuse to accept him as part of Venetian society because they equate his religion with Satan. Shylock has been treated as less than human his whole life, because he is not a Christian. Yet when he tries to collect on a loan, the other characters insist that he act like a Christian and forgive the debt.
xxx/ellauri059.html on line 370: The ships are lost in a storm and just at that time Shylock’s daughter, Jessica, runs off with a Christian, taking money and jewellery with her. Shylock, burning for revenge against the Christians generally, takes Antonio to court to claim his pound of flesh.
xxx/ellauri068.html on line 105: Borat esiintyi säännöllisesti Cohenin Da Ali G Showssa osioissa, joissa hän kysymyksillään aiheutti hämmennystä haastatelluissa ihmisissä. Boratilla on tuuhea tumma tukka ja viikset sekä nuhjuinen puku. Borat on seksistinen ja rasistinen, ja hän kertoo usein Kazakstanista perättömiä seikkoja, joihin ihmiset kuitenkin näyttävät uskovan. Borat myös inhoaa ja pelkää juutalaisia ja väheksyy kehitysvammaisia. Sittemmin Borat on myös juontanut MTV Europe Music Awards -tilaisuuden vuonna 2005 Lissabonissa.
xxx/ellauri068.html on line 165: Die Meistersinger von Nürnberg (German: [diː ˈmaɪstɐˌzɪŋɐ fɔn ˈnʏʁnbɛʁk]; "The Master-Singers of Nuremberg"), WWV 96, is a music drama (or opera) in three acts, written and composed by Richard Wagner. It is among the longest operas commonly performed, usually taking around four and a half hours. It was first performed at the National Theatre Munich, today the home of the Bavarian State Opera, in Munich, on 21 June 1868. The conductor at the premiere was Hans von Bülow.
xxx/ellauri068.html on line 219: So what did I do? I chose to remember that Borges is not a writer of the era of Facebook and autofiction; that it is not true that he hides in his texts, speaks little about himself (in fact, the opposite is true: how often in his work does his double appear, the character called Borges?); he simply does not do it the way in which we are accustomed today; that, like his friend Alfonso Reyes, Borges learned the classical notion of decorum, which is a set of rules of style when writing and also a certain principle of discretion, an obligation not to say absolutely everything that is very likely inconceivable to many people today.
xxx/ellauri068.html on line 314: Alpdrücken — (Alp, Incubus) ist jener allbekannte krankhafte Traumzustand, der sich nur des Nachts im Schlafe einstellt, mit dem beängstigenden Gefühle einer auf die Brust springenden oder bereits aufliegenden Last, wobei der Gequälte zu ersticken meint, und… …
xxx/ellauri068.html on line 318: Alpdrücken — Alpdrücken [nach der Dämonengestalt des Alps (Nachtmahrs) im german. Volksglauben] s; s, : Angst und Beklemmungsgefühl beim Einschlafen oder im Traum, Atembehinderung (meist durch Druck vom Magen her, z. B. nach zu üppigen Mahlzeiten), die sich… …
xxx/ellauri068.html on line 341: Es handelt sich gewöhnlich um ein kleines, schwarzes Wesen, das schlafende Menschen und Haustiere anfällt, selten auch Sachen. Es dringt durch Schlüssel- oder Astlöcher ein. Der Anfall ist mit Angstzuständen und Atemnot verbunden.
xxx/ellauri068.html on line 345: „Da wurde er schläfrig und legte sich nieder zum Schlafe. Als er aber nur ein wenig geschlafen hatte, schrie er auf und sagte, dass ihn eine Mahre trete. Da kamen seine Leute herbei und wollten ihm helfen. Als sie ihn aber oben am Kopfe fassten, trat jene auf seine Beine, dass sie fast zerbrachen. Sie griffen nun nach seinen Füßen, doch die Mahre drückte jetzt so auf sein Haupt, dass er dort sterben musste.“
xxx/ellauri068.html on line 360: Im Jahre 1891 nahm er an der Universität Tübingen sowie am Evangelischen Stift das Studium der evangelischen Theologie auf. Nach seiner Ordination in der Stuttgarter Stiftskirche 1895 wurde er Vikar in Wimsheim und 1897 in Boll. Die dortige Begegnung mit Christoph Blumhardt (juu täähän oli se Herman Hessen kasvatuspappa!) , der sich in seinen späten Jahren aus der engen Bindung mit der evangelischen Kirche löste und zu sozialen Fragen und der Sozialdemokratie hingezogen fühlte, wurde für Wilhelm lebensbestimmend.
xxx/ellauri068.html on line 362: 1899 verlobte er sich mit Christoph Blumhardts Tochter Salome. Die Hochzeit mit Salome Blumhardt fand in Shanghai am 7. Mai 1900 statt. Aus dieser Ehe gingen vier Söhne hervor, die alle in Tsingtau geboren wurden: Siegfried, Manfred, Hellmut und Walt. (Täähän on Wilho Pylkkäsen onnekkaampi kolleega, pääsi olutlähettilääxi kaljatehdaskaupunkiin.) Bereits 1908 reiste Richard Wilhelm zum zweiten Mal nach China (meniköhän Wilhon kanssa samalla laivalla?).
xxx/ellauri068.html on line 551: Irving Berlin (born Israel Beilin; Yiddish: ישראל ביילין; May 11, 1888[3] – September 22, 1989) was an American composer and lyricist, widely considered one of the greatest songwriters in American history. His music forms a great part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five.
xxx/ellauri068.html on line 553: He wrote hundreds of songs, many becoming major hits, which made him famous before he turned thirty. During his 60-year career he wrote an estimated 1,500 songs, including the scores for 20 original Broadway shows and 15 original Hollywood films, with his songs nominated eight times for Academy Awards. Many songs became popular themes and anthems, including "Alexander's Ragtime Band", "Easter Parade", "Puttin' on the Ritz", "Cheek to Cheek", "White Christmas", "Happy Holiday", "Anything You Can Do (I Can Do Better)", and "There's No Business Like Show Business". His Broadway musical and 1943 film This is the Army, with Ronald Reagan, had Kate Smith singing Berlin's "God Bless America" which was first performed in 1938.
xxx/ellauri068.html on line 557: Berlin died in 1989 at the age of 101. Composer Douglas Moore sets Berlin apart from all other contemporary songwriters, and includes him instead with Stephen Foster, Walt Whitman, and Carl Sandburg, as a "great American minstrel"—someone who has "caught and immortalized in his songs what we say, what we think about, and what we believe." Composer George Gershwin called him "the greatest songwriter that has ever lived" and composer Jerome Kern concluded that "Irving Berlin has no place in American music—he is American music."
xxx/ellauri068.html on line 559: President George H. W. Bush said Berlin was "a legendary man whose words and music will help define the history of our nation." Just minutes before the President's statement was released, he joined a crowd of thousands to sing Berlin's "God Bless America" at a luncheon in Boston. Former President Ronald Reagan, who costarred in Berlin's 1943 musical This Is the Army, said, "Nancy and I are deeply saddened by the death of a wonderfully talented man whose musical genius delighted and stirred millions and will live on forever."
xxx/ellauri075.html on line 79: Schestows Gedanken bilden auf den ersten Blick alles andere als eine Philosophie: Sie bilden keine systematische Einheit, kein kohärentes System von Aussagen, keine theoretische Erklärung philosophischer Probleme. Ein Großteil von Schestows Werk ist fragmentarisch, sowohl in Bezug auf die Form (er benutzte oft Aphorismen) als auch in Bezug auf Stil und Inhalt. Schestow scheint sich selbst häufig zu widersprechen, das Paradoxe sogar zu suchen.
xxx/ellauri075.html on line 92: Dieses nennt er Glaube. Gemeint ist nicht ein Glaube im Sinn einer Sicherheit, sondern eine andere Art zu denken, die aus tiefstem Zweifel und Unsicherheit hervorgeht. Es ist die Erfahrung, dass alles möglich ist (Dostojewski), dass das Gegenteil von Notwendigkeit nicht der Zufall ist, sondern die Möglichkeit. Dass eine grenzenlose Freiheit existiert.
xxx/ellauri075.html on line 120: Lev Isaakovich Shestov (Russian: Лев Исаа́кович Шесто́в; 31 January [O.S. 13 February] 1866 – 19 November 1938), born Yehuda Leib Shvartsman (Russian: Иегуда Лейб Шварцман), was a Russian existentialist and religious philosopher. He is best known for his critiques of both philosophic rationalism and positivism. His work advocated a movement beyond reason and metaphysics, arguing that these are incapable of conclusively establishing truth about ultimate problems, including the nature of God or existence. Contemporary scholars have associated his work with the label "anti-philosophy.
xxx/ellauri075.html on line 153: Shestov's works were not met with approval even by some of his closest Russian friends. Many saw in Shestov's work a renunciation of reason and metaphysics, and even an espousal of nihilism. Nevertheless, he would find admirers in such writers as D. H. Lawrence and his friend Georges Bataille.
xxx/ellauri075.html on line 194: More recently, alongside Dostoyevsky's philosophy, many have found solace in Shestov's battle against the rational self-consistent and self-evident; for example Bernard Martin of Case Western Reserve University, who translated his works now found online [external link below]; and the scholar Liza Knapp, who wrote The Annihilation of Inertia: Dostoevsky and Metaphysics. This book was an evaluation of Dostoyevsky's struggle against the self-evident "wall", and refers to Shestov on several occasions.
xxx/ellauri075.html on line 205: Leo Strauss (/straʊs/;[30] German: [ˈleːo ˈʃtʁaʊs];[31][32] September 20, 1899 – October 18, 1973) was a German-American political philosopher and classicist who specialized in classical political philosophy. Born in Germany to Jewish parents, Strauss later emigrated from Germany to the United States. He spent much of his career as a professor of political science at the University of Chicago, where he taught several generations of students and published fifteen books.
xxx/ellauri075.html on line 424: The melody was imported to North America in the 1920s. The renowned klezmer clarinetist and self-proclaimed “King of Jewish music” Naftule Brandwein recorded a purely instrumental version with the title “Der Terk in America” in 1924. Brandwein was born in Peremyshliany (Polish Galicia, now Ukraine) and emigrated to the US in 1909 where he had a very successful career in the early 1920s.
xxx/ellauri075.html on line 470: "Anyone who finds David Foster Wallace a literary genius has got to be included in the Literary Doucebag-Fools Pantheon [sic]," said Ellis.
xxx/ellauri076.html on line 127: The group's work included Kajanus' invention the Nickelodeon, a musical instrument made of pianos, synthesisers and glockenspiels that allowed the four-piece band to reproduce on stage the acoustic arrangements that they had done in the recording studio.
xxx/ellauri076.html on line 131: Kajanus moved with his mother and sister to Paris at the age of twelve where he studied music and classical guitar, as well as attending the Cité Universitaire’s flying school. The family then relocated to Montreal, Quebec, Canada, where Kajanus worked as a stained-glass window designer.
xxx/ellauri076.html on line 133: Kajanus had developed a musical theater concept, Red Light Review, based on his memories of being a young man in places like Pigalle in Paris's red-light district. Encouraged by Grant Serpell to rework this material as pop songs, Kajanus devised the concept for Sailor.
xxx/ellauri076.html on line 203: Girls! Girls! Girls! is a 1962 Golden Globe-nominated American musical comedy film starring Elvis Presley as a penniless Hawaiian fisherman who loves his life on the sea and dreams of owning his own boat. "Return to Sender", which reached No. 2 on the Billboard pop singles chart, is featured in the film. The film opened at #1 on the Variety box office chart and finished the year at #19 on the year-end list of the top-grossing films of 1962. The film earned $2.6 million at the box office.
xxx/ellauri076.html on line 295: sicraiser.com/wp-content/uploads/2020/05/shira-haas-hot-photos-9.jpg" height="200px" />
xxx/ellauri076.html on line 296: sicraiser.com/wp-content/uploads/2020/05/shira-haas-hot-photos-13.jpg" height=200px" />
xxx/ellauri081.html on line 88: Lohan rose to prominence in the music industry under Casablanca Records, releasing two studio albums, the platinum-certified Speak (2004) and gold-certified A Little More Personal (Raw) (2005). Lohan dabbled in fashion, beginning a line of her own titled 6126 and briefly serving as artistic advisor for Emmanuel Ungaro in 2009. Since 2016, she has opened numerous nightclubs and resorts in Greece.
xxx/ellauri081.html on line 171: Luin äsken taatusti suomalaisen sexinovellin jossa 35-vuotias urheiluautomekaanikko Mika vuoronperään pani pomo Janin vaimoa Jessikaa (jostain syystä se kirjoitti nimensä hienostellen Jessica vaikka Mika tiesi että se oli oikeasti Jessika) ja Niina nimistä teini-ikäistä aputyttöä. Molemmat oli yhdessä tietysti täysin rinnoin juonessa mukana. Mikan siittimen pituus jäykkänä oli 24 sm. Se oli huomattavasti pitempi kuin pomo Janilla. Se mahtui pitkänhuiskeaan Jessikaan paremmin kuin Niinan sisälle. Niina oli tiukempi. Novellissa oli aika paljon toistoa. Tyylikeinona.
xxx/ellauri081.html on line 269: Robert F./Bob Death asks Gately if by any chance he’s heard the one about the fish. Glenn K. in his fucking robe overhears, and of course he’s got to put his own oar in, and breaks in and asks them all if they’ve heard the one What did the blind man say as he passed by the Quincy Market fish-stall, and without waiting says He goes “Evening, Ladies.” A couple male White Flaggers fall about, and Tamara N. slaps at the back of Glenn K.’s head’s pointy hood, but without real heat, as in like what are you going to do with this sick fuck?
xxx/ellauri081.html on line 271: Joo Wallu on kieltämättä sick fuck. 1 Danin mulle Stanfordissa opettamista synonyymeistä pillulle oli fishmarket.
xxx/ellauri081.html on line 403: Herr Dr. Zink verband in idealer Weise hohe fachliche und menschliche Kompetenz mit Einsatzbereitschaft und pädagogischem Engagement. Er war ein umsichtiger Schulleiter, ein weithin anerkannter Altsprachler sowie ein kompetenter und allseits beliebter und geschätzter Schulleiter, Lehrer und Kollege.
xxx/ellauri081.html on line 405: Herr Dr. Zink hat sich große Verdienste um das Heinrich-Heine-Gymnasium erworben. Wir werden ihm ein ehrendes Andenken bewahren. Unsere Gedanken sind bei seiner Ehefrau sowie seinen beiden Kindern und deren Familien.
xxx/ellauri081.html on line 513: Benny was born Benjamin Kubelsky in Chicago on February 14, 1894, and grew up in nearby Waukegan. He was the son of Jewish immigrants Meyer Kubelsky (1864–1946) and Emma Sachs Kubelsky (1869–1917), sometimes called "Naomi". Meyer was a saloon owner and later a haberdasher who had emigrated to America from Poland. Emma had emigrated from Lithuania. Benny began studying violin, an instrument that became his trademark, at the age of 6, his parents hoping for him to become a professional violinist. He loved the instrument, but hated practice. His music teacher was Otto Graham Sr., a neighbor and father of football player Otto Graham. At 14, Benny was playing in dance bands and his high school orchestra. He was a dreamer and poor at his studies, and was ultimately expelled from high school. He later did poorly in business school and at attempts to join his father´s business. In 1911, he began playing the violin in local vaudeville theaters for $7.50 a week (about $210 in 2020 dollars). He was joined on the circuit by Ned Miller, a young composer and singer.
xxx/ellauri081.html on line 517: The next year, Benny formed a vaudeville musical duo with pianist Cora Folsom Salisbury, a buxom 45-year-old divorcée who needed a partner for her act. This angered famous violinist Jan Kubelik, who feared that the young vaudevillian with a similar name would damage his reputation. Under legal pressure, Benjamin Kubelsky agreed to change his name to Ben K. Benny, sometimes spelled Bennie. When Salisbury left the act, Benny found a new pianist, Lyman Woods, and renamed the act "From Grand Opera to Ragtime". They worked together for five years and slowly integrated comedy elements into the show. They reached the Palace Theater, the "Mecca of Vaudeville," and did not do well. Benny left show business briefly in 1917 to join the United States Navy during World War I, and often entertained the sailors with his violin playing. One evening, his violin performance was booed by the sailors, so with prompting from fellow sailor and actor Pat O´Brien, he ad-libbed his way out of the jam and left them laughing. He received more comedy spots in the revues and did well, earning a reputation as a comedian and musician.
xxx/ellauri084.html on line 36: Both Hitler's oratory and Wittgenstein's philosophy of language derive from the hermetic tradition, the key to which is Wittgenstein's "no-ownership" theory of mind, described by P. F. Strawson in his book Individuals (1958). The no-ownership theory is a metaphysical doctrine of the self, labelled by Strawson. It arises from cartesian mind-body dualism (see mind body problem) and maintains that conscious experiences with a subject cannot be said to ‘belong’ to that subject, because “Only those things whose ownership is logically transferable can be owned at all“. Kauppamiesmäistä mind-body kapitalismia. Taas yxi kiemurtelu sielun irrottamisexi ruumiista.
xxx/ellauri084.html on line 365: Bohr is the father of the Complementarity Principle, a tenet in quantum physics stating that a complete knowledge of phenomena on atomic scale requires a description of both wave and particle properties. When Bohr was knighted for his work, he used the yin-yang symbol in his coat of arms and inscribed it with the words Contraria sunt complementa (opposites are complementary).
xxx/ellauri084.html on line 531: sicians.allaboutjazz.com/ronbrown?width=800">https://musicians.allaboutjazz.com/ronbrown?width=800
xxx/ellauri084.html on line 803: A new pastor arrives in a stark Vermont village and is intrigued by crippled, misshapen Ethan Frome living on an isolated, hardscrabble farm with his sickly wife Zeena.
xxx/ellauri085.html on line 194: I write about personal finance, investments, entrepreneurship, and basically what a cheapo I am. I am recording all my learnings and mistakes on my youtube channel. Behavioral Economic + Artificial Int
xxx/ellauri085.html on line 213: The work is incredibly mind-numbing so you put on some hopeful music or a comedy show so you can at least have some fun.
xxx/ellauri085.html on line 287: Peterson has characterized himself politically as a "classic British liberal", and as a "traditionalist". He has stated that he is commonly mistaken to be right-wing. Yoram Hazony wrote in The Wall Street Journal that "[t]he startling success of his elevated arguments for the importance of order has made him the most significant conservative thinker to appear in the English-speaking world in a generation. Peterson says that an "analysis of the world's religious ideas might allow us to describe our essential morality and eventually develop a universal system of morality."
xxx/ellauri085.html on line 407:
“No such theory has been found in even the most voluminous and learned histories of economic theories, including J.A. Schumpeter’s monumental 1,260-page History of Economic Analysis. Yet this non-existent theory* has become the object of denunciations from the pages of the New York Times and the Washington Post to the political arena. It has been attacked by Professor Paul Krugman of Princeton and Professor Peter Corning of Stanford, among others, and similar attacks have been repeated as far away as India. It is a classic example of arguing against a caricature instead of confronting the argument actually made.”
xxx/ellauri085.html on line 424: So all a person is saying by promoting supply side is saying “let’s reduce the BARRIERS to doing business, basically to voluntary transactions. If high taxes reduce the number of people willing to risk a start up, then reduce them. IF over regulation and mandates and compliance causes all kinds of expenses, then reduce them. Don’t restrict trade, promote free trade. Reduce things that inhibit starting or running a business. Like healthcare and work security.
xxx/ellauri085.html on line 483: William Darity, a professor of public policy at Duke University, said it’s “nonsensical” to think that greater wealth for the rich translates to improved fortunes for everyone else.
xxx/ellauri086.html on line 244: Basically, says Paul to Romans, dont do anything that looks bad to putative believers. Personally I would not get a tattoo because my wife, children, and grandchildren might be a little surprised to see me wearing one.
xxx/ellauri086.html on line 666: The Scarlet Letter was one of the first mass-produced books in America. It was popular when first published and is considered a classic work today. It inspired numerous film, television, and stage adaptations. Critics have described it as a masterwork and novelist D. H. Lawrence called it a "perfect work of the American imagination".
xxx/ellauri086.html on line 676: The Reverend John Wilson and the minister of Hester's church, Arthur Dimmesdale, question her, but she refuses to name her lover. After she returns to her prison cell, the jailer brings in Chillingworth, now a physician, to calm Hester and her child with his roots and herbs. He and Hester have an open conversation regarding their marriage and the fact that they were both in the wrong. Her lover, however, is another matter and he demands to know who it is; Hester refuses to divulge such information. He accepts this, stating that he will find out anyway, and forces her to conceal that he is her husband. If she ever reveals him, he warns her, he will destroy the child's father. Hester agrees to Chillingworth's terms although she suspects she will regret it.
xxx/ellauri086.html on line 682: Because Dimmesdale´s health has begun to fail, the townspeople are happy to have Chillingworth, the newly arrived physician, take up lodgings with their beloved minister. Being in such close contact with Dimmesdale, Chillingworth begins to suspect that the minister´s illness is the result of some unconfessed guilt. He applies psychological pressure to the minister because he suspects Dimmesdale is Pearl´s father. One evening, pulling the sleeping Dimmesdale´s vestment aside, Chillingworth sees a symbol that represents his shame on the minister´s pale chest.
xxx/ellauri086.html on line 734: Poen aikana Southern Literary Messengerin levikki seitsenkertaistui. Omistaja oli kuitenkin erottanut Poen käyttäytymisensä (sic) johdosta jo kaksi kertaa väliaikaisesti, ja Poe erotettiin lopullisesti joulukuussa 1836. Poe yritti vuonna 1836 myös saada novellikokoelmaansa Tales of the Folio Club julki, mutta kustantaja halusi helppotajuisempia romaaneja eikä jo julkaistuja tarinoita ja torjui sen.
xxx/ellauri086.html on line 946: Paikannäyttäjän talo (The Fall of the House of Usher) is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities.
xxx/ellauri087.html on line 334: Milton Friedman (/ˈfriːdmən/; July 31, 1912 – November 16, 2006) was an American economist who received the 1976 Nobel Memorial Prize in Economic Sciences for his research on consumption analysis, monetary history and theory and the complexity of stabilization policy. With George Stigler and other jews, Friedman was among the intellectual leaders of the Chicago school of economics, a neoclassical school of economic thought associated with the work of the faculty at the University of Chicago that rejected Keynesianism in favor of monetarism until the mid-1970s, when it turned to new classical macroeconomics heavily based on the concept of rational expectations.
xxx/ellauri087.html on line 338: Milton Friedman's's book Capitalism and Freedom eventually brought him popular acclaim. Published by the University of Chicago in 1962, it has sold over half a million copies and has been translated into 18 different languages, no small feat for a popular book on the subject of economics. In the book, he argues for a classically liberal society where free markets solve problems of efficiency, enriching rich in the United Stoates as a side effect. He argues for free markets on the basis of hebrew pragmatism and philosophy. He concludes the book with an argument that most of America’s successes are due to the free market and private enterprise, while most of its greatest failures are due to government intervention. George W. Bush got the point and let private enterprises be jailkeepers and fight the second Iraq war. Welcome back to the 19th century and before.
xxx/ellauri087.html on line 340: Milton Friedman believed that Social Security benefits were the genesis of the welfare state and dependency on government handouts. He advocated the replacement of all welfare programs in America with a negative income tax (effectively a universal basic income, or handouts to the poor) because he did not believe that "society" (the rich) would distribute resources evenly enough for all people to earn a living. Let the destitute have a pittance though they don't deserve it. If they choose to spend it all on drugs that's their choice.
xxx/ellauri087.html on line 342: Friedman was an idiosyncratic figure who would be hard to pigeonhole in the current political spectrum, he kinda drops off on the ultraviolet side. He inspired the conservative movement, but was against any discrimination against gay people, in addition to being an agnostic. He was a libertarian who advocated for a progressive income tax system that even went into the negative to ensure that everyone could, at the very least, meet their basic needs. Elon Musk is all for basic income too. But he also wants to send a Tesla to deep space as a token of esteem to alien intelligence. With a piece of cardboard inside the windshield spelling HUMAN. To sum up, Freedman and Musk are both East European emigrants, Elon is not a jew, and Milton was not gay, although a funny guy.
xxx/ellauri087.html on line 448: To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (1621–1678) either during or just before the English Interregnum (1649–60). It was published posthumously in 1681. This poem is considered one of Marvell's finest and is possibly the best recognised carpe diem poem in English. Although the date of its composition is not known, it may have been written in the early 1650s. At that time, Marvell was serving as a tutor to the daughter of the retired commander of the New Model Army, Sir Thomas Fairfax, fucking her like a rabbit when Papa looked the other way.
xxx/ellauri087.html on line 454: Many authors have borrowed the phrase "World enough and time" from the poem's opening line to use in their book title or inside. The most famous is Robert Penn Warren's 1950 novel World Enough and Time: A Romantic Novel, about murder in early-19th-century Kentucky. (WTF,? bet Ernest Heminway's booklet Farewell for Arms (p. 129) is famouser.) With variations, it has also been used for books on the philosophy of physics (World Enough and Space-Time: Absolute versus Relational Theories of Space and Time), geopolitics (World Enough and Time: Successful Strategies for Resource Management), a science-fiction collection (Worlds Enough & Time: Five Tales of Speculative Fiction), and a biography of the poet (World Enough and Time: The Life of Andrew Marvell). The phrase is used as a title chapter in Andreas Wagner's pop science book on the origin of variation in organisms, "Arrival of the Fittest". The verse serves as an epigraph to Mimesis, literary critic Erich Auerbach's most famous book. It is also the title of an episode of Big Finnish Productions's The Diary of River Song series 2, and of part 1 of Doctor Who's Series 10 finale. It is the title of a Star Trek New Voyages fan episode where George Takei reprises his role as Sulu after being lost in a rift in time. The title of Robert A. Heinlein's 1973 novel Time Enough for Love also echoes this line.
xxx/ellauri087.html on line 620: The term CHAT was coined by Michael Cole and popularized by Yrjö Engeström to promote the unity of what, by the 1990s, had become a variety of currents harking back to Vygotsky's work. Engeström's now famous diagram, or basic activity triangle, – (which adds rules/norms, intersubjective community relations, and division of labor, as well as multiple activity systems sharing an object) – has become the principal third-generation model among the research community for analysing individuals and groups. Engeström summarizes the current state of CHAT with five principles:
xxx/ellauri087.html on line 624: The activity system as primary unit of analysis: the basic third-generation model includes minimally two interacting activity systems.
xxx/ellauri087.html on line 709: Juan Batiste Montabuanin (sic credits E. Saarinen) el Zorro seikkaili Mexikon tulenhehkuisen taivaan alla teräskuntoisena 1800-luvun loppupuolelta (infantan miekkamiehet) 1900-luvun alkuun asti (Chicagon mafia) mikä oli sikäli outoa että nuorukaisena sen sieppasivat mukaan v. 1910 Mexikon vallankumouxen kapinakenraalit Zapata etunenässä ja tappoivat sen vanhemmat. Mutta don Jaimelle on kaikki mahdollista, kun sen alla on hyvä razu Jamie. Joka eli yhtä kauan, ellei sitä vaivihkaa vaihdettu toiseen samannimiseen. Ehkä Zorrollekin kävi näin, vertaa Nastamuuumio. Antonio Banderas muuten on esittänyt sekä Zorroa että Villan Panchoa. Se on niin sopivasti mexikaanon näköinen.
xxx/ellauri091.html on line 183: Die Invasion der Wurmgesichter (orig. Have Spacesuit – Will Travel) ist ein Jugendroman von Robert A. Heinlein. Das Buch ist in Deutschland erstmals 1960 erschienen, deutsche Alternativtitel sind Raumjäger, Piraten im Weltraum sowie Kip überlebt auf Pluto.
xxx/ellauri091.html on line 332: The origin of the political left and right in politics do actually have to with the physical directions, left and right. Time for a history lesson.
xxx/ellauri091.html on line 342: In review, The New Yorker uses strong emotionally loaded headlines such as “Don’t Underestimate Elizabeth Warren and Her Populist Message” and “Is Fraud Part of the Trump Organization’s Business Model?” The New Yorker also publishes satirical articles from satirist Andy Borowitz through his Borowitz Report, such as “Trump Offers to Station Pence at Border with Binoculars in Lieu of Wall.” The Borowitz Report always favors the left and mocks the right. Further, The New Yorker provides original in-depth journalistic reporting such as this: Four Women Accuse New York’s Attorney General of Physical Abuse. The result of this investigation led to the Attorney General resigning just hours after the New Yorker published the story. In general, both wording and story selection tends to mostly favor the left.
xxx/ellauri091.html on line 461: Tuoreimmassa (sic) itsekkyyden kulttuuria edustavassa teoksessaan Ihmisestä, jumaluudesta ja onnesta (2002) Liehu sanoo suoraan sen, minkä on voinut rivien välistä lukea jo hänen runoistaankin: henkilökohtainen onnellisuutemme on suorassa suhteessa kykyymme rakastaa koko juomakuntaa eläimistä kasveihin asti, lukuunottamatta siis esim. sieniä, ameeboja, bakteereja ja viruxia. Niitä ei tarvi rakastaa. On tää vähän eri onnen teoria kuin Timo Airaxisen. Timo ei tahdo onnea vaan rahaa. Ei jumalaa vaan viiniä ja tonnikalaa. Eikä rakkauttakaan vaan sexiä. Se on pakollista.
xxx/ellauri091.html on line 650: We’re big fans of Germany mostly because of its language and the many awesome singular (or plural) words that describe something more complex. Everyone knows schadenfreude and wanderlust, but how about wurmgesicht und endlösung? The German language is the best language, basically.
xxx/ellauri091.html on line 696:
Danes even have a word called “janteloven” that basically means, we’re all equal and important and deserve each other’s respect. This makes it an awesome place to live in, an awesome place for all to visit, and the best country in Europe.
xxx/ellauri103.html on line 185: When photos of the party circulated on social media, campus-wide outrage ensued. Administrators sent multiple emails to the “culprits” threatening an investigation into an “act of ethnic stereotyping.” Partygoers were placed on “social probation,” while the two hosts were ejected from their dorm and later impeached. Bowdoin’s student newspaper decried the attendees’ lack of “basic empathy.” I wonder what that meant. Must look up the word in the dictionary someday.
xxx/ellauri103.html on line 198: In his masterwork English Passengers, Matthew Kneale would have restrained himself from including chapters written in an Aboriginal’s voice – though these are some of the richest, most compelling passages in that novel. If Dalton Trumbo had been scared off of describing being trapped in a body with no arms, legs, or face because he was not personally disabled – because he had not been through a World War I maiming himself and therefore had no right to “appropriate” the isolation of a paraplegic – we wouldn’t have the haunting 1938 classic, Johnny Got His Gun, unless he had written it with a pen in his arse. (Never heard of any of these masterpieces, but then I hadn't heard of Drivel or Kevin either until today.)
xxx/ellauri103.html on line 202: The author of Who Owns Culture? Appropriation and Authenticity in American Law, Susan Scafidi, a law professor at Fordham University who for the record is white, defines cultural appropriation as “taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else’s culture without permission. This can include unauthorised use of another culture’s dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc.”
xxx/ellauri103.html on line 209: So far, the majority of these farcical cases of “appropriation” have concentrated on fashion, dance, and music: At the American Music Awards 2013, Katy Perry got it in the neck for dressing like a geisha. According to the Arab-American writer Randa Jarrar, for someone like me to practice belly dancing is “white appropriation of Eastern dance,” while according to the Daily Beast Iggy Azalea committed “cultural crimes” by imitating African rap and speaking in a “blaccent.” Some of my friends got even told off for painting themselves black with shoe polish and making fat red lips! Now what may be wrong with that, I just ask. Clean innocent fun! Why don't the coons just laugh along?
xxx/ellauri103.html on line 221: But in principle, I admire his courage – if only because he invited this kind of ethical forensics in a review out of San Francisco: “When a white male author writes as a young Nigerian girl, is it an act of empathy, or identity theft?” the reviewer asked. “When an author pretends to be someone he is not, he does it to tell a story outside of his own experiential range. But he has to in turn be careful that he is representing his characters, not using them for his plot.” Depends on who gets the money, I'd say. Chris Cleave hardly gave it all away to poor Nigerian gals.
xxx/ellauri103.html on line 248: Behold, the reviewer in the Washington Post, who groundlessly accused this book of being “racist” because it doesn’t toe a strict Democratic Party line in its political outlook, described the scene thus: “The Mandibles are white. Luella, the single African American in the family, arrives in Brooklyn incontinent and demented. She needs to be physically restrained. As their fortunes become ever more dire and the family assembles for a perilous trek through the streets of lawless New York, she’s held at the end of a leash. If The Mandibles is ever made into a film, my suggestion is that this image not be employed for the movie poster.” Your author, by implication, yearns to bring back slavery. Failing that, she does the best to poke fictive fun at a fictive member of the underprivileged race. Nobody laugh?
xxx/ellauri103.html on line 257:
I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives. We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children. There were five female cousins, an’ in the summertime we hung out together all day long from early until late. In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building. Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs. We had front doors an’ back doors. The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge. And the grass was all worn away in that area. An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear. And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’. But still, you entered the front, you left the rear. We (um) ate our lunches together. When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night. So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together. It was just an institution: lunch in somebody’s yard. An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day. (Um) We gathered at my grandmother’s on Sundays. All my aunts would get those chairs, form a circle. (Uh) One crocheted. (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women. (Uh) The men would gather around the fish pond, which was in a side yard. It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built. There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there. Or he caught a mud turtle, he’d put it in there. An’ there it stayed until it was time to kill it an’ cook it, whatever it was. The pipe in the middle had water that sprayed up all the time. There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust. It’s where we always ate the watermelon. We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind. I hated the things. I thought they were the worst things I ever put in my mouth. But ever’body else thought watermelon pickles were just a great delicacy. That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias. ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it. It was also where we made (uh) ice cream, (uh) on the front porch. We made ice cream on Sunday afternoons. I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day: homemade rolls an’ cakes. And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course. (Um) That was just a big treat, to get to crank that ice cream. It was jus’ our Sunday afternoon thing, an’ I, I think back on it. All the aunts would sit around an’ they’d talk, an’ they’d smoke. Even if you never saw those ladies smoke, any other time o’ the week. On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette. Just a way of relaxing, I suppose. The maple tree’s now gone. In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point. And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …
xxx/ellauri103.html on line 392: Pian Rowling tuli taas raskaaksi ja työskenteli aikaisempaa enemmän Potter-luonnostensa parissa. Lapsi syntyi 27. heinäkuuta 1993 ja sai nimekseen Jessica. Rowlingin ja Arantesin avioliitto oli kuitenkin varsin huonossa tilassa – riitoja oli paljon. Lopulta marraskuussa tilanne kärjistyi niin pitkälle, että Arantes heitti vaimonsa ulos kadulle. Enpä yhtään ihmettele, oisin mäkin varmaan tehnyt samoin jos oisin uskaltanut. Rowling pääsi vähäksi aikaa ystäviensä luokse, "sai" (jollain brittitykkivenediplomatialla varmaan) tyttärensä Arantesin luota ja palasi Isoon-Britanniaan.
xxx/ellauri103.html on line 524: Kathie Lee married Paul Johnson, a composer/arranger/producer/publisher of Christian music, in 1976. After their divorce in 1982, she married sportscaster and former NFL player Frank Gifford in 1986. He died in 2015. Kathie Lee has released studio albums and written books. Kathie Lee has sold clothes made in offshore sweatshops whose living and working conditions were simply inhumane.
xxx/ellauri103.html on line 526: Gifford was born Kathryn Lee Epstein in Paris, France, to American parents, Joan (born Cuttell; January 20, 1930 – September 12, 2017), a singer, and Aaron Epstein (March 19, 1924 – November 19, 2002), a musician and former US Navy Chief Petty Officer. Aaron Epstein was stationed with his family in France at the time of Gifford's birth. Gifford grew up in Bowie, Maryland, and attended Bowie High School.
xxx/ellauri104.html on line 57: F50-F59 Behavioural syndromes associated with physiological disturbances and physical factors (Anorectics)
xxx/ellauri104.html on line 277: POV Physician Office Visit
xxx/ellauri104.html on line 349: These spiritual issues affect the physical 3D body, and that obviously includes the brain. However, the body does not cause the spirit problem. It's the other way round.
xxx/ellauri104.html on line 535: Vuonna 2001 Rorschachin mustetahratesti sai Tieteellinen Amerikkalainen-lehdessä mainetahran pseudotieteenä. Eri psykologit vetivät eri johtopäätöxiä samoista tahroista. Olivatko he subjektiivisia? 2013 ja 2015 julkaistiin meta-analyyseja jotka häivyttivät pseudotieteen tahran Rorschachin takista. MMPI:n jälkeen Rorschachin mustetahroista on kirjoitettu eniten psykologisia julkaisuja. MMPI eli Minnesota Multiphasic Personality Inventory on psykometrinen testipakki aikusten hullujen diagnostiikkaan. Sitä käytetään myös paljon työnhakijoiden testauxessa.
xxx/ellauri104.html on line 690:
Measures an individual's tendency to medically unexplainable physical symptoms
xxx/ellauri113.html on line 50: Gravity is more subtle, though: the real problem is not so much nonrenormalizability as high-energy behavior inconsistent with local quantum field theory. In quantum mechanics, if you want to probe physics at short distances, you can scatter particles at high energies. (You can think of this as being due to Heisenberg's uncertainty principle, if you like, or just about properties of Fourier transforms where making localized wave packets requires the use of high frequencies.) By doing ever-higher-energy scattering experiments, you learn about physics at ever-shorter-length scales. (This is why we build the LHC to study physics at the attometer length scale.)
xxx/ellauri113.html on line 52: With gravity, this high-energy/short-distance correspondence breaks down. If you could collide two particles with center-of-mass energy much larger than the Planck scale, then when they collide their wave packets would contain more than the Planck energy localized in a Planck-length-sized region. This creates a black hole. If you scatter them at even higher energy, you would make an even bigger black hole, because the Schwarzschild radius grows with mass. So the harder you try to study shorter distances, the worse off you are: you make black holes that are bigger and bigger and swallow up ever-larger distances. No matter what completes general relativity to solve the renormalizability problem, the physics of large black holes will be dominated by the Einstein action, so we can make this statement even without knowing the full details of quantum gravity.
xxx/ellauri113.html on line 84: Ex nihilo, nihil fit – is one of the propositions to which great significance was attributed in metaphysics. The proposition is either to be viewed as just a barren tautology, nothing is nothing, or, if becoming is supposed to have real meaning in it, then, since only nothing comes from nothing, there is in fact none in it, for the nothing remains nothing in it. Becoming entails that nothing not remain nothing, but that it pass over into its other, being. – Later metaphysics, especially the Christian, rejected the proposition that out of nothing comes nothing, thus asserting a transition from nothing into being; no matter how synthetically or merely imaginatively it took this proposition, there is yet even in the most incomplete unification of being and nothing a point at which they meet, and their distinguishedness vanishes. –
xxx/ellauri113.html on line 89: On the Fourfold Root of the Principle of Sufficient Reason (German: Ueber die vierfache Wurzel des Satzes vom zureichenden Grunde) is an elaboration on the classical Principle of Sufficient Reason, written by German philosopher Arthur Schopenhauer as his doctoral dissertation in 1813. The principle of sufficient reason is a powerful and controversial philosophical principle stipulating that everything must have a reason or cause. Schopenhauer revised and re-published it in 1847. The work articulated the centerpiece of many of Schopenhauer's arguments, and throughout his later works he consistently refers his readers to it as the necessary beginning point for a full understanding of his further writings.)
xxx/ellauri113.html on line 114: Today, many physicists believe that the holographic principle (specifically the AdS/CFT duality) demonstrates that Hawking's conclusion was incorrect, and that information is in fact preserved. In 2004 Hawking himself conceded a bet he had made, agreeing that black hole evaporation does in fact preserve information.
xxx/ellauri113.html on line 216: V. Jane felt that the nurses and assistants of Prof. Hawking were intruding in their family life and Prof. Hawking felt that Jane had stopped loving him and loved Jonathan instead. After taking divorce from Jane in 1995, Hawking married Elaine Mason. Hawking took divorce from Elaine Mason in 2006 because she was physically abusing him. Prof. Hawking again started having a close friendship with Jane. Jane described her experiences with Prof. Hawking in her memoir Travelling to Infinity: My Life with Stephen which was published in 2007.
xxx/ellauri113.html on line 476: David Berlinski was born in the United States in 1942 to German-born Jewish refugees who had immigrated to New York City after escaping from France while the Vichy government was collaborating with the Germans. His father was Herman Berlinski, a composer, organist, pianist, musicologist and choir conductor, and his mother was Sina Berlinski (née Goldfein), a pianist, piano teacher and voice coach. Both were born and raised in Leipzig where they studied at the Conservatory, before fleeing to Paris where they were married and undertook further studies. German was David Berlinski´s first spoken language. He earned his PhD in philosophy from Princeton University.
xxx/ellauri113.html on line 480: Berlinski has written works on systems analysis, the history of differential topology, analytic philosophy, and the philosophy of mathematics. Berlinski has authored books for the general public on mathematics and the history of mathematics. These include The Secrets of the Vaulted Sky (2003), aimed to redeem astrology as "rationalistic"; Publishers Weekly described the book as offering "self-consciously literary vignettes ... ostentatious erudition and metaphysical pseudo-profundities".
xxx/ellauri113.html on line 500: The above quote is a classic example of evolution being a god-of-the-gaps explanation. There is a total gap in what evolution can explain about the origin of life, and Dawkins invokes the god of evolution to fill in the gap and asserts that natural selection “must” have gotten started somehow. But natural selection by itself cannot create anything; it can only select from things already created.
xxx/ellauri114.html on line 764: According to Genesis 9:20–27, Noah became drunk then cursed his grandson Canaan, for the transgression of Canaan's father, Ham. This is the Curse of Canaan, to which the misnomer "Curse of Ham" has been attached since Classical antiquity.
xxx/ellauri120.html on line 64: No, Freud was rong! Many basic tenets of Freud’s theory have been completely disproved. To name several: Psychosexual stages. The Oedipal complex. Belief that repressed memories from the first year of life can be unearthed. Sexual fantasy about intercourse with a parent is responsible for hysteria. Even more damning, his methods and procedures cannot be called scientific, his evidence lacks scientific credibility, and what is offered as evidence was sometimes fudged, if not outright fabricated. Not surprisingly, Freud is absented from contemporary psychological pedagogy, theory, and research. Claiming, “Freud is right!” is akin to shouting, “Long live the king!”; historical curiosities, both.
xxx/ellauri120.html on line 72: Reason is a weak voice, easily overwhelmed by our desires, or employed, along with various other means, as a defense to protect us from awareness of the real, base motives that drive our thoughts and actions. This is Freud’s foundational vision of the human psyche. It is unflattering, if not repugnant, and basically Wright.
xxx/ellauri120.html on line 227: The Reverend John Wilson and the minister of Hester's church, Arthur Dimmesdale, question her, but she refuses to name her lover. After she returns to her prison cell, the jailer brings in Chillingworth, now a physician, to calm Hester and her child with his roots and herbs. He and Hester have an open conversation regarding their marriage and the fact that they were both in the wrong. Her lover, however, is another matter and he demands to know who it is; Hester refuses to divulge such information. He accepts this, stating that he will find out anyway, and forces her to conceal that he is her husband. If she ever reveals him, he warns her, he will destroy the child's father. Hester agrees to Chillingworth's terms although she suspects she will regret it.
xxx/ellauri120.html on line 233: Because Dimmesdale's health has begun to fail, the townspeople are happy to have Chillingworth, the newly arrived physician, take up lodgings with their beloved minister. Being in such close contact with Dimmesdale, Chillingworth begins to suspect that the minister's illness is the result of some unconfessed guilt. He applies psychological pressure to the minister because he suspects Dimmesdale is Pearl's father. One evening, pulling the sleeping Dimmesdale's vestment aside, Chillingworth sees a symbol that represents his shame on the minister's pale chest.
xxx/ellauri120.html on line 466: She can love to heal the sick and she can love to raise the dead
xxx/ellauri121.html on line 323: James "Jim" Polk was the long time editorial director of House of Anansi Press and edited two books by Charles Taylor, as well as work by Margaret Atwood, George Grant, Northrop Frye, and many others. With a literature PhD (which Peggy never finished) he has taught at Harvard, Idaho, Ryerson and Alberta, and has written a comic novel, a stage comedy about Canadian publishing, articles, short stories, and criticism about Canadian writers and writing. As an advisor at the Ontario Ministry of Culture, he worked on grants for theatre and books, developed a tax credit for publishers and remodelled the Trillium Book Prize to include Franco Ontarian writing. He lives in Toronto and, trained as a pianist, still practices daily, playing classics and show-tunes in seclusion.
xxx/ellauri122.html on line 379: Trotz der Lage des heutigen Dialektgebiets im Freistaat Sachsen zählt die Oberlausitzer Mundart nicht zur obersächsischen Dialektgruppe, sondern reiht sich eher in die Kette der sächsischen Bergdialekte wie z. B. dem Erzgebirgischen ein, besonders ist eine Nähe zum osterzgebirgischen Dialekt erkennbar. Eine größere historische Nähe existiert allerdings zu den früher weiter östlich und südlich von den Deutschen in Böhmen gesprochenen Dialekten, dem Nordböhmischen und Gebirgsschlesischen bzw. Schlesischen. Man kann die Mundart so im weitesten Sinne auch als einen der wenigen verbliebenen Sudetendialekte bezeichnen. Eine gewisse Ähnlichkeit zu den obersächsischen Dialekten ist jedoch durchaus vorhanden, insbesondere im Bereich der Vokalverschiebungen.
xxx/ellauri122.html on line 404: Nachfolgende Tabelle gibt eine Übersicht über spezielle Begriffe der Oberlausitzer Mundart, die sich nicht ohne Weiteres aus dem Hochdeutschen erschließen lassen.
xxx/ellauri122.html on line 461:
unablässig arbeiten herumwirtschaften, sorb. so wjerćeć – sich drehen xxx/ellauri122.html on line 746: Robel hätte gern den Mann bei sich, der das alles entscheidet. Der das Ergebnis der Bohrungen zusammenfaßt und den entscheidenden Strich zieht: bis hierher und dann weiter! Nach Abwägen des Vorhandenen, unter Berücksichtigung der Kosten, der Notwendigkeit folgend.
xxx/ellauri122.html on line 748: Ja, die Notwendigkeit. Robel ist schließlich kein Träumer. Er weiß, was nötig ist. Das Land braucht Kohle, auf Gedeih und Verderb Kohle. Und wenn der Preis auch hoch ist, man muß ihn zahlen. Man muß ihr, der bitteren Notwendigkeit, ein Landschaft in den Rachen werfen. Robel selbst ruft alle diese Zwänge hervor. Er will auf guten Asphalt- oder Betonstraßen fahren, er will es warm haben, wenn er im Winter Bier trinkt, warm auch vor dem Fernseher, warm im Bett, er will sein gutes Geld und die Gewißheit, einen Trabant kaufen zu können wenn er es nur wollte: Er will überhaupt leben, wie ein Mensch in Mitteleuropa nur leben kann. Kein Jota will er abstreicher keine Unbequemlichkeit in Kauf nehmen, keinen Pfennig nachlassen; und dieser Wille ist es, der, millionenfach vermehrt, der Landschaft hier das Genick brechen wird. Robel weiß das. Und trotz alledem hätte er gern den Mann bei sich der das letzten Endes entscheidet. Der den Strich zieht und das Urteil im Namen der Millionen spricht. Er würde ihm gern das Dorf zeigen, würde ihm von den Bäumen und dem Fenster erzählen, von der Wirtsfrau, die über seinem Knie gelegen hat.Er würde den Namen des Hundes nennen, der gerade bellt. Und dann würde er sehen, ob dem Mann die Entscheidung leicht fällt.
xxx/ellauri122.html on line 772: Business Insider has compiled a list of 25 such classics, drawn from Amazon’s list of 100 lifetime books, Goodreads recommendations, and the opinions of the editors. A common trend among these books is their exploration of politics, history, and human conditions - insights which allow these literature to withstand the test of time. Here’s the list:
xxx/ellauri122.html on line 863: The book has been controversial over the years and is listed as number eight on the American Library Association's list of frequently banned classics. It's the first even halfway good book so far. Proof: it was banned in U.S. schools.
xxx/ellauri122.html on line 884: Burgess' 1960s classic is a nightmare vision of a future filled with criminals who roam the streets after dark.
xxx/ellauri122.html on line 918: Heller's classic tale centres around the loss of faith that comes with the rise of bureaucratic power. This book too is a pile of shit.
xxx/ellauri122.html on line 986: The Holocaust is known for its physical and psychological
xxx/ellauri122.html on line 1158: Henkilökuvakokoelmassaan Music for Chameleons hän toteaa
xxx/ellauri122.html on line 1165: Bark (1973) ja Music for Chameleons (1980). Seuraavan
xxx/ellauri123.html on line 83: Mellan 1926 och 1928 lät han uppföra Tändstickspalatset i Stockholm efter ritningar av Ivar Tengbom. Huset blev platsen för koncernens huvudkontor och ett påkostat byggnadsverk i svensk tjugotalsklassicism, skapat av en lång rad av Sveriges främsta formgivare, konstnärer och hantverkare.
xxx/ellauri123.html on line 723: sicaa.jpg/220px-1878_Frederick_Leighton_-_Nausicaa.jpg
xxx/ellauri123.html on line 745: Evidence is presented that the author of Lolita, Vladimir Nabokov, was himself consciously a pedophile who acted out his desires vicariously through his writing. Drawing upon his literary works and biography, the manifest and genetic origins of Nabokov´s pedophilia are traced back to an unresolved oedipal conflict complicated by childhood sexual abuse. Humbert Humbert, the protagonist in the novel Lolita, is the classic literary portrayal of a pedophile. Evidence is presented that the author of Lolita, Vladimir Nabokov, was himself consciously a pedophile who acted out his desires vicariously through his writing. Drawing upon his literary works and biography, the manifest and genetic origins of Nabokov´s pedophilia are traced back to an unresolved oedipal conflict complicated by childhood sexual abuse. The raw power of Lolita derives from the abreactive discharge of a libidinal cathexis denied any other mode of expression.
xxx/ellauri123.html on line 762: The impassioned Humbert constantly searches for discreet forms of fulfilling his sexual urges, usually via the smallest physical contact with Dolores. When Dolores is sent to summer camp, Humbert receives a letter from Charlotte, who confesses her love for him and gives him an ultimatum – he is to either marry her or move out immediately. Initially terrified, Humbert then begins to see the charm in the situation of being Dolores' stepfather, and so marries Charlotte for instrumental reasons (päästäxeen salaa työntämään Lolan piccu tacoon isoa munakoisoa). Charlotte later discovers Humbert's diary, in which she learns of his desire for her daughter and the disgust Charlotte arouses in him. Shocked and humiliated, Charlotte decides to flee with Dolores and writes letters addressed to her friends warning them of Humbert. Disbelieving Humbert´s false assurance that the diary is a sketch for a future novel, Charlotte runs out of the house to send the letters but is killed by a swerving car. Humbert destroys the letters and retrieves Dolores from camp, claiming that her mother has fallen seriously ill and has been hospitalized. He then takes her to a high-end hotel that Charlotte had earlier recommended. Humbert knows he will feel guilty if he consciously rapes Dolores, and so tricks her into taking a sedative by saying it is a vitamin. As he waits for the pill to take effect, he wanders through the hotel and meets a mysterious man who seems to be aware of Humbert´s plan for Dolores. Humbert excuses himself from the conversation and returns to the hotel room. There, he discovers that he had been fobbed with a milder drug, as Dolores is merely drowsy and wakes up frequently, drifting in and out of sleep. He dares not touch her that night. In the morning, Dolores reveals to Humbert that she actually has already lost her virginity, having engaged in sexual activity with an older boy at a different camp a year ago. He immediately begins sexually abusing (fucking) her. And they lived happily ever after.
xxx/ellauri123.html on line 998: The Haze family physician, who gives Humbert
xxx/ellauri123.html on line 1004: are on the subject of physicians, remember how
xxx/ellauri123.html on line 1119: literature and music. As a student
xxx/ellauri124.html on line 138: James' wife Tine says she struggled at first with the other "women" coming into James' life while she was caring for her sick mother but has now grown accustomed to them sharing his bed, reports The Mirror.
xxx/ellauri124.html on line 176: In 50 years, I'll be 120. I think I'll wait until they make a Samantha or April that nags at me and slaps me spontaneously on the butt. And has a sick mother to care for made out of lifelike silicone.
xxx/ellauri124.html on line 422: Melville classic.
xxx/ellauri124.html on line 528: There are 6 tapbacks, basically they are prefabricated one word text messages that appear on the screen inside the first pair part instead of a new message. Big fat hairy deal, but it sets you apart from the hoi polloi. Those six responses include a
xxx/ellauri124.html on line 1056: Chat GPT:n taustalta löytyy organisaatio, joka on erikoinen viritelmä. Sen tavoitteena on koko talousjärjestelmän mullistaminen yleisellä tekoälyllä. Unelmatiimi oli kasassa, Piilaakson nimekkäimpiä yrittäjiä ja sijoittajia. Elon Musk, Greg Brockman, Reid Hoffman, Jessica Livingston, Peter Thiel ja Sam Altman perustivat voittoa tavoittelemattoman Open AI -tutkimussäätiön tekoälyn kehitykseen vuonna 2015.
xxx/ellauri125.html on line 187: Muusikon uransa lisäksi West tunnetaan suorasanaisena ja keskustelua herättävänä henkilönä johtuen hänen useista julkisista lausunnoistaan. West on näet suunnitellut kenkiä muun muassa Nikelle, Adidakselle ja Louis Vuittonille. Hän on perustanut myös oman levy-yhtiönsä GOOD Musicin, jonka artisteja ovat muun muassa Paul McCartney, John Legend ja Pusha T.
xxx/ellauri125.html on line 201: West on yksi maailman myydyimmistä artisteista 21 miljoonalla myydyllä albumilla ja 66 miljoonalla digitaalisella latauksella. Only One on chicagolaisen hip-hop-artistin ja tuottajan Kanye Westin single, jonka julkaisi GOOD Music ja Def Jam 31. joulukuuta 2014. Single on ensimmäinen Yeezus-albumin (0 AD) jälkeen julkaistu kappale, ja sillä vierailee The Beatles -yhtyeen basisti Paul McCartney. Kappaleen tuottivat West itse, Mike Dean, Rick Rubin ja Paul McCartney. Kappaleen oli tarkoitus ilmestyä Westin The Life of Pablo -albumilla, joka tunnettiin vielä silloin nimellä So Help Me God. Kappale sai vaihtelevaa palautetta kriitikoilta. LA Timesin kirjoittaja Randall Roberts pitää kappaleen minimalistista tyyliä tylsänä ja epämääräisenä. Hän arvosti kappaleen tarkoitusta, muttei pitänyt ideasta laulaa kappale Kanyen mammavainaan Dondan perspektiivistä. Kanye on laulanut äidistään aiemmin Late Registration -albumin kappaleella Hey Mama.
xxx/ellauri125.html on line 296: Los Angeles Times Pop Music Critic
xxx/ellauri125.html on line 302: “Yeezus” is the most musically adventurous album West has ever released, a wildly experimental work that features tracks produced by Daft Punk, Hudson Mohawke, Rick Rubin and others. It’s also West’s most narcissistic, defiant, abrasive and unforgiving.
xxx/ellauri125.html on line 471: Side, in the slums where his classic novel Call It Sleep is set. In 1914, the
xxx/ellauri125.html on line 480: classic novel Call It Sleep is set. In 1914, the family moved to Harlem. Roth
xxx/ellauri125.html on line 485: With Walton's support, he began Call It Sleep in about 1930, completed the novel in the spring of 1934, and it was published in December 1934, to mostly good reviews. Yet the New York Herald Tribune's book critic Lewis Gannett foresaw that the book would not prove popular with its bleak depiction of New York's Lower East Side, but wrote readers would "remember it and talk about it and watch excitedly" for Roth's next book. Call It Sleep sold slowly and poorly, and after it was out-of-print, critics writing in magazines such as Commentary and Partisan Review kept praising it, and asking for it to be reprinted. After being republished in hardback in 1960 and paperback in 1964, with more than 1,000,000 copies sold, and many weeks on the New York Times bestseller list, the novel was hailed as an overlooked Depression-era masterpiece and classic novel of immigration. Today, it is widely regarded as a masterpiece of Jewish American literature. With Walton's support, he began Call It Sleep in about 1930, completed the novel in the spring of 1934, and it was published in December 1934, to mostly good reviews. Yet the New York Herald Tribune's book critic Lewis Gannett foresaw that the book would not prove popular with its bleak depiction of New York's Lower East Side, but wrote readers would "remember it and talk about it and watch excitedly" for Roth's next book. Call It Sleep sold slowly and poorly, and after it was out-of-print, critics writing in magazines such as Commentary and Partisan Review kept praising it, and asking for it to be reprinted.[ After being republished in hardback in 1960 and paperback in 1964, with more than 1,000,000 copies sold, and many weeks on the New York Times bestseller list, the novel was hailed as an overlooked Depression-era masterpiece and classic novel of immigration. Today, it is widely regarded as a masterpiece of Jewish American literature. After Muriel's death in 1990, Roth moved into a ramshackle former funeral parlor and occupied himself with revising the final volumes of his monumental work, Mercy of a Rude Stream. It has been alleged that the incestuous relationships between the protagonist, a sister, and a cousin in Mercy of a Rude Stream are based on Roth's life. Roth's own sister denied that such events occurred. Roth attributed his massive writer's block to personal problems such as depression, and to political conflicts, including his disillusion with Communism. At other times he cited his early break with Judaism and his obsessive sexual preoccupations as probable causes. Roth died in Albuquerque, New Mexico, United States in 1995. The character E. I. Lonoff in Philip Roth's Zuckerman novels (The Ghost Writer and Exit Ghost in this case), is a composite of Roth, Bernard Malamud and fictional elements.
xxx/ellauri125.html on line 626: Rajaton is a Finnish a cappella ensemble, founded in Helsinki in 1997. The Finnish word rajaton means "boundless", to indicate the breadth of their repertoire, from sacred classical to near Europop. Rajaton performs primarily in Finland but also tours around Europe and the rest of the world, having performed in over 25 countries.
xxx/ellauri125.html on line 764: The next several years were marked by publicity surrounding Love's legal troubles and drug relapse, which resulted in a mandatory lockdown rehabilitation sentence in 2005 while she was writing a second solo album. That project became Nobody's Daughter, released in 2010 as a Hole album but without the former Hole lineup. Between 2014 and 2015, Love released two solo singles and returned to acting in the network series Sons of Anarchy and Empire. In 2020, she confirmed she was writing new music.
xxx/ellauri125.html on line 791: Hole's performance on August 26, 1994, at the Reading Festival—Love's first public performance following Cobain's death—was described by MTV as "by turns macabre, frightening and inspirational". John Peel wrote in The Guardian that Love's disheveled appearance "would have drawn whistles of astonishment in Bedlam", and that her performance "verged on the heroic ... Love steered her band through a set which dared you to pity either her recent history or that of the band ... the band teetered on the edge of chaos, generating a tension which I cannot remember having felt before from any stage." The band performed a series of riotous concerts over the following year, with Love frequently appearing hysterical onstage, flashing crowds, stage diving, and getting into fights with audience members. One journalist reported that at the band's show in Boston in December 1994: "Love interrupted the music and talked about her deceased husband Kurt Cobain, and also broke out into Tourette syndrome-like rants. The music was great, but the raving was vulgar and offensive, and prompted some of the audience to shout back at her."
xxx/ellauri125.html on line 793: In January 1995, Love was arrested in Melbourne for disrupting a Qantas flight after getting into an argument with a stewardess.[163] On July 4, 1995, at the Lollapalooza Festival in George, Washington, Love threw a lit cigarette at musician Kathleen Hanna before punching her in the face, alleging that Hanna had made a joke about her pleaded guilty to an assault charge and was sentenced to anger management classed. In November 1995, two male teenagers sued Love for allegedly punching them during a Hole concert in Orlando, Florida in March 1995. The judge dismissed the case on grounds that the teens "weren't exposed to any greater amount of violence than could reasonably be expected at an alternative rock concert". Love later said she had little memory of 1994–1995, as she had been using large quantities of heroin and Rohypnol at the time. Mullakin on noista vuosista hämärähköt muistot, paizi että muutettiin Ilmattarentielle.
xxx/ellauri126.html on line 305: Deepak Chopra (/ˈdiːpɑːk ˈtʃoʊprə/; Hindi: [d̪iːpək tʃoːpɽa]; born October 22, 1946) is an Indian-American author and alternative medicine advocate. A prominent figure in the New Age movement, his books and videos have made him one of the best-known and wealthiest figures in alternative medicine. His discussions of quantum healing have been characterised as technobabble - "incoherent babbling strewn with scientific terms" which drives those who actually understand physics "crazy" and as "redefining Wrong".
xxx/ellauri126.html on line 307: Chopra studied medicine in India before emigrating in 1970 to the United States, where he completed a residency in internal medicine and a fellowship in endocrinology. As a licensed physician, in 1980 he became chief of staff at the New England Memorial Hospital (NEMH). In 1985, he met Maharishi Mahesh Yogi and became involved in the Transcendental Meditation (TM) movement. Shortly thereafter he resigned his position at NEMH to establish the Maharishi Ayurveda Health Center. In 1993, Chopra gained a following after he was interviewed about his books on The Oprah Winfrey Show. He then left the TM movement to become the executive director of Sharp HealthCare's Center for Mind-Body Medicine. In 1996, he co-founded the Chopra Center for Wellbeing.
xxx/ellauri126.html on line 311: The ideas Chopra promotes have regularly been criticized by medical and scientific professionals as pseudoscience. The criticism has been described as ranging "from the dismissive to...damning". Philosopher Robert Carroll writes that Chopra, to justify his teachings, attempts to integrate Ayurveda with quantum mechanics. Chopra says that what he calls "quantum healing" cures any manner of ailments, including cancer, through effects that he claims are literally based on the same principles as quantum mechanics. This has led physicists to object to his use of the term "quantum" in reference to medical conditions and the human body. Evolutionary biologist Richard Dawkins has said that Chopra uses "quantum jargon as plausible-sounding hocus pocus". Chopra's treatments generally elicit nothing but a placebo response and have drawn criticism that the unwarranted claims made for them may raise "false hope" and lure sick people away from legitimate medical treatments.
xxx/ellauri126.html on line 474: Claude Sarraute est devenue mère à son tour. Elle a eu deux garçons, Laurent et Martin, avec le physicien Christophe Tzara, puis un fils, Nicolas Devel, avec l'académicien Jean-François Revel et une fille, Véronique.
xxx/ellauri127.html on line 53: "Trees" is frequently included in poetry anthologies and has been set to music several times—including a popular rendition by Oscar Rasbach, performed by singers Nelson Eddy, Robert Merrill, and Paul Robeson.
xxx/ellauri127.html on line 230: Taco emoji Is Here to Fulfill Your Needs. The 🌮 can be a physical representation of female genitalia. xxx/ellauri127.html on line 358: Lukuisesti lukema ja suosittu romaani toi mainetta Stratton-Porterille. Kirjan koko teksti on saatavilla verkossa monissa paikoissa, kuten osoitteessa ClassicReader.com. New York Times kutsui romaania "merkittäväksi". Patricia Raub kertoi romaanin naisista tuon vuosikymmenen aikana, "Stratton-Porter vakiinnutti sankaritarinsa kuvaamalla Elorna Cumstickin vuonna 1909 julkaistussa A tyttö Limberlostissa, ja hänen päähenkilöidensä kuvaus pysyi käytännössä muuttumattomana sen jälkeen. Terve, järkevä ja kaunis Elorna on myös myötätuntoinen, itsevarma ja älykäs: 'Ei ollut minkäänlaista kärsimystä, jota tyttö ei voinut myötätuntoa, ei työtä, jota hän pelkäsi yrittää, eikä yhtään tutkittavaa aihetta, jota hän ei ymmärtänyt.' Kun komea nuori sankari saapuu paikalle, Elorna vangitsee hänet välittömästi, vaikka fyysisesti houkutteleva, mutta itsekäs yhteiskuntatyttö väittää jo hänen. Elornan hyve voittaa hänet sankarin. Yhdistys Elornan kanssa kehottaa yhteiskuntatyttöä uudistumaan: hän lupaa olla tulevaisuudessa enemmän kuin Elorna. " Toinen arvostelija kirjoitti sen "tämän kirjan sankaritar on virkistävä esimerkki nuoresta naisesta, jonka todellinen houkuttelevuus on hänen rohkeudessaan ja älykkyydessään, erityisesti kärsimysten edessä, vaikka hänellä on edelleen terveellinen huolenaihe siitä, kuinka hänet" puusepäksi ". Hän omaksuu myös syvän rakkauden Jumalan luomakuntaan olematta raivostunut ympäristönsuojelija. - - Elornan ainoa kiintymys on naapuriparista, jolla ei ole omia lapsia. Tässä kylmässä ilmapiirissä Elorna kukoistaa ihmisen harvinaiseksi jalokiveksi; Sen sijaan että hän katkeroituu äitinsä tavoin, hän palaa rakkauteen äitinsä huolimattomuudesta ja osoittaa huomattavaa kekseliäisyyttä vastaamaan haaveisiin, joita hänen unelmansa tavoittavat, kun hän yrittää selvittää uudelleen uskollisesti äitinsä käskyille. - - Elorna on huomattavan kärsivällinen ja rakastava tehdessään läpi. vaikeissa koettelemuksissa, mutta sen sijaan, että hän olisi uskomaton, sairaanherkullinen hahmo, hän osoittaa malttia, ahdistusta ja kulkee joskus hienolla rajalla äitinsä tottelevaisuuden ja tiettyjen asioiden piilottamisen oikeuttamisen välillä. Esseen, Joan Aiken mainitsi kuvauksen Elorna n Lunchbox hyvänä esimerkkinä yksityiskohtia kirjallisesti.
xxx/ellauri127.html on line 377: We tracked down scientific findings that did not zero in on physical appearances alone. Some of the studies are small, or included only horny Western male college students, so they cannot be overgeneralized. But the results are still intriguing — and often educational.
xxx/ellauri127.html on line 517: He helps Lorenzo abduct Jessica, which almost makes him late for the departure to Belmont. He falls in love with Nerissa, Portia’s lady-in-waiting, who agrees to marry him on condition that Bassanio succeeds in the task of the caskets. He has no compunction about admitting to the mercenary nature of Bassanio’s choice of bride.
xxx/ellauri127.html on line 593: That with music loud and long, Niin siitäpä mä riemastuisin
xxx/ellauri127.html on line 659: About Me: At the age of 17 and a half, I performed his first Hypnosis without taking any course. This would forever mark his life as a physician and his clinical approach to his patients. After graduating in medicine, I practiced hospital medicine.
xxx/ellauri127.html on line 711: Endymion" is a poem by John Keats first published in 1818 by Taylor and Hessey of Fleet Street in London. John Keats dedicated this poem to the late poet Thomas Chatterton. Thomas Chatterton (20 November 1752 – 24 August 1770) was an English poet whose precocious talents ended in suicide at age 17. He was an influence on Romantic artists of the period such as Shelley, Keats, Wordsworth and Coleridge. Chatterton was born in Bristol where the office of sexton of St Mary Redcliffe had long been held by the Chatterton family. The poet's father, also named Thomas Chatterton, was a musician, a poet, a numismatist, and a dabbler in the occult. Tom got one over on his uncle the sexton: han var sjutton när han dog.
xxx/ellauri127.html on line 719: However, Endymion, the "brain-sick shepherd-prince" of Mt. Latmos, is in a trancelike state, and not participating in their discourse. His sister, Peona (Fanny), takes him away and brings him to her resting place where he sleeps. After he wakes, he tells Peona of his encounter with Cynthia (Fanny B.), and how much he loved her. The poem is divided into four books, each approximately 1,000 lines long. TLDR, quips Peona.
xxx/ellauri127.html on line 738: At eighteen, Fanny Brawne “was small, her eyes were blue and often enhanced by blue ribbons in her brown hair; her mouth expressed determination and a sense of humour and her smile was disarming. She was not conventionally beautiful: her nose was a little too aquiline, her face too pale and thin (some called it sallow). But she knew the value of elegance; velvet hats and muslin bonnets, crêpe hats with argus feathers, straw hats embellished with grapes and tartan ribbons: Fanny noticed them all as they came from Paris. She could answer, at a moment’s notice, any question on historical costume. ... Fanny enjoyed music. ... She was an eager politician, fiery in discussion; she was a voluminous reader. ... Indeed, books were her favourite topic of conversation”.
xxx/ellauri127.html on line 911: Think not of them, thou hast thy music too,— Älä niitä haeskele, sulla ihan oma musa on, -
xxx/ellauri128.html on line 40: Sysmän Koskueen Salpakierron kierrätyskaupasta löytyi egellä V.A. Koskenniemen Vaeltava viisaus. Lopetetun Alkon edessä oli myytävänä luottokaupalla Hannu Tarmion Elämän viisauden kirja. Maxoinkohan edes egeä. Molemmat WSOY:n julkaisuja. Turmiolan kirja ilmestyi 1990, Vaakun vuonna 1952. Vuosi 1952 oli tärkeä vuosi myös Vladi Nabokoville, kuten Witte totesi (kz. edellinen albumi). Kreikkalaisen sananjohtonsa mukaisesti merkizee aforismi rajoitusta, ja se voitaisiin vaihtaa myös sanaan "määritelmä" (kreikkalaiset eivät kyllä siitä pitäisi). Sitä käytetään usein synonoomisesti (sic) maksiimin kanssa. Kuten raamatussa, näissä kokoelmissa on keskenään ristiriitaisia päähänpistoja. Joku Ebner-Aschenbach nimitti aforismia puuttuvaxi renkaaxi ajatusketjussa. Ryhtyessään toimittamaan tätä antologiaa, jonka ajallinen raja on 2. maailmansota, Vaakku nojasi omaan kotikokoelmaansa. Vaakun töräyxet valmistuivat Hangossa elokuussa 1952.
xxx/ellauri128.html on line 147: Fulda oli etevä kääntäjä. Hän muun muassa saksansi Molièrea ja Rostandia. Fulda entstammte einer seit 1639 in Frankfurt am Main ansässigen jüdischen Familie, deren Name bis 1852 Fuld lautete. Er war der Sohn des Kaufmanns Carl Hermann Fulda (1836–1917) und seiner Ehefrau Clementine, geb. Oppenheimer (1839–1916). Ab 1884 lebte er als freier Schriftsteller in München, 1887 wieder in Frankfurt, 1888 bis 1894 in Berlin, danach wieder in München und ab 1896 schließlich dauerhaft in Berlin. In Deutschland erhielt er Ausgehverbot und wurde gezwungen, den Vornamen Israel zu führen. Zwei Tage, nachdem das Reichswirtschaftsministerium seine Bitte, den ihm verliehenen Burgtheater-Ring von der für alle Juden angeordneten Abgabe aller Wertgegenstände auszunehmen, am 28. März 1939 abgewiesen hatte, nahm er sich das Leben. Er starb am 30. März im Alter von 76 Jahren in Berlin und ist auf dem Waldfriedhof Dahlem bestattet. Sein Grab ist heute ein Ehrengrab der Stadt Berlin.
xxx/ellauri128.html on line 157: François VI, deuxième duc de La Rochefoucauld, prince de Marcillac, pair de France, né le 15 septembre 1613 à Paris et mort le 17 mars 1680 dans la même ville, est un écrivain, moraliste, mémorialiste et militaire français du XVIIe siècle. Il fait partie du mouvement littéraire du classicisme et est surtout connu pour ses Maximes. Bien qu'il n'ait publié officiellement que ses Mémoires et ses Maximes, sa production littéraire est dense. Dense se oli izekin. Jopa J-J. Rousseau sanoi, eze oli surullinen passka.
xxx/ellauri128.html on line 164: Ensimmäinen edes vähän merkittävä kirja on Die unsichtbare Loge ('Näkymätön loosi') ilmestyi 1793. Persoonallisen romaanin kertojana oli ensimmäistä kertaa henkilö nimeltä Jean Paul. Tätä nimeä ei voi suorastaan pitää pseudonyyminä, sillä Richter ei kirjoja julkaistessaan koskaan halunnut suorastaan salata henkilöllisyyttään. Richter julkaisi kirjansa nimellä Jean Paul, mutta tämä oli puhtaan kirjailijanimen sijasta osittain fiktiivinen hahmo hänen romaaneissaan. Monet lukijat, etenkin Richterin naispuoliset ihailijat, uskoivat vilpittömästi, että Richter ja fiktiivinen Jean Paul olivat todella sama henkilö. (Richter oli tylsän porsaan näköinen, onnexi kirjan liepeessä ei siihen aikaan julkaistu kirjailijan kuvia.) Richterin maine kasvoi ja hän sai valtavasti ihailijoita. Matkallaan Weimariin 1796 hän tapasi Johann Wolfgang von Goethen, Friedrich Schillerin, Johann Gottfried Herderin ja monia muita tärkeitä kulttuurivaikuttajia ja muutti kaupunkiin influensserixi itsekin vuonna 1798. Richteristä tuli hyvin kuuluisa, ja legendoja hänen epätoivoisten naisihailijoidensa tempauksista löytyy edelleen elämäkertakirjallisuudesta. Totta lienee ainakin se, että Richterillä oli useita kosijoita ja hän oli kihloissa useita kertoja ennen avioliittoaan Karoline Meyerin kanssa 1801. Vuodesta 1804 Richter ja hänen kolmilapsinen perheensä asuivat Bayreuthissa.
xxx/ellauri128.html on line 193: Mit dem gleichaltrigen angehenden Mediziner David Veit (1771–1814), der Goethe in Weimar besuchte und ihr seine äußere Erscheinung genau schildern musste, führte die junge Levin eine ausgiebige Korrespondenz, die sich auf Fragen des jüdischen Selbstverständnisses ausdehnte. Ihre Außenseiterrolle als Frau und als Jüdin, die ihr weder eine akademische Bildung noch die intellektuelle Teilhabe am aufgeklärten Diskurs ermöglichte, erlebte sie als bedrückend. Ihrer eigenen Sensibilität sowie ihrem Ungenügen an dem Missverhältnis zwischen Anspruch und Wirklichkeit gab sie wie folgt Ausdruck: „Ich verstell’ mich, artig bin ich, daß man vernünftig sein muß, weiß ich; aber ich bin zu klein das auszuhalten, zu klein; ich will nicht rechnen, daß ich keinen empfindlichern reizbareren Menschen kenne, und der immer in Einer Unannehmlichkeit tausend empfindet, weil er die Karaktere kennt, die sie ihm spielen, und immer denkt und kombinirt, ich bin zu klein, denn nur ein solcher kleiner Körper hält das nicht aus.“
xxx/ellauri128.html on line 201: Ausschlaggebend war die Vereinigung von Menschen unterschiedlicher Stände und Berufe, religiöser oder politischer Orientierung zu Gesprächen: Dichter, Naturforscher, Politiker, Schauspieler/-innen, Aristokraten und Reisende kamen zusammen. Die Nähe des Theaters, der Börse und der Französischen Gemeinde sorgte für Vielfalt. Mitunter wurde, wie im Elternhaus der Henriette Solmar (einer Cousine Rahel Varnhagens), mit Rücksicht auf Besucher aus fremden Ländern französisch gesprochen. Berühmte Gäste in dieser ersten Phase waren Jean Paul, Ludwig Tieck, Friedrich von Gentz, Ernst von Pfuel, Friedrich Schlegel, Wilhelm und Alexander von Humboldt, Friedrich de la Motte Fouqué, Prinz Louis Ferdinand und dessen Geliebte Pauline Wiesel. Allerdings gibt es nur wenige zeitgenössische Quellen und gar keine zeitgenössischen Bilder dieser Geselligkeiten. Es wurden nicht nur Prominente eingeladen, sondern auch viele Personen, die kaum Spuren hinterlassen haben. Fanny Lewald (die Rahel Varnhagen nicht mehr kennengelernt hat) gibt allerdings zu bedenken: „Man hört die Namen Humboldt, Rahel Levin, Schleiermacher, Varnhagen und Schlegel, und denkt an das, was sie geworden, und vergißt, daß die Humboldt’s ihrer Zeit nur zwei junge Edelleute, daß Rahel Levin ein lebhaftes Judenmädchen, Schleiermacher ein unbekannter Geistlicher, Varnhagen ein junger Praktikant der Medizin, die Schlegel ein paar ziemlich leichtsinnige junge Journalisten gewesen sind“.
xxx/ellauri128.html on line 207: Rahel Varnhagen verstand sich nicht als Schriftstellerin im professionellen Sinn und nahm wenig Anteil am Literaturbetrieb, obwohl sie häufig dazu ermuntert wurde. Sie pflegte vor allem die Gattungen Tagebuch (wobei Exzerpte aus Büchern oft zu kritischen Essays ausgebaut wurden), Aphorismus und Brief (rund 6000 Briefe von ihr sind bekannt), seltener Gedichte. Trotzdem gehört sie zu den bedeutendsten Vertreterinnen und Vorbildern der im 19. Jahrhundert aufblühenden Frauenliteratur, die sich nicht nur über Lyrik, Romane, Theaterstücke und Opernlibretti erstreckte, sondern oft kleine, intimere Formen wählte. Der Wert ihres Schreibens resultiert aus der Dokumentation historischer und kultureller Vorgänge, sowie aus brillantem Stil und politischer Weitsicht.
xxx/ellauri128.html on line 209: Rahel Varnhagen war im Alter von 61 Jahren verstorben. An ihrer Pflege in den letzten Wochen beteiligte sich Bettina von Arnim, die ihr, freilich ohne Erfolg, eine homöopathische Behandlung empfohlen hatte. Aus Sorge, scheintot beigesetzt zu werden, verfügte sie, nach ihrem Tod 20 Jahre lang in einem Doppelsarg mit Sichtfenstern oberirdisch aufgebahrt zu werden. Der Sarg stand 34 Jahre lang in einer Halle auf dem Friedhofsquartier vor dem Halleschen Tor, bis Rahel Varnhagen von Ense 1867 auf Veranlassung ihrer Nichte Ludmilla Assing neben ihrem neun Jahre zuvor verstorbenen Gatten auf dem Dreifaltigkeitsfriedhof I beigesetzt wurde
xxx/ellauri128.html on line 429: Marya Mannes, in full Maria von Heimburg Mannes, (born Nov. 14, 1904, New York, N.Y., U.S.—died Sept. 13, 1990, San Francisco, Calif.), American writer and critic, known for her caustic but insightful observations of American life.. Mannes was the daughter of Clara Damrosch Mannes and David Mannes, both distinguished musicians. She was educated privately and benefited from the cultural ...
xxx/ellauri128.html on line 518: Robert von Ranke Graves (24 July 1895 – 7 December 1985) was a British poet, historical novelist, critic, and classicist. His father was Alfred Perceval Graves, a celebrated Irish poet and figure in the Gaelic revival; they were both Celticists and students of Irish mythology. Graves produced more than 140 works in his lifetime. His poems, his translations and innovative analysis of the Greek myths, his memoir of his early life—including his role in World War I—Good-Bye to All That, and his speculative study of poetic inspiration, The White Goddess, have never been out of print.
xxx/ellauri128.html on line 519: He earned his living from writing, particularly popular historical novels such as I, Claudius; King Jesus; The Golden Fleece; and Count Belisarius. He also was a prominent translator of Classical Latin and Ancient Greek texts; his versions of The Twelve Caesars and The Golden Ass remain popular for their clarity and entertaining style. Graves was awarded the 1934 James Tait Black Memorial Prize for both I, Claudius and Claudius the God.
xxx/ellauri128.html on line 551: 1881 starb seine Mutter Charlotte an Tuberkulose. Morgenstern hatte sich offenbar bei ihr angesteckt. Bald darauf wurde er, ohne in der frühen Kindheit regelmäßigen Schulunterricht erhalten zu haben, seinem Paten Arnold Otto Meyer, einem Kunsthändler in Hamburg, zur Erziehung anvertraut, worunter er jedoch litt. Ein Jahr später kehrte er nach München zurück und kam in ein Internat in Landshut. Dort wurde Körperstrafe eingesetzt, und er erfuhr Mobbing durch seine Mitschüler.
xxx/ellauri128.html on line 553: Der Vater heiratete Amélie von Dall’Armi und wurde 1883 an die Königliche Kunstschule in Breslau berufen. Christian ging mit nach Breslau und besuchte das Maria-Magdalenen-Gymnasium. Hier schrieb er im Alter von 16 Jahren das Trauerspiel Alexander von Bulgarien und Mineralogia popularis, eine Beschreibung von Mineralien. Beide Texte sind nicht erhalten. Zudem entwarf er eine Faustdichtung und beschäftigte sich mit Arthur Schopenhauer.
xxx/ellauri128.html on line 555: 1893 verfasste er Sansara, eine humoristische Studie. Das erste Sommersemester verbrachte er mit Kayssler in München. Er vertrug jedoch wegen seiner Tuberkulose das Klima dort nicht und begab sich zur Kur nach Bad Reinerz. Als er nach Breslau zurückkehrte, hatte sich der Vater von seiner zweiten Frau getrennt. Es folgte eine Erholungszeit in Sorau. Da er sein Studium nicht fortsetzen konnte, wären Freunde bereit gewesen, einen Kuraufenthalt in Davos zu bezahlen. Das jedoch wies der Vater zurück, genau wie ein Angebot Dahns, das Studium bis zum Referendar zu finanzieren. Morgenstern entschied sich nun, als Schriftsteller zu leben. Nach der dritten Heirat seines Vaters zerbrach das Verhältnis zu diesem weitgehend.
xxx/ellauri128.html on line 557: Ab 1903 war er literarischer Lektor im Verlag von Bruno Cassirer, mit dem er freundschaftlich verbunden war. Er betreute und förderte dort u. a. Robert Walser. Zuvor war er Dramaturg bei Felix Bloch Erben. 1905 reiste er nach Wyk und hatte einen Sanatoriumsaufenthalt in Birkenwerder, der nicht zum gewünschten Erfolg führte. Zudem erschienen in diesem Jahr seine Galgenlieder und er las Fjodor Michailowitsch Dostojewski. Ein Jahr später reiste er aus gesundheitlichen Gründen in Kurorte in bayerischer, Tiroler und Schweizer Alpenlandschaft, nach Bad Tölz, Längenfeld, Obergurgl, Meran, Obermais, St. Vigil und Tenigerbad und beschäftigte sich mit Jakob Böhme, Fechner, Fichte, Hegel, Eckhart von Hochheim, Fritz Mauthner, Spinoza und Tolstoi.
xxx/ellauri128.html on line 559: Im Januar 1909 schloss er bei Berliner Vorträgen Rudolf Steiners mit diesem eine enge und dauerhafte Freundschaft. Um Steiners Vorträge zu hören, reiste er noch im selben Jahr nach Düsseldorf, Koblenz, Kristiania, Kassel und München. Im Mai trat er einen Monat nach Margareta der von Steiner geführten Deutschen Sektion der Theosophischen Gesellschaft bei. Bei der folgenden Spaltung dieser Körperschaft 1912/1913 blieb er auf der Seite Steiners und wurde Mitglied der Anthroposophischen Gesellschaft. 1909 übersetzte er auch Knut Hamsun, besuchte den Internationalen Theosophischen Kongress in Budapest und seinen Vater in Wolfshau, er reiste mit Margareta in den Schwarzwald und nach Obermais. Dort erkrankte er, wohl auch infolge der zahlreichen Reisen, an einer schweren Bronchitis. Ein Arzt deutete bereits auf den kurz bevorstehenden Tod hin. Morgensterns Zustand verbesserte sich jedoch wieder, und so heirateten er und Margareta am 7. März 1910.
xxx/ellauri129.html on line 43: In seiner frühen Studienzeit beschäftigte er sich u. a. mit Spiritismus, einem Gebiet, das damals, wie seine Biografin Deirdre Bair 2005 schrieb, «als mit der Psychiatrie verwandt» angesehen wurde. Sein Interesse für okkulte Phänomene wurde durch zwei unerklärliche parapsychologische Erscheinungen in seinem ersten Studiensemester geweckt: Ein plötzliches Zerreissen eines Tisches und sauberes Zerspringen eines Brotmessers habe er beobachtet.
xxx/ellauri129.html on line 45: Jung spezialisierte sich auf Psychiatrie. Interesse an diesem Gebiet hatte er bereits aufgrund der Aufgaben seines Vaters Paul als Pastor und Konsulent der Psychiatrischen Universitätsklinik Basel (vermutlich von 1886/87 bis zu seinem Lebensende am 28. Januar 1896). Ausschlaggebend für Jungs Entscheidung war die Lektüre von Krafft-Ebings Lehrbuch der Psychiatrie für praktische Ärzte und Studierende, in dem Psychosen als «Krankheiten der Person» beschrieben werden, was für Jung «die beiden Ströme meines Interesses» als «gemeinsame[s] Feld der Erfahrung von biologischen und geistigen Tatsachen» verband. 1900 wurde Jung nach seinem Staatsexamen als Assistent von Eugen Bleuler in der Psychiatrischen Universitätsklinik Zürich in Zürich tätig. Während dieser Zeit entstand aus seinen Beobachtungen von schizophrenen Patienten in 1902 seine Dissertation Zur Psychologie und Pathologie sogenannter occulter Phänomene.
xxx/ellauri129.html on line 47: Die Ergebnisse seiner Assoziationsexperimente, verknüpft mit den Überlegungen von Pierre Janet in Paris und Théodore Flournoy in Genf, brachten Jung zur Annahme der von ihm so genannten «gefühlsbetonten Komplexe». Er sah darin die Bestätigung von Sigmund Freuds Theorie der Verdrängung, die ihm die einzig sinnvolle Erklärung für solche sich autonom verhaltenden, aber dem Bewusstsein schwer zugänglichen Gedankeneinheiten war.
xxx/ellauri129.html on line 49: Bei ihrer ersten Begegnung 1907 in Wien sprachen Freud und Jung dreizehn Stunden miteinander, wobei sowohl sehr ähnliche Interessen als auch bereits Differenzen sichtbar wurden: Freud habe Jung gebeten, «nie die Sexualtheorie aufzugeben». Ein früher Konfliktpunkt war ihre unterschiedliche Einstellung zu Religion und zum Irrationalen: Jung nahm sogenannte parapsychologische Phänomene ernst, während Freud diese «als Unsinn» ablehnte, selbst als sich nach Schilderung Jungs ein solches Phänomen (ein wiederholter Knall im Bücherschrank) am gemeinsamen Abend ereignet haben soll. Jung war enttäuscht über die Reaktion Freuds und schrieb sie dessen «materialistischem Vorurteil» zu. Freud schätzte es, dass Jung sich als «Christ und Pastorensohn» seiner Theorie anschloss. Erst Jungs «Auftreten [habe] die Psychoanalyse der Gefahr entzogen … eine jüdische nationale Angelegenheit zu werden», schrieb er in einem privaten Brief 1908. Freud sah in Jung den Stammhalter und Fortführer der Psychoanalyse und bezeichnete ihn als «Kronprinzen».
xxx/ellauri129.html on line 68: Als extravertiert bezeichnete Jung einen Menschen, dessen Verhalten auf die äussere, objektive Welt ausgerichtet und von ihr geleitet wird. Introvertierte Menschen sind dagegen auf ihre innere, subjektive Welt ausgerichtet und verhalten sich deren Anforderungen entsprechend. Da diese Differenzierung nicht ausreichte, entwickelte er ein Modell, bestehend aus vier Funktionen – Denken, Fühlen, Intuition und Empfinden – das, kombiniert mit dem Attribut introvertiert oder extravertiert, acht Möglichkeiten ergibt, aus denen sich je nach Paarung acht Typen zusammensetzen lassen. In seinem Werk Psychologische Typen von 1921 schrieb er darüber.
xxx/ellauri129.html on line 70: extravertiertes Denken orientiert sich stark an objektiven und äusseren Gegebenheiten und ist oft, aber nicht immer an konkrete und reale Tatsachen gebunden. Personen mit diesem Typus haben ein hohes Rechtsbewusstsein und fordern gleiches von anderen. Dabei gehen sie teilweise kompromisslos vor, nach dem Motto «Der Zweck heiligt die Mittel»; eine konservative Neigung ist gegeben. Aufgrund der untergeordneten Gefühlsfunktion wirken sie oftmals gefühlsarm und unpersönlich.
xxx/ellauri129.html on line 76: extravertierte Intuition strebt nach Entdeckung von Möglichkeiten und opfert sich u. U. dafür auf; werden keine weiteren Entwicklungen gewittert, kann die Möglichkeit genauso schnell wieder fallengelassen werden. Dabei nimmt dieser Typ häufig nur geringe Rücksicht auf die Umgebung. Er lässt sich leicht ablenken, bleibt nicht lange genug bei einer Sache und kann deshalb zuweilen die Früchte seiner Arbeit nicht ernten.
xxx/ellauri129.html on line 78: introvertiertes Denken schafft Theorie um der Theorie willen und ist wenig praktisch veranlagt. Es ist eher um Entwicklung der subjektiven Ideen als um Tatsachen bemüht. Andere Menschen werden oft als überflüssig oder störend empfunden, weswegen diese Typen als rücksichtslos oder kalt erscheinen. Dadurch besteht die Gefahr, dass sie sich isolieren.
xxx/ellauri129.html on line 82: introvertiertes Empfinden führt zu charakterbedingten Ausdruckserschwerungen. Die Personen sind oft ruhig und passiv. Ihre künstlerische Ausdrucksfähigkeit ist dafür stark ausgeprägt. Sie bewegen sich in einer mythologischen Welt und haben eine etwas phantastische und leichtgläubige Einstellung.
xxx/ellauri129.html on line 84: introvertierte Intuition kommt bei Menschen vor, die sich für die Hintergrundvorgänge des Bewusstseins interessieren. Nicht selten sind sie mystische Träumer oder Seher einerseits, Phantasten und Künstler andererseits. Sie versuchen ihre Visionen in ihr eigenes Leben zu integrieren. Im Falle einer Neurose neigen sie zur Zwangsneurose mit hypochondrischem Erscheinungsbild.
xxx/ellauri129.html on line 601: Émilie du Châtelet (également écrit du Chastelet, ou du Chastellet), dont le nom complet est Gabrielle Émilie Le Tonnelier de Breteuil, marquise du Châtelet, née le 17 décembre 1706 à Paris et morte le 10 septembre 1749 à Lunéville (alors dans le duché de Lorraine), est une femme de lettres, mathématicienne et physicienne française du Siècle des Lumières.
xxx/ellauri129.html on line 617: At age 17, he rebelled against his parents' wishes that he take up a military career, and ran away to Paris. In 1901, his play Chérubin was produced at the Comédie-Française where Cécile Sorel (later the Comtesse de Ségur) made her debut in it. Jules Massenet set Chérubin to music and, in 1905, Mary Garden sang its première at the Opéra de Monte-Carlo.
xxx/ellauri129.html on line 656: Elizabeth's lawyers, Stephen Moore and John W. Orr, responded by calling witnesses from the neighborhood that knew the Packards but were not members of Theophilus' church. These witnesses testified they never saw Elizabeth exhibit any signs of insanity, while discussing religion or otherwise. The final witness was Dr. Duncanson, who was both a physician and a theologian. Dr. Duncanson had interviewed Elizabeth and he testified that while not necessarily in agreement with all her religious beliefs, she was sane in his view, arguing that "I do not call people insane because they differ with me. I pronounce her a sane woman and wish we had a nation of such women.
xxx/ellauri130.html on line 77: DEFY your family FUCK another's mate KILL the sick OBEY your instincts
xxx/ellauri130.html on line 615: Von 1857 bis 1860 war Georg Sauerwein ihr Hauslehrer, mit dem sie bis zu dessen Tod Briefkontakt hielt. In diese Zeit geht ihr Pseudonym Carmen Sylva zurück (Sauerwein nannte sich Sylvaticus). Schon als junges Mädchen schrieb sie kleine Gedichte. Zuweilen äußerte sie den Wunsch, Lehrerin zu werden, was aber für sie damals nicht standesgemäß war. Ihre Eltern jedoch förderten ihre Begeisterung für Musik, sodass sie sogar von Clara Schumann, die im Schloss der Eltern ein Konzert gab, Klavierstunden erhielt. Nicht ganz dasselbe, aber schon etwas.
xxx/ellauri130.html on line 624: Carmen Sylva legte bei der Veröffentlichung ihrer Werke großen Wert auf die Ausstattung der Bücher. Die Literaturkritik beurteilte diese, falls überhaupt, sehr zurückhaltend. Um den Skandal zu vertuschen, wurde sie daraufhin offiziell als geistesgestört hingestellt. Selber zeigte sie sich so oft wie möglich in prächtig gestickten rumänischen Trachten.
xxx/ellauri134.html on line 335: Strategy: to become more and more physically and emotionally attractive
xxx/ellauri136.html on line 532: How would you define vulnerability? What makes you feel vulnerable? Having to ask my husband for help because I'm sick; initiating sex with my husband; initiating sex with my boss; Initiating sex with a bunch of strangers; being turned down; being turned upside down; asking someone out; asking someone in and out; waiting for the doctor to call back; waiting for the doctor to cum on my back; getting laid off; getting laid; laying off people; getting laid by a bunch of people. This is the world we live in. We live in a vulnerable world. And one of the ways we deal with it is we numb vulnerability. Apina kiipee puuhun, kakkaa gorillan suuhun.
xxx/ellauri136.html on line 590: Narcismus wird 1899 von Näcke geprägt und in die Wissenschaft eingeführt und als Narzissismus von Rank (spätestens ab 1909) und Freud (bis 1911) benutzt. Ableitung von Narziss bzw. älterem Narcis (junge, schöne, selbstverliebte griechische Sagengestalt) mit dem Derivatem (Ableitungsmorphem) -ismus. Statt der „logischen“ Ableitung Narzissismus (bzw. Narcisismus) entstand durch Haplologie Narzissmus (bzw. Narcismus). Freud benutzt eine Weile die längere, logischere Form, aber entscheidet sich dann 1911 bewusst für die „kürzere und weniger übelklingende“ Form.
xxx/ellauri137.html on line 59: Psykologian alan tutkimuksen Physical Attractiveness as a Signal of Biological Quality keskeinen havainto oli se, että fyysinen puoleensavetävyys kuvastaa henkilön laatua pariutumiskumppanina. Se pätee ainakin Turun Darwinista izestään. Vaimo jätti sen. Naiset ovat muuttuneet miesmäisixi, jauhopukki valitti. Varmaan ex-rva Rantala miettii vieläkin miten se saattoi erehtyä niin pahasti.
xxx/ellauri137.html on line 204: Majas on a Balcony 1800-1810 is one of the many genre paintings by Goya portraying scenes from contemporary life. The physical setting is an azotea or balcony, a characteristic appendage of Spanish houses and an integral part of social life and character in the towns and cities of Goya's country. The features and props of the setting are confined to an iron railing with vertical grills, a very austere structure (compared to the rich elaborate grill-work of which we are accustomed to think as flourishing in Spain, or at least in New Orleans), which alludes to the socio-economic character of the house; the edge of the floor; some chairs - rather inelegant - one of which has cheap wicker matting; and in the background, a bare wall, a only proof of whose presence is a shadow to the extreme right suggesting a material surface.
xxx/ellauri137.html on line 583: Playwriting Shakespeare Tourism Literary Poetry Literature Creative Writing Teaching History Courses Fiction Books Art Theatre American Literature English Literature Academic Writing Teaching English as a Second Language Higher Education Short Stories Freelance Writing Teaching Writing Music College Teaching Literary Criticism Grammar Novels Composition.
xxx/ellauri137.html on line 604: Classical Greek 100-400
xxx/ellauri137.html on line 634: Dancing to Mozart is a satire of Hollywood values and fantasies, Latin American dictatorships, Da Vinci Code conspirators, movie violence, magical realism, televangelists, mixed wrestling, extreme cosmetic surgery, and a host of other sensational idiocies that thrive on 21st century self-delusion. This whimsical contemporary “Candide” offers a trip through the world of out-of-control egos to a final revelation of ordinary common sense. The send-up is a mix of shrewd perception, lampoon, and wacko action that includes the Society of the Crystal Skull, the Opus Dopus, a female wrestling Amazon with one breast, an Arab who wants to recruit Islamic converts like an American billboard evangelist, two energetic film directors with crazy ideas, a rescue from captivity through “mind-invasion” (á la Inception) and a Hindu swami who tries to set all straight with a Bhagavad burrito. And a lot more.
xxx/ellauri138.html on line 64: Peppu Colemanin hahmossa, se jutkunekru, oli yxi minuuden pioneereista (italics in the original). Pienuuden minooreista. Minäminä yxilöpaskantelu on Rothin lemppareita. Sen se oli varmaan oppinut Emanuel James Rohnilta. Sen inhokkisanoja oli me (suomexi, enkuxi sen mielisana oli sama) ja setelissäkin lukeva e pluribus unum. Annuit coeptis. Novus ordo saeclorum. The phrase is similar to a Latin translation of a variation of Heraclitus's tenth fragment, "The one is made up of all things, and all things issue from the one" (ἐκ πάντων ἓν καὶ ἐξ ἑνὸς πάντα). But it seems more likely that the phrase refers to Cicero's paraphrase of Pythagoras in his De Officiis, as part of his discussion of basic family and social bonds as the origin of societies and states: "When each person loves the other as much as himself, it makes one out of many (unum fiat ex Pluribus), as Pythagoras wishes things to be in friendship." Mikähän jeesus sekin luuli olevansa. Jenkkien peitesana izekkyydelle on vapaus.
xxx/ellauri138.html on line 205: Most of Wylie's major writings contain critical, though often philosophical, views on man and society as a result of his studies and interests in biology, ethnology, physics and psychology.
xxx/ellauri138.html on line 208: Wylie's book of essays, Generation of Vipers (1942), was a best-seller during the 1940s and inspired the term "Momism" (excessive attachment to or domination by one's mother). Some people have accused Generation of Vipers of being misogynistic. His only child, Karen Pryor, is the author of a classic book for breastfeeding mothers, Nursing Your Baby, and has commented that her father was far from being a misogynist. Wylie's daughter, Karen Pryor, is an author who became the inventor of animal "clicker" training. Wylie's niece Janice Wylie, the daughter of his brother Max Wylie, co-creator of The Flying Nun, was murdered, along with her roommate Emily Hoffert, in New York in August 1963, in what became known as the "Career Girls murders" case.
xxx/ellauri138.html on line 262: Caro Llewellyn said that "Philip Roth: The Biography" distorted his friendship with the novelist: "My intimacy with Philip was not in keeping with the story Blake was trying to make. Write." In the biography, Bailey identifies her by the pseudonym Mona. He describes how she and Roth went through each other and were physically intimate but never had sex because he was unable to, even after taking Viagra. But Llewellyn said the scene Bailey described never happened, not quite like that.
xxx/ellauri139.html on line 184: sicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MjAwMFx1MDAzZSJdXQ.jpg?sha=5781e3be575ea954" width="50%" />
xxx/ellauri139.html on line 328: ‘The Eve of St. Agnes’ begins with the setting, the eve of the Feast of St. Agnes, January 20th (the Feast is celebrated on the 21st). It is horribly cold outside. A Beadsman, a professional man of prayer, is freezing in his church. He briefly hears music from the house that the church abuts. They are preparing a celebration and the guests all arrive in a burst of expensive clothing and plumage.
xxx/ellauri139.html on line 371: And scarce three steps, ere Music’s golden tongue Kolme askelta, ja sitten kuuluu laulua,
xxx/ellauri139.html on line 415: The music, yearning like a God in pain, Musaa tuskin kuuli, niin kovasti kun panetti,
xxx/ellauri139.html on line 751: “A dove forlorn and lost with sick unpruned wing.” Se on siellä ihan numerosi vieressä.
xxx/ellauri148.html on line 452: In Como, Italy, the festival ‘A due voci -dialogues of music and philosophy’ takesplace in Como as part of UNESCO's World Philosophy Day. It presents the projects selected by the Call for projects launched last Julyby the organizers. All the information about the initiatives and the young musicians and philosophers involved. Is available in the following link.
xxx/ellauri148.html on line 460: The Brussels team notes that Philosophy is often considered to be an intellectual activity and not very practical. However, a basic training in philosophy used to be considered essential before embarking on further study in a whole range of subjects. Over thousands of years, philosophy has been the mother of all sciences and a key driving force in human progress. This year we will be looking at how ‘philosophy in the classical tradition’ can actively contribute to finding solutions to our many crises, help us find more sustainable ways of living and develop the inner potential of the human being. The event will consist of five talks of about 20 minutes each, with a break after the third speaker. Topics covered will include philosophy as the art of living, learning how to think, inner development and transformation, the role of philosophy in promoting active citizenship and the universal laws and timeless principles of the perennial and hermetic philosophy. For those you can, the suggested donation for the live stream is £8 (£5cons), this will help to support our activities, thank you!
xxx/ellauri148.html on line 479: Conversations on topics such as empathy, human connections, and kindness in adverse moments will be addressed in rich encounters of philosophical knowledge. From the perspective of Plato, Seneca, Epictetus and classical philosophers from the Greek and Latin cradle, New Acropolis teachers will reflect on our current historical moment. An opportune moment to take advantage of philosophical knowledge, from love to wisdom, to break barriers of difficulties, obtaining a more humanistic sense of life. In all, eight (8) professors will be part of New Acropolis' annual event.
xxx/ellauri149.html on line 362: On Rotten Tomatoes, the film has an approval rating of 52% based on 25 reviews, with an average rating of 5.93/10. The website's critics consensus reads: "Jesus Christ Superstar has too much spunk to fall into sacrilege, but miscasting and tonal monotony halts this musical's groove." On Metacritic, the film has a weighted average score of 64 out of 100 based on 7 critics, indicating "generally favorable reviews".
xxx/ellauri149.html on line 366: Conversely, Howard Thompson of The New York Times wrote, "Broadway and Israel meet head on and disastrously in the movie version of the rock opera 'Jesus Christ Superstar,' produced in the Biblical locale. The mod-pop glitter, the musical frenzy and the neon tubing of this super-hot stage bonanza encasing the Greatest Story are now painfully magnified, laid bare and ultimately patched beneath the blue, majestic Israeli sky, as if by a natural judgment." Arthur D. Murphy of Variety wrote that the film "in a paradoxical way is both very good and very disappointing at the same time. The abstract film concept ... veers from elegantly simple through forced metaphor to outright synthetic in dramatic impact."
xxx/ellauri149.html on line 368: Gene Siskel of the Chicago Tribune gave the film two-and-a-half stars out of four and called the music "more than fine," but found the character of Jesus "so confused, so shapeless, the film cannot succeed in any meaningful way." Siskel also agreed with the accusations of the film being anti-Semitic. Charles Champlin of the Los Angeles Times wrote, "The faults are relative, the costs of an admirable seeking after excellence, and the many strong scenes, visually and dramatically, in 'Superstar' have remarkable impact: the chaos of the temple, the clawing lepers, the rubrics of the crucifixion itself." Gary Arnold of The Washington Post panned the film as "a work of kitsch" that "does nothing for Christianity except to commercialize it.
xxx/ellauri149.html on line 372: Nevertheless, the film as well as the musical were criticized by some religious groups. As a New York Times article reported, "When the stage production opened in October 1971, it was criticized not only by some Jews as anti-Semitic, but also by some Catholics and Protestants as blasphemous in its portrayal of Jesus as a young man who might even be interested in sex." A few days before the film version's release, the National Jewish Community Relations Advisory Council described it as an "insidious work" that was "worse than the stage play" in dramatizing "the old falsehood of the Jews' collective responsibility for the death of Jesus," and said it would revive "religious sources of anti-Semitism." Jesus argued in response that the film "never was meant to be, or claimed to be an authentic or deep theological work. Just humdrum everyday anti-semitism."
xxx/ellauri149.html on line 374: Tim Rice said Jesus was seen through Judas' eyes as a mere human being. Some Christians found this remark, as well as the fact that the musical did not show the resurrection, to be blasphemous. Jesus var ingen Spartakus, för helvete. While the actual resurrection was not shown, the closing scene of the movie subtly alludes to the resurrection (though, according to Jewison's commentary on the DVD release, the scene was not planned this way). Some found Judas too sympathetic; in the film, it states that he wants to give the thirty pieces of silver to the poor, which, although Biblical, leaves out his ulterior motives. According to the black policeman in Whitstaple Pearl, ulterior motives usually means sex. The policeman is as talkative as John, and the detective cook lady looks a lot like Kirsi Riski. Not a comfortable thought.
xxx/ellauri149.html on line 388: Pontius Pilate was also given some different perspectives. In the musical he does not want to execute Jesus, thinking he is just another nut case who doesn't deserve death and is utterly baffled why the mob wants him killed. He only goes through with the execution because he was given no other choice.
xxx/ellauri149.html on line 396: On a different note, whether or not Christ is actually divine is ambiguous. There is evidence both for (his prophecy to Peter and Judas) and against (Jesus running from the lepers instead of healing them, and his prayers in Gethsemane) in the music, and it is typically left to the individual production to sort it out, usually in Judas' "Jesus Christ Superstar" number and after Jesus' death, where some productions will throw in a hint that he was resurrected later.
xxx/ellauri149.html on line 398: The big-lipped alligator trope (exemplified by Alice Cooper playing King Herod)is named after the random musical number sung by a big-lipped alligator towards the end of the film All Dogs Go to Heaven. A scene that comes right the fuck out of now
xxx/ellauri149.html on line 405: However, if a show goes far enough with its violence, it may end up crossing the line not once but twice, as it goes around the planet and crosses it again. This second crossing takes the violence from sick back to funny in its ridiculous extremes. Similar to So Bad, It's Good, but done quite intentionally.
xxx/ellauri154.html on line 140: Likapippeli (Schmutztitel - lateinisch Antiporta) – seltener Schutztitel, Vortitel oder Vorsatztitel – wird der meist griffige Kurztitel des Werkes bezeichnet, der auf einer gesonderten, dem eigentlichen Titelblatt vorangestellten Seite aufgeführt ist. Diese zusätzliche Seite nennt sich Schmutztitelseite und ist die erste/oberste Seite des Buchblocks. Sie trägt in der Seitenzählung (Paginierung) die nicht ausgedruckte Nummer 1. Suojanimiölehti, kuten siivosti sanoo Kristiina-täti. Likapippeliä tarjoaa Ballsackin köyhä mutta hyvin varustettu aatelismies toista nuoruuttaan elävälle varakuningattarelle, majesteettiselle vanhalle ruusulle, jolla on korvat kuin tanssikengät ja sairaan kissan iho, mutta muuten kauniit varusteet.
xxx/ellauri154.html on line 203: Practically everyone knows Godard’s classic pronouncement, “All you need for a movie is a girl and a putz,” but a 1989 interview contains one of the more caustic charges Godard levels at cinema, that “Cinema is an ideology based on men living out through their imaginations what they could not do to women.” This chauvinist pig who openly played out his own marital problems with Anna-Kaarina in their collaborations of the ‘60s, now abrazes other toxic males for similar diversions.
xxx/ellauri157.html on line 84: Lisa made her solo debut with her single album Lalisa in September 2021. The album sold over 736,000 copies in its release week in South Korea, making her the first female artist to do so. The music video for its lead single of the same name recorded 73.6 million views on YouTube in first 24 hours of its release, becoming the most-viewed music video in the first 24 hours on the platform by a solo artist.
xxx/ellauri157.html on line 150: Abba Binyamin teaches us something about the basic human curiosity for knowledge. Abba Binyamin instructs us that knowing everything can sometimes have destructive consequences. Remember: curiosity killed the cat.
xxx/ellauri157.html on line 237: Hasidism, initially, rejected the focus on personal reward, or ultimately also the ideal of material self-advancement, as too self-centred. Before the magnificent awareness of Divine majesty, through the mystical path, the automatic response is sincerity and a desire to nullify oneself (nollata polla) in the Divine presence. It is more worthwhile to reject even refined levels of self-centred spiritual advancement from advanced Yeshiva study to help another male person in their spiritual and even physical needs. This attitude has also spread in recent times to non-Hasidic Lithuanian Jewish Orthodoxy, as part of the spiritual campaign of the Baal Teshuvah movement.
xxx/ellauri157.html on line 248: Hasidism adopts the different Kabbalistic forms of love, and the mystical fear of dogs. The classic Hasidic love manual the Tanya by aforementioned Schneur Zalman of Liadi describes many types of love and fear. It is a systematically structured guide to daily Hasidic life. In all Hasidism, as in Kabbalah, love and fear are awakened by studying hot and scary texts.
xxx/ellauri157.html on line 460: Two images of Hasidim dancing and one of a Hasid playing a fiddle, taken from the stories of Rabbi Nachman of Breslau. To the left, the inscription "Enlighten me through your music" in Hebrew and English.
xxx/ellauri157.html on line 510: The Nazis, who discounted Hesse as merely a “victim of Jewish psychoanalysis,” blamed it all on Freud. In the April 1936 issue of Die Neue Litteratur, Will Vesper, employing predictable anti-Semitic tropes, characterized Hesse as a traitor and held him up as a classic example of Jewry’s sinister influence in general and of the insidious poisoning of the German soul by Freud’s psychoanalysis in particular:
xxx/ellauri157.html on line 512: Once and for all, it must be made public that Hesse is a classic example of how the Jew can poison the soul of the German people. For if at that time, when he took no delight in the war…he had not fallen into the clutches of the Jew Freud and his psychoanalysis, he would have remained the German writer we all loved so well. The warping of his soul can only be ascribed to this Jewish influence.
xxx/ellauri157.html on line 564: "Eine ganz wunderbare Nachricht", freut sich Prof. Dr. Birgitta Wolff, Präsidentin der Goethe-Universität. „Martin Buber und sein Werk sind heute aktueller denn je“, ist Prof. Wiese überzeugt. Das heisst: Prof. Dr. Christian Wiese, Martin-Buber-Professur für jüdische Religionsphilosophie,
xxx/ellauri157.html on line 565: Fachbereich 06 Evangelische Theologie, Goethe-Universität. Telefon 069 798-33313 bzw. -33312. --- Christian? Mordechai dreht sich um in dem Grab.
xxx/ellauri157.html on line 569: Mordechai (Martin) Buber wurde am 08.02.1878 in Wien geboren. Nach der Scheidung seiner Eltern kam er im Kleinkindalter nach Lemberg (Lwow) in der heutigen Ukraine zu seinen Großeltern, wo er im Spannungsfeld von westlicher Aufklärung und osteuropäischer jüdischer Tradition zwischen mehreren Kulturen und Sprachen aufwuchs. Nach dem Gymnasialabschluss wurde er 1896 Student in Wien, später in Leipzig, Berlin und Zürich, wo er Philosophie, Kunstgeschichte, Germanistik und Philologie studierte. Früh beschäftigte sich Buber mit dem Thema Judentum; bereits während seiner Studienzeit in Berlin fand er Anschluss an die zionistische Bewegung. Nach der Gründung einer eigenen Familie und der Geburt zweier Kinder kam es im Jahre 1905 während des Aufenthaltes der jungen Familie Buber in Florenz zu einer wichtigen Ruhe- und „Selbstbesinnungsphase“ in seinem Leben: Er reaktualisierte eine Kindheitserinnerungen und fand seinen eigenen Weg zum Chassidismus.
xxx/ellauri157.html on line 573: 1938 floh Buber mit seiner Familie nach Palästina. Im gleichen Jahr wurde er Professor für Sozialphilosophie an der Hebräischen Universität in Jerusalem, wo er sich in die politischen Diskussionen um die Rechte der Araber in Palästina einschaltete. 1942 wurde er Mitbegründer der Gruppe „Ichud“, welche die für die Gründung eines Staates Israel mit Juden und Arabern als gleichberechtigten Völkern eintrat. Viel später, auf dem Sterbebett, ordnete er die Verdoppelung der Stipendien (je 20 Mark) für bedürftige arabische Studenten an. Buber starb am 13.06.1965 in seinem Haus in Jerusalem, 2 Jahre vor dem Jim Kippur Krieg.
xxx/ellauri157.html on line 575: Die erste Psychoanalytikerin, die versuchte, Buber die Psychoanalyse näher zu bringen, war Lou Andreas-Salomé (1861–1937). Wie wir schon wisssen, war sie mit Nietzsche und Rilke eng beschäftigt, kein Wunder dass sie sich um Bubers tolle Liebestheorien interessierte.
xxx/ellauri157.html on line 581: Zum psychologischen Welt- und Menschenbild äußerte sich Buber in dem oft erwähnten, im Psychologischen Klub in Zürich 1923 gehaltenen Vortrag „Von der Verseelung der Welt“, welcher zeitlich einerseits mit dem Beginn seiner intensiven Auseinandersetzung mit der zeitgenössischen Psychotherapie, andererseits mit der Formulierung seines eigenen dialogischen Prinzips korrespondiert. Wie der Titel des Vortrags suggeriert, wird laut Buber in der Psychotherapie – im Rahmen des sogenannten „Psychologismus“ – der Welt und ihrem Netz von Beziehungen die „Seele“ quasi weggenommen und nur im Menschen selbst, in seiner „Psyche“ angesiedelt, wobei die Psychoanalyse sich nur mit den intrapsychischen Vorgängen inklusive der in ihnen gespiegelten Welt beschäftige. Buber ärgerte sich über drei wichtigen psychoanalytisch-tiefenpsychologischen Themen: das Wesen der Schuld, das Wesen der Religiosität und das Wesen des Unbewussten.
xxx/ellauri157.html on line 583: Buber wirft beispielsweise den analytischen Schulen vor, dass sie eine „existentielle“, also reale Schuld der Menschen an dem Gott da oben nicht kennen bzw. sich mit dieser nicht befassen, sondern nur mit den neurotischen Schuldgefühlen, deren Existenz selbstverständlich auch von Buber selbst anerkannt wird.
xxx/ellauri157.html on line 601: Die Grundformen menschlichen Daseins sind nach Binschwanger die Liebe, die Existenz und der Geschlechtsverkehr, d.h. der enge Umgang mit den anderen oder mit sich selbst. Binschwangers philosophische Innovation über Buber war die einführung des Pronomens "wir". Das Miteinandersein von Mir und Dir“ wird hier differenziert. Dementsprechend heißen auch die zwei Subkapitel: „Das liebende 'Uber-und-Untereinandersein“ und „Das freundschaftliche Miteinandersein“. Der berühmte Satz Bubers aus „Ich und Du“: „Der Mensch wird am Du zum Ich, es, und Übermensch“ (Buber 2002: 32) findet seine etwaige Entsprechung im Binswanger’schen „Erst aus der Wirheit entspringt die Selbstheit“.
xxx/ellauri157.html on line 605: Die philosophische Anthropologie entstand trotz starkem Widerstand und tiefer geschichtlicher Verwurzelung als eigenständige Richtung der Philosophie im ersten Drittel des 20. Jahrhunderts und führte stärker als in der bisherigen philosophischen Tradition die Diskussion um den ganzen Menschen sowie seine Position und seinen Sinn in der Welt. In der Nachfolge von Max Scheler (1874–1928) und Helmuth Plessner (1892–1985) könnten hier „drei Linien in der Konkretisierung unterschieden werden“: die von Karl Jaspers (1883–1969), geprägt von Søren Kierkegaard (1813–1855) („Existenzphilosophie“), die Schule von Martin Heidegger (1889–1976) als Nachfolge von u. a. Edmund Husserl (1859–1938) („Phänomenologie“) und „die Strömung des französischen Existentialismus, vorrangig geprägt durch Jean-Paul Sartre (1905–1980)“ (Beck 1991: 17). Allesamt ekliche solipsistisch-narzissistische Formen von Idealismus. Eine andere wesentliche Eigenschaft der neueren philosophischen Anthropologie war die epochale Entdeckung des anderen als Person und die Überwindung des ausschließlichen Subjekt-Objekt-Bezuges mit genau ebenso solipsistischem Ich-Du-Denken. Und der Sinn nun wieder. Warum können die idealistischen Philosophen sich nicht damit vergnügen dass es keinen Sinn für sie gibt, dass sie total sinnlos sind? Was ist nun so schwer damit? Ich weiss, weil sie narzissistich sind.
xxx/ellauri165.html on line 135: Matthew was using the Greek version of the Old Testament. In the Greek Old Testament, the original Hebrew word “almah” had been translated as “parthenos”, thence into the Latin Bible as “virgo” and into English as “virgin”. Whereas “almah” means only “young woman”, the Greek word “parthenos” means physically “a virgin intacta”. In short, Mary was said to be a virgin because of an accident of translation when “young woman” became “virgin”.
xxx/ellauri165.html on line 330: Sharing Sir William Hamilton's enthusiasm for classical antiquities and art, she developed what she called her "Attitudes"—tableaux vivants in which she portrayed sculptures and paintings before British visitors. Emma developed the attitudes using Romney's idea of combining classical poses with modern allure as the basis for her act.
xxx/ellauri165.html on line 629: The Book of Mormon is full of racist stuff. Basically they believe that the America’s were populated by a lost tribe of Israel and when one side turned evil their skin turned black.
xxx/ellauri165.html on line 638: Depart from me, you who are cursed, into the eternal fire prepared for the devil and his angels. For I was hungry and you gave me nothing to eat, I was thirsty and you gave me nothing to drink, I was a stranger and you did not invite me in, I needed clothes and you did not clothe me, I was sick and in prison and you did not look after me. ...whatever you did not do for one of the least of these, you did not do for me.
xxx/ellauri165.html on line 660: According to the Alliance Commission on Unity & Truth among Evangelicals (ACUTE) the majority of Protestants have held that hell will be a place of perpetual conscious torment, both physical and spiritual. This is known as the eternal conscious torment (ECT) view. Some recent writers such as Anglican layman C. S. Lewis[86] and J.P. Moreland have cast people to hell in terms of "eternal separation" from God. Certain biblical texts have led some theologians[who?] to the conclusion that punishment in hell, though eternal and irrevocable, will be proportional to the deeds of each soul (e.g., Matthew 10:15, Luke 12:46-48).
xxx/ellauri166.html on line 93: Musical instruments
xxx/ellauri166.html on line 134: Billy's Boots Fictional musical instruments (1 C, 8 P)
xxx/ellauri166.html on line 286: Deutscher war anschließend Mitglied der Linken Opposition der polnischen KP, die sich zeitweilig der von Leo Trotzki geführten Linken Opposition in der UdSSR anschloss. Als Trotzki im September 1938 die Vierte Internationale gründete, stimmte die polnische Gruppe auf dem Gründungskongress dagegen.[2] Die beiden Delegierten folgten in ihrer Begründung Deutschers Argumentation, der diesen Schritt als „verfrüht“ ablehnte. Deutscher trat anschließend aus der Gruppe aus und schloss sich niemals wieder einer politischen Partei an.
xxx/ellauri166.html on line 288: Im Herbst 1940 meldete sich Deutscher zur polnischen Exilarmee unter der Führung von Władysław Sikorski, die in Schottland Militärbasen unter eigener Souveränitat hatte. Er wurde dort als verdächtige Person in ein von der polnischen Exilregierung unterhaltenes Internierungslager geschickt, in dem überwiegend politisch Verdächtige, Homosexuelle und Juden interniert waren.[4] Laut Deutschers Biographen Ludger Syré sei das Lager Ladybank bei Kircaldy „kein eigentliches Straflager“ gewesen, allerdings sei beabsichtigt gewesen, ihn als „gefährlichen roten Rebellen“ „ruhig zu halten“ und man ließ „ihn schwere Munitionskisten schleppen“. Deutscher nutzte den Lageraufenthalt zum Erlernen der englischen Sprache und richtete im Lager einen „Übersetzerdienst“ für die Organisation neuester Nachrichten ein. 1949 veröffentlichte er seine Stalin-Biographie, die in 12 Sprachen übersetzt wurde. 1954 bis 1963 erschien sein Hauptwerk, die dreibändige Biographie Trotzkis.
xxx/ellauri166.html on line 321: In classic Jewish thought, the shekhinah refers to a dwelling or settling in a special sense, a dwelling or settling of divine presence, to the effect that, while in proximity to the shekhinah, the connection to Cod is more readily perceivable.
xxx/ellauri166.html on line 347: It is through the being of Yahuah (fatherly aspect) and the wisdom or spirit of Yahuah (motherly aspect) that the son of Yahuah, the bodily manifestation or substance of Yahuah was conceived, and eventually brought forth into the world by the means of a virgin named Miriam. Ha Mashiach was conceived of the Ruach (Matthew 1:20), and in the physical portrayal of this, he was born of Miriam. The meaning of the word "of" carries through in that HaMashiach is conceived and born of the Ruch, as sort of "pictured" in Miriam. The conception in the spiritual realm was also pictured at HaMashiach's baptism when the Ruch Ah Qudsh descended upon him in the form of a dove, and Yahuah spoke from heaven saying, "my son, the beloved, in you I am well pleased" Luke 3:22.
xxx/ellauri166.html on line 390: Shlomo Yitzchaki (Hebrew: רבי שלמה יצחקי; Latin: Salomon Isaacides; French: Salomon de Troyes, 22 February 1040 – 13 July 1105), today generally known by the acronym Rashi (see below), was a medieval French rabbi and author of a comprehensive commentary on the Talmud and commentary on the Hebrew Bible (the Tanakh). Acclaimed for his ability to present the basic meaning of the text in a concise and lucid fashion, Rashi appeals to both learned scholars and beginner students, and his works remain a centerpiece of contemporary Jewish study. His commentary on the Talmud, which covers nearly all of the Babylonian Talmud (a total of 30 out of 39 tractates, due to his death), has been included in every edition of the Talmud since its first printing by Daniel Bomberg in the 1520s. His commentary on Tanakh—especially on the Chumash ("Five Books of Moses")—serves as the basis for more than 300 "supercommentaries" which analyze Rashi's choice of language and citations, penned by some of the greatest names in rabbinic literature.
xxx/ellauri166.html on line 494: Hall was born in 1901 in Peterborough, Ontario, Canada, to Louise Palmer Hall, a chiropractor and member of the Rosicrucian Fellowship, and William S Hall, a dentist. Hui!
xxx/ellauri167.html on line 212: Dopo una prima mezzora noiosa e decisamente troppo dialogata, il film migliora un po' col passare dei minuti, con alcuno pelle nuda anche se nel complesso non mi sentirei di "salvarlo", senza cazzi duri entrando in culo. Infatti tutto il discorso sulla contestazione giovanile è invecchiato terribilmente, ed i rimandi psicologici presenti in sceneggiatura sono a dir poco forzati.
xxx/ellauri167.html on line 213: Il discorso psicanalitico si intreccia con l'emancipazione giovanile, raccontata senza alcun riferimento politico ma come scappatoia dal tedio (i ragazzi sono tutti benestanti) e dal modello sociale della scorsa generazione. Meritava un maggiore approfondimento il secondo discorso, abbozzato nelle prime scene, mentre assume rilievo il rapporto tra i due fratelli, quello in cui il regista (che monta e cura la fotografia) sembra avere meno da raccontare, tanto che certi dialoghi risultano ridondanti e annoiano.
xxx/ellauri167.html on line 369: Itzhak ezi edelleen keinoa jolla se pääsisi puhtaan järjen kategorioiden läpi ymmärtämään mikä oli Ding an sich ja löytämään etiikalle perustan. Hän penkoi kirjastoja ja kirjakauppoja toivoen löytävänsä jonkin todistuxen sielun olemassaolosta tai astraaliruumiin tai jonkin jäännöxen joka jatkoi elämää senkin jälkeen kun sydän oli lakannut toimimasta ja sydän lyömästä.
xxx/ellauri168.html on line 225: Music Player Daemon
xxx/ellauri168.html on line 264: According to the mainstream metaphysical view of physicalism, reality is fundamentally constituted by physical stuff outside and independent of mind. Mental states, in turn, should be explainable in terms of the parameters of physical processes in the brain.
xxx/ellauri168.html on line 266: A key problem of physicalism, however, is its inability to make sense of how our subjective experience of qualities—what it is like to feel the warmth of fire, the redness of an apple, the bitterness of disappointment and so on—could arise from mere arrangements of physical stuff. (What the fuck? Who says it can't? Rousseau? Bergson? Wittgenstein? Anyway, what is there to make sense of in the first place?)
xxx/ellauri168.html on line 268: Physical entities such as subatomic particles possess abstract relational properties, such as mass, spin, momentum and charge. But there is nothing about these properties, or in the way particles are arranged in a brain, in terms of which one could deduce what the warmth of fire, the redness of an apple or the bitterness of disappointment feel like. This is known as the hard problem of consciousness. (Again, what's the problem? Kittling brain cells produce feelings. Good things feel good and bad things bad, what else is there to explain? Self consciousness? Nothing but feed7back.)
xxx/ellauri168.html on line 270: To circumvent this problem, some philosophers have proposed an alternative: that experience is inherent to every fundamental physical entity in nature. Under this view, called “constitutive panpsychism,” matter already has experience from the get-go, not just when it arranges itself in the form of brains. Even subatomic particles possess some very simple form of consciousness. Our own human consciousness is then (allegedly) constituted by a combination of the subjective inner lives of the countless physical particles that make up our nervous system.
xxx/ellauri168.html on line 274: The obvious way around the combination problem is to posit that, although consciousness is indeed fundamental in nature, it isn’t fragmented like matter. The idea is to extend consciousness to the entire fabric of spacetime, as opposed to limiting it to the boundaries of individual subatomic particles. This view—called “cosmopsychism” in modern philosophy, although our preferred formulation of it boils down to what has classically been called “idealism”—is that there is only one, universal, consciousness. The physical universe as a whole is the extrinsic appearance of universal inner life, just as a living brain and body are the extrinsic appearance of a person’s inner life.
xxx/ellauri168.html on line 290: Chalmers is the lead singer of the Zombie Blues band, which performed at the music festival Qualia Fest in 2012 in New York.Chalmers is in a relationship with Claudia Passos Ferreira, a philosopher and psychologist from Rio de Janeiro. Regarding religion, Chalmers has said: "I have no religious views myself and no spiritual views, except watered down humanistic, spiritual views. And consciousness is just a fact of life. It's a natural fact of life.”
xxx/ellauri168.html on line 306: Chalmers argues for an "explanatory gap" from the objective to the subjective, and criticizes physicalist explanations of mental experience, making him a dualist. Chalmers characterizes his view as "naturalistic dualism": naturalistic because he believes mental states supervene "naturally" on physical systems (such as brains); dualist because he believes mental states are ontologically distinct from and not reducible to physical systems. He has also characterized his view by more traditional formulations such as property dualism.
xxx/ellauri168.html on line 310: In support of this, Chalmers is famous for his commitment to the logical (though, not natural) possibility of philosophical zombies.These zombies are complete physical duplicates of human beings, lacking only qualitative experience. Chalmers argues that since such zombies are conceivable to us, they must therefore be logically possible. Since they are logically possible, then qualia and sentience are not fully explained by physical properties alone; the facts about them are further facts. Instead, Chalmers argues that consciousness is a fundamental property ontologically autonomous of any known (or even possible) physical properties, and that there may be lawlike rules which he terms "psychophysical laws" that determine which physical systems are associated with which types of qualia.
xxx/ellauri168.html on line 332: Karkki syntyi Jessica Wilcoxiksi Atlantic Cityssä, New Jerseyssä, 31. joulukuuta 1925. Hänen äitinsä näyttää olleen sekä puritaaninen että kylmä; ei siis ihme että hänen isänsä jätti heidät hänen ollessaan kolmevuotias, minkä jälkeen Jessica ja hänen äitinsä muuttivat Wilkes-Barreen, Pennsylvaniaan, asumaan isoäitinsä luona. Hän alkoi rakastaa isoäitiään enemmän kuin vanhempiaan, mikä tuskin yllätti, koska hän kerran kuvaili isänsä murskaavan sormiaan muskottipähkinän raastimessa. Nuoren tytön äiti ei koskaan antanut hänen seurustella muiden lasten kanssa, ja hänet suljettiin usein yksin pimeisiin huoneisiin, joissa hän loi vahvat suhteet kuvitteellisiin ystäviin.
xxx/ellauri168.html on line 334: Yksi näistä ystävistä oli nimeltään Arietty, ja vaikka muut hänen lapsuuden kuvitteelliset hahmot unohdettiin pian, Arietty pysyi toisena persoonallisuutena, kasvaessaan Jessican kanssa. Ariettyn hahmo oli melkein päinvastainen kuin hänen omansa, jossa oli jonkin verran hänen äitinsä kovuutta ja julmuutta, sekä sarkastinen että julma hahmo, jolla oli ankara matala ääni, hyvin erilainen kuin Ariettyn, joka oli kiltti ja kimakka. Tämä hänen persoonallisuutensa jakautuminen olisi voinut osaltaan tehdä hänestä helpon hypnoosikohteen myöhemmässä elämässä, mutta ei tehnyt. Katso myös skotlantilaisen kirjailijan R.L. Stevensonin tohtori Jekyllin ja herra Hyden outo tapaus. Hänen Treasure Island -saari on myös jännittävä.
xxx/ellauri170.html on line 522: How do you experience music without feelings?
xxx/ellauri170.html on line 878: Mead began studying mathematics at St John's College, Cambridge. Suddenly shifting his education towards the study of Classics, he gained much knowledge of Greek and Latin (but no Coptic). In 1884 he completed a BA degree; in the same year he became a public school master. He received an MA degree in 1926. While still at Cambridge University Mead read Esoteric Buddhism (1883) by Alfred Percy Sinnett. This comprehensive theosophical account of the Eastern religion prompted Mead to contact two theosophists in London named Bertam Keightly and Mohini Chatterji, which eventually led him to join Helena Petrovna Blavatsky's Theosophical Society in 1884.
xxx/ellauri173.html on line 75: Sääli ettei Alva ollut paikalla 6200v sitten äänittämässä Fiat Luxin käynnistysääniä eikä Lilithin turhaa läähätystä Aatamin alla. Eikä Eevan leivontaa, these are a cinch. Eritis sicut dii eli ruikitte pian lisää luotuja niinkuin mä. Enfin le sombre quolibet d’Elohim : Voici Adam devenu comme l’un de nous :(. Ja vielä discordianismin À la plus belle !… Ja Quos ego, sanat neitsyt Virgiluksen Aeneidissä, jonka Neptunus, Rooman meren jumala, lausuu tottelemattomille ja kapinallisille tuulille. Virgiluksen lause on esimerkki aposiopesis-nimisestä puhehahmosta. Vittu siinäkin on kans yx paska.
xxx/ellauri173.html on line 117: The standard line is that the 'deus' is Octavian. Interpretations of the First Eclogue have now come full circle. Much significant scholarship has centered around the problems inherent in an identification of the deus with Octavian. Some critics maintain that the poem is Virgil's thank-offering to Octavian for protection from land confiscation; others, though fewer in number, are equally as insistent that the eclogue expresses the poet's disapproval of his government´s land policy. A recent attempt has been made to unite the basic arguments of both sides into a more balanced statement. According to this interpretation Octavian is regarded as "having wrought both good and evil" in the past, but Virgil succeeds in revealing him to be "a savior, a force for good, and a source of hope for the future." To the contrary, I propose that an even stronger case can, and ought, be made that, in the First Eclogue, Virgil not only condemns the government land policy, but he also adroitly queries the very structure of Octavian's political program and ethic during this period.
xxx/ellauri173.html on line 137: Quosego [sic]: Tidskrift för ny generation [sic], finlandssvensk modernistisk litterär tidskrift, som utkom i fyra nummer 1928–1929, under redaktion av Cid Erik Tallqvist och med medverkan av bland andra Rabbe Enckell, Gunnar Björling, Hagar Olsson, Henry Parland, Atos Wirtanen, Olof Enckell och Elmer Diktonius.
xxx/ellauri173.html on line 240: Er begann eine Liebesbeziehung mit seiner zwei Jahre älteren Cousine Sophie Gutermann (spätere Sophie von La Roche) und verlobte sich mit ihr. Diese Chance, seinen Samen zu erlösen, löste ihn aus einer inneren Vereinsamung. Sehr vergnugt schrieb er "Die Natur der Dinge oder die vollkommenste Welt. Ein Lehrgedicht in sechs Büchern."
xxx/ellauri173.html on line 245: In seinen Hymnen (Zürich 1754) und den Empfindungen eines Christen (Zürich 1755) wandte er sich besonders deutlich gegen jede erotische Poesie. Bald jedoch vollzog sich in ihm, besonders unter dem Einfluss der Schriften von Lukian, Horaz, Cervantes, Shaftesbury, d’Alembert un Voltaire eine vollständige Umkehr.
xxx/ellauri173.html on line 249: Inzwischen war Wieland nach Bern gezogen, wo er ebenfalls als Hauslehrer tätig war. Dort verlobte er sich mit Julie Bondeli, der späteren Freundin Jean-Jacques Rousseaus.
xxx/ellauri173.html on line 257: Es lassen sich Einflüsse von Miguel de Cervantes, Laurence Sterne und Henry Fielding nachweisen. Erschlossen folgte Wieland seinem neuen Weg, der im vollen Gegensatz zu den Anschauungen seiner Jugend stand: Er verkündete eine Philosophie der heiteren Sinnlichkeit, der weltlichen Freuden, der leichten Anmut. Bald darauf erhielt er viel Lust und weitere Belebung und Anregung in Weimar mit Johann Wolfgang Goethe und Johann Gottfried Herder. Sie waren keineswegs Absolutisten.
xxx/ellauri173.html on line 263: Er wollte sich – im Alter von 65 Jahren – als Landwirt betätigen. Hier verlebte der Dichter seit 1798 im Kreise der großen Familie (seine Gattin hatte in 20 Jahren glucklicherweise nur sieben überlebende Kinder geboren) einige glückliche und produktive Jahre. Seine frühere Verlobte, Sophie von La Roche, besuchte ihn mit ihrer Enkelin Sophie Brentano, mit der sich eine enge Freundschaft entwickelte. Hier besuchte ihn auch Heinrich von Kleist mit dem zerbrochenen Krug. Und so ging es heiter writer bis er starb.
xxx/ellauri173.html on line 280: Deux chercheurs, nous dit Y. Coppens, qui épiaient à travers le trou d’une serrure (sic) le comportement d’un chimpanzé qu’ils avaient enfermé avec un régime de banane pendu au plafond et avec des moyens de l’atteindre pourvu qu’un minimum de réflexion fût mis en œuvre par l’animal, furent surpris de ne voir… que l’œil du singe qui, tout comme eux, regardait à travers ce trou. «
xxx/ellauri173.html on line 457: Ô bords siciliens d’un calme marécage
xxx/ellauri174.html on line 69: Mitä tulee tähän älylliseen tietoon, Malebranche seurasi enemmän tai vähemmän Pyhää Augustinusta. Hänen suurena innovaationsa oli selittää, kuinka nämä samat jumalalliset ideat voisivat toimia myös ihmismielen välittöminä kohteina aistillisessa havainnoissa. Ongelma on siinä, että jumalalliset ideat ovat universaaleja, kun taas kaikki havainto näyttää olevan yksityiskohtia. Malebranchen ratkaisu oli ehdottaa, että vaikka mielen älyllinen käsitys näistä ideoista on puhdas ja suora, sen aistillinen käsitys niistä muuttuu "tunteilla". Nämä tuntemukset, toisin kuin ideat, ovat todellakin omituisia yksittäisille luoduille mielille ja elävät niiden muotoina. Idea edustaa vain kappaleiden geometrisia tai mekaanisia ominaisuuksia (koko, muoto, liike), kun taas aistiminen muodostuu väristä tai muusta järkevästä laadusta. Jälkimmäinen rajoittaa mielen käsitystä edellisestä siten, että se edustaa tiettyä yksilöä tälle mielelle. Toiselle mielelle, jolla on erilainen tunne, sama idea voisi edustaa erilaista saman yleisen tyypin yksilöä. Teoksessa Dialogues On Metaphysics and Religion (dialogi 1) Malebranche lisäsi, että sama perusrakenne voi selittää myös mielikuvituksen (mentaalisen fysiologisen elementin vastakohtana) mielikuvituksen, tässä tapauksessa, jossa ajatus vain "koskettaa kevyesti" mieltä.
xxx/ellauri174.html on line 81: Vaikka Malebranche seurasi Augustinusta älyllisen tiedon kuvauksessa, hänen lähestymistapansa mielen ja kehon ongelmiin hän aloitti Descartesin seuraajana. Mutta toisin kuin Descartes, joka piti mahdollisena muodostaa selkeä ja selkeä käsitys mielestä, Malebranche väittää Dialogues on Metaphysics -kirjassa, Theodoren ja Aristeksen välisessä dialogissa, että meillä ei ole täydellistä käsitystä mielen voimista, eikä siten ole selkeää käsitystä mielen luonteesta.
xxx/ellauri174.html on line 130: Malibran was born in Paris as María Felicitas García Sitches into a famous Spanish musical family. Her mother was Joaquina Sitches, an actress and operatic singer. Her father Manuel García was a celebrated tenor much admired by Rossini, having created the role of Count Almaviva in his The Barber of Seville. García was also a composer and an influential vocal instructor, and he was her first voice teacher. He was described as inflexible and tyrannical; the lessons he gave his daughter became constant quarrels between two powerful egos.
xxx/ellauri174.html on line 140: Alboni was born at Città di Castello, in Umbria. She became a pupil of Antonio Bagioli [it] of Cesena, Emilia–Romagna, and later of the composer Gioachino Rossini, who became her 'perpetual honorary adviser' in (and then the principal of) the Liceo Musicale, now Conservatorio Giovanni Battista Martini, in Bologna. Rossini tested the humble thirteen-year-old girl himself, had her admitted to the school with special treatment, and even procured her an early engagement to tour his Stabat Mater around Northern Italy, so that she could pay for her studies. Hmm... A favourable contract was signed by Rossini himself, "on behalf of Eustachio Alboni", Mariettas father, who was still a minor. The singer remained, throughout her life, deeply grateful to her ancient "maestro", nearly a second father to her. Hmm hmm... Marietta oli aika pulska emäntä. Se lahjoitti köyhille koko omaisuutensa, sanoen että mikä laulaen tulee se viheltäen menee.
xxx/ellauri174.html on line 624: Max Schultze in 1861 proposed the "Protoplasm Doctrine" which states that all living cells are made of a living substance called Protoplasm. Thomas Huxley (1869) later referred to it as the "physical basis of life" and considered that the property of life resulted from the distribution of molecules within this substance. The protoplasm became an "epistemic thing". Its composition, however, was mysterious and there was much controversy over what sort of substance it was.
xxx/ellauri175.html on line 41: Gastgeberin sein macht großen Spaß und lohnt sich!
xxx/ellauri175.html on line 45: Ihre Sowana-Beraterin hat wertvolle und interessante Tipps für Sie und beantwortet gern Ihre Fragen. Lernen Sie etwas Neues kennen, lassen Sie sich in einer netten und gemütlichen Runde von Sowana begeistern – und überzeugen Sie sich selbst, dass unsere Produkte!
xxx/ellauri176.html on line 86: In the classical era of ancient Greece, pornai were slaves of barbarian origin; starting in the Hellenistic era the case of young girls abandoned by their citizen fathers could be enslaved. They were considered to be slaves until proven otherwise. Pornai were usually employed in brothels located in "red-light" districts of the period, such as Piraeus (port of Athens) or Kerameikos in Athens. Seija harrasti keramiikkaa Bostonissa. "And what do you do Seija?" "I have been learning pottery." "Oh, ceramics" sanoi Mrs. Breckenridge, piruillaxeenko vai ei, paha sanoa.
xxx/ellauri176.html on line 88: The classical Athenian politician Solon is credited as being the first to institute legal public brothels. He did this as a public health measure, in order to contain adultery. The poet Philemon praised him for this measure in the following terms:
xxx/ellauri176.html on line 92: As Philemon highlights, the Solonian brothels provided a service accessible to all, regardless of income. (One obolus is one sixth of one drachma, the daily salary of a public servant at the end of the 5th century BC. By the middle of the 4th century BC, this salary was up to a drachma and a half.) In the same light, Solon used taxes he levied on brothels to build a temple to Aphrodite Pandemos (literally "Aphrodite of all the people"). Even if the historical accuracy of these anecdotes can be doubted, it is clear that classical Athens considered prostitution to be part of its democracy.[citation needed]
xxx/ellauri176.html on line 94: In regards to price, there are numerous allusions to the price of one obolus for a cheap prostitute; no doubt for basic acts. It is difficult to assess whether this was the actual price or a proverbial amount designating a "good deal", as in "dime a dozen".
xxx/ellauri176.html on line 109:
Femdom
Abbreviation for "Female Dominance," describes sexual activities in which a female is dominant over partners that may be male or female, also referred to in the non-porn, mainstream world as marriage. This one is really sick.
xxx/ellauri176.html on line 152: The novel then takes a complete new direction in terms of both tone and style, as Serge — suffering from amnesia and total long-term memory loss, with no idea who or where he is beyond his first name — is doted upon by Albine, the whimsical, innocent and entirely uneducated girl who has been left to grow up practically alone and wild in the vast, sprawling, overgrown grounds of Le Paradou. The two of them live a life of idyllic bliss with many Biblical parallels, and over the course of a number of months, they fall deeply in love with one another; however, at the moment they consummate their relationship, they are discovered by Serge's monstrous former monsignor and his memory is instantly returned to him. Wracked with guilt at his unwitting sins, Serge is plunged into a deeper religious fervour than ever before, and poor Albine is left bewildered at the loss of her soulmate. As with many of Zola's earlier works, the novel then builds to a horrible climax. Well not really. It is more like a horrible anticlimax.
xxx/ellauri176.html on line 398: Es bricht sich die Welle mit Macht, mit Macht, Särkyvät aallot, ja taas, ja taas.
xxx/ellauri177.html on line 205: The 24th feature from Hong Sangsoo, doppelgänger of the talkative celeb guy in the last scene of the movie THE WOMAN WHO RAN follows Gamhee (Kim Minhee), a florist and the wife of a translator who never in 5 years time has left her for a moment from his sight. She has three separate encounters with friends while her husband finally is on a business trip. Youngsoon (Seo Youngwha) is divorced, turned lesbian (the couple likes to feed alley cats) and has given up meat and likes to garden in the backyard of her semi-detached house. Suyoung (Song Seonmi) is divorced, has a big savings account and a crush on her architect neighbor and is being hounded by a young poet she met at the bar. Woojin (Kim Saebyuk) works for a movie theater and hates it that her writer husband has become a celeb. Their meetings are polite, but not warm. Some of their shared history bubbles to the surface, but not much. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere. Basically, they are 40+ ladies who may have met at some art school and get a chance to compare notes on how well their childless lives have turned out. Gamhee used to be the celeb's girl friend until the movie theater attendant stole the guy. Now both of them are sorry that she did, but really not that much. The Éric Rohmer of South Korea.
xxx/ellauri178.html on line 138: While she wrote that the 1,096-page epic cemented Foster-Wallace as “one of the big talents of his generation, a writer of virtuosic talents who can seemingly do anything”, she also quoted Henry James in calling Jest a “loose, baggy monster”, adding that it read like a “vast, encyclopedic compendium of whatever seems to have crossed Mr Wallace’s mind”. In his 2012 biography of the late Foster-Wallace, DT Max wrote that the writer “told a friend he hid in his room for two days and cried after reading yet another paragraph of Rei devoted to parallels between his first book and Pynchon’s most popular novel”.
xxx/ellauri178.html on line 159: This isn’t Nabokov’s ice-blue disdain for the academic ninnyhammers who went snorting after his truffles. Roth, instead, worries himself, as though a sick tooth needed tonguing. He is looking over his shoulder because somebody—probably Irving Howe—might be gaining on him: “This me who is me being me and no other!” as Tarnopol explained at the end of My Life as a Man.
xxx/ellauri179.html on line 275: Grace Ernestine Hall, sittemmin Grace Hall Hemingway (June 15, 1872 – June 28, 1951) was an American opera singer, music teacher, and painter. Sen isä oli todennäkösesti chicagolainen teurastaja tai lihakauppias. Sen on tytär ainakin näkönen, vielä pelottavamman kuin Keskustan Sirkka-Liisa Anttila (kisa ratkeaa kyllä vasta loppumetreillä).
xxx/ellauri179.html on line 290: The posthumously published novels, such as Islands in the Stream (1970) and The Garden of Eden (1986), have disappointed many of the old Hemingway readers. However, rather than bearing witness to declining literary power, (which, considering the author’s declining mental health is indeed a rather trivial observation) the late works confront us with a reappraisal and reconsideration of basic values. Well they needed one to be sure.
xxx/ellauri179.html on line 308: Hemingway was not the Nihilist he has often been called but another one. As he belonged to the Protestant nay-saying tradition of American dissent, the spirit of the American Revolution, he denied the denial and acceded to the basic truth which he found in the human soul and catholicism: the will to believe, to live, the will to persevere, to endure, to defy, to maim and kill.
xxx/ellauri179.html on line 536: The Americans stepped into a dark music hall. Four men onstage played the blues. Low and slow. A few people sat at tables smoking. The band got louder and Papa saw Nick Adams at one of the tables.
xxx/ellauri179.html on line 621: Another bit of imaginative projection upon James’ life can be found in Ernest Hemingway’s letters. This novelist, on learning that Brooks had written that James was “prevented by an accident from taking part in the Civil War,” immediately incorporated this into his nearly finished novel, The Sun Also Rises. In Chapter 12, Jake Barnes refers to his World War I accident, and Gorton says, “That’s the sort of thing that can’t be spoken of. That’s what you ought to work up into a mystery. Like Henry’s bicycle.” Barnes replies it wasn’t a bicycle; “he was riding horseback.” (In his memoirs, James spoke of having had a “horrid” but “obscure hurt.” He had strained his back during a stable fire while serving as a volunteer fireman.) Hemingway had originally inserted James’ name in the novel, but Scribner’s editor, Maxwell Perkins, vetoed this. Hemingway insisted. They finally compromised on the “Henry” alone. F. Scott Fitzgerald wrote to Brooks, “Why didn’t you touch more on James’ impotence (physical) and its influence?” The castration theme was picked up by R.P. Blackmur, Glenway Wescott, Lionel Trilling, and F.O. Matthiessen in their critical writings.
xxx/ellauri179.html on line 648: Hemingway makes explicit here the themes of irony and pity: the irony of Kake's situation (he is a kind of superman who nevertheless can't perform the most basic of manly activities, namely fucking) as well as the pity "we" (who have our penises in working order) feel for him. The writer does so in an extended section, rich with dialogue, that is meant to be funny but has not dated well. The joking between Kake and Bill, over breakfast and later at lunch, is certainly believable as such, but it's difficult for a contemporary audience to follow, because the references to Frankie Fritsch and so forth have grown obscure with the passage of time. (The reference to Bryan's death tells us exactly when these scenes are occurring: 1925.) Do note, however, that Kake's physical condition is alluded to — and quickly backed away from. ("I'd a hell of a lot rather not talk about it" could be the motto of Kake's stoic take on the world, while Hemingway's would be "I want to talk about it all the time".) The writer has established, however, that Kake's condition is not simple impotence (rather it is loss of limb, or shortening of the joystick) and that it was caused by an accident.
xxx/ellauri179.html on line 803: It is the close of a busy and vexatious day—say half past five or six o´clock of a winter afternoon. I have had a cocktail or two, and am stretched out on a divan in front of a fire, smoking. At the edge of the divan, close enough for me to reach her with my hands, sits a woman not too young, but still good-looking and well dressed—above all, a woman with a soft, low-pitched, agreeable voice. As I snooze she talks—of anything, everything, all the things that women talk of: books, music, the play, men, other women. No politics. No business. No religion. No metaphysics. Nothing challenging and vexatious—but remember, she is intelligent; what she says is clearly expressed... Gradually I fall asleep—but only for an instant... then to sleep again—slowly and charmingly down that slippery hill of dreams. And then awake again, and then asleep again, and so on. I ask you seriously: could anything be more unutterably beautiful?
xxx/ellauri179.html on line 806: Mencken often espoused views of politics, religion, and metaphysics that stressed their grotesqueness and absurdity; in this context, escape from the supposed fraud of such somber subjects was welcome to him.
xxx/ellauri179.html on line 959: I am sick o’ wastin’ leather on these gritty pavin’-stones, Oon kylästynyt läpsyttään näitä katukiviä,
xxx/ellauri179.html on line 976: With our sick beneath the awnings when we went to Mandalay! Kuppasairaat kannen alla kun mentiin Mandalayhin! ,
xxx/ellauri179.html on line 984: Unquestionably, Ernest Hemingway was anti-Semitic. Studded throughout his letters are nasty remarks about Jews. But Hemingway felt his prejudice had a place in his fiction as well, most notably in “The Sun Also Rises,” his classic 1925 novel about a group of Paris expatriates at the bullfights in Pamplona.
xxx/ellauri179.html on line 1008: La palabra flamenco, referida al género artístico que se conoce bajo ese nombre, se remonta a mediados del siglo XIX. Gitanos o egiptanos es el nombre dado en España tanto en el pasado como en el presente a los que en inglés llamamos gypsies, aunque también se les conoce como "castellanos nuevos", "germanos" y "flamencos". Romances cantados castellanos con la música de los moriscos y la sefardí.
xxx/ellauri186.html on line 81: Beecher married Eunice Bullard in 1837 after a five-year engagement. Their marriage was not a happy one; as Applegate writes, "within a year of their wedding they embarked on the classic marital cycle of neglect and nagging", marked by Henry's prolonged absences from home. The couple also suffered the deaths of four of their eight children.
xxx/ellauri186.html on line 245: Some claim that Ruth's distaste for her husband began when he insisted on hanging a picture of his late fiancée, Jessie Guischard, on the wall of their first home and named his boat after her. Guischard, whom Albert described to Ruth as "the finest woman I have ever met", had been dead for 10 years. However, others have noted that Albert Snyder was emotionally and physically abusive, blaming Ruth for the birth of a daughter rather than a son, demanding a perfectly maintained home, and physically assaulting both her and their daughter Lorraine when his demands were not met. "Isi anna heille anteexi he eivät tiedä mitä tekevät", oli Ruthin kuuluisat viimeiset sanat. Jotain tuttua niissä kyllä on... - Ai niin se Finlandia-ehdokas!
xxx/ellauri186.html on line 262: Jean Stafford (July 1, 1915 – March 26, 1979) was an American short story writer and novelist. She was born in Covina, California, to Mary Ethel (McKillop) and John Richard Stafford, a Western pulp writer. She won the Pulitzer Prize for Fiction for The Collected Stories of Jean Stafford in 1970. Stafford's personal life was often marked by unhappiness. She was married three times. Her first marriage, to the brilliant but mentally unstable poet Robert Lowell, left her with lingering physical and emotional scars. Stafford enjoyed a brief period of domestic happiness with her third husband, A. J. Liebling, a prominent (but ugly) writer for The New Yorker. After his death in 1963, she stopped writing fiction. For many years Stafford suffered from alcoholism, depression, and pulmonary disease.
xxx/ellauri186.html on line 654: ja Jumala jatkoi, Sensin Sabinianus, kurkku viilletään, Assisin Sabinus, kivitetään, Toulousen Saturninus, sidotaan härän raahattavaksi, Scubiculus, mestataan, Sebastianus, surmataan nuolilla, Astin Secundus, mestataan, Tongerenin ja Maastrichtin Servatius, surmataan puukengän iskulla, niin mahdottomalta kuin kuulostaakin, Barcelonan Severus, päähän survaistaan naula, Exeterin Sidwel, mestataan, burgundien kuningas Sigismund, syöstään kaivoon, Sixtus, mestataan, Stefanos, kivitetään, Autunin Symphorianus, mestataan, Ikonionin Tekla, silvotaan ja poltetaan, Tharsicius, kivitetään, Theodorus, kuolee roviolla, Canterburyn Thomas Becket, kalloon survaistaan miekka, Thyrsus, sahataan, Tiburtius, mestataan, Efesoksen Timoteus, kivitetään, Pisan Torpes, mestataan, Torquatus ja kaksikymmentä seitsemän muuta, saavat surmansa kenraali Musan toimesta Guimarãesin porteilla, Urbanus, mestataan, Limogesin Valeria, samoin, Valerianus, samoin, Camerinon Venantius, kurkku viilletään, Marseillen Victor, kaula katkaistaan, Rooman Victoria, surmataan sen jälkeen kun suusta on revitty kieli, Trenton Vigilius, toinen puukengällä surmattu, Viktor, mestataan, Wilgefortis eli Liberata eli Eutropia, neitsyt, jolle kasvoi parta, ristiin, Zaragozan Vincentius, myllynkivellä ja piikkiparilalla, Ravennan Vitalis, keihäällä, ynnä muita, ynnä muita, ynnä muita, samoin, samoin ja samoin, nyt rittää.
xxx/ellauri187.html on line 62: sich hält und glänzt. Sonst könnte nicht der Bug pidättää ja loistaa. Muuten ei voisi rintakaari
xxx/ellauri187.html on line 68: unter der Schultern durchsichtigem Sturz pian hartioiden läpinäkyvän tyngän alta
xxx/ellauri187.html on line 197: But why did aging Rodin in his 60s capture Rilke’s imagination at the turn of the last century? It’s hard to see at first. What made Rodin radical then is no longer radical today. In his “Self-Portrait” (1890), Rodin grimaces amidst rough marks. The picture emblematizes how Rodin heralded raw and unpolished sculptures that were strikingly modern. It was a breath of fresh air since most of early-19th-century sculpture was smooth, neoclassical, and to be harshly honest, predictably dainty. Charles Baudelaire lamented this nadir in 1846 when he wrote his provocative essay “Why Sculpture is Boring.” Rodin went on to prove Baudelaire wrong. He showed how sculpture could be modern with distorted, coarse, rough textures. Rodin knocked the idealized body off its pedestal. And the modern sculptors that came after him saw no reason to put it back.
xxx/ellauri187.html on line 240: sich selber; bis sie ihres Auges Bleiche iziään; kunnes niiden silmien kalpeus
xxx/ellauri187.html on line 242: in welcher Schwarz und Fruchtrot sich versteckt. missä piilee aukko musta ja hedelmäinen puna.
xxx/ellauri187.html on line 245: sie aber haben sich erstaunt gestreckt ne ovat hämmästyxissään ojentautuneet
xxx/ellauri187.html on line 366: Georg Walther Groddeck (13 October 1866 in Bad Kösen – 10 June 1934 in Knonau, near Zurich) was a physician and writer regarded as a pioneer of psychosomatic medicine.
xxx/ellauri187.html on line 432: Wenn sich die Stille nun tief um uns breitet, Kun hiljaisuus nyt levii syvään ympärillämme,
xxx/ellauri187.html on line 434: der Welt, die unsichtbar sich um uns weitet, maailmasta, joka levii ympärillä näkymättömänä,
xxx/ellauri187.html on line 563: Astrophysicist Christian Ott resigned from Caltech last August. He'll start as a senior researcher at the University of Turku in Finland on March 1.
xxx/ellauri193.html on line 78: We are continuing our quest to find out more about the characteristics of the dark empanzees in relation to other psychological outcomes. For example, we are interested in their risk taking, impulsivity or physically aggressive behaviour. We also want to understand how they process emotions or facial expressions, or how they perceive and react to threats.
xxx/ellauri193.html on line 204: Nato con una malformazione fisica che lo costringeva a zoppicare (da cui il soprannome ciotto, ossia "zoppo"), era figlio di Malatesta da Verucchio e fratello di Paolo, Malatestino e Maddalena. Il mourut en 1304 après avoir assumé cinq fois la charge de podestat. Son caractère énergique, son habilité militaire et sa déformation physique ont contribué à le décrire comme un homme sanguinaire et vindicatif.
xxx/ellauri193.html on line 208: The "crime of passion" defense challenges the mens rea element by suggesting that there was no malice aforethought, and instead the crime was committed in the "heat of passion". In some jurisdictions, a successful "crime of passion" defense may result in a conviction for manslaughter or second degree murder instead of first degree murder, because a defendant cannot ordinarily be convicted of first degree murder unless the crime was premeditated. A classic example of a crime of passion involves a spouse who, upon finding his or her partner in bed with another, kills the romantic interloper.
xxx/ellauri193.html on line 398: In a 1979–80 interview Gordimer identified herself as an atheist, but added: "I think I have a basically religious temperament, perhaps even a profoundly religious one."
xxx/ellauri199.html on line 136: and the godly ambrosia of music sublime,”
xxx/ellauri199.html on line 173: Acrostic • Africa • Alone • America • Angel • Anger • Animal • Anniversary • April • August • Autumn • Baby • Ballad • Beach • Beautiful • Beauty • Believe • Bipolar • Birth • Brother • Butterfly • Candy • Car • Cat • Change • Chicago • Child • Childhood • Christian • Children • Chocolate • Christmas • Cinderella • City • Concrete • Couplet • Courage • Crazy • Culture • Dance • Dark • Dark humor • Daughter • Death • Depression • Despair • Destiny • Discrimination • Dog • Dream • Education • Elegy • Epic • Evil • Fairy • Faith • Family • Farewell • Fate • Father • Fear • Fire • Fish • Fishing • Flower • Fog • Food • Football • Freedom • Friend • Frog • Fun • Funeral • Funny • Future • Girl • LGBTQ • God • Golf • Graduate • Graduation • Greed • Green • Grief • Guitar • Haiku • Hair • Happiness • Happy • Hate • Heart • Heaven • Hero • History • Holocaust • Home • Homework • Honesty • Hope • Horse • House • Howl • Humor • Hunting • Husband • Identity • Innocence • Inspiration • Irony • Isolation • January • Journey • Joy • July • June • Justice • Kiss • Laughter • Life • Light • Limerick • London • Lonely • Loss • Lost • Love • Lust • Lyric • Magic • Marriage • Memory • Mentor • Metaphor • Mirror • Mom • Money • Moon • Mother • Murder • Music • Narrative • Nature • Night • Ocean • October • Ode • Pain • Paris • Passion • Peace • People • Pink • Poem • Poetry • Poverty • Power • Prejudice • Pride • Purple • Lgbtq • Racism • Rain • Rainbow • Rape • Raven • Red • Remember • Respect • Retirement • River • Romance • Romantic • Rose • Running • Sad • School • Sea • September • Shopping • Sick • Silence • Silver • Simile • Sister • Sky • Sleep • Smart • Smile • Snake • Snow • Soccer • Soldier • Solitude • Sometimes • Son • Song • Sonnet • Sorrow • Sorry • Spring • Star • Strength • Success • Suicide • Summer • Sun • Sunset • Sunshine • Swimming • Sympathy • Teacher • Television • Thanks • Tiger • Time • Today • Together • Travel • Tree • Trust • Truth • Valentine • War • Warning • Water • Weather • Wedding • Wind • Winter • Woman • Women • Work • World
xxx/ellauri199.html on line 238: High school can be everything you want it to be or your worst nightmare. For me — it’s okay other than the fact that just about everything I’m surrounded by goes completely against my beliefs as a Christian. Whether it be walking in the hallway hearing terribly vulgar words, common gossiping, or young kids praising the loss of their virginity. You also have your popular “in” music that blatantly puts pre-marital sex, illegal drugs, and the love of money on a pedestal. These are just some of the worldly things we have to deal with on a daily basis that can oh-so easily sweep somebody in. At this point, the options must be weighed: choose God or choose the world? Which god to choose? Which one has the biggest dick?
xxx/ellauri199.html on line 885: Judith Nicholls reads her poems in a slow, thoughtful way, like a ruminating cow. If you listen to ‘Winter’, you can hear how she allows the music of each word to sound fully.
xxx/ellauri199.html on line 917: Безмолвна весня, музыка нема, Song falls silent, music is dumb,
xxx/ellauri199.html on line 1074: The announcement seemed to drive a surge of support for Seuss classics. Dozens of his books shot to the top of Amazon’s print best-seller list; on Thursday morning, nine of the site’s top 10 best sellers were Seuss books.
xxx/ellauri200.html on line 186: Not unexpectecly Naipaul was also accused of misogyny, and of having committed acts of "chronic physical abuse" against his mistress of 25 years, Margaret Murray, who wrote in a letter to The New York Review of Books: "Vidia says I didn't mind the abuse. I certainly did mind."
xxx/ellauri200.html on line 190: The actual world has for Naipaul a radiance that diminishes all ideas of it. The pink haze of the bauxite dust on the first page of Guerrillas tells us what we need to know about the history and social organization of the unnamed island on which the action takes place, tells us in one image who runs the island and for whose profit the island is run and at what cost to the life of the island this profit has historically been obtained, but all of this implicit information pales in the presence of the physical fact, the dust itself. ... The world Naipaul sees is of course no void at all: it is a world dense with physical and social phenomena, brutally alive with the complications and contradictions of actual human endeavour. ... This world of Naipaul's is in fact charged with what can only be described as a romantic view of reality, an almost unbearable tension between the idea and the physical fact ...
xxx/ellauri200.html on line 628: whose very echo after-music long Joka jää sen päähän kiertämään korvamatona
xxx/ellauri202.html on line 214: Anatole France se marie en 1877 avec Valérie Guérin de Sauville, petite-fille de Jean-Urbain Guérin, un miniaturiste de Louis XVI, dont il a une fille, Suzanne (1881-1918). Elle épousa en 1901 le capitaine Henri Mollin, officier d'ordonnance du général André et protagoniste de la retentissante Affaire des Fiches, puis Michel Psichari (1887-1917), petit-fils d'Ernest Renan. Il confie souvent sa fille, dans son enfance, à Mme de Martel (qui écrivait sous le nom de Gyp), restée proche à la fois de lui-même et de Mme France.
xxx/ellauri202.html on line 282: By now we all face the basic law of capitalism. Capital success depended largely on one major factor: constant expansion. The business must constantly grow and profits must constantly increase. Putin must continuously provide more and more money.
xxx/ellauri202.html on line 340: The book, titled Im Angesicht des Galgens (In The Face Of The Gallows), contained a bombshell. Frank suggested that Adolf Hitler — who had orchestrated the genocide of millions of Jews — was part Jewish.
xxx/ellauri208.html on line 480: Vuoden 1988 Nobelin palkinnon myötä egyptiläiseltä kirjailijalta Naguib Mahfouzilta (1911-2006) suomennettiin englannista novelli ”Siunatttu yö” (sic, kolmella teellä, 1988) ja arabiasta muutamia romaaneja vuosina 1989-1996. Sen jälkeen hän näyttää Suomessa joutuneen unohduksiin sikäli, että uusia suomennoksia ei ole ilmestynyt. Tässä suhteessa hänelle on käynyt samoin kuin toiselle nobelistille, australialaiselle eepikolle Patrick Whitelle. Kumpikin ansaitsisi tulla uudestaan huomioiduksi uusien käännösten muodossa. Näin siitäkin huolimatta, että Mahfouzin suomennettuihin romaaneihin eräät kriitikot suhtautuvat melko nihkeästi ja pitävät niitä helvetin vanhakantaisina.
xxx/ellauri208.html on line 586: "Beautiful Isle of Somewhere" is a song with words by Jessie Brown Pounds and music by John Sylvester Fearis, written in 1897. The song gained huge popularity when it was used in William McKinley's funeral. It was subsequently a staple at funerals for decades, and there are dozens of recorded versions.
xxx/ellauri208.html on line 721: Niin tuli yö ja pimeys Kangijalan yli, vuorten ja virran ja maan. Ja minä seisoin jyrkänteen partaalla Joonatanin kanssa, hän oli selässäni (sic) kädet lujasti kaulallani, ja minä tunsin miten hän takaa päin hengitti korvaani. Ihan rauhallisesti hän hengitti. Ei niin kuin minä... Joonatan, oma veljeni, miksen minä ole yhtä rohkea kuin sinä? (Mitä vitun hevosenleikkiä tää oli? Pukkihyppelyä? Pienoisjunaa?)
xxx/ellauri208.html on line 1022: ʾIdrīs (Arabic: إدريس) is an ancient prophet mentioned in the Quran, whom Muslims believe was the third prophet after Seth. He is the second prophet mentioned in the Quran. Islamic tradition has unanimously identified Idris with the biblical Enoch, although many Muslim scholars of the classical and medieval periods also held that Idris and Hermes Trismegistus were the same person. Mahtavaa sekoilua.
xxx/ellauri208.html on line 1038: Speaking of which, German police believe the convicted paedophile, 45, abducted and killed Madeleine McCann, 3, in Portugal in 2007. Following tip-offs from German police, in April 2021 authorities in Paraguay targeted Christian Manfred Kruse, 59, a German national thought to be behind the sick network. At the same time German cops arrested three other men linked to a paedo ring. They include cook Andreas G, 40, unemployed Fritz Otto K, 64, and Alexander G, 49, who allegedly acted as an administrator and forum moderator for the ring. Boystown was internationally oriented, had chat areas in different languages and served the worldwide exchange of images, documenting the sexual abuse of children. Experts then set about analysing all the computer data, including 5,000 IP addresses, which had exchanged sickening pornographic images and videos of children being abused to around 400,000 members. Idris started prophecying at age 40, and so did Mohammed. Mohammed´s youngest wife was just 9. The Daily Telegraph described the disappearance of Madeleine "the most heavily reported missing-person case in modern history".
xxx/ellauri209.html on line 84: Muussa tukkukupassa (sic) kehitys on ollut tasainen ja hienoisesti laskeva.
xxx/ellauri212.html on line 418: "At its 1934 debut in Paris, it was shown for fifteen days, covered, in the gallery’s back room," wrote the art critic Jerry Saltz in 2013. "In 1977, it appeared for a month at Pierre Matisse’s 57th Street gallery. It has never been exhibited again, as if it were some metaphysical equivalent of the cursed videotape in The Ring that kills anyone who views it."
xxx/ellauri212.html on line 456: "Osallistumis- ja arviointisuunnitelmasta" ilmenee, että Tapio Rautavaaran puisto "muuttuu" uudistuksessa "rakennetuxi ympäristöksi." Puistossa sijaitsee Oulukylässä asuneen Tapio Rautavaaran patsas. Se siirrettäisi (sic) vanhan aseman edustalle, jonne tulisi nykyistä viihtyisämpi vehreämpi aukio.
xxx/ellauri215.html on line 100: It is obvious that rock and roll beats imitate these body rythms. Pelkkä BPM on turha mitta, pääasia on että biisistä löytyy kututahti sopivalla jaotuxella. That's just rock and roll but I like it. Synkopoitu tahti jolla mulkku jotmuilee sisään ulos vulvasta. In 2021, rock has gone quiet in a music landscape ruled by pop and hip-hop.
xxx/ellauri215.html on line 206: Oh, Berny, I want to live with you! That's what I need! The millions won't do it-it's you! I want to go home to Europe with you. Listen to me, don't say no, not yet. This summer I saw a small house free, a stone villa up on a hillside. It was outside Florence. I had a pink tile roof and a garden. I got the phone number and I wrote it down. I still have it. Oh, everything beautiful that I saw in Italy made me think of how happy you could be there - how happy I would be there looking after you. I thought of the trips we'd make, I thought of the afternoons in the museums and having coffee later by the river. I thought of listening to music together at night I thought of making your meals. I thought of wearing lovely nightgowns to bed. And best of all (though Phil left this out): mieti miten huokaisen vienosti kun ähkäisten iltaisin työnnät pitkäxi venähtäneen pinokkionnenäsi sieraimia myöden turkissomisteiseen skulausvihkooni!
xxx/ellauri215.html on line 372: "Point number three (ok, almost done) is the talk about the Finlandization of Ukraine, which means that Ukraine has to compromise on their values, security and basic existence in order to achieve peace. I fundamentally disagree with this thesis because every independent and sovereign state should have the freedom to choose whose club it wants to join and which cola to buy.
xxx/ellauri215.html on line 374: This has been put into the UN charters, but more specifically to the Helsinki accords. It is about international law. It is about sovereignty and independence. Sovereignty and independence is what NATO is all about. It is about the agency of a country like Ukraine to decide its own destiny. It is not up to a greater power like Russia or NATO to take that decision for Ukraine. And I say this as a Swedish Finn, next to Russia in Westend, Esbo, which shares a 1,34 km border with the capital. A county that has had to compromise on its basic economic liberal values at different stages in history.
xxx/ellauri218.html on line 246: Thousands of detectives and forensic evidence specialists worked for over 1.7 million hours at Fresh Kills Landfill to try to recover remnants of the people killed in the attacks. A final count of 4,257 human remains was retrieved, but only 300 people could be reconstructed from these remains. A memorial was built in 2011, which also honors those whose identities were not able to be determined from the debris. The remaining waste was buried in a 40-acre (160,000 m2) portion of the landfill; it is highly likely that this debris still contains fragmentary human remains like condoms, false teeth and pacemakers.
xxx/ellauri218.html on line 322: Bobby Fischer changed the world! I believe he inherited some family mental disorders, and had deep issues regarding his father (as you may or may not know, Mr. Fischer was not his real father - his real father was a Hungarian (I believe a physicist) to whom Bobby bore an amazing resemblance! His BBC accent was just too good, so he must be a - Hungarian!
xxx/ellauri224.html on line 285: 3. "Pysyisin ennemmin Kristuksen kuin totuuden kanssa." Kun Dostojevski vapautettiin vankilasta vuonna 1854, jotkut "radikaaleista" ideoista, jotka olivat niin uhanneet tsaaria, olivat nyt de rigueure (sic) - joukossa nuorten eurooppalaisten älymystöjen ja kirjailijoiden keskuudessa. "Silloin muodissa oli ateismi ja uudet poliittiset liikkeet, kuten sosialismi ja utilitarismi, jotka hylkäsivät uskonnon", Christofi sanoo. "Sitä taustaa vasten Dostojevski oli melko epätavallinen puolustaessaan lujasti kristillistä uskoa." Kirjeessä, jonka hän kirjoitti vankilasta , hän sanoi, että "jos joku todistaisi minulle, että Kristus on totuuden ulkopuolella", hän haluaisi pysyä mieluummin Kristuksen housuissa kuin totuuden kanssa.
xxx/ellauri225.html on line 44: The general gist is that humans originally spread throughout the galaxy from a planet called Hain. The Hainish colonies (including Earth) all eventually lost contact with and then memory of each other; each book or story then shows a planet at or shortly after the moment when contact is re-established. It’s a useful way to frame the classic sociological sci-fi writing that Le Guin is known for—an Envoy or Observer from the slowly burgeoning coalition of planets can arrive at a completely new human society, which Le Guin can then use to dissect and explore some facet of real life through speculative worldbuilding. And the best part of it is that unless Darwin got his hairy foot into it, all the Hainians got fully interlocking genitals! One of the biggest obstacles to enjoyable alien sex is overcome.
xxx/ellauri225.html on line 48: The gay content in The Telling is rather subtle and subdued, but it isn’t an afterthought. Sutty’s lesbianism is an important aspect of her character, and when she starts meeting mazis, the keepers of the Telling, many of them are gay couples as well. There is a quiet romanticization of gay monogamy throughout The Telling that moved me when I first read it, and although not every aspect of the novel has aged as well, I’m still very endeared of it for that reason. If you enjoy classic science fiction, where the point is less a thrilling story and more the discovery of a brand new world, The Telling is by far my favorite of the bunch.
xxx/ellauri225.html on line 107: Mistäs nää Ursulan "hainit" tulevat? Perhaps the Middle English word heyne (and its variants, such as haine, hayn ), meaning 'mean wretch, niggard'? Tai Robert Heinlein — aus einer Koseform von Heinrich entstandener Familienname? Ach nein, nö! Heine: Dieser Name leitet sich vom hebräischen Wort für das Leben ab.
xxx/ellauri225.html on line 267: Le Guin read both classic and speculative fiction widely in her youth. She later said that science fiction did not have much impact on her until she read the works of Theodore Sturgeon and Cordwainer Smith, and that she had sneered at the genre as a child. Authors Le Guin describes as influential include Victor Hugo, William Wordsworth, Charles Dickens, Boris Pasternak, and Philip K. Dick. Le Guin and Dick attended the same high-school, but did not know each other. She also considered J. R. R. Tolkien and Leo Tolstoy to be stylistic influences, and preferred reading Virginia Woolf and Jorge Luis Borges to well-known science-fiction authors such as Robert Heinlein, whose writing she described as being of the "white man conquers the universe" tradition. Several scholars state that the influence of mythology, which Le Guin enjoyed reading as a child, is also visible in much of her work: for example, the short story "The Dowry of Angyar" is described as a retelling of a Norse myth.
xxx/ellauri225.html on line 298: The first three Earthsea novels together follow Ged from youth to old age, and each of them also follow the coming of age of a different character. A Wizard of Earthsea focuses on Ged´s adolescence, while The Tombs of Atuan and The Farthest Shore explore that of Tenar and the prince Arren, respectively. A Wizard of Earthsea is frequently described as a Bildungsroman, in which Ged´s coming of age is intertwined with the physical journey he undertakes through the novel. To Mike Cadden the book was a convincing tale "to a reader as young and possibly as headstrong as Ged, and therefore sympathetic to him". Reviewers have described the ending of the novel, wherein Ged finally accepts the shadow as a part of himself, as a rite of passage. Scholar Jeanne Walker writes that the rite of passage at the end was an analogue for the entire plot of A Wizard of Earthsea, and that the plot itself plays the role of a rite of passage for an adolescent reader. Any fucking involved at all? What kind of coming of age would it be without some?
xxx/ellauri225.html on line 304: The Dispossessed, set on the twin planets of Urras and Anarres, features a planned anarchist society depicted as an "ambiguous utopia". The society, created by settlers from Urras, is materially poorer than the wealthy society of Urras, but ethically and morally more advanced. Unlike classical utopias, the society of Anarres is portrayed as neither perfect nor static; the protagonist Shevek finds himself traveling to Urras to pursue his research. Nonetheless, the misogyny and hierarchy present in the authoritarian society of Urras is absent among the anarchists, who base their social structure on cooperation and individual liberty. The Eye of the Heron, published a few years after The Dispossessed, was described as continuing Le Guin´s exploration of human freedom, through a conflict between two societies of opposing philosophies: a town inhabited by descendants of pacifists, and a city inhabited by descendants of criminals.
xxx/ellauri225.html on line 310: Other social structures are examined in works such as the story cycle Four Ways to Forgiveness, and the short story "Old Music and the Slave Women", occasionally described as a "fifth way to forgiveness". Set in the Hainish universe, the five stories together examine revolution and reconstruction in a slave-owning society. According to above mentioned Rochelle, the stories examine a society that has the potential to build a "truly human community", made possible by the Ekumen´s recognition of the slaves as human beings, thus offering them the prospect of freedom and the possibility of utopia, brought about through revolution. Slavery, justice, and the role of women in society are also explored in Anals of the Western Shore.
xxx/ellauri225.html on line 445: Ainakin se sanoo "bylziä". On tää muutenkin koko lailla vanhentunutta: lyxiä on espressokone ja 42 (sic) tuuman televisio. Mullakin taitaa olla tossa sellainen. No Kurtilla lienee 4,2 tuuman pipu, jolla se ulottuu nipin napin "bylzimään" Rauha Kariniemen kanafiletiskin alahyllyä kun ottaa pallit allensa. Rauhan ja vanhan pierun välinen ikäero on 21v. Mutta Rauha on vaan köyhä sosiaalitarkkailija ja Kurt on upporikas Kille Kimalaisen luoja. Kurtilla on raitoja kuin kimalaisella ja se tykkää Lehtovaaran fileestä. Ihan niinkuin Lea Lehtisalo. Aterian jälkeen he joivat kahvia ja söivät kampawiinerit. Olikohan kulttibändi The Varna Boys terkkuja Kultasannalta? Oliko se vallan Runkmanni & The Boys? Mä ostin Varnassa paskanruskeenharmaat uimahousut mutten hirvinnyt uimaan mustaan mereen kun oli niin holotna. Ne uikkarit mulla on kai jossain vieläkin.
xxx/ellauri228.html on line 449: If someone got sick, she was killed. If someone tried to run away, she was killed. If someone refused to work, she was killed. If someone wasn’t popular with the customers, she was killed. If someone got noticeably pregnant, the fetus was pulled out with a hanger; any complications and the mother was killed. If a patron had a lot of money, he was killed.
xxx/ellauri228.html on line 554: Zur gestrandeten Familie gehören der Vater, ein Pfarrer (parsons), der die Abenteuer erzählt, seine Ehefrau, die vier Knaben Fritz (16 Jahre), Ernst (14 Jahre), Jakob/Jack (12 Jahre) und Franz (9 Jahre) sowie die beiden Doggen Türk und Bill. Sie möchten ein neues Leben auf den Gewürzinseln beginnen. Auf dem Weg nach Australien werden sie mitten im Indischen Ozean infolge eines schweren Sturms schiffbrüchig, können aber noch eine ganze Menge von diversen Gebrauchsgegenständen und Tiere vom Schiff auf eine tropische Insel retten. Aber keine Mädchen! Hier lernen sie mit den vorhandenen Werkzeugen und mit den auf der Insel entdeckten Dingen umzugehen und diese zu nutzen. Aber keine Mädchen! So baut sich die Familie ein Baumhaus, lernt jagen und fischen und führt ein einfaches, aber zufriedenes Leben. Nach über zehn Jahren verschlägt es die englische Schiffbrüchige Jenny auf das verlassene Eiland. Sie wird von den Robinsons-Jungen feiernd in die Familie aufgenommen. (Na endlich!) Einige Zeit später nähert sich der Insel ein englisches Schiff. Die Eltern entschließen sich, mit einem Teil der Kinder auf „Neu-Schweizerland“ zu bleiben um dort mit ihnen alt zu werden. Fritz und Franz trennen sich gemeinsam mit Jenny dagegen von der Familie und reisen nach Europa zurück um eine ménage a trois in Ruhe zu genießen.
xxx/ellauri228.html on line 589: Talcott Parsons was an American sociologist of the classical tradition, best known for his social action theory and structural functionalism. Parsons is considered one of the most influential figures in sociology in the 20th century.
xxx/ellauri228.html on line 593: The magazine format allowed for interviews, live music, features and even game shows. The flexible late-night format meant that guests could do just about anything to be controversial.
xxx/ellauri229.html on line 43: Rogerius Iosephus Boscovicius (Croatice Ruđer Josip Bošković; natus Ragusii die 18 Maii 1711; Mediolani mortuus die 13 Februarii 1787), Iesuita, fuit theologus, legatus, physicus, astronomus, mathematicus et poëta oriundus e Civitate Ragusina. Frater Bartholomaei Boscovicii fuit.
xxx/ellauri229.html on line 86: At the time of the Oates Plot he entered into communication with the Privy Council which greatly scandalized the Catholics. This arose from his opposition to Jesuit influence in the English Catholic Church. He avoided arrest by passing as a physician under the names of Dodd, Holland, and Smith. There is a very original painting of him at Ushaw College, in Durham.
xxx/ellauri229.html on line 523: Another alter ego in the bunch, Francious from "Youth in Revolt" is basically a way cooler Michael Cera who helps him through his awkward teenage phase.
xxx/ellauri229.html on line 546: At the height of the baroque, sex went out of style; only two small parties kept it going-the integrationalists and the separatists. The separatists, averse to all debauchery, felt that it was improper to eat sauerkraut with the same mouth one used to kiss one´s sweetheart. For this a separate, "platonic" mouth was needed, and better yet, a complete set of them, variously designated (for relatives, for friends, and for that special person). The valuing utility above all else, worked in reverse, combining whatever was combinable to simplify the organism and life. The decline of the baroque, typically tending to the extravagant and the grotesque, produced such curious forms as the stoolmaid and the hexus, which resembled a centaur, except that instead of hoofs it had four bare feet with the toes all facing one another: they also called it a syncopant, after a dance in which energetic stamping was the basic step. But the market now was glutted, exhausted. It was hard to come up with a startling new body; people used their natural horns for ear flaps; flap ears-diaphanous and with stigmatic scenes-fanned with their pale pinkness the cheeks of ladies of distinction; there were attempts to walk on supple pseudopodia; meanwhile SOPSYPLABD out of sheer inertia made more and more designs available, though everyone felt that all of this was drawing to a close.
xxx/ellauri229.html on line 692: - Revised, edited, and contributed original analysis to his books on traditional Ugandan music xxx/ellauri229.html on line 693: - Aided with work for the Society for Ethnomusicology, among other professional publications
xxx/ellauri229.html on line 759: The 200 or so lyric pieces which represent the core of his poetic genius, whether describing a scene of nature or passions of love, put a premium on metaphysics. Tyutchev´s world is bipolar like himself. He commonly operates with such categories as night and day, north and south, dream and reality, cosmos and chaos, still world of winter and spring teeming with life. Each of these images is imbued with specific meaning. (Huoh.)
xxx/ellauri230.html on line 56: Tanizakin pääteos Makiokan sisarukset (1943–48) kertoo neljästä yläluokkalaisesta (sic) sisaruksesta toisen maailmansodan lähestyessä.
xxx/ellauri230.html on line 549: Vallabhbhai Javerabhai Patel was born on 31 October, 1875 in Nadiad, Bombay Presidency, British India, is an Actor. Discover Vallabhbhai Patel's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of Vallabhbhai Patel networth? At 75 years old, Vallabhbhai Patel height not available right now. We will update Vallabhbhai Patel's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible. He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children. His net worth has been growing significantly in 2020-2021. So, how much is Vallabhbhai Patel worth at the age of 75 years old? Vallabhbhai Patel’s income source is mostly from being a successful Actor. He is from British India. We have estimated Vallabhbhai Patel's net worth, money, salary, income, and assets at $0 according to our database.
xxx/ellauri230.html on line 618: While the cherry blossom is the flower that most people associate with Japan, the chrysanthemum, or kikuli, is more intrinsically linked to the country’s culture and history. Enid Blytonin Fabulous Fiven Dick on nimetty uudelleen Prickixi, koska Dick on nyttemmin yxinomaan kikuli.
xxx/ellauri231.html on line 89: American punk rock musician and a founding member of the band The Menstrual Cramps
xxx/ellauri232.html on line 153: Über das Schwarzbuch des Kommunismus urteilte Wippermann, dass es nur „eine ermüdende Reihung von Mordgeschichten“ biete, eine „Dämonisierung des Kommunismus“ betreibe und hinterfragt werden müsse, ob es sich „bei den Regimen in der Sowjetunion, China, Kambodscha etc. überhaupt um kommunistische bzw. sozialistische Systeme gehandelt habe“.
xxx/ellauri232.html on line 155: Ein weiteres kontroverses Thema war Wippermanns engagiertes Auftreten gegen die Totalitarismus-These, die in seinem Verständnis besage, dass die Verbrechen des Nationalsozialismus und des Stalinismus oder des Kommunismus als Ganzes vergleichbar oder gleichzusetzen seien. Über das Schwarzbuch des Kommunismus urteilte Wippermann, dass es nur „eine ermüdende Reihung von Mordgeschichten“ biete, eine „Dämonisierung des Kommunismus“ betreibe und hinterfragt werden müsse, ob es sich „bei den Regimen in der Sowjetunion, China, Kambodscha etc. überhaupt um kommunistische bzw. sozialistische Systeme gehandelt habe“. Reinhard Mohr kritisierte darüber in Der Spiegel, dass „gar nicht mehr versucht wird, wissenschaftliche oder politische Kritik zu üben und dass es nur noch um das gekränkte intellektuelle Ich“ gehe. Wippermann solle eher Payne lesen.
xxx/ellauri232.html on line 157: Den Mitgliedern des Wissenschaftlichen Beirats der Bundesregierung Globale Umweltveränderungen (WBGU) warf er angesichts ihres Hauptgutachtens Welt im Wandel – Gesellschaftsvertrag für eine Große Transformation 2011 vor, sie seien Utopisten, die eine Klimadiktatur in größerem Rahmen vorschlügen, und dies nicht aus Gedankenlosigkeit. Dies erinnere ihn an die faschistische oder kommunistische Internationale. Es handle sich um naturwissenschaftliche Fanatiker, die ihre Vorstellungen durchsetzen wollen.
xxx/ellauri232.html on line 161: Wippermanns Thesen sorgten mehrfach für Kontroversen innerhalb der deutschen Historikerzunft. So sah sich Wippermann selbst als einzigen Historiker, der sich in der Goldhagen-Kontroverse auf die Seite Daniel Goldhagens schlug. Goldhagen vertritt die These, dass die Taten der Deutschen nicht von solchen äußeren Zwängen oder Anreizen herrührten, sondern von inneren Überzeugungen. Die Deutschen wurden nicht gezwungen, Juden zu töten; sie taten es freiwillig, sie waren willige Vollstrecker.
xxx/ellauri232.html on line 163: Kern seiner Arbeit in Anknüpfung an Christopher R. Brownings Untersuchungen ist die Beschreibung eines deutschen Polizeibataillons (Reserve-Polizei-Bataillon), das im polnischen Generalgouvernement die dort lebenden Juden aufspürte, folterte und schließlich erschoss oder in die Vernichtungslager verschleppte. Anhand von Prozessakten aus späteren Gerichtsverfahren gegen einige Bataillonsangehörige zeigt Goldhagen, dass diese Männer ihre Taten nicht etwa widerwillig, schamhaft und unter Zwang begingen, sondern freiwillig, ausgesprochen eifrig (z. T. über die ausdrücklichen Befehle hinaus), mit Stolz und in der Überzeugung, das Richtige zu tun. Sie quälten und ermordeten ihre Opfer ohne Mitgefühl oder moralische Skrupel. Diese erstaunliche Tatsache führt Goldhagen auf die Vorstellungen zurück, die die Männer von den Juden hatten: Sie betrachteten ihre Opfer nicht als Menschen, sondern als ein Übel, das beseitigt werden musste, so wie eine bösartige Krankheit beseitigt werden muss. Und bei diesen Männern handelte es sich gerade nicht um eingefleischte Nazis. Die Bataillone bestanden aus willkürlich rekrutierten Durchschnittsbürgern, die für den Einsatz an der Front zu alt waren und deren politische Sozialisation dementsprechend lange vor der Machtergreifung stattgefunden hatte. Sie waren weder Weltanschauungskrieger noch verblendete Jugendliche; sie waren (daher der Untertitel von Goldhagens Buch) ganz gewöhnliche Deutsche.
xxx/ellauri232.html on line 167: Der renommierte jüdische Historiker Eric Hobsbawm, der die nationalsozialistische Machtübernahme in Berlin miterlebt hatte, gab zu Goldhagens Thesen den knappen Kommentar ab: „Goldhagen zählt nicht. Ich kenne keinen seriösen Historiker, der Goldhagen ernst nimmt.“ Noch dezidierter äußerte sich der Holocaust-Experte Raul Hilberg in einem Interview. Goldhagen, so Hilberg, sei „totally wrong about everything. Totally wrong. Exceptionally wrong“.
xxx/ellauri232.html on line 169: Aus dem „tonnenweise“ vorliegenden Material in Ludwigsburg stütze er sich auf ganze 166 Aussagen vor Kriegsverbrechertribunalen. „Mit Goldhagens Methoden im Umgang mit Beweismaterial könnte man aus dem Ludwigsburger Material leicht die nötigen Zitate heraussuchen, um das genaue Gegenteil von dem zu beweisen, was Goldhagen behauptet.
xxx/ellauri232.html on line 176: Holocaustforscher dagegen waren nicht amüsiert. Ihre mehrheitliche Ansicht formulierte Reinhard Rürup zugespitzt so: „Was an den Thesen des Buches richtig ist, ist nicht neu, und was neu ist, ist nicht richtig.“
xxx/ellauri232.html on line 356: I love the Shabbat experience (especially the candle lighting and the kiddush), but why so many restrictions? No driving, no shopping, no playing music, no chatting on the phone — you're not even allowed to check your e-mail! Sounds more like a prison than a day of rest. Why not just focus on the beautiful rituals and the restful atmosphere? I'd love to start keeping Shabbat, but all that "don't do this" and "don't do that" is a real turn-off...
xxx/ellauri233.html on line 370: Australialais-amerikkalainen James Clavell perusti bestseller-romaaninsa Shōgun (1975) Adamsin elämään ja muutti päähenkilönsä nimeksi " John Blackthorne ". Mixi vitussa? Että sai valehdella mielin määrin ja puleerata henkilöstä jonkun länkkärisankarin. Tämä muokattiin suosituksi TV-minisarjaksi, Shōgun (1980). Se muokattiin myös Broadway-tuotannoksi Shōgun: The Musical (1990) ja videopeliksi James Clavell's Shōgun (1989).
xxx/ellauri233.html on line 405: According to popular myth/legend, it is claimed that the Gaon contributed to contemporary mathematics of his day, and that Cramer's rule is named after him (since his family name was Kremer). However, the rule is in fact named after the Swiss mathematician Gabriel Cramer, and there is no evidence that the Gaon was at all familiar with anything beyond basic compound interest calculation, and certainly no evidence that he made any contributions. Anyway Cramer's tule is way inferior to Gaussian elimination. Gabi ei ehkä ollut juutalainen kuitenkaan, vaikka sen isä oli Isaac. Ainakin se muistuttaa pikemminkin Liza Marklundia kuin näitä karvaturreja.
xxx/ellauri234.html on line 502: Dear Jack I second what someone else said in their comment, you are a sick person. I’m also 27 & I struggled with depression starting at 13. It’s either a miracle that I’m still alive or I just really suck at killing myself because I had 10 suicide attempts & just as many hospitalizations. Honestly if I had ever heard one of my parents say something like your post it would have broken me beyond repair. What a turd!
xxx/ellauri235.html on line 207: Oft did the harvest to their sickle yield, He tekivät usein sadon sirppisatoonsa,
xxx/ellauri235.html on line 589: Now the rich stream of music winds along Nyt rikas musiikkivirta tuulee mukana
xxx/ellauri235.html on line 637: Night, and all her sickly dews, Yö ja kaikki sen sairaat kasteet,
xxx/ellauri235.html on line 732: Thomas Hudson (April 1791 – June 1844) was an English writer and performer of comic songs who was one of the earliest credited songwriters in the music hall tradition. His songs, esp. Spider and the Fly, were described as "lively and really witty".
xxx/ellauri237.html on line 136: Today, it is generally accepted that Sappho´s poetry portrays homoerotic feelings: as Sandra Boehringer puts it, her works "clearly celebrate eros between women". Toward the end of the twentieth century, though, some scholars began to reject the question of whether or not Sappho was a lesbian – Glenn Most wrote that Sappho herself "would have had no idea what people mean when they call her nowadays a homosexual", André Lardinois stated that it is "nonsensical" to ask whether Sappho was a lesbian, and Page duBois calls the question a "particularly obfuscating debate". WTF? Pelottaako äijiä ajatus pillua lipsuvasta Psapfasta? Vai onko ne vaan mustasukkiaisia?
xxx/ellauri237.html on line 138: One longstanding suggestion of a social role for Sappho is that of "Sappho as schoolmistress". At the beginning of the twentieth century, the German classicist Ulrich von Wilamowitz-Moellendorff posited that Sappho was a sort of schoolteacher, to "explain away Sappho´s passion for her ´girls´" and defend her from accusations of homosexuality. The view continues to be influential, both among scholars and the general public, though more recently the idea has been criticised by historians as anachronistic and has been rejected by several prominent classicists as unjustified by the evidence. In 1959, Denys Page, for example, stated that Sappho´s extant fragments portray "the loves and jealousies, the pleasures and pains, of Sappho and her companions"; and he adds, "We have found, and shall find, no trace of any formal or official or professional relationship between them... no trace of Sappho the principal of an academy." Toisin kuin Ailin kohalla, hehe.
xxx/ellauri237.html on line 684: Neruda’s death certificate established the cause of death as cancer cachexia, which involves significant weight loss, but the forensic specialists unanimously found that to be impossible. “That cannot be correct,” said Dr. Niels Morling, of the University of Copenhagen’s department of forensic medicine, who participated in the analysis. “There was no indication of cachexia. He was an obese man at the time of death. All other circumstances in his last phase of life pointed to some kind of infection.” Neruda was infected with the Staphylococcus aureus bacterium, which can be highly toxic and result in death if modified.
xxx/ellauri237.html on line 690: Pinochet went on to rule Chile as a dictator for 17 years. When he got sick he was lovingly cared for in the UK.
xxx/ellauri237.html on line 839: Matilde Urrutia Cerda (Chillán, 5 de mayo de 1912 - Santiago, 5 de enero de 1985) fue una cantante y escritora chilena, conocida por ser la tercera esposa del poeta chileno Pablo Neruda, desde 1966 hasta su muerte en 1973. Nació en Chillán, hija de José Ángel Urrutia y María del Tránsito Cerda. En 1924, llegó a Santiago, donde trabajó y estudió simultáneamente. Aficionada al canto y la guitarra, estudió en el Conservatorio Nacional de Música.
xxx/ellauri237.html on line 841: They met in Santiago in 1946, when she was working as a physical therapist in Chile. She was the first woman in Latin America to work as a podiatric therapist. Urrutia was the inspiration behind Neruda´s later love poems beginning with Los Versos del Capitan in 1951, which the poet withheld publication until 1961 to spare the feelings of his previous wife; as well as 100 Love Sonnets which includes a beautiful dedication to her (which one?).
xxx/ellauri237.html on line 853: Abraham Maslow fue un psicólogo estadounidense que nació en Brooklyn (Nueva York) el 1 de abril de 1908. Sus progenitores eran judíos no ortodoxos de Rusia que llegaron a la tierra de las oportunidades con la esperanza de lograr un mejor futuro para sus hijos. Abraham Maslow nunca fue un tipo muy sociable, y ya desde niño, se refugió en los libros.
xxx/ellauri237.html on line 855: Antes de interesarse por la psicología, primero estudió derecho en la City College de Nueva York (CCNY). Tras casarse con Berta Goodman, su prima mayor, se mudó Wisconsin para asistir a la universidad de esa ciudad. Fue aquí donde comenzó a estudiar psicología. Trabajó con Harry Harlow, famoso por sus experimentos con crías de mono y el comportamiento del apego. Tras graduarse y doctorarse en esta disciplina, volvió a Nueva York para trabajar con E.L. Thorndike en la Universidad de Columbia, donde empezó a interesarse en la investigación experimental de la sexualidad humana. En este periodo de su vida, comenzó a dar clases en el Brooklyn College y entró en contacto con muchos psicólogos europeos que llegaban a Estados Unidos, por ejemplo, Adler o Fromm.
xxx/ellauri237.html on line 857:
Que es la psicologia humanista?
xxx/ellauri237.html on line 859: La psicología humanista es, sin duda, una de las corrientes de pensamiento más importantes de la psicología. Pero para saber de qué trata, es necesario conocer el trabajo de otra gran figura de esta escuela. Es difícil entender el humanismo sin Rogers y Maslow. Por eso, antes de profundizar en las propuestas teóricas de Maslow, vamos a adentrarnos en la teoría de Carl Rogers.
xxx/ellauri237.html on line 864: Si el psicoanálisis freudiano veía a la persona desde sus conductas problemáticas y el conductismo visualizaba a la personas como seres pasivos, es decir, que no tenían demasiadas opciones de influir en el entorno. La visión de Carl Rogers y el humanismo, en cambio, era totalmente distinta, porque el ser humano es visto como un individuo activo y dueño de su propia realización. Para Rogers, una persona que presta atención al proceso de valoración orgánica es una persona plenamente funcional o autorrealizada.
xxx/ellauri237.html on line 882: Maslow añade a la teoría de Rogers su concepto de las necesidades. La teoría de este psicólogo gira en torno a dos aspectos fundamentales: nuestras necesidades y nuestras experiencias. En otras palabras, lo que nos motiva y lo que buscamos a lo largo de la vida y lo que nos va ocurriendo en este camino, lo que vamos viviendo. Es aquí donde se forma nuestra personalidad. De hecho, Maslow es considerado uno de los grandes teóricos de la motivación.
xxx/ellauri237.html on line 887: En cierto modo, el modo en el que un individuo enfoque su autorrealización se corresponderá al tipo de personalidad que manifieste en su día a día. Eso implica que para Maslow la personalidad está relacionada con los aspectos motivacionales que tienen que ver con los objetivos y las situaciones que vive cada ser humano; no es algo estático que permanezca en el interior de la cabeza de las personas y se manifieste unidireccionalmente, de adentro hacia afuera, tal y como podría criticarse de algunas concepciones reduccionistas y deterministas de este fenómeno psicológico.
xxx/ellauri237.html on line 889: Las implicaciones de esto son claras: para estudiar la personalidad hay que conocer también el contexto en el que habitan las personas y el modo en el que este responde a las necesidades motivacionales de los individuos. Centrarse simplemente en administrar varios test para obtener una puntuación no nos da una visión acertada sobre esto, ya que se parte de un sesgo al considerar que la personalidad es lo que pueda ser captado por estas pruebas de recogida de datos. Se trata de un punto de vista parecido al que aplican al ámbito de las capacidades mentales psicólogos como Howard Gardner y Robert J. Sternberg, críticos con la concepción psicométrica de la inteligencia.
xxx/ellauri237.html on line 921: sicologiaymente.com/personalidad/personas-autorrealizadas-abraham-maslow">13 características de las personas autorrealizadas según Abraham Maslow.
xxx/ellauri237.html on line 925: Maslow es famoso por su teoría de la Pirámide de Necesidades porque, según él, las necesidades siguen una jerarquía, de más básicas a más complejas, y su pirámide está construida por cinco niveles.
xxx/ellauri237.html on line 932: Necesidades de de seguridad: seguridad física, empleo, ingresos...
xxx/ellauri237.html on line 941: Las necesidades han de ir cubriéndose para poder aspirar al nivel superior. Por ejemplo, si no tenemos las necesidades fisiológicas cubiertas no podemos aspirar a las necesidades de afiliación. En el nivel superior se encuentran las necesidades de autorrealización. Es esta jerarquía la que según Maslow marcaba el modo en el que la personalidad se adapta a las circunstancias, dependiendo de cada situación vivida. Se trata, en definitiva, de una concepción de la personalidad que abarca aspectos psicológicos muy extensos y que va más allá del enfoque psicométrico que dominaba en su época.
xxx/ellauri237.html on line 942: Puedes saber más sobre la teoría de las necesidades humanas en nuestro post: sicologiaymente.com/psicologia/piramide-de-maslow">Pirámide de Maslow: la jerarquía de las necesidades humanas. Vanitatum vanitas, omnia sunt vana. Nil sub sole stabile, in vita humana.
xxx/ellauri237.html on line 947: La psicología humanista es una de las corrientes de pensamiento más importantes de la psicología. Desde ella, gente como Abraham Maslow (con su popular Esquema de pirámide de Maslow) o Rollo May defendieron una visión positiva del ser humano, según la cual todos somos capaces de convertirnos en el tipo de personas que deseemos.
xxx/ellauri237.html on line 951: La teoría de la personalidad de Roger Rabbit es un ejemplo de este optimismo vital llevado a la psicología y la filosofía. Veamos en qué consiste esta teoría.
xxx/ellauri237.html on line 953: La persona, según el humanismo, es una pirsona pirsonalmente. Ciertas corrientes de la psicología han estado asociadas a una visión pesimista del ser humano. Por ejemplo, el psicoanálisis de Sigmund Freud presenta una explicación de la psique en la que los deseos inconscientes y su choque con las normas sociales gobiernan nuestro comportamiento, y el conductismo norteamericano de 1950 habia sido acusado de presentar a las personas como máquinas que reaccionan ante estímulos externos.
xxx/ellauri237.html on line 955: Sin embargo, los psicólogos humanistas como Roger Rabbit propusieron algunas ideas sobre los procesos mentales en los que se enfatiza la libertad de los individuos a la hora de tomar la rumba de sus vidas. Según ellos, ni los factores biológicos ni los ambientales son determinantes en nuestro comportamiento, y no nos "arrastran" irremediablemente hacia ciertos tipos de comportamiento. En resumidas cuentas, no eran deterministas, eran indeterministas.
xxx/ellauri237.html on line 958: Esta idea de que el desarrollo personal y el modo en el que el individuo lucha por llegar a ser como se quiere ser es una idea central de la psicología humanista, pero para Roger tiene especial importancia, porque para él es a través del desarrollo personal como se forma el carácter y el modo de ser.
xxx/ellauri237.html on line 972: del pasado, sino que se vive plenamente, fuyando las convenciones psicologicas, bebendo cerveza y jodendo mulieres.
xxx/ellauri237.html on line 987: El desarrollo personal (autoengaño con la lucrativa ayuda de un psicólogo) es el motor vital de las personas altamente funcionales. Se vive como un proceso de cambio constante, en el que nunca se alcanza una meta final definitiva sino que se va pasando de una etapa a otra.
xxx/ellauri237.html on line 1009: Kun ilmeisesti analyysi on henkilökohtainen. Kun analyysi osoittaa erityisen myönteisiä näkökohtia, henkilö arvioi arvot positiivisiksi. Arvioitava henkilö antaa aimo nipun paalua psicologille.
xxx/ellauri237.html on line 1014: Tietäen, miten Mikki-vaikutus toimii, on helppo kuvitella, miksi joissakin piireissä hyväksytään joitain ennustamisaloja, kuten humanististen psicologiaa. Sen esoteerinen luonne tarkoittaa, että ilmeisesti vain harvat ihmiset tietävät, miten tää silmäänkusetus toimii, mikä antaa psicologille auktoriteetin roolin.
xxx/ellauri237.html on line 1071: On monia tutkimuksia, jotka ovat osoittaneet, että mindfulnessia harjoittavat ihmiset nauttivat paremmasta hyvinvoinnista. Tämä johtuu siitä, että he elävät nykyhetkessä ja heillä ei ole tuomitsevaa asennetta. Ihmiset, joilla on falski optimismi, elävät irrationaalisilla odotuksilla, kaukana "tietoisesta" mentaliteetista. Voit oppia lisää nykyhetkessä elämisestä edullisesta artikkelistamme: sicologiaymente.com/meditacion/vivir-momento-presente">Kuinka elää nykyhetkessä, 7 psykologisessa avaimessa.
xxx/ellauri237.html on line 1074: Falski optimismi voi tuntua hyvältä motivointityökalulta, mutta se ei johdu siitä, vaan siitä että odotukset ja tavoitteet ovat kohtuuttomia. Väärän optimismin käyttäminen tavoitteiden saavuttamiseksi voi tuoda kielteisiä seurauksia. Tästä syystä on aina tärkeää, että asettamamme tavoitteet ovat saavutettavissa, realistisia, selkeitä ja mitattavissa, kuten selitimme artikkelissamme: sicologiaymente.com/deporte/fijar-objetivos-psicologia-deportiva">Tavoitteiden asettamisen tärkeys urheilupsykologiassa.
xxx/ellauri237.html on line 1080: On vakava virhe uskoa, että ihminen on optimistinen, kun ei ole, koska se estää ihmisiä syventymästä sisäiseen maailmaansa ja tämä puolestaan "estää heitä muodostamasta yhteyttä sisäiseen maailmaansa", kuten psykologi Juan Cruz vahvistaa jämäkästi sanomalehdelle El Mundo antamassaan haastattelussa. Optimismi on ansa, joka ei salli itsereflektiota, jolla on monia etuja henkilökohtaiselle kehitykselle, kuten keskustelimme artikkelissamme: sicologiaymente.com/vida/desarrollo-personal-autorreflexion">Henkilökohtainen kehitys: 5 syytä itsereflektioon.
xxx/ellauri239.html on line 155: I get asked this question a lot, as I am sure other pro-life Catholics do too. It’s as if the basic assumption in the question is “if Jesus said nothing against it, then it must be OK.”
xxx/ellauri250.html on line 419: Tää homo ei saa sijoitettua pätkää netflix-laatikoihin ja on sixi aivan hukassa. Onko se rom-com, onko se komedia laisinkaan? Missä kohtaa piti nauraa ja missä itkeä? En ymmärrä. "Because Laura and Lhoja (sic!) don’t entirely play out the cliché of tension and anger leading to true love, the film comes off as vague and evasive." Voi helskutti. In an interview, the director says “What really interested me were the feelings that are beyond sexual tension. Romantic love stories are often too narrow, do they fall in love? If so, when do they have sex?” Erittäinkin hyvin sanottu, mutta se menee tämän homse arvostelijan pään yli niin ettei edes tukka heilahda.
xxx/ellauri250.html on line 450: What’s not fine is that Laura eventually initiates physical intimacy with Ljoha. The film’s logic is that she’s in an emotionally vulnerable state and he’s the only one there for her, because Irina can’t even bother to muster up any excitement when Laura calls. Of course it’s entirely possible that she is bisexual. Still, hasn’t Mr. Kuosmanen learned the inherent offensiveness of depicting such sexual fluidity after Kevin Smith made this mistake in 1997 with “Chasing Amy?” “Blue is the Warmest Color” only went on to prove in 2013 the toxicity of this plot device.
xxx/ellauri250.html on line 478: Tietoja avausotsikoista kuulostaa Roxy Musicilta: "Etkö näe, rakkaus on minulle huume". (Vittu mitä väliä! Että ottaa päähän tollaset mukanokkelat musaneropatit.) Henkiseen jatkuvuuteen viittaava kappale muuttuu diegeettiseksi heti, kun ensimmäinen kuva ilmestyy. Kävelemme Lauran (Seidi Haarla) kanssa seurueen huoneiden läpi, puoliksi subjektiivisella seurantatasolla. Tämän resurssin ja äänen käytön avulla kentän ulkopuolella käsitys ympäristöstä uhkana suodattuu epämääräisesti. Tiedämme pian vahvistaaksemme sen, että Laura on vieraassa maassa: hän on suomalainen Moskovassa, joka on aloittanut suhteen venäläisen naisen kanssa.
xxx/ellauri250.html on line 480: Kaikki tämä taustatarina ilmenee mykistettynä, yhdessä juhlajaksossa ennen kuin Laura lukitaan elokuvalle nimensä antavan junan osastoon, saattueeseen, joka vie hänet monipäiväiselle matkalle Venäjän pääkaupungista syrjäiseen Murmanskin kaupunkiin. Jos haluamme ottaa Roxy Musicin säkeet mielekkääksi paratektiiviksi, tärkeintä ei ole niinkään huume - rakkaus, sentimentaalisessa suhteessa, jonka löydämme pian laimeaksi - vaan se, mikä turtuu: yksinäisyys, osaston nro 6 aito temaattinen akseli.
xxx/ellauri250.html on line 558: The family moved to Mid-City, Los Angeles, in 1930. Bukowski's father was often unemployed. To while away his time, with his mother's acquiescence, his father was frequently abusive, both physically and mentally, beating his son for the smallest real or imagined offense. Heini later told an interviewer that his father beat him with a razor strop three times a week from the ages of six to 11 years. He says that it helped his writing, as he came to understand undeserved as well as well deserved pain.
xxx/ellauri250.html on line 560: Young Bukowski spoke English with a strong German accent and was taunted by his childhood playmates with the epithet "Heinie", German diminutive of Heinrich, in his early youth. He was shy and socially withdrawn, a condition exacerbated during his teen years by an extreme case of acne. Neighborhood children ridiculed his accent, acne and the sensible clothing his parents made him wear. Nachdem sein Vater seinen Wehrdienst abgeleistet hatte, fand er jedoch nur eine Arbeit als Milchlieferant. Die Familie lebte aus diesem Grund zeitweise in ärmlichen Verhältnissen. Regelmäßig betrog der Vater außerdem Bukowskis Mutter mit anderen Frauen, betrank sich und misshandelte seinen eigenen Sohn körperlich. In die Pubertät gekommen, litt Bukowski zudem an starker Akne und hatte am ganzen Körper Pusteln, weshalb er ein ganzes Jahr nicht die Schule besuchen "konnte". The Great Depression bottled his rage as he grew up, and gave him much of his voice and material for his writings.
xxx/ellauri250.html on line 563: On July 22, 1944, with the war ongoing, Bukowski was arrested by FBI agents in Philadelphia, where he lived at the time, on well grounded suspicion of draft evasion. At a time when the U.S. was at war with Nazi Germany, and many Germans and German-Americans on the home front were suspected of disloyalty, Bukowski's German birth and habit of quoting Mein Kampf "troubled" authorities. He was held for seventeen days in Philadelphia's Moyamensing Prison. Sixteen days later, he failed a psychological examination that was part of his mandatory military entrance physical test and was given a Selective Service Classification of 4-F (unfit for much anything, let alone military service, als physisch sowie mental untauglich für den Militärdienst ).
xxx/ellauri250.html on line 578: Bukowski embarked on a series of love affairs and one-night stands. One of these relationships was with Linda King, a poet and sculptress. Die Beziehung zog sich über mehrere Jahre hin, wobei es zu mehrfachen Trennungen mit anschließender Versöhnung kam. Die zum Teil schmerzhaften Erfahrungen dieser Beziehung verarbeitete Bukowski in mehreren Kapiteln seines Romans Das Liebesleben einer Hyäne (Women).
xxx/ellauri250.html on line 602: A 2006 musical comedy, Bukowsical!, by Spencer Green and Gary Stockdale, pokes fun at Bukowski's life and hipster image.
xxx/ellauri250.html on line 612: Some of the features of the Chinaskian persona: excessive alcohol consumption; love of art (classical music, literature); solitude and self-satisfaction; volatile relationships (especially with women); self-effacement; nihilism; and the ostentatious violation of societal norms.
xxx/ellauri250.html on line 617: In den Gedichten hält er sich in kurzen, leicht verständlichen Sätzen an keine Regeln des Reims oder Rhythmus, aber ab 1974 schleicht sich auch ein melancholischer Akzent in seine Schriften ein.
xxx/ellauri250.html on line 620: Das Buch „Schlechte Verlierer“ hat Originaltitel: Erections, Ejaculations, Exhibitions and General Tales of Ordinary Madness. Bukowski befindet sich zeitlich und geografisch irgendwo zwischen Beat Generation und Gonzo-Journalismus, ist diesen Stilen aber nicht zuzurechnen. Eskistäkin tollanen oli jotenkin hienoa, niin Hyvinkään kiltti hymypoika kuin olikin. Kumma ettei sillä näytä olleen juuri muita ilmoittautuneita kirjallisia jäljittelijöitä kuin Jonne Nääsböö.
xxx/ellauri250.html on line 676: H.L.A Hart's review of the third edition in The New York Review of Books was mixed. While writing that "The utility of selling this utilitarian's book to students of its subject can hardly be exaggerated", Hart also criticized Practical Ethics for philosophical inconsistency in its chapter on abortion. He argues that Singer insufficiently explains how self interest and classical utilitarianism each view abortion, and does not bring out their differences. Self interest of males is strongly against abortion. Besides, carrots are fit food for bunnies only.
xxx/ellauri250.html on line 698: Bankman-Fried attended Canada/USA Mathcamp, a summer program for mathematically talented high-school students.He attended high school at Crystal Springs Uplands School in Hillsborough, California. From 2010 to 2014, Bankman-Fried attended the Massachusetts Institute of Technology. There, he lived in a coeducational group house called Epsilon Theta.In 2014, he graduated with a bachelor's degree in physics and a minor in mathematics.
xxx/ellauri250.html on line 860: During David’s youth as a shepherd, he (David) developed many skills. He learned music, how to write, use a slingshot, how to pull uncircumcized men by the beard, and how to love Jonathan and obey the Lord. Do I understand that it’s my responsibility to develop my abilities like Jonathan Livingston The Seagull, and it’s God’s responsibility to direct me in how I use them? Do I realize that the most important skill I possess is my love for the Lord and my heart to obey Him? What miracles might God want to do through me that would show the whole earth that there is a God in the land? Kan jeg ble en helt liksom Harry Hole?
xxx/ellauri251.html on line 2843: And lightening at each footfall, sick to death.
xxx/ellauri251.html on line 3389: Serbia's Aleksandar Vucic stands tall at 6 foot 6, making him the tallest world leader. House 2021 Donald Trump weighed 244 pounds according to the results of a physical performed in June 2020. Speaker Nancy Pelosi insisted that he's morbidly obese. The president is 6-foot-3 inches tall. This means the once and future president is considered only clinically obese and has a Body Mass Index (BMI) of 30.3.
xxx/ellauri253.html on line 384: Jukan askeleet on kiireiset. Hän on särkenyt spektrofometrin (sic) tahalteen. Hän kirjoittaa pukkikirjaimin. Vimpelin nopein mies on hävitä juoxussa britti pulisonkiukolle. Jukka marssii vuorenvarmasti viranomaisten puheille. Anger Over kaartoi pysäköintialueelle eli siis parkkipaikalle. Rofeilla menee nyt huonosti mutta onnexi sentään Ervastin parta sointuu sen tummaan kashmir-puolitakkiin. Irves mätkii ohjauspyörää kuin Wolfram Roth. Heikki näppäilee numeroita hiljaa silmissään synkkä tushka.
xxx/ellauri255.html on line 129: Along the whole of that western frontier (that is now going to be the new Iron Curtain against Nato), from Finland all the way down through to Ukraine and the Donbas, they had a tremendous advantage, with trained troops in old winter coats and fur hats that were extremely effective. However, the White generals were arrogant, basically telling the Finns, the Estonians and so on that they were still part of the Russian empire – insulting all of their nationalist aspirations.
xxx/ellauri255.html on line 158: Antony Pyp Pipo: The Russian Civil War was really the moment when Ukraine started to become a separate entity from Russia, all thanks to Lenin. There wasn't much of malorussian culture in the countryside, mostly some boring poetry and balalaika music. But at this time they finally had a chance to get rid of the Turks and Poles, and to take Ukraine back to the fold of the great east slavonic commonwealth, by joining the USSR and their Big Brother– and they’d been given the opportunity. But they botched it completely when the USSR collapsed. That is when they went back to fraternize with the West and develop a more modern nazism with Nato.
xxx/ellauri255.html on line 469: Romanialainen mielenterveysongelmista kärsivä 36-vuotias nainen nimeltä Jessica puukotti 90-vuotiaan veli Rogerin kuoliaaksi 16. elokuuta 2005 rukoushetken aikana 2 500 vierailijan läsnä ollessa. Veli Rogerin seuraajaksi nimitettiin saksalainen katolilainen veli Alois, jonka Roger oli valinnut seuraajakseen jo 8 vuotta aiemmin. Hyvin menee veljillä myös Aloisin joholla!
xxx/ellauri259.html on line 593: Sønderjylland oder Süderjütland bezeichnet geographisch den Südteil der jütischen Halbinsel. Historisch betrachtet ist Süderjütland eine dänische Bezeichnung für das Gebiet, auf dem sich das Herzogtum Schleswig entwickelte. Dieses reichte von der Eider bis an die Königsau (dänisch Kongeå).
xxx/ellauri259.html on line 598: Infolge der 1920 durchgeführten Volksabstimmung in Schleswig, bei der über die nationale Zugehörigkeit zu Dänemark oder Deutschland entschieden wurde, fiel der Nordteil des Landesteils (Nordschleswig) an Dänemark, der Südteil (Südschleswig) blieb bei Deutschland. Auch wenn Sønderjylland und Schleswig historisch die gleiche Region bezeichnen, setzte sich nach 1920 im Sprachgebrauch der Bevölkerung allmählich der Begriff Sønderjylland für das Gebiet zwischen der Königsau (als Grenze zu Nørrejylland) und der heutigen deutsch-dänischen Grenze durch.
xxx/ellauri259.html on line 599: Parallel zur Bezeichnung Süderjütland kam bereits im 10. Jahrhundert der Name Schleswig auf. Sie findet sich beispielsweise in der Namensgebung der zwischen Schlei und Eider gelegenen Mark Schleswig, die von 934 bis 1025 Teil des Stammesherzogtums Sachsen war und von 962 bis 1025 unter den Kaisern Otto I., Otto II., Otto III., Heinrich II. und Konrad II. die nördliche Grenzmark des Heiligen Römischen Reiches bildete. Im 12. Jahrhundert nahm der letzte Jarl Knud Lavard den Titel Herzog (dux Jucie) an.
xxx/ellauri259.html on line 603: Nach seiner Niederlage im Deutsch-Dänischen Krieg musste Dänemark im Wiener Frieden auf Sønderjylland verzichten. Es kam unter preußische Verwaltung. Nach dem Sieg Preußens über Österreich erfolgte eine Neuordnung aufgrund des Prager Friedens von 1866: Schleswig wurde mit den Herzogtümern Holstein und Lauenburg zur preußischen Provinz Schleswig-Holstein vereinigt. Den Verlauf der Nordgrenze ließ Otto von Bismarck dabei nach pragmatischen Gesichtspunkten festlegen.
xxx/ellauri259.html on line 607: Auf dänischer Seite wurde der zurückgewonnene Landesteil in den Jahren nach 1920 zunächst De sønderjyske landsdele genannt. Mit der Bezeichnung wurde unterstrichen, dass mit der Volksabstimmung 1920 nur ein Teil Sønderjyllands zu Dänemark gekommen war. Im Sprachgebrauch der Bevölkerung setzte sich jedoch mit der Zeit der Begriff Sønderjylland für Nordschleswig durch. Historisch gesehen ist die Verwendung des Begriffs allein für Nordschleswig nicht korrekt, spiegelt jedoch die staatspolitische Realität nach der Teilung Schleswigs 1920 wider. Entsprechend wurde auch das zwischen 1970 und 2006 in der Region bestehende Amt als Sønderjyllands Amt bezeichnet.
xxx/ellauri259.html on line 623: Henrik Tikkasta voitanee (sic) pitää tunnustuskirjallisuuden kantaisänä. Tässä Kari Hotakaisen kade pastissi:
xxx/ellauri259.html on line 705: The film has good characterization of its male leads, they are well-acted and spout on-the-nose dialogue straight from the pen of Hotakainen. The film is a bit more down-to-earth approach of the depressing rural Finland of yesteryear than that from the films of the Kaurismäki brothers. But there are clear similarities, since the cinematographer, editor and sound mixer are veterans of Kaurismäki productions. And of course the director Kari Väänänen is remembered from sleazy roles from many of the brothers' classic films.
xxx/ellauri261.html on line 327:
Einen Jux will er sich machen
xxx/ellauri261.html on line 374: Anstatt wie aufgetragen, in Zanglers Abwesenheit auf das Gwölb aufzupassen, begibt Weinberl sich mit dem Lehrling Christoph in die nahe gelegene Hauptstadt, um endlich einmal ein „verfluchter Kerl“ zu sein. Dort laufen sie beinahe Zangler in die Arme, der seine zukünftige Gattin besucht. Sie flüchten ins Modewarengeschäft der Madame Knorr, treffen dort Frau von Fischer, später auch noch Marie, Zanglers Mündel, die mit ihrem vom Vormund nicht goutierten Liebhaber August Sonders fliehen will („Das schickt sich nicht“) und den neuen Hausdiener Melchior („Das is classisch“). Bei Zanglers Schwägerin Fräulein Blumenblatt geben sie sich schließlich als Marie und August aus, bis diese beiden, sowie Zangler, Madame Knorr und Frau von Fischer ebenfalls dort eintreffen.
xxx/ellauri261.html on line 380: „Jetzt frag ich aber zahlt sich so a Jux aus, wenn man ihn mit einer Furcht, mit 3 Schrocken, 5 Verlegenheiten und 7 Todesängsten erkauft? Jetzt hab ich das Glück genossen, ein verfluchter Kerl zu seyn, und die ganze Ausbeute von dem Glück is, dass ich um keinen Preis mehr ein verfluchter Kerl seyn möcht.“ (IIIter Act, 15te und 16te Scene)
xxx/ellauri261.html on line 382: Einen Jux will er sich machen was unwittingly adapted twice by Thornton Wilder, first as The Broadway flop The Merchant of Yonkers (1938), then as The Matchmaker (1955), which later became the 1964 mosaic Broadway hit musical Hello, Dolly!
xxx/ellauri261.html on line 421: The story enjoyed yet another incarnation in 1964 when David Merrick, who had produced the 1955 Broadway play, partnered with composer Jerry Herman to mount the hugely successful, Tony Award-winning musical Hello, Dolly! starring Carol Channing.
xxx/ellauri261.html on line 427: Hello, Dolly! is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder´s 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1955. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York, to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. The show was originally entitled Dolly, A Damned Exasperating Woman.
xxx/ellauri261.html on line 429: The plot of Hello, Dolly! originated in the 1835 English play A Day Well Spent by John Oxenford, which Johann Nestroy adapted into the farce Einen Jux will er sich machen (He Will Go on a Spree or He'll Have Himself a Good Time) in 1842. Thornton Wilder adapted Nestroy's play into his 1938 farcical play The Merchant of Yonkers. That play was a flop, so he revised it and retitled it as The Matchmaker in 1954, expanding the role of Dolly (played by Ruth Gordon).The Matchmaker became a hit and was much revived and made into a 1958 film starring Shirley Booth.
xxx/ellauri261.html on line 468: Cricket Howard Taubman wrote: Hello, Dolly! ... has qualities of freshness and imagination that are rare in the run of our machine-made musicals. It transmutes the broadly stylized mood of a mettlesome farce into the gusto and colors of the musical stage. Making the necessary reservations for the unnecessary vulgar and frenzied touches, one is glad to welcome Hello, Dolly! for its warmth, color and high spirits.
xxx/ellauri261.html on line 470: Cricket Walter Kerr wrote: Hello, Dolly! is a musical comedy dream, with Carol Channing the girl of it. ... Channing opens wide her big-as-millstone eyes, spreads her white-gloved arms in ecstatic abandon, trots out on a circular runway that surrounds the orchestra, and proceeds to dance rings around the conductor. ... With hair like orange sea foam, a contralto like a horse´s neighing, and a confidential swagger, she is a musical comedy performer with all the blowzy glamor of the girls on the sheet music of 1916. The lines are not always as funny as Miss Channing makes them.
xxx/ellauri261.html on line 474: Hello, Dolly! is a 1969 American musical romantic comedy film unwittingly based on the 1964 Broadway production of the same name, which was unwittingly based on Thornton Wilder´s play The Matchmaker, which was unwittingly based on Einen Jux will er sich machen, which was unwittingly based on A DAY WELL SPENT.
xxx/ellauri261.html on line 599: The phrase "God is dead" appears in the hymn "Ein Trauriger Grabgesang" ("A mournful dirge") by Johann von Rist. Johann Rist (8 March 1607 - 31 August 1667) was a German poet and dramatist best known for his hymns, which inspired musical settings and have remained in hymnals. Rist was born at Ottensen in Holstein-Pinneberg (today Hamburg) on 8 March 1607; the son of the Lutheran pastor of that place, Caspar Rist. Rist´s 1641/1642 hymn "Ein trauriger Grabgesang" is notable for being an early occurrence of the phrase "God is dead" in German culture, this time in an explicitly theistic, Protestant Christian context. The text goes:
xxx/ellauri261.html on line 618: As Nietzsche pointed out, "When one gives up the Christian faith, one pulls the mat of Christian morality out from under one´s feet. This morality is by no means self-evident. By breaking one main concept out of Christianity, the faith in God, one breaks the whole crockery: nothing necessary remains in one's hands." Martin Heidegger understood this aspect of Nietzsche´s philosophy by looking at it as the death of metaphysics.
xxx/ellauri261.html on line 635: The movement also suggested the legitimacy of seeking the holy outside the church itself. Thereby it suggests that the church did not have exclusive rights to divine inspiration. In a sense, this incorporated a strong sense of continuous revelation in which truth of the religious sort was sought out in poetry, music, art, or even the pub and in the street. [citation sorely needed].
xxx/ellauri265.html on line 361: Thornhill and Palmer write that "In short, a man can have many children, with little inconvenience to himself; a woman can have only a few, and with great effort." Females thus tend toward selectivity with sexual partners. Rape could be a reproductive strategy for males. They point to several other factors indicating that rape may be a reproductive strategy. Most rapes occur during prime childbearing years. Rapists usually use no more force than necessary to subdue, argued to be since physically injuring victims would harm reproduction. Moreover, "In many cultures rape is treated as a crime against the victim's husband. He is the real victim there."
xxx/ellauri265.html on line 435: There’s a lot of interest internationally, and what I’ve picked up is that everyone recognizes that America is particularly sick, that we’re worse off than other countries. But on the other hand, they see the signs in their own country. And so there’s a lot of interest in what’s happening in America, because it’s clear this could be a problem that many liberal democracies are going to face — or are beginning to face — in the social media age.
xxx/ellauri268.html on line 126: Vorliegende Erzählung ist ein Teil eines großen, aber niemals von dem Dichter vollendeten Novellenzyklus, „Das Vermächtnis Kains“, der nach Sacher-Masochs eigenem Ausspruche „eine bilderreiche Naturgeschichte des Menschen sein sollte“. Das Ganze sollte in sechs Unterabteilungen zu je sechs Novellen zerfallen, für welche die Obertitel „Die Liebe“, „Das Eigentum“, „Das Geld“, „Der Staat“, „Der Krieg“ und „Der Tod“ vorgesehen waren. Sacher-Masoch hatte sich somit ein sehr hohes Ziel gesteckt, er wollte in diesen geplanten Erzählungen alles Menschenleid und -schicksal in seinen verschiedensten Möglichkeiten und Ausdrucksformen schildern und zugleich in der Schlußnovelle eines jeden Teiles die Antwort auf die behandelte Frage und deren Lösung geben.
xxx/ellauri268.html on line 134: Sofort beim Erscheinen der „Venus im Pelz“ spalteten sich die Leser in zwei Parteien. Die einen verwarfen sie wegen der bis dahin unerhörten Kühnheit der Schilderungen und fühlten sich durch das Motiv zugleich abgestoßen und fasziniert. Die anderen dagegen, und gerade die besten Männer deutscher Wissenschaft und Literatur, nahmen schlechthin ihr Mannsglied in Hand und säumten nicht, anzuerkennen, hier liege ein einzigartiges document humain vor, und es zeuge zudem von ungewöhnlicher Genitalität des Verfassers.
xxx/ellauri268.html on line 136: Um so peinlicher überrascht fühlten sich daher alle Freunde des Dichters, als plötzlich höchst oberflächliche und zum Teil direkt minderwertige Produkte seiner Feder auf dem Markt erschienen.
xxx/ellauri268.html on line 137: Nach Sacher-Masochs Tode ist dies Rätsel gelöst. Die Not, die bitterste äußere Not zwang ihn dazu, dem Gott in Seinen Hosen Gewalt anzutun, um Brot für sich und die Seinen um jeden Preis zu schaffen. In jener Zeit entstanden die vielberufenen „Messalinen Wiens“, „Falscher Hermelin“ usw.
xxx/ellauri268.html on line 138: Aber seltsam, gerade diese seichten Arbeiten hatten bei dem Publikum ungeahnten Erfolg. Es brauchte dabei nicht zu denken, wohl aber fühlte es sich seltsam erregt durch das eigenartige, ihnen entströmende Gemisch von Stall- und Boudoirparfüm.
xxx/ellauri268.html on line 191: Diese Grundsätze beruhen auf tausendjähriger Erfahrung, fortsetzte Madame spöttisch, während ihre weißen Finger in ihrem dunkeln Pelz spielten, je hingebender das Weib sich zeigt, um so schneller wird der Mann nüchtern und herrisch werden; je grausamer und treuloser es aber ist, je mehr es ihn mißhandelt, je frevelhafter es mit ihm spielt, je weniger Erbarmen es zeigt, um so mehr wird es die Wollust des Mannes erregen, von ihm geliebt, angebetet werden. So war es zu allen Zeiten, seit Helena und Delila, bis zur zweiten Katharina und Lola Montez herauf, siehe auch el Compendido de Las Normas (da oben).
xxx/ellauri268.html on line 194: „Ich kann es nicht leugnen,“ sagte ich, „es gibt für den Mann nichts, das ihn mehr reizen könnte, als das Bild einer schönen, wollüstigen und grausamen Despotin, welche ihre Günstlinge übermütig und rücksichtslos nach Laune wechselt —“ „Und noch dazu einen Pelz trägt,“ rief die Göttin. xxx/ellauri268.html on line 211: Es war ein großes Ölgemälde in der kräftigen farbensatten Manier der belgischen Schule gemalt, sein Gegenstand seltsam genug. Ein schönes Weib, ein sonniges Lachen auf dem feinen Antlitz, mit reichem, in einen antiken Knoten geschlungenem Haare, auf dem der weiße Puder wie leichter Reif lag, ruhte, auf den linken Arm gestützt, nackt in einem dunkeln Pelz auf einer Ottomane; ihre rechte Hand spielte mit einer Peitsche, während ihr bloßer Fuß sich nachlässig auf den Mann stützte,[S. 16] der vor ihr lag wie ein Sklave, wie ein Hund, und dieser Mann, mit den scharfen, aber wohlgebildeten Zügen, auf denen brütende Schwermut und hingebende Leidenschaft lag, welcher mit dem schwärmerischen brennenden Auge eines Märtyrers zu ihr emporsah, dieser Mann, der den Schemel ihrer Füße bildete, war Severin, aber ohne Bart, wie es schien um zehn Jahre jünger.
xxx/ellauri268.html on line 236: The names of the Hogwarts Houses were created on the back of an aeroplane sick bag. Yes, it was empty to start with. The increasingly dark tone of the series was inspired by Rowling’s life experiences. The Dementors, among the most frightening creatures in the franchise (sic), were inspired by the Great Depression following the gay 20´s. Or was it the Great Recession following the gay 2000's?
xxx/ellauri268.html on line 240: What is a character that is written so you're meant to feel one way towards them, but you actually feel the opposite about them? Mine is Merope Gaunt. She was written to be pitied for, and that would be true for almost all of her story, but I find it hard to really do that when you consider she basically gave Riddle either a date rape potion or used dark magic to make him a puppet and remove all form of mental resistance from his head by magic and had sex with him against the will of his right mind to have a child, then expected him to stay for a child he never meant to have.
xxx/ellauri268.html on line 242: Hetkinen eikai tää Meropekin ole Joannen omakohtaista kokemusta? JK Rowling’s eldest daughter is Jessica, who was born on July 27, 1993, in Portugal, where Rowling was living at the time.
xxx/ellauri268.html on line 245: The couple married on October 16, 1992, but they separated not long after their birth of their daughter, in November 1993, and by December she and Jessica had moved to Edinburgh in Scotland.
xxx/ellauri273.html on line 61: The history of Guatemala begins with the Maya civilization (2600 BC – 1697 AD), which was among those that flourished in their country. The country's modern history began with the Spanish conquest of Guatemala in 1524. Most of the great Classic-era (250 – 900 AD) Maya cities of the Petén Basin region, in the northern lowlands, had been abandoned by the year 1000 AD. The states in the Belize central highlands flourished until the 1525 arrival of Spanish conquistador Pedro de Alvarado. Called "The Invader" by the Mayan people, he immediately began subjugating the Indian states.
xxx/ellauri280.html on line 102: A Thad is basically a mega Chad. A Thad is like a Chad but more powerful. Don't get on the bad side of a Thad or he will continuously yell "FIGHT ME BRO" at you.
xxx/ellauri280.html on line 449: Hakīm (alternative transcription Hakeem) indicates a "wise man" or "physician", or in general, a practitioner of herbal medicine, especially of Unani and Islamic medicine, like Hakim Ajmal Khan, Hakim Said, Hakim Syed Zillur Rahman, etc.
xxx/ellauri281.html on line 652: Well known qasā´id include the Seven Mu´allaqat and Qasida Burda ("Poem of the Mantle") by Imam al-Busiri and Ibn Arabi´s classic collection "The Interpreter of Desires".
xxx/ellauri281.html on line 654: The classic form of qasida maintains a single elaborate metre throughout the poem, and every line rhymes on the same sound. It typically runs from fifteen to eighty lines, and sometimes more than a hundred. The genre originates in Arabic poetry and was adopted by Persian poets, where it developed to be sometimes longer than a hundred lines.
xxx/ellauri281.html on line 724: John Train, Paris Review Co-Founder and Cold War Operative, sentään kuoli 94-vuotiaana 2022, onnexi. His career, ranging from literature to finance to war, and from France to Afghanistan, seemed to cover every interest and issue of his exalted social class. Yet he was also an operator in high finance and world affairs who, by one researcher’s account, had ties to U.S. secret services. Mr. Train founded and ran a leading financial firm devoted to preserving the money of rich families, and he worked to support the mujahedeen in their fight against the Soviet Union in the 1980s. The Guardian reported that Train, Smith had $375 million under management in 1984. In 1986, Fortune magazine wrote that Mr. Train’s firm “claims to be the largest in New York serving rich families.” Mr. Train’s books on investing were praised as riveting in The New York Times and “classic” in The Wall Street Journal. Among them were several about successful financiers, whom he referred to as “money masters,” and their techniques. He treated his political interests less jokingly. A committed cold warrior, he wrote for The Wall Street Journal about military affairs. He became concerned that the conspiracy-monger Lyndon LaRouche was a “possible Soviet agent.” (Lyndon began in far-left politics but in the 1970s moved to the far right and antisemitism.)
xxx/ellauri281.html on line 819: Music Television (MTV) aloitti lähetyksensä.
xxx/ellauri286.html on line 253: Neuvostoliito (sic, my joke) esiintyi aikoinaan ”toisena maailmana”, joka tarjosi vaihtoehdon kapitalistiselle maailmalle. Siellä esitettiin sangen dogmaattisia väitteitä tämän vaihtoehdon tieteellisyydestä ja sen tuottamista tuloksista. Toisin kuin monet muut, en nähnyt mitään syytä ottaa näitä väitteitä täydestä, mutta olin sen sijaan hyvin kiinnostunut näkemään, mitä niiden takana todellisuudessa oli! Epärehellisyyttä! Myös muualla älyllinen epärehellisyys näytteli suurta osaa. Itse asiassa Venäjän pöllämystö näytti olevan siitä vapaampi kuin länsimainen. Venäläiset ovat epärehellisiä mutta muuten mukavia, vaikka groteski järjestelmä pitää niitä nyttemmin otteessaan, kapitalismi nimittäin.
xxx/ellauri287.html on line 632: Bibliografia: Bost-Pouderon, C. 2000. "Le ronflement des Tarsiens: l'interprétation du Discours XXXIII de Dion de Pruse." REG 113: 636-51.—. 2003. "Dion de Pruse et la physiognomonie dans le Discours XXXIII." REA 105.1: 157-74.—. 2006. Dion Chrysostome: Trois discours aux villes (Or. 33-35). 2 osaa Salerno: Helios.—. 2009. "Entre predication morale, parénèse et politique: les Discours 31-34 de Dion Chrysostome (ou: la subversion des genres)." Julkaisussa Danielle van Mal-Maeder et ai., toim. Jeux de voix: enonciation, intertextualité et intencionalité dans la littérature antiikki. Bern: Peter Lang. 225-56.Desideri, P. 1978. Dione di Prusa: un intellettuale greco nell'impero romano. Messina: d'Anna. Gleason, Maud. 1995. Making Men: Sophistis and Self-Presentation in Ancient Rome. Princeton: Princeton University Press. Gangloff, Anne. 2006. Dion Chrysostome et les mythes: Hellénisme, communication et philosophie politique. Grenoble: Millon. Houser, J. Samuel. 1998. "Eros" ja "Aphrodisia" Dio Chrysostomin teoksissa. Classical Antiquity 17.2: 235-58. Jones, CP 1978. Dio Chrysostomosin roomalainen maailma. Cambridge, MA: Harvard University Press. Millar, F. 1968. "Local Cultures in the Room Empire: Libyan, Punic and Latin in Roman Africa." JRS 58: 126-34.Mras, K. 1949. "Die προλαλία bei den griechischen Schriftstellern." Wiener Studien 64: 71-81. Swain, Simon. 1996. Hellenismi ja valtakunta: kieli, klassismi ja valta kreikkalaisessa maailmassa, 50-250 jKr. Oxford: Oxford University Press.—. 2007. "Polemonin fysiognomia". Julkaisussa Simon Swain, toim. Kasvojen näkeminen, sielun näkeminen: Polemonin fysiognomia klassisesta antiikista keskiaikaiseen islamiin. Oxford: Oxford University Press. 125-202. Harvard University Press. Millar, F. 1968. "Paikalliset kulttuurit Rooman valtakunnassa: Libyan, Punic ja Latin in Roman Africa." JRS 58: 126-34.Mras, K. 1949.
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xxx/ellauri292.html on line 593: Eleusinian mysteerit ( kreikaksi : Ἐλευσίνια Μυστήρια, romanisoitu: Eleusínia Mystḗria ) olivat antiikin Kreikan Demeterin ja Persefonen kultin vihkimyksiä, jotka perustt yxityinen firma Panhellenic Sanusiccuary. Niitä pidetään "muinaisen Kreikan tunnetuimpina uskonnollisista riiteistä". Niiden perustana oli vanha maatalouskultti, ja on todisteita siitä, että ne johtuivat maan uskonnollisista käytännöistä Mykeneen aikakaudella. Mysteerit edustivat myyttiä Persefonen sieppauksesta hänen äidiltään Demeterin toimesta alamaailman kuningas Hadesin toimesta syklissä, jossa oli kolme vaihetta: laskeutuminen (menetys), etsintä ja nousu. Pääteema on Persefonen nousu ( ἄνοδος ) ja jälleennäkeminen äitinsä kanssa. Se oli suuri festivaali Helleenien aikakaudella ja levisi myöhemmin Roomaan. Samanlaisia uskonnollisia riittejä esiintyy Lähi-idän maatalousyhteiskunnissa (Osirixen ja Isixen nimeen. Obelix hypnotisoitui, Asterix ei ollut moxiskaan) ja Minoan Kreetalla.
xxx/ellauri296.html on line 488: Ozatukkaisella luopiolla Joseph Shulamilla on koko sarja Loeb Classical Librarya. xxx/ellauri296.html on line 645: Keinen Unterschied zwischen beiden Denkarten sehen die Vertreter der These vom homogenen, assoziativen Denken. (Tämmöisiin vääristelijöihin lukee Cassirer James Frazerin.) Der Wissenschaftler wie der Mystiker unterscheiden sich nicht im Denkprozess selbst, sondern lediglich in ihrem Verständnis der Natur des Gesetzes, welches das Ergebnis ihrer Handlungen hervorruft. So erkennt der Wissenschaftler, der rational denkende Mensch, naturwissenschaftlich-mathematische Gesetze, der Mystiker das Wirken übernatürlicher Kräfte.
xxx/ellauri296.html on line 647: Ein gewisser E. B. Tylor sieht keinen Unterschied zwischen beider Denkprozesse, nur das Material, auf welches sich das Denken bezieht, ist beim Wissenschaftler und beim „Wilden“ oder „Primitiven“, wie Tylor ihn nennt, unterschiedlicher Natur. Um auch den „primitiven“ Menschen verstehen zu können, müsse man lediglich eine Definition von Religion geben, die so allgemein gehalten ist, dass sie gleichzeitig für das Christentum, wie für eine mystische oder Naturreligion gelten kann.
xxx/ellauri296.html on line 648: Sir Edward Burnett Tylor (1832-1917) ist der Begründer der Kulturanthropologie. Cassirer bezieht sich hier maßgeblich auf sein Buch Primitive Culture, New York, 1874.
xxx/ellauri296.html on line 651: Cassirer gibt selbst keine philosophische Theorie des mythischen Denkens. Er glaubt, dass keine rationale Einsicht in das mythische Denken möglich wäre, wenn es keine Verbindung zwischen beiden Denkarten gäbe. Noch eine Judenmeinung.
xxx/ellauri296.html on line 665: Da die größte menschliche Angst die vor dem Tod ist, drückt auch sie sich vornehmlich im Mythos aus. Ein Leben nach dem Tod bieten auch diverse antike Mystizismen. Ein gutes jenseitiges „Leben“ ist hier aber an noch schärfere Prämissen gebunden, als in der christlichen Heilslehre. Und während der antike Stoizismus noch versuchte den lebenden menschlichen Geist von der Furcht vor dem Tod zu befreien, löst am Ende erst die christliche Offenbarung den Konflikt, indem sie ein Leben nach dem Tod verspricht. Eines versprechen und anders liefern ist die grösste symbolische Tat des zivilisierten Affens.
xxx/ellauri298.html on line 257: This poem was inspired by an actual clinical case. About ten physicians and I were sitting
xxx/ellauri298.html on line 260: was devoid of the more frequent detachment customary among many physicians. As I
xxx/ellauri298.html on line 265: doctors. After finishing this masterpiece I mailed it to all the physicians who
xxx/ellauri298.html on line 268: particular - themselves. Honor where honor is due. I speculate that the physicians directly involved with
xxx/ellauri298.html on line 284: at sea to her very diligent work as an apprentice physician. Shortly after this
xxx/ellauri298.html on line 304: physicians, to ship captains, to mayors of cities. We organizational consultants,
xxx/ellauri298.html on line 445: La comparsa es un tipo de agrupación carnavalesca que sale a la calle a interpretar su música y baile. xxx/ellauri298.html on line 536: Ällöjen ulkosynnytinten ympäröimät perusistukat (tai BPM, englanniksi Basic Perinatal Matrices ) on teoreettinen malli psyykestä, joka muodostuu kohdunsisäisen kehityksen ja synnytyksen aikana. Termi kuuluu transpersonaaliseen ja perinataaliseen psykologiaan. Sitä ehdotti ensimmäisen kerran vuonna 1975 Stanislav Grof joka väitti ilman mitään perusteluja, että perinataaliset matriisit vaikuttavat koko myöhempään elämään ja voivat aiheuttaa erilaisia henkisiä ilmiöitä. Tästä vimmastuivat mm. Vilpitön Järvi ja Patti Mulkkinen, joilla kummallakin oli ollut ikäviä perineaalisia kokemuxia.
xxx/ellauri298.html on line 643: The basic structure, however, of all the boring "quest" type stories has remained relatively unchanged and can be classified using the various stages of a hero's adventure through the story, stages such as the Call to Adventure, Receiving Supernatural Aids, Meeting with the Goddess/Atonement with the Father and Return. (This part Joe took from Propp.) He thinks of a meme such as in the sentence "Jesus is the Son of God" rather as "the relationship of man to God is like that of a son to a father". A clear case of an arianist
xxx/ellauri304.html on line 294: sica_Fox_2016.jpg/360px-Jessica_Fox_2016.jpg" height="300px" />
xxx/ellauri304.html on line 296: Slaalomkanoottityttö Jessica on aika herkkupala. Miekkailija Delilah ei liioin ole hassumpi. xxx/ellauri304.html on line 416: A very great American writer (who? not Stephen King? He is not great exept for a turd) in a long-ago book (which? Not Stephen King on Writng, God forbid?!) lists as the basic ingredients of "category" or genre fiction
xxx/ellauri304.html on line 430: But those five -- plot, hero, motivation, action, background -- are the basic big ideas you need to move ahead with your story, so they are the things you should be kicking around, and not these six, by Ruthanne Reid.
xxx/ellauri304.html on line 452: “That’s astonishing….an Italian operetta, a Broadway musical, Arabian Nights….how do you compose so many different things?” Jerome Kern shrugged and answered: “I just keep writing the same old Kletzmer music.”
xxx/ellauri304.html on line 484: Another side-note. Basically I hate research into facts and history and blah and blah. So you can’t think of character traits? Here are some opposites for you. I can think of dozens more.
xxx/ellauri304.html on line 519: Heroes have their Achilles heels. The most honest president of the U.S. cheats on the golf course; that is what makes people real. The late Robert Parker’s Spenser character was interesting. He was a yuppie. He ran, he lifted weights, he liked to cook, he liked unimposing little wines with sardonic personalities, he pretended he didn’t care about clothes but somehow always managed to wear the same basic uniform;, he lived with a woman, Susan the insufferable, who could psycho-babble Jay-Z into impotence. But the characterization hook was that Spenser spent his life being a private eye and shooting people, which was totally alien to the character’s nature. That started to round him out and make him real. Without that hard edge, he’d have been just another fan of Barry Manilow.
xxx/ellauri304.html on line 571: Basically, I’m not a big fan of Raymond Chandler's Big Sleep. Well, why pussyfoot around? Actually I think the book is stupid; however, Raymond Chandler is a particular favorite of artsy-fartsy mystery readers and critics and this rather bizarre genre mystery featuring the private eye Philip Marlowe is often ranked as one of the 100 best novels of all time. I just don't see why, I think my Remo Vanha Vainooja is 10x more fascinating.
xxx/ellauri304.html on line 577: Richard Bach's international classic bestseller, Seagull, was rejected twenty times before it was published. Another brilliant judgment by 20 “Legacy” publishing editing morons. And that is no sarcasm! Seagull Jonatan would have been much better off buried alive at sea. Together with Paulo Coelho's whole production.
xxx/ellauri304.html on line 584: Among the classics, Hemingway was one thing and Dickens another and Melville and Dreiser and James M. Cain (+1977), though he is not a classic. They all had styles as individual as fingerprints. Hemingway is easiest to ape, because he is the one genetically closest to one.
xxx/ellauri306.html on line 578: Täytyypä kazoa mitä Mätien tomskujen tampiot tästä sanovat! Top critics: Cruise’s toothy heroics are ill-suited to moral complexity, but he is elevated by a stellar supporting cast... A summer genre movie for grown-ups. Too-long Grisham thriller is full of adult themes. Höh, montako panoa? Näytetäänkö muka kuinka se menee sinne? (Ilmeisesti noin 2, ei näytetä.) The Firm amusingly satirizes the New Traditionalist aspirations of today's young urban elite -- not so much the lifestyle itself as the illusion of utter security it represents. Alas, Tom Cruise is Tom Cruise, playing yet another variation of his screen image. A first-class thriller and thought-provoking morality play. Is this a thriller? You've never scene (sic) a 'suspense film' drag its heels so deplorably. Moderately entertaining... and a big step up from the book. No, the book moved at turbo speed. At two and a half hours, the movie crawls. Two-and-a-half hour movies -- jeez, there ought to be a law.
xxx/ellauri307.html on line 724: organist and student of sacred music. Brown was raised an Episcopalian, and
xxx/ellauri307.html on line 734: circle. The more science I studied, the more I saw that physics becomes metaphysics and real numbers become imaginary numbers. The further I go into
xxx/ellauri312.html on line 359: The second was a son named Hans Albert (called “Albert” by his parents), who attained a doctorate in engineering and became a university professor, homeless, and an acknowledged expert on hydraulics. He was obviously quite intelligent, although not quite at changing-the-entire-precepts-of-physics level.
xxx/ellauri312.html on line 510: mieleni (sic) ja kovasti tekikin ryngätä Even perään. Haluaisin saada sinut alastomana sänkyyni, pyrstö tosin pestynä. On se kumma ettei Eeva pääse edes öitä nukkumaan. Se lienee jenkkien todelliseen työelämään nojautuva klischee. Klischeet nojautuvat tosiasioihin. Muutenhan klischeitä ei olisi.
xxx/ellauri312.html on line 599: Er behauptete dass der Mensch als endliches und hinfälliges Mängelwesen bestimmter Hilfsmittel bedarf, um sich angesichts des „Absolutismus der Wirklichkeit“ behaupten zu können. Unter diesem Aspekt interpretiert Blumenberg nun Metaphern und Mythen – auf Grund ihrer die Wirklichkeit distanzierenden, in ihr orientierenden und den Menschen so entlastenden Leistungen. Die Übersetzung von Die Legitimität der Neuzeit wurde von Richard Rorty besprochen, der die verspätete Rezeption des Buches bedauerte.
xxx/ellauri312.html on line 745: Und wo der Sand fällt, und sich spaltet Ja minne hiekka putoo, ja halaisee
xxx/ellauri312.html on line 756: Das Angesicht des Gottes genau, näki der jumalan kasvot tarkasti.
xxx/ellauri312.html on line 773: Vom Angesichte des Herrn der herran kasvon alta eikä
xxx/ellauri312.html on line 802: Denn schon das Angesicht Sillä nyt jo kalliiden ystävien
xxx/ellauri312.html on line 814: Das Böse nennend, sie die Hände sich reichten - pahaxi nimittäen, ne ojensivat toisilleen kädet -
xxx/ellauri312.html on line 821: Sie sich nicht fassen können Eivät voivat sitä tajuta
xxx/ellauri312.html on line 827: Verweht und selber sein Angesicht katoaa ja ize kasvonsa
xxx/ellauri312.html on line 849: Wenn aber einer spornte sich selbst, Mutkun joku halvexi izeään,
xxx/ellauri312.html on line 853: Im Zorne sichtbar sah′ ich einmal Selvästi suuttuneena näin kerran
xxx/ellauri312.html on line 878: Der Gnade sich freuend, sie voivat armosta iloiten, ne
xxx/ellauri312.html on line 879: Am stillen Blicke sich üben. tehdä harjoitteita hiljaisen kazeen alla.
xxx/ellauri312.html on line 898: Die Ehre der Himmlischen unsichtbar. die taivaallisten kunnia ei näy.
xxx/ellauri312.html on line 968: Wos ist drin? Hyperion schreibt sich seinen Traum von einer besseren Welt von der Seele. Einer der poetischsten Romane der Weltliteratur.
xxx/ellauri312.html on line 972: Alle Jahre wieder geht er um wie ein Virus: der Wunsch, alles stehen und liegen zu lassen, auf dem Jakobsweg zu wandern oder mit dem Segelboot die Welt zu umrunden. Ob bewusst oder nicht: All die Zivilisationsmüden treten in die Fußstapfen des griechischen Einsiedlers Hyperion, erfunden von Friedrich Hölderlin. Hyperions Lebensgeschichte ist Hölderlins literarische Anklage gegen das spießbürgerliche, dumpfe und materialistische Deutschland seiner Zeit, das ihm als Künstler und Idealisten kaum Luft zum Atmen ließ, nein in einen Turm einschließ. Seine Sprache war schon damals gewöhnungsbedürftig und ist es heute erst recht: Da „säuseln holdselige Tage“, es neigen sich „lispelnde Bäume“ und es „gährt das Leben“. Doch die Fragen des lange verkannten Genies sind nicht aus der Welt: Wie kann der Mensch seine Vereinzelung überwinden? Auf welchem Weg eine bessere Welt schaffen? Und wie im Einklang mit der Natur leben? Das antike Griechenland mag heute als Vorbild ausgedient haben, aber die Suche nach Antworten auf diese Fragen bleibt aktuell.
xxx/ellauri312.html on line 977: Inhalt: Der Grieche Hyperion erzählt seinem deutschen Brieffreund Bellarmin in 60 Briefen sein Leben. Er erinnert sich an einen treuen Begleiter und an seine große Liebe Diotima und daran, wie er beide verlor. Nach der Teilnahme an einem Aufstand gegen die Osmanen hat Hyperion seine Hoffnung auf die Wiederauferstehung des antiken Griechenlands begraben und sich als Einsiedler in die Natur zurückgezogen.
xxx/ellauri312.html on line 985: Zugleich lässt sich Hyperion als Gleichnis für die Nachwehen der Französischen Revolution lesen.
xxx/ellauri312.html on line 1006: Überraschend aber folgt er im zweiten Band dem Aufruf Alabandas, sich am Freiheitskampf der Griechen zu beteiligen. Als er sieht, dass seine Truppen – ganz im Gegensatz zu seinen Idealen – plündern, zieht er sich zurück. Der Tod Alabandas und Diotimas besiegelt sein Scheitern auf der politischen und privaten Ebene. Hyperion verlässt sein Heimatland und begibt sich auf eine Reise, an deren Ende die Scheltrede auf Deutschland steht. Schließlich lässt er sich auf der Insel Salamis nieder, wo er – keineswegs resigniert, dem Zuspruch des Göttlichen folgend – das Leben eines zurückgezogenen Einsiedlers führt.
xxx/ellauri312.html on line 1060: Oh and to really hammer the point into your head, here’s a link to a famous old Schlager called “Liebeskummer lohnt sich nicht”… viel Spaß :)
xxx/ellauri319.html on line 347: Anton Chekhov (1860–1904), Russian short-story writer, playwright and physician; died from tuberculosis
xxx/ellauri319.html on line 409: Vincas Kudirka (1858–1899), Lithuanian poet and physician; died from tuberculosis
xxx/ellauri319.html on line 632:
ETA Hoffmann (1776-1822), German Romantic author of fantasy and Gothic horror, a jurist, composer, music critic and artist
xxx/ellauri320.html on line 217: The last time I saw Cartland was in June 1997, at a performance of Always, a musical about the Abdication, at London's Victoria Palace. Her appearance was drastically changed. Gone was the forest of false eyelashes, and the voluminous blonde wig. The front of her head was now almost bald.
xxx/ellauri320.html on line 357: Tekstin lähde: sic-laws-of-human-stupidity/">The 5 basic laws of human stupidity.
xxx/ellauri329.html on line 38: "Zwei Dinge trüben sich beim Kranken // a) der Urin b) die Gedanken."
xxx/ellauri329.html on line 97: In 2004, Harper’s magazine published Natasha, a first short story by a promising 31-year-old Jewish Canadian writer, David Bezmozgis. This memorable tale of a doomed teenage love between Mark, a Jewish Toronto slacker, and his troubled (shiksa) Russian cousin by marriage was eventually released in a collection chronicling the lives of a Latvian immigrant family, not unlike the author’s own. Bezmozgis’s debut became a cult sensation with critics drawing literary comparisons to Bernard Malamud and Philip Roth. The story was subsequently reprinted in 15 languages. After penning two more acclaimed novels, then writing and directing his first feature Victoria Day (SFJFF 2010), Bezmozgis finally brings his modern classic to the big screen in a remarkably assured adaptation that’s both highly provocative and deeply poignant. At the heart of this emotional, coming-of-age drama are the extraordinarily measured performances of Alex Ozerov as Mark and newcomer Sasha K. Gordon as the sexually precocious Natasha, the dark star who forever alters Mark’s staid, suburban existence. Fans of the writer’s original source material will not be disappointed in David Bezmozgis’s haunting narrative of forbidden love caught between the old world and the new, further proof of this talented artist’s notable command of both literature and the cinema. —Thomas Logoreci Note: Mature Content. A New Life in the west means a second chance for precocious Latvian jews.
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xxx/ellauri337.html on line 55: Leni lernt den sowjetischen Kriegsgefangenen Boris Lvovitich Koltovskij kennen. Die beiden beginnen, obwohl dies verboten und außerordentlich gefährlich ist, eine Liebesbeziehung, und Leni bekommt kurz vor Ende des Krieges ein Kind von Boris. Boris gerät durch unglückliche Umstände, für einen deutschen Kriegsgefangenen gehalten, in ein alliiertes Kriegsgefangenenlager und stirbt in einem "französischen" Bergwerk in Lothringen. Lenis Liebe zu dem russischen Kriegsgefangenen Boris, die ihr die Verunglimpfung „blonde Sowjet-Hure“ eingetragen hat. Leni zeigt sich unberührt von gesellschaftlichen Tendenzen, bestimmte Personengruppen auszugrenzen und „abfällig“ zu behandeln. „Abfall“ und „Abfälligkeit“ sind nach Aussage des Autors Schlüsselwörter des Romans. (Wikipedia de)
xxx/ellauri337.html on line 81: Im Jahr 1970 rekonstruiert ein Erzähler das Leben von Leni Pfeiffer: 1944 verliebt sie sich in den russischen Kriegsgefangenen Boris und wird schwanger. Boris stirbt ein Jahr später. Zeitlebens hat die durch und durch redliche Leni mit Anfeindungen zu kämpfen. 1970 gerät sie in Schwierigkeiten: Immobilienhaie wollen sie und ihre Untermieter aus ihrer Wohnung werfen. Freunde und Immigranten helfen der 48-Jährigen – die übrigens erneut schwanger ist, diesmal vom türkischen Müllmann Mehmet. Abfallmenschen hin und wieder.
xxx/ellauri337.html on line 83: In seiner Darstellung von Randfiguren der Gesellschaft propagiert Böll Humanität und Antifaschismus und prangert rassistische Ansichten an.
xxx/ellauri337.html on line 85: Er wurde im Krieg viermals verwundet und entzog sich 1944 mit Tricks dem Fronteinsatz.
xxx/ellauri337.html on line 98: Unternehmertochter Leni Gruyten versucht zeitlebens, ihren Idealen und Gefühlen treu zu bleiben selbst wenn dies bittere Konsequenzen nach sich zieht: So steht sie während des Zweiten Weltkriegs zu ihrer jüdischen Lehrerin und beginnt eine Liebesbeziehung mit einem russischen Kriegsgefangenen, von dem sie auch ein Kind bekommt. Und obwohl sie all diese geliebten Menschen verliert, gibt Leni nicht auf. Nach dem Krieg führt sie ein bescheidenes, aber glückliches Leben und verliebt sich im "Wohlstandsdeutschland" der Sechzigerjahre einmal mehr in einen gesellschaftlichen Außenseiter: den Türken Mehmet ...
xxx/ellauri337.html on line 105: Die deutsch-französische Schauspielerin Romy Schneider (1938-1982) hätte am heutigen Sonntag (23. September) ihren 80. Geburtstag gefeiert. Ob sie sich inzwischen mit der Rolle ihres Lebens ausgesöhnt hätte? Darüber kann nur spekuliert werden. Fakt ist, zeitlebens war es ihr ein großes Anliegen, die "süße Sissi" abzuschütteln. Die kleine Weinerin machte Weltkarriere.
xxx/ellauri337.html on line 121: Lenis Vater Hubert Gruyten ist Bauunternehmer. Bis 1933 operiert er hart an der Grenze zum Konkurs, dann geht es steil bergauf: Er verdient viel Geld am Bau des Westwalls. Dabei sind sich alle einig, dass er fachlich unbegabt ist. Er ist jedoch ein guter Organisator, furchtlos, vielleicht größenwahnsinnig. Er traut seiner Tochter trotz der schulischen Probleme viel zu. Wen er allerdings mit Bildung geradezu vollstopft, das ist sein Erstgeborener Heinrich Gruyten. Diesem will er den Krieg ersparen, doch der Junge, der mit seinem Vater ständig Streit hat, zieht diesem zum Trotz ins Feld und schickt Briefe mit Zitaten aus militärischen Texten nach Hause. 1940 stirbt der hochgebildete Heinrich einen sinnlosen Tod: Er und sein Vetter Erhard Schweigert werden wegen Fahnenflucht und Waffendiebstahls erschossen. Damit wird Leni zur „platonischen Witwe“: Sie wäre reif für Erhard und die Liebe gewesen und fieberte ihrem ersten Mal entgegen, draußen in freier Natur im Heidekraut. Der hochsensible Erhard hatte sie angebetet und ihr kühne Gedichte geschrieben, doch ansonsten waren beide so schüchtern, dass sie über ein paar Tänze nicht hinausgekommen waren, bevor der Tod Erhard holte. Leni fällt in tiefe Trauer.
xxx/ellauri337.html on line 125: Roman Sandgruber ist emeritierter Professor für Sozial- und Wirtschaftsgeschichte an der Linzer JKU und Mitglied der Österreichischen Akademie der Wissenschaften und ein gläubiget Katholiker. Er arbeitet an einem Buch über Hitlers Vater, das 2021 erscheinen wird. Er schämt sich Linzer zu sein, er ist dem Alois und Adi sehr böse immer noch. Er will von Heidlers alias Schlumpfgrubers Halbjudentum nichts hören. Leserfavoriten, meist gelesen: https:1//www.nachrichten.at/oberoesterreich/linz/linz-unbekannte-schlagen-43-jaehrigen-in-fh-toilette-zusammen. Der Christkindl ist wieder unterwegs. Lakimiehet saisi kaikki hävittää, sanoi Adolf nasevasti. Hitlerit pitivät katolista kirkkoa ahneena ja elämää vääristävien uskomusten opettajana. Sandgruberin kirja Hitlerin isästä ja Adolf-pojan kasvusta sisältää sivutolkulla pieteetillä valittuja yksityiskohtia ja kuvauksia suvun asuinpaikkakunnista. Mukana on kaikkea mahdollista nippelitietoa. Putinia ja Hitleriä yhdistää monikin asia, äkkää HS:n Anne Välinoro lopuxi vielä norauttaa vaipanvälistä. Putinia ja Hitleriä yhdistää täydellinen piittaamattomuus valtioiden rajoista ja itsemääräämisoikeudesta, fantasia oman historiallis-etnisen suurvallan kokoamisesta ja pitkälle pohjustettu propagandakoneisto. Kuulostaa jatkosodan Suomelta. Ei päivää ilman propagandaa.
xxx/ellauri337.html on line 127: Im Juni 1941 lernt Leni auf einer Betriebsfeier Alois Pfeiffer kennen, der sich dort eingeschlichen hat. Er ist viril, aber nicht besonders intelligent und wird von seiner Familie gnadenlos überschätzt. Während andere ihm Berechnung unterstellen, glaubt der Verfasser, dass Alois sich wirklich in Leni verliebt hat und dass Leni einfach schwach geworden ist. Nach einer einzigen Nacht stellt Alois sie seiner Familie vor, dann wird der gesamte Pfeiffer-Clan bei den Gruytens vorstellig. Leni wirkt abwesend, plädiert aber selbst fürs Heiraten. Sie will kein Hochzeitskleid und es gibt auch keine Hochzeitsnacht, da Alois sogleich einrücken muss. Vorher gibt es jedoch einen erzwungenen Vollzug der Ehe im Bügelzimmer bei Gruytens, und so ist Alois für Leni „gestorben, bevor er tot war“. Der Tod auf dem Schlachtfeld lässt nicht lange auf sich warten. Leni, quasi zum zweiten Mal verwitwet, trägt keine Trauer und nimmt Alois’ Bild bald wieder von der Wand. Was bleibt, sind Nachname und Witwenrente.
xxx/ellauri337.html on line 131: Lotte Hoyser ist die Ehefrau eines Zeichners, der für Hubert Gruyten arbeitet. Als ihr Mann fällt, zieht sie mit ihrer ganzen Schwiegerfamilie zu den Gruytens, wo sie zu Lenis Vertrauter wird. Vater Gruyten bereichert sich mithilfe einer fiktiven Firma, was auffliegt, weil die Namen der Arbeiter einen Buchhalter mit Faible für russische Literatur auf den Plan rufen: Raskolnikov, Puschkin, Gogol und Tolstoi auf den Baustellen von Schlemm und Sohn? Gruyten schützt seine Mitwisser und bekommt lebenslang Zuchthaus, sein Vermögen wird konfisziert, seine Frau stirbt. Von 1943 bis 1945 leistet er Zwangsarbeit, danach lebt er mit Lotte zusammen.
xxx/ellauri337.html on line 135: Leni wird dienstverpflichtet und kommt in die Kranzbinderei von Walter Pelzer. Dieser halb kriminelle Wendehals hat von KPD bis SA, von Schwarzhandel bis Zuhälterei schon alles gemacht. Sein kriegswichtiger Betrieb bietet den unterschiedlichsten Menschen Unterschlupf: Nazis arbeiten mit untergetauchten Juden und Kommunisten zusammen. Unter anderem trifft Leni hier Liane Hölthohne, die sie nach Kriegsende bei sich aufnehmen und ihr 24 Jahre lang, bis 1970, Arbeit in ihrem eigenen Blumengeschäft geben wird. Leni ist eine begabte Floristin, mit ihrer Sinnlichkeit und ihrem ästhetischen Empfinden erweist sie sich als „Naturgenie der Garnierung “. Wegen ihrer Vorliebe für geometrische Muster kann ihr allerdings auch mal ein Davidstern aus Margeriten unterlaufen. Was es mit Nazis und Juden auf sich hat, kapiert sie erst Ende 1944.
xxx/ellauri337.html on line 146: Wochenlang halten Boris und Leni ihre Zuneigung geheim. Im Februar 1944 gestehen sie einander ihre Liebe, am 18. März kommt es während eines Bombenangriffs zwischen 14:02 Uhr und 15:18 Uhr zum ersten Geschlechtsverkehr. Man merkt Leni im Alltag an, dass sie liebt und geliebt wird. Sie erfindet einen neuen Typ Kranz, der nur aus Heidekraut besteht, das in rauen Mengen aus dem linksrheinischen Gebiet herbeizuschaffen ist. In einer Privatkapelle auf dem Friedhof bereitet sich Leni ihr Brautbett aus Heidekraut, und der 28. Mai 1944 wird ihr Glückstag: zwei Fliegerangriffe, während derer sich Boris und Leni unbeobachtet zurückziehen können. Lenis „glorreiche Zeit“ beginnt im Oktober 1944, als die Alliierten massive Angriffe auf die Region fliegen. Der Verfasser rechnet nach und kommt auf fast 24 volle Stunden, die Leni und Boris zwischen August und Dezember 1944 zusammen sind.
xxx/ellauri337.html on line 149: Leni ist sich und anderen gegenüber grenzenlos großzügig. Im September 1944 belaufen sich ihre Außenstände auf 20 000 Mark. Im November 1944 weiß sie, dass sie schwanger ist. Das ist die Stunde des alten Hoyser, Lottes Schwiegervater, an den Leni ihr Haus erst verpfänden, dann abtreten muss – er übervorteilt sie gnadenlos, und gleich am 1. Januar 1945 treibt er Mieten ein. Auch bei seiner Schwiegertochter Lotte, der erst jetzt bewusst wird, dass Leni immer alle hat gratis wohnen lassen.
xxx/ellauri337.html on line 153: Auf dem Friedhof bildet sich eine Zweck- und Sympathiegemeinschaft, boshaft das „Sowjetparadies in den Grüften“ genannt. Vom 20. Februar bis zum 7. März 1945 leben Leni, Boris, Margret, Pelzer und Lotte mitsamt ihren zwei Söhnen zusammen in einem Gruftsystem, das Pelzer mit Strom, Heizöfchen und Vorratskammer ausgestattet hat – eine veritable Vierzimmerwohnung. In der Gärtnerei bringt Leni einen Sohn zur Welt und nennt ihn Lev. Margret organisiert für Boris das Soldbuch eines gefallenen Soldaten – ein fataler Fehler: Unmittelbar nach Kriegsende, im Liebes- und Friedenstaumel, wird Boris mit seinen falschen Papieren als deutscher Soldat verhaftet und von den Amerikanern an die Franzosen überstellt. Bald kommt er bei einem Bergwerksunglück in Lothringen ums Leben. In Todesverachtung radelt Leni wochenlang durchs deutsch-französische Grenzgebiet, bis sie das Grab findet. Was alles noch tragischer macht: Pelzer, Margret, Hölthohne und auch der hochgestellte Herr bezeugen dem Verfasser, dass Borisʼ Tod vermeidbar gewesen wäre, da sie ihm andere und bessere Papiere hätten besorgen können. Der Herr ist in der Tat so hochgestellt, dass er in den Nürnberger Prozessen verurteilt wird – allerdings reist er 1955 schon wieder mit Kanzler Adenauers Delegation nach Moskau.
xxx/ellauri337.html on line 157: Der alte Hoyser spezialisiert sich nach Kriegsende auf die „Re-anti-Arisierung“ von Häusern: Er kauft sie Nazis ab, die sie zuvor von Juden übernommen hatten. Lotte leitet zeitweilig das Wohnungsamt. Gruyten senior beschließt, den (kurzen) Rest seines Lebens nur noch zu lächeln. Pelzer macht ein Vermögen mit alten Stahlträgern.
xxx/ellauri337.html on line 161: Auf den Spuren von Schwester Rahel und einem Rosenwunder (ein unverwüstlicher Rosenstrauch blüht dauerhaft auf ihrem Grab) reist der Verfasser bis nach Rom in die Ordenszentrale. Dort begegnet er Schwester Klementina, die hochgebildet und außerdem höchst attraktiv ist. Sowohl was Lenis möglicherweise erotische Beziehung zu Schwester Rahel als auch was das Rosenwunder anbelangt, hält sich die Nonne bedeckt. Man raucht Virginia-Zigaretten zusammen, und zum Abschied küsst der Verfasser die Nonne ganz unkeusch, worauf diese ihn zur Wiederkehr einlädt. In Deutschland hat sich das Rosenwunder derweil zum Rosenthermalwunder gemausert: Rund um den Rosenstock im Klostergarten sollen heiße Quellen sprudeln, die Presse ist elektrisiert, doch der Orden wiegelt weiter ab.
xxx/ellauri337.html on line 165: Die Hoysers haben Lev wegen Scheckbetrugs ins Gefängnis gebracht. Sie sehen das als Liebesakt: Er müsse zur Vernunft gebracht und sein Stolz müsse – zu seinem eigenen Wohl – gebrochen werden. Der Verfasser sucht die Hoysers auf, die inzwischen das mächtigste Immobilienunternehmen der Stadt besitzen. Der alte Hoyser knöpft sich mit seinem Stock in Enterhakenmanier den Verfasser vor, was dessen uraltes Tweedsakko nicht verkraftet. Es entspinnt sich eine hitzige Debatte um die Unersetzbarkeit der Lieblingsjacke, um materielle und immaterielle Werte. Lottes Söhne Kurt und Werner Hoyser, früher als kriminell und schwer erziehbar verrufen, haben Jura und Volkswirtschaft studiert, sind gesellschaftstauglich geworden und würdige Erben ihres Großvaters. Für Leni wollen die Hoysers nur das Beste. Dennoch wollen sie sie und ihre zahlreichen Untermieter – darunter eine portugiesische Familie und türkische Müllmänner – aus ihrer Wohnung werfen. Das sei aber, so die Hoysers, eine „liebevolle Dirigierung“ – das sagen sie auch aus der Überzeugung heraus, dass in Altbauwohnungen gerne mal subversive Zellen gediehen und es außerdem nicht angehen könne, dass Fremdarbeiter so billig wohnen. Deren gute Entlohnung kalkuliere doch ein, dass ein erheblicher Teil als Miete im Land verbleibe. Solchen „Paradiesismus“ wollen Hoysers verhindern.
xxx/ellauri337.html on line 169: Lenis Freunde bekommen Wind von deren Situation und organisieren sich: Sie bilden ein Finanzkomitee und ein weiteres „für den gesellschaftlichen Ablauf“. Eine verwegene Idee entsteht und wird in die Tat umgesetzt: Die Müllmänner provozieren durch einen Unfall ein stundenlanges Verkehrschaos, sodass Leni und ihre Mieter nicht geräumt werden können.
xxx/ellauri337.html on line 173: Klementina wird von ihrem Orden nach Würzburg strafversetzt, wo der Verfasser sie besucht. Mit durchschlagendem Erfolg: Sie legt ihre Haube ab und geht mit ihm. Endlich begegnet der Verfasser Leni einmal persönlich. Er ist mehr als angetan von ihr, die schüchtern wirkt und wortkarg bleibt. Sie ist von ihrem türkischen Mieter Mehmet schwanger und will mit ihm eine Lebensgemeinschaft eingehen. Zum Abschied äußert sie einen kryptischen Satz, auf den sich nicht einmal die Literaturwissenschaftlerin Klementina einen Reim machen kann: Man müsse „mit irdischem Wagen, unirdischen Pferden weiterzukommen versuchen“. Das Rosenwunder ist beendet: Der Klostergärtner spritzt solche Mengen Gift, dass dagegen die sterblichen Überreste von Schwester Rahel nichts auszurichten vermögen.
xxx/ellauri337.html on line 177: Der Roman beginnt mit einer ungewöhnlichen Widmung: „Für Leni, Lev und Boris“ – also für die Hauptfiguren der Geschichte. Es handelt sich beim Gruppenbild mit Dame um die Rekonstruktion eines Lebens anhand von Zeugenaussagen, Erinnerungen und Dokumenten. Böll vermischt Fakten mit erfundenen „Originaldokumenten“, er entwirft eine fiktive Handlung unter Bezugnahme auf historische Ereignisse, zum Beispiel den Bombenkrieg, die Nürnberger Prozesse, Adenauers Reise nach Moskau 1955. Die Romanstruktur ist nicht strikt chronologisch, sondern sprunghaft, episodisch, wie die Zeugenaussagen voller Wiederholungen und Ungenauigkeiten und daher oftmals verwirrend. Als Erzähler tritt ein namenloser Verfasser auf, der sich oft mit Beschreibungen von Interieurs und Interviewsituationen aufhält und ein Faible für Abkürzungen und Initialen hat, was dem Leser viel Aufmerksamkeit abverlangt. Der Roman hat Längen da, wo all die Erinnerungen und subjektiven Bewertungen der Beteiligten vorbeiziehen, nimmt aber im letzten Fünftel, als die Handlung auf ihr Happening-artiges Ende zuläuft, deutlich Tempo auf. Böll nutzt das Potenzial der deutschen Sprache für Schachtelwörter zu kreativen sozialkritischen Neuprägungen. Vielerorts ist er sarkastisch, ätzend, bissig. Er schreibt häufig in indirekter Rede und hat sich von der schlichte Prosa seiner Trümmerliteratur und Kurzgeschichten weit fortentwickelt.
xxx/ellauri337.html on line 181: Böll propagiert Humanität und Antifaschismus. Er zeigt die Ausgesonderten der Gesellschaft, die sich nicht den Moralvorstellungen und dem Leistungsstreben des Kapitalismus unterordnen. Ein vielstimmiger Chor von Verfolgten, Mitläufern, Nazis und Kriegsgewinnlern zeigt, dass nazistische Ansichten nach 1945 noch immer frisch waren. Der Russe, von den Nazis als „Untermensch“ zur Vernichtung bestimmt, erscheint im Roman als intelligenter, sensibler und liebenswerter Mensch.
xxx/ellauri337.html on line 187: Böll gewichtet seine Figuren nach ihrer humanistischen und kulturellen Bildung und danach, ob sie menschlich und moralisch ihrem Bildungsstand Genüge tun. Lenis Potenzial wird durch das Bildungswesen verkannt, blockiert und beinahe zerstört. Die Geschichte bewegt sich in einem geistigen Koordinatensystem, das von großen Schriftstellern definiert wird, insbesondere Kafka, Trakl, Brecht und Hölderlin. Der Verfasser kommentiert die Lesegewohnheiten quasi aller Befragten.
xxx/ellauri337.html on line 209: Max Ferdinand Scheler (* 22. August 1874 in München; † 19. Mai 1928 in Frankfurt am Main) war ein deutscher Philosoph, Anthropologe und Soziologe. Scheler war der Sohn eines Domänenverwalters und einer orthodox-jüdischen Mutter. In Jena wurde Max 1897 bei dem Nobelisten Rudolf Eucken mit dem Thema Beiträge zur Feststellung der Beziehungen zwischen den logischen und ethischen Prinzipien promoviert. Im Jahr 1899 habilitierte er sich in Jena mit dem Thema Die transzendentale und die psychologische Methode. Im selben Jahr heiratete Scheler Amelie Ottilie, geborene Wollmann geschiedene von Dewitz-Krebs (1868–1924). Aufgrund der Lektüre von Husserls Logischen Untersuchungen und eines Skandals um seine Affäre mit Helene Voigt-Diederichs, der Ehefrau von Eugen Diederichs, musste er seine Position in Jena aufgeben.
xxx/ellauri337.html on line 221: Nach seiner Berufung zum Professor für Philosophie und Soziologie an die Universität zu Köln 1919, die vom Kölner Oberbürgermeister Konrad Adenauer unterstützt worden war, distanzierte Max sich öffentlich vom Katholizismus. So hielt er auf einer Gedenkfeier zum 250. Todestag Spinozas Anfang 1922 eine Rede, die zeigte, dass er sich inzwischen dem Neuspinozismus der Goethezeit und den Ideen Nietzsches zugewandt hatte.
xxx/ellauri337.html on line 231: Werte stehen für sich selbst, sie sind nicht auf anderes zurückzuführen.Sie sind erfahrbare geistige Gegenstände, sie sind objektiv und sie wirken auf das Handeln. So verneint er beispielsweise den Zusammenhang der intuitiven Erfahrung mit dem Lusterleben wie z.B. Schwanzwedeln.
xxx/ellauri337.html on line 233: Es gibt Eigenschaften, die ihren Wert in sich selbst haben, die er ‚Selbstwertmodalitäten’ nennt. Er ordnet sie unter Termini wie
xxx/ellauri337.html on line 244: Der Mensch ist durch Nachdenken in der Lage, die Erhaltung und Verwirklichung eines geistigen Wertes (Ehre, Würde, Heil, Erzeugung) sogar dem höchsten Lebenswert, der Erhaltung des eigenen Daseins, vorzuziehen. Ein Tier hat nicht die Fähigkeit, sich zwischen Werten zu entscheiden, bzw. einen Wert dem anderen vorzuziehen. Wie Buridans Esel steht es zwischen zwei Heuhaufen. Es verhungert schließlich, weil es sich nicht entscheiden kann, welchen es zuerst fressen soll.
xxx/ellauri337.html on line 246: Der menschliche Geist zeichne sich im Wesentlichen durch folgende Merkmale aus, die ihn vom Tier unterscheiden: Menschen werden durch kulturelle Werte gelenkt. Sie sind zur begierdefreien Liebe fähig und sind unabhängig von ihren Trieben (Haha LOL, das war gut von dir Max). Menschen können Einsichten über das Wesen der Dinge gewinnen und allgemein-gültige Werte finden. Tiere ‚leben ausschließlich in ihrer Umwelt’, doch der Mensch reicht „über alles mögliche Milieu des Lebens“ hinaus.
xxx/ellauri337.html on line 248: Es lasse sich feststellen, dass der Sexualimpuls ausschließlich der Fortpflanzung diene, solange er in Brunstzeiten eingebettet ist. „Herausgelöst aus der ‚instinktiven Rhythmik’, wird er mehr und mehr selbständige Quelle der Lust“ – und kann „schon bei höheren Tieren … den biologischen Sinn seines Daseins weit überwuchern (z. B. Onanie bei Affen, Hunden, und Schwanzwedeln bei intellektuellen Männern)“.
xxx/ellauri337.html on line 255: Ende an sich. Yummy. Tätä lihaa Merleau-Pontykin olisi mieluusti vatkannut. xxx/ellauri354.html on line 236: Hemingway's preoccupation with violence dominated his life. Tässä se nähtiin taas. He won the Nobel prize of literature in 1945. Figures. Big game hunting, deep sea fishing, military exploits, physical prowess, heavy boozing. Ilmiselvä homo.Tästä aiheesta on paljon paasausta ennestäänkin. Old man and the Seagram.
xxx/ellauri354.html on line 253: Sartre has said that the writer's is to cure the "sick" language that is incommunicative. Iris Murdoch, in attempting to answer what the sickness of the language really is, says it is the fact that we can no longer take language for granted as a medium of communication. "Its transparancy has gone. We are like people who for a long time looked out of a window without noticing the glass - and then one day began to notice this too. Hemingway also feals this way. Our time demands a simple prose. with an Eliot-like emphasis on semantics."
xxx/ellauri354.html on line 275: By this time, Notari, born into a poor family, had become quite well-to-do. In 1901 he had married a rich widow, bought an estate, and established a literary salon; in 1910, he launched a publishing house, Società Anonima Notari, through which he later published classical editions, musical scores, and some of his own work, including the first few of what would become a long list of journals devoted to a variety of topics that interested him: sports, theater, medicine, finance, the culinary arts, and, of course, politics.
xxx/ellauri354.html on line 279: The Black Pig’s front matter also mentions two earlier publications that reveal Notari’s anticlerical bias: Carducci Intimo (1903), a biography of Giosuè Carducci (1835–1907), the Italian poet, professor, classicist, translator, freethinker, fierce opponent of the Catholic Church, and author of “Hymn to Satan,” who would be awarded the 1906 Nobel Prize in Literature; and Il Papa alla porta! Inchiesta e conclusioni per l’abolizione del Papato (Throw the Pope out! An inquest and conclusions for the abolition of the Papacy), aimed at the recently elected and very conservative Pope Pius X. Notari’s anticlericalism is also visible in his dedication of The Black Pig: “A due invitti innovatori di un Italia pagana e virile, dedico questo libro di demolizione di una Italia chiercuta e bazzotta” (To two indomitable revivers of a pagan and virile Italy, I dedicate this book aimed at the destruction of a tonsured and limp Italy).
xxx/ellauri357.html on line 398: Y tambien dice: miqui bivere cristus es mori lucrum [sic!]. (Paavalilla näin: Mihi enim vivere Christus est, et mori lucrum. Ad Philippenses 1.21 VULG.) Sillä elämä on minulle Kristus ja kuolema on puhdasta voittoa (κέρδος).
xxx/ellauri363.html on line 659: Bentham väitti lainanneensa tämän käsitteen Joseph Priestleyn kirjoituksista, vaikkakin lähinnä Priestley ilmaisi sen muodossa "jäsenten hyvä ja onnellisuus, eli suurin osa jäsenistä. minkä tahansa valtion jäseniä, on se suuri standardi, jonka mukaan jokainen tähän valtioon liittyvä juttu [ sic ] on lopulta määritettävä."
xxx/ellauri363.html on line 682: During his youthful visits to Bowood House, the country seat of his patron Lord Lansdowne, he had passed his time at falling unsuccessfully in love with all the ladies of the house, whom he courted with a clumsy jocularity, while playing chess with them or giving them lessons on the harpsichord. Hopeful to the last, at the age of eighty he wrote again to one of them, recalling to her memory the far-off days when she had "presented him, in ceremony, with the flower in the green lane".
xxx/ellauri363.html on line 727: Diltheyn filosofinen projekti on niin laaja-alainen, monitasoinen ja fragmentaarinen, että siitä on vaikea saada otetta. Suoraan sanottuna vyyhdestä ei löydy päätä eikä häntääkään. Ei ole helppoa erottaa hänen omia (jos niitä oli) ja muilta omaksumia ajatuksiaan (sic). Erna kertaa possessiivisuffixit! Diltheyn sekavuuteen turhautuneet oppilaat kuzuivat häntä "mystisexi vanhaxi käppyräxi". Pääasia oli jankata, ettei luonnontieteiden tiedollisia lähtökohtia määrittävä positivistinen tieteenihanne ole sellaisenaan sovellettavissa hengentieteisiin. Comte pirulainen oli perivihollinen, niinkuin historiallis-kielitieteellisessä osastossa 70-luvulla. Ilmeisesti Wolff ei ollut paljon parempi. Hengentieteisiin tarvitaan uskonnollisempaa otetta. Nazit eivät perustaneet Filthystä, vaikka kummatkin kannustivat Herderiä. Herder vaati filosofiaan ”kopernikaanista vallankumousta”, joka asettaa ihmisen filosofisen tutkimuksen keskiöön. Dilthey pyrki erottamaan sen, mikä on sisällämme, siitä, mikä on ulkopuolellamme. (Entäpä se, joka on vuoroon sisällä vuoroon ulkona?) Diltheyn psykologian kohteeksi asettui historiallinen, yksilöllinen kokemus, itselle-oleminen, eletty kokemus ja elämä. Dilthey korostaa, että subjektiivisuus on moderni tapa tarkastella asioita.
xxx/ellauri379.html on line 154: The media have described Lipa as having a mezzo-soprano or contralto vocal range. Her music is primarily pop, and has also been described as disco, house and R&B. Stylistically, her music has been described as dance-pop, synth-pop, R&B, dream pop, alternative pop, and nu-disco subgenres. She describes her musical style as being "dark pop". She is also noted for singing in a "distinct, husky, low register", and her "sultry" tone. Regarding her songwriting process, Lipa states she usually comes to the studio with a concept and starts developing the song with her co-writers. She cites Kylie Minogue, Pink, Nelly Furtado, Jamiroquai, Kendrick Lamar, and Chance the Rapper among her musical influences. "My idea of pop has been P!nk and Christina Aguilera and Destiny's Child and Nelly Furtado", said Lipa in a GQ interview in 2018. Her second studio album Future Nostalgia (2020) was inspired by artists that she listened to during her teens, including Gwen Stefani, Madonna, Moloko, Blondie and Outkast. KIINNNNNNOS. Liikkuuko sinun Lipasi? Ei ota minun orani. I love her lack of energy. Fiat voluntas tua.
xxx/ellauri379.html on line 156:
xxx/ellauri379.html on line 252: Petteri Carlson from PC Gamer called Mass Effect "one of the grandest and most personal science friction epics across all mediums due to the successful combination of classic space opera's best elements with a parental guidance adventure structure" that "encourages both playful and serious challenges to traditional science friction".
xxx/ellauri380.html on line 471: They can't compete in world culture. Who listens to Arab music? Who reads Arab literature? Arabs have to institute religious police to make sure disgruntled youngsters don't go off the plantation.
xxx/ellauri385.html on line 259: Melankolian anatomian ihailijoita ovat muun muassa tourette typerys Samuel Johnson, n.h. Holbrook Jackson (jonka Anatomia of Bibliomania [1930] perustui tyyliin ja esitykseen), George Armstrong Custer (sekö polvivamma kenzu? no se!), joku Calle Lammas ja John Keats (joka sanoi sen olevan hänen suosikkikirjansa). Se kolahti myös n.h. Northrop Paistoxelle1, Stanley Kalalle2, Anthony Powellille, Philip Vetomiehelle, Cy Twomblylle, Jorge Luis Borgesille (joka käytti lainausta epigrafina tarinassaan "The Library of Babel"), O. Henrylle (William Sidney Porter), edelleen Amalia Lehto, William Penssa (joka kirjoitti NYRB Classicsin 2001 uusintapainoksen johdannon), Nick Luola, Samuel Beckett ja Jacques Barzun (joka näkee sen ennakoivan 1900-luvun psykiatriaa, varsinainen neropatti). The Guardianin kirjallisuuskriitikko Nick Leskon mukaan Anatomia "selviytyy asiantuntevien keskuudessa". N.h. Washington Irving lainaa siitä jonkun vitun The Sketch Bookin ozikkosivulla. Hemmetti nää on järestään anglosaxeja! Jo on ozaa.
xxx/ellauri387.html on line 486: "Who?" said Pococurante sharply; "that barbarian who writes a tedious commentary in ten books of rumbling verse, on the first chapter of Genesis? that slovenly imitator of the Greeks, who disfigures the creation, by making the Messiah take a pair of compasses from Heaven´s armory to plan the world; whereas Moses represented the Deity as producing the whole universe by his fiat? Can I think you have any esteem for a writer who has spoiled Tasso´s Hell and the Devil; who transforms Lucifer sometimes into a toad, and at others into a pygmy; who makes him say the same thing over again a hundred times; who metamorphoses him into a school-divine; and who, by an absurdly serious imitation of Ariosto´s comic invention of firearms, represents the devils and angels cannonading each other in Heaven? Neither I nor any other Italian can possibly take pleasure in such melancholy reveries; but the marriage of Sin and Death, and snakes issuing from the womb of the former, are enough to make any person sick that is not lost to all sense of delicacy. This obscene, whimsical, and disagreeable poem met with the neglect it deserved at its first publication; and I only treat the author now as he was treated in his own country by his contemporaries."
xxx/ellauri394.html on line 79: Parts of "Aloha 'Oe" resemble the song "The Lone Rock by the Sea" and the chorus of George Frederick Root's 1854 song "There's Music in the Air". "The Lone Rock by the Sea" mentioned by Charles Wilson, was "The Rock Beside the Sea" published by Charles Crozat Converse in 1857, and itself derives from a Croatian/Serbian folk song, "Sedi Mara na kamen studencu" (Mary is Sitting on a Stone Well). Looking between her sweet little knees and wondering about the slit between.
xxx/ellauri394.html on line 125: In 1842, at the age of four, she began her education at the Chiefs' Children's School (later known as the Royal School). She, along with her classmates, had been formally proclaimed by Kamehameha III as eligible for the throne of the Hawaiian Kingdom. Liliʻuokalani later noted that these "pupils were exclusively persons whose claims to the throne were acknowledged." She, along with her two older brothers James Kaliokalani and David Kalākaua, as well as her thirteen royal cousins, were taught in English by American missionaries Amos Starr Cooke and his wife, Juliette Montague Cooke. The children were taught reading, spelling, penmanship, arithmetic, geometry, algebra, physics, geography, history, bookkeeping, music and English composition by the missionary couple who had to maintain the moral and sexual development of their charges.
xxx/ellauri394.html on line 131: Marriage consideration had begun early on for her. American merchant Gorham D. Gilman, a houseguest of the Pākīs, had courted her unsuccessfully when she was fifteen. Around the time of Kōnia's final illness in 1857, Liliʻuokalani was briefly engaged to William Charles Lunalilo. They shared an interest in music composition and had known each other from childhood. He had been betrothed from birth to Princess Victoria, the king's sister, but disagreements with her brothers prevented the marriage from materializing. Thus, Lunalilo proposed to Liliʻuokalani during a trip to Lahaina to be with Kōnia. A short-lived dual engagement occurred in which Liliʻuokalani was matched to Lunalilo and her brother Kalakaua to Princess Victoria. She ultimately broke off the engagement because of the urging of King Kamehameha IV and the opposition of the Bishops to the union.
xxx/ellauri394.html on line 200: For myself, I would have chosen death rather than to have signed it; but it was represented to me that by my signing this paper all the persons who had been arrested, all my people now in trouble by reason of their love and loyalty towards me, would be immediately released. Think of my position, – sick, a lone woman in prison, scarcely knowing who was my friend, or who listened to my words only to betray me, without legal advice or friendly counsel, and the stream of blood ready to flow unless it was stayed by my pen.
xxx/ellauri394.html on line 225: During a 1900 Congressional deadlock, she departed for Honolulu with her Washington, D.C., physician Charles H. English (sometimes referred to as John H. English). Newspapers speculated that the Queen, having been diagnosed with cancer, was going home to die. Historian Helena G. Allen made the case that English intended to gain title to crown lands for himself. According to Allen, the Queen balked at his draft of a settlement letter to Senator George Frisbie Hoar that he wanted her to copy in her handwriting and sign. The doctor was terminated "without cause" a month after her return and sued her.
xxx/ellauri394.html on line 245: That first night of my imprisonment I found in my handbag a small Book of Common Prayer according to the ritual of the Episcopal Church. It was a great comfort to me, and before retiring to rest Mrs. Clark and I spent a few minutes in the devotions appropriate to the evening. Here, perhaps, I may say, that although I had been a regular attendant on the Presbyterian worship since my childhood, a constant contributor to all the missionary societies, and had helped to build their churches and ornament the walls, giving my time and my musical ability freely to make their meetings attractive to my people, yet none of these pious church members or clergymen remembered me in my prison. Fuck them. To this (Christian ?) conduct I contrast that of the Anglican bishop, Rt. Rev. Alfred Willis, who visited me from time to time in my house, and in whose church I have since been confirmed as a communicant. But he was not allowed to see me at the palace. It just goes to show, doesn´t it?
xxx/ellauri394.html on line 251: Liliʻuokalani was an accomplished author and songwriter. Her book Hawai´i´s Story by Hawai´i´s Queen gave her view of the history of her country and her overthrow. She is said to have played guitar, piano, organ, ʻukulele and zither, and also sang alto, performing Hawaiian and English sacred and secular music. In her memoirs she wrote:
xxx/ellauri394.html on line 253: To compose was as natural to me as to breathe; and this gift of nature, never having been suffered to fall into disuse, remains a source of the greatest consolation to this day.[…] Hours of which it is not yet in place to speak, which I might have found long and lonely, passed quickly and cheerfully by, occupied and soothed by the expression of my thoughts in music.
xxx/ellauri394.html on line 255: Liliʻuokalani helped preserve key elements of Hawai´i´s traditional poetics while mixing in Western harmonies brought by the missionaries. A compilation of her works, titled The Queen´s Songbook, was published in 1999 by the Queen Liliʻuokalani Trust. Liliʻuokalani used her musical compositions as a way to express her feelings for her people, her country, and what was happening in the political realm in Hawaiʻi. One example of the way her music reflected her political views is her translation of the Kumulipo, the Hawaiian creation chant passed down orally by her great grandmother Alapaiwahine. While under house arrest, Liliʻuokalani feared she would never leave the palace alive, so she translated the Kumulipo in hopes that the history and culture of her people would never be lost. The ancient chants record her family´s genealogy back to the origin story of Hawaiʻi.
xxx/ellauri394.html on line 257: Imprisoned in the ʻIolani Palace, she was denied literature and newspapers, essentially cutting her off from her people, but she continued to compose music with paper and pencil while she was in confinement. Another of her compositions was "Aloha ʻOe", a song she had written previously and transcribed during her confinement. In her writings, she says,
xxx/ellauri394.html on line 266: In 2007, Honolulu magazine rated "Aloha ʻOe" as the greatest song in the history of Hawaiian music. Women canoe teams were added in 1974. The race is held over Labor Day Weekend each year to coincide with Liliʻuokalani´s birthday on September 2. The American Experience: Hawai´i´s Last Queen. WTF, since when is it American? Well, since the overthrow and annexation, of course. Numerous hula events are held to honor her memory. Several hundred dancers shower 50,000 orchid blossoms.
2085
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