ellauri002.html on line 1459: Kurssilla oli mulla iso hollantilainen ystävätär, jonka kanssa matkittiin sepelkyyhkysiä puistossa ja hoilattiin bussissa Paul Ankan kuolematonta iskelmää put your feet on my shoulder....
ellauri032.html on line 230: Oh – Vivienne! Was there ever such a torture since life began! – to bear her on one´s shoulders, biting, wriggling, raving, scratching, unwholesome, powdered, insane, yet sane to the point of insanity, reading his letters, thrusting herself on us, coming in wavering trembling ... This bag of ferrets is what Tom wears round his neck.
ellauri045.html on line 782: The tall, elegant lady with the dark, slightly veiled voice will be 70 next September. She is a scientist by training, as well as an expert in mathematics, economics and theology. She has rubbed shoulders and lower places with an impressive number of Nobel laureates, and also happens to be a prolific essayist.
ellauri051.html on line 758: moccasins to their feet and large thick blankets hanging from their shoulders, mokasiinit jaloissaan ja suuret paksut peitot olkapäillä,
ellauri051.html on line 896: 314 In single file each shouldering his hod pass onward the laborers; 314 Yhdessä tiedostossa kukin olkapäänsä kantava kulkee työmiehiä eteenpäin;
ellauri051.html on line 1554: 950 For me the keepers of convicts shoulder their carbines and keep watch, 950 Minulle vankien vartijat kantavat karabiininsa ja valvovat,
ellauri069.html on line 209: "Imagine a person, tall, lean and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, ... one giant intellect, with all the resources of science past and present ... Imagine that awful being, and you have a mental picture of Dr. Fu-Manchu, the yellow peril incarnate in one man." –The Insidious Dr. Fu Manchu
ellauri099.html on line 176: In fact, we don’t even know that he was called Plato, which might have been a nickname. Laertius claims that he was actually called Aristocles, after his grandfather. “Plato” is close to the word “broad” in Greek, like the broad leaves of the platanos or plane tree under which Socrates and Phaedrus sit and talk about eros. Some think that Plato was so called because he was broad-shouldered because of his prowess in wrestling. Or because he got a flat nose, maybe a wrestling memento.
ellauri112.html on line 665: Every day there’s more to do, less time to do it in, and the ginormous stress starts eating at her soon as her swollen feet hit the floor. It doesn’t help that her husband Drew (Ron Livingston) is of the old school variety, the kind of man who thinks he doesn’t have to do much around the house because he’s the breadwinner. That means most of the cooking, cleaning, and caring for the kids falls upon Marlo’s shoulders.
ellauri112.html on line 705: The 26-year-old nanny’s name is Tully (played by Mackenzie Davis of “Halt and Catch Fire” fame), and she’s a free spirit, albeit one with a serious work ethic. Tully instantly takes over the house, manages Marlo’s baby effortlessly, and starts taking care of mom too. Not only does she give her the precious “alone time” she desperately needs and craves, but Tully ends up becoming a sort of therapist to her, along with a best friend, muse, and a regular shoulder to cry on.
ellauri119.html on line 736: Both you and Rand are unaware that our founders were heavily influenced by Greek philosophers who proposed the notion of civic virtue. Civic virtue is the view that the needs of the many outweigh the needs of the one (Atlas with the world on his shoulders). All libertarians are selfish because their concern is their own liberty and the hell with society.
ellauri140.html on line 491: The stroke down from her head unto her shoulder glaunst. Löi päästä hartiaan pitkän veripipin.
ellauri143.html on line 1570: I am greatly pained to hear you call him a cruel man, just because your shoulders are reduced and your bracelets loosened. Tää selitys on aika törkeä! Eli poinzi on, että syytä ämmä vaan izeäsi kun olet rupsahtanut, ei se ole äijän vika.
ellauri143.html on line 1622: Explanation : Unusually great is the female simplicity of your maid whose beauty fills my eyes and whose shoulders resemble the bamboo.
ellauri146.html on line 741: On the hill's shoulder, mäen hartialla,
ellauri146.html on line 813: Do grow beneath their shoulders. This to hear
ellauri156.html on line 311: Now, having looked at the big picture, let's concentrate on the juicy details. The text informs us that David sees this woman bathing and notes that she is very beautiful. It is sometimes thought that David saw Bathsheba unclothed as she bathed herself publicly, and that the sight of her (unclothed/partially) body prompted David to act as he did. Virtually the identical words employed in our text (“very beautiful in appearance”) are found in Genesis 24:16 of Rebekah, as she came to the well with a water jug on her shoulder. She was neither naked nor partially clothed. Similar (though not identical) descriptions are found, where no exposure of the woman is indicated at all (see Genesis 12:11; 26:7; 29:17; Esther 1:1). I believe one of the reasons David summons Bathsheba to his palace is that he has not seen all that he wishes. (Haahaa! Bob, you are a little too bashful here. Most likely he wants to try on what he saw, like St. Thomas who wanted to put his finger in the wound. Seeing is not believing.)
ellauri156.html on line 451: A. H. Weiler of The New York Times described the film as "a reverential and sometimes majestic treatment of chronicles that have lived three millennia." He praised Dunno's screenplay and Peck's "authoritative performance" but found that Wayward "seems closer to Hollywood than to the arid Jerusalem of his Bible." Variety wrote, "This is a big picture in every respect. It has scope, pageantry, sex (for all its Biblical background), cast names, color—everything. It's a surefire boxoffice entry, one of the really 'big' pictures of the new selling season." Philip K. Scheuer of the Los Angeles Times wrote that the film "leaves little to be desired" from the standpoint of production values with Peck "ingratiating" as David and Wayward "a seductress with flaming tresses, in or out of the bath, and only her final contrition is a little difficult to believe." Richard L. Coe of The Washington Post wrote, "On the whole, the picture suggests a Reader's Digest story expanded into a master's thesis for the Ecole Copacabana."] Harrison's Reports wrote, "The outstanding thing about the production is the magnificent performance of Gregory Peck as David; he makes the characterization real and human, endowing it with all the shortcomings of a man who lusts for another's wife, but who is seriously penitent and prepared to shoulder his guilt. Susan Wayward, as Bathsheba, is beautiful and sexy, but her performance is of no dramatic consequence." The Monty Python Bulletin commented that the film had been made "with restraint and relative simplicity" compared to other historical epics, "and the playing of Gregory Peck in particular is competent. The whole film, however, is emotionally and stylistically quite unworthy of its subject." Philip Hamburger of The New Yorker wrote that "the accessories notwithstanding, something is ponderously wrong with 'David and Bathsheba.' The fault lies, I suppose, in the attempt to make excessive enlargements of an essentially-simple story." Zanuck the Hot Dog agreed.
ellauri163.html on line 817: That said, the reason the film does succeed, and rises to greatness, rests primarily on the shoulders of the lead actress, Nadine Nortier, who, despite little dialogue, conveys great depths within her character, despite being a non-professional actress at the time. On the other hand, Jean-Claude Guilbert (a professional actor who also appeared in Au Hasard Balthazar, as another drunkard, Arnold) is also very good. The rest of the cast is solid. Yet, critical missteps abound, especially when some claim Mouchette is filled with anger. Yes, there may be acts of seeming anger (tossing dirt at her female rivals), but clearly the character of Mouchette is a walking mass of desensitisation. This would explain why she reacts the way she does to sex with Arsene, rather than seeing it as her ‘striking back’ at the world.
ellauri171.html on line 598: Shechem means ‘shoulder’ or ‘saddle’, the shape of mountains encircling ancient Shechem. He was the son of Hamor the Hivite.
ellauri180.html on line 401: And made her smooth white shoulder bare, mun käden sinne, ja paljasti sen
ellauri180.html on line 434: Only, this time my shoulder bore Paizi tällä kertaa se ei imuttanut,
ellauri197.html on line 61: And on my leaning shoulder Se piti mua kii varresta
ellauri197.html on line 94: Alliteration is another important formal device that also makes use of repetition. This technique appears when the poet uses multiple words beginning with the same consonant sound close together. For example, “grass grows” in stanza two and “shoulder” and “she” in stanza two.
ellauri197.html on line 106: The second stanza is very similar to the first. There are several examples of repetition. The speaker begins by describing himself standing with his love “In a field by the river” rather than in the “salley garden”. Either way, the setting is natural and likely beautiful. The scene is made even more pleasing by the fact that he was with someone he loved and she was touching his shoulder with her “snow-white hand”. Here, readers should notice the repetition of “snow-white”. This time rather than describing her feet he’s thinking about her hand. He remembers how she asked him at that moment to “take life easy”. This is almost exactly the same as in the first stanza. But, now it’s revealed that the speaker’s inability to take it “easy” stretches to his life beyond his relationship with this woman.
ellauri213.html on line 161:
  1. You can’t shoulder everything on your own.
    ellauri219.html on line 140: (65A) Bette Davis (actress) – hair barely visible on top of George's shoulder
    ellauri219.html on line 480: Barely visible above John Lennon’s right shoulder (No.62), Albert Einstein was a physicist whose theory of relativity was light years ahead of its time and changed the world forever.
    ellauri236.html on line 418: Eddie put his wand on her shoulder and shook it gently. No go. Bugger it.
    ellauri241.html on line 104: Fallen in jealous curls about his shoulders bare. kaatoi Brylcremiä kateellisiin kiharoihin hartioilleen.
    ellauri269.html on line 59: Uther Pendragon was the most controlled man Arthur had ever known, and yet his eyes were bright with unwashed tears as he placed his arm on Arthurs's broad shoulders. He spoke in a voice that was powerful trembling with emotion. "By the strength of the Light, may your enemas be well done."
    ellauri269.html on line 60: His hand lingered a moment caressingly on Arthur's shoulder, then he too, defecated in his tights.
    ellauri276.html on line 915: And as my stern blade shoulders through, Ja kun peräterä painaa haarukan läpi,
    ellauri285.html on line 359: A pair of shoulders strong and wide, Vankat leveät on hartiat,
    ellauri302.html on line 164: Reb Ali: We'll go to the synagogue and gather a minyan of Jews. It will be easy enough to find men who are willing to honor the Law. (Arises from the table, pours brandy into the glasses, slapping Yekel on the shoulder.) There, there! God will help you! Rejoice, host! The Lord befriends the sincere penitent... Don't worry. You'll marry your girl to some proficient scholar; you'll take some poor Yeshiva student for a son-in-law, and support him while he sits and studies the Holy Law. And the blessings of the Law will win you the Lord's forgiveness.
    ellauri302.html on line 165: Pause.) I've really been thinking about it, and have a certain fellow in view, — a jewel of a chap, — smart head on his shoulders... his father is a highly respected man. (Abruptly.) Are you going to give your daughter a large dowry?
    ellauri302.html on line 376: Sarah: So you want to go back to the basement? — Into the basement, then! Much I care! (Resumes her packing.) He wants to ruin us completely. What has come over the man? (For a moment she is absorbed in reflection.) If you're going to stand there like a lunatic, I'll get busy myself! (Takes off her diamond ear-rings.) I'll go over to Shloyme's and give him my diamond ear-rings. (From her bundle she draws out a golden chain.) And if he holds back, I'll add a hundred rouble note. (She searches YeheVs trousers pocket for his pockethook. He offers no resistance.) Within fifteen minutes (Throwing a shawl over her shoulders.) Rifkele will be here. (As she leaves.) Shloyme will do that for me. (Slams the door behind her.)
    ellauri302.html on line 428: Fie! You're out of your head altogether. True, a misfortune has befallen you. May Heaven watch over aU of us. Well? What? Misfortunes happen to plenty of folks. The Lord sends aid and things turn out all right. The important point is to keep your mouth shut. Hear nothing. See nothing. Just wash your hands clean of it and forget it. (To Reizel.) Be careful what you say. Don't let it travel any further, God forbid. Do you hear? (Turns to Yekel, who is staring vacantly into space.) I had a talk with... (Looks around to see whether Reizel is still present. Seeing her, he stops. After a pause he begins anew, more softly, looking at Reizel as a hint for her to leave.) With er, er... (Casts a significant glance at Reizel, who at last understands, and leaves.) I had a talk with the groom's father. I spoke to him between the afternoon and evening prayers, at the synagogue. He's almost ready to talk business. Of course I gave him to understand that the bride doesn't boast a very high pedigree, but I guess another hundred roubles will fix that up, all right. Nowadays, pedigrees don't count as much as they used to. With God's help I'll surely be here this Sabbath, with the groom's father. We'll go down to the Dayon and have him examine the young man in his religious studies... But nobody must get wind of this tale. It might spoil everything. The father comes of a fine family and the son carries a smart head on his shoulders. There, there. Calm yourself. Trust in the Lord and everything will turn out for the best. With God's help I am going home to prepare for the morning prayer. And as soon as the girl returns, notify me. Remember, now. (About to go.)
    ellauri342.html on line 329:
    Keijo Kullervo Kalske (February 28, 1912, Lahti, Finland – January 26, 1977, Helsinki, Finland) was a Finnish actor. Kalske, who worked as a police officer in Kotka before his film career, had performed occasionally at Kotka City Theater. Bulky and broad-shouldered, the 186-centimeters-tall Kalske was often seen on stage and in films in the roles of a soldier, a police or a guard, who he was perfectly fit to interpret with professionalism due to his police background.

    ellauri342.html on line 527: To their shoulders, chained to lovers Olkapäille, rakastajiin kytkettyinä
    ellauri349.html on line 704: Eskin kannalta oli convenient, ettei systeemitieteessä tarvinnut määritellä mitään, senkun antoi mennä. Mikä "ylärekisteri"? Mikä "majesteetti"? Who cares. Marxille se oli selvää kuin pläkki, mutta Aalto-yliopistolle sopi obfuskaatio. Kuka kaipaa Marxia, riittää kun mietiskelemme jotain lähellä olevaa (Heidegger). Let it be, he Jude, the movement you need is on your shoulder. Eskin luennot ei ole sokraattista dialektiikkaa eikä interaktiota. Interaktiona ne ovat lähinnä saarnoja, tositeeveetä, tai kissavideoita. Kuuntele Eskin nonstop sössötystä ja mieti omiasi. Se on Eskin filosofia: jokainen ajatelkoon omiaan. Merkitys ei ole sulkemista vaan avaamista, sanoi Eskin usein lehteilemä Mauri Merlot-Pönttökin. Fucking Merlot. Tärkeämpää kuin uusi tieto on se tietty edestakainen liike ja vanhan vatvominen. Toisto tyylikeinona.
    ellauri351.html on line 243: Trauma can be trapped in the body as a reflexive wince stuck in time — manifesting as a shoulder spasm, for example, when someone hears a word that reminds them of the traumatic event. He used to have those, he said, but not anymore. We’re at the beginning of a new scientific epoch, he told me, of understanding the truth about trauma: Finally, humanity can hope to free itself from the cycles that have dragged us through eons of war, violence, and poverty. Someday soon, he told me, finally, we will all become clean.
    ellauri368.html on line 289: In his satire, he prefers to strike out right from the shoulder. Take, for instance, his exposure of the Carnival, which reads in part as follows:
    ellauri374.html on line 212: Lucky Lukessa tervatut ja höyhennetyt jäbät olivat skimmingtonin uhreja. Riding the rail (also called being "run out of town on a rail") was a punishment most prevalent in the United States in the 18th and 19th centuries in which an offender was made to straddle a fence rail held on the shoulders of two or more bearers. The subject was then paraded around town or taken to the city limits and dumped by the roadside. In Mark Twain´s book Adventures of Huckleberry Finn (1884), two traveling swindlers known as "The King" and "The Duke" are finally caught in the act and are ridden out of town "astraddle a rail" after tarring and feathering.
    ellauri382.html on line 497: Chronically stiff neck or shoulder muscles ✔
    ellauri383.html on line 371: For to us a child is born, to us a son is given; and the government shall be upon his shoulder, and his name shall be called Wonderful Counselor, Mighty God, Everlasting Father, Prince of Peace.
    xxx/ellauri081.html on line 131: And what shoulder, & what art, Ja millä olan, millä tyän
    xxx/ellauri085.html on line 291: When asked in September 2016 if he would comply with the request of a student to use a preferred pronoun, Peterson said "it would depend on how they asked me.… If I could detect that there was a chip on their shoulder, or that they were [asking me] with political motives, then I would probably say no.…
    xxx/ellauri124.html on line 370: .gifs — or a shoulder to cry on — letting them know you’re there for them can look
    xxx/ellauri149.html on line 436: The 1973 film has an emotionally charged moment during Everything's Alright, with Jesus gently lifting Judas' chin, the two gripping each other's shoulders, and their arms slowly slipping away from each other, until they clasp hands and have several seconds of intense eye contact.
    xxx/ellauri166.html on line 310: We are all international activists—the yeshivah student struggling for clarity in an abstruse Talmudic passage, the storeowner who refuses to sell faulty merchandise, the little girl joyfully lighting her candle before Shabbat, the hiker who reaches the top of her climb and breathlessly recites a blessing to the Creator for the magnificent view, the young father who has just now started wrapping tefillin every morning, the subway commuter who lent the guy next to him a shoulder to sleep upon, and the simple Jew who checks for a kosher symbol on the package before making a purchase. Our destiny is tied to the destiny of those books, that merchandise, that time of the week, that mountain, that morning rush, that neighbor and that train, and the food in that package. We cannot live without them, and their redemption cannot come without us. We are all sanitation workers.
    xxx/ellauri170.html on line 727: Ok. So I am simplifying their argument, but I don’t care. I know this is the most you my dear readers can wrap your simian brains around. Their argument is silly in the first place. They found a shoulder blade from a 3-year-old “Lucy” or Australopithecus, and from this shoulder blade they determined that our human ancestors spent a lot of time in trees. Actually, this kind of logic is par for the course with these scientists. In fact, many of their other suppositions from Ramapethicus to Nebraska Man to Piltdown Man and Java Man have begun with either part of a skull, a jaw, or some teeth. It is amazing the creativity they possess when they can develop an entire ape-like man, complete with long wavy hair and hunch-backed appearance from a few teeth.
    xxx/ellauri178.html on line 159: This isn’t Nabokov’s ice-blue disdain for the academic ninnyhammers who went snorting after his truffles. Roth, instead, worries himself, as though a sick tooth needed tonguing. He is looking over his shoulder because somebody—probably Irving Howe—might be gaining on him: “This me who is me being me and no other!” as Tarnopol explained at the end of My Life as a Man.
    xxx/ellauri179.html on line 940: With ’er arm upon my shoulder an’ ’er cheek agin my cheek Käsi mun olalla ja pylly vasten pyllyä
    xxx/ellauri187.html on line 168: beneath the translucent cascade of the shoulders
    xxx/ellauri193.html on line 462: Perhaps it is time to get the chips off the shoulders and settle down to what we have to offer.
    xxx/ellauri202.html on line 266: This is not a picture of a man in control. This is the posture of a man close to losing everything. He was always shoulders back, head held high. Now he is shoulders front, head held low. He looks like me at the principles office waiting for the punishment. Only it is us Yankees and our NATO cowboys dealing out the punishment in his case!
    xxx/ellauri250.html on line 858: And there came out from the camp of the Philistines a champion named Goliath of Gath, whose height was six cubits and a span [more than 9 feet tall]. 5 He had a helmet of bronze [Why bronze and not iron? Was the iron one in the wash?] on his head, and he was armed with a coat of mail [bronze scale armor] [same question], and the weight of the coat was five thousand shekels of bronze [about 125 pounds]. 6 And he had bronze armor on his legs, and a javelin of bronze slung between his shoulders. 7 The shaft of his spear was like a weaver’s beam, and his spear’s head weighed six hundred shekels of iron [15 pounds]. And his shield-bearer went before him. [No wonder, he was pretty encumbered with all the other bronze on him.]
    xxx/ellauri251.html on line 1215: ⁠On her shoulder an ashwood quiver;
    xxx/ellauri251.html on line 1704: But from her white braced shoulder the plumed shafts
    xxx/ellauri251.html on line 1860: ⁠Snow-soft shoulders of a god;
    xxx/ellauri312.html on line 945: Brawne Lamia’s name comes from a combination of John Keats’ beloved Fanny Brawne, and his poem named Lamia (1819). She is described as a rather short and muscular with an intense gaze. She has shoulder-length black curls, dark eyes, sharp nose and wide expressive mouth. She is said to be very beautiful anyway. She becomes "romantically involved" with Johnny and pregnant to boot. She's from Lusus, a world that has gravity 1.3 times stronger than that of Earth. Because of that, she's shorter than many others, but has "heavy layers of mussel". Varoitus! seuraava kuva paljastaa yxityiskohtia ulkosynnyttimistä!
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