ellauri051.html on line 1327: 727 Over the sharp-peak'd farm house, with its scallop'd scum and slender shoots from the gutters, 727 Yli terävähuippuisen maalaistalon, jossa on kampasimpukoita ja ohuita versoja kouruista,
ellauri101.html on line 483: Steppasin partyy, minä ja mun mali en voi cuffaa veija, joka on aina vaan baaris oot aina posted up kaivohuonees tai laadis et oo enää bad, emmä enää sua panis no ouhh, ku mä tarjoon sulle shoots näätsä noi äijät tuol, noi äijät opps emmä koske niihin, ne soittaa mulle copps oot tän paikan kaunein, kyl sä varmaa oot
ellauri107.html on line 187: suggestive panegyric [in his 1850 review of Hawthorne’s Mosses from an Old Manse], [that] Melville writes . . . “already I feel that this Hawthorne has dropped germinous seeds into my soul. He expands and deepens down, the more I contemplate him; and further and further, shoots his strong New England roots in the hot soil of my Southern soul”.
ellauri142.html on line 55: Markku's life changes after he becomes the sole heir to his father's vast estate, and his position in society is changed from that of an illegitimate son to the new Count Bezukhov. His inability to control his emotions and sexual passions lead him into a marriage with the vapid but sexually beautiful Princess Kristina, a match which her self-serving father, Prince Carl Erik, sets up to secure his access to Markku's newly acquired vast fortune. Kristina is not in love with Markku, and has affairs. From jealousy, Markku shoots his suspected lover, Dolokhov, in a duel. He is distraught at having committed such a crime and eventually separates from Kristina and then becomes a Freemason. His madhat escape into the city of Moscow and his subsequent obsessive belief that he is destined to be Napoleon’s mistress show his submission to irrational impulses. Yet his search for meaning in his life and for how to overcome his emotions are a central theme of the novel. He eventually finds love and marriage with Pirkko Hiekkala, becomes a ladies shoes salesman called Al Bundy and their marriage is perhaps the culmination of a life of moral and spiritual questioning. They have four children: three boys and one girl. Correction, one extremely good-looking platinum blonde girl and one about equally gifted son.
ellauri147.html on line 230: Emily calls Mathieu Cadault to arrange a meeting so she can ask him about the dress donation. They agree to meet at an art opening at Camille´s gallery. Sylvie and Luc also arrive at the opening to meet Camille. At the AFL auction, Grey Space, which consists of two avant-garde fashion designers, show up and bid for Pierre´s dress. As Emily irons the dress back stage, Grey Space shoots her with cum as a publicity stunt which shocks the audience. The next day, the stunt is featured in all the newspapers and online. Pierre is despondent and takes Emily to his bed. They have really uninspired sex. Pierre won´t even cum though Mr. Collins does his best.
ellauri156.html on line 145: The lyrics describe a conflict over a love triangle, in which Rocky's girlfriend Lil Magill (known to the public as Nancy) leaves him for a man named Dan, who punches Rocky in the eye. Rocky vows revenge and takes a room at the saloon in the town where Dan and Nancy are staying. He bursts into Dan's room, armed with a gun, but Dan out-draws and shoots him. A drunken doctor attends to Rocky, the latter insisting that the wound is only a minor one. Stumbling back to his room, Rocky finds a Gideon Bible and takes it as a sign from God.
ellauri198.html on line 720: Beginning where book six left off, Jake Chambers and Father Callahan battle the evil infestation within the Dixie Pig, a vampire lounge in New York City featuring roast human flesh and doors to other worlds. After fighting off and destroying numerous "Low-Men" and Type One Vampires, Callahan sacrifices himself to let Jake survive. In the other world—Fedic—Mia, her body now physically separated from Susannah Dean, gives birth to Mordred Deschain, the biological son of Roland Deschain and Susannah. The Crimson King is also a "co-father" of this prophetic child, so it is not surprising when "baby" Mordred's first act is to shapeshift into a spider-creature and feast on his birth-mother. Susannah shoots but fails to kill Mordred, eliminates other agents of the Crimson King, and escapes to meet up with Jake at the cross-dimensional door beneath the Dixie Pig which connects to Fedic. Maturing at an accelerated rate, Mordred later stalks Roland and the other gunslingers throughout this adventure, shifting from human to spider as the need arises, seething with an instinctive rage toward Roland, his "white daddy."
ellauri219.html on line 1016: Moonman 157, a Bronx graffiti artist, and the Texas Highway Killer: what do they have in common? One wields spray cans, the other a .38 with a gloved left hand. Moonman paints subway cars, and the Texas Highway Killer shoots random lone drivers? Get it? Okay I'll tell you: They each create an artificial language like Klingon or Ido, that thickens the fog of American collective consciousness; each language is expressed by an individual who remains anonymous. As a natural consequence, they get a lot of copy cats, like de Lillo and myself.
ellauri274.html on line 45: “Put me down! You are hurting me,” Adolf Hitler protests to the man of steel. But Superman has other ideas. Seizing the Nazi dictator, Superman shoots into the air, faster than any plane, to pick up Josef Stalin in Moscow. Next stop Geneva to drop off the “power mad scoundrels” at the League of Nations, where they are found guilty of “unprovoked aggression against defenseless countries”.
xxx/ellauri013.html on line 445: ‘The old custom of beating a walnut-tree was carried out firstly to fetch down the fruit and secondly to break the long shoots and so encourage the production of short fruiting spurs’: M. Hadfield British Trees (1957)
xxx/ellauri123.html on line 764: Läppä läppä. Deeply depressed, Humbert unexpectedly receives a letter from a 17-year-old Dolores (signing as "Dolly (Mrs. Richard F. Schiller)"), telling him that she is married, pregnant, and in desperate need of money. Humbert, armed with a pistol, tracks down Dolores' address and gives her the money, which was due as an inheritance from her mother. Humbert learns that Dolores' husband, a deaf mechanic, is not her abductor. Dolores reveals to Humbert that Quilty took her from the hospital and that she was in love with him, but she was rejected when she refused to star in one of his pornographic films. Dolores also rejects Humbert's request to leave with him. Humbert goes to the drug-addled Quilty's mansion and shoots him several times. Shortly afterward, Humbert is arrested, and in his closing thoughts, he reaffirms his love for Dolores and asks for his memoir to be withheld from public release until after her death. Dolores dies in childbirth on Christmas Day in 1952, disappointing Humbert´s prediction that "Dolly Schiller will probably survive me by many years."
xxx/ellauri127.html on line 114: Only now, 40 years after his death, are some critics daring to suggest that many of his 18 novels are mediocre at best and that his masterpiece, “Lolita,” is a gruesome celebration of pedophile rape. Moreover the cherubic writer known to us from famous Life magazine photo shoots, jauntily brandishing his butterfly net in the Tetons or the Alps, proves to be a nasty piece of work. Distasteful people can do wonderful work — Pablo Picasso was no walk in the park — but their art doesn’t excuse their obnoxious behavior.
xxx/ellauri218.html on line 220: After her husband’s murderer escapes justice, Sarah "Sunny" Harper (Fluegel) witnesses the work of a spree killer (Drago) who shoots people on the freeway and later quotes Bible passages to a local radio station’s psychiatrist disc jockey (Belcher). Police are unwilling to listen to Sunny, but a former cop named Frank Quinn (Russo) agrees to protect her, and later the two join forces to find the deranged freeway killer before he strikes again.
xxx/ellauri357.html on line 125: doing photo shoots, and training in the gym. However, to
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