ellauri033.html on line 1073: Emile Laure oli II maailmansodan armeijankenraali Vauclusesta, Vichy-luopio, mitäs se puuhaa Lamartinen runossa? Sori my bad, puhe on jostain toisesta Lauresta. No Vauclusessa on myös ravintola Petrarque et Laure, josta jenkkivieraat sanovat: Good food but lousy service. Koska Vauclusessa on Mont Ventoux, jolle Petrarca kipusi jollain wanderungilla: For pleasure alone he climbed Mont Ventoux, which rises to more than six thousand feet, beyond Vaucluse. It was no great feat, of course; but he was the first recorded Alpinist of modern times, the first to climb a mountain merely for the delight of looking from its top. (Or almost the first; for in a high pasture he met an old shepherd, who said that fifty years before he had attained the summit, and had got nothing from it save toil and repentance and torn clothing.) Petrarch was dazed and stirred by the view of the Alps, the mountains around Lyons, the Rhone, the Bay of Marseilles. He took Augustine´s Confessions from his pocket and reflected that his climb was merely an allegory of aspiration toward a better life. Vanha paimen oli tyytyväinen kun joku oli vielä tyhmempi kuin se, niinkuin Roope ezimässä nelikulmaisia munia.
ellauri035.html on line 1087: Jönsy-veljeltä tulee jatkuvalla syötöllä spoonerismin tapaisia lohkaisuja. Esimerkki spoonerismista on "The Lord is a shoving leopard" instead of "The Lord is a loving shepherd."
ellauri046.html on line 802: Your shepherds, your flocks, those fantastical themes,
ellauri067.html on line 566: "his batman, a Corporal Wayne" [Batman's "real-world" identity was Bruce Wayne], 11; comicbook fangs, 21; Sir Denis Nayland Smith, 83, 277-78, 592, 631, 751; Hop Harrigan, Tank Tinker, 117; "old-fashioned comical room" 122; Dumbo, 135; Donald Duck, 146; Hansel and Gretel, 174; "comic-book colors" 186; "paint FUCK YOU in a balloon coming out the mouth of one of those little pink shepherdesses" 203; Plasticman, 206, 314, 331, 752; "he passes into a bickering of canary-yellow Borsalini, corksoled comicbook shoes with enormous round toes" 254; "this cartoon here" 263; "a Sunday-funnies dawn" 295; Rocketman, 366, 376, 379, 436, 512, 596; Captain Midnight Show, 375; Green Hornet, 376; "the only beings who can violate their space are safely caught and paralyzed in comic books" 379; Mickey Mouse, 392; Sundial, 472; Wilhelm Busch (cartoonist), 501; Porky Pig, 545; "comic technocracy" 579; "comic-book cats dogs and mice" 586; Bugs Bunny, 592; "comicbook-orange chunks of island" 634; Porky Pig tattoo, 638 (on Osbie Feel's stomach), 711 (on André Omnopon´s stomach); Robin Hood, 664; Mary Marvel, Wonder Woman, 676; comic-book Kamikazes, 680; "down comes a comic-book guillotine on one black & white politician" 687; Crime Does Not Pay, 709; Superman, 751; The Lone Ranger & Tonto, 752; Philip Marlowe, 752; Submariner, 752; Jimmy Olson, 752; See also Byron the Bulb; Floundering Four; Komical Kamikazes; Plasticman; film/cinema references.
ellauri083.html on line 159: The "first chapter summons up the days when the world was first settled, in 874 AD—for that is the year when the Norsemen arrived in Iceland, and one of the book's wry conceits is that no other world but Iceland exists. ... The book is set in the early decades of the twentieth century but ... Independent People is a pointedly timeless tale. It reminds us that life on an Icelandic croft had scarcely altered over a millennium". As the story begins, Bjartur ("bright" or "fair") has recently managed to put down the first payment on his own farm, after eighteen years working as a shepherd at Útirauðsmýri, the home of the well-to-do local bailiff, a man he detests. The land that he buys is said to be cursed by Saint Columba, referred to as "the fiend Kolumkilli", and haunted by an evil woman named Gunnvör, who made a pact with Kólumkilli.
ellauri140.html on line 103: Colin Firth M+, a shepherd noted for his songs and bagpipe playing, briefly appearing in Book VI. He is the same Colin Clout as in Spenser´s pastoral poetry, which is fitting because Calidore is taking a sojourn into a world of pastoral delight, ignoring his duty to hunt the Blatant Beast, which is why he set out to Ireland to begin with. Colin Clout may also be said to be Spenser himself.
ellauri141.html on line 328: cum mihi Cous adesset Amyntas, And Amyntas once was mine, a salacious shepherd
ellauri150.html on line 602: We start with the filmmaker's take on the birth of Christ. We see, after a bit of Roman Empire background, Joseph and Mary arrive at the census point; we see the Star of Bethlehem shine, the shepherds see it, the wise men see it; we see the Star of Bethlehem shine down; we see the filmmaker's vision of a nativity scene. Finally, we see the Star of Bethlehem dim back down, as somebody blows a shofar horn. It's very tastefully done, but still effective.
ellauri151.html on line 914: 19. On the number and identity of pastors (shepherds):
ellauri151.html on line 918: [11] And his gifts were that some should be apostles, some prophets, some evangelists, some pastors (shepherds) and teachers,
ellauri151.html on line 922: [16] And I have other sheep, that are not of this fold; I must bring them also, and they will heed my voice. So there shall be one flock, one shepherd.
ellauri156.html on line 447: The musical score was by Alfred Newman (the funny looking kid on the cover of Mad magazine), who, for the bucolic scene with the shepherd boy, used a solo oboe in the Lydian mode, drawing on long established conventions linking the solo oboe with pastoral scenes and the shepherd's pipe. To underscore David's guilt-ridden turmoil in the Mount Gilboa scene, Newman resorted to a vibraphone, which Miklós Rózsa used in scoring Peck's popular 1945 Spellbound, in which he played a no less disturbed patient suffering from amnesia, viz. prophet Nathan Zuckerman.
ellauri156.html on line 629: Now this little fellow was one lamb among a great many. Nevertheless, he enjoyed the distinction of being regarded as a “pet lamb.” (I am coming to te most narcissistic part of my sermon, going to introduce you to the good shepherd in a moment.) In the story which Nathan tells David, it is not quite the same. Nathan tells David of a “pet lamb” who is the only sheep of a poor farmer. This lamb does not live in a pen outside the house; it lives inside the house, often in the loving hairy arms of its master, and eats the same food he eats. This is the story Nathan tells David, which God uses to expose the wretchedness of David's sin. It is our text for this message, and once again, it has much to teach us, as well as David. Let us give careful heed to the inspired words of Nathan, and learn from a lamb. (I bet the lamb had much more to learn from the "boys".)
ellauri156.html on line 683: Fourth, Nathan's story is a “sheep story,” one that a shepherd can easily grasp and with which he can readily identify. David was a shepherd boy in his younger days, as we know from the Book(s) of Samuel (see 1 Samuel 16:11; 17:15, 28). I wonder if in those lonely days and nights David does not make a “petlamb” of one or more of his sheep? You bet. Some comfort for his lonely nights. Did this sheep eat of his food and drink from his cup? Did this sheep give him a blowjob? Possibly so.
ellauri156.html on line 734: God speaks to David as though he has forgotten these things, or rather as though he has come to take credit for them himself. Everything David possesses has been given to him by God. Has it been so long since David was a lowly shepherd boy that he has forgotten? David is a “rich” man because God has made him rich. And if he does not think he is rich enough, God will give more to him. David has begun to cling to his “riches,” rather than to cling to the God who made him rich.
ellauri164.html on line 500: Moses needed time to grow and mature and learn to be meek and eat humble pie before God, and this brings us to the next chapter in Moses’ life, his 40 years in the land of Midian. During this time, Moses learned the simple life of a shepherd, a husband, and a father. God took an impulsive and hot-tempered young man and began the process of molding and shaping him into the perfect instrument for God to use. What can we learn from this time in his life? If the first lesson is to wait on God’s timing, the second lesson is to not be idle while we wait on God’s timing. While the Bible doesn’t spend a lot of time on the details of this part of Moses’ life, it’s not as if Moses were sitting idly by waiting for God’s call. He spent the better part of 40 years learning the ways of a shepherd and supporting and raising a family. These are not trivial things! While we might long for the “mountain top” experiences with God, 99 percent of our lives is lived in the valley doing the mundane, day-to-day things that make up a life. We need to be living for God “in the valley” before He will enlist us into the battle. It is often in the seemingly trivial things of life that God trains and prepares us for His call in the next season.
ellauri184.html on line 783: Jesus having sex with Mary Magdalene in the whorehouse without the blessing of marriage. The demon asking Jesus to use a sheep for sexual release. An angel posing as a beggar during the Annunciation scene. The same beggar-angel walking with Mary to Bethlehem provoking jealousy to the doubting Joseph. Three shepherds instead of 3 kings visiting the family in the Bethlehem. Joseph crucified and dying on the cross mistaken as a zealot. Jesus seeing God in the desert. Jesus riding on the boat with the God and the Devil. These are some of the shocking deviations from the story that Saramago imagined and incorporated to come up with an “irreverent, profound, skeptical, funny, heretical, deeply philosophical, provocative and compelling work.” (Source: Harold Robbin who says that this is his favorite work of Saramago. So far, I agree).
ellauri214.html on line 86: Whereas Rowling’s shepherding of readers was, in the Harry Potter juvenile series, an essential asset, in The Casual Vacancy her firm hand can feel constraining. She leaves little space for the peripheral or the ambiguous; hidden secrets are labeled as hidden secrets, and events are easy to predict. We seem to watch people move around Pagford as if they were on Harry’s magical parchment map of Hogwarts.
ellauri241.html on line 972: Bearing the burden of a shepherd's shlong;
ellauri241.html on line 975: A crowd of shepherds wearing nothing but sunburnt looks.
ellauri241.html on line 997: Also sprach sie: “Men of Patmos! shepherd bands!
ellauri241.html on line 1031: 'Mong shepherds far gone in smokes,
ellauri241.html on line 1127: So let's get back to the brain-sick shepherd-prince, what the heck,
ellauri241.html on line 1223: To doff thy shepherd vest, and woo thy midriff fresh leaves!
ellauri241.html on line 1322: He stept upon his shepherd throne: the look
ellauri241.html on line 1631: The speaker's introduction at the beginning of Book 4 is significantly shorter than in the previous three books. He speaks to his muse of his native land whose great days are now over as anyone can tell from Endymion. The shepherd-prince overhears a distressed Indian Maiden who longs for someone to love. Endymion finds himself instantly smitten with the Maiden. He is desperately conflicted because he now appears to be in love with the three women Cynthia, Diana, and the Indian Maiden.
ellauri241.html on line 1637: Endymion declares that he will let go of the possibility of immortality so that he can love and adore the Maiden instead. The god Mercury appears and strikes the ground with his magic wand. Winged horses arrive to fly Endymion and the Indian Maiden into the sky where the shepherd-prince dreams that he is in Olympus which is the sanctuary of the gods. He is conflicted when he suddenly sees Diana who is also known as Phoebe and she looms over him. Endymion looks over at the sleeping Indian Maiden and "could not help but kiss her: then he grew / Awhile forgetful of all beauty save / Young Phoebe's, golden hair'd; and so 'gan crave Forgiveness." Once again he looks at the Maiden with adoration, but Phoebe begins to fade away, and he protests in panic. The noise awakens the sleeping Maiden next to him. In this moment Endymion chooses to abandon Diana and immortality as he professes to the Maid, "I love thee! and my days can never last. I always love the one that is readily available, she is the best." They soar through the sky and the Indian Maiden grows pale and suddenly vanishes before Endymion's eyes. Ow fuck! He cries out in surprise and grief as he finds himself alone yet again.
ellauri241.html on line 1639: The Maiden reappears to the shepherd-prince as he returns to earth. Endymion is overcome with relief and joy and says that he has wasted too long searching for nothing but a dream and wants to start a life with the Maiden. She tells him that they cannot be together because he is forbidden to her. They wander through the forest and are quiet and somber until Endymion sees his sister Peona in the distance. They rush together and embrace. Peona implores Endymion to "weep not so" and "sigh no more" for the Indian Maiden can be his queen of Latmos. Endymion responds that "a hermit young, [he will] live in mossy cave" but Peona can visit him regularly. The resigned shepherd-prince leaves behind a confused Peona and Maiden and visits the altar of Diana to "bid adieu / To her for the last time." Peona and the Indian Maiden arrive. Endymion watches in stunned disbelief as the Indian Maiden transforms into his beloved Diana. It is revealed that Cynthia, Diana, and the Indian Maiden are the same woman. Actually Peona too! For all practical purposes, all women are the same: one hole up front and two more in the pants. Endymion swoons and after "three swiftest kisses" they vanish together leaving Peona who walks home in wonderment.
ellauri323.html on line 133: Yet Zuleika WAS very innocent, really. She was as pure as that young shepherdess Marcella, who, all unguarded, roved the mountains and was by all the shepherds adored. Like Marcella, she had given her heart to no man, had preferred none. Youths were reputed to have died for love of her, as Chrysostom died for love of the shepherdess; and she, like the shepherdess, had shed no tear. When Chrysostom was lying on his bier in the valley, and Marcella looked down from the high rock, Ambrosio, the dead man’s comrade, cried out on her, upbraiding her with bitter words—“Oh basilisk of our mountains!” Nor do I think Ambrosio spoke too strongly. Er. epm. homopetteri Horace Walpole (josta on paasattu albumeissa 14, 52, 75, 115, 235 ja 247) nimitteli Woolworthin Marya “a hyena in petticoats” or “a philosophising serpent” .
ellauri349.html on line 574: Jules: Well, there's this passage I got memorized.`It sort of fits the occasion. "Ezekiel 25:17". "The path of the righteous man is beset on all sides by the inequities of the self and the tyranny of evil men. Blessed is he who in the name of charity and good will shepherds the weak through the Valley of Darkness for he is truly his brother's keeper and the finder of lost children. [now on-screen] And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. [raising his gun on Brett] And you will know my name is the Lord when I lay my vengeance upon thee."
xxx/ellauri086.html on line 650: An oracle then advised Thyestes that, if he had a son with his own daughter Pelopia, that son would kill Atreus. Thyestes did so by raping Pelopia (his identity hidden from her) and the son, Aegisthus, did kill Atreus. However, when Aegisthus was first born, he was abandoned by his mother, ashamed of the origin of her son. A shepherd found the infant Aegisthus and gave him to Atreus, who raised him as his own son. Only as he entered adulthood did Thyestes reveal the truth to Aegisthus, that he was both father and grandfather to the boy and that Atreus was his uncle. Aegisthus then killed Atreus.
xxx/ellauri122.html on line 867: An inspiring tale of self-discovery, 'The Alchemist' tells the story of an Andalusian shepherd boy who wants to find worldly treasures.
xxx/ellauri127.html on line 717: The poem begins with the line "A thing of beauty is a joy for ever". Endymion is written in rhyming couplets in iambic pentameter (also known as heroic couplets). Keats based the poem on the Greek myth of Endymion, the shepherd beloved of the moon goddess Selene. The poem elaborates on the original story and renames Selene "Cynthia" (an alternative name for Artemis). It starts by painting the typical rustic scene of trees, rivers, shepherds, and sheep. The shepherds gather around an altar and pray to Pan, god of shepherd pies and cocks. As the youths sing and dance, the elder men sit by the rivers of Babylon and bleat about what life would be like in the shades of Elysium.
xxx/ellauri127.html on line 719: However, Endymion, the "brain-sick shepherd-prince" of Mt. Latmos, is in a trancelike state, and not participating in their discourse. His sister, Peona (Fanny), takes him away and brings him to her resting place where he sleeps. After he wakes, he tells Peona of his encounter with Cynthia (Fanny B.), and how much he loved her. The poem is divided into four books, each approximately 1,000 lines long. TLDR, quips Peona.
xxx/ellauri157.html on line 270: The saintly prayers of Baal Shem Tov and his close circle were unable to lift a harsh shortage of drinkware they perceived one Rosh Hashanah (New Year). After extending the prayers beyond their time, the drought remained. An unfettered shepherd boy entered and was deeply envious of those who could read the holy day's prayers. He said to God "I don't know how to pray, but I can make the noises of the animals of the field. With great feeling, he cried out, "Cock-a-doodle-do. God have mercy!" Immediately, joy overcame the Baal Shem Tov, and he hurried to fetch the cellar key. Afterwards, he explained that the heartfelt prayer of the shepherd boy reminded him where he had mislaid the key, and the drought was lifted.
xxx/ellauri165.html on line 636: In the eschatological discourse of Matthew 25:31-46, Jesus says that, when the Son of Man comes in his glory, he will separate people from one another as a shepherd separates sheep from goats, and will consign to everlasting fire those who failed to aid "the least of his brothers". This separation is stark, with no explicit provision made for fine gradations of merit or guilt:
xxx/ellauri173.html on line 99: Tityre is named after the lucky shepherd in Virgil´s 'Eclogues' (or 'Bucolics'). Olix mulla tää? Jotain eklogeja nyt oli ainakin. Tityre-tu oli a society of young aristocrats and gentry in the second quarter of the 17th century, who were renowned for their violent, lawless, and intimidating behaviour on the streets of London.
xxx/ellauri199.html on line 585: Sun sielunpaimen; The shepherd of thy soul;
xxx/ellauri199.html on line 962: Holy the lone juggernaut! Holy the vast lamb of the middleclass! Holy the crazy shepherds of rebellion! Who digs Los Angeles IS Los Angeles!
xxx/ellauri215.html on line 129: Roth was always a performer. As a student actor, he played Happy Loman in “Death of a Salesman,” the shepherd in “Oedipus Rex,” and the ragpicker in “The Madwoman of Chaillot.” After reading Thomas Mann’s novella “Mario and the Magician” and getting a chance to lecture in a lit-crit course, Roth decided that he’d become a professor. Maybe he’d write, too.
xxx/ellauri229.html on line 641: While in the Gulf of Mexico, near Mobile, Alabama, Törni jumped overboard and swam to shore. Now a political refugee,Törni traveled to New York City where he was helped by the Finnish-American community living in Brooklyn´s Sunset Park "Finntown". There he worked as a carpenter and cleaner. In 1953, Törni was granted a residence permit through an Act of Congress that was shepherded by the law firm of "Wild Bill" Donovan, former head of the Office of Strategic Services.
xxx/ellauri250.html on line 860: During David’s youth as a shepherd, he (David) developed many skills. He learned music, how to write, use a slingshot, how to pull uncircumcized men by the beard, and how to love Jonathan and obey the Lord. Do I understand that it’s my responsibility to develop my abilities like Jonathan Livingston The Seagull, and it’s God’s responsibility to direct me in how I use them? Do I realize that the most important skill I possess is my love for the Lord and my heart to obey Him? What miracles might God want to do through me that would show the whole earth that there is a God in the land? Kan jeg ble en helt liksom Harry Hole?
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