ellauri022.html on line 887: The fly I envy settling in the sun Kärpästä mä kadehdin luonnon tapetissa
ellauri050.html on line 409: Yogananda was the first major Indian teacher to settle in America, and the first prominent Indian to be hosted in the White House (by President Calvin Coolidge in 1927); his early acclaim led to him being dubbed "the 20th century's first superstar guru," by the Los Angeles Times. Arriving in Boston in 1920, he embarked on a successful transcontinental speaking tour before settling in Los Angeles in 1925. For the next two and a half decades, he gained local fame as well as expanded his influence worldwide: he created a monastic order and trained disciples, went on teaching-tours, bought properties for his organization in various California locales, and initiated thousands into Kriya Yoga. By 1952, SRF had over 100 centers in both India and the US; today, they have groups in nearly every major American city. His "plain living and high thinking" principles attracted people from all backgrounds among his followers.Valtaosa amerikkalaisista pitää enemmän high living and plain thinking - vaihtoehdosta.
ellauri051.html on line 1276: 678 In vain the ocean settling in hollows and the great monsters lying low, 678 Turhaan valtameri asettuu onteloihin ja suuret hirviöt makaavat matalalla,
ellauri162.html on line 137: With political tensions rising in Europe, Bernanos emigrated to South America with his family in 1938, settling in Brazil. He remained until 1945 in Barbacena, State of Minas Gerais, where he tried his hand at managing a farm.
ellauri164.html on line 733: In reality, the people who were writing this story knew that Moses did not lead them into the Promised Land. In fact, he had completed his assignment long ago. God had instructed him to lead the people out of Egypt (Ex. 3:10). They were out of Egypt. His job was done. So maybe this wasn't a punishment at all; maybe it was a reward! He was roughly 120 years of age at this point. They all knew that settling into the Promised Land would have its challenges. That land was fully occupied, and many battles were ahead of them. Surely it was time to let Joshua take over. It was time for Moses to rest. Granted, there might have been other ways for God to accomplish this, but the writers of the story chose to tell it like this. The end result is that Moses was free of his responsibility to the people, free to be with God on the mountaintop.
ellauri183.html on line 103: And Malamud himself -- still frail from a recent illness -- at first appears an improbable Isaiah. With his tidy demeanor, incessant self-editing ("no, wait, there's a better word . . . ") and deadpan, scrupulous style, he could be the most successful publican in Galilee. He is uneasy with talking about himself ("that kind of stuff, it's not up his alley," says his publicity-hungry "friend" Philip Roth) and seems reluctant to start. He pauses to choose among several pairs of glasses, then sits down carefully, feet flat on the floor, long fingers knitted in his lap. Finally, with the anxious geniality of a brave man settling in for root canals, he says, "Now then, I think we can begin."
ellauri192.html on line 287: Lastly, there is the rumor of the blacklist. No outside observer can show that any such list exists, let alone how and when it was explicitly arrived at. But there are stubborn, unsettling indications. Behind them stands the enigmatic figure and afterlife of Dag Hammerskjold. In one or two cases, the choice of laureate seems to have been largely his. His chill displeasures seem not only to have had great influence, but to persist beyond the grave. The list of lepers, for motives which may, in some masked degree, go back to Hammarskjold's own politics and arcane sexuality, is rumored to include Graham Greene, G"unter Grass and Borges, as it did Malraux (passed over, to de Gaulle's just anger, in favor of a French poet-diplomat close to Hammarskjold, viz. Saint-John Perse). The mere fact that the Nobel Prize in Literature has long passed Borges by suffices to put the whole institution in doubt. But whether any such blacklist is real remains baffled conjecture.
ellauri198.html on line 420: Was settling to its close, yet shot one grim Heitti rusko perääni ilkeen hymynhäivän
ellauri222.html on line 193: And it got even better. Jack Ludwig reviewed the novel. He informed readers of Holiday that “the book is a major breakthrough.” By no means should it be read as autobiography—“as if an artist with Bellow’s enormous gifts were simply playing at second-guessing reality, settling scores.” No, in this book, Ludwig wrote, “Bellow is after something greater.” The greater something turns out to be “man’s contradiction, his absurdity, his alienation,” and so on. It was pretty chutzpadik, as even Bellow had to admit. But by then he was laughing all the way to the bank.
ellauri248.html on line 345: The US is 3.797 million mi². The area that was “reserved” for tribes from there previous landholdings is about 2.3% of the total US land. Some reservations are the “reserved” remnants of a tribe’s original land base. Others were created by the federal government from federal land for the resettling Native people who were forcibly relocated from their homelands.
ellauri257.html on line 512: She and Singer met in the Catskills, at a farm village named Mountaindale. Although in the manuscript, Alma is elusive about dates, it is known that the encounter took place in 1937. The two were refugees of what Singer’s older brother, Israel Joshua, by then already the successful novelist I.J. Singer, would soon describe as “a world that is no more.” And the two were married to other spouses. Alma and her husband, Walter Wasserman, along with their two children, Klaus and Inga, had escaped from Germany the previous year and come to America, settling in the Inwood section of Manhattan. As for Isaac — as Alma always called him — he arrived in 1935. She portrays their encounters as romantic, although she appears to have been perfectly aware of his reputation.
ellauri264.html on line 681: Beady-eyed Mark Zuclerberg pretty much stole facebook from his friends, plain and simple, got rid of people when they were no longer needed by him. Has been ordered again and again to pay huge sums to people after settling in court.
ellauri276.html on line 603: Here we are on familiar ground, for the beginning is that of the well-known Condescending Lass, often printed on broadsides, and not infrequently met with in the mouths of country singers to this day. The Condescending Lass belongs to a sizeable family of songs on the theme “I wouldn't marry a …”. In it the girl reviews men of various trades, and rejects them all until she finds one whom she will deign to consider. But the present version loses sight of this theme, and from verse two onwards forgets all about the persnickety girl, settling down to a eulogy of the ploughman's trade, though here and there the words still recall those of The Condescending Lass. For the sake of coherence we have abandoned Mr Burstow's first verse and given it another title (he called it: Pretty Wench). The Taverners Folk Group sang The Ploughman in 1974 on their Folk Heritage album Times of Old England. They noted:
xxx/ellauri075.html on line 122: Today, Shestov is little known in the English-speaking world. This is partly because his works have not been readily available. Partly the specific themes he discusses are unfashionable and "foreign". A sombre and yet ecstatic atmosphere permeates his writings. And his quasi-nihilistic position and religious outlook are an unsettling and incongruous combination, at first sight.
xxx/ellauri075.html on line 182: Today, Shestov is little known in the English-speaking world. This is partly because his works have not been available in English. Partly the specific themes he discusses are unfashionable and "foreign". A sombre and yet ecstatic atmosphere permeates his writings. And his quasi-nihilistic position and religious outlook are an unsettling and incongruous combination, at first sight.
xxx/ellauri123.html on line 1031: hoped for anywhere else." The most unsettling suggestion of all must be the latent
xxx/ellauri166.html on line 320: The shekhinah (Biblical Hebrew: שכינה šekīnah; also Romanized shekina(h), schechina(h), shechina(h)) is the English transliteration of a Hebrew word meaning "dwelling" or "settling" and denotes the dwelling or settling of the divine presence of Cod. This term does not occur in the Bible, and is from rabbinic literature.
xxx/ellauri166.html on line 321: In classic Jewish thought, the shekhinah refers to a dwelling or settling in a special sense, a dwelling or settling of divine presence, to the effect that, while in proximity to the shekhinah, the connection to Cod is more readily perceivable.
xxx/ellauri166.html on line 363: ShekinAH (AH as in "Glory"), the "AH" aspect of YahuAH (Hebrew: שכינה‎) is the English spelling of a grammatically feminine Hebrew word that means the dwelling or settling, and is used to denote the dwelling or settling of the divine presence of Yahuah.
xxx/ellauri167.html on line 90: Gustav Davidson (Warsaw, Poland, 1895 – New York City, 6 February 1971) was an American poet, writer, and publisher. He was one time secretary of the Poetry Society of America. Gustav Davidson was born on December 25, 1895, in Warsaw, Poland. In the wake of anti-Jewish pogroms in Poland, his family fled to the United States, settling in New York City in 1907. Davidson received bachelor's and master's degrees at Columbia University in 1919 and 1920 respectively. He worked for the Library of Congress between 1938 and 1939 and became executive secretary of the Poetry Society of America from 1949 to 1965 (after which he was elected executive secretary emeritus).
xxx/ellauri410.html on line 243: Marja Palmer Lundista sums it up rather neatly: The sexual undertone in the early "Love Song" runs through Eliot's poetry between 1910 and 1925, gaining greater emphasis in The Waste Land and The Hollow Men . The agony and distress associated with sexual matters play a vital role in his early poems, a circumstance which has not always been fully recognized. Erotic concerns and preoccupations fill the lives of the main "characters" in this poetry, men and women alike. However, experiences of this kind are unsettling, and any attempt at a dialogue between the sexes is bound to fail. In each of the four collections, the theme of relationships between men and women indicates a step further downwards into isolation. There is an afflicting want of any feelings of love and tenderness - only a mechanized sexuality is left, stripped of all its generative force and with sterility and impotence as the consistent, final result.
21