ellauri014.html on line 1688: And write upon its shining scroll Kirjoittaisin tulostauluun maineen
ellauri014.html on line 1766: And write upon its shining scroll Kirjoittaisin tulostauluun maineen
ellauri096.html on line 529: Galgalim (galgallim "spheres", "wheels", "whirlwinds" גַּלְגַּלִּים; singular: galgal, גַּלְגַּל), also called ophanim (Hebrew "wheels" ōphannīm אוֹפַנִּים; singular: ōphān, ofan אוֹפָן), refer to the wheels seen in Ezekiel's vision of the chariot (Hebrew merkabah) in Ezekiel 1:15–21. One of the Dead Sea scrolls (4Q405) construes them as angels; late sections of the Book of Enoch (61:10, 71:7) portray them as a class of celestial beings who (along with the Cherubim and Seraphim) never sleep, but guard the throne of God.
ellauri106.html on line 428: Noniin justiinsa, siitähän uskonnossa on koko ajan kysymys, lisääntykää ja täyttäkää aivan tukkoon maa. Tosta Franklista ja sen mädistä ideoista on jo paasattu. Se oli se uunista karannut kermaperse logoterapeutti. Joku kompromissihakuisempi scroll=top&needAccess=true">Lilian Naidaan Pennistä (varmasti jutku) ehdotti 2016 että
ellauri111.html on line 182: Concerning the Dead Sea Scrolls, there may be some information in them that parallels the Masoretic Text, but there are fables in them, too. I went to see the scrolls a few years ago with great expectation but found a bunch of fables. The best defense against error in any form (unauthorized Bibles and religions) is a solid knowledge of the AUTHORIZED (King James) Version of 1611 of the Bible. If you read it, forgeries become readily apparent.
ellauri119.html on line 67: Learn More About holy! Keep scrolling for more! Other Words from holy: holily \ ˈhō-​lə-​lē (source of the Swiss custom of yodeling)
ellauri119.html on line 78: Middle English, from Old English hālig; akin to Old English hāl whole — more at whole. Not related to hole. Keep scrolling for more. Learn More About holy. Share holy. Post the Definition of holy to Facebook. Share the Definition of holy on Twitter.
ellauri119.html on line 86: Look-up Popularity: Top 1% of words. Cite this Entry. “Holy.” Merriam-Webster.com Dictionary, Merriam-Webster, https://www.merriam-webster.com/dictionary/holy Accessed 25 Jun. 2021. Keep scrolling for more.
ellauri147.html on line 247: Daniel D´Addario of Variety described the series as "a Turkish delight that begs the question of what it really means to grow up against a truly inviting backdrop", and that Mr. Collins is "an inherently winsome performer who has never been quite as well and often abused as she is here". Kristen Baldwin of Entertainment Weekly gave the series a "B" and wrote, "If you need a five-hour brain vacation, Paris is a worthwhile destination." The New Zealand Herald considered the show "visually delectable" and that "Mr. Collins has a pixie-ish charm which makes her endearing", but also that the show is "as ephemeral as dental floss". However, Kristen Lopez of IndieWire wrote a review Metacritic graded as a 23 out of a 100, praising Mr. Collins for being a "Jewess, make no mistake" and that "Emily in Paris is only as watchable and frivolous as our first lady," but warning viewers "Emily in Paris is like scrolling through Instagram. It´s a great way to waste time looking at pretty pictures with no depth."
ellauri163.html on line 48: He wrote the drama Got fun nekome (God of Vengeance) in the winter of 1906 in Cologne, Germany. It is about a Jewish brothel owner who attempts to become respectable by commissioning a Torah scroll and marrying off his daughter to a yeshiva student. Set in a brothel, the play includes Jewish prostitutes and a lesbian scene. I. L. Peretz famously said of the play after reading it: "Burn it, Asch, burn it!" Instead, Asch went to Berlin to pitch it to director Max Reinhardt and actor Rudolph Schildkraut, who produced it at the Deutsches Theater. God of Vengeance opened on March 19, 1907 and ran for six months, and soon was translated and performed in a dozen European languages. It was first brought to New York by David Kessler in 1907. The audience mostly came for Kessler, and they booed the rest of the cast. The New York production sparked a major press war between local Yiddish papers, led by the Orthodox Tageplatt and even the secular Forverts. Orthodox papers referred to God of Vengeance as "filthy," "immoral," and "indecent," while radical papers described it as "moral," "artistic," and "beautiful". Some of the more provocative scenes in the production were changed, but it wasn't enough for the Orthodox papers. Even Yiddish intellectuals and the play's supporters had problems with the play's inauthentic portrayal of Jewish tradition, especially Yankl's use of the Torah, which they said Asch seemed to be using mostly for cheap effects; they also expressed concern over how it might stigmatize Jewish people who already faced much anti-Semitism. The association with Jews and sex work was a popular stereotype at the time. Other intellectuals criticized the writing itself, claiming that the second act was beautifully written but the first and third acts failed to support it.
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ellauri241.html on line 1227: The scroll is folded by the Muses and thrown to scrap.

ellauri241.html on line 1397: Mouldering scrolls,

ellauri264.html on line 467: How charged with punishments the scroll, Miten täynnä tuomioita rikosrekisteri,
ellauri302.html on line 351: Yekel, rushes into the basement a burning candle in his hand. His hair is in disorder. Over his nightshirt he has thrown a coat. He shouts wildly.) Rifkele! Rifkele! Is Rifkele here? (No reply. He tears the curtains of the compartments violently aside.) Rifkele! Where is she? (Waking Reizel and Basha.) Where is Rifkele! Rifkele! Where is she? Whatever happened to the scroll? Did they elope together?
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xxx/ellauri085.html on line 382: And then look at all the jobs in the country. Go to craigslist and scroll through all the help wanted. Name for me how many of those jobs, are not jobs created by wealthy people? Even the few that exist, would those jobs exist without wealthy people?
xxx/ellauri086.html on line 75: About Lindsfarne Gospels Bede explains how each of the four Evangelists was represented by their own symbol: Matthew was the man, representing the human Christ; Mark was the lion, symbolising the triumphant Christ of the Resurrection; Luke was the calf, symbolising the sacrificial victim of the Crucifixion; and John was the eagle, symbolising Christ's second coming. A collective term for the symbols of the four Evangelists is the Tetramorphs. Each of the four Evangelists is accompanied by their respective symbol in their miniature portraits in the manuscript. In these portraits, Matthew, Mark, and Luke are shown writing, while John looks straight ahead at the reader holding his scroll. The Evangelists also represent the dual nature of Christ. Mark and John are shown as young men, symbolising the divine nature of Christ, and Matthew and Luke appear older and bearded, representing Christ's mortal nature.
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xxx/ellauri165.html on line 491: Relative to similar concepts of such beings, Azrael holds a rather benevolent role as God´s angel of death; he acts as a psychopomp, responsible for transporting the souls of the deceased after their death. Both in Islam and in Judaism, he is said to hold a scroll concerning the fate of mortals, recording and erasing their names at their birth and death, respectively.
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