ellauri051.html on line 1373: 773 Through the gymnasium, through the curtain'd saloon, through the office or public hall; 773 Kuntosalin, verhohuoneen, toimiston tai yleisen salin kautta;
ellauri095.html on line 580: The ´New York Times´, in the best traditions of media coverage, focused on the "weirdness of the scene". The newspaper contrasted the nuns´ "terror-stricken conduct", frozen with terror, and "deaf to all entreaties", with the "plucky" behaviour of the stewardess who tried to encourage them to leave the saloon for rigging as the water rose around them. One of the nuns was heard to cry in a voice heard above the storm "O my God, make it quick, make it quick". Hopkins, however, saw these words as an example of courage in the fate of extremity, and as the active seeking of the soul reaching towards God.
ellauri156.html on line 145: The lyrics describe a conflict over a love triangle, in which Rocky's girlfriend Lil Magill (known to the public as Nancy) leaves him for a man named Dan, who punches Rocky in the eye. Rocky vows revenge and takes a room at the saloon in the town where Dan and Nancy are staying. He bursts into Dan's room, armed with a gun, but Dan out-draws and shoots him. A drunken doctor attends to Rocky, the latter insisting that the wound is only a minor one. Stumbling back to his room, Rocky finds a Gideon Bible and takes it as a sign from God.
ellauri156.html on line 155: Booked himself a room in the local saloon
ellauri374.html on line 210: EU equivalents include the German: haberfeldtreiben and German: katzenmusik, Italian: scampanate, Spanish cacerolada, (also cacerolazo or cacerolada) and of course French charivari. Americans of course were not that nasty. In a North American charivari participants might throw the culprits into horse tanks or force them to buy candy bars for the crowd. "All in fun – it was just a shiveree, you know, and nobody got mad about it. At least not very mad." In music, Charivari would later be taken up by composers of the French Baroque tradition as a 'rustic' or 'pastoral' character piece. In Samuel Butler´s Hudibras, the central character encounters a skimmington in a scene notably illustrated by William Hogarth. In the 1966 film El Dorado, Cole Thorton (John Wayne) tells Mississippi (James Caan) that they were unable to re-enter the saloon they just left because the "shivaree" (i.e., the fight they had with other bar patrons) "wore out our welcome".
ellauri382.html on line 55: Uma saloon tyttö notável foi Kitty Leroy (vas). Na década de 1870, ela atuou em Deadwood, na Dakota do Sul, um lugar marcado pela ausência de leis e pela violência. Conhecida por sua beleza e habilidade com armas de fogo, Kitty se destacou como dançarina e tornou-se exímia no manejo do revólver. Ela enfrentou inúmeros desafios, desde clientes desordeiros até a competição de outras mulheres.
xxx/ellauri081.html on line 513: Benny was born Benjamin Kubelsky in Chicago on February 14, 1894, and grew up in nearby Waukegan. He was the son of Jewish immigrants Meyer Kubelsky (1864–1946) and Emma Sachs Kubelsky (1869–1917), sometimes called "Naomi". Meyer was a saloon owner and later a haberdasher who had emigrated to America from Poland. Emma had emigrated from Lithuania. Benny began studying violin, an instrument that became his trademark, at the age of 6, his parents hoping for him to become a professional violinist. He loved the instrument, but hated practice. His music teacher was Otto Graham Sr., a neighbor and father of football player Otto Graham. At 14, Benny was playing in dance bands and his high school orchestra. He was a dreamer and poor at his studies, and was ultimately expelled from high school. He later did poorly in business school and at attempts to join his father´s business. In 1911, he began playing the violin in local vaudeville theaters for $7.50 a week (about $210 in 2020 dollars). He was joined on the circuit by Ned Miller, a young composer and singer.
xxx/ellauri388.html on line 93: Craucher´s saloon was a popular watering place for Tiilenkantajat ("The Flame Throwers") and other young writers of the time because of her generous service and her fascinating arse. Craucher herself, for her part, felt drawn to uniforms. Of the authors who visited Craucher´s saloon, at least Joel Lehtonen, Martti Merenmaa and Mika Waltari have described the salon and its owner.
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