ellauri016.html on line 774: Drake's reluctance to perform live or be interviewed contributed to his lack of commercial success. He suffered from depression and insomnia, topics often reflected in his lyrics. After completing Pink Moon in 1972, he withdrew from live performance and recording, retreating to his parents' home in rural Warwickshire. On 25 November 1974, at the age of 26, Drake died from an overdose of amitriptyline, a prescribed antidepressant.
ellauri039.html on line 343: Rie Hatsipompponen came to the United States as a high school exchange student in rural Kansas from Sapporo, Japan. Her initial inability to effectively communicate in English led her to engage in artistic forms of expression.
ellauri082.html on line 145: Orin (who never attended his father’s funeral) went to the gravesite and dug up his father, releasing the wraith in the process. (244: “After a burial, rural Papineau-region Québecers purportedly drill a small hole down from ground level all the way down through the lid of the coffin, to let out the soul, if it wants out.”) Orin, who is such a partisan of his father that he feels the need to repeatedly ruin the lives of people like his mother, has been mailing the tapes to his father’s enemies in revenge: disapproving film critics in Berkeley and the medical attaché (whose affair with his mother drove Himself especially wild) in Boston. It’s possible he’s being influenced by the wraith in these actions.
ellauri083.html on line 129: Growth of the Soil (Norwegian Mannens Grodor), is a novel by Knut Hamsun which won him the Nobel Prize in Literature in 1920. It follows the story of a man who settles and lives in rural Norway.
ellauri083.html on line 131: Very different from his novel Hunger, here Hamsun has written a sweeping story of one man's accomplishments as a homesteader in northern Norway near the border with Sweden. Isak, a young and very strong man, with no fear of work, goes looking for a good place to settle. He walks and walks, looking for a place that has everything he needs: water, haying grounds, pasture, areas to farm, timber. When he finally finds it, he settles in. There is a coastal town a full day's walk away (20 miles? 10 miles?). He puts out word that he needs a woman's help--and lo and behold, Inger comes. She too has no fear of work, and she has a harelip--teased for much of her life, she finds a good man in Isak. They work, they have several children, Inger is imprisoned for 6 years. Others come and settle the area between their farm Sellanra and the town. A fascinating story of rural northern Norway in the 2nd half of the 19th century.
ellauri101.html on line 633: A direct consequence of urbanization is falling fertility. In rural areas, children can be considered an asset, that is, additional labor. But in the cities, children are a burden.
ellauri106.html on line 106: That same year, rather than wait to be drafted, Roth enlisted in the army. Roth enlisted in the Army that year to avoid being drafted and assigned to unpleasant duty like the infantry. Fortunately he suffered a back injury during basic training and was given a medical discharge. Who knows. He returned to Chicago in 1956 to study for a PhD in literature but dropped out after one term. It was a yeasty environment for a young writer. Saul Bellow was a contemporary and with some what similar backgrounds and interests they could not avoid being rivals. During that year he met a lovely shiksa waitress Margaret Martinson, a single woman with a small child. He was smitten. An intense, but often troubled relationship ensued. At the end of the year he dropped out of the U of C and headed to the University of Iowa to teach in its creative writing program. None the less, whatever he may have said, Roth was not happy there, perhaps because the semi-rural Midwesterness of Ames was alien to him. After a while with Martinson in tow he moved on to a similar position at Princeton, another WASP bastion but one with even more prestige. Everyone who knew him recognized Roth as an early comer. He later continued his academic career at the University of Pennsylvania, where he taught comparative literature before retiring from teaching in 1991. Roth started teaching literature in the late 1960s at the University of Pennsylvania. The 1969 feature film adaptation of Goodbye, Columbus coincided with the publication of Portnoy’s Complaint, which soon became a best-seller amid controversy for its prurient content. (Those who've read it will likely not forget Portnoy's "love affair" with mom´s slab of liver in the fridge.)
ellauri108.html on line 152: Nyabinghi Issemblies typically take place in rural areas, being situated in the open air or in temporary structures—known as "temples" or "tabernacles"—specifically constructed for the purpose. Any elder seeking to sponsor a Nyabinghi Issembly must have approval from other elders and requires the adequate resources to organise such an event. The assembly usually lasts between three and seven days. During the daytime, attendees engage in food preparation, ganja smoking, and reasoning, while at night they focus on drumming and dancing around bonfires. Nyabinghi Issemblies often attract Rastas from a wide area, including from different countries. They establish and maintain a sense of solidarity among the Rasta community and cultivate a feeling of collective belonging. Unlike in many other religions, rites of passage play no role in Rastafari; on death, various Rastas have been given Christian funerals by their relatives, as there are no established Rasta funeral rites.
ellauri110.html on line 318: Lydia Volchaninova, a good-looking, but very stern and opinionated young teacher with somewhat dictatorial inclinations is deeply engaged in the affairs of the local zemstvo. Devoted to the cause of helping peasants, she is interested in doing and speaking of nothing but practical work, mostly in the fields of medicine and education. Lydia dislikes the protagonist, a landscape painter, who frequently visits their house. From time to time the two clash over problems of both the rural community and Russia as a whole.
ellauri240.html on line 219: Peyton Place was made into a movie starring Lana Turner and Hope Lange in 1957. The town of Gilmanton opposed having the movie filmed there, and eventually it was filmed in Camden, Maine, a location totally unlike any rural mill town. A television series, starring Mia Farrow and Dorothy Malone, was produced that lasted from 1964-1969. Both the film and the television show were cleaned up and did not contain the language or sexual specificity of the novel.
ellauri240.html on line 496: Wilson and his family are members of the Baháʼí Faith. They have two pit bulls, Pilot and Diamond; two Vietnamese pot-bellied pigs, Snortington and Amy; a donkey named Chili Beans; and a zonkey named Derek. He uses his arts to impregnate adolescent girls in rural Haiti. Soulpancake.com (sold out to some media company in 2016) is "temporarily unavailable".
ellauri245.html on line 493: Lake Lyseren has a key role in the murder mystery unfolding in the Norwegian detective thriller "The Leopard". Some episodes in the book feature police detectives from cosmopolitan Oslo coming to conduct investigations in the rural environment of Lyseren.


ellauri276.html on line 610: In this jolly little anthem to the delights of the rural lifestyle, our agrarian hero attributes his personal desirability to a diet of booze and fags. I got this from The Penguin Book of English Folk Songs which has recently been reprinted and improved—it now has a picture of Eliza Carthy on the front instead of a bloke forcing a bear to dance by poking it with a stick.
ellauri322.html on line 51: Thomas Paine est né en 1737 à Thetford, une bourgade du Norfolk en Angleterre. Son père, Joseph Pain, est quaker et sa mère, Frances Cocke Pain, anglicane. Malgré les affirmations selon lesquelles Thomas aurait changé l'orthographe de son nom de famille lors de son émigration en Amérique en 1774, il utilisait "Paine" déja en 1769, alors qu'il était encore à Lewes, dans le Sussex. Il grandit dans un milieu rural modeste et quitte l'école à l'âge de douze ans. Sa formation intellectuelle est donc celle d'un autodidacte. Grâce à cela, sa pensée simple et son style concis et clair ont fait de lui une arme efficace de propagande.
ellauri322.html on line 489: You are viewing an original antique oil painting on canvas by Paulette Bardy, listed French Impressionist of the early part of the 20th century. She was born in Fez, Morocco and her works were accepted and exhibited at the prestigious Salon des Artistes Francais in Paris. She was a pupil of French artist Charles Fouqueray and she also painted a series of controversial risque beach scenes, erotic in nature, titled "La Plage" and "Bord de Mer". Her landscapes are Impressionistic mixed with an influence of rural French folk art.
ellauri336.html on line 658: Busby hopes natural disasters might accelerate change by altering the economic equation. Fortunately, man made disasters in Ukraine and Israel work just the opposite. The Gulf coast’s vulnerability to storms potentially made more severe by global heating – such as Harvey, which flooded much of the Houston area in 2017 - could damage ports, refineries and petrochemical plants, erode financial markets’ enthusiasm for fossil fuel investments, hurt companies’ bottom lines and push climate concerns higher up the priority list for voters in traditionally conservative suburban and rural areas. Small hope.
ellauri362.html on line 741: The poem also touches upon the supernatural beliefs and superstitions that often accompany drunkenness. Colin, the prince of joke and rural wits, regales his companions with tales of spirits, fairies, and otherworldly beings, reflecting the altered state of consciousness induced by alcohol.
ellauri391.html on line 135: Ab 1950 bekämpfte er die deutsche Wiederbewaffnung. Im Kalten Krieg widersprach er kontinuierlich dem prinzipiellen Antikommunismus. His pastoral career began in the rural Swiss town of Safenwil, where he was known as the "Red Pastor from Safenwil".
ellauri395.html on line 1291: For the distribution of believers. Most Uzbek Christians live in Tashkent and other cities, despite half of Uzbeks living in rural areas.
ellauri411.html on line 192: This was especially true in Egypt, where tensions were brewing between all the different factions that lived there. The Roman conquerors saw the inhabitants of the conquered territories as either Romans or non-Romans. The Greek immigrants in various territories, who had become used to being treated as superior, were enraged at having their ‘rights’ taken away. In Alexandria alone, the Romans compromised that the Greeks and Jews could retain their privileges. In the rural areas, they were classified as foreigners and had all their privileges wiped away.
xxx/ellauri081.html on line 313: Duplessis championed rural areas, provincial rights, nationalism, economic development, strong investment in Catholic education and anti-Communism, and had a hard stance against the trade unions.
xxx/ellauri085.html on line 73: Burma-Shave sales rose to about 6 million by 1947, at which time sales stagnated for the next seven years, and then gradually began to fall. Various reasons caused sales to fall, the primary one being urban growth. Typically, Burma-Shave signs were posted on rural highways and higher speed limits caused the signs to be ignored. Subsequently, the Burma-Vita Company was sold to Gillette in 1963, which in turn became part of American Safety Razor, and Phillip Morris. The huge conglomerate decided the verses were a silly idea and one of America’s vintage icons was lost to progress.
xxx/ellauri103.html on line 257:

I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives.  We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children.  There were five female cousins, an’ in the summertime we hung out together all day long from early until late.  In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building.  Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs.  We had front doors an’ back doors.  The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge.  And the grass was all worn away in that area.  An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear.  And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’.  But still, you entered the front, you left the rear.  We (um) ate our lunches together.  When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night.  So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together.  It was just an institution:  lunch in somebody’s yard.  An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day.  (Um) We gathered at my grandmother’s on Sundays.  All my aunts would get those chairs, form a circle.  (Uh) One crocheted.  (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women.  (Uh) The men would gather around the fish pond, which was in a side yard.  It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built.  There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there.  Or he caught a mud turtle, he’d put it in there.  An’ there it stayed until it was time to kill it an’ cook it, whatever it was.  The pipe in the middle had water that sprayed up all the time.  There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust.  It’s where we always ate the watermelon.  We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind.  I hated the things.  I thought they were the worst things I ever put in my mouth.  But ever’body else thought watermelon pickles were just a great delicacy.  That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias.  ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it.  It was also where we made (uh) ice cream, (uh) on the front porch.  We made ice cream on Sunday afternoons.  I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day:  homemade rolls an’ cakes.  And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course.  (Um) That was just a big treat, to get to crank that ice cream.  It was jus’ our Sunday afternoon thing, an’ I, I think back on it.  All the aunts would sit around an’ they’d talk, an’ they’d smoke.  Even if you never saw those ladies smoke, any other time o’ the week.  On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette.  Just a way of relaxing, I suppose.  The maple tree’s now gone.  In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point.  And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …


xxx/ellauri165.html on line 314: Greville kept Emma in a small house at Edgware Row, Paddington Green, at this time a village on the rural outskirts of London. At Greville's request, she changed her name to "Mrs Emma Hart", dressed in modest outfits in subdued colours and eschewed a social life. He arranged for Emma's mother to live with her as housekeeper and chaperone. Greville also taught Emma to enunciate more elegantly, and after a while, started to invite some of his friends to meet her.
xxx/ellauri179.html on line 646: Book II comprises a sort of mid-book idyll. The author offers it to us by way of contrast to the Paris scenes that went before. In this novel, Pamplona will serve as a kind of anti-Paris, semi-rural and organic where the City of Light is urban and decadent. The woods outside Burguete where Kake and Bill fish for trout are even more different from Paris, and the sense of tranquility that the fishing trip creates in them and us could not be more different from the freneticism of the novel's opening chapters.
xxx/ellauri193.html on line 222: An honor killing (American English), honour killing (Commonwealth English), or shame killing is the murder of an individual, either an outsider or a member of a family, by someone seeking to protect what they see as the dignity and honor of themselves or their family. Honor killings are often connected to religion, caste and other forms of hierarchical social stratification, or to sexuality, and those murdered will often be more liberal than the murderer rather than genuinely "dishonorable". Most often, it involves the murder of a woman or girl by male family members, due to the perpetrators' belief that the victim has brought dishonor or shame upon the family name, reputation or prestige. Honor killings are believed to have originated from tribal customs. They are prevalent in various parts of the world, as well as in immigrant communities in countries which do not otherwise have societal norms that encourage honor killings. Honor killings are often associated with rural and tribal areas, but they occur in urban areas too.
xxx/ellauri193.html on line 764: 467 convicted murderers in 18 prisons (urban and rural) in all 9 provinces of our country, located by the South African Department of Correctional Services (DCS), completed a questionnaire, approved by this department. 392 men and 75 women were interviewed before completing their questionnaires. The latter consisted of questions regarding general information such as age, race group, gender, and length of sentence. The first question focussed on: (1.a.1) What was your motive for committing murder (jealousy, spite, anger, thoughtlessness, money, or anything else - that had to be indicated)? (1.a.2) Were you exposed to violence shortly before committing murder (electronic media, or any other type of violence – that had to be indicated)? (1.b) Which of the following contributing factors played a role in the commitment of the murder (drugs, alcohol, or both)? (1.c) Was the murder premeditated or committed impulsively? The second question focussed on: (2.a) Do you think capital punishment would be a deterrent to committing serious crimes? (2.b) And in your specific case: Do you think capital punishment would have been a deterrent to committing murder? Question three (3) asked: Was the victim known to you? By name, sight, or not at all? Question four was interested in: (4.a) Are you currently involved in a rehabilitation program. And (4.b): If you are currently involved in a rehabilitation program, do you think this program is helpful, and if yes, in which ways? The last question (5) focussed on: Will you murder again? In gaol or after you have been released?
xxx/ellauri259.html on line 705: The film has good characterization of its male leads, they are well-acted and spout on-the-nose dialogue straight from the pen of Hotakainen. The film is a bit more down-to-earth approach of the depressing rural Finland of yesteryear than that from the films of the Kaurismäki brothers. But there are clear similarities, since the cinematographer, editor and sound mixer are veterans of Kaurismäki productions. And of course the director Kari Väänänen is remembered from sleazy roles from many of the brothers' classic films.
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