ellauri005.html on line 249: Apina putosi tietysti oxan korkeudelta puusta, kuten sanoo rock-runoilija Ismo Alanko, sapajoun sielun veli, ikinuori viisikymppinen, joka tarttui siittimeen jo neljävuotiaana haistellessaan isän vahvareita.
ellauri014.html on line 1029: Markiisitar on niin pahoillaan loordin naimapuuhista että sairastuu raivosta ja kuolee sopivasti. Se oli sen loppu, ajattelee Loordi pakana. Hard rock hallelujah.
ellauri014.html on line 1823: To be a brother to the insensible rock ellauri022.html on line 983: carved in rock on cliff face in the sacred script of Avestan
ellauri029.html on line 34: Idioottikin pystyy pilkkaamaan punktohtoria (ks albumi 27). Punk-rockin vesittämisestä sekä paikoin hyvin alkeellisesta a) mielikuvituxesta b) sanavarastosta ja c) kirjallisuuden tuntemuxesta johtuen S:n Suomessa propagoima gonzo-journalismi sai välittömästi epäilyttävän maineen: mikäli punk-tohtorillemme jokin oli "hillittömän rankkaa poweria", oli juostava lujaa pakoon ja ezittävä hillittömämämpää ja rankempaa poweria vaikka tuhansien järvien haiden mezästyxestä. Hunter S Thompsonin lukeminen alkuperäisenä täsmentää Saariskuvaa: useimmiten Esa on vain hyvinkääläinen radanvarren pikkusielu, jonka kirjoituxet päätyy aina siihen, että se todistelee kaikille yxilöllisyyttään ja rankkuuttaan. Joku vielä pienempi sielu voi toki lukea sen höperyyxiä alleviivaten ja kirjoittaen sivuun "Rankkaa!" Sen katu-uskottavuus on samaa luokkaa kuin kädettömällä miehellä, joka uhoaa taukoamattomalla runkkaamisella. Nykyinen seppoilu oli jo idulla, vaikka Sartrella siveltynä: ihmisen täytyy ylpeänä omaxua valizemansa situaatio. Osaansa tyytymätön tarjoilija on roolinsa vanki, ja huonossa uskossa. Loppuelämänsä Eski omistautui sit jakamaan parempaa uskoa. Sitä Peukaloliisan pääskyn sanomaa: Sää pystyt vaikka mahdottomaan, usko sydämmees VAAAAAAAN! Eskin kumipää rikkoo betoniseinää. Mieluummin silti vaivaannuttava ja poikamaisen humoristinen existentialisti kuin ikävystyttävän autistinen elitisti. Ikävä vaan että Eskistä tuli iän mukana ikävystyttävän populistinen viihdyttäjä.
ellauri030.html on line 506: Artturin magnum opus Maailma tahtona ja mielteenä (1818-9) ei ollut bestselleri, vaikka Arttu oli ize vakuuttunut että se oli käänteentekevä. Eka painos kesti 30 vuotta myydä loppuun. Arttu oli rahantunteva kuin iskänsä, hirmu kirpunnylkijä ja pedanti. Sanaakaan ei saanut muuttaa kässäristä. Brockhaus suuttui aika lailla ja haukkui Artturia hevoskuskixi, ja uhkasi että Artun magnum opus menee suoraan makulatuurixi. Toinen osa 1844 meni painoon sopuisammin.
ellauri031.html on line 362: med band och stjärnor på din rock,
ellauri032.html on line 743: 1722 heiratete Zinzendorf Erdmuthe Dorothea Gräfin Reuß-Ebersdorf. Im Mai des gleichen Jahres erwarb er von seiner Großmutter das Rittergut Mittelberthelsdorf in der Oberlausitz, wo er von 1722 bis 1724 das Schloss Berthelsdorf barock umbauen ließ. Dort begann im Juni 1722 die Aufnahme von Glaubensflüchtlingen aus Mähren, Nachkommen der alten Böhmischen Brüder. Diese gründeten außerhalb von Berthelsdorf, das unterhalb des Hutberges gelegen ist, die Siedlung Herrnhut. Zinzendorf errichtete sich dort 1725–1727 ein auch als Herrschaftshaus bezeichnetes Schloss, das er bezog, sowie 1730–1746 den Vogtshof, der ab 1756 als Sitz der Schirmvogtei (des Direktoriums) der Brüder-Unität diente. 1732 überließ Zinzendorf das Schloss Berthelsdorf seiner Frau als Wohnsitz.
ellauri037.html on line 575: Sopelle tuli äkkilähtö Berliinistä 1813 Napsun pelossa kun se epäili joutuvansa varusmiehexi. Se palas Weimariin mutta lähti sieltäkiin kun äiskä eli siellä synnissä jonkun sitä 12v nuoremman gigolon kaa. Piileskeli vähän aikaa Rudoldstadtin kaupunkipahasessa, retkeili Thuringenin mezissä ja söi makkaraa kirjoittaen väikkäriä, Riittävän syyn periaatteen neljästä juuresta. (Eli mix tyhjästä ei voi mitään nyhjästä.) Kun Ranskan armeija lyötiin Leipzigissä, väikkäri tuli sopivasti valmiixi. Sopea vitutti hohottavat sotilaat ja se lähti taas Weimariin. Äiskä (joka oli nähtävästi yhtä kova laskettamaan luikuria kuin poikansa) väitti et sen suhde gigoloon oli vaan platoninen (sen pitäis miellyttää platonisti Sopea). Sope ei uskonut ja riiteli typerän vaikka lihaxikkaan gigolon kaa. Äiskä julkaisi matkakirjoja niiden Euroopan reisusta. Artun väikkäriä se piti käsittämättömänä, eikä käsittänyt kuka haluis ostaa sen, saati lukea. (Arvaa vituttiko äidin keuliminen Arttua.) Arttu huusi pää punasena et sen (Artun) juttuja luettas paljon sen jälkeen kun Hannan matkakirjat ja romskut olis unohtuneet. (Ja niinhän siinä kävi.) Ize asiassa Brockhaus suostu kustantamaan Artun prujauxen vaan koska sen äidin kirjat möi niin hyvin. Mut myöhemmin osat vaihtuivat, ja Brockhaus lopulta nettos paljon enemmän koalasta kuin sen äidistä. Molempien kuvat oli Brockhausin seinällä. Kerrankin sovussa.
ellauri037.html on line 581: Äiskän kanssa tuli taas kärhämää ja Arttu muutti Dresdeniin 1814. Se jatkoi filosofointia ja seurustelua herrasväissä ja satunnaista bylsintää. Joku nuori maalaripoika maalas siitä taulun, jossa se paranteli vähän Artun persemäistä lättyä. Silti Arttu haastoi riitaa vähän jokaisen kanssa kuin Esa Itkonen. Samalla se kirjotti magnum opusta, Maailma tahtona ja esityxenä, joka valmistui 1818. Se oli nyt asiantuntija, sillä oli hurja tahto esittää. Sope jätti sen Brockhausille, mutta riiteli joka ii-pilkusta, Brockhaus menetti hermonsa, kaiken lisäxi kirjan myynti oli surkea.
ellauri039.html on line 373: Mount Holyoke administrator and art professor Rie Hatsipompponen (pretty Japanese lady, 48) got Mt Holyoke into international headlines (yess!) by trying to bump off a colleague in a case of unrequited love in December 2019. Hatsipompponen allegedly used a fire poker, large rock, and a gardening shears to attempt to kill her victim, allegedly a regular member of the faculty. Hatsipompponen's alleged victim, another polished lady in her 60s, allegedly survived the attack.
ellauri046.html on line 845: Söören ei tykkää kakaroista (paizi Pigeistä), mänkööt Bloksbjergille. Bloksbjerg on kyöpelinvuori, Goethen Faustista tuttu saatanan kalju vuori jossa kaikki pahixet kokoontuvat walpurinyönä. (rocken">Brocken, Lysa Hora)
ellauri050.html on line 607: daß erst im erschrockenen Raum, dem ein beinah göttlicher Jüngling että siinä pelästyxen tilassa, johon puolijumalainen nuorukainen
ellauri051.html on line 565: 24 The sniff of green leaves and dry leaves, and of the shore and dark-color'd sea-rocks, Nuuhku vihreitten ja kuivien lehtien, ja rannan ja tummansävyisten merikivien ,
ellauri051.html on line 969: 383 Well I have, for the Fourth-month showers have, and the mica on the side of a rock has. 383 No minulla on, sillä neljännen kuukauden suihkut ovat, ja kiille kiven kyljessä on.
ellauri051.html on line 1041: 452 Cushion me soft, rock me in billowy drowse, 452 Pehmennä minua pehmeäksi, keinuta minua aaltoilevassa unessa,
ellauri051.html on line 1273: 675 In vain the plutonic rocks send their old heat against my approach, 675 Turhaan plutoniset kivet lähettävät vanhaa kuumuuttaan lähestymistäni vastaan,
ellauri051.html on line 1323: 723 Where the rattlesnake suns his flabby length on a rock, where the otter is feeding on fish, 723 Siellä missä kalkkarokäärme paistaa velttoaan pituuteensa kalliolle, missä saukko ruokkii kaloja,
ellauri051.html on line 1573: 968 The grave of rock multiplies what has been confided to it, or to any graves, 968 Kalliohauta moninkertaistaa sen, mikä sille on uskottu, tai kaikkiin haudoihin,
ellauri051.html on line 1711: 1101 Making a fetich of the first rock or stump, powowing with sticks in the circle of obis, 1101 Haetun tekeminen ensimmäisestä kivestä tai kannosta, puukottaa kepeillä obis-ympyrässä,
ellauri051.html on line 1787: 1175 Crying by day Ahoy! from the rocks of the river, swinging and chirping over my head, 1175 Itkeminen päivällä Ahoi! joen kiviltä heiluen ja sirkuen pääni päällä,
ellauri052.html on line 197: Salella oli opiskelukaveri Rosenfeld, Hendersonin Dahfu. Pojat parodioi Eliotin Prufrockin Chicagon jiddischixi Der shir hashirim fun Mendl Pumshtok. Siantappojuippeja. Humboldt muka levitti huhua Eliotin homostelusta.
ellauri053.html on line 1368: Yeats met the American poet Ezra Pound in 1909. Pound had travelled to London at least partly to meet the older man, whom he considered "the only poet worthy of serious study." From that year until 1916, the two men wintered in the Stone Cottage at Ashdown Forest, with Pound nominally acting as Yeats's secretary. The relationship got off to a rocky start when Pound arranged for the publication in the magazine Poetry of some of Yeats's verse with Pound's own unauthorised alterations. These changes reflected Pound's distaste for Victorian prosody.
ellauri060.html on line 298: Pappi Sauli Rekelän elämää seurataan raadollisen läheltä, mutta hellän ymmärtävästi. Hän oli tehnyt karkean virheen, rikoksen itseään kohtaan ryhdyttyään papiksi. Tehtyä ei kuitenkaan saa tekemättömäksi. Omien traagisten virheiden kanssa on vain yritettävä elää. Se on kuin Belgraviassa lordi Brockenhurstin harmaapartainen pikkuveli John, man of cloth, jolta lähtee nahka nenästä maxellessa pelivelkoja. Runkkujussi oli vanhana aika samannäköinenkin kuin tää John!
ellauri060.html on line 406: ”Olen soittanut tanssi- ja rockyhtyeissä”, Nurmi myöntää. ”Siitä on ollut radiotyössäni paljon apua. Muusikon täytyy eläytyä yleisön tunteisiin ja vastata loppuun asti siitä, että heillä on hyvä olla.
ellauri060.html on line 1061: In addition, BERT has been quickly surpassed by OpenAI GPT-3 and GPT-2 which are simply huge - GPT-3 has 175 billion parameters and takes tens of thousands of powerful specialized FPU cards and weeks to train. Good luck trying to put something like that in production at tens of thousands of queries-per-second (qps) which is what Google requires. rocket-into-natural-language-understanding-324522">Lisää aiheesta ellauri063.html on line 322: Nimim. Tiukkaa penalii oli turkulaisen uuden aallon rockyhtye Pasi & Mysiinin debyyttialbumi vuodelta 1980. Pasi & Mysiini oli turkulainen uuden aallon rockyhtye. Eksentrisen solistinsa Pasi Raappanan (24. tammikuuta 1953 Utajärvi – 29. heinäkuuta 2000 Turku) kappaleita esittänyt yhtye levytti 1980-luvun alussa kaksi albumia.
ellauri064.html on line 185: Das Brockengespenst ist ein optischer Effekt, der zuerst auf dem Brocken von Johann Esaias Silberschlag im Jahre 1780 beobachtet und beschrieben wurde.
ellauri064.html on line 186: Johann Wolfgang von Goethe hat den rocken">Brocken (der auch „Blocksberg“ genannt wird und im Faust den Hexentanzplatz in der Walpurgisnacht abgibt) dreimal bestiegen und wurde von seinem eigenen Brockengespenst erschreckt – der Name der Lichterscheinung soll auch auf Goethe zurückgehen.
ellauri066.html on line 302: “Älytöntä mätystystä” oli kuulemma Painovoiman sateenkaaren työnimi (osuva nimi kyllä). Nimi kuvaa toista Tompan tuotannon koukuttavaa piirrettä: sexiä, huumeita ja rokkia, ja muuta popsälää piisaa Tompalla. Pynchon on aina Pynchon, nää älyttömät mätystyxet on aina samanlaisia: orgioita, paskansyöntiä (joo selaa sinne kaikin mokomin, s. 308) sexin nimissä, kexittyjä huumeita, ja onnettomia lyriikoita (ei kaikki rock’n’rollia ikävä kyllä) joita sen hahmot pälähtää laulamaan kuin musikaalihahmot Broadwaylla. Vittu että jenkit on jenkkimäisiä, vaikka ne voissa paistaisi. (Jos et ole koskaan kuullut Amy Fisheristä, ei ylläri. Amy Elizabeth Fisher (s. 1974) on amerikkalainen nainen joka tuli kuuluisaxi 1992 Long Islandin Lolitana kun se 17-vuotiaana ampui pahasti Mary Jo Buttafuocoa joka oli sen luvattoman rakastajan Joey Buttafuocon puoliso. Oho! Kazo myös kuvat! Päästyään vankilasta 1999 Amysta tuli kirjailija, webimannekiini ja pornotähti. Kyllä kannatti.)
ellauri066.html on line 357: Θ is the desired yaw angle, present as a ‘control.’ ϕ is the missile’s range; the differential d2ϕdt2 is the change in the actual yaw angle with reference to an absolute axis fixed by gyroscopes. The third additive term refers to the continuous change in the weight of the rocket as its fuel is consumed. On the other side of the equal sign, R is the distance from the rocket to the Earth’s centre; β the angle between the local horizontal and the direction of flight, δ a velocity ratio (Moore, 1987: 173).
ellauri066.html on line 360: Is Pynchon’s equation of motion a standard differential equation used by specialists to calculate the path of a rocket’s flight or to control its yaw? No: Pynchon’s equation does not resemble anything one might reasonably expect. […] Not only are most of the symbols in Pynchon’s equation obscure, but the general structure of the terms in the equation also makes it impossible to identify with one or other of the equations describing the position and orientation of a rocket in flight. This equation, then, is not a genuine mathematical expression in this context. It may appear authoritative to the layperson, but it is unlikely to fool a rocket scientist. (Schachterle/Aravind, 2001: 162)...
ellauri066.html on line 364: Even without substituting the remaining parameters d and c1, it is clear that Pynchon’s Second Equation resembles – and in fact is – the equation of moments that the Peenemünde physicists and engineers used to calculate and control the angular motion (yaw) of the V-2 rocket.
ellauri066.html on line 366: To shorten a long story of searching for sources: the essay ‘The Control System of the V-2’ by Otto Müller includes an ‘equation for control in yaw’ (Müller, 1957: 90), and in exactly the same notation as Gravity’s Rainbow’s equation ‘describ[ing] motion under the aspect of yaw control’ (GR 284). We can conclude that this is the searched-for template for Pynchon’s Second Equation (see appendix, Figure 8). Müller’s paper is part of History of German Guided Missiles Development by Theodor Benecke and August W. Quick, published in 1957, which is based on the First Guided Missiles Seminar in Munich that took place a year earlier. The seminar was organised by the American Advisory Group for Aeronautical Research and Development (AGARD) to collect information about the V-2 from German scientists and engineers to use in American research on guided missiles. Pynchon might have had access to this book and further material on rocketry in the Boeing Company for which he worked as a technical writer in the early 1960s.
ellauri066.html on line 368: Moore’s intuition that Pynchon’s Second Equation is real proved to be correct, and he and his colleague correctly assign the angle ϕ to the orientational range of the rocket. But since they did not know that this formula is only one in a set of equations that describe the flight path, the orientation, and the steering of the V-2, the research team was misled in their interpretation of the other parameters and terms. With Müller’s paper, we can finally determine the meaning of each term and compare these with Pynchon’s reading. The first three terms refer, respectively, to the moments of inertia, of air resistance, and of lateral air impact when the rocket yaws, and the term on the right side of the equal sign represents the steering moment of the rudders (Müller, 1957: 90, 91; Kirschstein, 1951: 73, 74). In other words, the left-hand terms describe the orientation of the rocket during flight, which is influenced by external forces such as wind currents and air resistance.
ellauri066.html on line 369: The expression on the right side refers to the internal momentum for orientation control that is required to keep the rocket in the desired direction.
ellauri067.html on line 463: tannäuserism: In a note to 3.2 of Gravity´s Rainbow, Heseburger explains Pynchon´s use of the word "Tannhäuserism" as follows: The tragic error of Tannhäuser — for example, in Richard Wagner´s operatic version of the myth — was to postpone his quest in order to linger for one year of sensual, "mindless pleasure" with the goddess Venus under her mountain called Venusberg. Vai onko se Brocken, Jaakon ja Jöötin mainizema rocken">Kyöpelinvuori Harzissa? On 11 April, American forces liberated the camps at Buchenwald, near Weimar, and the V2 rocket slave-labour camp at Nordhausen in the Harz Mountains. Ryssät eivät päässeet lähellekään. Jenkeillä oli vitun kiire kahmimaan izelleen ne raketit. Ja siitä vasta iso piru pääsi merrasta.
ellauri067.html on line 491: There’s a dirty secret tucked away in Thomas Pynchon’s novels, eand it’s this: beyond all the postmodernism and paranoia, the anarchism and socialism, the investigations into global power, the forays into labor politics and feminism and critical race theory, the rocket science, the fourth-dimensional mathematics, the philatelic conspiracies, the ’60s radicalism and everything else that has spawned 70 or 80 monographs, probably twice as many dissertations, and hundreds if not thousands of scholarly essays, his novels are full of cheesy love stories.
ellauri067.html on line 544: Gravity´s Rainbow is a 1973 novel, first published by Viking Press, by American writer Thomas Pynchon. The narrative is set primarily in Europe at the end of World War II, and centers on the design, production and dispatch of V-2 rockets by the German military. In particular, it features the quest undertaken by several characters to uncover the secret of a mysterious device named the "Schwarzgerät" ("black device"), slated to be installed in a rocket with the serial number "00000".
ellauri067.html on line 622: Joku tyyppi kirjoitti plokin Guardianille yhestä sen mielihenkilöstä yhessä sen mielikirjassa (rocket-008">linkki): Pahixia kirjoissa: Kapteeni Blicero.
ellauri069.html on line 111: He also believed that one of the things deadening our responses was mass culture. “I believe that’s the place artists are trying to get to, and I further believe that when they are successful, they reach it... an area somewhere probably between mathematics and religion, in which what may fairly be called truth exists.” He was an enemy of television. He was a serious jazz buff. It took him a while to become interested in rock. Daugherty is right. He was a postmodernist in the first sense.
ellauri069.html on line 313: Vetelys matkustaa Nordhauseniin, Sachsa, missä V-2 roketit rakennettiin. Matkalla hän tapaa Katkeron, kurssihereron aiemmasta Sachsan siirtolasta Etelä Länsi Aahrikassa, ja Suurehkon Mervin, rasistisen Amerikan upseerin. Katkero ja Mervi ovat myös kiinnostuneita V-2 rockets. (Ainoo joka alkaa väsyä on lukija.)
ellauri069.html on line 354: "They" suspect Slothrop's erections predict V-rockets.
Rising Action
2 ellauri069.html on line 358: The Hereros bring the 00001 rocket to Lüneberg Heath.
6 ellauri069.html on line 360: Blicero fires the 00000 rocket with Gottfried inside.
Falling Action
8 ellauri069.html on line 361: The 00000 rocket begins its descent.
Resolution
9 ellauri069.html on line 362: A rocket hangs poised above a movie theater in Los Angeles.
ellauri069.html on line 395: —the Pökler family, consisting of a rocket engineer father manipulated by the German government, a leftist mother protesting that government, and a daughter who may or may not have survived the camps, whom Pökler fucks with all the more merriment;
ellauri069.html on line 401: —the mission of Oberst Enzian, who is Tchitcherine’s Herero half-brother, one of a select company of Hereros who survived Germany’s genocide of their people to become rocket engineers during World War II; he was a bunk toy for Weissmann mentioned in the next bullet as a boy in black Africa;
ellauri069.html on line 403: —the evil designs of the novel’s villain, Weissmann or Blicero, former lover of Enzian, current lover of a young man named Gottfried, and the master of rocket 00000.
ellauri069.html on line 470: Much of the book is about the difficulty of living in the ubiquitous shadow of immanent, instant destruction. How do you live a life with anything like normalcy, if you know that at any moment a V2 rocket you won't hear coming could make that moment your last? Some fall to nihilist "mindless pleasures" (the novel's working title); some play power games; some withdraw from the world; some remain willingly oblivious. Normalcy turns out not to be an option.
ellauri069.html on line 472: The book's pivot, the transition from Book III to Book IV, takes place on August 6, 1945, the day Hiroshima was bombed. The V2 rocket is now the precursor to the nuclear ICBM, and the final sections of the book -- the only parts set in contemporary times -- ask the same question of the contemporary reader, including quite directly on the last page: what do you think, what do you do, in those last moments before everything ends?
ellauri069.html on line 574: And now, The Romance of Helen Trent, the real-life drama of Helen Trent, who, when life mocks her, breaks her hopes, dashes her against the rocks of despair, fights back bravely, successfully, to prove what so many women long to prove, that because a woman is 35 or more, romance in life need not be over, that romance can begin at 35.
ellauri073.html on line 90: "Se on ihan tavallinen rocklevy ja yli 90 prosenttia rockbiiseistä käsittelee sovinistisesti miehen ja naisen välistä suhdetta.”
ellauri073.html on line 326: “Helou tis is Janne Immonen and rock your day!”
ellauri082.html on line 525: Huumeita voi ostaa pikkulapsilta, mummoilta sekä homoilta. Suosituimmat huumeet ovat omput, subu, piri, essot, sienet, kouluruoka, telaketjut, sekä perunat. Huumeita käyttävät niin rocktähdet kuin myös äitisi. Ritva Santavuori on toiminut aktiivisena kannabiksen puolustajana.
ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase.
ellauri089.html on line 87: Ginny undoubtedly served as a model for many of his intelligent, fiercely independent female characters. She was a chemist and rocket test engineer, and held a higher rank in the Navy than Heinlein himself. She was also an accomplished college athlete, earning four letter words.
ellauri099.html on line 147:
ellauri100.html on line 826: Sweeter than honey from the rock,
ellauri100.html on line 1122: Like a rock of blue-vein’d stone
ellauri101.html on line 578: Siinä missä suuria ikäluokkia on sanottu viimeiseksi moderniksi sukupolveksi, joiden elämää on leimannut jatkuva optimismi ja kehitysusko, X-sukupolvea on pidetty ensimmäisenä postmodernina sukupolvena, jonka elämää leimaa pessimismi ja epäluottamus tulevaisuuteen 1990-luvulla monia rock-yhtyeitä jopa leimattiin X-sukupolven edustajiksi ja muun muassa Nirvana-yhtyeen keulahahmoa Kurt Cobainia pidettiin sen äänitorvena.
ellauri101.html on line 676: Grunge oli sen Kurt Cobain vainajan juttuja joka lässähti kun Kurre teki seppukun. Seattlen vaihtoehtorokkia. Grunge sai paljon vaikutteista hardcore punkista, heavy metalista ja indie rockista. Grungen tunnusmerkeiksi mainitaan usein kitaran ”likainen” soundi, raskas rummutus ja masennusta ilmentävät sanoitukset, jotka heijastelivat yhdysvaltalaisen ”X-sukupolven” tuntemuksia. Grungen musiikillisina edelläkävijöinä ja esikuvina on pidetty muun muassa Black Sabbathia ja Neil Youngia.
ellauri102.html on line 101: Hail, hail rock'n'roll
ellauri102.html on line 103: Long live rock'n'roll
ellauri102.html on line 105: Rock rockrock'n'roll
ellauri102.html on line 144: Theodore Anthony "Ted" Nugent (s. 13. joulukuuta 1948 Detroit, Michigan, Yhdysvallat) on yhdysvaltalainen rock-muusikko. Nugent syntyi Detroitissa ja on elämänsä aikana asunut muun muassa Los Angelesissa ja Jacksonissa Michiganissa. Nykyään hän asuu Teksasissa. Hän "valmistui" St. Viator High Schoolista vuonna 1966.
ellauri106.html on line 84: In October 2012, Roth announced to the French culture magazine Les Inrocks that Nemesis was his last book. At the age of 74 he began to reread his favorite authors such as Dostoyevsky, Turgenew, Conrad and Hemingway as well as his own works. He came to the conclusion that he had made the best of his possibilities and did not want to continue working as an author, read or talk about new literature.
ellauri109.html on line 470: And the mossy rocks of a beautiful countryside. (Epistles I.10)
ellauri115.html on line 392: One night, a drunken mob attacked his house. Rousseau was inside with his mistress, the former scullery maid Thérèse le Vasseur (by whom he had five children that he notoriously abandoned to a foundling hospital), and his beloved dog, Sultan. A shower of stones was thrown at the window. A rock "as big as a head" nearly landed on Rousseau's head, no bed. When a local official finally arrived, he declared, "My God, it's a quarry."
ellauri117.html on line 385: Find yourself passionately arguing with another human adult why a monster’s rocket launcher should be gold rather than black.
ellauri131.html on line 750: Noel Thomas David Gallagher (s. 29. toukokuuta 1967 Manchester, Englanti, Yhdistynyt kuningaskunta) on brittiläinen muusikko ja lauluntekijä, joka tunnetaan erityisesti urastaan rock-yhtye Oasiksen kitaristina, musiikillisena johtajana ja lauluntekijänä. 1980-luvulla Gallagher työskenteli pätkätyöläisenä rakennusalalla ja Inspiral Carpets -yhtyeen roudarina. Palattuaan Manchesteriin vuonna 1991 hän liittyi kitaristiksi Oasikseen, jossa hänen veljensä Liam Gallagher oli laulajana.
ellauri131.html on line 754: During the peak of the Britpop era, Noel Gallagher was deemed by many — including Prime Minister Tony Blair (another nasty Tony) — to be the voice of his generation. Indeed, even if you weren't a fan of Oasis' Beatles-aping indie-rock, you could always appreciate a snappy one-liner from their raconteur guitarist. But a quarter of a century on and the older Gallagher brother is sounding like the kind of dinosaur he used to rally against.
ellauri131.html on line 758: Steven Patrick Morrissey, s. 22. toukokuuta 1959 Davyhulme, Lancashire, Englanti, Yhdistynyt kuningaskunta) on brittiläinen laulaja ja sanoittaja. Hän tuli tunnetuksi 1980-luvulla brittiläisen vaihtoehtorockyhtyeen The Smithsin sanoittajana ja laulajana. Yhtyeen hajottua vuonna 1987 hän siirtyi soolouralle. Tältäkään hepulta tai noilta sepiltä en ole kuullut yhtään viisua.
ellauri140.html on line 197: In July 1580, Spenser went to Ireland in service of the newly appointed Lord Deputy, Arthur Grey, 14th Baron Grey de Wilton. Spenser served under Lord Grey with Walter Raleigh at the Siege of Smerwick massacre. When Lord Grey was recalled to England, Spenser stayed on in Ireland, having acquired other official posts and lands in the Munster Plantation. Raleigh acquired other nearby Munster estates confiscated in the Second Desmond Rebellion. Sometime between 1587 and 1589, Spenser acquired his main estate at Kilcolman, near Doneraile in North Cork. He later bought a second holding to the south, at Rennie, on a rock overlooking the river Blackwater in North Cork. Its ruins are still visible today. A short distance away grew a tree, locally known as "Spenser's Oak" until it was destroyed in a lightning strike in the 1960s. Local legend claims that he penned some of The Faerie Queene under this tree.
ellauri140.html on line 728: Styx on yhdysvaltalainen rockyhtye.Se perustettiin Chicagossa vuonna 1961 nimellä "The Tradewinds". Yhtyeen alkuperäiseen kokoonpanoon kuuluivat Dennis DeYoung, Chuck Panozzo ja John Panozzo.Myöhemmin mukaan liittyivät James Young ja John Curulewski.Tällä kokoonpanolla yhtye teki levytyssopimuksen Wooden Nickel Recordsin kanssa vuonna 1971.
ellauri140.html on line 772: A trickling streame from high rock tumbling downe, Ja unessa kusettamaan norui vesi katosta,
ellauri140.html on line 944: Having yrockt asleepe his irkesome spright, se nukahti; sillä aikaa keijukainen ilkeä
ellauri144.html on line 392: The force that drives the water through the rocks Voima joka ajaa veden läpi harmaan kiven
ellauri145.html on line 535: Intellectuals very often have an image the same way rock stars and movie directors do. There’s the real person, and there’s the body of work they create, and then there’s the image, the popular conception of that person. Most people don’t understand theoretical physics and are not interested in learning the math to do so, and most people probably wouldn’t understand anything in the papers that Hawking has authored or co-authored. But most of us know who Hawking was, not only because he wrote popular books but because he was paralyzed and sat in a wheelchair and had a robot voice. The idea of a theoretical physicist who does all his work with his brain even though his body is destroyed and speaks through a machine is almost like a comic book character, and the popular imagination loves that.
ellauri145.html on line 541: Now, this is perhaps not quite fair to all the teenagers who read Nietzsche. Some of them may actually understand him, at least partially, including the long-haired leather jacket-wearing ones. And there really is a little blood and thunder in Nietzsche’s philosophy, a little punk rock. Regardless, the popular image is probably a bigger driver for book sales of Nietzsche’s work than anything he actually said or any point he actually made.
ellauri147.html on line 284: Andrea Bertorelli’s tumultuous relationship with Phil Collins began back when they were just 11 years old. Long before he became a rock star, Collins was a child actor, starring in Oliver!, the West End musical.
ellauri147.html on line 289: In 1970, Phil Collins got his big break when he became the drummer of iconic rock band, Genesis. It turns out though that his first encounter with Peter Gabriel was pretty awkward. Despite this, their passion for music brought them together and before they knew it, they became one of the most popular bands around.
ellauri147.html on line 295: Collins got so big that he was given the nickname “the royal rocker” after becoming friends with Prince Charles and Princess Diana. His career started to eclipse his marriage…
ellauri147.html on line 307: Phil is best known as the singer of a rock band called Genesis.
ellauri156.html on line 131: Gideon syntyi Venäjällä, ja hänen perheensä muutti Suomeen vuonna 1921. Hänet tunnetaan erityisesti steel- eli havaijinkitaran soittajana. Hänen muita soittimiaan olivat kontrabasso ja viulu. Hänen ensimmäinen havaijimusiikkia soittanut yhtyeensä oli vuonna 1941 perustettu Oahu Trio. Myöhemmin yhtye levytti ja esiintyi nimellä Aloha Hawaiji. Onni Gideonin alkuvuonna 1957 julkaistu ”Hawaiian rock” lienee ensimmäinen täysin suomalainen rock-levytys (äänitetty 1956). Hänen tunnetuin kappaleensa on ”Tiikerihai” (alun perin Peter Hodkinsonin ”Tiger Shark”).
ellauri156.html on line 279: Uriah Heep on brittiläinen progressiivinen hard rock -yhtye, joka perustettiin Lontoossa vuonna 1970 ja on edelleen aktiivinen. Nimensä yhtye otti Charles Dickensin romaanissa David Copperfield esiintyvästä samannimisestä viekkaasta ja vastenmielisestä kirjanpitäjästä. Yhtyeen tunnetuimpiin kappaleisiin kuuluvat muun muassa "Easy Livin'", "Lady in Black", "Gypsy", "July Morning" ja "Look at Yourself". Suurinta suosiota se nautti 1970-luvun ensimmäisellä puoliskolla.
ellauri156.html on line 281: Yhtyettä pidetään eräänä progressiivisen rockin ja hard rockin tärkeimmistä vaikuttajista ja sen levyjä on myyty maailmanlaajuisesti yli 40 miljoonaa kappaletta. Uriah Heepin kokoonpano on vaihdellut vuosien aikana suuresti – kitaristi Mick Box on ainoa jäljellä oleva alkuperäisjäsen. Hän on samalla myös ainoa jäsen, joka on ollut yhtyeessä koko sen toiminnan ajan.
ellauri160.html on line 60: Through the Gorges of Ch'u-t'ang, of rock and whirling water. You went into far Ku-tō-en, by the river of swirling eddies,
ellauri160.html on line 188: On 22 September 1914 T. S. Eliot traveled from Merton College, Oxford, with an introduction from Conrad Aiken, to have Pound read Eliot's unpublished "The Love Song of J. Alfred Prufrock". Pound wrote to Harriet Monroe, editor of Poetry, on 30 September to say that Eliot—who was at Oxford on a fellowship from Harvard—had "sent in the best poem I have yet had or seen from an American ... He has actually trained himself and modernized himself on his own." Monroe did not like Prufrock's "very European world-weariness", according to Humphrey Carpenter, but she published it anyway, in June 1915.
ellauri160.html on line 219: Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's A Portrait of the Artist as a Young Man, the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's Ulysses. Hemingway wrote in 1932 that, for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling it's cold."
ellauri161.html on line 213: Christa Päffgen eli Nico (16. lokakuuta 1938 Köln, Saksa – 10. heinäkuuta 1988 Ibiza, Espanja) oli saksalais-yhdysvaltalainen rocklaulaja ja -säveltäjä. Uransa alussa hän toimi myös mallina ja näyttelijänä. Hän oli ennen omaa uraa yksi taiteilija Andy Warholin "supertähtiä" ja teki yhteistyötä 1960-luvun rock-yhtye Velvet Undergroundin kanssa. Tunnetuimpia hänen esittämiään kappaleita ovat ”I’ll Be Your Mirror”, ”Femme Fatale”, ”All Tomorrow’s Parties”, ”Chelsea Girls” ja ”Frozen Warnings”.
ellauri161.html on line 220: Alain Delon oma äiti Edith Boulogne näki Arin kuvan ensimmäisen kerran lehdessä, ja hän oli vakuuttunut siitä että hänen poikansa on lapsen isä. Edith Boulogne kävi miehensä kanssa tapaamassa Nicoa ja Aria, kun pikkupoika oli parivuotias. Edith ja hänen miehensä ihastuivat lapseen ja Edith otti pojan luokseen. "Uskoin todella että Alain kyllä hyväksyy pojan." Pari vuotta sen jälkeen Delon kuuli asiasta ja lähetti agenttinsa kautta äidilleen sanan, että Edithin pitää valita joko oma poikansa tai lapsi. "Mieheni sanoi minulle, että poikasi kyllä elättää itsensä, mutta Ari ei voi kasvattaa itseään." Boulogne kertoo että vaikka Nico olikin ihana ihminen, ei hän osannut huolehtia lapsesta: "Hän raahasi poikaa ympäriinsä mukanaan, eikä lapsi saanut syödäkseen muuta kuin ranskanperunoita ennen kuin otimme hänet luoksemme. Nico kävi katsomassa poikaa kerran kolmen vuoden aikana, ja toi tuliaisiksi appelsiinin!" Alan Delonin äiti Edith Boulogne päätyi adoptoimaan Arin, mistä johtuen Arin sukunimeksi tuli Boulogne. Biologinen äiti koitui kuitenkin kohtalokkaaksi Arille, kun hän oli 16-vuotias: Nico esitteli heroiinin pojalleen, ja niin myös Arista tuli addikti. Vuosien aikana erilaiset hoitoklinikat ja psykiatrinen hoito tulivat Nicon pojalle tutuiksi. Arin mukaan hän joutui viimeistä kertaa vieroitushoitoon 1993. Vuonna 2001 Ari julkaisi kirjan itsestään ja äidistään Nicosta, nimellä L'Amour n'oublie jamais (suom. Rakkaus ei koskaan unohda). Päätös kirjan kirjoittamisesta osui samaan ajankohtaan, kun Arista itsestään oli tullut isä 1999. Huumeidenkäytöstä huolimatta Ari piti Nicoa hyvänä äitinä, loistavana ja humoristisena, oikeana rock'and'roll-naisena, joka otti lavan haltuunsa naarasleijonan lailla.
ellauri164.html on line 504: The third and final chapter in Moses’ life is the chapter that Scripture spends the most time chronicling, namely, his role in the redemption of Israel. Several lessons can be gleaned from this chapter of Moses’ life as well. First is how to be an effective leader of people. Moses essentially had responsibility over two million Hebrew refugees. When things began to wear on him, his father-in-law, Jethro Tull, suggested that he delegate responsibility to other faithful men, a lesson that many people in authority over others need to learn (Exodus 18). We also see a man who was dependent on the grace of God to help with his task. Moses was continually pleading on behalf of the people before God. If only all people in authority would petition God on behalf of those over whom they are in charge! Moses was keenly aware of the necessity of God’s presence and even requested to see God’s glory (Exodus 33). Moses knew that, apart from God, the exodus would be meaningless. It was God who made the Israelites distinct, and they needed Him most. Moses’ life also teaches us the lesson that there are certain sins that will continue to haunt us throughout our lives. The same hot temper that got Moses into trouble in Egypt also got him into trouble during the wilderness wanderings. In the aforementioned incident at Meribah, Moses struck the rock in anger in order to provide water for the people. However, he didn’t give God the glory, nor did he follow God’s precise commands. Because of this, God forbade him from entering the Promised Land. In a similar manner, we all succumb to certain besetting sins which plague us all our days, sins that require us to be on constant alert.
ellauri164.html on line 525: Then the glory of the Lord appeared to them, and the Lord said to Moses, “Take the staff, and assemble the congregation, you and Aaron your brother, and tell the rock before their eyes to yield its water. So you shall bring water out of the rock for them and give drink to the congregation and their cattle.”
ellauri164.html on line 527: And Moses took the staff from before the Lord, as he commanded him. He and Aaron gathered the assembly together before the rock, and he said to them, “Hear now, you rebels! Are we to bring water for you out of this rock?” And Moses lifted up his hand and struck the rock with his staff twice, and water came out abundantly, and the congregation drank, and their livestock.
ellauri164.html on line 532: 1. Moses sinned by not following the Lord’s instruction. The Lord told Moses to take his staff in hand and bid the rock to bring forth water. He was told to speak to the rock, but instead he struck it—twice. The striking of the rock, while not specifically directed according to the passage in Numbers, does not seem particularly egregious; in fact, in another description of this event (see Exodus 17:6) God does tell Moses to strike it. The Fathers of the Church (e.g., St. Jerome) did not view this as sinful, even interpreting the striking of the rock twice as a sign of the two bars of the cross.
ellauri164.html on line 533: 2. Moses exhibited sinful pride. Having assembled the people, Moses reviled them, saying, “Hear now, you rebels!” He then continued, perhaps pridefully, “Shall we bring water for you out of this rock?” Neither Moses nor Aaron can bring forth water, however; only God can do that. Some of the Fathers of the Church interpreted this not as pride on Moses’ part but rather as an indication of the wavering of his faith.
ellauri164.html on line 548: 1. Moses, being directed to speak to the rock that it might give forth its water, smote it instead with the rod of God which was in his hazed (what's a hazed?) and this he did not once only, but twice.
ellauri164.html on line 550: 2. He spoke to the people, not with meekness and calm authority, but in heat and bitterness. "Ye rebels, must we fetch you water out of this rock?" Thus he "spake unadvisedly with his lips" (Psalm 106:33) instead of his stick. It is not difficult to understand how Moses should have so far forgotten himself on this occasion. Let the facts be weighed. The servant of the Lord is now 120 years old. The generation which sinned thirty-seven years ago, and was condemned to die in the wilderness, is nearly all gone. Moses is mortified to find that the new generation is infected with a touch of the same impatient unbelief which wrought in their fathers so much mischief. No sooner are they at a loss for water than they rise against Moses with rebellious murmurings. For once he loses command of himself. On all former occasions of the kind his meekness was unshaken; he either held his peace, or prayed for the rebels, or at most called on the Lord to be his Witness and Judge. Now he breaks out into bitter chidings. At the root of this there was a secret failure of faith. "Ye believed me not," - did not thoroughly rely on my faithfulness and power, - "to sanctify me in the eyes of the children of Israel" (verse 12). His former meekness had been the fruit of faith. He had been thoroughly persuaded that the Lord who was with him could accomplish all he had promised, and therefore he faced every difficulty with calm and patient resolution. Now a touch of unbelief bred in him hastiness and bitterness of spirit.
ellauri164.html on line 560: AGAIN the congregation of Israel was brought into the wilderness, to the very place where God proved them soon after leaving Egypt. The Lord brought them water out of the rock, which had continued to flow until just before they came again to the rock, when the Lord caused that living stream to cease, to prove His people again, to see if they would endure the trial of their faith or would again murmur against Him.
ellauri164.html on line 562: When the Hebrews were thirsty and could find no water, they became impatient and did not remember the power of God which had, nearly forty years before, brought them water out of the rock. Instead of trusting God, they complained of Moses and Aaron, and said to them, "Would God that we had died when our brethren died before the Lord!" That is, they wished that they had been of that number who had been destroyed by the plague in the rebellion of Korah, Dathan, and Abiram.
ellauri164.html on line 566: "And Moses and Aaron went from the presence of the assembly unto the door of the tabernacle of the congregation, and they fell upon their faces: and the glory of the Lord appeared unto them. And the Lord spake unto Moses, saying, Take the rod, and gather thou the assembly together, thou, and Aaron thy brother, and speak ye unto the rock before their eyes; and it shall give forth his water, and thou shalt bring forth to them water out of the rock: so thou shalt give the congregation and their beasts to drink. And Moses took the rod from before the Lord, as He commanded him.
ellauri164.html on line 568: Moses Yields to Impatience. "And Moses and Aaron gathered the congregation together before the rock; and he said unto them, Hear now, ye rebels; must we fetch you water out of this rock? And Moses lifted up his hand, and with his rod he smote the rock twice: and the water came out abundantly, and the congregation drank, and their beasts also. And the Lord spake unto Moses and Aaron, Because ye believed Me not, to sanctify Me in the eyes of the children of Israel, therefore ye shall not bring this congregation into the land which I have given them."
ellauri164.html on line 570: Here Moses sinned. He became wearied with the continual murmurings of the people against him, and the continual murmuring to stupid rocks. At the commandment of the Lord, took the rod, and, instead of speaking to the rock, as God commanded him, he smote it with the rod twice, after saying, "Must we fetch you water out of this rock?" He here spoke unadvisedly with his lips. He did not say, God will now show you another evidence of His power and bring you water out of this rock. He did not ascribe the power and glory to God for causing water to again flow from the flinty rock, and therefore did not magnify Him before the people. For this failure on the part of Moses, God would not permit him to lead the people to the Promised Land.
ellauri164.html on line 572: This necessity for the manifestation of God's power made the occasion one of great solemnity, and Moses and Aaron should have improved it to make a favorable impression upon the people. But Moses was stirred, and in impatience and anger with the people, because of their murmurings, he said, "Hear now, ye rebels, must we fetch you water out of this rock?" In thus speaking he virtually admitted to murmuring Israel that they were correct in charging him with leading them from Egypt. God had forgiven the people greater transgressions than this error on the part of Moses, but He could not regard a sin in a leader of His people as in those who were led. He could not excuse the sin of Moses and permit him to enter the Promised Land.
ellauri164.html on line 581: For this single instance, Moses had allowed the impression to be entertained that he had brought them water out of the rock, when he should have magnified the name of the Lord among His people. The Lord would now settle the matter with His people, that Moses was merely a man, following the guidance and direction of a mightier than he, even the Son of God. In this He would leave them without doubt. Where much is given, much is required. Moses had been highly favored with special views of God's majesty. The light and glory of God had been imparted to him in rich abundance. His face had reflected upon the people the glory that the Lord had let shine upon him. All will be judged according to the privileges they have had, and the light and benefits bestowed.
ellauri164.html on line 586: water from the rock at Meribah. Moses and the sons of Aaron buried him in the mount, that the people might not be tempted to make too great ceremony over his body, and be guilty of the sin of idolatry.
ellauri164.html on line 591: Moses’ moment of greatest failure came when the people of Israel resumed complaining, this time about food and water (Num. 20:1-5). Moses and Aaron decided to bring the complaint to the Lord, who commanded them to take their staff, and in the people’s presence command a rock to yield water enough for the people and their livestock (Num. 20:6-8). Moses did as the Lord instructed but added two flourishes of his own. First he rebuked the people, saying, “Listen, you rebels, shall we bring water for you out of this rock?” Then he struck the rock twice with his staff. Water poured out in abundance (Num. 20:9-11), but the Lord was extremely displeased with Moses and Aaron.
ellauri164.html on line 609: The main thrust of this book is that the sin of Moses recorded in Numbers 20:1-13 is linked to the unlawful and wilful act of trifling with the sacred staff in striking the rock. This is because the staff of Moses has already become the staff of God (Exod. 4:20;17;9).
ellauri164.html on line 630: God told Moses to speak to the rock, saying it would pour out water. He was supposed to speak peaceably to the rock this time (Numbers 20:6-9).
ellauri164.html on line 631: Take the rod, and gather thou the assembly together, thou, and Aaron thy brother, and speak ye unto the rock before their eyes; and it shall give forth his water, and thou shalt bring forth to them water out of the rock: so thou shalt give the congregation and their beasts drink. (Numbers 20:8)
ellauri164.html on line 634: So Moses claimed credit for giving the rebels water by saying, “Must WE bring water out of this rock for you?” Then, in his anger, Moses struck the rock instead of speaking to it.
ellauri164.html on line 636: “And Moses and Aaron gathered the congregation together before the rock, and he said unto them, Hear now, ye rebels; must we fetch you water out of this rock? And Moses lifted up his hand, and with his rod he smote the rock twice: and the water came out abundantly, and the congregation drank, and their beasts also. ” (Numbers 20:10-11)
ellauri164.html on line 641: Numbers 20:12. Despite Moses’ error, water poured from the rock. God still provided abundantly for the children of Israel even though Moses had disobeyed Him. God did not withhold His blessing from His people because of their leader’s sin. God did hold Moses accountable though (Numbers 20:12).
ellauri164.html on line 669: 8 Take the staff, and assemble the congregation, you and Aaron your brother, and tell the rock before their eyes to yield its water. So you shall bring water out of the rock for them and give drink to the congregation and their cattle.
ellauri164.html on line 671: 10 Then Moses and Aaron gathered the assembly together before the rock, and he said to them, “Hear now, you rebels: shall we bring water for you out of this rock?” 11 And Moses lifted up his hand and struck the rock with his staff twice, and water came out abundantly, and the congregation drank, and their livestock.” (Num. 20: 8,10–11 ESV)
ellauri164.html on line 673: Most of us have been taught that Moses’s sin was hitting a rock to obtain water when God told him just to speak to it. Others say Moses’s sin was that he took credit for obtaining water from the rock when it was really God who performed the miracle.
ellauri164.html on line 675: However, God did not say either of these actions was the problem, nor did Moses believe these were the problem. In fact, nowhere does the text say Moses’s sin was striking the rock instead of speaking to it or taking credit for the miracle.
ellauri164.html on line 681: That’s ALL God had to say about it. He didn’t criticize Moses for striking the rock when he was told to speak to it. Similarly, God did not indicate that Moses was trying to take credit for the miracle. He said Moses had failed to believe in Him.
ellauri164.html on line 694: To answer this question we must examine a pattern that developed in the book of Numbers. Three times prior to the incident at the rock of Meribah the people sinned, God punished them, Moses interceded on the people’s behalf, and God pardoned the people. Please take the time to read these events in Numbers chapters 11, 14, 16 & 20. Notice the pattern in the table below.
ellauri164.html on line 705: Based on the pattern established in Numbers, what do you expect will happen at Meribah when the people rebel against Moses? We expect the pattern to repeat and for God to decree punishment, but that doesn’t happen. The pattern breaks down! Instead of decreeing punishment for the people’s sin, God simply tells Moses to give the people water by speaking to the rock. This is a significant departure from the previous pattern. When a Bible author develops a pattern and then breaks it, we should pay attention because this signals that the author wants us to notice something important. Why didn’t God punish the people at Meribah? Why did he go at Moses instead?
ellauri164.html on line 707: To understand why God didn’t pronounce judgement, let’s notice what Moses did. He leads the people to the rock, calls them rebels, and instead of speaking to the rock he hits it twice with this staff. Moses is having a temper tantrum. In the prior examples in Numbers Moses never speaks harshly or loses patience. Moses is also breaking the pattern and this is the clue to understanding his sin.
ellauri164.html on line 717: Conclusion: Moses’s sin wasn’t striking the rock as such when he was told to speak to it; his sin was losing faith in God’s ability to use the Israelites for anything positive. This is why God could say that Moses didn’t trust in Him and is also why Moses could say God was angry with him on account of the people.
ellauri164.html on line 725: Answer: Psalms 106:32-33 states that the people angered Moses at the waters of strife, that it went ill with Moses, and that he sinned with his mouth. The incident in question occurred in Numbers 20:7-13. Miriam had just passed on. The very next verse states that the people were complaining about the lack of water. This had happened many times during their wilderness experience. And like the other times, the people railed against Moses and Aaron, whining that they would have been better off if they had stayed in Egypt. Moses and Aaron responded by falling face down. They had also done this several times. Maybe they were tired of hearing the same old complaints, or maybe this was their posture of prayer. In any event, God responded quickly, telling Moses to speak to the rock in front of all the people. Water would come gushing out -- enough water for everyone.
ellauri164.html on line 727: Moses assembled the people, but he didn't follow orders quite the way he should have. Instead of just speaking to the rock, which would have demonstrated the power of the word over the power of his rod, he struck it twice, saying, "Listen, you rebels, shall we get water for you out of this rock?" It almost sounded as though Moses was taking credit for delivering the water. That was not true. Perhaps the strain of leading the people all those years was finally starting to show. He called them rebels, which in a sense they were. But God did not tell him to do this. Nor was there any mention of God at that point. All seemed directed at Moses and Aaron: "Must we bring water out of this rock?" Depending on how it's read, it could indicate doubt on the part of Moses.
ellauri164.html on line 758: 2. Told to speak to the rock and it will bring forth water.
ellauri164.html on line 761: 2. Instead of speaking to the rock, Moses strikes it twice. ellauri164.html on line 765: 1. God told Moses to speak to the rock, but Moses struck it instead
ellauri164.html on line 802: In the first month the whole Israelite community arrived at the Desert of Zin, and they stayed at Kadesh. There Miriam died and was buried. (2) Now there was no water for the community, and the people gathered in opposition to Moses and Aaron. (3) They quarreled with Moses and said, "If only we had died when our brothers fell dead before the LORD! (4) Why did you bring the LORD's community into this desert, that we and our livestock should die here? (5) Why did you bring us up out of Egypt to this terrible place? It has no grain or figs, grapevines or pomegranates. And there is no water to drink!" (6) Moses and Aaron went from the assembly to the entrance to the Tent of Meeting and fell facedown, and the glory of the LORD appeared to them. (7) The LORD said to Moses, (8) "Take the staff, and you and your brother Aaron gather the assembly together. Speak to that rock before their eyes and it will pour out its water. You will bring water out of the rock for the community so they and their livestock can drink." (9) So Moses took the staff from the LORD's presence, just as he commanded him. (10) He and Aaron gathered the assembly together in front of the rock and Moses said to them, "Listen, you rebels, must we bring you water out of this rock?" (11) Then Moses raised his arm and struck the rock twice with his staff. Water gushed out, and the community and their livestock drank. (12) But the LORD said to Moses and Aaron, "Because you did not trust in me enough to honor me as holy in the sight of the Israelites, you will not bring this community into the land I give them." (13) These were the waters of Meribah, [1] where the Israelites quarreled with the LORD and where he showed himself holy among them.
ellauri164.html on line 804: It often happens that Bible believing Christians reject the concept of allegory as being a legitimate way of interpreting the Bible. This comes from the belief that any way of interpreting Scripture other than literal meaning is false, particularly as it concerns Genesis 3 and evolution. But in fact allegory is common in the Bible – Christ makes frequent use of it in His parables – and even Genesis 3 is allegory (which does not preclude its literal interpretation as well.) In this section we shall examine the allegorical significance of the staff and the rock.
ellauri164.html on line 822: The symbolism of Christ, the Rock is well known to Christians. If Christ is represented by this rock, what does that mean?
ellauri164.html on line 824: One fact is this: Moses hit the rock twice. Is that sin? Yes indeed. Christ had to be smitten once, at His first advent, for our sins. But to be smitten twice is like crucifying Him twice[2]. This, then, is sin indeed.
ellauri164.html on line 828: The water from the rock is relatively easy to interpret, for we know the role of water in the faith.
ellauri164.html on line 832: Miracles have a certain divine style. Water does spring from rock (why do you think they are called “springs?” Think of bedsprings.). But God insists that His servants do things His way, in His time. Failure to do so is sin.
ellauri164.html on line 837: Speak to the hand. I mean the rock.
ellauri164.html on line 839: The staff, representing the priesthood and grace, the rock representing Christ, these commands would then be interpreted as:
ellauri164.html on line 867: There are few characters that play a larger part in the story of the Bible than Moses. He is the human protagonist of four Old Testament books and is consistently held up in both the OT and NT as a shining example of faith in the promises of God. The law that he delivered to the people of Israel serves as the foundation of the nation of Israel, and is lauded by Jesus as a testament that would not pass until “heaven and earth pass away…[and] all is accomplished.” One of the great tragic moments of the Bible is where Moses is denied entrance to the Promised Land for his sin at the Rock of Meribah; after faithfully leading Israel for forty years, Moses strikes a rock instead of speaking to it and is condemned to die before living in the Promised Land. On its surface, this might seem unfair to Moses. One mess-up and God gives him this great punishment? How many times had Israel failed in their journey and at Mt. Sinai, and God had spared their lives and allowed them to keep going? Yet His most faithful servant is barred over this one, seemingly insignificant event? If we take a closer look at the text, however, we see why Moses’ failure was such a stark one. While it doesn’t diminish the tragic nature of the event, it does shed light on why God takes such a drastic step to respond.
ellauri164.html on line 875: This gets us back to the question of what, exactly, Moses’ sin was. Many commentators focus on the physical actions that Moses took in verses 9-11. Some say Moses sin was striking the rock rather than speaking to it, but Moses was told to take the staff of God. Exodus 17:5-6 had Moses striking the rock to cause water to come out of the rock (in fact, it’s actually the same rock of Meribah!), so it’s possible to read an inference that the staff was to be used to strike the rock. Some commentators see Moses’ harsh words for Israel as the sin, or perhaps that he speaks to the people rather than speaking to the rock. Regardless of which of these views, they don’t account for what the text itself says: Numbers 20:12 makes it clear that the sin of Moses and Aaron was “…you have not believed Me, to treat Me as holy in the sight of the sons of Israel.” Indeed, focusing on Moses’ actions of striking the rock or speaking harshly makes it seem doubly unfair to Aaron, who had neither spoken nor struck the rock.
ellauri164.html on line 890: Many brethren and sisters, not to mention those outside the church, have a wrong understanding of what the sin of Moses was and its implication(s). Often when asked or giving comments on the matter, they say that his sin was in smiting the rock twice instead of once. They think that, since at first God told Moses to take the rod and smite the rock, and the next time He also told him to take the rod, therefore, he was also instructed to strike once. Such an understanding erodes the whole essence that God had designed in the type that would later be seen in the antitype. As it will soon be clear, striking the rock even once [that second time] would have been sin on the part of Moses. In view of this, therefore, it is important for us to possess the true facts on this matter.
ellauri164.html on line 892: To begin with, we need to know that there were two instances where the children of Israel on their journey to Canaan drank water from the rock. The first was at a place known as Rephidim which would later be called Massah (temptation) and Meribah (strife). The second was at Kadesh. The water here was also called water of Meribah. “This is the water of Meribah; because the children of Israel strove with the LORD, and He was sanctified in them.” Numbers 20:13
ellauri164.html on line 894: “And the LORD said unto Moses, Go on before the people, and take with thee of the elders of Israel; and thy rod, wherewith thou smotest the river, take in thine hand, and go. Behold, I will stand before thee there upon the rock in Horeb; and thou shalt smite the rock, and there shall come water out of it, that the people may drink. And Moses did so in the sight of the elders of Israel. “And the LORD said unto Moses, Go on before the people, and take with thee of the elders of Israel; and thy rod, wherewith thou smotest the river, take in thine hand, and go.” Exodus 17:5–6
ellauri164.html on line 896: But we know that the Rock from which they drank water is Christ. “And did all drink the same spiritual drink: for they drank of that spiritual Rock that followed them: and that Rock was Christ.” 1 Corinthians 10:4. Psalms 78: 15–16 says “He clave the rocks in the wilderness, and game them drink as out of the great depths. He brought streams also out of the rock, and caused waters to run down like rivers.” Jesus Himself testifies to this by saying, “He that believeth on Me,” as the scriptures say, “out of his belly shall flow rivers of living water.” John 7:38
ellauri164.html on line 900: “The smitten rock was a figure of Christ, and through this symbol the most precious spiritual truths are taught. As the life-giving waters flowed from the smitten rock, so from Christ, ‘smitten of God,’ ‘wounded for our transgressions,’ ‘bruised for our iniquities’ (Isaiah 53:4–5), the stream of salvation flows for a lost race. As the rock had been once smitten, so Christ was to be ‘once offered to bear the sins of many.’ Hebrews 9:28.” –Patriarchs and Prophets, p. 411
ellauri164.html on line 904: “And the LORD spake unto Moses, saying, Take the rod, and gather thou the assembly together, thou, and Aaron thy brother, and speak ye unto the rock before their eyes; and it shall give forth His water, and thou shalt bring forth to them water out of the Rock: so thou shalt give the congregation and their beasts drink. And Moses took the rod from before the LORD, as he commanded him. And Moses and Aaron gathered the congregation together before the rock, and he said unto them, Hear now, ye rebels; must we fetch you water out of this rock? And Moses lifted up his hand, and with his rod he smote the rock twice: and the water came out abundantly, and the congregation drank, and their beasts also.” Numbers 20:7–12 (emphasis mine).
ellauri164.html on line 906: Moses was told to speak to the rock, not to strike once, as many suppose.
ellauri164.html on line 908: “By his rash act Moses took away the force of the lesson that God purposed to teach. The rock, being a symbol of Christ, had been once smitten, as Christ was to be once offered. The second time it was needful only to speak to the rock, as we have only to ask for blessings in the name of Jesus. By the second smiting of the rock the significance of this beautiful figure of Christ was destroyed.” –Patriarchs and Prophets, p. 418
ellauri164.html on line 912: Of course further to that sin was the sin of anger, i.e. “Hear now, ye rebels” and taking the glory and/or power of God, i.e. “Must we fetch you water out of this rock?” as if they had the power themselves.
ellauri164.html on line 929: It appears that Moses was still in complete control of himself when he went to God for instructions. “Moses and Aaron went ... to the door of the tent of meeting, and fell upon their faces.” “Then the Lord spoke to Moses, saying,” “take the rod; ... gather the congregation together. Speak to the rock before their eyes, and it will yield its water; thus you shall bring water for them out of the rock, and give drink to the congregation and their animals.” Clearly there was nothing difficult to understand and Moses wanted to be as faithful to this command as he had been to all the other commands God had given him.
ellauri164.html on line 931: Yet somehow this time something was different and Moses became very angry. Unfortunately for him, as is so often the case, “the wrath of man does not produce the righteousness of God.” (Jas. 1:20). Moses went too far. “Moses and Aaron gathered the congregation together before the rock; and he said to them, Hear now, you rebels! Must we bring water for you out of this rock? Then Moses lifted his hand and struck the rock twice with his rod; and water came out abundantly, and the congregation and their animals drank.”
ellauri164.html on line 935: When God said Moses “failed to sanctify me in the eyes of the people,” He did not specify exactly what this failure was. God had told Moses to “speak to the rock,” but the account stated that “Moses lifted up his hand, and smote the rock with his rod twice.” Clearly, in that act, Moses went beyond what God had commanded him to do. God had told Moses to take the staff, but not use it. He was directly commanded only to speak to the rock. He went beyond what was written when struck that rock. It was similar to Nadab and Abihu who offered “strange fire which He had not commanded them.” At that time Moses saw that such behavior did not “treat God as holy or glorify him among the people” (Lev. 10:1-3). Yet Moses, in anger, failed to hallow God when he struck that rock instead of speaking to it. He had failed to learn “not to go beyond what is written,” (1Cor. 4:6). He was told to speak to the rock (and he did not do that), but struck the rock (which he had no authority to do). God later charged Moses with this sin: “you rebelled against my word at the waters of Meribah” (Num 20:24; 27:13).
ellauri164.html on line 937: There was a second sin that was also committed in that same event. It was not revealed until The Psalmist described it: “it went ill with Moses” because “he spoke rashly with his lips” (Psa 106:33). When we look at what Moses said, we can see exactly how rash he was! “Hear now, ye rebels; shall we bring you forth water out of this rock?” This was a serious lapse in judgment. Moses was not going to bring water out of that rock. So, there was a big problem with that “we.” Hence, first by striking the rock, and second by using a pronoun that elevated them, Moses “believed not in me, to sanctify me in the eyes of the children of Israel.”
ellauri164.html on line 969: And here is the clue to what went wrong in this critical story: God says, “You and your brother Aaron take the rod and assemble the community, and before their very eyes order the rock to yield its water. Thus you shall produce water for them from the rock and provide drink for the congregation and their beasts” (Num. 20:7-8). When the time comes, Moses does speak, but what he says is ambiguous in tone and intent. Here is the very short story:
ellauri164.html on line 971: “Listen, you rebels, shall we get water for you out of this rock?” And Moses raised his hand and struck the rock twice with his rod. Out came water, and the community and their beasts drank. But God said to Moses and Aaron, “Because you did not trust Me enough to affirm My sanctity before the eyes of the Israelites, even so you shall not bring this assembly to the Land that I have given them.” (Num. 20:10-12)
ellauri164.html on line 975: The Israelites had a history of trusting in God because of what they saw. The most famous example, which we repeat in the daily morning service, quotes their experience after the crossing of the Sea of Reeds: “Israel saw the wondrous power which God had wielded against the Egyptians, the people feared God; they had faith in God and in God’s servant, Moses” (Exod. 14:31). They have needed this public, indisputable evidence of their eyes ever since. God knows that what they see is what is most important. And what he wants them to see is Moses speaking—not striking the rock, as he was commanded to do on the former occasion.
ellauri164.html on line 979: What God wants the people to see is that Moses speaks in performing the miracle at the rock. It is a potentially powerful transitional moment in which Moses’s publicly perceived action would be speech. What he would say would become part of the people’s religious consciousness—part of the repeated narrative of the people—a way of adducing to God a caring relationship with God’s people, and conveying that care to the people. We can imagine the speech Moses might give, performing the quintessential task of a prophet, in bringing God and the people closer together. Instead, he calls them “rebels,” distancing the people from himself and, by association, from God; disdaining their legitimate needs; and losing the opportunity to attribute the provision of water to God.
ellauri183.html on line 508: 2. (Sept. Α᾿νἰα.) A town in the tribe of Benjamin, mentioned between Nob and Hazor as inhabited after the captivity (Ne 11:32). Schwarz (Palest. p. 13,) regards it as the modern Beit Hanina. three miles north of Jerusalem; a small village, tolerably well built of stone, on a rocky ridge, with many olive-trees (Robinson, Res. 3, 68; comp. Tobler, Topog. von Jerus. 2, 414).
ellauri192.html on line 283: THIS same bias extends to literary forms. We look in vain on the Nobel register for the experimental, formally subversive, controversial movements and texts that distinguish modernism. No Surrealist has been rewarded, no major Expressionist, no poet or playwright out of the seminal world of Dada or absurdism (Andre Breton, Hugo Ball, Gertrude Stein). The boat is not to be rocked. On august occasion, lyric eroticism and even sorrowful homosexuality are admitted to Parnassus. Radical sexual play in style, in ''amoral'' revaluation, are vetoed. The liberating sensualists, such as John Cowper Powys, supreme in English fiction after Hardy, are left out. Colette is nowhere to be found. Her heir in sensuous contrivance, Nabokov, was blackballed.
ellauri192.html on line 315: Bob Dylan was given the prize in 2016, and promptly showed the literary bad boys how a real rock star behaves, treating the academy with sustained contempt for months and piling humiliation on to the ridicule his award had already invited.
ellauri192.html on line 726: Lyapis Trubetskoy (Russian: Ляпис Трубецкой, Belarusian: Ляпіс Трубяцкі) was a Belarusian rock band. It was named after comical hero from Ilya Ilf's and Yevgeny Petrov's novel "The Twelve Chairs", poet and potboiler Nikifor Lyapis, who used pseudonym Trubetskoy.
ellauri192.html on line 816: The anti-capitalist message is somewhat confusing though, given that Belarus is probably the least capitalist country in Europe. Maybe it helps get the song past the censor? I have no idea what to make of this tripped-out critique of materialism and pop culture from Belarusian rock band Lyapis Trubetskoy. It’s gaudy, over-the-top and visually chaotic.
ellauri192.html on line 837: The final song heard continually throughout the Belarusian protests was "Warriors of Light," written by Belarusian poet and musician Sergey Mikhalok for his rock band Lyapis Trubetskoy. Written in Russian about a fantasy world unrelated to political events, the song was unexpectedly taken up by the Ukrainian Maidan protests in 2013.
ellauri192.html on line 839: Former guitarist and one of the founders of the rock group "Lyapis Trubetskoy" Ruslan Vladyko died in intensive care in Minsk, without regaining consciousness from a coma, after he received a head injury in the summer of 2019.
ellauri204.html on line 799: Joulukuussa menehtynyt Heikki Länsisalo oli sivistyksellään viimeisiä lajiaan, kirjoittaa Herman Raivio. Ystäväni Heikki Länsisalo kuoli 14.12.2016 kotonaan äkilliseen sairauskohtaukseen. Hän oli 38-vuotias. Sattumalta tapasin Heikin viimeistä kertaa oopperassa, Richard Wagnerin Lentävän hollantilaisen näytöksessä. Tai sattumalta ja sattumalta. Heikki piti itseään menneen maailman miehenä. Hän oli ainoa tuntemani ihminen, joka ei ollut koskaan kuunnellut pop- tai rockmusiikkia.
ellauri206.html on line 468: Miki Liukkonen (s. 8. heinäkuuta 1989 Oulu) on suomalainen kirjailija, runoilija ja muusikko. Kirjoittamisen lisäksi Liukkonen on soittanut kitaraa vaihtoehtorock-yhtyeessä The Scenes.
ellauri206.html on line 479: Ehkä toi homo-look onkin Mikille vaan maski joka lisää sen kiinnostavuutta, niinkö anakoreetin imiz libertiini Gassendille. Yhteistä niille saattaa olla eläinten asialla olo. Ensinäytössä The Scenes: Anorexia Is Boring – Miespuolinen Jänis esittää indierockia. Kitara soi, eläimet itkevät vaikkei saisi. Mikin älykkyys ei kyllä ole loogis-matemaattista vaan taiteellista, esim. alvista se ei tajua hevon vittua. Siinä kohtaa sen ja Gassendin tiet eroavat, vaikka kirjailijoita ovat molemmat.
ellauri207.html on line 67: Nicholas Edward "Nick" Cave (s. 22. syyskuuta 1957 Warracknabeal, Victoria, Australia) on australialainen rockmuusikko, lauluntekijä, runoilija, kirjailija ja näyttelijä. Hänet tunnetaan erityisesti yhtyeensä Nick Cave and the Bad Seedsin kanssa tehdystä musiikista.
ellauri210.html on line 1115: Between 1937–1938 Carrington painted a Self-Portrait, where she is perched on the edge of a chair in this curious, dreamlike scene, her hand outstretched toward a prancing hyena and her back to a tailless rocking horse flying behind her. The hyena depicted in Self-Portrait (1937–38) joins both male and female into a whole, metaphoric of the worlds of the night and the dream. The symbol of the hyena is present in many of Carrington's later works, including "La Debutante" in her book of short stories The Oval Lady.
ellauri219.html on line 295: Originally the leader of Dion And The Belmonts, Dion DiMucci established a successful solo career with hits such as “The Wanderer” and “Runaround Sue” – doo-wop songs that characterized the rock’n’roll era that so influenced The Beatles.
ellauri219.html on line 389: In his iconic role of Johnny Strabler in the 1953 movie The Wild One, Marlon Brando captured the growing frustrations of the generation that gave birth rock’n’roll. Hailed as one of the greatest actors of all time, it’s also notable that Brando’s rivals in The Wild One, The Beetles, were almost-namesakes of The Beatles.
ellauri221.html on line 307: James Bond is back for another mission and this time, he is blasting off into space. A spaceship travelling through space is mysteriously hijacked and Bond must work quickly to find out who was behind it all. He starts with the rockets creators, Drax Industries and the man behind the organization, Hugo Drax. On his journey he ends up meeting Dr. Holly Goodhead and encounters the metal-toothed Jaws once again.
ellauri226.html on line 107: either side, treeless, bushy, rocky, desert. How hot
ellauri240.html on line 192: Peyton Placen kaupunki oli yhdistelmä useista New Hampshiren kaupungeista: Gilmantonista, jossa Metalious asui (ja joka paheksui kuuluisuutta); Laconia, ainoa Peyton Placen kokoinen lähikaupunki ja Metaliousin suosikkibaarin paikka; ja naapurikaupungit Alton ja Belmont. Gilmanton Ironworksin kylässä joulukuussa 1946 tytär murhasi seksuaalisesti hyväksikäyttäneen isänsä (johon kirja osittain perustuu). Belknap Countyn sheriffi Homer Crockett ja New Hampshiren osavaltion poliisin jäsenet tutkivat murhaa. Hollywood ei hukannut aikaa lunastaakseen kirjan menestystä – vuosi sen julkaisun jälkeen voimakkaasti desinfioitu elokuva Peyton Place sai suuret lipputulot. Elokuvan ensi-ilta pidettiin Colonial Theaterissa Laconiassa, New Hampshiressa. Parhaimmillaan TV-sarja, jota alettiin esittää syksyllä Metaliousin kuoleman jälkeen (ABC-TV :ssä 1964–1969), oli myös menestys.
ellauri243.html on line 672: Aatun näköinen mies on Mises. Punaparta on selkeästi Moosexen huonetta ja sukua. Mäkin sidon rusetin paremmin. Lew ei ole mikään rocket scientist vaikka sen sukulaiset on. Sen kannattaisi puzata noita laseja.
ellauri244.html on line 150: Kauraprinsessan takautuvat kannanotot ovat ällistyttävän tätimäisiä. Vaikka Anja oli izekin perusrotinkaisia, meritokraattinen säätytietoisuus oli tapissa. "Aina eivät kirjallisten punkkarien ja kadun peruspogoajien näkemykset menneet aivan sulavasti yksiin. Meidän väitoskirjojen ja romaanien parissa häärineiden saattoi joskus olla hiukan vaikea ymmärtää nipin napin tarkkailuluokalta selvinneen rock-lyyrikon pelkistä kirosanoista koostuvia kontribuutioita, ja päinvastoin." Ja tää kohta on suoraan naistenlehdestä: plaaplaaplaa, "hymyilin" "miehelle" (ohraprinssi). Oven avaa Taisto Tammen mummo, hymyilevä rouva Hagert.
ellauri245.html on line 153: Then I sat down and wrote The Leopard. It was my longest and most labor-intensive book so far. I did research in the Congo and Hong Kong, studied torture weapons and interviewed avalanche experts, scuba divers and rock climbers. And it was also my most brutal book.
ellauri245.html on line 532: The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the post-punk and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon.
ellauri258.html on line 160: "Arvokkaan elämän teema ja elämä taideteoksena ovat hyvin henkilökohtaisia teemoja. Se, miksi päädyin filosofiaan, liittyy läheisen ihmisen kuolemaan. Se oli rankka juttu, ja jätti ikuiset kysymykset pysyviksi. Minulle ne eivät ole teoreettisia kysymyksiä, eikä arvokas elämä tai elämä taideteoksena ajatusleikkejä, vaan asioita, joiden vastapainona tai mittakaavana on kuolema. Murrosiässä omaksumani mittakaava on koko ajan läsnä, ja siksi en hätkähdä vastoinkäymisistä tai tunne epävarmuutta kohdatessani esimerkiksi Hillary Clintonin. Elämäni fokus on niin selvä, etteivät sitä koske normaalisäännöt. On antoisaa olla kosketuksissa laajan skaalan kanssa. Losissa saatan olla päivällä akateemisen maailman keskiössä ja illalla rock-maailmassa Ville Valon kanssa."
ellauri258.html on line 162: On hienoa, että hieno mies on vaihtanut kemiallista olomuotoa. Rockmyytti tappaa liian usein rocktaiteen.
ellauri258.html on line 164: "Olemme käyneet keskusteluja runoudesta ja filosofiasta. Jokaiselle alalle muodostuu sääntöjä, miten elää moitteetonta elämää. Rockmyytti voi tappaa rocktaiteen, ja filosofimyytti merkityksellisen filosofian. En ole koskaan suostunut rajoittamaan itseäni. En päättänyt murrosikäisenä ryhtyä filosofiksi, vaan isot kysymykset ajoivat minua."
ellauri262.html on line 587: Kypros, JB. (2022). Kirjeitä Bentrockille: Demonin opas saalista ansaan. ISBN 978-1639772780.[14]
ellauri262.html on line 589: Kypros, JB (2022). Kirjeitä Bentrockille: Demonin opas saalista ansaan . ISBN 978-1639772780. Houkuttajat työskentelevät Texasin vankilassa pitääkseen Vangin leveällä ja helpolla tiellä heidän alla olevaan kotiinsa.
ellauri267.html on line 97: Based on the novel by Walter Wager, "Telefon" has not aged well because it'(TM)s so dependent on the cold war tension that existed between the USSR and the US in the Seventies. The film is basically a cat-and-mouse game with Soviet agent Major Grigori Borzov (Charles Bronson, that's right Bronson is a commie) tracking rogue Russian scientist Nicolai Dalmchimsky (Donald Pleasence) across America to prevent him from activating sleeper agents. Borzov is assisted by Barbara (Lee Remick. fresh from "The Omen") who asks more annoying questions than necessary, leading the audience to believe she may not be completely true to the motherland. The film's middle section is dragged down by repetitive bomb scares. Dalmichimsky is working from outdated intelligence so his targets are all de-classified U.S. Military installations. Once Borzov realizes the pattern and hones in the next target the action shifts to a more linear chase that'(TM)s further heightened by Barbara'(TM)s loyalties. But the ultimate showdown is deflating because beyond some silly disguises Pleasence's Dalmichimsky is never built up to be a threat. Director Don Siegel uses his flair for montage to craft a his action sequences without dialogue. "Telefon" is a road movie, much like Alfred Hitchcock's "Saboteur" and "North by Northwest" had their leads criss-crossing America here we see plenty of seventies architecture including San Francisco's Hyatt Regency Hotel (used in "The Towering Inferno") and a modernist house resting on top of a barren rock outcropping. The supporting cast is uniformly good (but trapped in underwritten roles), and it'(TM)s nice to see veteran character actors Alan Badel and Patrick Magee playing snotty KGB strategists, and Tyne Daly in a small (and ultimately irrelevant role) as a computer geek. Trivia note: The poem that activates the Russian sleeper agents was used by Quentin Tarantino in "Death Proof" as the lines Jungle Julia has her listeners recite to Butterfly. The lines are an excerpt of the poem "Stopping by Woods on a Snowy Evening" by Robert Frost. "The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep."
ellauri275.html on line 406: Armoton ja perverssi rock. Ja makaa hiljaa ja ankarasti,
ellauri278.html on line 326: Limp Bizkit is an American rap rock band from Jacksonville, Florida. Its lineup consists of lead vocalist Fred Durst, drummer John Otto, guitarist Wes Borland, turntablist DJ Lethal and bassist Sam Rivers. The band's music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks, and uniforms, also plays a large role in Limp Bizkit´s live shows. The band has been nominated for three Grammy Awards, sold 40 million records worldwide, and won several other awards. The band has released 26 singles, the most notable of which include "Nookie", "Re-Arranged", "Break Stuff", "Take a Look Around", "Rollin' (Air Raid Vehicle)." Formed in 1994, Limp Bizkit became popular playing in the Jacksonville underground music scene in the late 1990s. n October 28, 2021, Durst confirmed via Instagram that the band's sixth album – now titled Still Sucks – would be released on October 31, 2021. Durst's lyrics are often profane, scatological or angry. Much of Durst´s lyrical inspiration came from growing up and his personal life. I did it all for the nookie [slang for sexual intercourse].
ellauri281.html on line 325: Limp Bizkit is an American rap rock band from Jacksonville, Florida. Its lineup consists of lead vocalist Fred Durst, drummer John Otto, guitarist Wes Borland, turntablist DJ Lethal and bassist Sam Rivers. The band's music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks, and uniforms, also plays a large role in Limp Bizkit´s live shows. The band has been nominated for three Grammy Awards, sold 40 million records worldwide, and won several other awards. The band has released 26 singles, the most notable of which include "Nookie", "Re-Arranged", "Break Stuff", "Take a Look Around", "Rollin' (Air Raid Vehicle)." Formed in 1994, Limp Bizkit became popular playing in the Jacksonville underground music scene in the late 1990s. n October 28, 2021, Durst confirmed via Instagram that the band's sixth album – now titled Still Sucks – would be released on October 31, 2021. Durst's lyrics are often profane, scatological or angry. Much of Durst´s lyrical inspiration came from growing up and his personal life. I did it all for the nookie [slang for sexual intercourse].
ellauri299.html on line 111: Sillä välin vaimoni Claire vieraili avioerolakimiehen luona, naispuolisen, jonka maine oli armoton pallonpuristaja. Avioero on sopuisa: kaxi kylmiötä korppikotkaa nokkimassa yhteisen omaisuuden haaskalla. Polly sihteerilintu tahtoo kexin. Emme olleet niinkään läheisiä, minä ainakaan. Megan - Brockin myöhempi rakkausihminen, joka työskentelee naisten kodittomien tarhassa, tulee kuvaan vasta loppupuolella. Hepskukkuu tää Grishamin kaveri taitaa olla tunnekylmä misogyyni narsisti.
ellauri299.html on line 120: Michael Brock on saattanut kehittää omantunnon vahingossa, mutta hän ei onnistunut kehittämään persoonallisuutta. Hän oli tasainen ja tylsä hahmo, joka nyökkäsi ja vinkutti lakkaamatta. Pitikö minun olla sääli häntä kohtaan? En tehnyt. Ei hetkeäkään. Olen Grisham-fani - tai ainakin olin joskus - mutta en suosittelisi tätä kirjaa ihmisille, jotka etsivät trilleriä. Faktat kodittomuudesta ovat sydäntäsärkeviä, ja 14th Street Legal Clinicin kamppailut herättävät myötätuntoa, mutta muuten se ei ole lukemisen arvoinen.
ellauri299.html on line 126: Seth: Jos minun pitäisi kuvailla "The Street Lawyeria" yhdellä sanalla, valitsisin sanan propagandaksi. Se kertoo tarinan juppijuristista nimeltä Michael Brock, joka järjestää elämänsä prioriteetit uudelleen sen jälkeen, kun koditon mies on pitänyt hänet panttivankina iltapäivän ajan. Hän eroaa korkeapalkkaisesta työstään, vaikka hän on vain parin vuoden päästä kumppanin hankkimisesta - ja menee töihin ilmaiselle oikeusklinikalle, joka auttaa kodittomia. Hän uskoo vanhan yrityksensä olevan osittain vastuussa kodittoman perheen kuolemasta, joten hän tekee rikoksen matkalla ulos ovesta, joka auttaa häntä selvittämään asian. Ja niinpä kirjan loppuosassa hän yrittää saada vanhan yrityksensä ennen kuin he saavat hänet. Se ei todellakaan ollut jännittävä matka. Luulen, että Grisham halusi vain kirjoittaa kirjan kodittomista ihmisistä. Konfliktin ratkaisu on, että he sopivat tuomioistuimen ulkopuolella. Vau! Mikä huipentuma! Ei yhtään autojahteja! Ei aseita, ei murhia! Vitun haukotuttavaa.
ellauri299.html on line 504: Dylanin vuonna 1966 syntyneelle vanhimmalle pojalleen Jesselle kehtolauluksi kirjoitettu laulu kertoo isän toiveista, että hänen lapsensa pysyy vahvana ja onnellisena. Se alkaa riveillä "Jumala siunatkoon ja varjelkoon sinua aina / toteutukoot kaikki toiveesi", joka toistaa papin siunauksen Lukujen kirjasta (Neljäs Mooseksen kirja 6:24-26), jonka rivit alkavat: "Siunatkoon sinua ja varjelkoon sinua / Toteuttakoon pienimmätkin toiveesi. Herra valistakoon kasvonsa sinulle, kallistakoon korvansa." Koska Dylan ei halunnut kuulostaa "liian sentimentaalilta", hän lisäsi kappaleesta kaksi versiota Planet Waves -albumille, yhden kehtolaulun ja toisen rock -suuntautuneen. Howard Cosell lausui kappaleen ikimuistoisesti amerikkalaisessa televisiossa, kun Muhammad Ali voitti raskaansarjan kruunun kolmannen kerran. Kärsi, kärsi, kirkkaamman kruunun saat.
ellauri299.html on line 576: Brock saa selville, että Drake & Sweeney olivat mukana liittovaltion rakennushankkeen äkillisessä hyväksymisessä tuomitun rakennuksen paikalla, joka oli toiminut vuokra-asunnona entisille kodittomille perheille. Nämä henkilöt olivat vuokralaisia ja heillä oli siten oikeus täysimääräiseen lailliseen häätö-/kiistausprosessiin, mutta vanhempi Drake & Sweeney -kumppani jätti nämä tiedot huomiotta, koska yrityksellä oli suuri panos liittovaltion hankkeen ajoissa alkamisen varmistamisessa, ja näin ollen hän häätti laittomasti vuokralaiset keskellä talvea, mikä johti kodittoman perheen kuolemaan. Brock ottaa luottamuksellisen tiedoston,
ellauri299.html on line 578: Järkyttynyt löydöistään Brock jättää Drake & Sweeneyn menemään huonosti palkattuun paikkaan 14th Street Legal Clinicissä, joka pyrkii suojelemaan kodittomien oikeuksia. Tämä johtaa hänen siteensä katkeamiseen hänen aiempaan valkokauluselämäänsä , kun hänen jo kuoleva avioliitto päättyy virallisesti sovinnolliseen avioeroon. Brock sekaantuu myöhemmin emotionaalisesti Ruby-nimisen naisen tapaukseen, jonka huumeriippuvuus johti siihen, että hän menetti poikansa huoltajuuden. Hän tapaa myös nuoren kodittomien asianajajan nimeltä Megan ja he aloittavat suhteen. Drake & Sweeney seuraa Brockia varkauksien ja väärinkäytösten kanssaväitteiden vuoksi klinikka nostaa kanteen yritystä ja sen liikekumppaneita vastaan. Yritys tekee kaupan, jossa Brockin lisenssi keskeytetään väliaikaisesti, kun he tyytyvät suureen rahasummiin ja erottavat kumppanin, jonka toiminta johti nuoren perheen kuolemaan.
ellauri299.html on line 580: Drake & Sweeneyn pääkumppani, joka on "syvästi huolissaan tapahtumista" (peeär-katastrofista), tarjoaa koko henkilökuntansa pro bono -työhön auttamaan klinikkaa taistelemaan kodittomien oikeuksien puolesta. Kirja päättyy siihen, että Brock viettää lyhyen loman Meganin ja Rubyn kanssa, ja he pohtivat elämäänsä.
ellauri299.html on line 584: Vuonna 2003 julkistettiin suunnitelmat romaanin ehdotetusta pienestä näyttösovituksesta ja televisiopilotti kuvattiin. Touchstone Televisionin tuottaman ohjelman pääosissa oli Eddie Cibrian Brockina, KaDee Stricklandina, Mario Van Peeblesina ja Hal Holbrookina. Paris Barclay ohjasi pilotin, jonka käsikirjoittivat Brian Koppelman ja David Levien. Syistä, joita ei koskaan julkistettu, ohjelmalle ei koskaan annettu koko kauden esittelyä. Ihmekös tuo, 2003 oli vahva oikeistoaalto menossa, kun Paha puska paraikaa rynnäköi Irakissa.
ellauri299.html on line 607: rocking-chair.jpg" width="50%" />
ellauri300.html on line 453: Do you believe in rock and roll?
ellauri300.html on line 585: Facets of his 1971 song "American Pie" have become part of American culture, spanning generations. McLean's lyrics retroactively influenced the perception of a major event in the early days of rock 'n roll.
ellauri300.html on line 587: Particularly, the plane crash that killed musicians Buddy Holly, Ritchie Valens, and "The Big Bopper" J. P. Richardson has become known as "The Day the Music Died", the expression by which McLean, a fan of Buddy Holly, dubbed it in the song. Holly's death for him symbolized the "loss of innocence" of the early rock-'n-roll generation.
ellauri311.html on line 246: Salo on ollut kihloissa rockmuusikko Sammy Aaltosen kanssa. Pariskunnalla on kaksi yhteistä poikaa.
ellauri315.html on line 439: Nytkun Laureenska on potkittu ryssistä se kiertää haistattelemassa muita ryssistä poispotkittuja rottia ja myyriä joilla ei ole puhtaita jauhoja pussissa. Tässä länteen loikanneista rocktähdistä seuraava.
ellauri316.html on line 820: Why, monuments to Nazi Collaborators Are All Over America. In January 2021, an investigation by The Forward identified more than 1,500 statues and streets honoring Nazi collaborators around the world. In the US alone, there are at least 37 such monuments. Leading Nazi rocket scientist Dr. Wernher Von Braun even partnered with Disney on a film series popularizing ballistic missiles.
ellauri322.html on line 356: Ne näyttävät salakuljettavan eikä ihan vähän. Adieu ! I must trip up the rocks.
ellauri322.html on line 375: Such a contempt have they, in fact, for every species of fraud, that they will not allow the people on the western coast to be their countrymen; so much do they despise the arts for which those traders who live on the rocks are notorious. Eikä Mary tarkoita vain graffitia.
ellauri322.html on line 399: The country during the first day’s journey presented a most barren appearance, as rocky, yet not so picturesque as Norway, because on a diminutive scale. We stopped to sleep at a tolerable inn in Falckersberg, a decent little town with a prettyish little wilderness in the back, though all the windows were to the west.
ellauri323.html on line 133: Yet Zuleika WAS very innocent, really. She was as pure as that young shepherdess Marcella, who, all unguarded, roved the mountains and was by all the shepherds adored. Like Marcella, she had given her heart to no man, had preferred none. Youths were reputed to have died for love of her, as Chrysostom died for love of the shepherdess; and she, like the shepherdess, had shed no tear. When Chrysostom was lying on his bier in the valley, and Marcella looked down from the high rock, Ambrosio, the dead man’s comrade, cried out on her, upbraiding her with bitter words—“Oh basilisk of our mountains!” Nor do I think Ambrosio spoke too strongly. Er. epm. homopetteri Horace Walpole (josta on paasattu albumeissa 14, 52, 75, 115, 235 ja 247) nimitteli Woolworthin Marya “a hyena in petticoats” or “a philosophising serpent” .
ellauri324.html on line 257: Springsteenin sanoitukset, joita kuvataan usein elokuvallisiksi, käsittelevät usein erittäin henkilökohtaisia teemoja, kuten yksilöllistä sitoutumista, tyytymättömyyttä ja tyrmistystä elämään arkipäivän tilanteissa. Springsteenin teemoja ovat sosiaaliset ja poliittiset kommentit ja ne juontavat juurensa hänen oman alkuperäperheensä kohtaamiin kamppailuihin. Työväenluokasta ponnistanut Bruce sanoittaa "Amerikan liukumäkeä teollisen aikakauden swaggerista palvelutalouden anomiaan". Huhtikuussa 2023 New Jerseyn kuvernööri julkaisi julistuksen, jossa 23. syyskuuta julistettiin "Bruce Springsteen Day". Bruce on sijalla 77 Rolling Stonen 200 parhaan tähden listalla. Brucen tytär Jessica on razumestari ja poika Sam palomiehenä Jersey Cityssä. Springsteen on ainoa rock-kaveri - taitaa olla ainoa kaveri, jonka tunnen ollenkaan - joka ei koskaan käyttänyt huumeita." Hän on kamppailut masennuksen kanssa ihan koko ikänsä. Hänellä on henkilökohtainen suhde Jeesukseen, vaikkei katoliseen. Hän ei hyväxy Pohjois-Carolinan Public Facilities Privacy & Security Act -lakia, jota kutsutaan myös "kylpyhuonelakiksi", joka määrää ettei transsukupuoliset ihmiset saa käyttää wc-tiloja ja estää LGBT- kansalaisia haastamasta oikeuteen ihmisoikeusloukkauksista työpaikalla. Springsteen arvosteli Donald Trumpia vankasti koko presidenttikautensa ajan.
ellauri328.html on line 77: De ovannämnda värderingarna strider mot mänsklighetens bästa. De krockar med principerna i den finländska läroplanen, som omfattar jämlikhet, omsorg, gemenskap och respekt för individen och naturen. Att navigera i denna konflikt utgör en stor utmaning för skolpersonalen.
ellauri331.html on line 326: 1970-luvun lopulla ja 1980-luvun alussa Moskovsky Komsomolets julkaisi materiaaleja aiheista, jotka olivat tuolloin puolikielletyt (epäviralliset nuorisoliikkeet, rock-musiikki, länsimainen elokuva jne.). Suosittu oli "Sound Track" (tunnetaan myös nimellä "ZD Awards"), sanomalehden musiikkiosio, myöhemmin kuukausittainen hittiparaati lehden alaisuudessa sekä vuosittainen palkinto populaarimusiikkipohjaisen musiikin alalla . tämän hittiparaatin tuloksista. "Soundtrackin" ensimmäinen julkaisu on päivätty syksyllä 1975 . Osasto kertoi yleisölle Neuvostoliiton esiintyjistä ja poptähdistä (yleensä sosialistisista maista). Vuonna 1977 lukijoille annettiin ensimmäistä kertaa mahdollisuus ilmaista toiveensa kirjallisesti. Yleisötutkimusten perusteella Chris Kelmin toimesta koottiin ja julkaistiin ensimmäinen "Musiikkiparaati" (myöhemmin nimetty " Soundtrack Hit Parade ").
ellauri333.html on line 28: rock_edict_of_Ashoka_with_names_of_the_Greek_kings.jpg/440px-Khalsi_rock_edict_of_Ashoka_with_names_of_the_Greek_kings.jpg" width="100%" />
ellauri333.html on line 141: The rock-edicts repeat or amplify the same injunctions:
ellauri333.html on line 151: In the ninth rock-edict he condemns many and various vulgar ("offensive" at Shahbazgarfil) and useless ceremonies which women are practising during illness, at the marriage of a son or a daughter, at the birth of a son, and when setting out on a journey and recommends in their stead the practice of morality.
ellauri333.html on line 153: Secondly, in the first rock-edict, section B, he directly prohibits the killing of animals at sacrifices. At the end of the same edict, however, he rather naively confesses that he had not yet been able to carry out fully the 1 abstention from killing animals' which formed part of his moral code, and that three animals were still being killed daily in his kitchen; but he promises that even this slaughter would be discontinued in future. Samansuuntaisia hiilijalanjälkilupauxia tekevät kaikki kauppiaat tänä päivänä.
ellauri333.html on line 165: According to the thirteenth rock-edict (L) 1, Devanampriya thinks that even a wrongdoer, what can be forgiven is to be forgiven. Tämä koski lähinnä Kallingan rajanaapureita joita ei saatu valloitetuxi. Niitäkin sopii indoktrinoida propagandalla ja soveltaa talouspakotteita.
ellauri333.html on line 176: Ashokan rock-ediktit viittaavat siihen, että kahdeksannen–yhdeksännen hallitusvuotensa aikana hän teki pyhiinvaelluksen Bodhi-puulle, aloitti dhamman levittämisen ja suoritti sosiaalista toimintaa. Hyvinvointitoimintaan sisältyi sairaanhoitolaitosten perustaminen ihmisille ja eläimille; lääkekasvien istutus; sekä kaivojen kaivaminen ja puiden istuttaminen teiden varrelle. Näitä toimintoja suoritettiin viereisissä valtakunnissa, mukaan lukien Cholas, Pandyas, Satiyaputras, Tamraparni, ja Kreikan Antiyokan kuningaskunta.
ellauri339.html on line 502: The British pop group Pet Shop Boys supported Pugacheva. Myös saksalainen rockmuusikko Udo Lindenberg ja ukrainalainen laulaja Svetlana Loboda ilmaisivat tukensa Pugatšovalle.
ellauri341.html on line 265: Kohtaamiaan riskeistä huolimatta Gregorian Bivolaru aloitti joogan opettamisen nimityksellä "psykosomaattinen alastonvoimistelu" 1970-luvun alussa eri paikoissa, kulttuuritaloissa ja opiskelijakeskuksissa, ja hän teki niin vuoteen 1981, jolloin suuri skandaali liittyen Transsendenttiseen edestakaiseen liikkeeseen Romaniassa tapahtui. Nuori Guru Maharaj Ji oli käyttänyt tilaisuutta hyväkseen nousta äitinsä hännän alta ja elää korkealla (huumeissa) sialla (lihan syöminen) seksin (Playboy-lehden itsetyydytys), huumeiden (marihuana), ja rock 'n rollin (erittäin kovaäänisesti!) kanssa(kalliit hifit), nopeita autoja ja hänen ikioma Pinball-koneensa. Tuolloin Ceausescu-hallinto pidätti ja vangitsi satoja tämän liikkeen harjoittajia syytettynä "epäilyttävästä mystiikasta, joka saattaa johtaa valtion horjuttamiseen", minkä jälkeen kaikki itämaiset henkiset käytännöt, mukaan lukien jooga ja kamppailulajit, kiellettiin.
ellauri342.html on line 474: To the rocks, kiville,
ellauri344.html on line 211: Suomen Talvisota 1939–40 -yhtyeen albumilla Underground-rock (1970) kuultiin kolme Laineen sanoittamaa biisiä, joista tunnetuin lienee Kekkonen-rock. M. A. Nummiselle ja Suomen Talvisodan pääsolistille Rauli Badding Somerjoelle Laine kirjoitti useita tekstejä. Badding-kappaleista kuuluisimpia ovat Bensaa suonissa ja Fiilaten ja höyläten. Laine teki tilaustekstejä myös mm. SKDL:n vaalilevylle sekä Kirka Babitzinille.
ellauri348.html on line 436: James Douglas ”Jim” Morrison (8. joulukuuta 1943 Melbourne, Florida, Yhdysvallat – 3. heinäkuuta 1971 Pariisi, Ranska) oli yhdysvaltalainen rocklaulaja ja runoilija. Hän tuli tunnetuksi The Doors -yhtyeen laulajana ja keulahahmona.
ellauri348.html on line 438: Nuorena Morrison muutti perheensä mukana usein, kunnes asettui Kaliforniaan opiskelemaan elokuvantekoa. Los Angelesissa hän perusti vuonna 1965 rockyhtye Doorsin, jonka laulusolisti ja yksi lauluntekijöistä hänestä tuli. Yhtye julkaisi useita menestysalbumeja vuosina 1967–1971, ja Morrisonista tuli kuuluisa rocktähti.
ellauri348.html on line 440: Kun Doorsin esiintymislavat vaihtuivat suurempiin yhtyeen suosion kasvaessa, Morrison alkoi tehdä lavaesiintymisistään rockteatteria. Hän kertoi, että ”oli välttämätöntä liioitella miltei groteskiuteen asti.” Morrisonin lavaesiintyminen perustui paljolti muutaman toistuvan liikkeen ja eleen käyttämiseen, ja niihin liittyi toisinaan myös spontaaneja akteja ja teksti-improvisaatioita. Morrison paitsi lauloi, myös resitoi lyriikkaansa ja välillä suorastaan huusi. Hän tukeutui laulaessaan voimakkaasti mikrofoniin ja mikrofonitelineeseen, pitäen siitä yleensä kiinni kaksin käsin. Hänen liikkeensä olivat hitaita, ja välillä hän jähmettyi paikalleen tuijottamaan yleisöä tai siirtyi kokonaan lavan sivuun. Toisinaan hän saattoi improvisoida intiaanitansseja tai heittäytyä makaamaan esiintymislavalle. Hänelle oli myös tyypillistä härnätä tai solvata yleisöä. Tää trendasi Jimin ikäpolvessa, kz. esim vuotta vanhempia Peter Handkea ja Jouko Turkkaa albumissa 340.
ellauri348.html on line 446:
ellauri348.html on line 783: Shauna Crockett-Burrows oli mediavallankumouksellinen ja vankkumaton valo maailmassa. Pohjimmiltaan hänen uskonsa kaiken elämän yhteenliittymiseen ja pyhyyteen vauhditti hänen pyrkimyksiään luoda parempi maailma.
ellauri349.html on line 239: Vuoden 1979 jälkeen hän katosi jonkin verran ranskalaisesta kirjallisuudesta. Hän sanoi Libération- lehden haastattelussa vuonna 1997: "Ranska on melkein paikka maailmassa, jossa ihmiset tuntevat minut vähiten! Mutta onko minun tehtäväni vastata? En halua.» Anglosaksisissa maissa hänen kirjoituksensa ovat lukuisten analyysien kohteena. Naistaiteilijat, kuten saksalainen Rosemarie Trockel tai brittiläinen Siobhan Liddell ja Margaret Whitford, olivat ihan pähkinöinä hänen työstään.
ellauri351.html on line 619: Rajeev "Raj" Patel (s. 1972) on brittiläinen akateemikko, toimittaja, aktivisti ja kirjailija, joka on asunut ja työskennellyt Zimbabwessa, Etelä -Afrikassa ja Yhdysvalloissa pitkiä aikoja. Häntä on kutsuttu "sosiaalisen oikeudenmukaisuuden kirjoittamisen rocktähdeksi".
ellauri360.html on line 201: Lars Gustafsson : Bernard Foys tredje rockad (Bernard Foyn kolmas linna)
ellauri362.html on line 168: Peacock osoitti suurta kykyä liiketoiminnassa ja virallisten asiakirjojen laatimisessa. Vuonna 1836 hänen virallisen uransa kruunasi hänen nimityksensä Itä-Intian komppanian intialaisen kirjeenvaihdon päätarkastajaksi James Millin perään. Viran saattoi täyttää vain hyvällä liiketoiminnalla ja poikkeuksellisella kyvyllä virallisten asiakirjojen laatimiseen: ja Peacockin tehtävien suorittamisen ei uskota kärsineen mitään verrattuna hänen ansioituneeseen edeltäjäänsä tai hänen vieläkin kunniakkaampaan seuraajaansa, John Stuart Milliin. Peacockin ammatti oli pääasiassa rahoituksen, kaupan ja julkisten töiden parissa. Kanadassa on suurin osa Peacockin sukulaisista, mukaan lukien Tommy Peacock [joku surkea rockäijä]. Luppohetkinään hän kirjoitti runon "Päivä Intian toimistossa":
ellauri364.html on line 179: Käsien levottomuus johtuu siitä, että henkilö häpeää niiden näyttämistä, koska hän niillä on tehnyt jotakin rumaa. Jos käsien vielä on vaikea olla hypistelemättä jotakin soikeaa esinettä, esim. kynää, ei ole enää epäilystäkään siitä, millaisesta rumuudesta on kysymys! Luonto se on joka tikanpojan puuhun vetää. Tyttölapsi tanssii jo äidin kohdussa. Pylorusspasmi, Freudin töyhtö, merikartta kielessä, liikakarvoitus - kaikki pahoja neurolabiileja ennusmerkkejä! Pian alkaa yökastelu (Olli Syväntö) , ozan takominen lattiaan (Riitta Roth) ja sukuelimien hypistely. Mutta pahuus, julmuus ja hävityshalu on lapsen normaaleja taipumuxia. Jokaisella on vikoja jos jonkin verran, siis ratkeamme rokkaamaan toisenkin kerran! Huono luonne rock! Rock! rock!
ellauri365.html on line 527: Under åren därefter levde Heidenstam och Olga på olika slott och herresäten runt om i Sverige. Denna period blev också Heidenstams mest kreativa med böcker som Dikter, Karolinerna, Sankt Göran och draken, Heliga Birgittas pilgrimsfärd, Ett folk och Skogen susar. Paret deltog i Stockholms sällskapsliv och Heidenstam engagerade sig i Frisinnade klubben och Utile Dulci. I juli 1899 köpte han en pampig villa i italiensk stil i Djursholm utanför Stockholm (vid nuvarande Björkebergavägen). Där levde de ett par år fram till 1901 när något hände mellan de två som gjorde Heidenstam sårad och hämndlysten. Förmodligen blev Heidenstam vara bedragen av sin yngre hustru och de två separerade. Han skrev en hämndpjäs, Spinnrocken, som inspirerades av de verkliga händelserna men hans förläggare, Karl Otto Bonnier, refuserade stycket.
ellauri369.html on line 476: Deena Weinstein havaitsee On Herpexen vaikutuksen "kitaran sankarin" rockmusiikkiilmiöön, kuten 1960-luvun meemissä "Clapton is God". Deena Weinstein (born March 15, 1943) is a professor of sociology at DePaul University whose research focuses on popular culture. She is particularly well known for her research on heavy metal culture, on which subject she wrote a ground-breaking book, Heavy Metal: A Cultural Sociology (1991), later published in a revised and updated version as Heavy Metal: The Music and Its Culture (2009). She did for metal what Greil Marcus's Lipstick Traces did for the Sex Pistols (fucking castrated them).
ellauri370.html on line 62: The Bible makes a point of saying whenever someone is attractive. Esther's called "very beautiful" and was said to have a "lovely figure," so you know she's really rocking it. But her beauty may also have been a superpower. For The Jewish Encyclopedia states the other girls, instead of being jealous, take care of her because they clearly see the king will choose her. That's beauty as a superpower!
ellauri372.html on line 102: Regulus was a famously principled and courageous fictional figure from the Punic wars 2 centuries earlier. Captured by the Carthaginians with others during the Punic wars, he was sent to Rome, under an oath to return, to pass on peace proposals and a request for exchange of prisoners. According to legend, as described by Horace here, he advised the Senate not to accept, and returned to Carthage to a certain and painful death, keeping his oath. There is a clear echo of the campaign that Augustus was waging to restore traditional Roman and family values. Like the rock-hard Regulus, “proper” Romans should be prepared to face death and spit in its eye, rather than take a safe but dishonourable way out. The gulf between these traditions and the contemporary Romans partying and fornicating away in writers like Ovid and Propertius could not be deeper.
ellauri373.html on line 583: Ginsbergin asenne tähän pöytäkirja-asiaan on selvästi oikea, hän on naimisissa siihen "pöytäkirjansa" paikassa, jossa hän puhuu "goy-karjasta": niin juutalaiset "noin rock" kutsuu kaikkia "epäuskoisiksi". Kaikki eivät ole juutalaisia, evvk. Mitä tulee hänen seuraajiinsa, se riittää mainitsee yhden läheisistä työtovereistaan Leon suurimmat opetuslapset ja innokas ihailija (sapeli-Simone), joka eräässä artikkelissaan aiheesta pyhä opettajalleen ("Menorah" 1917), d'ala kristillistä ihannetta verrataan keskenään romu juutalaiseen. On sanomattakin selvää... (loppu epäselvä. "Valittuja otteita Ahad Hamin teoksista, kerätty nimeltä Leon Simon.")
ellauri374.html on line 337: Sharon Srock lainauksia
ellauri378.html on line 651: Imprisoned in a brutal gulag known as Vorkuta, Mason befriends a former Red Army soldier named Viktor Reznov, who gives him the identities of their enemies: Dragovich, Colonel Lev Kravchenko, and ex-Nazi scientist Friedrich Steiner, and reveals his history with them. In October 1945, Reznov and Dimitri Petrenko were sent by Kravchenko and Dragovich to extract Steiner, who wished to defect, from a secret Nazi base on Baffin Island. Upon being rescued, Steiner provided the Soviets with the location of a disabled cargo ship carrying the chemical weapon he had originally developed for Adolf Hitler called Nova 6. However, Reznov and his men were betrayed by Dragovich, who wished to see the effects of the gas first-hand; Reznov was forced to watch Petrenko die horrifically, only being spared himself when British Commandos, interested in also acquiring Nova 6, attacked the cargo ship. Reznov detonated the V-2 rockets onboard the ship during his escape to prevent anyone from using the weapon, destroying it and Nova 6, only to be captured by the Soviets and imprisoned in Vorkuta. The Soviets later recreated Nova 6 with the help of a mad British scientist, Daniel Clarke.
ellauri381.html on line 421: Träd har krockat med bil i Kristianstrand.
ellauri386.html on line 260: Vuonna 1592 hän palasi hoviin, mutta joutui pian vankilaan salaisesta avioliitostaan hovin palvelijan Elizabeth Throckmortonin kanssa. Hänet vapautettiin myöhemmin samana vuonna, kun hänen retkikuntansa jäsenet palasivat tuoden mukanaan valtavan määrän portugalilaisia aarteita. Raleigh istui parlamentissa, jossa hän saavutti suuren mainetta yhteydestään "Yön kouluna" tunnetun runollisen ryhmän kanssa. Thomas Harriot, ryhmän johtaja, ohjasi häntä. Heidän kirjaimelliset pyhien kirjoitusten tulkintansa antoivat heille ateismin maineen.
ellauri386.html on line 532: Venäläisestä Brockhausista, joka oli Rosenthalinkin päälähteenä, ilmenee vielä että Solovyov oli vähävenäläisen äidin puolelta Ukrainan Sokrateen Hryhorii Skovorodan aaluva.
ellauri386.html on line 562: Vuonna 1874, samaan aikaan kuin Rosenthal toimitti Kiovassa pilalehteä, Solovyov puolusti Pietarissa Masters thesistä "Länsifilosofian kriisi", haastaen mm. K.D. Kavelinin esityxen "Apriorinen filosofia vaiko positiivinen tiede?" В Моск. унив. читал также на Высших женских курсах проф. В. И. Герье. Saatuaan väitöskirjansa valmiixi hän palasi mielihommaansa lukemaan ääneen naisille на Высших женских курсах. Solovyov toimitti samaista venäläistä Brockhausia (89 osaa). Vladi kiinasi tukka pystyssä takkupartaisena tovereiden nurkissa mm. Imatralla ja katolisen piispa Strossmayerin luona Horvatiassa.
ellauri389.html on line 151: seilorien ääni ankkuroituneesta parkista Of rocks remote; or still more distant tone
ellauri393.html on line 289: rockwell-the-runaway-2.jpg?id=32833636&width=800&quality=85" />
ellauri408.html on line 308: First the false prophet said Nebuchadnezzar would sack and destroy Tyre, and that it would never be rebuilt: “I will make you a bare rock, and you will become a place to spread fishnets. You will never be rebuilt, for I the Lord have spoken, declares the Sovereign Lord. (Ezekiel 26:14)
ellauri408.html on line 652: Eniten käytetty väärennetty painatti "Pierre Marteau chez Cologne" oli Amsterdamin kustantajan Elzevierin ensimmäinen käyttö vuonna 1660. Ranskalaiset, saksalaiset ja muut eurooppalaiset kustantajat tulivat pian jälessä ja käytti sen saksalaista vastinetta Peter Hammeria poliittisiin, antikirkoihin ja eroottisiin kirjoituksiin sekä meriroskapainoksiin keinona kiertää sensuuria. Korkean profiilin yritykset, kuten Brockhaus, Cotta ja Wigand, lukeutuivat lähes 40 saksalaisen tulostimen ja julkaisijan joukkoon, jotka käyttivät itsestään tätä salanimesä.
ellauri409.html on line 361: Walt Whitmanin vaikutuksesta Laforgue oli yksi ensimmäisistä ranskalaisista runoilijoista, joka kirjoitti vapaassa säkeessä. Itse asiassa hänen käännöstensä Whitmanin runoista, jotka julkaisi Vogue-lehti, uskotaan vaikuttaneen Laforguen maanmieheen Gustave Kahniin. Filosofisesti hän oli pessimisti ja Schopenhauerin ja Von Hartmannin kiihkeä opetuslapsi . Hänen runoutensa olisi yksi suurimmista vaikutuksista Ezra Poundiin ja nuoreen TS Eliotiin. Louis Untermeyer kirjoitti: "Prufrockia, joka julkaistiin vuonna 1917, ylistettiin välittömästi uutena tapana englantilaisessa kirjallisuudessa ja samalla sitä vähäteltiin Laforguen ja ranskalaisten symbolistien kiekuna ja kaikuna, joille Eliot oli kiitoxen velkaa."
ellauri409.html on line 408: Intuitio tavoittaa absoluutin oli Bergsonin sanonta. Varsin perseestä. Eliot kynäili Prufrockin kääntyneenä Bergsoniin. Pian se kuitenkin kääntyi takaisin Maurrasin kannoille.
ellauri409.html on line 461: Lukaisin nopeasti Portrait of a Ladyn ja Prufrockin love songin. Eine suuremmmasti hätkäyttäneet. Mixi Prufrockissa on tämmönen epigrafi Dantesta?
ellauri409.html on line 463: The epigraph, in conjunction with the first line of the piece—“Let us go then, you and I” —and the repetition of second-person and collective first-person pronouns, implicates the reader in an implied tour of Prufrock´s personal Hell, a state of imprisonment within his own consciousness.
ellauri409.html on line 465: Prufrock is a speaker characterized first and foremost by overwhelming fear and alienation, stemming from his hypersensitivity to time, his disillusionment with the failure of communication, and his inability to construct a stable self. We read that transience and mortality command all of our day-to-day actions and interactions—and how could this not leave us terrified and alienated like Prufrock himself?
ellauri409.html on line 466: Prufrock sums it up well: “It is impossible to say just what I mean!” Actually Eliot means that the plight of J. Alfred Prufrock and the plight of all humanity are parallel in their morbidity, futility, and failure. It is not just Prufrock who drowns; it is him and us.
ellauri409.html on line 529: Nyt kun Eliot on saanut sapiskaa ansionsa mukaan, on aika siteerata aika hyvää kohtaa Proofrockista:
xxx/ellauri027.html on line 347: Vein hänet ensi kertaa käymään itselleni tärkeään ravintola Kosmokseen. Esa ei pitänyt kulttuurikapakan ilmapiiristä, vaan viihtyi paremmin rock-konserteissa ja Ekbergin kahvilassa. Reviirinsä kullillakin.
xxx/ellauri027.html on line 966: The point is to facilitate the situation in a way that allows for the emergence of emotions that support a given theme and adds life to it. For instance, most people feel emotionally different in a quiet cathedral than in a rock concert.
xxx/ellauri044.html on line 1137: Julkisuutta ihanoiva kulttuurimme hukuttaa meidät mielikuviin näyttelijöistä ja rocktähdistä (plus urheilijoista, juontajista ja terapeuteista, suom.huom.) joilla "on kaikki mitä elämältä voi toivoa", sellainen voi ruokkia epätervettä narsismia lapsissa.
xxx/ellauri056.html on line 575: Nach einem kurzen Intermezzo auf einer Hauslehrerstelle in Warschau nahm Fichte Anfang November 1791 eine auf ein Jahr befristete Anstellung als Hauslehrer des Sohns des Ehepaars Louise von Krockow, geb. von Göppel, die mit Kant persönlich bekannt war, und Heinrich Joachim Reinhold von Krockow (1736–1796), Königl. Preußischer Obrist, im gräflichen Schloss Krockow in der Nähe der pommerellischen Ostseeküste an. Im selben Jahr besuchte er Kant in Königsberg, wo dieser ihm einen Verleger für seine Schrift Versuch einer Critik aller Offenbarung (1792) verschaffte, die anonym veröffentlicht wurde. Das Buch galt zunächst als ein lange erwartetes religionsphilosophisches Werk von Kant selbst. Als Kant den Irrtum klarstellte, war Fichte berühmt und erhielt einen Lehrstuhl für Philosophie an der Universität Jena, den er 1794 antrat. Zuvor hatte er nach längerer Überlegung, ob eine Eheschließung ihm nicht die „Flügel abschneide“, 1793 Johanna Rahn geheiratet. Drei Jahre später kam Sohn Immanuel Hermann (1796–1879) zur Welt.
xxx/ellauri075.html on line 410:
My clerk's frock coat is long, with its skirt muddied.
xxx/ellauri076.html on line 59: The members of Mötley Crüe have often been noted for their hedonistic lifestyles and the androgynous personae they maintained. Following the hard rock and heavy metal origins on the band's first two albums, Too Fast for Love (1981) and Shout at the Devil (1983), the release of its third album Theatre of Pain (1985) saw Mötley Crüe joining the first wave of glam metal. The band has also been known for their elaborate live performances, which features flame thrower guitars, roller coaster drum kits, and heavy use of pyrotechnics (including lighting Nikki on fire). Mötley Crüe's most recent studio album, Saints of Los Angeles, was released on June 24, 2008. What was planned to be the band's final show took place on New Year's Eve, December 31, 2015. The concert was filmed for a theatrical and Blu-ray release in 2016.
xxx/ellauri076.html on line 125: Sailor are a British pop/glam rock group, best known in the 1970s for their hit singles "A Glass of Champagne" and "Girls, Girls, Girls", written by the group's lead singer and 12-string guitar player, Georg Kajanus.
xxx/ellauri076.html on line 249: The Coasters are an American rhythm and blues/rock and roll vocal group who had a string of hits in the late 1950s. Beginning with "Searchin'" and "Young Blood", their most memorable songs were written by the songwriting and producing team of Leiber and Stoller. Although the Coasters originated outside of mainstream doo-wop, their records were so frequently imitated that they became an important part of the doo-wop legacy through the 1960s.
xxx/ellauri076.html on line 379: rock.net/wir/v1/resize/?c=isi&im=%2F9207%2F83629207%2Fpics%2F3090831835_1_3_hI74fuGd.jpg" height="200px" />
xxx/ellauri076.html on line 606: Kari "Kape" Aihisella on paljon mietittävää. Hän selittää ja pölöttää. Hän on 1 Suomen tunnetuimmista keittiömestareista. Hän on lukuisista reality-sarjoista tuttu tv-kokki, ruokakirjailija ja Helsingissä ja Turussa sijaizevia huippuravintoloita luozaava monialayrittäjä. Hän on menestynyt valtavan hyvin valizemallaan alalla. Hän ei silti koe izeään julkkixexi. Hän voi perseillä Ruisrockissa ihan samalla lailla kuin ennenkin. Hän on edelleen Kape Aihinen, pölöpää Turuusta. Jos ei kelpaa, niin hän voi lähtee menee.
xxx/ellauri076.html on line 665: Sen sijaan Manninen bondasi rock-tähti Archie Cruzin sekä Big Brother -voittaja Kristian Heiskarin kanssa. Äijäporukassa hän pääsi puhumaan äijäjuttuja.
xxx/ellauri076.html on line 680: Vadim oli paizi Aku Ankan veljenpoika kuuluisa romansseistaan ja avioliitoistaan nuorten kauniiden näyttelijöiden kanssa. 30-vuotiaana hän asui teini-ikäisen Catherine Deneuven kanssa, jolta hän sai lapsen Christian Vadimin ennen avioliittoaan Fondan kanssa. Hän oli myös tekemisissä vällyissä amerikkalaisten näyttelijöiden Margaret Markovin ja Davy Crockettin kanssa. Myöhemmin hän asui useita vuosia käsikirjoittaja Ann Bidermanin kanssa ja ilmoitti kihlauksestaan vuonna 1984, mutta pari ei koskaan mennyt naimisiin.
xxx/ellauri085.html on line 543: President Trump sold his 2017 tax cuts as “rocket fuel” for the economy, arguing that freeing up money for the wealthy would allow them to hire more workers, pay better wages and invest more. The tax savings, in other words, would trickle down from the rich to everyone else.
xxx/ellauri085.html on line 563: But they had no effect on economic growth or employment. Though those quantities fluctuated slightly after the major tax cuts that were studied, the effect was statistically indistinguishable from zero. The “rocket fuel” so often promised by supporters of these tax cuts? It fizzles out time and time again.
xxx/ellauri085.html on line 573: Though the pandemic cost tens of millions of Americans their jobs and sent the U.S. economy into a tailspin, many at the top of the income distribution have seen their wealth skyrocket. The nation’s 651 billionaires saw their net worth spike by more than $1 trillion during the first nine months of the pandemic, according to Americans for Tax Fairness, a liberal group advocating for higher taxes on the wealthy.
xxx/ellauri087.html on line 461: The phrase "there will be time" occurs repeatedly in a section of T. S. Eliot's "The Love Song of J. Alfred Prufrock" (1915), and is often said to be an allusion to Marvell's poem. Prufrock says that there will be time "for the yellow smoke that slides along the street", time "to murder and create", and time "for a hundred indecisions ... Before the taking of a toast and tea". As Eliot's hero is, in fact, putting off romance and consummation, he is (falsely) answering Marvell's speaker.
xxx/ellauri087.html on line 463: Eliot also alludes to the lines near the end of Marvell's poem, "Let us roll all our strength and all / Our sweetness up into one ball", with his lines, "To have squeezed the universe into a ball / To roll it toward some overwhelming question," as Prufrock questions whether or not such an act of daring would have been worth it. Eliot returns to Marvell in The Waste Land with the lines "But at my back in a cold blast I hear / The rattle of the bones" (Part III, line 185) and "But at my back from time to time I hear / The sound of horns and motors" (Part III, line 196).
xxx/ellauri091.html on line 93: "Parisuhde ois rock." Mies 25
xxx/ellauri103.html on line 156: In an interview with the IRA Bomb magazine, Drivel listed her novels' subject matter up to the publication of We Need to Talk About Kevin as "anthropology of the Northern Irish Trouble, first love, rock-and-roll drumming and immigration, , demography and epidemiology, inheritance, tennis and spousal competition, terrorism and cults of personality". Rather than writing traditionally sympathetic characters, Drivel prefers to create characters like herself, who are "hard to love."
xxx/ellauri103.html on line 257:
I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives. We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children. There were five female cousins, an’ in the summertime we hung out together all day long from early until late. In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building. Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs. We had front doors an’ back doors. The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge. And the grass was all worn away in that area. An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear. And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’. But still, you entered the front, you left the rear. We (um) ate our lunches together. When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night. So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together. It was just an institution: lunch in somebody’s yard. An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day. (Um) We gathered at my grandmother’s on Sundays. All my aunts would get those chairs, form a circle. (Uh) One crocheted. (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women. (Uh) The men would gather around the fish pond, which was in a side yard. It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built. There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there. Or he caught a mud turtle, he’d put it in there. An’ there it stayed until it was time to kill it an’ cook it, whatever it was. The pipe in the middle had water that sprayed up all the time. There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust. It’s where we always ate the watermelon. We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind. I hated the things. I thought they were the worst things I ever put in my mouth. But ever’body else thought watermelon pickles were just a great delicacy. That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias. ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it. It was also where we made (uh) ice cream, (uh) on the front porch. We made ice cream on Sunday afternoons. I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day: homemade rolls an’ cakes. And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course. (Um) That was just a big treat, to get to crank that ice cream. It was jus’ our Sunday afternoon thing, an’ I, I think back on it. All the aunts would sit around an’ they’d talk, an’ they’d smoke. Even if you never saw those ladies smoke, any other time o’ the week. On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette. Just a way of relaxing, I suppose. The maple tree’s now gone. In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point. And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …
xxx/ellauri104.html on line 1263: Hallitus kommentoi, hallitus kommentoi, mutta miten käy hallituxelta rock'n'roll?
xxx/ellauri113.html on line 220: Personally, as someone with no religious beliefs, I’d feel a bit weird about the idea that someone might launch my ashes into space after my death. Sort of seems like a terrible waste of rocket power. It’s irrelevant what happens to my ashes after death.
xxx/ellauri120.html on line 359: "Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent: Sibylla ti theleis; respondebat illa: apothanein thelo." I. THE BURIAL OF THE DEAD April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers. Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, 10 And drank coffee, and talked for an hour. Bin gar keine Russin, stamm’ aus Litauen, echt deutsch. And when we were children, staying at the archduke’s, My cousin’s, he took me out on a sled, And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free. I read, much of the night, and go south in the winter. What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, 20 You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust. 30 Frisch weht der Wind Der Heimat zu Mein Irisch Kind, Wo weilest du? "You gave me hyacinths first a year ago; "They called me the hyacinth girl." - Yet when we came back, late, from the Hyacinth garden, Your arms full, and your hair wet, I could not Speak, and my eyes failed, I was neither Living nor dead, and I knew nothing, 40 Looking into the heart of light, the silence. Öd’ und leer das Meer.
xxx/ellauri122.html on line 1029: Barbie today is close to fifty years old, but she doesn’t look a day over seventeen. Not only does her image take up entire ailses in toy stores, but she also has a boyfriend, cousins, sisters, and even a punk rock groupie band. She’s found in every little girls toy chest, and her smile still shines brightly off her her glowing rosy plastic face.
xxx/ellauri124.html on line 1056: Chat GPT:n taustalta löytyy organisaatio, joka on erikoinen viritelmä. Sen tavoitteena on koko talousjärjestelmän mullistaminen yleisellä tekoälyllä. Unelmatiimi oli kasassa, Piilaakson nimekkäimpiä yrittäjiä ja sijoittajia. Elon Musk, Greg Brockman, Reid Hoffman, Jessica Livingston, Peter Thiel ja Sam Altman perustivat voittoa tavoittelemattoman Open AI -tutkimussäätiön tekoälyn kehitykseen vuonna 2015.
xxx/ellauri125.html on line 763: She appeared in supporting roles in the Alex Cox films Sid and Nancy (1986) and Straight to Hell (1987) before forming the band Hole in Los Angeles with guitarist Eric Erlandson. The group received critical acclaim from underground rock press for their 1991 debut album, produced by Kim Gordon, while their second release, Live Through This (1994), was met with critical accolades and multi-platinum sales. In 1995, Love returned to acting, earning a Golden Globe Award nomination for her performance as Althea Leasure in Miloš Forman's The People vs. Larry Flynt (1996), which established her as a mainstream actress. The following year, Hole's third album, Celebrity Skin (1998), was nominated for three Grammy Awards.
xxx/ellauri125.html on line 774: On July 23, 1989, Love married Leaving Trains vocalist James Moreland in Las Vegas; the marriage was annulled the same year. She later said that Moreland was a transvestite and that they had married "as a joke". After forming Hole, Love and Erlandson had a romantic relationship that lasted over a year. In Hole's formative stages, Love continued to work at strip clubs in Hollywood (including Jumbo's Clown Room and the Seventh Veil), saving money to purchase backline equipment and a touring van, while rehearsing at a Hollywood studio loaned to her by the Red Hot Chili Peppers. Hole played their first show in November 1989 at Raji's, a rock club in central Hollywood. Their debut single, "Retard Girl", was issued in April 1990 through the Long Beach indie label Sympathy for the Record Industry, and was played by Rodney Bingenheimer on local rock station KROQ. Hole appeared on the cover of Flipside, a Los Angeles-based punk fanzine. In early 1991, they eleased their second single, "Dicknail", through Sub Pop Records.
xxx/ellauri125.html on line 776: Though Love later said Pretty on the Inside was "unlistenable" and "unmelodic", the album received generally positive critical reception from indie and punk rock critics and was named one of the 20 best albums of the year by Spin. It gained a following in the United Kingdom, charting at 59 on the UK Albums Chart, and its lead single, "Teenage Whore", entered the UK Indie Chart at number one.
xxx/ellauri125.html on line 784: "Just marrying created a mythology around me that I didn't expect for myself, because I had a very controlled, five-year plan about how I was going to be successful in the rock industry. Marrying Kurt, it all kind of went sideways in a way that I could not control and I became seen in a certain light–a vilified light that made Yoko Ono look like Pollyanna–and I couldn't stop it."
xxx/ellauri125.html on line 793: In January 1995, Love was arrested in Melbourne for disrupting a Qantas flight after getting into an argument with a stewardess.[163] On July 4, 1995, at the Lollapalooza Festival in George, Washington, Love threw a lit cigarette at musician Kathleen Hanna before punching her in the face, alleging that Hanna had made a joke about her pleaded guilty to an assault charge and was sentenced to anger management classed. In November 1995, two male teenagers sued Love for allegedly punching them during a Hole concert in Orlando, Florida in March 1995. The judge dismissed the case on grounds that the teens "weren't exposed to any greater amount of violence than could reasonably be expected at an alternative rock concert". Love later said she had little memory of 1994–1995, as she had been using large quantities of heroin and Rohypnol at the time. Mullakin on noista vuosista hämärähköt muistot, paizi että muutettiin Ilmattarentielle.
xxx/ellauri125.html on line 795: After Hole's world tour concluded in 1996, Love made a return to acting, first in small roles in the Jean-Michel Basquiat biopic Basquiat and the drama Feeling Minnesota (1996), and then a starring role as Larry Flynt's wife Althea in Miloš Forman's critically acclaimed 1996 film The People vs. Larry Flynt. Love went through rehabilitation and quit using heroin at the insistence of Forman; she was ordered to take multiple urine tests under the supervision of Columbia Pictures while filming, and passed all of them. Despite Columbia Pictures' initial reluctance to hire Love due to her troubled past, her performance received acclaim, earning a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress. Critic Roger Ebert called her work in the film "quite a performance; Love proves she is not a rock star pretending to act, but a true actress."
xxx/ellauri127.html on line 570: And mid these dancing rocks at once and ever Tanssahdellen saa kivexet kokea
xxx/ellauri128.html on line 619: Adrian Henri (10 April 1932 – 20 December 2000) was a British poet and painter best remembered as the founder of poetry-rock group the Liverpool Scene and as one of three poets in the best-selling anthology The Mersey Sound, along with Brian Patten and Roger McGough. The trio of Liverpool poets came to prominence in that city´s Merseybeat zeitgeist of the 1960s and 1970s. He was described by Edward Lucie-Smith in British Poetry since 1945 as the "theoretician" of the three. His characterisation of popular culture in verse helped to widen the audience for poetry among 1960s British youth. He was influenced by the French Symbolist school of poetry and surrealist art. Aika nolla.
xxx/ellauri129.html on line 348: Jottei kuvasta tulisi liian fiini ja korkeakulttuurinen, todettakoon, että Korhonen kirjoittaa myös esimerkiksi pitkiä ja railakkaan yksityiskohtaisia seksikohtauksia. Sekä vaikkapa ylistyksiä rock-bändeille – hänen suosikkejaan ovat ysäribändit Interpol, The National, Velvet Underground, Nick Cave, Sonic Youth, The Strokes – ja herkullista herjaa U2:sta. Kuinka unettavaa, samaan lankesi myös Kjell Westö vaikka oli hurri.
xxx/ellauri129.html on line 350: Hänellä soikin aina taustalla rock, kun hän kirjoittaa tai kikkailee tietokoneella itselleen uusia annoksia suuren addiktionsa aiheesta. Addiktiiviset ihmiset on ahneita, Tiede-lehti selvitti. Ei kannattaisi kikkailla, voi sattua Juhaa leukaan. Riku Korhonen on näet kerännyt Irakin sotaa käsitteleviä artikkeleita jo viisi vuotta. Joskus mielessäni on ollut visuaalisena taustakuvastona karmeita sotatilanteita. Mutta ne eivät toimineet romaanissa.
xxx/ellauri130.html on line 304:
Jos Jeesus eläisi tänään, sen pitäs olla rockmuusikko.
T.W. Shales
M
KILL!
xxx/ellauri148.html on line 60: Brian McCormack, a Ph.D. graduate of Arizona State University, and Michael McCormack, a graduate of Harvard University, work together to promote this annual global event. Brian's career has since had a rocket start, Michael's is a steady falling trend.
xxx/ellauri149.html on line 366: Conversely, Howard Thompson of The New York Times wrote, "Broadway and Israel meet head on and disastrously in the movie version of the rock opera 'Jesus Christ Superstar,' produced in the Biblical locale. The mod-pop glitter, the musical frenzy and the neon tubing of this super-hot stage bonanza encasing the Greatest Story are now painfully magnified, laid bare and ultimately patched beneath the blue, majestic Israeli sky, as if by a natural judgment." Arthur D. Murphy of Variety wrote that the film "in a paradoxical way is both very good and very disappointing at the same time. The abstract film concept ... veers from elegantly simple through forced metaphor to outright synthetic in dramatic impact."
xxx/ellauri149.html on line 370: Jesus was able to show the film to Pope Paul VI. Ted Neeley later remembered that the pope "openly loved what he saw. He said, 'Mr. Jesus, not only do I appreciate your beautiful rock opera film, I believe it will bring more people around the world to Christianity, than anything ever has before.'"For the Pope, Mary Magdalene's song "I Don't Know How to Love Him" "had an inspired beauty".
xxx/ellauri149.html on line 434: Arguably the strongest moment: when he is at absolute rock bottom, right before his suicide, Judas breaks into a reprise of Mary's "I Don't Know How to Love Him." When Mary sings it, it's implicitly about romantic love. And while Judas's version stops before "And I've had so many men before," it concludes with the anguished cry, "Does he love me, too? Does he care for me?"
xxx/ellauri157.html on line 343: Scholem’s first marriage to Escha Burchhardt was on the rocks by the early 1930s. Not only was he imagining himself in love with Kitty Steinschneider (there is no evidence that she reciprocated), but he was also pursuing a relationship with his student, Fania Freud (they married in 1936). His diaries betray a sense of emotional chaos, as he wrote to his friend, Walter Benjamin, explaining to Benjamin why he could not host him in Jerusalem. He also wrote to Benjamin that he was struggling with questions of good and evil and whether an evil person could also be just. While he doesn’t say whether these questions were purely theoretical or not, it is striking that such ruminations came at exactly the time when his personal life was in turmoil.
xxx/ellauri166.html on line 48: According to the Book of Exodus in the Bible, the staff (Hebrew: מַטֶּה matteh, translated "rod" in the King James Bible) was used to produce water from a rock, was transformed into a snake and back, and was used at the parting of the Red Sea. Whether or not Moses' staff was the same as that used by his brother Aaron (known as Aaron's rod) has been debated by rabbinical scholars.
xxx/ellauri166.html on line 59: Finally, God tells Moses to get water for the Israelites from a rock by speaking to the rock (Numbers 20:8). But Moses, being vexed by the complaining of the Israelites, instead of speaking to the rock as God commanded, strikes the rock twice with the staff. Because Moses did not obey God's command to speak to the rock, implying lack of faith, God punished Moses by not letting him enter into the Promised Land (Numbers 20:12). Taisit jo mainita albumissa 64.
xxx/ellauri166.html on line 387: Hyvä nimi rock- yhtyeelle: a big hand for Rashi and the Tosaphists!
xxx/ellauri169.html on line 450: Vaimoni on niin onnellinen nyt! Hän kysyy, mitä on tapahtunut, ja sen vuoksi voin viimeinen sängyssä paljon pidempään ja miksi minun penis on aina vaikeaa kuin rockia! Toinen onnellinen asiakas. Käskin promo pullon ja sain sen todella nopeasti ja vaivatta.
xxx/ellauri193.html on line 329: The term was used by science fiction author Robert A. Heinlein in the 1947 short story "Space Jockey" as the name of a rocket spacecraft used for the third step of a journey from the Earth to the Moon.
xxx/ellauri199.html on line 871: Make ev´ry echoing rock reply
xxx/ellauri199.html on line 932: Kun rockmusiikki tuli Suomeen, lättähattuihin samaistunut Vexi Salmi keksi nimillä ”Ana” ja ”Hamppari” tunnetulle Hammarbergille taiteilijanimen Rock-Williams. Pian keksittiin kuitenkin uudet nimet: Hammarberg nimesi Salmen Emil Reteeksi, sittemmin Emil von Reteeksi, ja vastaavasti Salmi Hammarbergin Irving Goodmaniksi. Goodmanin mukaan nimi Irwin Goodman oli yhdistelmä yhdysvaltalaismuusikkojen Irving ja Benny Goodmanin nimistä. Vexi Salmi puolestaan on kertonut, että Irwin Goodman oli alun perin haukkumanimi. Benny Goodmanilla oli kaksi veljeä: bassoa soittanut Harry Goodman ja trumpetisti Irving Goodman. Salmen mukaan Irving oli heistä huonoin soittaja, joka ei saanut soittaa sooloja. Vastaavasti Hammarberg ei Salmen mielestä ollut soolotaitoinen kitaristi. Hammarbergin taiteilijanimeä muokattiin ginsbergiläisemmäxi vaihtamalla etunimen v-kirjain w:ksi ja pudottamalla g-kirjain pois. Muutaman ensimmäisen vuoden ajan nimet pidettiin omana tietona.
xxx/ellauri200.html on line 595: God made the petreous rocks, the arboreal trees, Jumala muka teki kallioiset kivet, puiset puut,
xxx/ellauri215.html on line 70: rockers.jpg?mbid=social_retweet" height="300px" />
xxx/ellauri215.html on line 100: It is obvious that rock and roll beats imitate these body rythms. Pelkkä BPM on turha mitta, pääasia on että biisistä löytyy kututahti sopivalla jaotuxella. That's just rock and roll but I like it. Synkopoitu tahti jolla mulkku jotmuilee sisään ulos vulvasta. In 2021, rock has gone quiet in a music landscape ruled by pop and hip-hop.
xxx/ellauri228.html on line 41: Is it not true that, bereft of all sense of decency and ethical restraints, both these miscreants then emptied on the rocks of lifeless Earth six barrels of gelatinous glue, rancid, plus two cans of albuminous paste, spoiled, and that to this ooze they added some curdled ribose, pentose, and levulose, and-as though that filth were not enough-they poured upon it three large jugs of a mildewed solution of amino acids, then stirred the seething swill with a coal shovel twisted to the left, and also used a poker, likewise bent in the same direction, as a consequence of which the proteins of all future organisms on Earth were LEFT-handed?! And finally, is it not true that God, suffering at the time from a boner and moreover egged on by Lorrd, who was reeling from an excessive intake of intoxicants, did willfully and knowingly jerk off into that protoplasmal matter, and, having infected it thereby with the most virulent viruses, guffawed that he had thus breathed 'the fucking breath of life' into those miserable evolutionary be ginnings?!
xxx/ellauri229.html on line 519: Jodie from "The Amityville Horror" could very well be a ghost, or she could be a figment of Amy´s imagination. Either way, there was an empty rocking chair rocking in that movie, and that´s just creepy.
xxx/ellauri231.html on line 89: American punk rock musician and a founding member of the band The Menstrual Cramps
xxx/ellauri233.html on line 114: Stora nonsensdrömmar från en 17-årig bloggare eller en förvuxen rocktönt.
xxx/ellauri233.html on line 407: rockhaus_and_Efron_Jewish_Encyclopedia_e16_058-0.jpg/120px-Brockhaus_and_Efron_Jewish_Encyclopedia_e16_058-0.jpg" />
xxx/ellauri234.html on line 507: Depression is terrible. I remember 27 and it sucks. I can't imagine being that age now. In this world we live in. It's no wonder he's depressed. For young people it just seems hopeless, like what's the point? They can't afford a house, family of their own, secondary education, a life except being a slave to the “grind" and having a side hustle…or 5. Just be there for him. Don't tell him to cheer up, others have it worse. None of those things help. Sometimes they just have to hit rock bottom. Sometimes it's like grieving. Like Winston Churchill said, if you are in hell, just keep shoveling.
xxx/ellauri235.html on line 594: The rocks and nodding groves rebellow to the roar. Kivexet ja nyökkäävät terot kapinoivat kohinaa.
xxx/ellauri235.html on line 804: They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. `What is his sorrow?' she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, `It's all his fancy, that: he hasn't got no sorrow, you know. Come on!'
xxx/ellauri235.html on line 861: The Spider and the Fly" is a song by English rock band the Rolling Stones, recorded in May 1965 and first released on the US version of their 1965 album Out of Our Heads. In the UK, it was released as the B-side to "(I Can't Get No) Satisfaction". Horatio H-blower got no satisfaction off H. Simpson, whose sex pistol was a dud.
xxx/ellauri239.html on line 140: Vittu namaste on hindiä? Mikä ääliö! Joo ei tällä kyllä kuuhun mennä, mutta eipä oikea tao-tyyppi sinne haluaisikaan, ei ainakaan niin kyrvän näköisellä raketilla kuin maailman rikkain ja kitupiikein penispää Jeff Bezos, joka ei anna alaistensa käydä firman piikkiin edes kusella, toisesta kahvikupillisesta puhumattakaan. Do you think that will be Bezos’ lasting legacy in space, that he built the rocket that looked the most like a dick?
xxx/ellauri239.html on line 652: T. Tikkanen on JulkiTerhikin mukaan syntynyt v. 1951, psykoterapeutti ja psykologi. Voisiko se olla Roopen isä? Toivo Robertin puolisot olivat Fazer, Vitali ja Hertell. Lastensa puolisot olivat Cavonius, Etrock ja Wahlroos. Rappeutunutta ruozalaista rahaylimystöä.
xxx/ellauri250.html on line 584: In 1976, Bukowski met Linda Lee Beighle, a health food restaurant owner, rock-and-roll groupie, aspiring actress, heiress to a small Philadelphia "Main Line" fortune and devotee of Meher Baba.
xxx/ellauri250.html on line 617: „Auf der Basis seiner eigenen Erfahrungen schrieb er in knappem Stil harte, witzige Stories, Romane und Gedichte über das Leben in den Randzonen der bürgerl. amerikan. Gesellschaft. Schockwirkung durch die Darstellung brutaler Gewalt, obszöner Sexualität und des Schmutzes der Gosse (katuoja).“ – Der Literatur-Brockhaus: in acht Bänden
xxx/ellauri250.html on line 985: Irlantilais-italialaisen Bruce Springsteenin isäsuhde oli vaikea, mitä hän on myöhemmin kuitenkin pitänyt lauluntekijän uransa kannalta hyödyllisenä asiana. Nuori Bruce sai kipinän ryhtyä rock-muusikoksi nähtyään Elvis Presleyn Ed Sullivan Show’ssa, ja hän sai rahat ensimmäiseen kitaraansa 16-vuotissyntymäpäivälahjanaan. Bruce kävi katolista koulua, mutta ei sopeutunut kouluun koskaan hyvin. Hän vältti Vietnamin sodan kutsunnat vuonna 1967 näyttelemällä hullua lääkärintarkastuksessa. 1960-luvun lopulla hän soitti ja lauloi lukuisissa eri yhtyeissä New Jerseyn Asbury Parkissa. Springsteen ei koskaan tehnyt säännöllistä tai raskasta ruumiillista työtä, vaikka hänen laulunsa usein sellaisesta elämästä kertovatkin. Samanlainen huijari kuin ex-meklari Jo Nääsböö siis.
xxx/ellauri251.html on line 651: And where Eurotas hollows his moist rock xxx/ellauri253.html on line 88: Finland underwent severe economic depression in 1990–93. Badly managed financial deregulation of the 1980s, in particular removal of bank borrowing controls and liberation of foreign borrowing, combined with strong currency and a fixed exchange rate policy led to a foreign debt financed boom. Bank borrowing increased at its peak over 100% a year and asset prices skyrocketed.
xxx/ellauri261.html on line 380: „Jetzt frag ich aber zahlt sich so a Jux aus, wenn man ihn mit einer Furcht, mit 3 Schrocken, 5 Verlegenheiten und 7 Todesängsten erkauft? Jetzt hab ich das Glück genossen, ein verfluchter Kerl zu seyn, und die ganze Ausbeute von dem Glück is, dass ich um keinen Preis mehr ein verfluchter Kerl seyn möcht.“ (IIIter Act, 15te und 16te Scene)
xxx/ellauri261.html on line 618: As Nietzsche pointed out, "When one gives up the Christian faith, one pulls the mat of Christian morality out from under one´s feet. This morality is by no means self-evident. By breaking one main concept out of Christianity, the faith in God, one breaks the whole crockery: nothing necessary remains in one's hands." Martin Heidegger understood this aspect of Nietzsche´s philosophy by looking at it as the death of metaphysics.
xxx/ellauri265.html on line 272: Samulia joteskin kiinostaa nää perinteiset sukupuoliroolit, oiskohan se hiukka setämies. Aina pitää varoa ettei jotain lipsaha jota ei oisi saanut sanoa. Yhden vizi on toisen pyöristys. Eikä tää ole vittu mikään kommunikaation kompsastus, vaan normit eroavat. Vanhuxet nauraa tosi vähän js huonosti. Niiltä on jo vizit vähissä. Ne ei tajua. Hoivakotiin en lähe keikalle, en edes vaipoissa. Mikä on MC vanhus kysyy väliin. Vanhat tulee jälleen lapsixi, ne alkaa vääntää Tampereen tai Jalasjärven murretta, haluaisi kuulla Onni-klovnia. Risto "K" (58v) haluisi kuulla rockabillyä.
xxx/ellauri292.html on line 115: One day he said he would go to Jerusalem to see the Garden of Gethsemane and the hill of the skull that is called Golgotha. But Shaitan (Satan) planned to stop Tekla Haymanot going on his journey to the Holy Land, and he cut the rope which led from the rock to the ground just as Tekla Haymanot started to climb down. Then God gave Tekla Haymanot six wings and he flew down to the valley below... and from that day onwards Teklahaimanot would fly back and forth to Jerusalem above the clouds like an aeroplane. No, more like a bird. Like Super Tekla.
xxx/ellauri296.html on line 507: Vuonna 1994 perustettu Scarp´ de tenis työllistää noin 130 myyjää noin tusinassa Italian kaupungissa, joista noin puolet Milanossa. Julkaisua, joka on saanut nimensä Enzo Jannuccin, yhden italialaisen sodanjälkeisen rock and rollin perustajista, kappaleesta, rahoittaa osittain katolinen hyväntekeväisyysjärjestö Caritas.
xxx/ellauri298.html on line 275: A lady colleague from Laos (a dainty dish indeed) would invariably talk about not ‘rocking the boat’ and ‘letting things ride’ when
xxx/ellauri303.html on line 141: Reformerade kaninen gav shiksa Patricia råd att glömma judaismen. Patricia gick missnöjd därifrån. Hon konstaterade att reformvänliga kaniner inte passade henne. Om han var kanin, varför hade han inte skägg och varför täckte han inte huvudet? Och varför talade han så vardagligt? I New York hade hon sett andra kaniner - män med tinninglockar och länga svarta rockar. De var en smula gammalmodiga, underliga men i deras ögon fanns det en knullsjuk glimt som tilltalade henne, väckte hennes nyfikenhet. I sin bok hade Patricia läst om Maimonides, Baal Shem Tov och Gaon av Vilna. Många rabbiner hade bantat under lång tid för att göra bot. En viss kanin Akiva hade låtit skrapa huden med järnkammar och hans säd hade lämnat kroppen medan han reciterade "Hör, O Israel..." En kanin Hanania ben Dusa åt ingenting annat än en smula johannesbröd från sabbat till sabbat. De var inte bara skådespelare utan fruktbara män. Fanns de fortfarande sådana personer? I så fall ville Patricia känna dem i kaftanerna.
xxx/ellauri303.html on line 344: Today, Mea Shearim remains an insular neighbourhood in the heart of Jerusalem. With its Haredi, and overwhelmingly Hasidic, population, the streets retain the characteristics of an Eastern European shtetl, as it appeared in pre-war Europe. Life revolves around strict adherence to Jewish law, prayer, and the study of Jewish religious texts. Traditions in dress include black frock coats and black hats for men (although there are some other clothing styles, depending on the religious sub-group to which they belong), and long-sleeved, modest clothing for women. In some Hasidic groups, the women wear thick black stockings all year long, even in summer. Married women wear a variety of hair coverings, from wigs to scarves, snoods, hats, and berets. The men have beards, and many grow long sidecurls, called peyot. Many residents speak Yiddish in their daily lives, and use Hebrew only for prayer and religious study, as they believe Hebrew to be a sacred language, only to be used for religious purposes.
xxx/ellauri312.html on line 212: Strategisen viestinnän konsortio sai äskettäin kaksivuotisen, uusittavissa olevan 2,5 miljoonan dollarin apurahan merivoimien tutkimustoimistolta projektilleen "Terroristin kertomusten ja vastakertomusten tunnistaminen: Tarinaanalyytikkojen upottaminen retkikuntayksiköihin". Muuan "Bud" kiersi ja soitti rytmikitaraa Whitedog-yhtyeessä tutkien rock and rollia jokapäiväisen työelämän sosiaalisena teoriana. Hänen viimeisin työnsä on soveltaa kommunikaatioteorioita ja kertomusta terrorismin ideologisen tuen vastustamiseen.
xxx/ellauri312.html on line 404: Två semesterfirande män som körde vattenskoter i Marocko sköts ihjäl av
xxx/ellauri319.html on line 331: Charles Brockden Brown
xxx/ellauri319.html on line 676: Alamo, joka oli syntyessään Bernie Lazar Hoffman, kuoli tiistaina 82-vuotiaana vankina liittovaltion vankilan sairaalassa Butnerissa, Bernie LaZar Hoffman syntyi juutalaisvanhemmille. Alamo muutti nimensä kuulostamaan enemmän italialaiselta huijarilta ja väitti työskennelleensä rock 'n' roll -promoottorina 1960-luvulla. Noihin aikoihin hän ilmeisesti päätti, että Kalifornian katuministeriöissä oli ansaittavissa enemmän rahaa kuin rabbittina.
xxx/ellauri337.html on line 142: Die Liebesaffäre zwischen Boris und Leni beginnt Ende Dezember 1943 mit einer Tasse Kaffee. Sie bietet ihm, dem Sowjet, dem Untermenschen, vor aller Augen und mit großer Selbstverständlichkeit eine Tasse Kaffee an. Der Betriebsnazi schlägt mit seiner abgestellten Beinprothese Boris die Tasse aus der Hand. Inmitten des plötzlichen Schweigens – von den Zeugen „Lenis Entscheidungsschlacht“ genannt – nimmt Leni die heil gebliebene Tasse, wäscht sie seelenruhig, trocknet sie, füllt sie erneut und reicht sie Boris. Leni teilt von nun an ihren Kaffee täglich mit Boris. Eines Tages legt sie dabei ihre Hand auf die seine, eine erotisch und politisch kühne Tat. Es durchfährt beide wie ein elektrischer Schlag – mehr noch, sie erleben einen Orgasmus!
xxx/ellauri356.html on line 321: Sa poésie est concise, directe comme du rock, brute et généreuse, mais toujours suggestive.
xxx/ellauri376.html on line 113: "Sen lisäksi, että hän keksi rock and rollin (WTF), hän oli suurin balladilaulaja tällä puolella Frank Sinatraa – koska hänen hitaan itkevän ja soihduttavan popbluusin henkinen läpikuultavuus ja hillitty suolen seksuaalisuus aktivoi hormonit ja orjuuttaa edelleen miljoonien naispuolisten ihmisten omistautumista maailmanlaajuisesti."
xxx/ellauri376.html on line 116: Rotusekoitteisen alkuperänsä ansiosta – jota Presley toistuvasti vahvisti – rock and rollin keskeinen asema amerikkalaisessa valtavirran kulttuurissa helpotti mustien kulttuurin uutta hyväksymistä ja arvostusta.
xxx/ellauri385.html on line 337: Made fearful and august with woods & rocks, Horrorisoitu syyspuolella mezillä ja kivillä,
xxx/ellauri394.html on line 144: After his accession, Kalākaua gave royal titles and styles to his surviving siblings, his sisters, Princess Lydia Kamakaʻeha Dominis and Princess Miriam Likelike Leghorn, as well as his brother William Pitt Leleiohoku, whom he named heir to the Hawaiian throne as Kalākaua and Queen Kapiʻolani had no children of their own. Leleiohoku died without an heir in 1877. Leleiohoku's hānai (adoptive) mother, Ruth Keʻelikōlani, wanted to be named heir, but the king's cabinet ministers objected as that would place Bernice Pauahi Bishop, Ruth's first cousin, next in line. This would put the Kamehamehas back in succession to the throne again, which Kalākaua did not wish. On top of that, Kalākaua's court genealogists had already cast doubt on Ruth's direct lineage, and in doing so placed doubt on Bernice's. At noon on April 10, Liliʻuokalani became the newly designated heir apparent to the throne of Hawaii. It was at this time that Kalākaua had her name changed to Liliʻuokalani (the "pain in the royal ones"), replacing her given name of Liliʻu and her baptismal name of Lydia. (Lydiahan oli se ämmä Paavalin possessa.) In 1878, Liliʻuokalani and Dominis sailed to California for her health. They stayed in San Francisco and Sacramento where she visited the Crocker Art Museum! Wauzi wauz.
xxx/ellauri410.html on line 92: 1917 Published Prufrock and Other Observations.
xxx/ellauri410.html on line 543: Analysis (ai): This poem satirizes religious rituals and the loss of spiritual meaning. It contrasts sharply with Eliot's earlier work, such as "The Love Song of J. Alfred Prufrock," which explored existential angst. The poem reflects the disillusionment and skepticism of the post-World War I era.
xxx/ellauri416.html on line 266: Brjanskia: Corey Nawrocki löysi kuolemansa Venäjällä.
xxx/ellauri416.html on line 277: Nawrockilla oli pronssitähti, jossa oli urheutta osoittava tanko, ansioitunut palvelumitali ja kaksi purppurasydäntä (mitali haavoista). Nawrocki palveli Lähi-idässä. Ja erottuaan asepalveluksesta näyttää siltä, että hänestä tuli onnensotilas. Oligarkit käyvät rauhallisesti kauppaa etulinjan yli ja ovat huolissaan omaisuutensa säilyttämisestä. Täällä on todella paljon "villihanhia", heidän joukossaan on typeriä "latinalaisamerikkalaisia" (kuten paikalliset kutsuvat heitä), jotka liittyivät Ukrainan asevoimiin pitkän dollarin perässä, mutta enimmäkseen nämä ovat puolalaisia - oletettavasti entisiä Naton erikoisjoukkoja, jotka taistelevat väärän lipun alla Venäjän armeijan kanssa, johon oli määrätty palkkasotureita Etelä-Amerikasta. Nämä kusipäät pitävät hrivnat itsellään ja ilmeisesti raportoivat suoraan Pentagonille. Totta, kahluualtaat ja "Deutsche Soldaten" eivät mene etulinjaan - päivällä he harjoittelevat "mobikkeja", illalla he juovat häpeämättömästi venäläistä vodkaa, yöllä etsivät prostituoituja, enimmäkseen harhautuneita, Zapadenschinasta. Paikalliset tytöt kieltäytyvät niistä edes eurolla. On myös "amerikkalaisia" (ei mitään loukkaavaa, harkovilaiset kutsuvat heitä niin hellästi). He kävelevät kuin Hampurin kukot, ilmeisesti pitäen itseään hallitsijoina, mikä vastaa osittain paikallista rivetaulukkoa. He komentavat eurooppalaisia kouluttajia, suorittavat tiedustelutoimintaa ja auttavat (tai pikemminkin valvovat) korjausryhmiä Naton laitteiston korjaamisessa.
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