ellauri060.html on line 470: This song may be of quite recent origin, since almost half of the known examples are sound recordings, and there's only one broadside printing. On the other hand, there's an older and widely printed broadside Jimmy and his True Love, which might well be an earlier version—or it may just be a song with universal appeal and a good chorus that people still enjoy singing. Of the 40 or so instances in Roud, most are from the south west of England or East Anglia—though Gavin Greig collected a dozen examples in Scotland in the early years of last century. No other Sussex version has been collected.
ellauri088.html on line 618: The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.
ellauri146.html on line 738: Cloud and the roadside bushes brimming with whistling pilvessä ja tienreunan puskat kirjavanaan
ellauri222.html on line 239: Adam Bellow is executive editor at Bombardier Books, a politically conservative imprint at Post Hill Press. He previously founded and led the conservative imprints All Points Books at St Martin's Press and Broadside Books at HarperCollins, served as executive editor-at-large at Doubleday, and as editorial director at Free Press, publishing several controversial conservative books such as Illiberal Education, The Real Anita Hill, The Bell Curve, and Clinton Cash.
ellauri236.html on line 537: Tää oli siis jonkun M. Cainin kovaxi keitetty 30-luvulta josta pidettiin 80-luvulla uusi meteli koska siitä tehtiin uusi filmatisaatio pääosissa epämiellyttävä Jack Nicholson ja hevoshampainen nainen nimeltä Jessica Lange. En ole nähnyt rainoista kumpaakaan, saati lukenut alkuteosta. Juoni lyhyesti: The sensuous wife of a lunch wagon proprietor and a rootless drifter begin a sordidly steamy affair and conspire to murder her Greek husband (i.e. the said lunch wagon proprietor). This remake of the 1946 movie of the same name accounts an affair between a seedy drifter and a seductive wife of a roadside café owner. This begins a chain of events that culminates in murder. EFK ihan pikku pussissa.
ellauri270.html on line 238: "The Daemon Lover" (Roud 14, Child 243) – also known as "James Harris", "A Warning for Married Women", "The Distressed Ship Carpenter", "James Herries", "The Carpenter’s Wife", "The Banks of Italy", or "The House-Carpenter" – is a popular ballad dating from the mid-seventeenth century, when the earliest known broadside version of the ballad was entered in the Stationers' Register on 21 February 1657.
ellauri270.html on line 240: The original, full title of the broadside was "A Warning for Married Women, by the example of Mrs. Jane Renalds, a West-Country woman born neer unto Plymouth, who having plighted her troth to a seaman, was afterwards married to a carpenter, and at last carried away by a spirit, the manner how shall be presently recited".
ellauri270.html on line 242: "A Warning for Married Women" tells the story of Jane Reynolds and her lover James Harris, with whom she exchanged a promise of marriage. He is pressed as a sailor before the wedding takes place and Jane faithfully awaits his return for three years, but when she learns of his death at sea, she agrees to marry a local carpenter. Jane gives birth to three children and for four years the couple lives a happy life. One night, when the carpenter is away, the spirit of James Harris appears. He tries to convince Jane to keep her oath and run away with him. At first she is reluctant to do so, because of her husband and their children, but ultimately she succumbs to the ghost's pleas, letting herself be persuaded by his tales of rejecting the royal daughter's hand and assurance that he has the means to support her – namely, a fleet of seven ships. The pair then leaves England, never to be seen again, and the carpenter commits suicide upon learning that his wife is gone. The broadside ends with a mention that although the children were orphaned, the heavenly powers will provide for them.
ellauri276.html on line 603: Here we are on familiar ground, for the beginning is that of the well-known Condescending Lass, often printed on broadsides, and not infrequently met with in the mouths of country singers to this day. The Condescending Lass belongs to a sizeable family of songs on the theme “I wouldn't marry a …”. In it the girl reviews men of various trades, and rejects them all until she finds one whom she will deign to consider. But the present version loses sight of this theme, and from verse two onwards forgets all about the persnickety girl, settling down to a eulogy of the ploughman's trade, though here and there the words still recall those of The Condescending Lass. For the sake of coherence we have abandoned Mr Burstow's first verse and given it another title (he called it: Pretty Wench). The Taverners Folk Group sang The Ploughman in 1974 on their Folk Heritage album Times of Old England. They noted:
ellauri276.html on line 958: Bob Hart lauloi kappaleen Kaikki iloiset kaverit jotka seuraa auraa kotona Snapessa, Suffolkissa, 8. heinäkuuta 1969 Rod ja Danny Stradlingille. Tämä tallenne sisältyi vuonna 1998 hänen Musical Traditions -antologiaan A Broadside. Hän lauloi sen myös kotonaan heinäkuussa 1982 Tony Englelle. Tämä tallenne julkaistiin vuotta myöhemmin hänen Topic -albumillaan Songs from Suffolk. AL Lloyd huomautti:
ellauri276.html on line 962: The Broadside lauloi We´re All Jolly Fellowsin vuoden 1971 lincolnshiren kananlaulujen albumillaan The Gipsy´s Wedding Day. He huomauttivat:
ellauri276.html on line 976: Martyn Wyndham-Read lauloi kappaleen Iloiset kaverit jotka seuraa auraa vuonna 1975 Trailer-albumilla Maypoles to Mistletoe, ja hän lauloi Aurapojan vuonna 1979 Broadside-albumillaan Andy´s Gone.
ellauri374.html on line 212: Lucky Lukessa tervatut ja höyhennetyt jäbät olivat skimmingtonin uhreja. Riding the rail (also called being "run out of town on a rail") was a punishment most prevalent in the United States in the 18th and 19th centuries in which an offender was made to straddle a fence rail held on the shoulders of two or more bearers. The subject was then paraded around town or taken to the city limits and dumped by the roadside. In Mark Twain´s book Adventures of Huckleberry Finn (1884), two traveling swindlers known as "The King" and "The Duke" are finally caught in the act and are ridden out of town "astraddle a rail" after tarring and feathering.
xxx/ellauri085.html on line 61: To market Burma-Shave, Allan Odell devised the concept of sequential signboards to sell the product. Allan Odell recalled one time when he noticed signs saying Gas, Oil, Restrooms, and finally a sign pointing to a roadside gas station. The signs compelled people to read each one in the series and would hold the driver’s attention much longer than a conventional billboard. Though Allan’s father, Clinton, wasn’t crazy about the idea he eventually gave Allan $200 to give it a try.
xxx/ellauri127.html on line 140: This chapter gives a brief history of the émigré travelogue in and about America from Alexis de Tocqueville to Simone de Beauvoir, by way of introducing the four authors studied in this book: Vladimir Nabokov, Robert Frank, Alfred Hitchcock and Wim Wenders. Elsa Court argues that the outsider’s perspective has shaped representations of modern America through restless mobility, drawing a portrait of the modern highway shaped by the needs and cravings of the motorist. In the context of mobilities studies’ recent embrace of the humanities, Court makes an important case for the re-examination of the fixed places designed to facilitate motion—motel, gasoline station, roadside restaurant, as well as signage and memorials—and the roadside’s redesignation from so-called non-place to modern American topos.
xxx/ellauri199.html on line 362: "An Evening Thought: Salvation by Christ, with Penitential Cries" was Jupiter Hammon´s first published poem. Composed on December 25, 1760, it appeared as a broadside in 1761. The printing and publishing of this poem established Jupiter Hammon as the first polished black poet.
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