ellauri042.html on line 652: Pope's choice of new 'hero' for the revised Dunciad, Colley Cibber, the pioneer of sentimental drama and celebrated comic actor, was the outcome of a long public squabble that originated in 1717, when Cibber introduced jokes onstage at the expense of a poorly received farce, Three Hours After Marriage, written by Pope with John Arbuthnot and John Gay. Pope was in the audience and naturally infuriated, as was Gay, who got into a physical fight with Cibber on a subsequent visit to the theatre. Pope published a pamphlet satirising Cibber, and continued his literary assault until his death, the situation escalating following Cibber's politically motivated appointment to the post of poet laureate in 1730.
ellauri099.html on line 48: The longer and revised version of The Picture of Dorian Gray published in book form in 1891 featured an aphoristic preface—a defence of the artist's rights and of art for art's sake—based in part on his press defences of the novel the previous year. The content, style, and presentation of the preface made it famous in its own right, as a literary and artistic manifesto. In April 1891, the publishing firm of Ward, Lock and Company, who had distributed the shorter, more inflammatory, magazine version in England the previous year, published the revised version of The Picture of Dorian Gray.
ellauri110.html on line 1077: I hope that a revised version of these conversations will eventually appear in book form. This published version will include extensive accompanying notes, indicating the sources of the views ascribed to Dostoevsky and, where relevant, references to secondary literature. This will especially be in cases where, for example, the views spoken by Dostoevsky may involve controversial points of interpretation or where his own documented views may require comment for twenty-first century readers. However, this is primarily a work of fiction and although it is supported by scholarship and, I hope, raises questions that are of interest to scholars, it is to be read in the way we might read any work of fiction, where whatever instruction the work may offer is accompanied by a element of entertainment.
ellauri140.html on line 224: "The Ballad of the Green Berets" is a patriotic song in the ballad style about the United States Army Special Forces. It is one of the few popular songs of the Vietnam War years to cast the military in a positive light and in 1966 became a major hit, reaching No. 1 for five weeks on the Hot 100 and four weeks on Cashbox. It was also a crossover smash, reaching No. 1 on Billboard's Easy Listening chart and No. 2 on Billboard's Country survey. The original Hot 100 end-of-the-year chart for 1966 showed "California Dreamin'" by The Mamas and the Papas at #1 and "Ballad of the Green Berets" at #10. Later, in a revised end-of-the-year chart for 1966, "Berets" was at #1 and "Dreamin'" was at #10 (see Billboard's #1 single for the year 1966). The two songs tied for #1 on the Cashbox end-of-the-year survey for 1966.
ellauri144.html on line 586: Saint. A dead sinner revised and edited.
ellauri159.html on line 1213: Perhaps this is what draws me to writing women’s fiction. I can create relationship problems, which I can then go about solving, without hurting anyone but my fictional characters in the process. Real life, unfortunately, doesn’t work that way. The INFJs’ search for perfection can damage otherwise good relationships. So I propose a revised Serenity Prayer for INFJs: God grant me the serenity to accept the things I cannot change. Period. Oh, I got my period.
ellauri184.html on line 78: Mailer wrote his fourth novel, An American Dream, as a serial in Esquire magazine over eight months (January to August 1964), publishing the first chapter two months after he wrote it. In March 1965, Dial Press published a revised version. The novel generally received mixed reviews, but was a best seller. Joan Didion praised it in a review in National Review (April 20, 1965) and John W. Aldridge did the same in Life (March 19, 1965), while Elizabeth Hardwick panned it in Partisan Review (spring 1965).
ellauri198.html on line 710: The series was chiefly inspired by the poem "Childe Roland to the Dark Tower Came" by Robert Browning, whose full text was included in the final volume's appendix. In the preface to the revised 2003 edition of The Gunslinger, King also identifies The Lord of the Rings, Arthurian legend, and The Good, the Bad and the Ugly as inspirations. He identifies Clint Eastwood's "Man with No Name" character as one of the major inspirations for the protagonist, Roland Deschain. King's style of location names in the series, such as Mid-World, and his development of a unique language abstract to our own [clarification needed] (High Speech), are also influenced by J. R. R. Tolkien's work. The series is referred to on King's website as his magnum opus.
ellauri210.html on line 1259: In the second, revised version, "socialism can be brought about in a perfectly constitutional manner by democratic institutions".
ellauri210.html on line 1314: Dating from 1960, the widely available English translation by Richard Howard is a translation of the first edition of Breton's novel, dating from 1928. Breton published a second, revised edition in 1963. No English translation of this second edition is currently available. Ketäpä enää kiinnostaa.
ellauri220.html on line 79: This poem was originally called "Sun-Down Poem" (1856), and the present title was given it in 1860. It was substantially revised in 1881. The major image in the poem is the ferry. It symbolizes continual movement, backward and forward, a universal motion in space and time.
ellauri236.html on line 384: In 1947, the sado-eroticism in Chase's book was parodied by Raymond Queneau in his pastiche novel, We Always Treat Women Too Well. In 1961, the novel was extensively rewritten and revised by the author because he thought the world of 1939 too distant for a new generation of readers (confusion can result if readers of the Orwell essay refer his quotations and references to the 1962 edition).
ellauri254.html on line 377: considered to be one of the most popular poets, who believed in first inspiration and sometimes intentionally left his verse unrevised. In many regards looked upon as the antipode of Valery Bryusov.
ellauri263.html on line 335: Various Modern Orthodox and Conservative rabbits have proposed amending Nachem, as its wording no longer reflects the existence of a rebuilt Jerusalem under Israeli sovereignty. Chief Rabbit Shlomo Goren, for example, issued a revised wording of the prayer and Rabbit Hayim David HaLevi proposed putting the prayer's verbs relating to the Temple's destruction into the past tense. However, such proposals have not been widely adopted. Following the Six-Day War, the national religious community viewed Israel's territorial conquests with almost messianic overtones. The conquest of geographical areas with immense religious significance, including Jerusalem, the Western Wall, and the Temple Mount, was seen as portentous; however, only the full rebuilding of the Temple would engender enough reason to cease observing the day as one of mourning and transform it into a day of joy instead. The re-occupation of the Gaza strip is surely a source of joy, as well as annihilating philistines of the West Bank.
ellauri266.html on line 329: This article was most recently revised and updated by Brian Duignan.
ellauri269.html on line 48: The Aarne–Thompson–Uther Index (ATU Index) is a catalogue of folktale types used in folklore studies. The ATU Index is the product of a series of revisions and expansions by an international group of scholars: originally composed in German by Finnish folklorist Antti Aarne (1910), the index was translated into English, revised, and expanded by American folklorist Stith Thompson (1928, 1961), and later further revised and expanded by German folklorist Hans-Jörg Uther (2004). The ATU Index, along with Thompson's Motif-Index of Folk-Literature (1932) - with which it is used in tandem, is an essential tool for folklorists.
ellauri369.html on line 476: Deena Weinstein havaitsee On Herpexen vaikutuksen "kitaran sankarin" rockmusiikkiilmiöön, kuten 1960-luvun meemissä "Clapton is God". Deena Weinstein (born March 15, 1943) is a professor of sociology at DePaul University whose research focuses on popular culture. She is particularly well known for her research on heavy metal culture, on which subject she wrote a ground-breaking book, Heavy Metal: A Cultural Sociology (1991), later published in a revised and updated version as Heavy Metal: The Music and Its Culture (2009). She did for metal what Greil Marcus's Lipstick Traces did for the Sex Pistols (fucking castrated them).
ellauri389.html on line 71: The nominal occasion of Lamb's essay is not just Elia's purchase of the teacup, but also Britain's en- trance into China, as it began with the East India Company's annexation of Singa Pura (Singapore) in 1819. The event, which was a pivotal moment in British imperial expansion, extended imperial activity from South Asia to the Far East. More importantly, the development revised a longstanding Sino-British trade imbalance that was particularly caused by porcelain and tea, and hence necessitated a change in British attitudes toward luxury purchases such as porcelain that reversed the animus previously demonstrated by Fielding, who complained that brits echanged the gold of one India to the clay ("mud") of another. Indeed, "Old China" facetiously depicts a cultural sinicization presumably precipitated by this intensification in East Asia-based imperial activity: Elia drinks tea "unmixed," in the Chinese fashion, and experiences an "almost feminine" pleasure in porcelain that likens him to the androgynous "men with women's faces" that Elia associates with China. Fuck the guy was obviously gay.
xxx/ellauri113.html on line 89: On the Fourfold Root of the Principle of Sufficient Reason (German: Ueber die vierfache Wurzel des Satzes vom zureichenden Grunde) is an elaboration on the classical Principle of Sufficient Reason, written by German philosopher Arthur Schopenhauer as his doctoral dissertation in 1813. The principle of sufficient reason is a powerful and controversial philosophical principle stipulating that everything must have a reason or cause. Schopenhauer revised and re-published it in 1847. The work articulated the centerpiece of many of Schopenhauer's arguments, and throughout his later works he consistently refers his readers to it as the necessary beginning point for a full understanding of his further writings.)
xxx/ellauri122.html on line 879: In response, Wilde revised and expanded the magazine edition, publishing it as a novel.
xxx/ellauri166.html on line 425: The first German tosafist, Isaac b. Asher ha-Levi, was a student of Rashi and the head of a school, and his pupils, besides composing tosafot of their own, revised his.
xxx/ellauri187.html on line 275: Portugal's 25 April 1976 constitution reflected the country's 1974–76 move from authoritarian rule to provisional military government to a representative democracy with some initial Communist and left-wing influence. The military coup in 1974, which became known as the Carnation Revolution, was a result of multiple internal and external factors like the colonial wars that ended in defeats, removing the dictator, Marcelo Caetano, from power. The prospect of a communist takeover in Portugal generated considerable concern among the country's NATO allies. The revolution also led to the country abruptly abandoning its colonies overseas and to the return of an estimated 600,000 Portuguese citizens from abroad. The 1976 constitution, which defined Portugal as a "Republic... engaged in the formation of a classless society," was revised in 1982, 1989, 1992, 1997, 2001, and 2004.
xxx/ellauri261.html on line 427: Hello, Dolly! is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder´s 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1955. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York, to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. The show was originally entitled Dolly, A Damned Exasperating Woman.
xxx/ellauri261.html on line 429: The plot of Hello, Dolly! originated in the 1835 English play A Day Well Spent by John Oxenford, which Johann Nestroy adapted into the farce Einen Jux will er sich machen (He Will Go on a Spree or He'll Have Himself a Good Time) in 1842. Thornton Wilder adapted Nestroy's play into his 1938 farcical play The Merchant of Yonkers. That play was a flop, so he revised it and retitled it as The Matchmaker in 1954, expanding the role of Dolly (played by Ruth Gordon).The Matchmaker became a hit and was much revived and made into a 1958 film starring Shirley Booth.
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