ellauri028.html on line 399: But she got revenge when she said "yes"
ellauri051.html on line 444: Mine too the revenges of humanity--the wrongs of ages--baffled feuds Mun toimia on humanistihöpötyxet -- kaikki vääryydet -- sekopäiset rähäkät
ellauri065.html on line 479: Cangaço (Portuguese pronunciation: [kɐ̃ˈɡasu]) was the banditism phenomenon of Northeast Brazil in the late 19th and early 20th centuries. This region of Brazil is known for its aridness and hard way of life, and in a form of "social banditry" against the government, many men and women decided to become nomadic bandits, roaming the hinterlands seeking money, food and revenge.
ellauri065.html on line 631: Here is an actual website for a company that gang stalks. The CEO “John Winters” is a private investigator and former law enforcement. There are multiple “revenge” packages available on the website designed to help ruin the subject’s life. He claims it’s all “legal” because they never physically touch the subject.
ellauri066.html on line 478: Out of these two arise those mixed affections and passions of anger, which is a desire of revenge; hatred, which is inveterate anger; zeal, which is offended with him who hurts that he loves; and ἐπιχαιρεκακία [epikhairekakia], a compound affection of joy and hate, when we rejoice at other men's mischief, and are grieved at their prosperity; pride, self-love, emulation, envy, shame, &c., of which elsewhere. Nicomachean Ethics, 2.7.1108b1-10
ellauri066.html on line 520: During the seventeenth century, Robert Burton wrote in his work The Anatomy of Melancholy, "Out of these two [the concupiscible and irascible powers] arise those mixed affections and passions of anger, which is a desire of revenge; hatred, which is inveterate anger; zeal, which is offended with him who hurts that he loves; and ἐπιχαιρεκακία, a compound affection of joy and hate, when we rejoice at other men's mischief, and are grieved at their prosperity; pride, self-love, emulation, envy, shame, &c., of which elsewhere."[37]
ellauri082.html on line 145: Orin (who never attended his father’s funeral) went to the gravesite and dug up his father, releasing the wraith in the process. (244: “After a burial, rural Papineau-region Québecers purportedly drill a small hole down from ground level all the way down through the lid of the coffin, to let out the soul, if it wants out.”) Orin, who is such a partisan of his father that he feels the need to repeatedly ruin the lives of people like his mother, has been mailing the tapes to his father’s enemies in revenge: disapproving film critics in Berkeley and the medical attaché (whose affair with his mother drove Himself especially wild) in Boston. It’s possible he’s being influenced by the wraith in these actions.
ellauri083.html on line 223: She is one of the main villains of the novel, obsessed with revenge against the Evrémondes. She ruthlessly pursues this goal against Charles Darnay, his wife, Lucie Manette, and their child, for crimes a prior generation of the Evrémonde family had committed.
ellauri083.html on line 226: Her consuming need for revenge against the Evrémonde family, including the innocent Darnay and his wife, brings about her death by her own weapon at the hands of Miss Pross.
ellauri083.html on line 228: Defarge's desire for revenge ultimately stems from the rape of her sister at the hands of the aristocratic Evrémonde brothers, and Teresa Mangum therefore suggests that "the logic driving her story is that the secret crime of sexual violence against women fuels the French Revolution".
ellauri144.html on line 727: When Allura learns that Max, who was her rival for the directorship, is to marry Lana, Allura’s little sister, she swears revenge. Max’s confidence is shaken, and on his next all-night shift at the station, an accident causes the meltdown of one of the reactors. In the ensuing catastrophe, the region and its people are poisoned, and the survivors are forced to evacuate their beloved town.
ellauri150.html on line 461: Ben-Hurista ei meinannut ensin löytyä kuin filmikäsikirjoitus. Synopsis: Judah Ben-Hur lives as a rich Jewish merchant prince in Jerusalem at the beginning of the 1st century. Together with the new governor Pontius Pilate, his old friend Messiah arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messiah knows they are not guilty as such, he sends Judah to the galleys and throws his mother and sister into prison. What the fuck, their house was a menace! Good old Hammurabi would have had their heads off. But Judah swears to come back and take revenge. Genre: Adventure, Drama, History.
ellauri150.html on line 492: The story recounts the adventures of Judah Ben-Hur, a Jewish prince from Jerusalem, who is enslaved by the Romans at the beginning of the first century and becomes a charioteer and a Christian. Running in parallel with Judah's narrative is the unfolding story of Jesus, from the same region and around the same age. The novel reflects themes of betrayal, conviction, and redemption, with a revenge plot that leads to a story of gay love and compassion.
ellauri150.html on line 541: In 30 AD, Judah returned from being a galley slave, and Esther told him that she was no longer betrothed, causing the two to fall in love again. When Judah's mother Miriam and sister Tirzah were sent to the Valley of Lepers by their jailers, Esther brought them food, and, when Judah asked about his family's fate, Esther was told by Miriam to inform him that they were dead, as Miriam did not want her son to see them in agony. When a dying Messala told Judah of his family's real fates, Judah headed to the Valley and angrily confronted Esther, who forced him to hide from his family rather than violate their wishes. On the way out of the Valley, Esther stopped to listen to Jesus' Sermon on the Mount, and she became a convinced Christian; she had an argument with Judah about his lust for vengeance and his lack of interest in Jesus' message of peace and love. However, when the two found that Tirzah was dying, they brought Miriam and Tirzah to Jerusalem to search for Jesus and hope for a cure. They were too late to reach him before he was crucified, but a sudden rainstorm miraculously healed the lepers' wounds and cured them. Ben-Hur, who was now convinced of Jesus' message, embraced Esther and his family, having decided to give up his quest for revenge.
ellauri150.html on line 649: Ben-Hur seeks out Messala in the dark pit of the surgeon's bay. Messala refuses to be carried out to a proper hospital: even if it kills him, he'll see Ben-Hur one last time. The two onetime friends meet. Messala taunts Ben-Hur with the knowledge that Miriam and Tirzah are alive— but as lepers. Having had his last revenge, Messala dies. Ben-Hur goes to seek out his family, even in their horrific state. Esther meets him at the leper's cave. The family reunites as Jesus' crucifixion takes place. At Jesus' death, by a miracle, Miriam and Tirzah are healed of their leprosy. Judah renounces hatred and dedicates himself to his family— which will include Esther as his wife. All live happily ever after, except for Messala.
ellauri156.html on line 145: The lyrics describe a conflict over a love triangle, in which Rocky's girlfriend Lil Magill (known to the public as Nancy) leaves him for a man named Dan, who punches Rocky in the eye. Rocky vows revenge and takes a room at the saloon in the town where Dan and Nancy are staying. He bursts into Dan's room, armed with a gun, but Dan out-draws and shoots him. A drunken doctor attends to Rocky, the latter insisting that the wound is only a minor one. Stumbling back to his room, Rocky finds a Gideon Bible and takes it as a sign from God.
ellauri156.html on line 526: Abner was indignant at the rebuke, and immediately opened negotiations with David, who welcomed him on the condition that his wife Michal should be restored to him. This was done, and the proceedings were ratified by a feast where Rizpah and Michal were the lights of the party. Almost immediately after, however, Joab, who had been sent away, perhaps intentionally returned and slew Abner at the gate of Hebron. The ostensible motive for the assassination was a desire to avenge Asahel, and this would be a sufficient justification for the deed according to the extremely low moral standard of the time (although Abner should have been safe from such a revenge killing in Hebron, which was a City of Refuge). The conduct of David after the event was such as to show that he had no complicity in the act, though he could not venture to punish its perpetrators.
ellauri171.html on line 759: After Jehu killed Jezebel, he rounded up all the family, friends and supporters of the royal family and slaughtered them. Male children were included in this mass murder, since they would one day grow up and perhaps seek revenge.
ellauri171.html on line 1067: Storyline: Tamara is a girl who didn't quite fit in. Tamara is constantly picked on and when a couple of Judah's sons play a joke on Tamara, it leads to their death. The sugardaddy tries to make it so that Tamara ran away. But all is not lost yet. Tamara returns as a sexy seductress and plans her revenge. (due to witchcraft). Well like they say: Karma's a bitch. —Anonymous
ellauri171.html on line 1158: But her brother Absalom was not so accommodating. He could not force Amnon to marry the devastated Tamar, but he would take his revenge – vendetta was part of Near Eastern culture.
ellauri222.html on line 183: “Herzog” is a revenge novel. The ex-wife, Madeleine, is a stone-cold man-killer. Her lover, Valentine Gersbach, is described as a “loud, flamboyant, ass-clutching brute.” Ludwig had a Ph.D. and a damaged foot; Bellow makes Gersbach a radio announcer with a wooden leg. The Herzog character is passive, loving, an innocent soul who cannot make sense of a world in which people like his estranged wife and her lover can exist. He is an ex-university professor, the author of a distinguished tome called “Romanticism and Christianity.” The Rosette Lamont character, called Ramona, is a sexpot with a heart of gold; she specializes in intimate candlelight dinners and lacy lingerie. She is a professor of love, not French.
ellauri222.html on line 211: But “Ravelstein” is a revenge novel, too. It’s not really about Ravelstein/Bloom. It’s about the narrator, a writer named Chick, who has been treated cruelly by his wife, Vela, a beautiful and brilliant physicist—a wicked caricature of Bellow’s fourth wife, the mathematician Alexandra Ionescu Tulcea. There are also a couple of drive-by take-downs along the way—of Mircea Eliade, a historian of religion at Chicago rumored to have been involved in the fascist Romanian Iron Guard, and of the owner of a restaurant on St. Martin, in the Caribbean, where Bellow contracted a case of food poisoning that nearly killed him. He brings them into the story just to skewer them.
ellauri240.html on line 101: Nancy realizes that the departed pedophile Krueger, now a vengeful ghost, is killing her and her friends out of revenge and to satiate his psychopathic needs. Realizing that Krueger is powered by his victim's fear, she calmly turns her back to him. Krueger evaporates when he attempts to lunge at her.
ellauri244.html on line 312: Anjan kuvaamat harrivieroitusoireet ei oikein kuulosta kauramummolta. Ne on jostain toisesta pienoisromaanista lainattuja meemejä: "Muistin miltä Sysprinssi kuulosti ruiskahtaessaan suureen puhelimeen. Nirsk narsk ruis ruis." Sensijaan räntämummon viime lizari rantojen miehen näköiselle Harrille kokoomusnuorten kantapaikassa on hyvin uskottavalta kuulostava. Leskikeisarinnan revengeveto ihan Camilla Läckbergin kaliiperia. "Sanokaa etten ole täällä." Jättämisen sunnittelu oli aikanaan lempilajejani. Tunsin voitonriemua.
ellauri245.html on line 55: Oikeastaan mä pidän eniten puhtaaxiviljellystä klischeestä, kuten lastenkirjoista, el Zorrosta, tai Kinsellasta. (Camilla Läckbergin revenge romsku on kyllä vähän liian paxua misandriaa, ja 100% huumorivapaata.) Sellaisista missä EFK asiat näyttäytyvät puhtaassa matelijamuodossa ilman termiittiapinoiden meemien rumentavaa runkkukuorrutusta. Tässä albumissa esitellään tölkillinen ällömpiä pohjoisgermaanisia natomatoja kiemurtelemassa lieropurkin pohjalla.
ellauri249.html on line 94: The international community imposed numerous sanctions and embargoes against the Soviet Union, and the U.S. led a boycott of the 1980 Summer Olympics held in Moscow. The boycott and sanctions exacerbated Cold War tensions and enraged the Soviet government, which later led a revenge boycott of the 1984 Olympics held in Los Angeles.
ellauri263.html on line 377: At a time when Israelis rarely seek out Palestinian viewpoints in real life, much less on TV, this may explain why Fauda’s creators initially struggled to find a domestic outlet for the series. (LOL!) It portrays the infiltrator unit, whose members (an all-male panel, except for one token woman for the boys to drool about) kill, torture, assault and violently threaten Palestinians in a manner that jars with any claims of moral superiority. And this second series contains more narrative mirroring. We see each side struggle with unity and discipline over revenge and going rogue, with causes taking precedence over family relationships, lured into a violence that creates its own momentum. Both sides are compromised, manipulative and varying degrees of unhinged.
ellauri279.html on line 199: In his sensational exposé, Informer 001 or the Myth of Pavlik Morozov, a product of research carried out clandestinely in the Soviet Union between 1980 and 1984, he demolished the long-standing, “official” Soviet version of the young, thirteen-year old “pioneer” (who never was) and communist martyr – designated, in 1934, a Soviet literary hero at the First Congress of Soviet Writers – who had turned in his father to the authorities for treasonable activity. The boy was subsequently murdered, according to the authorities, by members of his own family. The young Pavlik did, in fact, denounce his father, but, as Yuri demonstrates, he appears to have been put up to it by his mother, seeking revenge for her husband’s infidelity. As to who actually killed Pavlik, Yuri establishes that it was certainly not family members who were hauled before a Soviet court and subsequently executed. No less a literary figure than Alexander Solzhenitsyn hailed the publication of the book in 1987, claiming that it was “through books such as this that as many Soviet lies will eventually be told as revealed.”

ellauri351.html on line 459: It is spoken by Polonius, the king’s advisor, in Act II, Scene 2. Hamlet has been behaving strangely since the death of his father, and Polonius believes that he is mad. However, Hamlet is actually pretending to be mad in order to buy himself time to carry out his revenge on his father’s killer, Claudius. Polonius is the first person to fall for Hamlet’s act. He believes that Hamlet is truly mad, and he tells Claudius about Hamlet’s strange behavior. Claudius is relieved to hear this, and he believes that Hamlet is no longer a threat. Hamlet’s plan works perfectly. He is able to gather evidence against Claudius, and he eventually succeeds in killing him. The idiom “method in his madness” refers to Hamlet’s clever plan to pretend to be mad in order to achieve his revenge.
ellauri370.html on line 50: If you've ever read the Bible and thought, "This is cool, but it could really use some disturbing Game of Thrones action," the story of Queen Esther is for you. Here's an abridged version: when the current queen angers the king, he chucks her and picks a new wife from a selection of hot young women. Esther is the lucky girl, but she hides the fact she's Jewish. When her cousin Mordecai angers Haman—the big bad of the story—Haman decides her's going kill every Jew in revenge. So Esther throws a huge banquet where she reveals she's Jewish and Haman wants her (and her people) dead. The king gets super pissed, the Jews defend themselves against extermination, Haman ends up dead, and we get Purim and triangle-shaped cookies. Read more here.
ellauri370.html on line 122: the war against the Midianites was revenge for
ellauri392.html on line 454: Stirred up by envy and revenge destroyed
ellauri443.html on line 123: Aftermath on aaluva, tai äpärä, jälkikasvun jälkipuintia. Medea’s marriage is breaking up like a jigsaw puzzle. And so is everything else. Testing the limits of revenge and liberty, Euripides’ seminal play cuts to the heart of gender politics and asks what it means to be a woman and a wife.
ellauri443.html on line 135: In Medea as Euripides wrote it, the heroine kills her children with a knife in her final act of revenge, and while Cusk has modified the action to make it more comprehensible in the present day, she believes the fate of the children speaks to what she calls the “moral cynicism of the divorce world”. Perhaps surprisingly, at least to those readers who saw her as insufficiently protective of her own children’s privacy when she wrote about their family life, Cusk is unfashionably firm about the damaging consequences of divorce.
xxx/ellauri013.html on line 1069: The story also reveals unsuspected depths of cunning in the wretched Cornelius, whose abject (sic) and intense hate acts like a subtle inspiration, pointing out an unerring way towards revenge.
xxx/ellauri059.html on line 360: But nothing could be further from the truth. It is true that Shakespeare presents Shylock as a bitter, Christian-hating, money-grabbing, stingy man, dressed in the gabardine that set Jews apart from other citizens, but he gives Shylock a strong reason for hating Christians and wanting to get revenge for how they have treated him and the Jewish community.
xxx/ellauri059.html on line 370: The ships are lost in a storm and just at that time Shylock’s daughter, Jessica, runs off with a Christian, taking money and jewellery with her. Shylock, burning for revenge against the Christians generally, takes Antonio to court to claim his pound of flesh.
xxx/ellauri059.html on line 399: revenge?”
xxx/ellauri086.html on line 633: Atreus then learned of Thyestes' and Aerope's adultery and plotted revenge. He killed Thyestes' sons and cooked them, save their hands and heads. He served Thyestes his own sons and then taunted him with their hands and heads. This is the source of modern phrase "Thyestean Feast," or one at which human flesh is served. When Thyestes was done with his feast, he released a loud belch, which represents satiety and pleasure and his loss of self-control.
xxx/ellauri086.html on line 673: Several days later, Hester meets Dimmesdale in the forest and tells him of her husband and his desire for revenge. She convinces Dimmesdale to leave Boston in secret on a ship to Europe where they can start life anew. Inspired by this plan, the minister seems to gain new energy. On Election Day, Dimmesdale gives one of his most inspired sermons. But as the procession leaves the church, Dimmesdale climbs upon the scaffold and confesses his sin, dying in Hester´s arms. Later, most witnesses swear that they saw a stigma in the form of a scarlet "A" upon his chest, although some deny this statement. Chillingworth, losing his will for revenge, dies shortly thereafter and leaves Pearl a substantial inheritance.
xxx/ellauri120.html on line 237: Several days later, Hester meets Dimmesdale in the forest and tells him of her husband and his desire for revenge. She convinces Dimmesdale to leave Boston in secret on a ship to Europe where they can start life anew. Inspired by this plan, the minister seems to gain new energy. On Election Day, Dimmesdale gives one of his most inspired sermons. But as the procession leaves the church, Dimmesdale climbs upon the scaffold and confesses his sin, dying in Hester's arms. Later, most witnesses swear that they saw a stigma in the form of a scarlet "A" upon his chest, although some deny this statement. Chillingworth, losing his will for revenge, dies shortly thereafter and leaves Pearl a substantial inheritance.
xxx/ellauri127.html on line 284: The three girls (Liddellin tytöt!) —Melusine, Melior, and Palatyne—grew up in Avalon. On their fifteenth birthday, Melusine, the eldest, asked why they had been taken to Avalon. Upon hearing of their father's broken promise, Melusine sought revenge. She and her sisters captured Elynas and locked him, with his riches, in a mountain. Pressyne became enraged when she learned what the girls had done, and punished them for their disrespect to their father. Melusine was condemned to take the form of a serpent from the waist down every Saturday. In other stories, she takes on the form of a mermaid.
xxx/ellauri134.html on line 350: Desire: revenge or revolution
xxx/ellauri170.html on line 412: Man and the higher animals, especially the primates, have some few instincts in common … similar passions, affections, and emotions, even the more complex ones, such as jealousy, suspicion, emulation, gratitude and magnanimity; they practise deceit and are revengeful; they are sometimes susceptible to ridicule, and even have a sense of humour… ‘The Descent of Man’, published 1871 (2nd ed., 1874) by Charles Darwin; Ch. 3
xxx/ellauri170.html on line 417: So, the facts about instincts can, and will, be denied, avoided, ignored or twisted by those unwilling to face the facts and set about changing themselves. It is only those who acknowledge that they feel malicious, murderous, revengeful, resentful, sad, depressed, lonely, despairing, etc. – and want to do something about it – who will be interested in Actual Freedom.
xxx/ellauri186.html on line 230: The general of Tomyris's army, Spargapises, who was also her son, and a third of the Massagetian troops, killed the group Cyrus had left there and, finding the camp well stocked with food and the wine, unwittingly drank themselves into inebriation, diminishing their capability to defend themselves when they were then overtaken by a surprise attack. They were successfully defeated, and, although he was taken prisoner, Spargapises committed suicide once he regained sobriety. Upon learning of what had transpired, Tomyris denounced Cyrus's tactics as underhanded and swore vengeance, leading a second wave of troops into battle herself. Cyrus the Great was ultimately killed, and his forces suffered massive casualties in what Herodotus referred to as the fiercest battle of his career and the ancient world. When it was over, Tomyris ordered the body of Cyrus brought to her, then decapitated him and dipped his head in a vessel of blood in a symbolic gesture of revenge for his bloodlust and the death of her son. However, some scholars question this version, mostly because even Herodotus admits this event was one of many versions of Cyrus's death that he heard from a supposedly reliable source who told him no one was there to see the aftermath.
xxx/ellauri186.html on line 305: Maggio escapes from the stockade after a brutal beating from Judson and dies in Prewitt's arms. Seeking revenge, Prewitt finds Judson in a back alley and the two fight with knives. Prewitt kills Judson, but not before being badly wounded himself; Prewitt goes AWOL and stays with Lorene while Warden covers for his absence.
xxx/ellauri193.html on line 823: Rather, the death penalty has a paradoxical “imitative effect” on potential murderers: “It sets an official governmental example that killing someone is a proper way to resolve feelings of resentment and to take revenge”. And what the fuck, you can as well hang for 10 murders given you have committed 1.
xxx/ellauri250.html on line 291: Thirst for revenge
xxx/ellauri304.html on line 537: “Ahab, the obsessed, revenge-seeking captain of a whaling ship, sails his vessel and its crew to destruction, in a final confrontation with the great white whale that had crippled him years earlier.”
xxx/ellauri304.html on line 543: “When his sister is murdered at her wedding reception by a pair of New York City mafia goons, Japanese-American yuppie Miles Haverford goes to Japan and brings back to America a group of Yakuza crime family assassins who extract revenge for the young girl’s death.”
xxx/ellauri410.html on line 467: The Jew of Malta (full title: The Famous Tragedy of the Rich Jew of Malta) is a play by Christopher Marlowe, written in 1589 or 1590. The plot primarily revolves around a Maltese Jewish merchant named Barabas. The original story combines religious conflict, intrigue, and revenge, set against a backdrop of the struggle for supremacy between Spain and the Ottoman Empire in the Mediterranean that takes place on the island of Malta. There has been extensive debate about the play's portrayal of Jews and how Elizabethan audiences would have viewed it.
xxx/ellauri427.html on line 142: Hollantilais-belgialainen mutapainisarja Grenslanders maiden mutaiselta rajalta sankarina pöljä belgi kallonkutistaja ja tiukka mutiainen lesboämmä skoude Rotterdamista tuntui aluxi paremmalta. It deals - in an abstract way - with actual themes like migration, racism and xenophobia, guilt, revenge, criminal rituals, # Metoo and loneliness. Imdb:n kazoja-arvostelijat kuulostaa just niin tolloilta kuin ne aina ovat. I would like to know the next day what I was watching at and what I had learned from it. Not this lousy experience, that you completely are desorientated because of the flashy filming and editing without recognizing your audience. Story telling begins with patience. And timing... Joopa joo näitä sarjoja kazoo pääasiassa nuijat ja tosinuijat. Ei helkkari ei sittenkään, kylnää paleface hollannikkaat ja tuhkamuna belgit on koko konkkaronkka sairaita rasisteja pedofiilejä ja muita sikkejä lurendreijareita, ne olis pitänyt ottaa miehissä yxintein hengiltä jo ennen vitun "löytöretkien" alkua.
xxx/ellauri427.html on line 175: Does Angie, the victim, stay alive long enough to get, as she proclaims, revenge...one way or another? Or do Ahmet & Mehitabel finally win in the end, doing away with her, because she knows too much? Read the book to find out! (There is adult situations & mild S&M.) Angien kroppa oli timmissä kunnossa kiitos salihousujen. Angie olisi halunnut Ahmedin ahmivan hänet suihinsa, ottavan hänet nopeasti ja lujaa. Huonoilla hampailla ja lyhkösellä kyrvällä. Tunsin hänen innostuxensa kun hän työntyi reisieni väliin. Sen jälkeen tunsin ainoastaan kassien läpseen välilihaa vasten. Siinä sitten makasin miehisten eritteiden tahraamana viiden piston jälkeen. Hieroin ajeltuun häpyyni jopa kosteusvoidetta, joka oli hajustettu Pariisin huorien käyttämällä Guerlainin L'heure bleuella. Onko tämä Luojan kieroutunutta huumorintajua? Aloin miettiä kehonkuvaani.
xxx/ellauri427.html on line 202: The book was portrayed as a revenge thriller book but what it really was was merely a game of survival and viciousness of a sadistic cycle of torture. Not much about the vengeful intentions of the victim. There wasn’t much of an epic scene or an epiphany either, and all the little details and secrets of the characters were laid out at the start, so everything was somewhat predictable. There were also a couple of confusing timeline switches between the chapters that I couldn’t make sense of.
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