ellauri053.html on line 129: One of the bad effects of an anti-intellectual philosophy, such as that of Bergson, is that it thrives upon the errors and confusions of the intellect. Hence it is led to prefer bad thinking to good, to declare every momentary difficulty insoluble, and to regard every foolish mistake as revealing the bankruptcy of intellect and the triumph of intuition.
ellauri100.html on line 397: I have taken many of the tests that are offered at YourMorals.Org. What follows is a selection of results from those tests that are especially revealing of my beliefs and personality.
ellauri115.html on line 394: Hume was immensely proud of his upright reputation; one might say he gloried in his goodness. In 1776, close to death from bowel cancer, he summarised his life in a short, unrevealing essay. He was, he wrote, "a man of mild disposition, of command of temper, of an open, social, and cheerful humour, capable of attachment, but little susceptible of enmity, and of great moderation in all my passions".
ellauri118.html on line 994: The show features flashbacks to the origin of Gilead, revealing a new storyline for Serena and the Commander.
ellauri140.html on line 80: Artefact M+ (or Artegal or Arthegal or Arthegall), a knight who is the embodiment and champion of Justice. He meets Britomart after defeating her in a sword fight (she had been dressed as a knight) and removing her helmet, revealing her beauty. Artefact quickly falls in love with Britomart. Artefact has a companion in Talus, a metal man who wields a flail and never sleeps or tires but will mercilessly pursue and kill any number of villains. Talus obeys Artefact's command, and serves to represent justice without mercy (hence, Artefact is the more human face of justice). Later, Talus does not rescue Artefact from enslavement by the wicked slave-mistress Radigund, because Artefact is bound by a legal contract to serve her. Only her death, at Britomart's hands, liberates him. Chrysaor was the golden sword of Sir Artefact. This sword was also the favorite weapon of Demeter, the Greek goddess of the harvest. Because it was "Tempred with Adamant", it could cleave through anything.
ellauri143.html on line 1154: Explanation : Gradually abandon without revealing (beforehand) the friendship of those who pretend inability to carry out what they (really) could do.
ellauri152.html on line 643: Reb Natan of Breslev, following the teachings of Rebbe Nachem, offers a deep and revealing explanation of Rabbeinu Tam's Tefillin.
ellauri159.html on line 1027: Express your beliefs with a strong voice and conversational tone. They are unlikely to include any personally revealing information, however. State yourr position, then back it up with concrete facts.
ellauri171.html on line 1059: Judah, a man of honor (buahahaha) tries to pay. His friend Hirah goes looking for her, asking around for the kedeshah in the road (Gen 38:21.). The NRSV translates this as “temple prostitute,” but a kedeshah was not a sacred prostitute; she was a public woman, who might be found along the roadway (as virgins and married women should not be). She could engage in sex, but might also be sought out for lactation, midwifery, and other female concerns. By looking for a kedeshah, Hirah can look for a public woman without revealing Judah’s private life. The woman, of course, is nowhere to be found. Judah, mindful of his public image, calls off the search rather than became a laughingstock. BRUAAHAHAHA!
ellauri196.html on line 900: Elfriede Jelinek, an Austrian Jew, won the Nobel in Literature in 2004. According to the committee, she got it for revealing the absurdity of society´s cliches and their subjugating power. Take that, society´s cliches! One Swedish Academy member wasn´t exactly a fan. He quit in a fit, claiming that Jelinek´s writing is "whining, unenjoyable public pornography". Bet if it had been enjoyable private pornography, then his stance would have been different.
ellauri197.html on line 293: ‘How Happy I Was If I Could Forget’ is a two-stanza work where the narrator takes the reader through a series of confusing verb tenses and language choices to represent the overall lack of clarity she has for the memory that she wishes she “could forget.” The cyclical state of the stanzas’ disorganization, additionally, reflects that the narrator feels trapped in her confused loop from the memory, and the reader could finish ‘How Happy I Was If I Could Forget’ without knowing what the troubling memory is. This is yet another method of revealing the narrator’s confusion over the memory. Just as she does not know how to treat the memory, the reader does not know solid details about the memory. From start to finish then, this is a work that is structured perfectly to share and represent the narrator’s confusion.
ellauri219.html on line 454: Speaking to the BBC in 1965, John Lennon (No.62) declared his love for Alice In Wonderland and Alice Through The Looking Glass, revealing, “I usually read those two about once a year, because I still like them.” It’s perhaps no surprise, then, that the man who wrote the poem “The Walrus And The Carpenter,” which influenced Lennon’s lyrics for “I Am The Walrus,” is given a prominent display on the Sgt. Pepper’s album cover. P.S. Carroll oli pedofiilien ihan terävintä kärkeä.
ellauri219.html on line 819: Hence a phrase little remarked on now, let alone Googlable, but very revealing. On the eve of the First Gulf War, the Australian Foreign Minister Gareth Evans made a speech defending the need to go to war to safeguard Kuwait as a sovereign state.
ellauri324.html on line 433: areas where the glued-on facade has worn, revealing the
ellauri324.html on line 437: revealing an electrical breaker panel you’re not supposed
ellauri364.html on line 479: The LEGENDARY, AMAZING and BREATHTAKING 1990 solo acoustic performances in support of The Christic Institute are among the most emotional and revealing of Bruce's career. His explanation of Reason to Believe seems to stray a little from William James.
ellauri408.html on line 669: When grumpy ex-footballer Alfie Harding gets badgered into selling his memoirs, he knows he’s never going to be able to write them. He hates revealing a single thing about himself, is allergic to most emotions, and can’t imagine doing a good job of putting pen to paper.
xxx/ellauri173.html on line 117: The standard line is that the 'deus' is Octavian. Interpretations of the First Eclogue have now come full circle. Much significant scholarship has centered around the problems inherent in an identification of the deus with Octavian. Some critics maintain that the poem is Virgil's thank-offering to Octavian for protection from land confiscation; others, though fewer in number, are equally as insistent that the eclogue expresses the poet's disapproval of his government´s land policy. A recent attempt has been made to unite the basic arguments of both sides into a more balanced statement. According to this interpretation Octavian is regarded as "having wrought both good and evil" in the past, but Virgil succeeds in revealing him to be "a savior, a force for good, and a source of hope for the future." To the contrary, I propose that an even stronger case can, and ought, be made that, in the First Eclogue, Virgil not only condemns the government land policy, but he also adroitly queries the very structure of Octavian's political program and ethic during this period.
xxx/ellauri250.html on line 696: On December 12, 2022, Bankman-Fried was arrested in the Bahamas and was subsequently extradited to the United States An indictment of him before the U.S. District Court for the Southern District of New York was unsealed on December 13, revealing a range of charges for offenses, including wire fraud, commodities fraud, securities fraud, money laundering, and campaign finance law violations. Bankman-Fried faces up to 115 years in prison if convicted on all eight counts. On January 3, 2023, Bankman-Fried pled not guilty to fraud and other charges. On December 22, Bankman-Fried was released on a $250 million bond, on condition that he reside at his parents' home in California.
xxx/ellauri387.html on line 202: In 1973, Folket i Bild/Kulturfront, a left-wing magazine, published a series of articles written by Guillou and Peter Bratt, revealing a Swedish secret intelligence agency called Informationsbyrån ("The Information Bureau" or IB for short). The articles, based on information initially furnished by former IB employee Håkan Isacson, described the IB as a secret organization that gathered information on Swedish communists and others deemed to be "security risks". The organization operated outside of the framework of the defense and ordinary intelligence, and was invisible in terms of state budget allocations. The articles in Folket i Bild/Kulturfront accused the IB staff of being engaged in alleged murder, break-ins, wiretapping against foreign embassies in Sweden and spying abroad.
xxx/ellauri414.html on line 213: looked, revealing my hand from my glove to take
21