ellauri028.html on line 334: "Mademoiselle from Armentières" has roots in a tradition of older popular songs; its immediate predecessor seems to be the song "Skiboo" (or "Snapoo"), which was also popular among British soldiers of the Great War. Earlier still, the tune of the song is thought to have been popular in the French Army in the 1830s; at this time the words told of the encounter of an inn-keeper's daughter, named Mademoiselle de Bar le Duc, with two German officers. During the Franco-Prussian War of 1870, the tune was resurrected, and again in 1914 when the British and Allied soldiers got to know it.
ellauri106.html on line 78: In the American trilogy, the resurrected alter ego Zuckerman discovers the true identities of the protagonists of a sports idol in American Pastoral ( American Idyll, 1997), a radio star in I Married a Communist ( My Man, the Communist, 1998) and a professor emeritus in The Human Stain ( The Human Blemish, 2000) against the backdrop of changing American eras. American Pastoral was awarded the Pulitzer Prize in 1998 and is considered "a remarkable example of a literary interpretation of the descent of the initially so confident [American] post-war white society into the depths of uncertainty" as a result of the Vietnam War .
ellauri161.html on line 517: The left was utterly ruined by Donald Trump's victory and it looked like they would never recover until a Savior came along and resurrected the once proud party who championed the "little guy." And that Savoir of course was mainstream orthodox medical science.
ellauri164.html on line 916: Moses was so beloved by God, but when he sinned He still punished His servant’s sin. “God is no respecter of persons” (Acts 10:34). Yet it is because he repented, and confessed his sin, that God forgave him. Not long after his death he was resurrected and taken up into heaven (Jude 9)
ellauri222.html on line 767: In their quest to find the beaver that gives meaning to life, Bellow's protagonists must also come to terms with death. The message Bellow conveys in almost all of his novels is that one must fear death to know the meaning of life and what it means to be human. Henderson overcomes his fear of death when he is buried and symbolically resurrected in the African king Dahfu's experiment. Similarly, in Seize the Day, Tommy Wilhelm confronts death in a symbolic drowning. Charlie Citrine in Humboldt's Gift echoes Whitman in viewing death as the essential question, pointing out that it is only through death that Sauls can complete the cycle of life by liberating self from the body. Bellow's meditations on death darken in Mr. Sammler's Planet and The Dean's December. While the title character in Mr. Sammler's Planet eagerly awaits the death of the person he most values in the world, Bellow contemplates the approaching death of Western culture at the hands of those who have abandoned humanistic values. The Dean's December presents an apocalyptic vision of urban decay in a Chicago totally lacking the comic touches that soften Charlie Citrone's portrait of this same city as a "moronic inferno" in Humboldt's Gift. An uncharacteristically bleak yarn from he old standup comic. With More Die of Heartbreak and the recent novellas, however, Bellow returns to his more characteristic blend of pathos and farce in contemplating the relationship between life and death. In the recent Ravelstein, Bellow once again charts this essential confrontation when Saul recounts not only his best friend's death from AIDS but also his own near-death experience from food poisoning. Through this foreground, in a fictionalized memoir to his own gay friend Allan Bloom, Bellow reveals the resilient love and tenderness that offer the modern world its saving grace.
ellauri243.html on line 486: It is clear that Dale Brown never expected to be as successful as he has been. This is clear by his killing off of some characters, only to be resurrected in subsequent novels. He originally only intended to write 3 novels for his publisher. Now, 24 books later, he is an accomplished author and his fans are eagerly awaiting his next novel teeming with revenants.
ellauri408.html on line 340: The Bible is full of badly-told fairy tales. For instance, the book of Acts says Jesus flew into the clouds like Superman before a Jerusalem crowd, with angels preaching a sermon and prophesying that he would return “the same way.” But we know that didn’t happen because no other author of the New Testament mentioned the most miraculous thing human eyes ever witnessed. The four gospels and Acts all disagree on what Jesus said and did after the alleged resurrection. But if you were hearing the words of the resurrected God, wouldn’t you be sure to remember and communicate them faithfully? Clearly five different authors made up five different accounts of what happened post-alleged-resurrection because no one knew what really happened after the empty grave was discovered. Acts says Jesus taught the mysteries of the Kingdom of God for 40 days in Jerusalem, but no one bothered to record a single word he said. Can anyone really believe that is possible?
xxx/ellauri148.html on line 155: Today, Judaism still waits for the coming of the Messiah, but who are they expecting? What qualifications need to met by the Messiah. Moses Ben Maimon (Maimonides), also called Rambam, or Little Drummer Boy, (1135-1204), wrote in his Thirteen Articles of Faith, that belief in the Messiah was required for a Jew to be resurrected. The 12th and 13th articles both deal with Redemption, which will come in the days of Messiah. Eli lisätään dekalogin perään nämä pykälät:
xxx/ellauri148.html on line 262: Maimonides in his Thirteen Articles of Faith, states belief in resurrection is an essential part of Judaism. The 12th article is faith in a personal Messiah, and the 13th is the resurrection. According to rabbinical teaching, the resurrection is linked to the coming of the Messiah. When the Son of David comes, the first person resurrected, will be the Son of Joseph, then the rest of Israel.
xxx/ellauri149.html on line 396: On a different note, whether or not Christ is actually divine is ambiguous. There is evidence both for (his prophecy to Peter and Judas) and against (Jesus running from the lepers instead of healing them, and his prayers in Gethsemane) in the music, and it is typically left to the individual production to sort it out, usually in Judas' "Jesus Christ Superstar" number and after Jesus' death, where some productions will throw in a hint that he was resurrected later.
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