ellauri052.html on line 757: He came to consciousness again, hearing an immense knocking outside. What could be happening, what was it, the great hammer-stroke resounding through the house? He did not know. And then it came to him that it was his own heart beating. But that seemed impossible, the noise was outside. No, it was inside himself, it was his own heart. And the beating was painful, so strained, surcharged. He wondered if Gerald heard it. He did not know whether he were standing or lying or falling.
ellauri092.html on line 338: So it is I understand the desire to know God more than we do now, but this largely will not occur until after we leave this life and see Him face to face. Christians are to grow through imitating God in the area of holiness, which means separating ourselves from the things that offend God. This requires purpose on our part and the Holy Mackerel is within us to empower us to do that. Sometimes, it simply requires a resounding “NO!” to the temptation.
ellauri117.html on line 255: He came to consciousness again, hearing an immense knocking outside. What could be happening, what was it, the great hammer-stroke resounding through the house? He did not know. And then it came to him that it was his own heart beating. But that seemed impossible, the noise was outside. No, it was inside himself, it was his own heart. And the beating was painful, so strained, surcharged. He wondered if Gerald heard it. He did not know whether he were standing or lying or falling.
ellauri150.html on line 679: But the evils which We then deplored have taken in a brief space of time such widespread growth that We are compelled to address you anew, with the words of the prophet resounding as it were in Our ears: Cry, cease not, lift up thy voice like a trumpet.
ellauri171.html on line 1087: As relatively stylish on the surface as it is resoundingly familiar beneath, Tamara should prove more than serviceable enough for the hardcore horror fans.
xxx/ellauri235.html on line 702: With necks in thunder cloth'd, and long-resounding pace. Kaulat ukkonen taju kankaalla, ja pitkä kaikuvahti.
xxx/ellauri379.html on line 119: One of the most resoundingly Modernist elements of Conrad’s work lies in this kind of early post-structuralist treatment of language—his insistence on the inherent inability of words to express the real, in all of its horrific truth. Marlow’s journey is full of encounters with things that are “unspeakable,” with words that are uninterpretable, and with a world that is eminently “inscrutable.” In this way, language fails time and time again to do what it is meant to do—to communicate. It’s a phenomenon best summed up when Marlow tells his audience that “it is impossible to convey the life-sensation of any given epoch of one’s existence—that which makes its truth, its meaning—its subtle and penetrating essence… We live, as we dream—alone.” Kurtz—as “eloquent” as he may be—can’t even adequately communicate the terrifying darkness he observed around him.“The horror! The horror!” is all he can say. Some critics have surmised that part of Heart of Darkness’s mass appeal comes from this ambiguity of language—from the free rein it gives its readers to interpret. Others posit this as a great weakness of the text, viewing Conrad’s inability to name things as an unseemly quality in a writer who’s supposed to be one of the greats. Perhaps this is itself a testament to the Heart of Darkness’s breadth of interpretability.
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