ellauri042.html on line 214: Yet despite our small biomass among animals, we’ve had an overwhelmingly huge impact on the planet. The chart above represents a massive amount of life. But it doesn’t show what’s gone missing since the human population took off.
ellauri054.html on line 427: There are currently around 198,000 inmates housed in private prisons. It represents less than 9% of the total prison population. Many of these prisons save the government money, but some actually cost more per prisoner than a public facility would cost.
ellauri055.html on line 38: In Greek mythology, Comus (Ancient Greek: Κῶμος) is the god of festivity, revels and nocturnal dalliances. He is a son and a cup-bearer of the god Dionysus. Comus represents anarchy and chaos. His mythology occurs in the later times of antiquity. During his festivals in Ancient Greece, men and women exchanged clothes. He was depicted as a young man on the point of unconsciousness from drink. He had a wreath of flowers on his head and carried a torch that was in the process of being dropped. Unlike the purely carnal Pan or purely intoxicated Dionysos, Comus was a god of excess.
ellauri062.html on line 292: Because the book has been frequently challenged or banned in some of the United States of America over the last thirty years, many people have expressed discontent at The Handmaid's Tale's presence in the classroom. Some of these challenges have come from parents concerned about the explicit sexuality and other adult themes represented in the book. Others have argued that The Handmaid's Tale depicts a negative view of religion, a view supported by several academics who propose that Atwood's work satirizes contemporary religious fundamentalists in the United States, offering a feminist critique of the trends this movement to the Right represents.
ellauri063.html on line 98: The second form of socialism, 'Socialism from below', represents Marx, Lenin and Trotsky’s view. It involves the great mass of the population creating a socialist society for themselves, not waiting for anyone, or any party, to do it for them.
ellauri064.html on line 291: "It tells an important story of Montana," said Whittenberg. "And it's not a story we're necessarily proud of, or that we like to relive. But it was a big story in Montana, big story nationally and internationally. And that´s an artifact that represents that story and so part of our role here is to make sure those things are preserved for future generations. It can still bring in megabucks."
ellauri065.html on line 498: thetan: In Scientology, the concept of the thetan (/ˈθeɪtən/) is similar to the concept of self, or the spirit or soul as found in several belief systems. This similarity is not total, though. The term is derived from the Greek letter Θ, theta, which in Scientology beliefs represents "the source of life, or life itself." In Scientology it is believed that it is the thetan, not the central nervous system, which commands the body through communication points.
ellauri066.html on line 368: Moore’s intuition that Pynchon’s Second Equation is real proved to be correct, and he and his colleague correctly assign the angle ϕ to the orientational range of the rocket. But since they did not know that this formula is only one in a set of equations that describe the flight path, the orientation, and the steering of the V-2, the research team was misled in their interpretation of the other parameters and terms. With Müller’s paper, we can finally determine the meaning of each term and compare these with Pynchon’s reading. The first three terms refer, respectively, to the moments of inertia, of air resistance, and of lateral air impact when the rocket yaws, and the term on the right side of the equal sign represents the steering moment of the rudders (Müller, 1957: 90, 91; Kirschstein, 1951: 73, 74). In other words, the left-hand terms describe the orientation of the rocket during flight, which is influenced by external forces such as wind currents and air resistance.
ellauri066.html on line 502: Aggression-based schadenfreude primarily involves group identity. The joy of observing the suffering of others comes from the observer's feeling that the other's failure represents an improvement or validation of their own group's (in-group) status in relation to external (out-groups) groups (see In-group and out-group). This is, essentially, schadenfreude based on group versus group status. Joukkueurheilu on vankka bastioni vahingoniloisuudelle. And the domain of politics is prime territory for feelings of schadenfreude, especially for those who identify strongly with their political party.
ellauri069.html on line 762: Biographers report that Baum had been a political activist in the 1890s with a special interest in the money question of gold and silver (bimetallism). The City of Oz earns its name from the abbreviation of ounces "Oz" in which gold and silver are measured. Unssin kaupunki. For example, the Tin Woodman wonders what he would do if he ran out of oil. "You wouldn't be as badly off as John D. Rockefeller", the Scarecrow responds, "He'd lose six thousand dollars a minute if that happened." Dorothy—naïve, young and simple—represents the American people. She is Everyman, led astray and seeking the way back home. Moreover, following the road of gold leads eventually only to the Emerald City, which may symbolize the fraudulent world of greenback paper money that only pretends to have value. It is ruled by a scheming politician (the Wizard) who uses publicity devices and tricks to fool the people (and even the Good Witches) into believing he is benevolent, wise, and powerful when really he is a selfish, evil humbug.
ellauri069.html on line 766: Hugh Rockoff suggested in 1990 that the novel was an allegory about the demonetization of silver in 1873, whereby “the cyclone that carried Dorothy to the Land of Oz represents the economic and political upheaval, the yellow brick road stands for the gold standard, and the silver shoes Dorothy inherits from the Wicked Witch of the East represents the pro-silver movement. When Dorothy is taken to the Emerald Palace before her audience with the Wizard she is led through seven passages and up three flights of stairs, a subtle reference to the Coinage Act of 1873 which started the class conflict in America.”
ellauri078.html on line 52: The infinity symbol (∞) represents a line that never ends. The common sign for infinity, ∞, was first time used by Wallis in the mid 1650s. He also introduced 1/∞ for an infinitesimal which is so small that it can’t be measured. Wallis wrote about this and numerous other issues related to infinity in his book Treatise on the Conic Sections published in 1655. The infinity symbol looks like a horizontal version of number 8 and it represents the concept of eternity, endless and unlimited. Some scientists say, however, that John Wallis could have taken the Greek letter ω as a source for creating the infinity sign.
ellauri095.html on line 105: Uranian is a 19th-century term that referred to homosexual men. The term was first published by activist Karl Heinrich Ulrichs (1825–95) in a series of five booklets (1864–65) collected under the title Forschungen über das Räthsel der mannmännlichen Liebe (Research into the Riddle of Man–Male Love). Ulrichs derived Uranian (Urning in German) from the Greek goddess Aphrodite Urania, who was created out of the god Uranus' testicles. Therefore, it represents the homosexual gender, while Dionian (Dioning), derived from Aphrodite Dionea, represents the heterosexual gender. Ulrichs developed his terminology before the first public use of the term homosexual, which appeared in 1869 in a pamphlet published anonymously by Karl-Maria Kertbeny (1824–82)
ellauri097.html on line 121: The Presidency tends, year by year, to go to such men. As democracy is perfected, the office represents, more and more closely, the inner soul of the people. We move toward a lofty ideal. On some great and glorious day the plain folks of the land will reach their heart´s desire at last, and the White House will be adorned by a downright moron.
ellauri100.html on line 539: The other scale is the Subjective Numeracy Scale by Angela Fagerlin and colleagues, which measures individuals’ preference for numerical information. Numeracy (adapted from the term ‘literacy’) represents individuals’ ability to comprehend and use probabilities, ratios, and fractions. Traditional measures of numeracy ask people to perform mathematical operations, such as ‘If person A’s risk of getting a disease is 1% in 10 years, and person B’s risk is double that of A’s, what is B’s risk?’ However, some participants find these types of problems stressful and unpleasant, plus they are difficult to score in online studies. Subjective numeracy measures (like the scale you just took) are shown to be equally good measures of numeracy, without burdening participants.
ellauri101.html on line 67: The main character in the monomyth is the hero. The hero isn’t a person, but an archetype—a set of universal images combined with specific patterns of behavior. Think of a protagonist from your favorite film. He or she represents the hero. The storyline of the film enacted the hero’s journey. The Hero archetype resides in the psyche of every individual, which is one of the primary reasons we love hearing and watching stories.
ellauri106.html on line 430: American Pastoral represents Roth’s return to Judaism "of a sort." Ultimately, for Roth, retelling and struggling with biblical narrative enables the negotiation of Jewish and postmodern identities, resolves suffering, and reveals means by which seemingly irreconcilable ideologies can intermingle, inform one another, and have sexual intercourse.
ellauri107.html on line 214: Actually, the reader would have to be remarkably obtuse not to recognize the sexual tension between Coverdale and Hollingsworth. If only we could know what Melville thought when he read it! Certainly, Melville was aware that Brook Farm in Roxbury, Massachusetts, which Blithedale represents, had enjoyed the company of Hawthorne as a communal society member for most of 1841. Perhaps he also knew that substantial portions of Coverdale’s first person narration are taken directly from Hawthorne’s Brook Farm journals, and he would certainly know better than we the extent to which the novel may also represent allusions to Hawthorne’s and his experiences together during the year before the publication of Blithedale.
ellauri108.html on line 75: With the rise of the Reformation, reconstructions of the Tetragrammaton became popular. The Tyndale Bible was the first English translation to use the anglicized reconstruction. The modern letter "J" settled on its current English pronunciation only around 500 years ago; in Ancient Hebrew, the first consonant of the Tetragrammaton always represents a "Y" sound.
ellauri131.html on line 760: Speaking to News.com.au in 2016, Morrissey was asked whether he ever regretted previous derogatory comments he'd made about the royal family. It's fair to say that the answer was no. "I don't know anyone who likes the Boil Family," he replied. "Monarchy represents an unequal and inequitable social system. There is no such thing as a royal person. You either buy into the silliness or else you are intelligent enough to realize that it is all human greed and arrogance."
ellauri140.html on line 76: Amaretto F+, the betrothed of Scudamour, kidnapped by Busirane on her wedding night, saved by Britomart. She represents the virtue of married love, and her marriage to Scudamour serves as the example that Britomart and Artegall seek to copy. Amoret and Scudamor are separated for a time by circumstances, but remain loyal to each other until they (presumably) are reunited. Amaretto on mantelilikööri.
ellauri140.html on line 111: Libresse F-, alias Duessa, a lady who personifies Falsehood in Book I, known to Redcrosse as "Fidessa". As the opposite of Una, she represents the "false" religion of the Roman Catholic Church. She is also initially an assistant, or at least a servant, to Archipelago.
ellauri140.html on line 132: Una F+, the personification of the "True Church". She travels with the Redcrosse Knight (who represents England), whom she has recruited to save her parents´ castle from a dragon. She also defeats Duessa, who represents the "false" (Catholic) church and the person of Mary, Queen of Scots, in a trial reminiscent of that which ended in Mary´s beheading. Una is also representative of Truth. Aku Ankalla oli paleoliittinen väkivahva ihailija nimeltä Una joka ei osannut minä-sanaa. Kymingatar Elisabet sanoi aina me. We are not amused.
ellauri140.html on line 140: Though it praises her in some ways, The Faerie Queene questions Elizabeth's ability to rule so effectively because of her gender, and also inscribes the "shortcomings" of her rule. There is a character named Britomart who represents married chastity. This character is told that her destiny is to be an "immortal womb" – to have children. Here, Spenser is referring to Elizabeth's unmarried state and is touching on anxieties of the 1590s about what would happen after her death since the kingdom had no heir. No vittu ei ole maailma mixkään muuttunut, just samanlaista tuubaa kirjoitti Suomenmaa just Sanna Marinista.
ellauri140.html on line 166: Pride (F) – Lucifera, whose name derives from Lucifer, is ruler of the six counselors in he Faerie Queene. She represents pride because she takes pride in her name, which can be seen as paying homage to Satan. Ylpeä pelaa vastapuolen tiimissä.
ellauri141.html on line 794: Gordon Wenham, on the other hand, understands the verse to indicate Jabal was the first "dweller with herds." That is, he was the "father of the Bedouin lifestyle." He notes that whereas Abel "merely lived off his flocks," Jabal could "trade with his beasts of burden," and that this "represents cultural advance." Ensimmäinen rättipää.
ellauri144.html on line 280: The film was produced as part of the studio's goodwill message for Latin America. The film stars Donald Duck, who in the course of the film is joined by old friend José Carioca, the cigar-smoking parrot from Saludos Amigos, who represents Brazil, and later becomes friends with a pistol-packing rooster named Panchito Pistoles, who represents Mexico. The Disney song is pathetically bad. Donald Duck's telescope has an erection when the duck focuses on Latin beauties, such as Carmen Mirandaellauri151.html on line 684: communication as a counter-model for religious language and uses it to criticize Frazer’s attempts to debunk religion. Religious rituals must be understood as expressive communication. Magic, religion and language are based on symbolism, as the harmony of language and reality takes place in the symbol. A religious ritual like a rain-dance symbolically represents and mythologically enacts the connection between a wish and its fulfillment, and Wittgenstein mentions sacraments like baptism in this context (RF: 125). All language is similarly symbolic and ceremonial at its core and cannot be separated from mythology.
ellauri159.html on line 778: Courage: The spirit /will/discipline to engage and employ one’s strength when inwardly tempted to shrink/run/hide. There are “higher” forms of courage, but at its most fundamental, it represents an outwardly demonstrated indifference to risk, pain, and physical danger.
ellauri161.html on line 597: Speaking of “climate,” that’s the main target here – how people are too stupid to come together even when their survival depends on it. Or maybe it’s the pandemic McKay is allegorizing. Probably both. Meanwhile, the writer/director’s left-of-center politics are on full display. Although Don’t Look Up occasionally ridicules the left, it represents a full-on fusillade against the right. Now that is NOT funny.
ellauri162.html on line 783: Aseity (from Latin ā "from" and sē "self", plus -ity) is the property by which a being exists of and from itself. It refers to the Christian belief that God does not depend on any cause other than himself for his existence, realization, or end, and has within himself his own reason of existence. This represents God as absolutely independent and self-existent by nature. Bernanosin ateistipappi ei välittänyt aseptiikasta, sepsis tuli.
ellauri162.html on line 798: Pharyngula is a term used by evolutionists to describe a hypothetical phylotypic stage of development in embryology. It is mistakenly thought by most evolutionists that this stage represents the basic vertebrate body plan in the common ancestor of all vertebrates. There is currently a dispute among scientists as to how similar embryos are and to the reality of this stage.
ellauri171.html on line 386: Abel represents the herdsmen, Cain the farmers.
ellauri171.html on line 978: She represents a view of womanhood that is the opposite of the one extolled in characters such as Ruth the Moabite, who is also a foreigner. Ruth surrenders her identity and submerges herself in Israelite ways; she adopts the religious and social norms of the Israelites and is praised by the tentmen for her conversion to "The" God. Jezebel steadfastly remains true to her own beliefs.
ellauri171.html on line 997: Jezebel is portrayed by the Rabbis as a wicked woman who represents the negative influence of Gentile women who turned Israel’s heart to idolatry. She is a corrupting influence on her husband Ahab, who is drawn to idolatry and away from God because of her.
ellauri180.html on line 585: The single remaining loyal dog represents the last vestige of good within this world. He refused to turn to the sin that came so easily to the rest of the world, he was not changed (to the worse) by the darkness.
ellauri182.html on line 80: Eriko (“Eh-REE-koh Tah-NAH-bee”) is Yuichi’s mother, who invites Mikage to stay at his/her home. Eriko is a transsexual and had previously been Yuichi’s father. Mikage’s first impression of Eriko is “overwhelming.” Mikage describes him/her as “an incredibly beautiful wo/man” who “seemed to vibrate with life force.” Eriko represents an ideal of feminine beauty, charm, and strength for Mikage. At times, Mikage finds it hard to believe that this woman had once been a man, or is still a man—some ambiguities over Eriko’s gender remain, both for the reader and for the characters. Yuichi refers to Eriko as both his mother and father, and other characters refer to Eriko as both “she” and “he.” Mikage could easily keep pace with Eriko.
ellauri182.html on line 104: Symbolism appears throughout Yoshimoto’s story. For the protagonist, kitchens symbolize places of contentment, safety, and healing. Mikage claims, “to me a kitchen represents some distant longing engraved on my soul.” When she is despondent, her dreams of kitchens keep her going. She takes to the kitchen and learns cooking as a way of overcoming feelings of meaninglessness and despair; cooking represents her new attitude toward life. Like kitchens and cooking, food also plays a symbolic role in the story. Mikage is constantly presenting her friends with food; her life changes when she takes a job at a cooking school; and the climax of the story occurs when Mikage brings a dish of special food to Yuichi in his secluded hotel room. Eat my shorz.
ellauri189.html on line 102: However, in Maria the tensions arising from differences in “class” are not taken up. Malczewski investigates man’s existential plight in connection with the “stigma” (as would Norwid put it) that has been imprinted on man by his “natural” surroundings (as we will see, the Cossack represents man before self-alienation,
ellauri191.html on line 2043: "for a narrative imagination that with encyclopedic passion represents the crossing of boundaries as a form of life"
ellauri220.html on line 276: | | Marian Shay | Marian Shay is Nick Shay's wife. While she represents traditional, wholesome American family life, Marian has an affair with Nick's co-worker, Brian Glassic, and smokes heroin. |
ellauri222.html on line 763: Except for Clara Velde in A Theft, the protagonists in Bellow's novels and novellas are all male. The Bellovian hero typically seeks erotic pleasure, emotional security, and egoistic confirmation from the women in his life. In marriage, his relationships with women are conflicted, and he often retreats from his role as husband to a sensuous but selfish and demanding wife who paradoxically represents both his yearning for freewheeling sex happiness and society's pressure to relinquish the freedom so essential to his self-realization. Like his male characters who all are Saul lookalikes, Bellow's females are often interchangeable and serve roles of little dramatic import. However, although the author has come under increasing criticism for his superficial treatment of women, his depiction of women and male-female relationships serves to reinforce the psychological crisis that each male protagonist must negotiate to empty their scrotums so as to achieve peace and fulfillment.
ellauri236.html on line 60: Lula's election tonight represents one of the greatest comeback stories in Latin American history. Lula was convicted and imprisoned on corruption and money laundering charges that were later overturned on a technicality by Brazil’s Supreme Court, clearing the way for him to run for an unprecedented third term.
ellauri263.html on line 604: Nuoruudessaan Blavatsky oli liikkunut radikaaleissa liberaalis-nationalistisissa piireissä, mutta hänellä ei ilmeisesti ollut koskaan mitään selkeää yhteiskunnallis-poliittista linjaa, paizi toi vähän saatanallinen feminismi (käytännössä vaikkei ehkä teoriassa). Lucifer represents life, though, progress, civilization, liberty, independence. Lucifer is the Logos, the Serpent, the Savior. H. P. Blavatsky’s influential The Secret Doctrine (1888), one of the foundation texts of Theosophy, contains chapters propagating an unembarrassed Satanism. Satan in the shape of the serpent brings gnosis and liberates womankind. Tämmösta kirkasozaista miltonilaista prometeus-saatanaa peukuttivat Miltonin lisäxi ilmeisesti myös Blake, Bakunin ja Proudhon. Sympathy for the devil. Ei ihme että kristilliset piirit vauhkosivat. Blaken saatana alkuperäisessä loistossaan on aika feministinen. Byron ja Shelley oli aikoinaan satanisteja mutta setämiehiä.
ellauri333.html on line 49: Väärin väärin itäintiaanit! Kalat eivät pane vaan ne kutevat. The kala pani (lit. black water) taboo represents the proscription of traveling overseas in Hinduism. According to this prohibition, crossing the seas to foreign lands causes the loss of one's social respectability, as well as the putrefaction of one’s cultural character and posterity. Merelle ei parane mennä siellä kalat panevat ja skorbioonit pistää sammakoita lääkepiikillä. I am levitating now, mukeltavat mutakuono itäintiaanit tämännimisessä pimeässä Clickflix kauhusarjassa, saastunutta vettä juovat, nikottelevat ja verta sylkevät.
ellauri368.html on line 66: Among the Jews of the Slavonic countries "maskil" usually denotes a self-taught Hebrew scholar with an imperfect knowledge of a living language (usually German), who represents the love of learning and the striving for culture awakened by Mendelssohn and his disciples; i.e., an adherent or follower of the Haskalah movement. He is "by force of circumstances detained on the path over which the Jews of western Europe swiftly passed from rabbinical lore to European culture" and to emancipation, and "his strivings and short-comings exemplify the unfulfilled hopes and the disappointments of Russian civilization." The Maskilim are mostly teachers and writers; they taught a part of the young generation of Russian Jewry to read Hebrew and have created the great Neo-Hebrew literature which is the monument of Haskalah. Although Haskalah has now been flourishing in Russia for three generations, the class of Maskilim does not reproduce itself. The Maskilim of each generation are recruited from the ranks of the Orthodox Talmudists, while the children of Maskilim very seldom follow in the footsteps of their fathers. This is probably due to the fact that the Maskil who breaks away from strictly conservative Judaism in Russia, but does not succeed in becoming thoroughly assimilated, finds that his material conditions have not been improved by the change, and, while continuing to cleave to Haskalah for its own sake, he does not permit his children to share his fate. The quarrels between the Maskilim and the Orthodox, especially in the smaller communities, are becoming less frequent. In the last few years the Zionist movement has contributed to bring the Maskilim, who joined it almost to a man, nearer to the other classes of Jews who became interested in that movement. The numerous Maskilim who emigrated to the United States, especially after the great influx of Russian immigrants, generally continued to follow their old vocation of teaching and writing Hebrew, while some contributed to the Yiddish periodicals. Many of those who went thither in their youth entered the learned professions. See Literature, Modern Hebrew. (Source: Jewish Dictionary)
ellauri389.html on line 61: Indeed, the essay not only represents the sales flows that Lamb, in his role as a clerk, tabulated daily, but also it evokes a burgeoning domestic industry that significantly nurtured Coleridge's literary career as well: as is widely known, Coleridge's career as a poet was supported by an annuity he received from the porcelain manufacturers Thomas and Josiah Wedgwood.
xxx/ellauri086.html on line 646: Atreus then learned of Thyestes' and Aerope's adultery and plotted revenge. He killed Thyestes' sons and cooked them, save their hands and heads. He served Thyestes his own sons and then taunted him with their hands and heads. This is the source of modern phrase "Thyestean Feast," or one at which human flesh is served. When Thyestes was done with his feast, he released a loud belch, which represents satiety and pleasure and his loss of self-control.
xxx/ellauri086.html on line 682: Because Dimmesdale´s health has begun to fail, the townspeople are happy to have Chillingworth, the newly arrived physician, take up lodgings with their beloved minister. Being in such close contact with Dimmesdale, Chillingworth begins to suspect that the minister´s illness is the result of some unconfessed guilt. He applies psychological pressure to the minister because he suspects Dimmesdale is Pearl´s father. One evening, pulling the sleeping Dimmesdale´s vestment aside, Chillingworth sees a symbol that represents his shame on the minister´s pale chest.
xxx/ellauri120.html on line 233: Because Dimmesdale's health has begun to fail, the townspeople are happy to have Chillingworth, the newly arrived physician, take up lodgings with their beloved minister. Being in such close contact with Dimmesdale, Chillingworth begins to suspect that the minister's illness is the result of some unconfessed guilt. He applies psychological pressure to the minister because he suspects Dimmesdale is Pearl's father. One evening, pulling the sleeping Dimmesdale's vestment aside, Chillingworth sees a symbol that represents his shame on the minister's pale chest.
xxx/ellauri149.html on line 429: Judas is extremely bothered by Jesus's tolerance for letting Mary Magdalene "kiss you and stroke your hair" and consistently picks fights with her when they're both onstage. Thematically, his problem with Mary is that she represents the degradation he perceives Christ as having fallen into, but it's easy to read jealousy into the dynamic.
xxx/ellauri166.html on line 323: In some sources, shekhinah represents the feminine attributes of the presence of Cod, shekhinah being a feminine word in Hebrew, based especially on readings of the Talmud.
xxx/ellauri167.html on line 396: We believe our site represents the most complete, concise and comprehensive source of information available which deals with the Biblical prophecy of The New World Order.
xxx/ellauri199.html on line 1076: The estate’s decision — which prompted breathless headlines on cable news and complaints about “cancel culture” from prominent conservatives — represents a dramatic step to update and curate Seuss’s body of work, acknowledging and rejecting some of his views while seeking to protect his brand and appeal. It also raises questions about whether and how an author’s works should be posthumously curated to reflect evolving social attitudes, and what should be preserved as part of the cultural record.
xxx/ellauri230.html on line 666: Three laughs at Tiger Brook (Chinese: 虎溪三笑; Pinyin: hǔ xī sān xiào; Gan: fû ki sam siēu) is a Chinese proverb which refers to the image that the three men, Huiyuan, Tao Yuanming and Lu Xiujing laugh together when arriving at Huxi (虎溪, Tiger Brook) of Mount Lu (Lushan).This concept represents the ideal humorous relations of Confucianism, Taoism and Buddhism in ancient China.
xxx/ellauri250.html on line 604: Barfly, released in 1987, is a barfingly semi-autobiographical film written by Bukowski and starring Mickey Rourke as Henry Chinaski, who represents Bukowski, and Faye Dunaway as his lover Wanda Wilcox. Sean Penn offered to play Chinaski for one dollar as long as his friend Dennis Hopper would direct,[53] but the European director Barbet Schroeder had invested many years and thousands of dollars in the project and Bukowski felt Schroeder deserved to make it. Bukowski wrote the screenplay, was given script approval, and appears as a bar patron in a brief cameo.
xxx/ellauri250.html on line 680: Critics have suggested Singer misrepresents the role of self-interest in some religions, such as the prospect of rewards in heaven.
xxx/ellauri261.html on line 261: Thornton Wilder’s play Our Town has become a staple of high school drama departments, attractive perhaps more for its economical lack of scenery and props than for its sad story of love, loss and regret. There has been speculation that the character of Simon Stimson, the town drunk and organist for the Congregational Church who eventually commits suicide, represents a closeted gay man destroyed by life in a small town.
xxx/ellauri306.html on line 578: Täytyypä kazoa mitä Mätien tomskujen tampiot tästä sanovat! Top critics: Cruise’s toothy heroics are ill-suited to moral complexity, but he is elevated by a stellar supporting cast... A summer genre movie for grown-ups. Too-long Grisham thriller is full of adult themes. Höh, montako panoa? Näytetäänkö muka kuinka se menee sinne? (Ilmeisesti noin 2, ei näytetä.) The Firm amusingly satirizes the New Traditionalist aspirations of today's young urban elite -- not so much the lifestyle itself as the illusion of utter security it represents. Alas, Tom Cruise is Tom Cruise, playing yet another variation of his screen image. A first-class thriller and thought-provoking morality play. Is this a thriller? You've never scene (sic) a 'suspense film' drag its heels so deplorably. Moderately entertaining... and a big step up from the book. No, the book moved at turbo speed. At two and a half hours, the movie crawls. Two-and-a-half hour movies -- jeez, there ought to be a law.
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