ellauri094.html on line 231: In the Hebrew Bible, the captivity in Babylon is presented as a punishment for idolatry and disobedience to Yahweh in a similar way to the presentation of Israelite slavery in Egypt followed by deliverance. The Babylonian Captivity had a number of serious effects on Judaism and Jewish culture. For example, the current Hebrew alphabet was adopted during this period, replacing the Paleo-Hebrew alphabet.
ellauri095.html on line 512: The Wreck of the Deutschland became the occasion for Hopkins’s incarnation as a poet in his own right. He broke with the Keatsian wordpainting style with which he began, replacing his initial prolixity, stasis, and lack of construction with a concise, dramatic unity. He rejected his original attraction to Keats’s sensual aestheticism for a clearly moral, indeed a didactic, rhetoric. He saw nature not only as a pleasant spectacle as Keats had; he also confronted its seemingly infinite destructiveness as few before or after him have done. In this shipwreck he perceived the possibility of a theodicy, a vindication of God’s justice which would counter the growing sense of the disappearance of God among the Victorians. For Hopkins, therefore, seeing more clearly than ever before the proselytic possibilities of art, his rector’s suggestion that someone write a poem about the wreck became the theological sanction he needed to begin reconciling his religious and poetic vocations.
ellauri161.html on line 505: BUT what this movie really is, is a last warning by some of the world's finest actors, that we must ACT NOW against global warming by replacing fossil fuels by solar and wind energy. It can easily be done, if only the powers that be dont object and oppose...
ellauri172.html on line 773: Vertugenflürgen, a word used by Rose that is the St. Olaf equivalent of "I'm not one to blow my own horn.", with 'vertugenflürgen' replacing 'horn'. Sophia claimed she couldn't even reach hers, which may imply a more explicit meaning - or Sophia being her usual sarcastic self.
ellauri210.html on line 1378: Mansour’s first published collection of poems, titled: Cris, was published in Paris in 1953 by Pierre Seghers. This collection of work references male and female anatomy in explicit language that was unusual for the time. Religious language can also be found. However, it is inverted, replacing what would be Christ with the lover. References of Egyptian mythology are also present in Cris. Mansour references the White Goddess as well as Hathor.
ellauri333.html on line 243: In India, it is now openly acknowledged that the state is capitalist. That it is also male may not be openly stated as such, but is getting clearer by the day. And now a new belligerent face of Hanuman, replacing the earlier one of a genial monkey god, erupts through this fissure. According to reports, Karan Acharya, a 29-year-old graphic designer from Kerala now based in Mangaluru, generated this image of an angry Hanuman playfully and for free for his friends. And yes, he was very pleased when he heard that Prime Minister Narendra Modi had appreciated the new-look Hanuman at an election rally in Karnataka earlier this month.
ellauri355.html on line 88: On 24 August 1991, Mikhail Gorbachev created the so-called "Committee for the Operational Management of the Soviet Economy" (Комитет по оперативному управлению народным хозяйством СССР), to replace the USSR Cabinet of Ministers headed by Valentin Pavlov, a GKChP member. Russian Prime Minister Ivan Silayev headed the committee. Gorbachev's decree on replacing the Cabinet of Ministers was illegal under Soviet law as it required approval from the Supreme Soviet of the USSR, but no approval by the Supreme Soviet was ever given.
ellauri360.html on line 443: What is the “New Christianity”? AT THE START OF the twentieth century, the map of global Christianity that charismatic leaders D. L. Moody or Vladimir Lenin might have known had been completely reshaped. In 1900, only 10 percent of the world’s Christians lived in the continents of the south and east, but a century later at least 70 percent of the world’s Christians lived there. More Christians worshiped in Anglican churches in Nigeria each week than in all the Episcopal and Anglican churches of Britain, Europe, and North America combined. There were ten times more Assembly of God members in Latin America than in the United States. There were more Baptists in Congo than in Great Britain. And there were more people in church every Sunday in communist China than in all of Western Europe or in North America. Philip Jenkins, Distinguished Professor of History at Baylor University, said at the time that religion in the new century even showed signs of replacing ideology as the prime animating force in human affairs. “If we look beyond the liberal West,” he wrote in The Atlantic Monthly, we see that another Christian revolution... is already in progress.
xxx/ellauri123.html on line 1154: Remu was born in Nogent-le-Rotrou. A nobleman (under the tutelage of the Lorraine family), he did his studies under Marc Antoine Muret and George Buchanan. As a student, he became friends with the young poets Jean de La Péruse, Étienne Jodelle, Jean de La Taille and Pierre de Ronsard and the latter incorporated Remy into the "La Pléiade", a group of revolutionary young poets. Belleau´s first published poems were odes, les Petites Inventions (1556), inspired by the ancient lyric Greek collection attributed to Anacreon and featuring poems of praise for such things as butterflies, oysters, cherries, coral, shadows, turtles, and twats. His last work, les Amours et nouveaux Eschanges des Pierres precieuses (1576), is a poetic description of gems and their properties inspired by medieval and renaissance lapidary catalogues. He died impotent in Paris on 6 March 1577, and was buried in Grands Augustins. Remy Belleau was greatly admired by impotent poets in the twentieth century, such as Francis Ponge. Francis Ponge (1899 Montpellier, Ranska – 1988 Le Bar-sur-Loup, Ranska) oli ranskalainen runoilija. Ponge työskenteli kirjailijanuransa ohella toimittajana, kustannustoimittajana ja ranskan kielen opettajana. Hän osallistui toisen maailmansodan aikana vastarintaliikkeeseen ja kuului vuosina 1937–1947 kommunistipuolueeseen. Hän sai vaikutteita eksistentialismista, ja esinerunoissaan hän paljastaa kielen avulla objektin itsenäisenä, omanlakisena maailmana. Francis Ponge was born in Montpellier, France in 1899. He has been called “the poet of things” because simple objects like a plant, a shell, a cigarette, a pebble, or a piece of soap are the subjects of his prose poems. To transmute commonplace objects by a process of replacing inattention with contemplation was Ponge’s way of heeding Ezra Pound’s edict: ‘Make it new.’ Ponge spent the last 30 years of his life as a recluse at his country home, Mas des Vergers. He suffered from frequent bouts with nervous exhaustion and numerous psychosomatic illnesses. He continued to write up until his death on August 6, 1988.
xxx/ellauri250.html on line 603: His posthumous collections have been heavily 'John Martinized', removing booze, hell and Hitler and replacing dick, cunt and arse with ****. American band Red Hot Chili Peppers reference Bukowski and his works in several songs. A legion of other wannabe baddies have saddled his horses.
xxx/ellauri255.html on line 113: Even many Bolsheviks were shocked by Lenin’s extremism. His new government abolished the police and the army, replacing them with Red Guards from the factories, and absolutely everything was nationalised! How indecent! This course of action wasn’t apparent beforehand, and – not surprisingly since they lost their jobs and status – many of the civil servants didn’t want to work with the new government.
xxx/ellauri394.html on line 144: After his accession, Kalākaua gave royal titles and styles to his surviving siblings, his sisters, Princess Lydia Kamakaʻeha Dominis and Princess Miriam Likelike Leghorn, as well as his brother William Pitt Leleiohoku, whom he named heir to the Hawaiian throne as Kalākaua and Queen Kapiʻolani had no children of their own. Leleiohoku died without an heir in 1877. Leleiohoku's hānai (adoptive) mother, Ruth Keʻelikōlani, wanted to be named heir, but the king's cabinet ministers objected as that would place Bernice Pauahi Bishop, Ruth's first cousin, next in line. This would put the Kamehamehas back in succession to the throne again, which Kalākaua did not wish. On top of that, Kalākaua's court genealogists had already cast doubt on Ruth's direct lineage, and in doing so placed doubt on Bernice's. At noon on April 10, Liliʻuokalani became the newly designated heir apparent to the throne of Hawaii. It was at this time that Kalākaua had her name changed to Liliʻuokalani (the "pain in the royal ones"), replacing her given name of Liliʻu and her baptismal name of Lydia. (Lydiahan oli se ämmä Paavalin possessa.) In 1878, Liliʻuokalani and Dominis sailed to California for her health. They stayed in San Francisco and Sacramento where she visited the Crocker Art Museum! Wauzi wauz.
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