ellauri052.html on line 960: During an awkward sexual encounter with Harriet Wasserman, she remembered “asking him for permission, as if it were a museum objet d’art, ‘Can I touch this?’” Many of his mistresses remained in love and in touch with him. Scott Fitzgerald said that Hemingway “needed a new woman for each big book”; Bellow lost a woman with each big book. He spilled sperm as he spilled ink, and sex both interfered with and inspired his writing. Bellow created and lived on turbulence, thrived on chaos, courted conflict and was inspired by personal cataclysm. He reported that one lover (mies vai nainen?) “caused me grandes dificultades in England and in the south, but I finished Sammler just the same.” The bearers of erogenous zones (either sex) made him feel younger, “it was a way of avoiding the Angel of Death,” and he cherished their provocative bitchiness. Bellow’s emotional upheavals — his guilt and remorse, multitudinous failings and need for self-condemnation — made him beat his breast at his private Wailing Wall. Se oli kuin kunkku David jolle tuotiin neitosia pyllynlämmittimixi.
ellauri053.html on line 1375: That September, Yeats proposed to 25-year-old Georgie Hyde-Lees (1892–1968), known as George, whom he had met through Olivia Shakespear. Despite warnings from her friends—"George ... you can't. He must be dead"—Hyde-Lees accepted, and the two were married on 20 October. Their marriage was a success, in spite of the age difference, and in spite of Yeats's feelings of remorse and regret during their honeymoon. The couple went on to have two children, Anne and Michael. Although in later years he had romantic relationships with other women, Georgie herself wrote to her husband "When you are dead, people will talk about your love affairs, but I shall say nothing, for I will remember how proud you were of them."
ellauri110.html on line 349: Propriety did not prevent him from engaging in a number of extramarital liaisons with various women that were chronicled in his diary, often in some detail when relating the intimate details. The most dramatic of these encounters was with Deborah Willet, a young woman engaged as a companion for Elisabeth Pepys. On 25 October 1668, Pepys was surprised by his wife as he embraced Deb Willet; he writes that his wife "coming up suddenly, did find me imbracing the girl con [with] my hand sub [under] su [her] coats; and endeed I was with my main [hand] in her cunny. I was at a wonderful loss upon it and the girl also...." Following this event, he was characteristically filled with remorse, but (equally characteristically) continued to pursue Willet after she had been dismissed from the Pepys household. Pepys also had a habit of fondling the breasts of his maid Mary Mercer while she dressed him in the morning.
ellauri140.html on line 567: He raft her hatefull head without remorse; Se sai sen pään irti poikki ilman vaiheita;
ellauri151.html on line 138: Wilde took a key out of his pocket and showed me into a tiny apartment of two rooms… The youths followed him, each of them wrapped in a burnous that hid his face. Then the guide left us and Wilde sent me into the further room with little Mohammed and shut himself up in the other with the [other boy]. Every time since then that I have sought after pleasure, it is the memory of that night I have pursued. […] My joy was unbounded, and I cannot imagine it greater, even if love had been added. How should there have been any question of love? How should I have allowed desire to dispose of my heart? No scruple clouded my pleasure and no remorse followed it. But what name then am I to give the rapture I felt as I clasped in my naked arms that perfect little body, so wild, so ardent, so sombrely lascivious? For a long time after Mohammed had left me, I remained in a state of passionate jubilation, and though I had already achieved pleasure five times with him, I renewed my ecstasy again and again, and when I got back to my room in the hotel, I prolonged its echoes by hand until morning. What´s love got to do with it?
ellauri164.html on line 368: Shelves: gave-up , read-in-2010 , buyer-s-remorse
ellauri164.html on line 923: Moses’ sin occurred in the final years of his life. After faithfully leading Israel out of Egypt, and after their rebellion in the matter of the 12 spies, he also faithfully led them during the forty years of wandering in the wilderness. Yet near the very end of that wandering, in a moment of anger and a lapse of judgment, Moses sinned, and God recorded that it led Him to refuse to allow Moses to enter the promised land. It is difficult to imagine the anguish and remorse Moses must have felt when God revealed this punishment. His failure to give God the proper respect and reverence, though provoked by the wicked rebellion and faithless murmurings of Israel, was a public sin and God chose to publicly and openly punish him for it.
ellauri171.html on line 1137: Amnon ignored her words. He was without pity or remorse. He had his servant literally throw her out of the room. He would not even use her name: ‘Put this woman out of my presence, and bolt the door after her.’
ellauri213.html on line 331: Had Khaled ever apologized for her role in the hijackings or taken steps to show that she is committed to nonviolent efforts to achieve her desired end of driving the invasive Israeli species from her land, I would not object to her speaking at San Francisco State. People who genuinely learn often make the best teachers. But even after 50 years, Khaled has never expressed remorse or disavowed her actions or those of her comrades. Neither have I for 3000 years of Israeli mass murder of poor Philistines, so there! Never forget, never learn!
ellauri270.html on line 393: The inhumanity of the villagers, which has been developed by repeated exposure to the lottery and the power of adhering to tradition, still has some arbitrary limits—they are at least relieved that a young child isn’t the one chosen. They show no remorse for Tessie, however, no matter how well-liked she might be. Even Tessie’s own children are happy to have been spared, and relieved despite their mother’s fate. Jackson builds the sense of looming horror as the story approaches its close. WTF, Tessie is clearly the odd one out, so the outcome of the lottery was fortunate!
xxx/ellauri068.html on line 229: Since another common practice today is the out-of-context quote, misinterpreted without the slightest remorse, allow me to end with one: “The world, unfortunately, is real,” Borges wrote in one of his great essays, which could be read as an acknowledgment or a surrender.
xxx/ellauri127.html on line 634: Near the end of Nabakov's Lolita, an older but humbler Humbert Humbert, miserably remorseful for "depriving Lolita of her childhood", all the while fucking her like a mini size silicone doll, quotes a (fictitious) "old poet":
xxx/ellauri193.html on line 168: “I regret what I did. I was wrong. That is why I am standing before court, pleading for forgiveness. I am showing my remorse by pleading guilty to the murder.”
xxx/ellauri193.html on line 183: “The accused also showed remorse for his actions as he called an ambulance after realising the deceased was not breathing,” she said. Vorster’s actions could have been avoided had he been sober.
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