ellauri003.html on line 682: Tietokone, glass teletype. Kalsarit väärinpäin. She is me and i am she. me = she / mit=shit. Not the way out, exit thru tunnel in rear. Hannu ja Helena. Turbaani. Antti ja Auli, New York. Revere Beach. Lea syömässä Kiparskyillä.
ellauri012.html on line 387: Mut mut: mikä salainen huoli nyt nousee mun sieluun - mikä loppuun ajattelematon tunne nyt nousee joka vastustaa mun lupausta olla huokailematta Abelardin perään? Voi taivas! eks mä ookkaan päihittänyt mun rakkautta? Heloise sä onneton! niin kauan kun sulla henki pihisee sun pitää nähtävästi rakastaa Abelardia, niin on päätetty. Itke vaan kurja ämmä, sillä tätä parempaa tilaisuutta siihen tuskin tarjoutuu. Mun pitäis kuolla surusta; armo oli jo kerran ohittanut mut, ja sit mä lupasin olla sille uskollinen, mut nyt mä olen taas kerran pettänyt lupaukseni, ja armo on taas uhrattu Abelardille. Tää pyhäinhäväistys kyllä jo saa kupin kaatumaan. Miten mä voin tän jälkeen enää toivoa et jumala aukasee mulle aarrearkkunsa, sillä mä oon ihan väsyttänyt sen. Aloin loukata sitä heti ekasta hetkestä kun näin Abelardin; onneton sielun veljeys sai meidät ryhtymään luvattomiin panopuuhiin, ja jumala lähetti roiston erottamaan meidät puukolla. Mä valitan tätä onnettomutta, mutta jumaloin sen syytä. Aargh! mun pitäisi pitää tätä onnettomuutta taivaan lahjana, se ei hyväksynyt meidän liittoa ja erotti meidät, ja mun pitäisi pinnistää et saisin mun tunteen loppumaan. Eikö olis paljon parempi jos unohtaisin kokonaan sen kohteen, enkä jättäisi mieleeni mitään muistoa joka on fataali mun rauhalle ja pelastukselle? Herra varjele! pitääkö Abelardin kummitella mun ajatuksissa iän kaiken? Enksmä koskaan pääse vapaaksi lemmen kahleista? Mut ehkä mä pelkään ihan turhaan; ohjaahan hyve nyt kaikkia mun akteja ja ne on kaikki armon huostassa. Siis pelko pois, Abelard; ei mulla enää ole noita tunteita joiden kuvaaminen mun kirjeissä sai sut niin hermoksi. En mä enää yritä, kertomalla noista hyvistä hetkistä jotka rakkaus meille jakoi, herättää mitään syyllistä tunnetta jota sä voisit tuntea mua kohtaan. Mä vapautat sut kaikista sun valoista; unohda rakastajan ja aviomiehen tittelit ja jätä vaan toi iskä. Mä en odota sulta enää muuta kuin lempeitä nuhteita ja kirjeitä jotka pitää yllä rakkauden loimua. En vaadi sulta muuta kuin hengellistä neuvontaa ja terveellistä kuria.
ellauri035.html on line 1033: ”The move from a structuralist account in which capital is understood to structure social relations in relatively homologous ways to a view of hegemony in which power relations are subject to repetition, convergence, and rearticulation brought the question of temporality into the thinking of structure, and marked a shift from a form of Althusserian theory that takes structural totalities as theoretical objects to one in which the insights into the contingent possibility of structure inaugurate a renewed conception of hegemony as bound up with the contingent sites and strategies of the rearticulation of power.”
ellauri048.html on line 1571: And topples round the dreary west, Ja kaataa väsähtäneen lännen ympäri
ellauri048.html on line 1830: Still onward winds the dreary way;
ellauri053.html on line 203: Eskin kirjaplokissa oli siis tämä merkintä: Lukenut tätä kimaltelevaa, uloshengittävää kirjaa viime viikot sukellustekniikalla, uiden hetken sen kirkkaudessa. Raikastuneena palaten arkiryskeisiin. Kinnunen avaa Haavikon kautta ja oman syvällisen ymmärrysmaailmansa kautta kielen, merkitysrakentumisen, reflektion aarrearkkuja. "Runon kieli sallii puhua myös ilman teemaa ja teesiä olematta silti mieletöntä." - Lukukokemuksen majesteetillisuutta ja lähestyttävyyttä lisää tekijän valitsema erinomainen tekniikka: joka sivulla hän lainaa Haavikkoa havainnollistaakseen näkökulmiaan ja valaisevuuksiaan. - Siinä mitassa innostuin, että äsken kävin Fredrikinkadun Nide-kirjakaupassa noutamassa Haavikon Kootut runot (864 sivua).
ellauri054.html on line 297: Of the night-wind, down the vast edges drear Alas ikäviä valtavia reunoja
ellauri054.html on line 472: Browning on ensinnäkin pyssy, ja pyssytehdas. Browning Arms Company is an American marketer of firearms and fishing gear. The company was founded in Ogden, Utah, in 1878 by brothers John Moses Browning and Matthew Sandefur Browning. The company offers a wide variety of firearms including shotguns, rifles, and pistols. We Support nra.org, nssf.org, dontlie.org, gunvote.org.
ellauri060.html on line 250: Se on kapitalististen compound interest-ajatusvirheiden aarrearkku:
ellauri065.html on line 577:

The fact that I am writing about this shows that this was not the perfect crime. The conspiracy was exposed though the conspirators have yet to be caught. My hunch is that it was a small group of colluders who tried to dupe many innocent people. A small size would explain why there are so many eyewitnesses who reported the signs of conspiracy, but we have yet to hear from a whistleblower who admits to being part of the plot. Being the middle or rear part of a human centipede makes whistling kinda hard.
ellauri073.html on line 202: Cain gets introduced by some kind of very high-ranking Highway Patrol officer whose big hanging gut and face the color of rare steak seemed right out of southern-law-enforcement central casting and who spoke approvingly and at some length about Senator McCain’s military background and his 100 percent conservative voting record on crime, punishment, firearms, and the war on drugs. Wendy—who has electric-blue contact lenses and rigid blond hair and immaculate makeup and accessories and French nails and can perhaps best be described as a very Republican-looking young lady indeed—is back here at the beige table eating a large styrofoam cup of soup and using her cell phone to try to find someplace in downtown Charleston where Mrs. McCain can get her nails done.
ellauri082.html on line 505: Evolution is a slight problem I must own, it looks as if it was a continuous process of rearranging atoms, unless we urge that with the dawn of consciousness an entirely new nature seems to slip in, something whereof the potency was not given in the mere outward atoms of the original chaos. (I know it sounds both silly and pretentious, but what else can I say. I must save the appearances of the good book, or else I am soon out of my cozy Harvard chair.)
ellauri092.html on line 63: In engineering, the Moody chart or Moody diagram is a graph in non-dimensional form that relates the Darcy-Weisbach friction factor fD, Reynolds number Re, and surface roughness for fully developed flow in a circular pipe. It can be used to predict pressure drop or flow rate down such a pipe. Lewis Ferry Moody (5 January 1880 – 21 February 1953) was an American engineer and professor, best known for the Moody chart. He has 23 patents for his inventions. He was the first Professor of Hydraulics in the School of Engineering at Princeton. Tästä Moodysta ei löytynyt sen enempää, tuli umpiperä. Not the way out - exit through tunnel in rear, luki MIT:n vessan ovessa. Mutta tämä sensijaan on motherlode:
ellauri094.html on line 654: The body of Algernon Charles Swinburne’s poetry is so vast and varied that it is difficult to generalize about it. Swinburne wrote poetry for more than sixty years, and in that time he treated an enormous variety of subjects and employed many poetic forms and meters. He wrote English and Italian sonnets, elegies, odes, lyrics, dramatic monologues, ballads, and romances; and he experimented with the rondeau, the ballade, and the sestina. Much of this poetry is marked by a strong lyricism and a self-conscious, formal use of such rhetorical devices as alliteration, assonance, repetition, personification, and synecdoche. Swinburne’s brilliant self-parody, “Nephilidia,” hardly exaggerates the excessive rhetoric of some of his earlier poems. The early A Song of Italy would have more effectively conveyed its extreme republican sentiments had it been more restrained. As it is, content is too often lost in verbiage, leading a reviewer for The Athenaeum to remark that “hardly any literary bantling has been shrouded in a thicker veil of indefinite phrases.” A favorite technique of Swinburne is to reiterate a poem’s theme in a profusion of changing images until a clear line of development is lost. “The Triumph of Time” is an example. Here the stanzas can be rearranged without loss of effect. This poem does not so much develop as accrete. Clearly a large part of its greatness rests in its music. As much as any other poet, Swinburne needs to be read aloud. The diffuse lyricism of Swinburne is the opposite of the closely knit structures of John Donne and is akin to the poetry of Walt Whitman.
ellauri096.html on line 305: Dogmatists accept this reasoning. For them, knowledge closes inquiry. Any “evidence” that conflicts with what is known can be dismissed as misleading evidence. Forewarned is forearmed.
ellauri100.html on line 746: Laura rear’d her glossy head,
ellauri100.html on line 794: One rear’d his plate;
ellauri108.html on line 139: As it existed in Jamaica, Rastafari did not promote monogamy. Rasta men are permitted multiple female sex partners, while women are expected to reserve their sexual activity for one male partner. Marriage is not usually formalised through legal ceremonies but is a common-law affair, although many Rastas are legally married. Rasta men refer to their female partners as "queens", or "empresses", while the males in these relationships are known as "kingmen". Rastafari places great importance on family life and the raising of children, with reproduction being encouraged. The religion emphasises the place of men in child-rearing, associating this with the recovery of African manhood. Women often work, sometimes while the man raises the children at home. Rastafari typically rejects feminism, although since the 1970s growing numbers of Rasta women have called for greater gender equity in the movement. The scholar Terisa E. Turner for instance encountered Kenyan feminists who were appropriating Rastafari content to suit their political agenda. Some Rasta women have challenged gender norms by wearing their hair uncovered in public and donning trousers.
ellauri112.html on line 681: Yet to hail the film as a feminist project is to value the representation of the structural co-option of maternity over its interrogation. Tully’s treatment of social reproduction is dangerously simplistic. Cody has spoken in interviews about how her own, financially easier, experience of parenting in L.A. inspired her to explore a narrative in which economic anxieties are combined with the other hardships of parenthood, yet here class and poverty are only fleeting concerns. The transactional system of care that governs child-rearing under capitalism is done away with via Tully’s otherworldliness. Until the revelation of her non-existence, the viewer, although encouraged to believe in her, is never asked to consider her financial reality, and the fact that the service is paid for by Marlo’s wealthy brother is a narrative convenience that reinforces its fairytale quality. Similarly, Tully’s whiteness allows the racial politics of care to be completely overlooked, and the repeated idea that it’s ‘unnatural’ for hired help to bond with your newborn is taken as a given, rather than seen as an impetus for a consideration of the social conditions that require mothers to make that choice.
ellauri118.html on line 482: Rising from the basement, drab and dreary, nousee kellarista, nukkavieruna,
ellauri156.html on line 234: As I read these verses in 2 Samuel, I am reminded of the Alfred Hitchcock movie, “Rear Window.” If my memory is correct, Jimmy Stewart and Grace Kelly star in this thriller about a photographer who is recovering from an injury and confined to his apartment. From out of his “rear window,” Stewart watches his neighbors through their windows. Eventually he uncovers a murder and is almost killed himself, along with his girlfriend. Älä pieni perssilmä kazo minne vain.
ellauri159.html on line 1143: Work independently and prefer a quiet environment. If you must write collaboratively, seek out tasks that will allow you to work alone or with someone whose expertise you value. Unlike most other sensing types (the wimps), you don’t want detailed instructions or specific feedback. In fact, you may have to shoot if they try. Just ask for general guidelines that allow you flexibility. They may try to impose rules you regard as useless, like firearms restrictions.
ellauri159.html on line 1145: You like to bring a high level of mental energy (well, at least some energy, like energy drinks) to the project. You enjoy taking risks and may need the pressure of a deadline (or a dead body) to complete your tasks. No need to write according to someone else’s schedule, unless they have more powerful firearms.
ellauri159.html on line 1175: You first estimate accurately how long a writing project will take. Then you generally dive into the first draft and develop a framework (table of contents). You may find it helpful to start with the closing paragraph to give yourself an end point to strive for. Don’t let this limit you, though: be prepared to rearrange the structure and change your conclusions as you explore the subject in more depth.
ellauri180.html on line 369: Bobby finally learns about the true nature of Travelers: that he and the others are not actually humans at all, but rather, human-shaped AI silicon dolls created by something called Sonera: the accumulated energy of all positive optimist sentient knowledge and creativity. Contrarily, Great Dane is a rear window dog arisen from Elisa, a dark antithesis of Sonera. Reuniting one last time, Bobby and the Travelers confront Great Dane in a final battle on Third World to begin Hello World's process toward economic liberalism at last.
ellauri185.html on line 859: The celebrated writer kept romances alive in different cities, two or three at any given time — with students and faculty divorcées at the University of Chicago, assistants at The New Yorker, even his housecleaner. A dreary train of affairs.
ellauri189.html on line 114: It becomes clear that the apparent benevolence of the wojewoda was only a ruse to lure away the defenders from Maria’s home. During their absence his brigands, disguised as revellers (taking part in a kulig, a sort of carnival cortege of the szlachta moving about the countryside), had raided the house, carried Maria away and drowned her in a pond. Her dead body was found by the tenants and servants who had left it on the bed before they went in pursuit of the perpetrators of the crime. And so “Wacław loses in one moment everything on the world,/ Happiness, virtue, respect for his fellow-men and brothers” (“I tak Wacław od razu wszystko w świecie traci:/ Szczęście, cnotę, szacunek dla ludzi, swych braci”). It is suggested that in the “dark and dreary wood of human feelings” (“W tym
ellauri189.html on line 125: (And all is silent – where three graves meet in dreary brotherhood;/ And all is silent
ellauri198.html on line 260: Esim Roland was the name of a real-life medieval military leader under Charlemagne who, more importantly, was the subject of the oldest surviving major work of French literature: an epic poem titled The Song of Roland. Roland was a loyal and trusting knight who was told to bring up the rear guard and burst his own temples open while sounding a horn too vigorously. What a way to go! In 1855, Robert Browning made the warrior the subject of his poem “Childe Roland to the Dark Tower Came,” which leads us back to Stephen King, of all the U.S. turds. It’s a bit incongruous to think of Dorff’s Roland West—an uncouth man who refers to “Saigon trim” and is eager to start a fight.
ellauri198.html on line 419: Had been a dreary one at best, and dim Päivä oli ollut pitkä, ja lailla äijän
ellauri198.html on line 828: Yeats kept his sixth-grader occultist badge away from his poems, which are simple enough to be understood by sixth-graders, unlike Blake and Shelley, but like his rhyming predecessor Keats. Even so, Yeats’s visionary and idealist interests were more closely aligned with those of Blake and Shelley than with those of Keats, and in the 1899 collection The Wind among the Reeds the occult symbolism rears its ugly head in several poems.
ellauri210.html on line 1306: Mansour, lejos de generar o de seguir con la imagen de la mujer creada por André Bretón incluye la belleza fatal, entendida como una belleza herida, lejos del principio de Narciso. Junto con Gisèle Prassinos y Lise Deharme proceden a crear una renovación estética en la literatura surrealista. Adjetivos como “laid(e)”, “malade”, “malformé(e)” serán típicos de estas autoras que elaboran un reflejo femenino escribiendo sobre “antiNadjas” als gegen Bretons Roman verfasste Anti Nadja.
ellauri210.html on line 1355: El problema de la identidad es muy habitual en Gisèle Prassinos, hay una tendencia a crear personajes de géneros no definidos o seres desexualizados, así como descorporalizados.
ellauri219.html on line 958: Yeaw said, “He was having sex with the dog, it was disgusting.” Peterson said in court that he was “sexually aroused from accidental contact with the animal’s rear,” but insisted that happened as he was “just playing with the dog.”
ellauri222.html on line 72: The celebrated writer kept romances alive in different cities, two or three at any given time — with students and faculty divorcées at the University of Chicago, assistants at The New Yorker, even his housecleaner. A dreary train of affairs.
ellauri226.html on line 122: There was a David Herbert Lawrence plaque on the street. Inside the tiny station were two more. It seemed a lot of plaques for a guy who spent one night there. “Blessed is he that expecteth nothing,” he wrote of Sorgono, “for he shall not be disappointed.” More Niente. “A dreary hole!” Lawrence muttered. “A cold, hopeless, lifeless, Saturday afternoon-weary village.” The food was bad. The bedsheets were stained. People cheerfully relieved themselves on the street. What limp parsnips too! “Why are you so indignant?” the Q.B. asked. “It’s all life.”
ellauri241.html on line 231: Her eyes in torture fixed, and anguish drear, Hiänen silmänsä fixoituivat kidutuxessa, ja tuskassa kauheassa,
ellauri241.html on line 323: Close to her passing, in indifference drear, Paahtoi siitä ihan läheltä kauhistuttavan välinpitämättömänä,
ellauri241.html on line 678: High as the level of a man's breast rear'd Nousi korkealle miehen rintojen tasolle,
ellauri241.html on line 1408: When yet a child I oft have dried my rear while thou hast smil'd.
ellauri245.html on line 669: In 2009, Norwegian nationals Joshua French and Tjostolv Moland were arrested and charged in the killing of their hired driver, attempted murder of a witness, espionage, armed robbery and the possession of illegal firearms. They were found guilty and sentenced to death, and also fined, along with their employer Norway—$60 million.
ellauri254.html on line 399: For the new year’s masquerade, Anastasia lent Remizov an anal hide for use as a costume. Remizov apparently cut the tail from this hide, and attached it to his rear so that it poked out of the front vent of his evening jacket. Anastasia failed to see the funny side, for she had borrowed the hide herself in order to lend it to Remizov. She complained in a letter:
ellauri254.html on line 401: ‘To my great dismay, today I discovered that your tail came from my perineum (actually not mine, someone else’s – that’s the problem!). Moreover, I cannot find the rear paws. Have they really been cut off? Where shall I look for them? I await your reply. I’ve taken the skin to be fixed – but how ever can I return it with patches?’
ellauri264.html on line 100: The film received a negative critical response. Partly because the date-rape interest prevented teenagers from just having some clean gory fun. (The IMDB Parent guide says: A female character is tied up and it is implied that she is about to be raped. She is cut free before this can happen however, and no nudity is shown. Violence & Gore Moderate. 9 of 19 found this moderate. A pack of werewolves are shown feasting on human body parts. Profanity Moderate. 7 of 16 found this moderate. Alcohol, Drugs & Smoking. Female nudity female rear nudity murder clothes torn off female topless nudity 136 more.)
ellauri269.html on line 363: Arthritis on täys alottelija puumiekan heilutuxessa. Opa ei jaksa kazella vaikka on optimisti. He hopes A. will be handing him his rear in no time. He is athletic and fast. Siilinjärveläinen musta lestadiolaispoika veivaa rastalettejä E. Saarisnahkatakissa Kasurilan rinteessä. Nimi on Sex Mane ja se rukoilee Lassia ja Leeviä tauoilla. Jo on mennyt maailma lengolle.
ellauri269.html on line 446: Eli siis Kil'jueeden Vedättäjä loi alkuperäisen Luukurkon örkkishamaani Nörttylin hengestä tarkoituksenaan nostaa epäkuolleet armeijat heikentämään Azerothia valmistautuessaan Palokunnan tulihyökkäykseen. Aluksi Kuuranupin kanssa jäädytettyyn wc-istuimeen. Oubliette (Suom. Tyrmä): A dungeon with a tunnel in the rear as its only means of entrance or exit. A secret pit, usually in the floor of a dungeon or a dark passage, into which a person could be precipitated and thus be destroyed unawares.
ellauri270.html on line 270: Ans my two babes also, 'All so dreary wi frost and snow?'
ellauri275.html on line 464: The subsequent fate of the Georgian poets (inevitably known as the Squirearchy) then became an aspect of the critical debate surrounding modernist poetry, as marked by the publication of T. S. Eliot's The Waste Land at just that time. The Georgian poets became something of a by-word for conservatism, but at the time of the early anthologies they saw themselves as modern (if not modernist) and progressive.
ellauri278.html on line 231: On 3 May 1939, Stalin replaced Litvinov, who was closely identified with the anti-German position, with Vyacheslav Molotov. At a prearranged meeting, Stalin said: "The Soviet Government intended to improve its relations with Hitler and if possible sign a pact with Nazi Germany. As a Jew and an avowed opponent of such a policy, Litvinov stood in the way." Litvinov argued and banged on the table. Stalin then demanded Litvinov to sign a letter of resignation. On the night of Litvinov´s dismissal, NKVD troops surrounded the offices of the Commissariat of Foreign Affairs. The telephone at Litvinov´s dacha was disconnected and the following morning, Molotov, Georgy Malenkov, and Lavrenty Beria arrived at the commissariat to inform Litvinov of his dismissal. Many of Litvinov´s aides were arrested and beaten, possibly to extract compromising information.
ellauri281.html on line 230: On 3 May 1939, Stalin replaced Litvinov, who was closely identified with the anti-German position, with Vyacheslav Molotov. At a prearranged meeting, Stalin said: "The Soviet Government intended to improve its relations with Hitler and if possible sign a pact with Nazi Germany. As a Jew and an avowed opponent of such a policy, Litvinov stood in the way." Litvinov argued and banged on the table. Stalin then demanded Litvinov to sign a letter of resignation. On the night of Litvinov´s dismissal, NKVD troops surrounded the offices of the Commissariat of Foreign Affairs. The telephone at Litvinov´s dacha was disconnected and the following morning, Molotov, Georgy Malenkov, and Lavrenty Beria arrived at the commissariat to inform Litvinov of his dismissal. Many of Litvinov´s aides were arrested and beaten, possibly to extract compromising information.
ellauri284.html on line 150: In 2021, there were over 29 thousand murders reported across India. Furthermore, more than 55 thousand attempted murder cases were filled in the country that year. Success rate: 34%. The US has experienced its largest-ever recorded annual increase in murders, according to new statistics from the FBI, with the national murder rate rising nearly 30% in 2020 – the biggest jump in six decades. Nearly 5,000 more Americans were murdered across the country last year than the year before. At least 77% of the murders were committed with firearms, according to the new government estimates.
ellauri284.html on line 239:

THE SAVING OF SOLDIERS WHO FALL IN BATTLE: In action the stretcher-men keep moving close in rear of the firing line, picking up men as they fall. A machine with human sympathy. Admirable. What excrement? It is shit! Repeat 3x! Shit shit shit!

ellauri288.html on line 590: Jokaiselle kuuluu kolmas ja mixei neljäskin mahdollisuus, Markullekin. Vanhan aforistin aarrearkku ei tyhjene sitten millään. Siinä Markku on kyllä oikeassa että bestselleriä ei voi kirjoittaa ilman rumaa sexiä, luonnevikaisia roistoja, dysfunktionaalisia pollareita ja verisiä murhia. Kazo vaikka Sofi Oxasta. Tai raamattua.
ellauri349.html on line 702: Kazomon mielenkiinnon vangizemisessa täsmäase on rankka imartelu. Ruskea kieli on aseeni. Huomaat tämä tuntuu hyvältä. Ja haluat lisää. Klirr klirr sanoo E. Saarisen aarrearkku. Kaikki anglojen talousliberaalimeemit kelpaa Eskille. Seuraavaxi tympeä Invictus-runo (kz albumit 264 ja 284). Eski ei ole ainoastan Sokrates, vaan myös Väinämöinen. Puut ja puskat itkevät sen soittaessa kannelta. Kyyhkyset, kyykäärmeet, merikarhut ja kehäketut istuvat sen virsuille.
ellauri381.html on line 339: Wait when dreary yellow rains
ellauri382.html on line 675: Yliherkkyys diagnosoidaan usein väärin DSMää selaamalla mielenterveyden häiriöksi. Jos olet lahjakas aikuinen, korkea energiasi voidaan tulkita ADHD:ksi, voimakkaat tunteet rajatilapersoonallisuushäiriöksi, luovien pakkomielteiden kohtaukset kaksisuuntaiseksi mielialahäiriöksi, perfektionismi OCD:ksi ja eksistentiaalinen masennuksesi voidaan tulkita kliiniseksi masennukseksi. Voihan se sitä ollakin, en sitä sano. Olemme aarrearkkuja, joissa on enemmän jalokiviä sisällä kuin edes mahtuu.
ellauri389.html on line 301: He states that she will never forget this place and it will become a paradise for “all sweet sounds and harmonies.” His sister will not be run down by “dreary” normalcy even after big brother's death.
xxx/ellauri027.html on line 245: Lukenut tätä kimaltelevaa, uloshengittävää kirjaa viime viikkot sukellustekniikalla, uiden hetken sen kirkkaudessa. Raikastuneena palaten arkiryskeisiin. Kinnunen avaa Haavikon kautta ja oman syvällisen ymmärrysmaailmansa kautta kielen, merkitysrakentumisen, reflektion aarrearkkuja. "Runon kieli sallii puhua myös ilman teemaa ja teesiä olematta silti mieletöntä." - Lukukokemuksen majesteetillisuutta ja lähestyttävyyttä lisää tekijän valitsema erinomainen tekniikka: joka sivulla hän lainaa Haavikkoa havainnollistaakseen näkökulmiaan ja valaisevuuksiaan. - Siinä mitassa innostuin, että äsken kävin Fredrikinkadun Nide-kirjakaupassa noutamassa Haavikon Kootut runot (864 sivua). [Vitut "noutamassa", ostamalla sileillä seteleillä. Niitä piisaa. Oivallus ja nide.]
xxx/ellauri027.html on line 263: avaa reflektion aarrearkkuja0avaa suun
xxx/ellauri027.html on line 268: aarrearkku0jumala aukasee aarrearkkunsa
xxx/ellauri027.html on line 615: Esa Saarinen näkee jokaisessa ihmisessä aarrearkun. Kannen läpi ei kuitenkaan voi nähdä mitä arkussa on sisällä. Sama vika on ruumisarkussa. Tähän perustuen on tehty monia jänniä jaxoja poliisisarjoissa.
xxx/ellauri068.html on line 193: Habiendo nacido en un suburbio de Buenos Aires, Borges se mudó a Suiza con su familia en 1914, donde estudió en el Collège de Genève. La familia viajaría extensamente por Europa, incluyendo España. Tras su regreso a Argentina en 1921, Borges empezó a publicar sus poemas y ensayos en revistas literarias surrealistas mientras trabajaba como bibliotecario, profesor y conferencista. En 1955 fue nombrado director de la Biblioteca Nacional de la República Argentina y profesor de literatura inglesa en la Universidad de Buenos Aires. A la edad de 55 años quedó completamente ciego; numerosos investigadores han sugerido que su ceguera progresiva lo motivó a crear símbolos literarios innovadores a través de la imaginación.​
xxx/ellauri086.html on line 773: Once upon a midnight dreary, while I pondered, weak and weary, Kerran mietin keskiyöllä vaivalla ja ylityöllä
xxx/ellauri103.html on line 180: The topic I had submitted instead was “fiction and identity politics,” which may sound on its face equally dreary. But you just wait, Enry Iggins! You just wait!
xxx/ellauri103.html on line 257:

I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives.  We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children.  There were five female cousins, an’ in the summertime we hung out together all day long from early until late.  In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building.  Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs.  We had front doors an’ back doors.  The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge.  And the grass was all worn away in that area.  An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear.  And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’.  But still, you entered the front, you left the rear.  We (um) ate our lunches together.  When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night.  So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together.  It was just an institution:  lunch in somebody’s yard.  An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day.  (Um) We gathered at my grandmother’s on Sundays.  All my aunts would get those chairs, form a circle.  (Uh) One crocheted.  (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women.  (Uh) The men would gather around the fish pond, which was in a side yard.  It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built.  There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there.  Or he caught a mud turtle, he’d put it in there.  An’ there it stayed until it was time to kill it an’ cook it, whatever it was.  The pipe in the middle had water that sprayed up all the time.  There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust.  It’s where we always ate the watermelon.  We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind.  I hated the things.  I thought they were the worst things I ever put in my mouth.  But ever’body else thought watermelon pickles were just a great delicacy.  That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias.  ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it.  It was also where we made (uh) ice cream, (uh) on the front porch.  We made ice cream on Sunday afternoons.  I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day:  homemade rolls an’ cakes.  And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course.  (Um) That was just a big treat, to get to crank that ice cream.  It was jus’ our Sunday afternoon thing, an’ I, I think back on it.  All the aunts would sit around an’ they’d talk, an’ they’d smoke.  Even if you never saw those ladies smoke, any other time o’ the week.  On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette.  Just a way of relaxing, I suppose.  The maple tree’s now gone.  In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point.  And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …


xxx/ellauri129.html on line 646: Theophilus, however, held quite decisive religious beliefs. After many years of marriage, Elizabeth Packard outwardly questioned her husband's beliefs and began expressing opinions that were contrary to his. While the main subject of their dispute was religion, the couple also disagreed on child rearing, family finances, and the issue of slavery, with Elizabeth defending John Brown, which embarrassed Theophilus. What was worst, she also worked as a teacher in Jacksonville, Illinois.
xxx/ellauri137.html on line 679: Hearings Legal Writing Criminal Justice Criminal Investigations Private Investigations Law Enforcement Evidence Investigation Criminal Law Firearms Crime Prevention Interrogation Patrol.
xxx/ellauri138.html on line 222:
Publicity photograph of the WAMPAS Baby Stars of 1932. The actresses are (rear row) Toshia Mori, Boots Mallory, Ruth Hall, Gloria Stuart, Patricia Ellis, Ginger Rogers, Lilian Bond, Evalyn Knapp, Marian Shockley. (Front row) Dorothy Wilson, Mary Carlisle, Lona Andre, Eleanor Holm, Dorothy Layton.

xxx/ellauri139.html on line 726: “How chang’d thou art! how pallid, chill, and drear! Silmillä, kirkkailla, suurilla ja seijailla.
xxx/ellauri167.html on line 480: Even in this small Place the French-Faction is very numerous—their Expressions are like those of Bloody-Lutetia [Lutetia Parisiorum, or Paris]: their Sentiments in exact Unison with those of the Jacobine Club: their Hearts panting for Faggots and Guillotines. The Foundation of their Sanctuary is laid with Lies, and every Stone of the Superstructure reared with Falsehood. They are laboriously employed to excite Discord—to extinguish public Virtue—to break down the Barriers of Religion—to establish Atheism, and work the Downfall of our Civil—and Religious Liberty. Should their perfidious Schemes succeed (I tremble even at the Imagination of the Consequences) what would become of our Columbia?”
xxx/ellauri179.html on line 704: Roosters will sometimes try to find a good spot for a particular hen to have her nest. He will trample and rearrange the bedding clucking all the time.
xxx/ellauri193.html on line 176: He walked home, fetched his firearm and fired three shots at his sleeping girlfriend. He then tried to commit suicide and demonstrated to the court how he held a gun against his right temple before pulling the trigger.
xxx/ellauri218.html on line 148: Ralph is frustrated by his lack of success and often develops get-rich-quick schemes. He is very short-tempered, frequently resorting to bellowing, insults, and hollow threats. Well hidden beneath the many layers of bluster, however, is a softhearted man who loves his wife and is devoted to his best pal, Ed Norton. Ralph enjoys bowling and playing pool; he's proficient at both, and he is an enthusiastic member of the Loyal Order of Raccoons (although in several episodes a blackboard at the lodge lists his dues as being in arrears).
xxx/ellauri235.html on line 639: He gives to range the dreary sky: Hän antaa levittää synkkää taivasta:
xxx/ellauri251.html on line 1774: Sprang straight, and rearing cried no lesser cry
xxx/ellauri280.html on line 428: Gurnah still lives in Zanzibar in his mind, and prefers it that way. When he returns home, he is frustrated by the discrepancy between the stories he invented—and started to half believe—and the dreary realities. The house of his parents is close to decay; essential services like water, electricity, and garbage disposal fail regularly. In addition, his schoolmates have become corrupt, self-seeking bureaucrats, and his mother was not gallantly courted but given as a pawn to his father. And yet, he never found the courage to inform his parents that he has been living together with a white infidel—a "kafir woman." When he is introduced to the child-wife who his relatives chose for him, he panics and flees "home," which is now England, only to find that Emma left and that he is condemned to be "on the edges of everything," on his own island in England. The hero despairs of establishing communication between the two worlds. Vaimo läx. Lammaskaalta.
xxx/ellauri281.html on line 533: With Monroe out of the picture — she died in 1962 — Mr. Bigsby pretty much folds up this big, busy tent. Miller went on to write important plays, notably “After the Fall” (1964), but his best work was in the distant rearview mirror.
xxx/ellauri289.html on line 360: Jeesus Kristus ei yhtynyt näkemykseen, jonka mukaan pelastukseen johtavia uskontoja eli teitä olisi useita. Hän sanoi: ”Se portti on ahdas ja THE tie kapea, joka vie elämään, ja harvat ovat ne, jotka sen löytävät.” (Matteus 7:14.) Jehovan todistajat uskovat löytäneensä tuon THE tien. Muutoin he valitsisivat jonkin toisen uskonnon ja toisen THE tien, vaikka Lao Tsen neuvoman. Tämä tie vie kotiin. Tämä tie EI vie kotiin. Minun isäni kodissa on monta petiä, mutta vain 1 exit. Not THE way out, exit thru tunnel in rear.
xxx/ellauri298.html on line 553: BPM 3. Taisteluistukka — On olemassa tie ulos. Exit through tunnel in rear.
xxx/ellauri304.html on line 667: Not the way out, exit thru tunnel in rear.
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