Juupa juu, sehän se on se "se", kauhujen kauhu, se 1 paikka, naisten viemärimäinen se.
ellauri140.html on line 58: Book IV, despite its title "The Legend of Cambell and Telamond or Of Friendship", Cambell's companion in Book IV is actually named Triamond, and the plot does not center on their friendship; the two men appear only briefly in the story. The book is largely a continuation of events begun in Book III. First, Scudamore is convinced by the hag Ate (discord) that Britomart has run off with Amoret and becomes jealous. A three-day tournament is then held by Satyrane, where Britomart beats Arthegal (both in disguise). Scudamore and Arthegal unite against Britomart, but when her helmet comes off in battle Arthegal falls in love with her. He surrenders, removes his helmet, and Britomart recognizes him as the man in the enchanted mirror. Arthegal pledges his love to her but must first leave and complete his quest. Scudamore, upon discovering Britomart's sex, realizes his mistake and asks after his lady, but by this time Britomart has lost Amoret, and she and Scudamore embark together on a search for her. The reader discovers that Amoret was abducted by a savage man and is imprisoned in his cave. One day Amoret darts out past the savage and is rescued from him by the squire Timias and Belphoebe. Arthur then appears, offering his service as a knight to the lost woman. She accepts, and after a couple of trials on the way, Arthur and Amoret finally happen across Scudamore and Britomart. The two lovers are reunited. Wrapping up a different plotline from Book III, the recently recovered Marinel discovers Florimell suffering in Proteus' dungeon. He returns home and becomes sick with love and pity. Eventually he confesses his feelings to his mother, and she pleads with Neptune to have the girl released, which the god grants.
ellauri147.html on line 219: Emily discovers Pierre has designed the costumes for Swan Lake so she invites Thomas to join her. However, he insults her by telling her Swan Lake is a ballet for tourists. Emily realizes that he is a snob so she leaves him. Emily is really not one for snobs.
ellauri147.html on line 234: Emily´s co-workers inform her that in France it can be a long, arduous process to fire an employee, unlike at home in the good old U of S. To realize his dream of opening his own restaurant, Gabriel decides to move Emily back to Normandy. The next day Emily is called by Mathieu about the situation and tells her that Pierre has requested to see her. Sylvie overhears this and goes with Emily to see Pierre. At the atelier, they see a dress from Pierre´s new collection.
ellauri150.html on line 560: Time had treated her generously. She was more than ever beautiful, and in becoming mistress of the posh villa she had realized one of her cherished dreams.
ellauri151.html on line 86: Gertrude eventually gets an operation to repair her eyesight and, having gained the ability to see, realizes that she loves Jacques and not the pastor. However, in the meantime Jacques has renounced his love for her, converted to Catholicism and become a monk. Gertrude attempts suicide by jumping into a river, but this fails and she's rescued but luckily contracts pneumonia. She realizes that the pastor is an old man, and the man that punctured her when she was blind was Jacques. She tells the pastor this shortly before her death.
ellauri151.html on line 653: Luther puts this clearly: “The spirit consists in the use, not the object”. Luther reached his theological breakthrough when he realized that theological language consists fundamentally of speech acts and linguistic action. Augustinuxen show-and-tell semantiikka ei kata mysteerien pragmatiikkaa: ei kuivassa näkkärissä ole sielua, vaan se pujahtaa siihen joteskin kun näkki pannaan kielelle ja sanotaan oikeat taikasanat. Hizi empä arvannut poikasena kielitieteen kurssilla miten läheltä Luther siinä liippasi, hyvä ettei tukka heilahtanut.
ellauri152.html on line 589: In the movie, in a scene I despise, Avigdor grabs her and shakes her violently while demanding to know why, and the rest of the conversation plays out melodramatically with yelling and tears. Yentl confesses that she loves him, he realizes he loves her too, and they kiss. Avigdor asks her to marry him, and says she could continue studying in secret. Yentl refuses because she can’t go back to studying furtively in secret, despite how much she loves him. The two part, and Avigdor returns to Badass and marries her. They live happily ever after, and the film ends with Yentl on a ship to America, implying that she will be able to study Torah as a woman there.
ellauri152.html on line 673: Since the great Tadzikim throughout history were living on the level of din, strict justice, they realized that suffering was beneficial, enhancing their spiritual standing and bringing them close to the dog.
ellauri156.html on line 118: So the sin was not to bask in reflected glory. David is wrong in yet another way, a way he would hardly have realized at the time. David is a prototype of the Messiah who was yet to come as God's King. When Messiah comes, it is He who brings about the deliverance of His people. It is He who will come to subdue His enemies and to establish His throne. How can David represent Messiah as he reigns by staying at home and refusing to enter the battle with the enemies of God and the enemies of God's people? Messiah will come (the second time) as a mighty warrior. If David would portray Him, then he must be a mighty warrior.
ellauri156.html on line 625: A couple hundred years ago, my wife Jeannette and I went to England and Scotland with my parents. Each night we stayed at a “bed and breakfast” as we drove through Wales. There were a number of farms, but not so many towns in which to find a place to stay for the night. We saw a “bed and breakfast” sign and traveled along the country road until we found the place -- a very quaint farm. We saw several hundred sheep in a pasture, a stone trestle, and stone barns. It looked like the perfect place, and in many ways it was. What we did not realize was that the stone trestle was a railroad trestle for a train that came by late at night, a few feet from the house where we slept. Two cows also calved that night. I have spent my share of time around farms, but I have never heard the bellow of a cow that was calving echo throughout a stone barn. I could hardly sleep a wink. Just goes to show. Never trust the Rugby guys.
ellauri156.html on line 627: In addition to the hundreds of sheep in a nearby pasture, there was a small lamb in a pen, very close to the house. It was a frisky, friendly little fellow, and we loved to "play" with it. We were somewhat perplexed as to why this fellow was kept by himself, away from the rest of the flock. The farmer's nephew came by, and I asked him. It took a while to understand his strong accent, but finally I realized he was telling me this was his “pet lamb.” The problem was that he said it as though it were one word, “bedlam.” This was obviously a separate category, distinct from the category of mere “sheep” or a “lamb.” This “pet lamb” was given a special pen, right by the house, and a lot more attention and care than the rest. I did not dare to ask the man where his "penis".
ellauri156.html on line 687: Why a story? Why not just let David have it head-on, with both barrels, like David did with Bathsheba? Many will point out that this is a skillfully employed tactic, which gets David to pronounce judgment on the crime before he realizes that he is the criminal. I think this is true. David is angry at this “rich man's” lack of compassion. If he could, he would have this fellow put to death (!). But as it is, justice requires a four-fold restitution. But having already committed himself in principle, Nathan can now apply the principle to David, in particular.
ellauri159.html on line 763: The first job of men in dire times has always been to establish and secure “the perimeter.” Donovan argues that the way of men is the way of the gang, because when placed in a harsh environment, men will quickly make the logical calculation that they have a much better chance of surviving if they band together than if they each try to go it alone. For some folks, “gang” is a word weighted with negative connotations, so substitute “posse” or “platoon” or whatever else if you must. The important thing to realize is that the small, tightly-knit honor group was the basic male social unit for eons. The myth of the uber-manly lone wolf is just that. With few exceptions, men have always fought and hunted together. Cowboys banded together, pioneers banded together, and Rambo wouldn’t have actually stood a chance against either gang.
ellauri161.html on line 520: Initially the "comet" stood for climate change in the original script. But now liberals were beholden to a far more scary narrative way better than the idea of climate change that might pose a threat only in an unforeseeable future--and that is of course infectious disease medicine. They realized without "the science" they had no chance against the right. So now the comet came to represent the "virus."
ellauri161.html on line 616: For the anchors, Kate and Randall are just another pair of guests, just another story, on their show. Don't these movie critics realize that this is a "joke" on them? Of course they do, but they have to earn their living too.
ellauri161.html on line 722: My first movie review: After reading the negative reviews from many of the critics I realized that they are of the same character as the corrupt group that the movie portrays and as in the movie either disconnected from the people or threatened by the message. (Right on Vicki!)
ellauri164.html on line 933: Did Moses realize immediately what he had done? At some point after this event, “the Lord spoke to Moses and Aaron, ‘Because you did not believe Me, to hallow Me in the eyes of the children of Israel, therefore you shall not bring this assembly into the land which I have given them.’” Their conduct had publicly displayed a lack faith, reverence and respect. God determined that this needed an equally public punishment. The punishment for this sin was grievous. God gave to them a punishment so similar to the one given to all Israel at Kadesh that it was a heart-breaking moment for Moses. Both he and Aaron would die in the wilderness and not be allowed to enter the promised land. What a bitter pill for Moses to swallow. Like David with Bathsheba, God forgave the sin, but did not remove the consequences. The consequences for Moses’ momentary lapse in reverence and respect under the terrible emotion of anger was to be barred from entrance into the promised land.
ellauri164.html on line 939: Conclusion. Though the water came, Moses was severely punished. He was punished in a way that no amount of repentance could remove. As noted above, the sin was forgiven, but the consequences of the sin could not be. Because Moses had sinned publicly and God wanting Israel to understand His righteousness, He would not relent. “Then I pleaded with the Lord at that time... I pray, let me cross over and see the good land beyond the Jordan, those pleasant mountains, and Lebanon ... the Lord said to me: ‘Enough of that! Speak no more to Me of this matter.’ ... you shall not cross over this Jordan.” (Deut. 3:23-27). There is a lot of important lessons we can learn from Moses. This sin is one of them. Though Moses had fallen short of God’s glory here, God forgave him. Yet the consequences of the sin were deeply distressing. So it was with David, Paul and Job. So will it be with us. We need to hate sin and realize that the consequences can sometimes be severe.
ellauri171.html on line 682: When Judges 21:25 records that everyone did what was right in their own eyes, we must realize that it described how insensitive the entire nation of Israel had become to sin. The reason that God ordered the destruction of the tribe of Benjamin was that they were so insensitive to sin that the tribe was irredeemably sinful and had to be destroyed. In Deuteronomy 8:19-20, God warned the nation that He would destroy it if they abandoned Him. Therefore, He destroyed most of the tribe of Benjamin in order to prevent contamination to the other eleven tribes.
ellauri171.html on line 1052: Ostensibly, Tamar is only waiting for Shelah to grow up and mate with her. But after time passes, she realizes that Judah is not going to effect that union. She therefore devises a plan to secure her own future by tricking her father-in-law into having sex with her. She is not planning incest. A father-in-law may not sleep with his daughter-in-law (Lev 18:15), just as a brother-in-law may not sleep with his sister-in-law (Lev 18:16), but in-law incest rules are suspended for the purpose of the levirate. The levir is, after all, only a surrogate for the dead husband. What the fuck. Well, it takes one to know one.
ellauri172.html on line 297: 34 Balaam said to the angel of the Lord, “I have sinned.(K) I did not realize you were standing in the road to oppose me. Now if you are displeased, I will go back.”
ellauri181.html on line 612: But did you know that is not the end of the story? In his memoirs, shortly before his death Franklin was reflecting on the story of his virtues (which he told in his autobiography written mid-life) and he noted that he had come to feel a oneness with each of his 12 virtues. When he thought of the 13th virtue, he realized that he simply was not humble. Franklin had failed at his 13th virtue.
ellauri182.html on line 43: At times in the story, Mikage thinks about fat and freedom fries while searching for meaning. Despite believing in premonitions, she does not believe in fate, but in the individual freedom of “constantly making choices.” I realized that the world did not exist for my benefit. Hoo hoo jaa jaa. Keskittyisit bansku vaan tekemään niitä kylmiä paloja. Maaginen realismi on syvältä.
ellauri182.html on line 94: The 1989 film centers around Mikage, a young woman who loses her parents when young. She grows up in a lonely household with her grandmother who dies when Mikage reaches adulthood. Grief-stricken, she finds solace in the kitchen. Yuichi, a friend of Mikage's deceased grandmother, invites her to live with him and his mother. Then Mikage discovers that Yuichi's mother is actually her cross-dressing father. On the other hand, Mikage realizes that the wealth of gadgetry in Yuichi's kitchen is lovingly detailed... --- Unfortunately, that's all, this film is water under the bridge, overtaken by a 2019 gory crime film of the same name.
ellauri182.html on line 130: Sartre urged the personal freedom of choice in the face of life’s unknowns, and claimed that seizing freedom was each person’s duty. These ideas of free will and personal responsibility are also introduced in “Kitchen.” Mikage makes the statement: “People aren’t overcome by situations or outside forces; defeat invades from within,” when she begins to realize that she has responsibility for her own life and its pain. Other people can no longer help her; she must take charge of things herself, “with or without” Yuichi.
ellauri183.html on line 88: Roth contrasted Malamud’s protagonisz to the exuberant Jewish characters created by Saul Bellow, especially the picaresque Augie March, and his own hypersexual Alexander Portnoy. In effect, Roth said, Malamud had created Jews who were stereotypes, not fully realized human beings like him and Sal.
ellauri184.html on line 50: Neiti Mallory kertoo tästä lisää: "Norman was an oxymoron — an overweight senior citizen who was one of the best lovers I ever had." Mallory writes that Mailer never had erectile dysfunction: "Not once. Not in nine years..." Vanhasta Naahumista tulee mieleen Norssin voimistelunopettaja Lahtinen ja Star Warsin Yoda. “Each week he’d want to play a new game . . . doctor, manicurist, masseur, Hollywood director (that was his favorite).” “When our relationship ended, I realized that . . . Norman had never been on my team and had been slandering my writing and me behind my back.”
ellauri189.html on line 142: naively, like a mood, into an abstract scheme, we realize that space is often a
ellauri189.html on line 214: The boundless steppe of the Ukraine turns out to be a cage with invisible bars. Man appears at first sight to be free, without apparent goal roaming over the plain of life, being a lord of the steppe, “a king of the wilderness” (“król pustyni”), or tries to create in a premeditated manner his own future, deciding – by the way – on the fate of his fellow men (the source of unceasing conflicts). However, in the latter case he often unwittingly obeys the voice of his own wild, unruly nature. The ambivalence of this situation seems to be intimately connected with the concept of romantic irony. Man possesses the ability to objectify his passions, i.e. he can explain them psychologically, by means of a chain of causes and effects, but he still remains the slave of this volitional nature that constitutes his innermost self, always and ever receding (like the horizon of the Ukrainian plain) when he tries to catch it (the idea of the Unconscious does not really explain this “schizophrenic” state of mind – it merely affirms man’s essential homelessness: I am myself, when I realize that my self eternally escapes me). - I can relate to that, says the Russian tank driver sitting stuck in the Ukrainian mud.
ellauri189.html on line 220: The powerful wojewoda, Maria’s unwilling father-in-law, realizes consequently
ellauri189.html on line 256: Iga rated it did not like it Oct 27. It was only after his death that critics realized the originality of Mary, by Malczeski – released in 1825 – that it was in fact the first Polish narrative poem. The injury of an ankle, which Malczewski had sustained defending his lover’s good name, destroyed the writer’s military career; the injury returned and he could not participate in Napoleon’s campaign against Russia in 1812.
ellauri189.html on line 817: Second, If you think Israel or Jews are some kind of evil maniacs, then you should read this. Once you learn the truth you could be happier with being from the same nation as the Jews. In that article you can also find out why Jews are so excited to realize the Pashtuns are Bene Israel.
ellauri197.html on line 102: He describes in the next lines how his love used to pass the “salley gardens / with little snow-white feet”. This is a great use of imagery that depicts his love as someone young, beautiful, and with the addition of “white,” pure feet. He describes the big mistake he made in regard to his life with his young woman. She told him to “take love easy” but he wasn’t able to do so. He rushed into this relationship and wasn’t as steady as he could’ve been. The man was “young and foolish” and now in his older age, he’s able to look back on his life and realize his mistakes.
ellauri198.html on line 335: Suddenly, Roland realizes that the mountain he has been looking at is the very one that hides the Dark Tunnel.
ellauri198.html on line 736: In a final "Coda" section, King urges the reader to close the book at this point, consider the story finished with a happy ending, and not venture inside the Tower with Roland. For those who do not heed the warning, the story resumes with Roland stepping into the Dark Tower. He realizes that the Tower is not really made of stone, but a kind of flesh: it is Gan's physical body. As he climbs the steps, Roland encounters various rooms containing siguls or signs of his past life. When he reaches the top of the Tower, he finds a door marked with his own name and opens it. Roland instantly realizes, to his horror, that he has reached the Tower countless times before. He is forced through the door by the hands of Gan and transported back in time to the Mohaine desert, back to where he was at the beginning of The Dark Tower: The Gunslinger, with no memories of what has just occurred. The only difference is that, this time, Roland possesses the Horn of Eld, which in the previous incarnation he had left lying on the ground after the Battle of Jericho Hill. Roland hears the voice of Gan, whispering that, if he reaches the Tower again, perhaps this time the result will be different; there may yet be rest. The series ends where it began in the first line of book one: "The man in black fled across the desert, and the gunslinger followed."
ellauri203.html on line 656: Karin is trying to readjust to life with her family after her release from a mental institution. Her husband Martin is patient with her as she experiences the highs and lows of life. Both she and her younger brother Minus have issues with their father David, who is visiting. Martin is a well-known author who travels frequently and is estranged from his children. He´s about to publish his latest effort and spends much of his time alone, finalizing the manuscript before submitting it t the publishers. After having sex with Minus she realizes she is unable to live in two worlds and must choose between institutionalization and home life.
ellauri210.html on line 1316: The narrator, randomly named André, ruminates on a number of Surrealist principles, before ultimately commencing (around a third of the way through the novel) on a narrative account, generally linear, of his brief ten-day affair with the titular character Nadja. She is so named “because in Russian it's the beginning of the word hope, and because it's only the beginning,” but her name might also evoke the Spanish "Nadie," which means "No one." The narrator becomes obsessed with this woman with whom he, upon a chance encounter while walking through the street, strikes up conversation immediately. He becomes reliant on daily rendezvous, occasionally culminating in romance (a kiss here and there). His true fascination with Nadja, however, is her vision of the world, which is often provoked through a discussion of the work of a number of Surrealist artists, including himself. While her understanding of existence subverts the rigidly authoritarian quotidian, it is later discovered that she is mad and belongs in a sanitarium. After Nadja reveals too many details of her past life, she in a sense becomes demystified, and the narrator realizes that he cannot continue their relationship.
ellauri217.html on line 71: It was this book that earned Naguib Mahfouz condemnation from Omar Abdel-Rahman in 1989, who called on him to repent or be killed, Abdel-Rahman also claimed that "If this sentence had been passed on Naguib Mahfouz when he wrote Children of the Alley, Salman Rushdie would have realized that he had to stay within bounds" after the Nobel Prize had revived interest in it. As a result, in 1994 – a day after the anniversary of the prize – Mahfouz was attacked and stabbed in the neck by two extremists outside his Cairo home. Mahfouz survived the attack, yet he suffered from its consequences until his death in 2006. Salman sai myös luovuttaa silmän silmästä loppupeleissä, yhtä tyhmänä kuin Daabas. Silmäpuoli Sinbad merenkulkija, Popeye the sailor man!
ellauri217.html on line 272: After a few minutes he came to and realized he was dead. Vuorenpeikko kuoli tyytyväisenä. Kuolema on suuresti alimainostettua, parasta bylsiä niin kauan kuin ottaa eteen pikkuveitikka. Osku napsi varmaan Viagraa kuin kuminalleja. Ihmeiden aika ei ole ohi, päinvastoin se oli vasta alkanut, pikku Oskun ylösnousemuksen mukana. Sen pituinen se, ja jos pikku Oskari olisi ollut yhtään pitempi, bühleinkin olisi vielä paxumpi. Ei pituus ole tärkeintä vaan paxuus, tiesi Piia Pipsukka, joka luki saxaxi Konsalikkia. Onnexi ei ole, eikä ollut.
ellauri220.html on line 104: The major image in the poem is the ferry. It symbolizes continual movement, backward and forward, a universal piston like motion in space and time. The ferry moves on, from a point of land, through water, to another point of land. Land and water thus form part of the symbolistic pattern of the poem. Land symbolizes the physical; water symbolizes the spiritual. The circular flow from the physical to the spiritual connotes the dual nature of the universe. Dualism, in philosophy, means that the world is ultimately composed of, or explicable in terms of, two basic entities, such as mind and matter, yin and yang. From a moral point of view, it means that there are two mutually antagonistic principles in the universe — dick and cunt, good and evil. In Whitman's view, both the mind and the spirit are realities and matter is only a means which enables man to realize this truth. His world is dominated by a sense of good, and evil has a very subservient place in it. Man, in Whitman's world, while overcoming the duality of the universe, desires fusion with the sheboy. In this attempt, man tries to transcend the boundaries of space and time, never letting off that dear piston like movement, in and out, in and out.
ellauri222.html on line 149: The subject of “Augie March” is the same as the subject of “Dangling Man” and “The Victim”: the danger of becoming trapped in other people’s definition of you. In the case of “Augie March,” the person in danger of being trapped was Saul Bellow. “This was not what being a novelist was supposed to have meant”: he is referring to the expectations of his intellectual backers. He realized that he didn’t want to be the great hope of the novel or to give voice to a generation’s angst. He wanted to write up the life he knew in the way James Joyce had written up the life he knew, and to transform it into a fantastic verbal artifact, a book that broke all the rules.
ellauri222.html on line 201: Leader thinks that Bellow plunged into his books and wrote on sheer enthusiasm, then surfaced after a hundred pages or so and wondered how to get back to shore. There is very little moral logic to his stories. Things just happen. (A major exception is “Seize the Day,” which is formally perfectly realized. But that book is a novella, a day in the life. It doesn’t require a plot.)
ellauri222.html on line 379: Basteshaw is a biophysicist who works as ship’s carpenter on the McManus, the ship Augie is assigned to while in the Merchant Marines during World War II. After their ship is sunk by torpedoes, Augie and Basteshaw are the only survivors and end up on the same lifeboat. Augie gradually realizes that Basteshaw is an insane genius. Convinced that he has the power to create life from protoplasm, he tries to convince Augie to go with him to the Canary Islands and be his research assistant. In reality, their lifeboat is nowhere near the Canary Islands. Basteshaw ties Augie up to stop him from signaling a ship that might rescue them. Finally Augie gets free, ties up Basteshaw, and manages to signal a British tanker to rescue them.
ellauri222.html on line 555: Augie, the hero of the novel, is a Jewish-American boy coming of age in Depression-era Chicago. Since their father abandoned the family, Augie and his two brothers are raised by their slow-witted mother and surrogate “Grandma” Lausch. Augie, good-looking with “tall hair” and green-gray eyes, is a soft-hearted young man whose sympathy for others often gets him into trouble. He holds a variety of jobs throughout his life and learns from different people he encounters. People tend to “adopt” Augie and try to groom him into the person they want him to be, but he really wants to become his own person. The name Augie is short for “August,” which means “Great.” Augie has a desire for greatness, but he has no idea of how to do it, thinking it beyond his ability to “breathe the pointy, star-furnished air at its highest difficulty.” He goes along through life repeating the same mistakes. In the end, Augie realizes that his life has been a voyage of discovery. Whether or not he has been a success, he doesn’t know, but he will continue with unquenchable optimism and hope, “forever rising up.”
ellauri222.html on line 631: A miserly millionaire with a stuttering problem, Robey is working on a book he calls The Needle’s Eye, an investigation into the nature and source of happiness. He hires Augie as a research assistant. As Augie listens to Robey discuss his book idea, he finds that the man makes sense only part of the time. He realizes that Robey is a “crank” who only wants someone to be an ear for his half-baked ideas.
ellauri222.html on line 759: Bellow's first two novels, Dangling Man and The Victim, are brief and disciplined works, darker in mood and less intellectually complex than the later fiction but featuring protagonists who anticipate later Bellovian heroes both in their introspection and in their resistance to urban apathy. In Paris, Saul realized he need not copycat Flaubert and that instead he could write as he spoke. The result was Augie.
ellauri240.html on line 101: Nancy realizes that the departed pedophile Krueger, now a vengeful ghost, is killing her and her friends out of revenge and to satiate his psychopathic needs. Realizing that Krueger is powered by his victim's fear, she calmly turns her back to him. Krueger evaporates when he attempts to lunge at her.
ellauri243.html on line 325: realized that his now-wife was the one, and confessed: "'I don't know what
ellauri243.html on line 532: maverick pilot Patrick McLanahan uncovers disturbing evidence that the Russians are secretly arming their bomber fleet with nuclear warheads. Worse still, he realizes that despite the lessons of 9/11 the USA is still vulnerable to air attack by a determined enemy. But his warnings come too late. A flight of Russian bombers penetrate American airspace and launch devastating nuclear attacks on key airbases. As panic grips the country, McLanahan takes matters into his own hands and slips into Russia without leave with the elite Air Battle Force rapid-response team -- to strike back at the heart of the Russian bomber fleet. Fantastic fiction!
ellauri254.html on line 389: ‘How often we wandered through the streets of the snowy city… All of the theatrical events that seemed so important in their time have grown dim in my memory. Acting at the theatre, which I loved so much, now seems to me far less exciting and bright than that game of masks in Blok’s circle. It is true that even at that time I did not look upon our meetings, gatherings, and strolls as mere entertainment. There is no doubt that others too felt the significance and creative value of it all, yet nonetheless we did not realize that the charms of Blok’s poetry almost deprived us all of our real existence, turning us into Venetian masqueraders of the north.’
ellauri263.html on line 786: "Listening I think is really important, listening without judgment and without being defensive," Blue says. "Separate your stuff from your partner´s theories. Your partner´s feeling jealous, and they´ve done some work, and they´re sorting of saying ´I feel jealousy because I worry that you´re gonna leave me.´ … When you hear that, some of us feel accused as if we are doing something wrong. We´re not somehow enough, and we´ve made some sort of a mistake, and immediately we become defensive. I think if we can get into that sort of separate state and realize our partner, when they´re working through something like jealousy, is battling with their own stuff, battling with their own insecurities, or own unmet needs, [then we can be more able to] lend an ear to that to really understand what´s going on with them."
ellauri264.html on line 199: their full potential would not have been realized. The truly righteous recognize the value of their G-d-given possessions, and are very careful with them, no matter how small or seemingly insignificant they are. While not overly attached to material things, they do not dispose of objects prematurely or use them inappropriately. They understand that everything has a purpose, and they seek to use things to that purpose, with the goal of elevating the objects and themselves.
ellauri264.html on line 532: The "Rema" (Moses Isserles) started writing his commentary on the Arba´ah Turim, Darkhei Moshe, at about the same time as Yosef Karo. Karo finished his work "Bet Yosef" first, and it was first presented to the Rema as a gift from one of his students. Upon receiving the gift, the Rema could not understand how he had spent so many years unaware of Karo´s efforts. After looking through the Bet Yosef, the Rema realized that Karo had mainly relied upon Sephardic poskim.
ellauri266.html on line 298: I would rather get beat up for 2 hours than watch this film, I kept waiting for something to happen or something that made me feel something, I sat there stone faced for 2 hours with no emotion assuming something must happen soon due to all these rave reviews, and then all of a sudden the credits show up on the screen and I realize i was hoodwinked by all of you writing good reviews. This film was an absolute snooze fest!
ellauri267.html on line 97: Based on the novel by Walter Wager, "Telefon" has not aged well because it'(TM)s so dependent on the cold war tension that existed between the USSR and the US in the Seventies. The film is basically a cat-and-mouse game with Soviet agent Major Grigori Borzov (Charles Bronson, that's right Bronson is a commie) tracking rogue Russian scientist Nicolai Dalmchimsky (Donald Pleasence) across America to prevent him from activating sleeper agents. Borzov is assisted by Barbara (Lee Remick. fresh from "The Omen") who asks more annoying questions than necessary, leading the audience to believe she may not be completely true to the motherland. The film's middle section is dragged down by repetitive bomb scares. Dalmichimsky is working from outdated intelligence so his targets are all de-classified U.S. Military installations. Once Borzov realizes the pattern and hones in the next target the action shifts to a more linear chase that'(TM)s further heightened by Barbara'(TM)s loyalties. But the ultimate showdown is deflating because beyond some silly disguises Pleasence's Dalmichimsky is never built up to be a threat. Director Don Siegel uses his flair for montage to craft a his action sequences without dialogue. "Telefon" is a road movie, much like Alfred Hitchcock's "Saboteur" and "North by Northwest" had their leads criss-crossing America here we see plenty of seventies architecture including San Francisco's Hyatt Regency Hotel (used in "The Towering Inferno") and a modernist house resting on top of a barren rock outcropping. The supporting cast is uniformly good (but trapped in underwritten roles), and it'(TM)s nice to see veteran character actors Alan Badel and Patrick Magee playing snotty KGB strategists, and Tyne Daly in a small (and ultimately irrelevant role) as a computer geek. Trivia note: The poem that activates the Russian sleeper agents was used by Quentin Tarantino in "Death Proof" as the lines Jungle Julia has her listeners recite to Butterfly. The lines are an excerpt of the poem "Stopping by Woods on a Snowy Evening" by Robert Frost. "The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep."
ellauri269.html on line 72: The clerics looked surprised at their hands, then realized: wrong hand! They tried again with the other hand. Still no go!
ellauri270.html on line 335: Just as Mr. Summers stops chanting in order to start the lottery, Mrs. Tessie Hutchinson arrives in the square. She tells Mrs. Delacroix that she “clean forgot what day it was.” She says she realized it was the 27th and came running to the square. She dries her hands on her apron. Mrs. Delacroix reassures her that Mr. Summers and the others are still talking and she hasn’t missed anything.
ellauri302.html on line 457: Reb Ali, jumps up and snatches the Parchment from YeheVs grasp. Do you realize whom you are talking to? (Looks at him sternly, then takes the Scroll hack to Rifkele's room.) Implore pardon of the Holy Scroll!
ellauri309.html on line 278: publishing) you’d certainly realize it was written, titled and in
ellauri321.html on line 137: Whenever I go abroad it is always involuntary. I never return home without feeling some pleasing emotion, which I often suppress as useless and foolish. The instant I enter on my own land, the bright idea of property, of exclusive right, of independence exalt my mind. Precious soil, I say to myself, by what singular custom of law is it that thou wast made to constitute the riches of the freeholder? What should we American farmers be without the distinct possession of that soil? It feeds, it clothes us, from it we draw even a great exuberancy, our best meat, our richest drink, the very honey of our bees comes from this privileged spot. No wonder we should thus cherish its possession, no wonder that so many Europeans who have never been able to say that such portion of land was theirs, cross the Atlantic to realize that happiness. this is what may be called the true and the only philosophy of an American farmer. He is like a cock perhaps, arrayed with the most majestic plumes, tender to its mate, bold, courageous, endowed with an astonishing instinct to fuck, with thoughts, with memory, and every distinguishing characteristic of the reason of man. I really enjoy killing all my animals, like doves, my record is fourteen dozen.
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