ellauri018.html on line 765: Kalifin vaatimuksiin kuuluu, että hän on miespuolinen muslimi, joka tulee Quraysh -heimosta, on täysi-ikäinen ja täydessä ymmärryksessä, vapaa, urhoollinen, arvostelukykyinen, ja hänellä on normaali näkö, kuulo ja puhekyky.
ellauri035.html on line 185: With his dark stumbling-block to hide her rays.
ellauri067.html on line 491: There’s a dirty secret tucked away in Thomas Pynchon’s novels, eand it’s this: beyond all the postmodernism and paranoia, the anarchism and socialism, the investigations into global power, the forays into labor politics and feminism and critical race theory, the rocket science, the fourth-dimensional mathematics, the philatelic conspiracies, the ’60s radicalism and everything else that has spawned 70 or 80 monographs, probably twice as many dissertations, and hundreds if not thousands of scholarly essays, his novels are full of cheesy love stories.
ellauri083.html on line 338: Hendershot recalls that, in the Schreber case, God was believed to manifest his creative and destructive power as celestial rays (Freud 22). As with spider-webs and hedgehogs quills, this radial pattern describing dilation and contraction, movement back and forth from center to circumference and from circumference to center, is the essential figure for the paranoid narcissism of a subject who feels threatened by the world and guilty for having taken "his own body [...] as his love-object" (Freud 60). Signaling Fistule's repressed homosexuality, the rays of his intelligence had first been focused on the masochistic annihilation of his genitals, which he denies were the original object of his love ("organes hideux," "vomitoires de dejections"), and then had been used in reconstructing a sexless new reality. Insisting on his exemption from the Naturalist law of biological determinism, Fistule denies his human parentage and maintains that he was born of a star, which, shining like the rays of his genius, had inseminated him and allowed him to be the father of himself, causa sui. Homosexual guilt initially projected as the corruptibility of matter is overcome by Fistule's principle of Stellogenesis, which turns flesh into radiance and bodies into starlight. As Hendershot concludes: "In Freud's theory, the paranoiac withdraws from the world (decathexis), directs his or her cathectic energy to the ego resulting in self-aggrandizement, and then attempts to reestablish a cathectic relationship with the world in the form of a delusional system"
ellauri089.html on line 104: Heinlein portrays incest and pedophilia in a lighthearted and even approving manner.
ellauri094.html on line 229: The exilic period was a rich one for Hebrew literature. Biblical depictions of the exile include Book of Jeremiah 39–43 (which saw the exile as a lost opportunity); the final section of 2 Kings (which portrays it as the temporary end of history); 2 Chronicles (in which the exile is the "Sabbath of the land"); and the opening chapters of Ezra, which records its end. Other works from or about the exile include the stories in Daniel 1–6, Susanna, Bel and the Dragon, the "Story of the Three Youths" (1 Esdras 3:1–5:6), and the books of Tobit and Book of Judith. The Book of Lamentations arose from the Babylonian captivity. The final redaction of the Pentateuch took place in the Persian period following the exile,:310and the Priestly source, one of its main sources, is primarily a product of the post-exilic period when the former Kingdom of Judah had become the Persian province of Yehud.
ellauri094.html on line 760: Almost all atheists believe in Marxism and have a thought process that is so uniform as to appear like a mass produced. Prayer is what human beings do. Homo Orate (or was it Anate? oh well), man who prays, prays 24/7, 365.25. But man of all creatures, is born and lives completely unaware of nature (as taught by religion). Jesus, Son of God, gave us the Lord’s Prayer, which is a short, convenient prayer, easier to mass produce than a Ford. But in order to benefit from prayer, the man must pursue excellence in prayer.
ellauri109.html on line 547: Roth’s extramarital forays were numerous, Kleinschmidt was right about that.
ellauri115.html on line 320: Koiraonnettomuuden jälkeen levisi ankka, että JJ oli kuollut siihen. Voltaire kirjoitti markiisikamulleen: "JJ teki mainiosti kuollessaan. Hän toipui haavoista, jotka hänen koiraystävänsä aiheutti, mutta kerrotaan että 12. joulukuuta hän oli Pariisissa saanut päähänsä viettää Escalade-juhlaa Romilly-nimisen geneveläisen kaa, jolloin hän ahmi ruokaa kuin piru, sai vazanväänteitä ja kuoli kuin koira. Filosofi ei ole paljon minkään arvoinen." Aika hyvä etiäinen oli Voltairella. JJ kuoli ylensyöntiin vasta 2v myöhemmin. Voltaire ja Rousseau ei olleet sopuisia loppupeleissä.
ellauri118.html on line 136: Graysexual: Mikä se on ja harmaaseksuaalisuuden yhteiset ominaisuudet
ellauri118.html on line 160: Graysexual peittää suuremman sateenvarjon ihmisiä
ellauri119.html on line 164: Now we reach the point in the countdown where Robin references obscure figures from history! Here, while playing chess with Batman in their secret identities of Dick Grayson and Bruce Wayne, Dick remarks "holy Reshevsky!" This is a reference to the great Polish-born American chess grandmaster of the early 20th century Samuel Reshevsky.
ellauri119.html on line 682: The "good" guys in her novels are basically paranoid sociopaths but her book´s view the world through their eyes and, of course, they don´t notice anything wrong with their distorted worldview. Humans are social animals and having interdependencies is the norm. Ayn Rand takes the normal and using the views of a sociopath portrays those interdependencies as being corrupt, evil, and self defeating. This is consistent in all of her writings. I´ve read everything Any Rand wrote and some of what has been written by her direction.
ellauri131.html on line 463: Ja kaikenkukkuraxi, koska koko perhe oppii Brayn neuvokeista tietämään mitä haluavat ja pyytämään sitä hard enough, ne saavat sen! Mirandasta ja Braysta molemmista tuli upporikkaita myytyään isävainajan kexinnön patentin, Louisianan talo pantiin lihoixi (kexijävainajan äiti sattui olemaan ex-kiinteistövälittäjä ja kääri siitä muhkean välityspalkkion vaikka olikin jo eläkkeellä ja asui Jillin vanhempien tyyppisessä vanhusten päiväkodissa). Seuraavana jouluna kaikki kokoontuvat upi uudessa Tennesseen ökytalossa valtaisan muovikuusen ympärille. Ei tarvi enää Missyn kadehtia kavereiden synttäreiden food truckeja!
ellauri131.html on line 840: Okei, Tony olet kauhistus. Eikä se kuumajoogepelle ole paljon parempi. Toisin Doreen! Se on tehnyt parannuxen. Doreen has renounced her previous work, and she prays for the day when other people will stop selling her old products. If she was self-published, the old products would have been taken off the market immediately. Unfortunately, other companies have licenses to the old products and they continue to sell them. In the meantime, Doreen posts regularly on social media, messages for new agers to destroy her old products and leave the New Age behind, and give their lives to Jesus as their Lord and Savior.
ellauri140.html on line 388: Much can they prayse the trees so straight and hy, Kiittelivät puita suoria ja komeita,
ellauri143.html on line 708: Like staff in hand of him in slippery ground who strays

ellauri143.html on line 1162: Cease not to love, when friend their love betrays.
ellauri146.html on line 670: Profound must have been the appeal to his subtle aesthetic sense even in youth as he looked at all those classic buildings on some night when the rays of a full moon had softened and blended the separate details of roof and entablature, cornice, and, pillar. It may well have been that, at such an hour and in such a spot, the most celebrated expression in the entire body of his writings was suggested to him by so extraordinary an interfusion of Nature’s beauty with the beauty of art in one of its loveliest forms.
ellauri150.html on line 448: Kubrick's film is relatively faithful to the Burgess novel, omitting only the final, positive chapter, in which Alex matures and outgrows sociopathy. Sehän on tiettävästi lähestulkoon mahdotonta. In the novel, Alex drugs and rapes two 10-year-old girls. In the film, the girls are young adults who seem to have consensual, playful sex with him, with no suggestion of using any drugs and without any violence. The film portrays Dr. Branom as female, despite being described as male in the novel. Kubrick oli lälläri.
ellauri160.html on line 405: With glitter of sun-rays Päivänsäteet paista,
ellauri161.html on line 722: My first movie review: After reading the negative reviews from many of the critics I realized that they are of the same character as the corrupt group that the movie portrays and as in the movie either disconnected from the people or threatened by the message. (Right on Vicki!)
ellauri171.html on line 471: We forgot to mention that Jezebel was the New Testament's N:o 2 whore after Magdalen. In Revelation 2 Jesus Christ rebukes the church of Thyatira saying, “You allow that woman Jezebel, who calls herself a prophetess, to teach and seduce My servants to commit sexual immorality and eat things sacrificed to idols”. Christ also says of this Jezebel, “I gave her time to repent of her sexual immorality, and she did not repent. I will kill her children with death.” Battle of the sexes. In Handmaid's Tale, a Jezebel is a woman forced to become prostitute and entertainer. They are available only to the Commanders and to their guests. Offred portrays Jezebels as attractive and educated; they may be unsuitable as handmaids due to temperament. They have been sterilized, a surgery that is forbidden to other women. They operate in unofficial but state-sanctioned brothels, unknown to most women. Jezebels, whose title also comes from the Bible (note Queen Jezebel in the Books of Kings), dress in the remnants of sexualized costumes from "the time before", such as cheerleaders' costumes, school uniforms, and Playboy Bunny costumes. Jezebels can wear make-up, drink alcohol, and socialize with men, but are tightly controlled by the Aunts. When they pass their sexual prime and/or their looks fade, they are discarded, without any precision as to whether they are killed or sent to "the Colonies" (XII Jezebels).
ellauri189.html on line 150: (They chase – and amidst the rays of the setting sun they are similar to one of the Heavenly Dwellers.) Täähän on ihankun Blues Brothersien Ghost Riders In The Sky:
ellauri189.html on line 196: (The sun had already walked along his wide curve and tinged the grey clouds with a crimson glow; with a yellow light quivering over earth and water, he burnt, setting, on his rich throne. Already his look, full of wonder, does not blind, but spreads mild, visible rays and, taking a short farewell, before burying himself in the deep, he allows mortal eyes to look at him; still – during this last moment he does not hastily disappear, [for he wants] to nourish all creatures with a smile of life; still he glances through the windows in
ellauri191.html on line 1801: "who in innumerable guises portrays the surprising involvement of the outsider"
ellauri197.html on line 214: If art is to assist in mitigating sorrow, turbulence, and evil, then it must filter out the bathos that brings on hysterics. Art serves society as a sort of safety valve wherein viewers view the performance with some distance. That distance must then be framed in a way that not only lowers the temperature on sorrow but also elevates with the beauty of the truth the content portrays.
ellauri241.html on line 174: Free as the air, invisibly, she strays vapaa kuin ilma, näkymättömästi, hän harhailee
ellauri244.html on line 459: Tänään Peter Graystone enjoys Elton John's musical about a televangelist. THE musical Tammy Faye is remarkably sympathetic to the Christian faith of the American evangelist whose television channel, Praise the Lord, rose and fell equally spectacularly in the 1980s. It is very much less sympathetic to her husband, Jim Bakker, whose affairs with women ...
ellauri247.html on line 530: Baboons leave their lairs at dawn and congregate to chatter and howl, while jumping in the warmth of the early morning sun, as if singing and dancing. The belief that they greet the rising sun gave rise to a favorite theme in art – baboon in attitude of adoration, facing the sun with raised arms as if ‘offering prayers and salutation to the first rays of dawn’.
ellauri257.html on line 346: Kosmos is Gombrowicz´s most complex and ambiguous work. In it he portrays how human beings create a vision of the world, what forces, symbolic order and passion take part in this process and how the novel form organises itself in the process of creating sense. Njoopa joo.
ellauri257.html on line 512: She and Singer met in the Catskills, at a farm village named Mountaindale. Although in the manuscript, Alma is elusive about dates, it is known that the encounter took place in 1937. The two were refugees of what Singer’s older brother, Israel Joshua, by then already the successful novelist I.J. Singer, would soon describe as “a world that is no more.” And the two were married to other spouses. Alma and her husband, Walter Wasserman, along with their two children, Klaus and Inga, had escaped from Germany the previous year and come to America, settling in the Inwood section of Manhattan. As for Isaac — as Alma always called him — he arrived in 1935. She portrays their encounters as romantic, although she appears to have been perfectly aware of his reputation.
ellauri263.html on line 377: At a time when Israelis rarely seek out Palestinian viewpoints in real life, much less on TV, this may explain why Fauda’s creators initially struggled to find a domestic outlet for the series. (LOL!) It portrays the infiltrator unit, whose members (an all-male panel, except for one token woman for the boys to drool about) kill, torture, assault and violently threaten Palestinians in a manner that jars with any claims of moral superiority. And this second series contains more narrative mirroring. We see each side struggle with unity and discipline over revenge and going rogue, with causes taking precedence over family relationships, lured into a violence that creates its own momentum. Both sides are compromised, manipulative and varying degrees of unhinged.
ellauri294.html on line 523: Buena Vista Distribution julkaisi elokuvan teattereihin 10. heinäkuuta 1981. Se oli taloudellinen menestys, sillä siitä tuli vuoden 14. tuottoisin elokuva ja se ansaitsi 39,9 miljoonaa dollaria Yhdysvalloissa. Se sai kuitenkin ristiriitaisia arvioita kriitikoilta, jotka ylistivät sen animaatiota ja ääninäyttelijää, mutta uskoivat, että se ei ollut tarpeeksi uraauurtava. Se oli ehdolla kolmelle palkinnolle, joista se voitti yhden. Julkaisuhetkellä se oli kallein tähän mennessä tuotettu animaatioelokuva, joka maksoi 12 miljoonaa dollaria. Se julkaistiin uudelleen teattereihin 25. maaliskuuta 1988. Välivaiheen jatko-osa, The Fox and the Hound 2 , julkaistiin suoraan DVD: lle 12. joulukuuta 2006. Tarinaan liittyy Copperin houkutus liittyä laulavien kulkukoirien bändiin nimeltä "The Singin' Strays", mikä uhkaa hänen ystävyyttään Todin kanssa. Sitä laiteltiin kriittisesti, ja kriitikot kutsuivat sitä edeltäjänsä vaisuxi jäljitelmäksi.
ellauri302.html on line 203: Yekel, his face still hetrays signs of his cunning and of his youthful dissipation. He is dressed in dignified, orthodox fashion. Removes his hat and shakes the rain from it.
ellauri324.html on line 859: Yes it is broken beyond belief. It has a huge homeless population. It has people working for such low wages they need to work 3 jobs without a decent welfare and food supplement program. It has people begging for donations so they can get medical care in a broken system. It has school teachers and other people working in college educated jobs living in tents and cars because they cant afford to rent or own a home. The highways around their major cities either go into gridlock or just heat up the planet uselessly. They have a public railroad and commuting system that belongs in a third world country. Only the wealthy can really afford to go to college.They have children going to bed hungry and the schools take trays of food from them in school because they cant pay for it. They are taking kids from their parents and putting them in cages. They have a public school system underfunded trying to turn it into private religious indoctrination. They have people in government who deny science because of what the bible says. They keep spending billions fighting senseless wars and bombing people. They have a small population of billionaires that run the system to benefit themselves and screw the rest of the country.
ellauri332.html on line 409: The Scarlet Letter strays far from its classic source material to tell a story that strains for steamy sensuality and leaves the audience red with unintentional laughter.
ellauri333.html on line 257:
ellauri344.html on line 261: Jews without Money is set in a slum populated mainly by Jewish immigrants from Eastern Europe. The father of the hero is a Romanian-born painter who suffers from lead poisoning. When he falls from a scaffold, he is disabled and can no longer work. His business fails and the family is pushed into poverty. The mother has to seek work in a restaurant. Although he is a bright boy, young Michael decides he must leave school. On the final page of the book, the poor Jewish boy prays for the arrival of a Marxist worker's revolution that will emancipate the working class.
ellauri359.html on line 49: Kenneth Grahame syntyi 8. maaliskuuta 1859 Edinburghissa. Kun hän oli hieman yli vuoden vanha, hänen isänsä, asianajaja, sai nimityksen sheriffin sijaiseksi Argyllshiressä, Inverarayssa Loch Fynellä. Kun hän oli viisivuotias, hänen äitinsä kuoli tulirokkoihin ja hänen isänsä, jolla oli alkoholiongelma, määräsi Kennethin, veljensä Willien, sisarensa Helenin ja uuden vauvan Rolandin hoidon Granny Inglesille, lasten äidin puolelta, Cookham Deanissa Cookhamin kylässä Berkshiressä.
ellauri362.html on line 435: Vuonna 1775, juuri ennen oppisopimuskoulutuksensa päättymistä Woodbridgessa, Crabbe pani voimansa koetukselle julkaisemalla Ipswichin kirjakauppiaan kanssa kolmiosaisen runon nimeltä Inebriety. Kirkkorekisterin I osan mökkikirjaston kuvauksesta ja muista Crabben teosten viitteistä tiedämme, että hänen lempilukunsa oli poikaiässä ollut romanttista; mutta kirjoittaessaan Inebrietyn hänen on täytynyt tutkia tarkasti sen ajan runollista paavia (Pope). Suuri osa Inebrietystä koostuu An Essay on Manin ja The Dunciadin suorasta jäljitelystä tai parodiasta; kun taas siellä täällä Crabbe todistaa tietämyksensä Graysta. Näiden runoilijoiden kaiut, jotka sekoittuvat lääkärin oppipojan lääkäriltä vetämään kielenkäyttöön, esitetään sankarillisissa säkeissä, yhtä aikaa ponnisteltuina ja liukastettuina, ja jättävät Inebrietyn yhdeksi kaikkien aikojen raaimmista runoista. Silti, jos nuoresta satiiristista lähtee paljon kiintymystä, se ei ole sentimentaalista kiintymystä. Crabbe osoittaa jo merkkejä kapinasta idealisaatiota vastaan, joka oli inspiroinut hänen kypsää työtään. Hänelle päihtymys on paha, ja hän kuvailee tarmokkaasti ja tarkasti sen pahoja vaikutuksia kaikissa elämänluokissa.
ellauri362.html on line 737: The poem vividly portrays the desolation of winter, with its barren landscapes, frozen streams, and harsh weather conditions. This imagery serves as a metaphor for the effects of alcohol on the human spirit. Just as winter chills and hardens the earth, alcohol numbs the senses, dulls the intellect, and stifles emotions.
ellauri378.html on line 647: Black Ops takes place between 1961 and 1968 during both the Cold War and the Vietnam War, 16 years to 23 years after the events of World War 3. It portrays a secret history of black operations carried out behind enemy lines by the CIA. Missions take place in various countries around the globe, including Cuba, the Soviet Union, the United States, South Vietnam, China, British Hong Kong, Canada, and Laos. The single-player campaign revolves around the CIA's attempts to stop Soviet sleeper agents embedded in the US, to be activated via broadcasts from a numbers station, deploying an experimental nerve agent and chemical weapon known as "Nova 6".
ellauri389.html on line 91: "Roast Pig" congratulates the recent breakthrough of domestic porcelain manufacturers by downplaying the long history of Chinese superiority at porcelain-firing techniques, and instead promoting an Englishman's mastery of these activities. The essay portrays the Chinese as irresponsible consumers and more importantly, authorizes English insurance culture as the one safe guarantee of guiltless consumption.
ellauri426.html on line 395: Suuri osa tästä tuntuu LE Modesitt, Jr.:n kirjalta, jossa en koskaan tiedä, mitä ihmettä tapahtuu, mutta rakastan sitä joka tapauksessa. Älä missaa tätä - se on loistava kirja. Se on parempi venäjäksi (луче по-русски...) Within the Recluce universe, all matter has inherent properties called "order" and "chaos". Magic manifests as a person's ability to manipulate these properties through thought. The feats which are feasible depend on the user's (genetically limited) potential, on developing those abilities, and on the laws that govern the interaction and balance between the two forces in nature. Generally, those who manipulate order are called (black) mages. Those who manipulate chaos are called (white) wizards. Rare individuals (grays) can manipulate both. There are personal costs to using magic, both immediate and long term. Within this universe, all matter is aligned with two competing forces: order and chaos. In their natural state, these forces are equally matched, in a condition called Balance. Njoopa joo. Kumpikahan kexi tämän ensixi, ysäriltä kumpikin. Life is not too short for bad books.
ellauri429.html on line 611: Tämä "Gharaniqin" jakso juontaa juurensa 8 eKr. Peläten, että uuden islamilaisen uskonnon nousu haastaisi heidän johtajuutensa muita arabialaisia ​​heimoja vastaan, Mekkaa hallinneiden qurayshin johtajat ehdottivat Muhammedille kompromissia: Quraysh suostui omaksumaan hänen uskontonsa edellyttäen, että hän säilyttää roolin jumaluuksina heidän kolmelle suosikkijumalattarelleen al-Latille, al-Uzzalle ja Manatille. (Kaaba)].
ellauri429.html on line 635: Muslimihistorioitsija ja -kommentaattori Tabari viittaa kuuluisassa Chronicle-kirjassaan "Profeettojen ja kuninkaiden tarinat" "Saatanisten säkeiden" tapaukseen seuraavasti: " Sitten profeetalle paljastettiin tähden suura. Hän meni Mekan keskustaan, jonne qurayshilaiset kokoontuivat, ja lausui tämän suuran. Kun hän pääsi säkeeseen 19: «Mitä uskot al-Latista, `Uzzasta ja Manatista kolmannesta? Onko mahdollista, että Jumalalla on tyttäriä ja teillä poikia? Mikä kaunis työnjako se olisikaan…» Iblîs [Saatana] tuli ja pani suuhunsa nämä sanat: «Nämä epäjumalat ovat maineikkaita jumalia, joiden esirukousta on toivottava. » Epäuskoiset [ei-muslimit] olivat erittäin mielissään näistä sanoista ja sanoivat: "Muhammedille on tapahtunut ylistämään epäjumaliamme ja puhumaan niistä hyvää." Profeetta viimeisteli suuran, sitten hän kumarsi itsensä, ja epäuskoiset kumartuivat hänen jälkeensä sanojensa vuoksi, jotka hän oli vahingossa puhunut, uskoen hänen ylistäneensä heidän epäjumaliaan. Seuraavana päivänä Gabriel tuli profeetan luo ja sanoi: "Oi Muhammed, lausu minulle tähden suura". Kun Muhammed toisti sanat, Gabriel sanoi: "Enkö minä välittänyt sen sinulle näin? Sanoin: "Tämä jakautuminen on epäoikeudenmukaista". Muutit sen ja asetit jotain muuta sen tilalle, mitä olin sinulle kertonut.» Profeetta peloissaan palasi moskeijaan ja lausui suuran uudelleen. Kun hän lausui sanat: "Ja tämä jakautuminen on epäoikeudenmukaista", epäuskoiset sanoivat: "Muhammed on katunut jumaliemme ylistämistä." Profeetta oli hyvin huolissaan ja pidättyi ruoasta ja juomasta kolmen päivän ajan peläten Jumalan vihaa. Sitten Gabriel välitti hänelle seuraavan jakeen: Emme ole lähettäneet ainuttakaan profeettaa tai lähettiläätä sinun edeltäsi ilman, että Saatana olisi antanut hänen toiveensa läpi syntisen halun; mutta Jumala tekee tyhjäksi sen, minkä Saatana lävitse, ja Hän vahvistaa merkkiään ."
ellauri431.html on line 266: For many years, the people of Quraysh had to fetch their water from far away. One day 'Abd al-Muttalib was very tired from doing this and fell asleep next to the Ka'bah. He had a dream in which he was told to dig up Zamzam. When he woke up he was puzzled because he did not know what Zamzam was, the well having disappeared many years before he was born. The next day he had the same dream, but this time he was told where to find the well.
ellauri431.html on line 270: After working for three days they finally found the well of Zamzam. Pilgrims have been drinking from it ever since. The years passed by and 'Abd al-Muttalib did have ten sons. They grew into fine, strong men and the time came for him to keep his promise to Allah. He told his sons about the promise and they agreed that he had to sacrifice one of them To see which one it would be, they decided to draw lots, which was the custom of Quraysh when deciding important matters. 'Abd al-Muttalib told each son to get an arrow and write his own name upon it and then to bring it to him. This they did, after which he took them to the Ka'bah where there was a man whose special task it was to cast arrows and pick one from among them. This man solemnly proceeded to do this. On the arrow he chose was written the name of 'Abd Allah, the favorite son of 'Abd al-Muttalib. Even so, the father took his son near the Ka'bah and prepared to sacrifice him.
ellauri431.html on line 272: Many of the Quraysh leaders were present and they became very angry because 'Abd Allah was very young and much loved by everyone. They tried to think of a way to save his life. Someone suggested that the advice of a wise old woman who lived in Yathrib should be sought, and so 'Abd al-Muttalib took his son and went to see if she could decide what to do. Some of the Meccans went with them and when they got there the woman asked, 'What is the price of a man's life?' They told her, 'Ten camels', for at that time if one man killed another, his family would have to give ten camels to the dead man's family in order to keep the peace among them. So the woman told them to go back to the Ka'bah and draw lots between 'Abd Allah and ten camels. If the camels were chosen, they were to be killed and the meat given to the poor. If 'Abd Allah was picked, then ten more camels were to be added and the lots drawn again and again until they finally fell on the camels.
xxx/ellauri056.html on line 221: Taavi Kuparikenttä oli Dickensin mielikirja. Ei ylläri, elämä ja teos-tutkijalle, täähän on Kallen niukasti pyllyverhoiltu omaelämäkerta. Se sai hienot arvostelut alkaen Thackeraysta ("Bravo Dickens!"). Arnoldin Masa kiitti sitä 1881. 1911 GK Chesterton vittuili, et Taavissa Dickens loi "otuxia jotka liimautuu meihin ja tyrannisoi, otuxia joita emme haluis unohtaa vaikka voitasiin, ja ei voida unohtaa vaikka haluttais, otuxia jotka on todellisempia kuin Dickens ize."
xxx/ellauri121.html on line 494: Raising a Child Who Prays: Teaching Your Family the Power of Prayer
xxx/ellauri128.html on line 617: Felix Dahn (Ludwig Sophus Felix Dahn; * 9. Februar 1834 in Hamburg; † 3. Januar 1912 in Breslau) war ein deutscher Rechtswissenschaftler, Schriftsteller und Historiker. Sillä oli samanlainen 2-haarainen parta kuin Bunyip Bluegumin sedällä. Dahn kirjoitteli säännöllisesti Gartenlaubeen. Dahn published numerous poems, many with a nationalist bent. His Mette von Marienburg portrays bands of "Masures and Poles" hiding in the "Podolian forest". Kaiken kaikkiaan aika mitätön.
xxx/ellauri148.html on line 130: The Arabs committed a lot of atrocities on Israeli troops, like clipped their fingernails and used them as ashtrays (the troops, not the clippings.) One Moroccan volunteer was caught with a sack full of Israeli body parts to take home as souvenirs. It turned out to be Joshua's foreskin bonanza. No reports of corresponding atrocities from the Israeli side.
xxx/ellauri149.html on line 455: The kiss with which Judas betrays Jesus is a full-on The Big Damn Kiss: no cheek or forehead kissing here! (The kiss is immediately followed by a hug with the two of them clinging to each other, and Judas looks absolutely devestated to be doing what he's doing as he holds Jesus.)
xxx/ellauri174.html on line 63: Malebranche was giving in to laws of cause an effect by placing a greater emphasis than he had previously done on his occasionalist account of causation, and particularly on his contention that God acted for the most part through "general volitions" and only rarely, as in the case of miracles, through "particular volitions". A bitter dispute ensued between Malebranche and his fellow Cartesian, Arnauld, whose name I remember from Chomsky's airy forays to Port-Royal grammar in the 60's. Over the next few years, the two men wrote enough polemics against one another to fill four volumes of Malebranche's collected works and three of Arnauld's. Arnauld's supporters managed to persuade the Roman Catholic Church to place Nature and Grace on its Index of Prohibited Books in 1690, and it was followed there by the Search nineteen years later in 1709. (Ironically, the Index already contained several works by the Jansenist Arnauld himself.) Somebody blamed Malebranche for being a Spinozan, which Nick himself vehemently demented. 1715 - Malebranche dies.
xxx/ellauri186.html on line 761: The Infancy Gospel of Thomas portrays the child Jesus as a boy of mysterious and
xxx/ellauri187.html on line 151: As for the centerpiece of Freedman's argument for Rilke's sexism--he "abandoned" Clara and their daughter, Ruth--here he portrays Clara, too, as if she were Tess of the D'Urbervilles. On the contrary. Clara enthusiastically seconded Rilke's definition of two artists wedded as each, in Rilke's cautiously ambiguous phrase, "the guardian of the other's solitude." After Rilke left for Paris, she placed Ruth with her wealthy and supportive parents and went on a pilgrimage to Egypt, among other places. Like Rilke, the adventurous Clara had a fascinating life--I don't know why Freedman didn't write her biography. Women artists suffered in Rilke's society, but not because of Rilke.
xxx/ellauri202.html on line 198: He spent most of his time there wandering around ‘the less salubrious districts of the city’, noticing (relative to Paris) the many prostitutes of both sexes and the ready availability of pornography. Encouraged by such reports, André Gide visited Berlin no fewer than five times in 1933. He, too, was delighted by, and seriously interested in, what he found there, although he did concede to Robert Levesque that Paris itself was slowly becoming more Berlin-like even if at the same time (to use that most erotically evocative of geographical terms) more ‘southern’. The two writers coincided in Berlin in October, Gide arriving for a fortnight, Martin du Gard for five weeks. They did their best to avoid each other on their forays into the sexual underworld, but always dutifully compared notes on what they had seen and experienced.
xxx/ellauri235.html on line 428: Heinäkuussa 1768 Graysta tehtiin modernin historian professori Cambridgessa, vaikka hän ei koskaan luennoinut tai julkaissut aiheesta. Hänen viime vuosien merkittävin henkilökohtainen tapahtuma oli lyhyt, intensiivinen ystävyys nuoren sveitsiläisen opiskelijan Karl Victor von Bonstettenin kanssa. Ystävyyttä ilmeisesti monimutkaisi Grayn fyysinen halu, vaikka heidän välillään ei uskota olevan seksuaalista suhdetta. Heinäkuussa 1771 Gray sairastui syödessään Pembroke Collegessa; viikkoa myöhemmin, heinäkuun 30. päivänä, hän kuoli. Hänen matkamuistoissaan(1832) Bonstetten pohdiskeli runoilijaa: "Je crois que Gray n'avait jamais aimé, c'était le mot de l'énigme, il en était résulté une misère de coeur qui faisait kontraste avec son mielikuvitus, kiihkeä, et profond au lieu de faire le bonheur de sa vie, n'en était que le tourment" (Mielestäni avain mysteeriin on se, että Gray ei koskaan rakastanut; tuloksena oli sydämen köyhyys, joka oli ristiriidassa hänen kiihkeän ja syvällisen mielikuvituksensa kanssa, mikä sen sijaan hänen elämänsä onnen käsittäminen oli vain sen piina).
xxx/ellauri237.html on line 129: One tradition claims that Sappho committed suicide by jumping off the Leucadian cliff. No ei nyt ainakaan jonkun äijän tähden! Sappho´s sexuality has long been the subject of debate. Sir Lawrence Alma-Tadema´s Sappho and Alcaeus (above) portrays her staring rapturously at her contemporary chum Alcaeus; images of a lesbian Sappho, such as Simeon Solomon´s painting of Sappho with Erinna (below), were much less common in the nineteenth century.
xxx/ellauri237.html on line 136: Today, it is generally accepted that Sappho´s poetry portrays homoerotic feelings: as Sandra Boehringer puts it, her works "clearly celebrate eros between women". Toward the end of the twentieth century, though, some scholars began to reject the question of whether or not Sappho was a lesbian – Glenn Most wrote that Sappho herself "would have had no idea what people mean when they call her nowadays a homosexual", André Lardinois stated that it is "nonsensical" to ask whether Sappho was a lesbian, and Page duBois calls the question a "particularly obfuscating debate". WTF? Pelottaako äijiä ajatus pillua lipsuvasta Psapfasta? Vai onko ne vaan mustasukkiaisia?
xxx/ellauri358.html on line 170: Irigaraysta on tärkeää että naaraat ja koiraat ihmelettävät toistensa vehkeitä. Eläköön se pieni ero. Mutta Descartes, eikös ihmetyxen vastakohta ole tympäännys? Tuttu juttu, sanoi Natachan kaiken nähnyt lentokapteeni. Vaikka Natachan tissit ovat kyllä ihmeteltävät. Ne ei vaadi fenomenologista vaivannäköä, velä vähemmän sen pikkarit! Kun niihin pääsis kurkkaamaan, olis huuli pyöreenä. Toisto tyylikeinona! harva asia sietää yhtä paljon toistoa kuin köyrintä.
xxx/ellauri358.html on line 174: Mitä on transsendentti? Kuonpuoleinen. Mielikuvituxen tuotetta. Sinne ei pääse edes periaatteessa kerta sitä ei ole oikeasti olemassa. Transsendenteiltä on perseet tervattu, niillä on vain etupuoli kuin kiiltsikaenkeleillä. Irigaraysta sukupuolet ovat toisilleen transsendenttejä, käden ulottumattomissa. No entä transut ja muut nonbinäärit transapinat? Sukupuolenvaihtajat? Transseksuaali kokee mielihyvää ja helpotusta kokiessaan ja tarkkaillessaan ruumiinsa muutoksia.
xxx/ellauri358.html on line 176: Irigaraysta rakastaminen on liikettä. Niin minustakin, edestakaista. Korkean veisun romantiikka on vähä teinityylistä. Ei siinä paljon suunnitella eikä skizota ehkäisystä. Ei suunnitella avioliittoa eikä huolehdita lapsista. Älkää häiritkö, do not disturb, lukee lapussa hotellihuoneen ovella.
xxx/ellauri385.html on line 355: Some portion of the glory, & rays oblique, kunniaa takas singahtaa vinoina säteinä
xxx/ellauri400.html on line 215: Although Arnold's poetry received only mixed reviews and attention during his lifetime, his forays into literary criticism were more successful.
xxx/ellauri404.html on line 180: Pikkutupsuinen Reikä pitää cospraystä. Elämä Japanissa ei ole helppoa. Metrot lakkaavat kulkemasta keskiyöllä.
xxx/ellauri414.html on line 100: Kommunistien kokous Pöllölässä" by Tiitus [Ilmari Kivinen] is a satirical account of a communist meeting in Pöllölä in 1922. The story humorously portrays the preparations, discussions, and interactions among communist cells, highlighting the challenges and absurdities of communist ideology and party politics. Filled with witty dialogues, political satire, and social commentary, the narrative reflects the author's critical perspective on the communist movement of the time. Hinta 433 jeniä.
69