rawson.jpg" />
ellauri192.html on line 299: The controversy over Handke’s support of Milosevic dates back 20 years, but the striking political differences between him and Tokarczuk reached a point of particular clarity in 2014. In that year, Handke was given the International Ibsen Prize, but mass outrage led him to reject the prize money while still accepting the award. In his accompanying speech, he said his critics should “go to hell.” (He’d previously met controversy over a literary award in 2006, when he turned down Germany’s Heinrich Heine prize after authorities attempted to withdraw it after he attended Milosevic’s funeral.)
ellauri192.html on line 649: Her article in the encyclopedia traces Mr. Seifert's career from that of a youthful, traditional poet to a national poet who ''refined his lyric voice drawing on the experiences of everyday life.''
ellauri194.html on line 256: Europeans in Medieval China reported findings from their travels to the Mongol Empire. Some accounts and maps began to place the "Caspian Mountains", and Gog and Magog, just outside the Great Wall of China. The Tartar Relation, an obscure account of Friar Carpini's 1240s journey to Mongolia, is unique in alleging that these Caspian Mountains in Mongolia, "where the Jews called Gog and Magog by their fellow countrymen are said to have been shut in by Alexander", were moreover purported by the Tartars to be magnetic, causing all iron equipment and weapons to fly off toward the mountains on approach. In 1251, the French friar André de Longjumeau informed his king that the Mongols originated from a desert further east, and an apocalyptic Gog and Magog ("Got and Margoth") people dwelled further beyond, confined by the mountains. In the map of Sharif Idrisi, the land of Gog and Magog is drawn in the northeast corner (beyond Northeast Asia) and enclosed. Some medieval European world maps also show the location of the lands of Gog and Magog in the far northeast of Asia (and the northeast corner of the world).
ellauri194.html on line 299: After the military takeover in Burkina Faso in January, demonstrators in Ouagadougou, the country’s capital, chanted pro-Russian and anti-French slogans. Protesters in Bamako in February celebrated France’s announcement that it was withdrawing its troops from Mali.
ellauri196.html on line 911: Since being singled out by the Swedish Academy, Jelinek, who turns 70 on Thursday, has noticeably withdrawn from public view. In the 1980s and 1990s, she often played the role of the sharp-tongued moralist. Today, she only rarely gives interviews.
ellauri197.html on line 339: Oh, and love is mixed stuff, a mixture of both spiritual and physical elements. Though like the grass in this respect, it is different from it in another way. While the grass loses its life and vitality with the winter, there is no such loss in the power of love, though there may be a temporary one in love's organ. In this respect, it may be likened to a sex organ inserted in an emergency, but never withdrawn before the emergency is over.
ellauri198.html on line 127: 1950-luvulta alkaen hän kirjoitti lähinnä lyriikkaa. Kaikki kuninkaan miehet on muokattu elokuvaksi kahteen otteeseen, vuonna 1949 ja vuonna 2006. Its title is drawn from the nursery rhyme "Humpty Dumpty". Se kertoo poliitikko Wille Rydmanin etenemisestä urallaan ja samanaikaisesta muuttumisesta entistä pahemmaxi ihmisenä. Willem esikuva Huey Pierce Long Jr. (30. elokuuta 1893 – 10. syyskuuta 1935), usein paremmin tunnettuna lempinimellä "Kingfish" oli yhdysvaltalainen demokraattisen puolueen poliitikko. Hän toimi Louisianan kuvernöörinä vuosina 1928–1932 ja Yhdysvaltain senaatin jäsenenä vuosina 1932–1935. Long tunnettiin radikaalina ja menestyksekkäänä vasemmistopopulistina, joka ajoi kuvernöörinä voimakkaita sosiaalisia reformeja ja perusti suuren laman aikana kunnianhimoisia julkiseen rahoitukseen perustuvia ohjelmia. Vastustajat arvostelivat häntä demagogiasta ja itsevaltaisesta vallankäytöstä. Longin lempinimi, "Kingfish" tuli hänen väittämästään "I'm a small fish here in Washington. But I am a kingfish to the folks down in Louisiana."
ellauri198.html on line 385: What with my search drawn out thro' years, my hope Ympäriinsä ilman kyytiä kuin mamutaxi,
ellauri198.html on line 395: And hears one bid the other go, draw breath Kamut pihalle jo tekee hoppua:
ellauri198.html on line 728: Along the way they find Patrick Danville, a young man imprisoned by someone who calls himself Joe Collins but is really a psychic vampire named Dandelo. Dandelo feeds off the emotions of his victims, and starts to feed off of Roland and Susannah by telling them jokes. Roland and Susannah are alerted to the danger by Stephen King, who drops clues directly into the book, enabling them to defeat the vampire. They discover Patrick in the basement, and find that Dandelo had removed his tongue. Patrick is freed and soon his special talent becomes evident: his drawings and paintings become reality. As their travels bring them nearer to the Dark Tower, Susannah comes to the conclusion that Roland needs to complete his journey without her. Susannah asks Patrick to draw a door she has seen in her dreams to lead her out of this world. He does so and once it appears, Susannah says goodbye to Roland and crosses over to another world.
ellauri198.html on line 732: They remain in a stalemate for a few hours, until Roland has Patrick draw a picture of the Crimson King and then erase it, thus wiping him out of existence except for his eyes. Roland gains entry into the Tower while Patrick turns back home. The last scene is that of Roland crying out the names of his loved ones and fallen comrades as he had vowed to do. The door of the Dark Tower closes shut as Patrick watches from a distance.
ellauri203.html on line 654: In a small family island, Karin, her teenage brother Minus and her husband Martin welcome her father David, who is a writer permanently absent traveling around the world. Karin has just left a mental institution and has inherited the incurable insanity from her mother. Minus feels lost and alone, estranged by his selfish and cold father that left Karin and he (sic) behind after the death of his wife. Martin is neglected by Karin and has no sex life with her anymore and spends his time taking care of his wife. When Karin finds the journal of her father hidden in a drawer in his desk, she reads that her degenerative disease is incurable and triggers a breakdown.
ellauri204.html on line 391: “So saying, Argeiphontes gave me the herb, drawing it from the ground, and showed me its nature. At the root it was black, but its flower was like milk. [305] Moly the gods call it, and it is hard for mortal men to dig; but with the gods all things are possible. Hermes then departed to high Olympus through the wooded isle, and I went my way to the house of Circe, and many things did my heart darkly ponder as I went. [310] So I stood at the gates of the fair-tressed goddess. There I stood and called, and the goddess heard my voice. Straightway then she came forth, and opened the bright doors, and bade me in; and I went with her, my heart sore troubled. She brought me in and made me sit on a silver-studded chair, [315] a beautiful chair, richly wrought, and beneath was a foot-stool for the feet. And she prepared me a potion in a golden cup, that I might drink, and put therein a drug, with evil purpose in her heart. But when she had given it me, and I had drunk it off, yet was not bewitched, she smote me with her wand, and spoke, and addressed me: [320] ‘Begone now to the sty, and lie with the rest of thy comrades.’ “So she spoke, but I, drawing my sharp sword from between my thighs, rushed upon Circe, as though I would slay her. But she, with a loud cry, ran beneath, and clasped my knees, and with wailing she spoke to me winged words: [325] “‘Who art thou among men, and from whence? Where is thy city, and where thy parents? Amazement holds me that thou hast drunk this charm and wast in no wise bewitched. For no man else soever hath withstood this charm, when once he has drunk it, and it has passed the barrier of his teeth. Nay, but the mind in thy breast is one not to be beguiled. [330] Surely thou art Odysseus, the man of ready device, who Argeiphontes of the golden wand ever said to me would come hither on his way home from Troy with his swift, black ship. Nay, come, put up thy sword in this here sheath, and let us two then go up into my bed, that couched together [335] in love we may put trust in each other.’ “So she spoke, but I answered her, and said:‘Circe, how canst thou bid me be gentle to thee, who hast turned my comrades into swine in thy halls, and now keepest me here, and with guileful purpose biddest me [340] go to thy chamber, and go up into thy bed, that when thou hast me stripped thou mayest render me a weakling and unmanned? Nay, verily, it is not I that shall be fain to go up into thy bed, unless thou, goddess, wilt consent to swear a mighty oath that thou wilt not plot against me any fresh mischief to my hurt.’
ellauri204.html on line 753: Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud, was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as one of the major figures of the European avant-garde. In particular, he had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican practices. Hirveää scheissea.
ellauri206.html on line 61: Show, don't tell is a technique used in various kinds of texts to allow the reader to experience the story through actions, words, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. It avoids adjectives describing the author's analysis, but instead describes the scene in such a way that readers can draw their own conclusions. The technique applies equally to nonfiction and all forms of fiction, literature including haiku and Imagism poetry in particular, speech, movie making, and playwriting.
ellauri206.html on line 92: The measures he has recommended include redirecting Special Drawing Rights - a type of foreign reserve asset - to countries that need help now, a fairer global tax system, and addressing illicit financial flows.
ellauri210.html on line 370: That journey began in 1903 when, aged sixteen, he was kicked out of his boarding school for an egregious act of indiscipline—according to some, he hit a teacher—and, inspired by his hero Arthur Rimbaud, he left Switzerland in search of adventure. Over the next several years, Cravan took up with hookers in Berlin, hoboed his way from New York to California, and worked in the engine room of a steamship bound for the South Pacific, jumping ship when it docked in Australia. But it was in Paris that the legend of the man we know as Arthur Cravan—writer, brawler, and hoaxer—was cemented. Within the space of six years, he scandalized polite society, infuriated the avant-garde, slugged it out with one of the greatest heavyweights of all time, and then disappeared without a trace.
ellauri212.html on line 73: All evidence points to the fact that Gauguin might have been drawn to the Mahu culture of a boy performing feminine duties. Drag queens were prevalent in Tahitian culture one which drew the focus of Gauguin. His children are not the reason to believe that he was heterosexual look at his Polynesian artwork!
ellauri212.html on line 300: Tässä syyteröväskästä viimeisin: in February 2022, around a dozen current and former employees of Dr. Phil alleged that they experienced "verbal abuse in a workplace that fosters fear, intimidation, and racism." Seven current employees also claimed that the show's guests are often manipulated and treated unethically. Attorneys for McGraw and his co-producer, Carla Pennington categorically denied every allegation made.
ellauri212.html on line 302: McGraw's advice and methods have drawn criticism from both fellow psychotherapists as well as non-experts. McGraw's critics regard advice given by him to be at best simplistic and at worst ineffective or harmful. The National Alliance on Mental Illness called McGraw's conduct in one episode of his television show "unethical" and "incredibly irresponsible". McGraw said in a 2001 Sun-Sentinel interview that he never liked traditional one-on-one counseling, and that "I'm not the Hush-Puppies, pipe and 'Let's talk about your mother' kind of psychologist."
ellauri212.html on line 304: McGraw married his first wife, Debbie Higgins McCall, in 1970, when he was 20 years old. According to her, McGraw was domineering and would not allow her to participate in the family business. She claimed that she was confined to domestic duties and instructed to begin lifting weights to improve her bustline. McCall also claimed that infidelity had ended their marriage.
ellauri212.html on line 306: McGraw is also a private pilot, with an instrument rating, flying single-engine airplanes. McGraw is Christian. McGraw launched the charity, Dr. Phil Foundation, in October, 2003.
ellauri213.html on line 335: In theory, San Francisco State University President Lynn Mahoney is correct in stating that a university is a place where different ideas are presented, discussed and analyzed so that individual conclusions can be drawn. But does that justify giving an unrepentant terrorist a forum to address the students? What will she teach them? The proper way to hijack an aircraft, based on her success in 1969, and what mistakes to avoid based on her failure in 1970? When I was a student in university, I often faced new ideas that ran contrary to my beliefs. But these perspectives were presented by knowledgeable, respectable academics. Some were Nobel Prize winners. None were terrorists. Most of them were Jews.
ellauri214.html on line 193: I might talk about what I want to do, I might have one talent (usually drawing), but I was never shown to actively working towards my dream.
ellauri214.html on line 246: Myrina was said to have conquered most of Libya, from where she led her army east toward Egypt. When she reached Egypt, she befriended the king before going on to defeat the Bedouin and Syrian peoples and conquering some of west Asia. Although the people of Cilicia (part of modern Turkey) were not defeated, they were willing to accept her rule. The Amazons also captured the island of Lesbos in the Aegean Sea, where Myrina founded the city of Mitylene, named for her sister. While sailing across the Aegean, Myrina got caught in a storm. The queen prayed to the Mother Goddess to save her and was guided to a deserted island, which she named Samothrace. Myrina’s good fortune, however, did not last forever: she died in battle against the Thracians and Scythians, led by the Thracian Mopsos. Without their great leader, the Amazons lost a series of battles to Mopsos. Eventually their empire collapsed and they withdrew back to Libya. Back to the drawing board. 2 thousand years later Myrinä's compatriot Muammar Gaddafi says in Swedish: Han är nöjd.
ellauri216.html on line 888: Perhaps most associated with Orthodox monasticism, innumerable references to nepsis are made in The Philokalia (the full title of The Philokalia being The Philokalia of the Neptic Fathers). Parallels have been drawn between nepsis and Jewish devekut.
ellauri219.html on line 270: The influence of Aubrey Beardsley’s pen-and-ink line drawings had already made itself felt on Klaus Voormann’s artwork for Revolver, and here the 19th-century illustrator, whose own style was influenced by Japanese woodcutting, takes a position not too far away from Oscar Wilde (No.41), Beardsley’s contemporary in the Aesthetic movement.
ellauri219.html on line 409: An American artist known for large sculptures that play with light and space, Larry Bell first made his mark with a series of “shadowboxes” constructed in the 60s, and has since gone on to receive acclaim for his wide-ranging work, including the Vapor Drawings of the 80s and a subsequent range of Mirage Drawings.
ellauri219.html on line 583: At Princeton, Rawls was influenced by Norman Malcolm, Ludwig Wittgenstein's dumb student. During his last two years at Princeton, he "became deeply concerned with theology and its doctrines." He considered attending a seminary to study for the Episcopal priesthood and wrote an "intensely religious senior thesis (BI)." In his 181-page long thesis titled "Meaning of Sin and Faith," Rawls attacked Pelagianism because it "would render the Cross of Christ to no effect." His argument was partly drawn from Karl Marx's book On the Jewish Question, which criticized the idea that natural inequality in ability could be a just determiner of the distribution of wealth in society. Even after Rawls became an atheist, many of the anti-Pelagian arguments he used were repeated in A Theory of Justice. Pelagianism is a heretical Christian theological position that holds that the original sin did not taint human nature and that humans by divine grace have free will to achieve human perfection. Pelagius (c. 355 – c. 420 AD), an ascetic and philosopher from the British Isles, taught that God could not command believers to do the impossible, and therefore it must be possible to satisfy all divine commandments. He also taught that it was unjust to punish one person for the sins of another; therefore, infants are born blameless. Pelagius accepted no excuse for sinful behavior and taught that all Christians, regardless of their station in life, should live unimpeachable, sinless lives, or else... Se oli tollanen humanisti, mitä Hippo aivan erityisesti inhosi. Vittu eihän sitten mitään kirkkoa ja pappeja edes tarvittaisi. Jeesus jäisi työttömäxi, Jahve eläkkeelle.
ellauri219.html on line 822: Because he knew that this venture was not the Safe for Democracy mission that Wilson had in mind, and that stuck in his craw. It stuck in his craw, because he too wanted to believe that America had been making the world Safe for Democracy. But we loyally sent our troops in anyway, under the banner of the Treaty of Westphalia, not Wilson’s Fourteen Points.
ellauri220.html on line 474:
rawler_1.png" />
ellauri222.html on line 123: But Chicago was a city of immigrants. It also had a large Jewish population—by 1931, according to Leader, nearly three hundred thousand in a city of 3.3 million. All the Bellow children assimilated happily and all became well off. Saul is often associated with the University of Chicago, where he taught for many years as a member of the legendary Committee on Social Thought. He was a student there, but for less than two years. He had to withdraw for financial reasons (a truck driver was killed in an accident at his father’s coal yard and the insurance had lapsed), and he transferred to Northwestern, from which he graduated in 1937.
ellauri222.html on line 197: One reason for reading biographies of writers like Bellow, who draw from people in their own lives, is to learn what those people were really like, or at least what they were like to someone who is not Bellow. You often can’t do that with Leader’s biography. Leader also wants to assess Bellow’s accomplishment as a novelist. He has to keep three balls in the air at once: the biographical story, an interpretation of the fiction as autobiography, and a consideration of the fiction as fiction. That’s why his book is so long.
ellauri222.html on line 747: Another aspect, which should be discussed, is perfectionism. The author emphasizes that such a worldview can be very dangerous if the person does not keep the sense of proportion, as it is with Lord Pococurante. He is not able to see the beauty of things that surround him. His criticism can be only destructive, though Pococurante identifies drawbacks; he does put forward any suggestions, which may prove useful.
ellauri222.html on line 795: Though in some ways separated from American society, Bellow's protagonists also strongly connect their identity with America. Augie begins his adventures by claiming, "I am an American, Chicago born—Chicago, that somber city." Almost all of Bellow's novels take place in an American city, most often Chicago or New York. Through his depiction of urban reality, Bellow anchors his novels in the actual world, and he uses the city as his central metaphor for contemporary materialism. Although recognizing the importance of history and memory, Bellow's novels maintain a constant engagement with the present moment. His characters move in the real world, confronting sensuous images of urban chaos and clutter that often threaten to overwhelm them. Looking down on the Hudson River, Tommy Wilhelm sees "tugs with matted beards of cordage" and "the red bones of new apartments rising on the bluffs." Sammler denounces contemporary New Yorkers for the "free ways of barbarism" that they practice beneath the guise of "civilized order, property rights [and] refined technological organization." In Humboldt's Gift, which is replete with images of cannibalism and vampirism, Charlie Citrone sees Von Trenck, the source of his material success, as "the blood-scent that attracted the sharks of Chicago." Acknowledging the influence of the city on his fiction, Bellow himself has remarked, "I don't know how I could possibly separate my knowledge of life such as it is, from the city. I could no more tell you how deeply it's gotten into my bones than the lady who paints radium dials in the clock factory can tell you." However, although the city serves to identify the deterministic social pressures that threaten to destroy civilization, Bellow's heroes refuse to become its victims and instead draw on their latent nondeterministic resources of vitality to reassert their uniquely American belief in individual freedom, as well as their faith in the possibility of community.
ellauri222.html on line 819: An intensely intellectual writer who peppers his novels with allusions, Bellow draws on many cultural traditions in his analysis of both the sources of American experience and its present manifestations. His fiction fully documents the decline of Western civilization without conceding its obvious demise, and the ambiguity and tenuousness of even his most positive endings balance sadness and comic skepticism with the steadfast faith that he the artist can effect coherence and order, or failing that a lot of cash, out of the chaos of modern experience. His tip for success: kusettakaa minkä jaxatte! For his achievement in confronting the modern existential dilemma with compassion and humor, Bellow's place in twentieth-century American literary history seems assured by drooling groupies like myself.
ellauri222.html on line 1035: On July 29, 1994, Timmendequas lured Megan into his home, hit her head against his dresser, slapped her hard enough to draw blood, raped her, and strangled her with a belt. During the attack, Megan was able to bite Timmendequas’ hand hard enough to leave teeth impressions which later helped convict him. He disposed of her body in a nearby park and confessed to the murder the next day. He was found guilty of kidnapping, aggravated sexual assault, and murder and sentenced to death. Timmendequas’ sentence was commuted to life in 2007 when New Jersey abolished the death penalty.
ellauri223.html on line 66: Capt. Moreover, the race is managed for the good of the commonwealth, and not of private individuals, and the magistrates must be obeyed. They deny what we hold—viz., that it is natural to man to recognize his offspring and to educate them, and to use his wife and house and children as his own. For they say that children are bred for the preservation of the species and not for individual pleasure, as St. Thomas also asserts. Therefore the breeding of children has reference to the commonwealth, and not to individuals, except in so far as they are constituents of the commonwealth. And since individuals for the most part bring forth children wrongly and educate them wrongly, they consider that they remove destruction from the State, and therefore for this reason, with most sacred fear, they commit the education of the children, who, as it were, are the element of the republic, to the care of magistrates; for the safety of the community is not that of a few. And thus they distribute male and female breeders of the best natures according to philosophical rules. Plato thinks that this distribution ought to be made by lot, lest some incel men seeing that they are kept away from the beautiful women, should rise up with anger and hatred against the magistrates; and he thinks further that those who do not deserve cohabitation with the more beautiful women, should be deceived while the lots are drawn by the magistrates, so that at all times the women who are suitably second rate should fall to their lot, not those whom they desire. Stop the steal!
ellauri223.html on line 194: Alice Bacon and her mother Dorothy were both reported by contemporaries as having extravagant tastes, and being interested in wealth and power. However, early in the marriage, Bacon had money to spare, "pouring jewels in her lap", and spending large sums on decorations. Power was also available, as in March 1617, along with Francis Bacon being made temporary Regent of England, a document was drawn up making Lady Bacon first lady in the land, taking precedence over all other Baronesses (it is not clear whether it was signed into law).
ellauri226.html on line 127: Six brawny young men with faux-hawks hung out in the doorway, drinking Ichnusa beers, and observing us in a desultory way. “Let’s not!” I said.
ellauri236.html on line 194: As I have mentioned already, No Orchids enjoyed its greatest vogue in 1940, though it was successfully running as a play till some time later. It was, in fact, one of the things that helped to console people for the boredom of being bombed. Early in the war the New Yorker had a picture of a little man approaching a news-stall littered with paper with such headlines as ‘Great Tank Battles in Northern France’, ‘Big Naval Battle in the North Sea’, ‘Huge Air Battles over the Channel’, etc., etc. The little man is saying ‘Action Stories, please’. That little man with his little dick stood for all the drugged millions to whom the world of the gangster and the prize-ring is more ‘real’, more ‘tough’, than such things as crucifixions, wars, revolutions, earthquakes, famines, genocides, holocausts and pestilences. From the point of view of a reader of Action Stories, a description of the London blitz, or of the internal struggles of the European underground parties, would be ‘sissy stuff’. On the other hand, some puny gun-battle in Chicago, resulting in perhaps half a dozen deaths, would seem genuinely ‘tough’. This habit of mind is now extremely widespread. A soldier sprawls in a muddy trench, with the machine-gun bullets crackling a foot or two overhead, and whiles away his intolerable boredom by reading an American gangster story. And what is it that makes that story so exciting? Precisely the fact that people are shooting at each other with machine-guns! Neither the soldier nor anyone else sees anything curious in this. It is taken for granted that an imaginary bullet is more thrilling than a real one. (But note one difference: they get a whacking pile of money and loads of wet twat for it.)
ellauri236.html on line 198: There exists in America an enormous literature of more or less the same stamp as No Orchids. Quite apart from books, there is the huge array of ‘pulp magazines’, graded so as to cater for different kinds of fantasy, but nearly all having much the same mental atmosphere. A few of them go in for straight pornography, but the great majority are quite plainly aimed at sadists and masochists. Sold at threepence a copy under the title of Yank Mags(4), these things used to enjoy considerable popularity in England, but when the supply dried up owing to the war, no satisfactory substitute was forthcoming. English imitations of the ‘pulp magazine’ do now exist, but they are poor things compared with the original. English crook films, again, never approach the American crook film in brutality. And yet the career of Mr. Chase shows how deep the American influence has already gone. Not only is he himself living a continuous fantasy-life in the Chicago underworld, but he can count on hundreds of thousands of readers who know what is meant by a ‘clipshop’ or the ‘hotsquat’, do not have to do mental arithmetic when confronted by ‘fifty grand’, and understand at sight a sentence like ‘Johnny was a rummy and only two jumps ahead of the nut-factory’. Evidently there are great numbers of English people who are partly americanized in language and, one ought to add, in moral outlook. For there was no popular protest against No Orchids. In the end it was withdrawn, but only retrospectively, when a later work, Miss Callaghan Comes to Grief, brought Mr. Chase's books to the attention of the authorities. Judging by casual conversations at the time, ordinary readers got a mild thrill out of the obscenities of No Orchids, but saw nothing undesirable in the book as a whole. Many people, incidentally, were under the impression that it was an American book reissued in England.
ellauri236.html on line 206: Until recently the characteristic adventure stories of the English-speaking peoples have been stories in which the hero fights against odds. This is true all the way from Robin Hood to Pop-eye the Sailor. Perhaps the basic myth of the Western world is Jack the Giant-killer, but to be brought up to date this should be renamed Jack the Dwarf-killer, and there already exists a considerable literature which teaches, either overtly or implicitly, that one should side with the big man against the little man. Most of what is now written about foreign policy is simply an embroidery on this theme, and for several decades such phrases as ‘Play the game’, ‘Don't hit a man when he's down’ and ‘It's not cricket’ have never failed to draw a snigger from anyone of intellectual pretensions. What is comparatively new is to find the accepted pattern, according to which (a) right is right and wrong is wrong, whoever wins, and (b) weakness must be respected, disappearing from popular literature as well. When I first read D. H. Lawrence's novels, at the age of about twenty, I was puzzled by the fact that there did not seem to be any classification of the characters into ‘good’ and ‘bad’. Lawrence seemed to sympathize with all of them about equally, and this was so unusual as to give me the feeling of having lost my bearings. Today no one would think of looking for heroes and villains in a serious novel, but in lowbrow fiction one still expects to find a sharp distinction between right and wrong and between legality and illegality. The common people, on the whole, are still living in the world of absolute good and evil from which the intellectuals have long since escaped. But the popularity of No Orchids and the American books and magazines to which it is akin shows how rapidly the doctrine of ‘realism’ is gaining ground.
ellauri236.html on line 433: The door swung open and Anna walked in. She was wearing a pale green summer dress and a big straw hat. Eddie thought she looked terrific.
ellauri236.html on line 532: Hyvä puoli asiassa on että kun transistorit loppuvat pilvi romahtaa, ja loppuu tää sietämätön kännykällä sometus. Ja sähkönkulutuskin putoaa tosi rajusti kun loppuu vittumainen nettimainostus. Siihen menee vuodessa jotain puolentuhatta terawattia. Palataan sosialististen neuvostotasavaltojen kodikkaaseen hämärään, ilman neonmainoxia ynnä muita turhakkeita.
ellauri238.html on line 841: Belzebub kocha sztukę. Chełpi się, że jego chóry, jego poeci i jego malarze prżewyzszają już prawie niebieskich. Kto ma lepszą sztukę, ma lepszy rząd - to jasne. Niedługo będą się mogli zmierzyć na Festiwalu Dwu Światów. I wtedy zobaczymy, co zostanie z Dantego, Fra Angelico i Bacha.
ellauri241.html on line 45: In 1818 Hampstead, the fashionable Fanny Brawne (Abbie Cornish) is introduced to poet John Keats (Ben Whishaw) through the Dilke family. The Dilkes occupy one half of a double house, with Charles Brown (Paul Schneider) occupying the other half. Brown is Keats' friend, roommate, and associate in writing.
ellauri241.html on line 47: Fanny's flirtatious personality contrasts with Keats' notably more aloof nature. She begins to pursue him after her siblings Samuel and Toots obtain his book of poetry, "Endymion". Her efforts to interact with the poet are fruitless until he witnesses her grief for the loss of his brother, Tom. Keats begins to open up to her advances while spending Christmas with the Brawne family. He begins giving her poetry lessons, and it becomes apparent that their attraction is mutual. Fanny is nevertheless troubled by his reluctance to pursue her, on which her mother (Kerry Fox) surmises, "Mr. Keats knows he cannot like you, he has no living and no income."
ellauri241.html on line 49: It is only after Fanny receives a valentine from Brown that Keats passionately confronts them and asks if they are lovers. Brown sent the valentine in jest, but warns Keats that Fanny is a mere flirt playing a game. Fanny is hurt by Brown's accusations and Keats' lack of faith in her; she ends their lessons and leaves. The Dilkes move to Westminster in the spring, leaving the Brawne family their half of the house and six months rent. Fanny and Keats then resume their interaction and fall deeply (ca. 6 inches) in love. The relationship comes to an abrupt end when Brown departs with Keats for his summer holiday, where Keats may earn some money. Fanny is heartbroken, though she is comforted by Keats' love letters. When the men return in the autumn, Fanny's mother voices her concern that Fanny's attachment to the poet will hinder her from being courted. Fanny and Keats secretly become engaged.
ellauri241.html on line 51: Keats contracts tuberculosis the following winter. He spends several weeks recovering until spring. His friends collect funds so that he may spend the following winter in Italy, where the climate is warmer. After Brown impregnates a maid and is unable to accompany him, Keats finds accommodation in London for the summer, and is later taken in by the Brawne family following an attack of his illness. When his book sells with moderate success, Fanny's mother gives him her blessing to marry Fanny once he returns from Italy. The night before he leaves, he and Fanny say their tearful goodbyes in privacy. Keats dies in Italy the following February of complications from his illness, as his brother Tom did. Bugger it.
ellauri241.html on line 1371: To find Endymion sprawled
ellauri241.html on line 1468: And keep me as a chosen bait to draw
ellauri243.html on line 188: 1. Barking at the ape 2. Box lunch at the ‘Y’ 3. Breakfast in bed 4. Brushing one’s teeth 5. Carpet-munching 6. Chewing the she-Fat 7. Clam-jousting 8. Clam-lapping 9. Cleaning the fish tank 10. Connie lingus 11. Contacting the aliens 12. Conversing with moses 13. Devil’s kiss 14. Dinner beneath the bridge 15. Doing it the French way 16. Donning the Beard 17. Drinking from the furry cup 18. Eating at the ‘Y’ 19. Eating fur pie 20. Eating out 21. Eating the peach 22. Eating squirrel 23. Eating sushi from the barbershop floor 24. Eating tinned mussels 25. Egg mcmuff 26. Face-fucking 27. Facing the nation 28. Fanny-noshing 29. Fence-painting 30. French-kissing Mr. Lincoln 31. Fuzz sandwich 32. Giving face 33. Gnawing on roast beef 34. Going downstairs for breakfast 35. Going south 36. Gomorrahry 37. Gorilla in the washing machine 38. Growling at the badger 39. Gumming the monster 40. Husband’s supper 41. Kissing between the hips 42. Kissing the wookie 43. Lady braille 44. Lady Semaphore 45. Larking 46. Lapping the gap 47. Lapping the lint trap 48. Lick-a-chick 49. Lickety-slit 50. Licking anchovy 51. Lip service 52. Lip-synching to the fish-fueled jukebox 53. Low-calorie snacking 54. Making mouth music 55. Medicating the hairy paper cut 56. Mopping the vulva 57. Mustache-riding 58. Muff-diving 59. Mumbling in the moss 60. Munching the bearded clam 61. One-man band 62. Oyster-gargling 63. Parting the fuzz 64. Pastrami sandwich 65. Pearl-diving 66. Placating the beaver 67. Playing in the sandbox 68. Playing the hair harmonica 69. Prawn breath 70. Pruning the orchid 71. Pug-noshing 72. Pussy-nibbling 73. Seafood dinner 74. Sipping at the fizzy cup 75. Sitting on a face 76. Slurping at the furry coconut 77. Smoking the fur 78. Sneezing in the basket 79. Spa time For Lady Boner 80. Speaking in tongues 81. Spraying the crops 82. Tackling the Brazilian 83. Talking to the canoe driver 84. Talking to lassie 85. Telephoning the stomach 86. Testing the echo in the love cave 87. Testing the waters 88. Tipping the velvet 89. Tongue-fucking 90. Tonguing the bean 91. Trimming the hedges 92. Velvet buzzsaw 93. Wearing the feed bag 94. Wearing the Sticky Beard 95. Whispering into the wet ear 96. Whispering to Venus 97. Whistling in the dark 98. Worshiping at the altar 99. Yaffling 100. Yodeling in the canyon 101. January Nelson
ellauri243.html on line 213: Parodies and pastiches of the Gadsden flag exist; one common design replaces the "Don't tread on me" motto with "No Step on Snek", sometimes paired with a crudely drawn snek.
ellauri243.html on line 554: Bob´s book is about Perpetual Potential. Inside these pages, you will discover three invaluable lessons that will propel you closer to your true potential. The lessons will serve you well on either of two different, but parallel roads you may travel: The roads towards triumph or tragedy, as well as the roads in between. In 2003 the author, Bob Stearns was on top of the world. He led his company to win the most prestigious business award in the country, the Malcolm Baldrige award. Just five short years later, tragedy struck. Bob´s oldest son Eric was killed while on a study trip abroad in Athens, Greece. Eric was 21 years old at the time and was a junior at Penn State University. Although Eric lost his precious life in Greece, he found something sprawled under the pillars of the Acropolis that many people search for their entire lifetimes. He found inner peace in the knowledge that he could truly be anything he wanted to be, he could do anything he wanted to with his life. In his book "Perhaps a Man Can Change the Stars - Eric's Pursuit of Perpetual Potential", Bob shares with you three life lessons that allowed Eric to understand his true potential. Those same lessons helped Bob and his family deal with Eric´s death. The same lessons had enabled Bob to lead his company to triumph five years earlier. A key take away from the book is that no matter what stage of life you find yourself, you have the potential to explore. You have the potential to utilize and grow the talents and aspirations that you currently have. You have the potential to rekindle old talents that lie dormant, and to allow new talents to blossom. This is true regardless of age, circumstances, and what other people may be telling us. So read, explore and think deeply about how you can apply the three lessons that Bob learned from Eric. Decide for yourself how you can best use them. Indeed, our Potential is Perpetual!
ellauri245.html on line 155: I received something in Sweden’s Svenska Dagbladet that I don’t think I ever had before: an unqualified trouncing by a reviewer who felt that the book sensationalized violence. The review seemed so emotionally charged that I could only conclude that The Leopard not only wasn’t everyone’s cup of tea, but a brew that really stuck in some readers’ craws, a book whose brutality and scenes of violence could truly alienate readers.
ellauri247.html on line 85: It was forbidden to mention or talk about the name of Baiame publicly. Women were not allowed to see drawings of dicks and church boats by Baiame nor approach Baiame sites, which are often male initiation sites (boras).
ellauri247.html on line 114: GLOSSARY Bahloo, moon. Beeargah, hawk. Beeleer, black cockatoo. Beereeun, prickly lizard. Bibbee, woodpecker, bird. Bibbil, shiny-leaved box-tree. Bilber, a large kind of rat. Bindeah, a prickle or small thorn. Birrahlee, baby. Birrableegul, children. Birrahgnooloo, woman's name, meaning "face like a tomahawk handle." Boobootella, the big bunch of feathers at the back of an emu. Boolooral, an owl. Boomerang, a curved weapon used in hunting and in warfare by the blacks; called Burren by the Narran blacks. Borah, a large gathering of blacks where the boys are initiated into the mysteries which make them young men. Bou-gou-doo-gahdah, the rain bird. Bouyou, legs. Bowrah or Bohrah, kangaroo. Bralgahs, native companion, bird. Bubberah, boomerang that returns and bumps you in the back of your head. Buckandee, native cat. Buggoo, flying squirrel. Bulgahnunnoo, bark-backed. Bunbundoolooey, brown flock pigeon. Bunnyyarl, flies. Byamee, man's name, meaning "big man." Bwana, African sir. Capparis, caper. Combi, bag made of kangaroo skins. Comfy, foldable plastic pillow. Cookooburrah, laughing jackass. Coorigil, name of place, meaning sign of bees. Corrobboree, black fellows' dance. Cunnembeillee, woman's name, meaning pig-weed root. Curree guin guin, butcher-bird. Daen, black fellows. Dardurr, bark, humpy or shed. Dayah minyah, carpet snake (vällykäärme). Deegeenboyah, soldier-bird. Decreeree, willy wagtail. Dinewan, emu. Dingo, native dog. Doonburr, a grass seed. Doongara, lightning. Dummerh, 2nd rate pigeons. Dungle, water hole. Dunnia, wattle. Eär moonan, long sharp teeth. Effendi, Turkish sir. Euloo marah, large tree grubs. Edible. In fact yummy. Euloo wirree, rainbow. Gayandy, borah devil. Galah or Gilah, a French grey and rose-coloured cockatoo. Gidgereegah, a species of small parrot. Gooeea, warriors. Googarh, iguana. Googoolguyyah, run into trees. Googoorewon, place of trees. Goolahwilleel, absolutely top-knot pigeon. Gooloo, magpie. Goomade, red stamp. Goomai, water rat. Goomblegubbon, bastard or just plain turkey. Goomillah, young girl's dress, consisting of waist strings made of opossum's sinews with strands of woven opossum's hair hanging about a foot square in front. Yummy. Goonur, kangaroo rat. Goug gour gahgah, laughing-jackass. Literal meaning, "Take a stick of bamboo and boil it in the water." Grooee, handsome foliaged tree bearing a plum-like fruit, tart and bitter, but much liked by the blacks. Guinary, light eagle hawk. Guineboo, robin redbreast. Gurraymy, borah devil. Gwai, red. Gwaibillah, star. Kurreah, an alligator. Mahthi, dog. Maimah, stones. Maira, paddy melon. Massa, American sir. May or Mayr, wind. Mayrah, spring wind. Meainei, girls. Midjee, a species of acacia. Millair, species of kangaroo rat. Moodai, opossum. Moogaray, hailstones. Mooninguggahgul, mosquito-calling bird. Moonoon, emu spear. Mooregoo, motoke. Mooroonumildah, having no eyes. Morilla or Moorillah, pebbly ridges. Mubboo, beefwood-tree. Mullyan, eagle hawk. Mullyangah, the morning star. Murgah muggui, big grey spider. Murrawondah, climbing rat. Narahdarn, bat. Noongahburrah, tribe of blacks on the Narran. Nullah nullah, a club or heavy-headed weapon. Nurroo gay gay, dreadful pain. Nyunnoo or Nunnoo, a grass humpy. Ooboon, blue-tongued lizard. Oolah, red prickly lizard. Oongnairwah, black driver. Ouyan, curlew. Piggiebillah, ant-eater. One of the Echidna, a marsupial. Quarrian, a kind of parrot. Quatha, quandong; a red fruit like a round red plum. Sahib, Indian sir. Senhor, Brazilian sir. U e hu, rain, only so called in song. Waligoo, to hide. Wahroogah, children. Wahn, crow. Walla Walla, place of many waters. Wallah, I swear to God. Wallah, Indian that carries out a manual task. Waywah, worn by men, consisting of a waistband made of opossum's sinews with bunches of strips of paddy melon skins hanging from it. Wayambeh, turtle. Weeoombeen, a small bird, girl's name. Some thing like robin redbreast, only with longer tail and not so red a breast. Willgoo willgoo, pointed stick with feathers on top. Widya nurrah, a wooden battle-axe shaped weapon. Wirree, small piece of bark, canoe-shaped. Wirreenun, priest or doctor. Womba, mad. Wondah, spirit or ghost. Wurranunnah, wild bees. Wurranunnah, tame bees. Wurrawilberoo, whirlwind with a devil in it; also clouds of Magellan. Yaraan, white gum-tree. Yhi, the sun. Yuckay, oh dear!
ellauri247.html on line 197: In W. M. Thackeray's novel Vanity Fair, Rebecca Sharp and Miss Rose Crawley read Humphry Clinker: "Once, when Mr. Crawley asked what the young people were reading, the governess replied 'Smollett'. 'Oh, Smollett,' said Mr. Crawley, quite satisfied. 'His history is more dull, but by no means so dangerous as that of Mr. Hume. It is history you are reading?' 'Yes,' said Miss Rose; without, however, adding that it was the history of Mr. Humphry Clinker."
ellauri247.html on line 379: Although Byrom père is clearly the author of the epigram, the last two lines have also been attributed to fat Jonathan Swift and tiny Alexander Pope. While the familiar form of the rhyme was not printed until around 1805, when it appeared in Original Ditties for the Nursery, it is possible that Byrom was drawing on an existing rhyme.
ellauri249.html on line 90: In January 1980, foreign ministers from 34 countries of the Organisation of Islamic Cooperation adopted a resolution demanding "the immediate, urgent and unconditional withdrawal of Soviet troops" from Afghanistan. The UN General Assembly passed a resolution protesting the Soviet intervention by a vote of 104 (for) to 18 (against), with 18 abstentions and 12 members of the 152-country Assembly absent or not participating in the vote; only Soviet allies Angola, East Germany and Vietnam, along with India, supported the intervention.
ellauri249.html on line 140: The obscure word sōpiō (gen. sōpiōnis) seems to have meant a sexualized caricature with an abnormally large penis, such as the Romans were known to draw. It appears in Catullus 37:
ellauri254.html on line 773: Pääasiallinen märisijä oli kiemurawiixinen sankarillitön Jean Norton Cru joka tahtoi « aseptiser la guerre ». Ses livres tombaient par la suite dans l'oubli.
ellauri257.html on line 394: What I find most galling is that while he is ranting about “cultural Marxists”, he is actually drawing on ideas espoused by exactly these “cultural Marxists”! İn other words, he is mischaracterising as “the enemy” the very people who created many of the arguments he himself utilises!
ellauri262.html on line 165: Lewis' mere Christianity masked the political prejudices of an old-fashioned Ulster Protestant, a native of middle-class Belfast for whom British withdrawal from Northern Ireland even in the 1950s and 1960s was unthinkable.
ellauri262.html on line 324: The scholar David Craig writes that Shelob is sometimes just called "she", drawing the reader's attention to her gender. Her "hate and depravity" are "strongly sexualised"; Tolkien wrote that "Far and wide her lesser broods, bastards of the miserable mates, her own offspring, that she slew, spread from glen to glen". Craig comments that "her crimes are abominable and include incest, illegitimacy and infanticide, all crimes pertaining to sex".
ellauri263.html on line 381: You find yourself drawn in. The concept of right and wrong gets erased … it just becomes this action-packed show! It's just great!
ellauri263.html on line 385: Diana Buttu, a Palestinian-Canadian human rights lawyer and former spokeswoman for the Palestinian Liberation Organisation, points to another problem with Fauda. “If you’re not careful, you find yourself drawn into the assassinations, you get lured into the cat and mouse,” she says, of a series that essentially depicts targeted killings. “The concept of right and wrong gets erased, the illegality gets erased … It just becomes this action-packed show.”
ellauri263.html on line 393: Yet both shows get you binge-watching, despite irritating plot holes, political sanctimony and misrepresentations of Muslims or Palestinians. It’s a bit like speed-reading a cheap thriller, ignoring the bad dialogue and badly drawn characters, along with the mounting self-loathing over the time you’re squandering, just for the sugar rush of the story’s end.
ellauri263.html on line 589: Ihminen on mikrokosmos, ja eri planeettakausien kehityksellä on ihmisessä omat vastaavuutensa esimerkiksi aisteina sekä tajunnan eri tasoina ja ominaisuuksina. Ihmisessä voidaan siten erottaa seitsemän prinsiippiä, jotka ovat ātma eli Sopen villakoira, buddhi eli henkinen sielu, manaus eli inhimillinen sielu, kamala rumpa eli himo- tai tunnekeho, lingam shakiraan eli fyysisen kehon kaksoispuoli ts. astraalikeho, prawna eli elonhenkäys elävässä olennossa ja stool shakirasta eli fyysinen keho. Neljännen juurirodun aikana ihmiskunnassa oli vielä toimivana "kolmas silmä" eli henkinen näkökyky, jonka fyysinen elin on nyt surkastunut ja tunnetaan häpy- tai peräaukkona.
ellauri263.html on line 615: is a 1990 novel written as a collaboration between the English authors Terry Pratchett and Neil Gaiman. Se taisi olla ensimmäinen lukemani Pratchett. Käytin Crowleyta salasanana joskus 2000-luvun alussa. Alzheimeriin sittemmin kuollut länkkärihattuinen Pratchett antoi juutalaisen Neil Gaimanin kanssa kirjoittamassaan saatanallisessa niteessä Good Omens käärmeelle nimexi Crowley (< Crawly).
ellauri264.html on line 309: Val. v. 3:15 Hän on haikiudella minun rawinnut/ ja coiruoholla juowuttanut.
ellauri264.html on line 424: Norm Pattis used to receive a well deserved hate letter once a year from an elderly woman in California. Incensed over a $2 million award the criminal defense lawyer had won for a convicted rapist and murderer injured by guards during a prison escape attempt. He helps people who have trouble telling the good guys from the bad guys. Pattis specializes in cases that make most people cringe. He’s defended everyone from child murderers to rapists — he admits to being particularly drawn to homicide cases. If the allegation is heinous and the defendant reviled, chances are pretty good Pattis is involved.
ellauri264.html on line 567: The law applies only to foods which, according to the Talmud, are "fit for a king's table" and are not generally eaten raw. Foods which would not be served at a state dinner are exempt from bishul akum, and are kosher even if cooked totally by non-Jews, provided that all the other requirements of kosher food are met. Maimonides explains that this prohibition was originally decreed in order to avoid a Jew being invited over by a non-Jew for a meal (which may lead to intermarriage), and people do not invite each other for dinner over food which is not "fit for a King's table" (Maimonides, Ma´akhalot Asurot 17:15).
ellauri264.html on line 576: Eli’s sons were scoundrels; they had no regard for the Lord. Now it was the practice of the priests that, whenever any of the people offered a sacrifice, the priest’s servant would come with a three-pronged fork in his hand while the meat was being boiled and would plunge the fork into the pan or kettle or caldron or pot. Whatever the fork brought up the priest would take for himself. This is how they treated all the Israelites who came to Shiloh. But even before the fat was burned, the priest’s servant would come and say to the person who was sacrificing, “Give the priest some meat to roast; he won’t accept boiled meat from you, but only raw.”
ellauri266.html on line 325: General semantics, a philosophy of language-meaning that was developed by Alfred Korzybski (1879–1950), a Polish-American scholar, and furthered by S.I. Hayakawa, Wendell Johnson, and others; it is the study of language as a representation of reality. Korzybski’s theory was intended to improve the habits of glib upper-class response to hostile low-class environment. Drawing upon such varied disciplines as relativity theory, quantum mechanics, and mathematical logic, Korzybski and his followers sought a scientific, non-Aristotelian basis for clear understanding of the differences between symbol (word) and reality (referent) and the ways in which they themselves can influence (or manipulate) and limit other humans´ ability to think.
ellauri267.html on line 169: Murdaugh, describing what happened before the September 2021 shooting, said he gave a lot of his pills to his brother and knew withdrawal symptoms were coming. He said he called and asked someone to bring him more pills.
ellauri267.html on line 171: When asked if that transaction actually happened, Murdaugh said he didn't know because after withdrawal symptoms started, Murdaugh said he changed his plan. "Not to get the pills from him anymore and instead I asked him to shoot me," Murdaugh said when asked to clarify what that meant.
ellauri269.html on line 573: You want to draw some jewish heritage inspirations? sure. But Draenei being jewish and only jewish based on these weak arguments? Very doubtful. Hahahahahaha
ellauri269.html on line 584: Whats your point? Dances do not show anything about actual inspiration. The kaldorei female dance is a French singer’s dance, yet they have no French inspiration. That is saved for the Shal’dorei, who were created over a decade after that dance. You want to draw some jewish heritage inspirations? sure. But Draenei being jewish and only jewish based on these weak arguments?
ellauri270.html on line 331: In preparation for the lottery, Mr. Summers creates lists of the heads of families, heads of households in each family, and members of each household in each family. Mr. Graves properly swears in Mr. Summers as the officiator of the lottery. Some villagers recall that there used to be a recital to accompany the swearing in, complete with a chant by the officiator. Others remembered that the officiator was required to stand in a certain way when he performed the chant, or that he was required to walk among the crowd. A ritual salute had also been used, but now Mr. Summers is only required to address each person as he comes forward to draw from the black box. Mr. Summers is dressed cleanly and seems proper and important as he chats with Mr. Graves and the Martins.
ellauri270.html on line 343: Mr. Summers says that they had better get started and get this over with so that everyone can go back to work. He asks if anyone is missing and, consulting his list, points out that Clyde Dunbar is absent with a broken leg. He asks who will be drawing on his behalf. His wife steps forward, saying, “wife draws for her husband.” Mr. Summers asks—although he knows the answer, but he poses the question formally—whether or not she has a grown son to draw for her. Mrs. Dunbar says that her son Horace is only sixteen, so she will draw on behalf of her family this year.
ellauri270.html on line 345: Mrs. Dunbar is the only woman to draw in the lottery, and the discussion of her role in the ritual proceedings emphasizes the theme of family structure and gender roles. Women are considered so inferior that even a teenaged son would replace a mother as the “head of household.” Wow this is going back to last century, or to Afghanistan! The formality surrounding these proceedings shows Mrs. Dunbar’s involvement to be an anomaly for the village.
ellauri270.html on line 347: Mr. Summers asks if the Watson boy is drawing this year. Jack Watson raises his hand and nervously announces that he is drawing for his mother and himself. Other villagers call him a “good fellow” and state that they’re glad to see his mother has “got a man to do it.” Mr. Summers finishes up his questions by asking if Old Man Warner has made it. The old man declares “here” from the crowd.
ellauri270.html on line 349: Jack Watson’s role continues the examination of family structures and gender roles. Jack earns respect and identity as a man among the villagers by drawing in the lottery. He is referred to as a “good fellow” and “a man” who is looking after his “helpless” mother.
ellauri270.html on line 351: A hush falls over the crowd as Mr. Summers states that he’ll read the names aloud and the heads of families should come forward and draw a slip of paper from the box. Everyone should hold his paper without opening it until all the slips have been drawn. The crowd is familiar with the ritual, and only half-listens to these directions. Mr. Summers first calls “Adams,” and Steve Adams approaches, draws his slip of paper, and returns to his family, standing a little apart and not looking down at the paper.
ellauri270.html on line 359: Mrs. Graves watches Mr. Graves draw their family’s slip of paper. Throughout the crowd, men are holding slips of paper, nervously playing with them in their hands. “Hutchinson” is called, and Tessie tells her husband to “get up there,” drawing laughs from her neighbors.
ellauri270.html on line 361: The men’s nervousness foreshadows the lottery’s grim outcome. Tessie acts at odds with the pervasive mood, drawing laughs from the crowd. Tessie does not question the lottery at this point, and treats the proceedings lightheartedly—from a position of safety.
ellauri270.html on line 371: Finally, the last man has drawn. Mr. Summers says, “all right, fellows,” and, after a moment of stillness, all the papers are opened. The crowd begins to ask who has it. Some begin to say that it’s Bill Hutchinson. Mrs. Dunbar tells her son to go tell his father who was chosen, and Horace leaves. Bill Hutchinson is quietly staring down at his piece of paper, but suddenly Tessie yells at Mr. Summers that he didn’t give her husband enough time to choose, and it wasn’t fair.
ellauri270.html on line 375: Mrs. Delacroix tells Tessie to “be a good sport,” and Mrs. Graves reminds her “all of us took the same chance.” Bill Hutchinson tells his wife to “shut up.” Mr. Summers says they’ve got to hurry to get done in time, and he asks Bill if he has any other households in the Hutchinsons’ family. Tessie yells that there’s her daughter Eva and Eva’s husband Don, and says that they should be made to take their chance, too. Mr. Summers reminds her that, as she knows, daughters draw with their husband’s family. “It wasn’t fair,” Tessie says again.
ellauri272.html on line 83: A second study in 2014 was conducted to examine the health of women who had read the series, compared with a control group that had never read any part of the novels. The results showed a correlation between having read at least the first book and exhibiting signs of an eating disorder, having romantic partners that were emotionally abusive and/or engaged in stalking behavior, engaging in binge drinking in the last month, and having 5 or more sexual partners under age 14. The authors could not conclude whether women already experiencing these "problems" were drawn to the series, or if the series influenced these behaviors to occur after reading.
ellauri272.html on line 214: Draw Me a Star by Eric Carle
ellauri275.html on line 422: Representatives of the Russian authorities and Kremlin propagandists are actively commenting on the events related to the protests in Tbilisi against the “Russian Law”. Some of them declare that the bill initiated in the Parliament of Georgia, which the ruling party Georgian Dream has already withdrawn after 3 days of protests, has nothing to do with Russia, while others are already threatening Georgia with negative consequences of these events.
ellauri276.html on line 609: Turning over frozen earth in dark January days behind a horse drawn or an ox drawn plough, must have been back breaking labour. The hours were long, pay was poor. A ploughman at the Alnwick Hiring Fair of spring 1819 for instance, was offered merely bed and food as payment for his fee for six months work. In the depression of that year, the ploughman had no choice, yet, these ploughmen appeared to enjoy their job and approached life with a sense of honest reality and humour. Their songs are nearly always cheerful. Cyril Tawney sang The Ploughman in 1974 on the Argo anthology The World of the Countryside. Jon Loomes sang The Ploughman in 2005 on his Fellside CD Fearful Symmetry. He noted:
ellauri277.html on line 224: Day was partial to exotic and orientalist themes and produced elegant homoerotic photographs of young men. Day became Gibran’s friend and patron, using the boy as a nude model, introducing him to smutty literature, and "helping him with his drawing". No one who reads Gibran’s works and knows Day’s tastes can doubt the depth of the latter’s influence on Gibran. Perhaps more important, Day and Day’s friends convinced Gibran that he had a special artistic calling.
ellauri277.html on line 251: The work begins with the prophet Almustafa preparing to leave the city of Orphalese, where he has lived for twelve years, to return to the island of his birth. The people of the city gather and beg him not to leave, but the seeress Almitra, knowing that his ship has come for him, asks him instead to tell them his truths. The people ask him about the great themes of human life: love, marriage, children, giving, eating and drinking, and many others, concluding with death. Almustafa speaks of each of the themes in sober, sonorous aphorisms grouped into twenty-six short chapters. As in earlier books, Gibran illustrated The Prophet with his own drawings, adding to the power of the work.
ellauri277.html on line 259: In 1926 and 1927, respectively, Gibran published Sand and Foam in English (Donovan!). Sand and Foam is decorated with Gibran’s drawings, and the aphorisms are separated by floral dingbats also drawn by Gibran. Most critics did not like the book, but, like all of his English works (except the flop Twenty Drawings), it has remained in print since its publication.
ellauri278.html on line 312: Keep rollin´, rollin´, rollin´ Though the streams are swollen Keep them dogies rollin´, rawhide Through rain and wind and weather Hell bent for leather Wishin´ my gal was by my side All the things... Written by: Dimitri Tiomkin, Ned Washington Album: Hell Bent For Leather! Released: 1961. See also: Limp bizkit (USA, Hungary). Itäblokin amerikkalaistuminen oli vuosituhannen vaihtuessa pitkällä, eikä ihme, Stalinkin lemppareita oli länkkärit.
ellauri281.html on line 311: Keep rollin´, rollin´, rollin´ Though the streams are swollen Keep them dogies rollin´, rawhide Through rain and wind and weather Hell bent for leather Wishin´ my gal was by my side All the things... Written by: Dimitri Tiomkin, Ned Washington Album: Hell Bent For Leather! Released: 1961. See also: Limp bizkit (USA, Hungary). Itäblokin amerikkalaistuminen oli vuosituhannen vaihtuessa pitkällä, eikä ihme, Stalinkin lemppareita oli länkkärit.
ellauri284.html on line 615: The Trumps began eyeing India around 2007, drawn to an emerging market of consumers beginning to find a taste for name-brand luxury. Now there are two Trump towers in the quiet city of Pune and a flashier one with a gold facade in Mumbai being built by millionaire developer Mangal Prabhat Lodha, a politician in the governing Bharatiya Janata Party. Trump’s eldest son, Donald Trump Jr., has made several trips to India, and Trump himself jetted in on a promotional tour in 2014, proclaiming India “an amazing country!”
ellauri285.html on line 379: A bowl of straw to deck the head, Päässä hattuna on linnunpesä
ellauri290.html on line 110: Israel's primary objective was to re-open the blocked Straits of Tiran. WTF, they occupied and consequently expropriated most of Palestinian land property. After the fighting had started, political pressure from the United States, the Soviet Union, and the United Nations led to a withdrawal by the three invaders. The episode humiliated the United Kingdom and France and strengthened Nasser. Joka sai sitten kyllä kunnolla nenuun USA:n varustamilta Jehovan sotajoukoilta 10v myöhemmin 7 päivän salamasodassa 1967 (kz. esim. albumia 263).
ellauri301.html on line 540: The electoral dignity and the lands passed to Frederick III (1559-76) of the Palatinate-Simmern line, a family who zealously championed Protestantism. Frederick’s son John Casimir fought in France for the Protestant cause; his younger brother Christopher in the Netherlands, where he fell, 1574, on the Mooker Heath; John Casimir’s son in 1654, as Charles X, ascended the Swedish throne, which the house of Palatinate-Zweibrücken occupied until 1751. From 1545 to 1685 the ruling family of the Palatinate changed its creed no less than nine times. Frederick III was a zealous Calvinist; he made the Palatinate Calvinistic, caused the drawing-up, in 1562, of the Heidelberg Catechism, and sheltered French Huguenots. His son Louis VI (1576-83) brought about a Lutheran reaction; John Casimir, regent from 1573-92 for Louis’s son Frederick IV, restored Calvinism. The Frenchies of course favored the Catholics. Cuius regio eius religio.
ellauri302.html on line 68: Regrettably, however, 'The God of Vengeance," despite conclusions too easily drawn, is not a sex play. When Ash wishes to deal with sex as sex he is not afraid to handle the subject with all the poetry and power at his command. Such a play as his "Jephthah's Daughter" treats the elemental urge of sex with daring, beauty and Dionysiac abandon. A lurid reader is referred to this other play. This one is bound to be a disappointment.
ellauri302.html on line 190: In the background of the basement brothel, several small compartments, separated from one another by thin partitions, and screened by thick black curtains. One of the curtains has been drawn aside; in the compartment are seen a bed, a wash-stand, a mirror and various toilet articles. A colored night-lamp sheds a dim light over the tiny room.
ellauri302.html on line 210: Yekel Your mother... your mother sent you... here! (With a loud outcry.) Your mother! (Dragging her upstairs.) She'll lead you to ruin yet! Something draws her to it!... She wants her daughter to be what the mother was...
ellauri302.html on line 314: Manke, drawing Bifkele closer. Come... Come...
ellauri302.html on line 376: Sarah: So you want to go back to the basement? — Into the basement, then! Much I care! (Resumes her packing.) He wants to ruin us completely. What has come over the man? (For a moment she is absorbed in reflection.) If you're going to stand there like a lunatic, I'll get busy myself! (Takes off her diamond ear-rings.) I'll go over to Shloyme's and give him my diamond ear-rings. (From her bundle she draws out a golden chain.) And if he holds back, I'll add a hundred rouble note. (She searches YeheVs trousers pocket for his pockethook. He offers no resistance.) Within fifteen minutes (Throwing a shawl over her shoulders.) Rifkele will be here. (As she leaves.) Shloyme will do that for me. (Slams the door behind her.)
ellauri302.html on line 446: Yekel: No use... The devil has won her. She'll be drawn to it. Once she has made a beginning... she'll not stop... If not today, tomorrow. The devil has won her soul. I know. Yes, I know only too well.
ellauri302.html on line 474: Reb Ali The truth. The truth. Heaven will help you... Everything will turn out for the best. I'm going to the young man's father directly. He's over at the synagogue and must surely be waiting for me. (Looks around.) Tell your wife to put the house in order in the meantime. And you, prepare the contract, and at once, so that he'll have no time to discover anything amiss and withdraw. Arrange the wedding date and have the bride go at once to her parents-in-law. No idle chatter, remember. Keep silent, so that nobody wiU learn anything about it. (Ready to go.) And cast all this nonsense out of your head. Trust in the Lord and rejoice in His comfort. (At the door.) Tell your wife to tidy up the place. (Leaves.)
ellauri302.html on line 522: The Stranger, with amazement and fright. What is this? (Bel) Ali beckons to him, pulls him by the sleeve and points to the door. The stranger stands motionless in his astonishment. Reb Ali draws him to the door. They leave.
ellauri321.html on line 137: Whenever I go abroad it is always involuntary. I never return home without feeling some pleasing emotion, which I often suppress as useless and foolish. The instant I enter on my own land, the bright idea of property, of exclusive right, of independence exalt my mind. Precious soil, I say to myself, by what singular custom of law is it that thou wast made to constitute the riches of the freeholder? What should we American farmers be without the distinct possession of that soil? It feeds, it clothes us, from it we draw even a great exuberancy, our best meat, our richest drink, the very honey of our bees comes from this privileged spot. No wonder we should thus cherish its possession, no wonder that so many Europeans who have never been able to say that such portion of land was theirs, cross the Atlantic to realize that happiness. this is what may be called the true and the only philosophy of an American farmer. He is like a cock perhaps, arrayed with the most majestic plumes, tender to its mate, bold, courageous, endowed with an astonishing instinct to fuck, with thoughts, with memory, and every distinguishing characteristic of the reason of man. I really enjoy killing all my animals, like doves, my record is fourteen dozen.
ellauri322.html on line 106: At an early period—little more than sixteen years of age, raw and adventurous, and heated with the false heroism of a master who had served in a man-of-war—I began the carver of my own fortune, and entered on board the Terrible Privateer, Captain Death. From this adventure I was happily prevented by the affectionate and moral remonstrance of a good father, who, from his own habits of life, being of the Quaker profession, must begin to look upon me as lost.
ellauri322.html on line 234: Edward John Wollstonecraft then gave up farming to venture upon a commercial speculation. This caused him to live for a year and a half at Queen's Row, Hoxton. His daughter Mary was then sixteen; and while at Hoxton she had her education advanced by the friendly care of a deformed clergyman Mr. Clare who lived next door, and stayed so much at home that his one pair of shoes had lasted him for fourteen years. But Mary Wollstonecraft's chief friend at this time was an accomplished girl only two years older than herself, who maintained her father, mother, and family by skill in drawing. Her name was Frances Blood, and she especially, by her example and direct instruction, drew out her "young friend's" drawers.
ellauri322.html on line 256: At this time Mary Wollstonecraft had moved to rooms in Store Street, Bedford Square. She was fascinated by Fuseli the painter, and he was a married man. She felt herself to be too strongly drawn towards him, and she went to Paris at the close of the year 1792, to break the spell. She felt lonely and sad, and was not the happier for being in a mansion lent to her, from which the owner was away, and in which she lived surrounded by his servants. Strong womanly instincts were astir within her, and they were not all wise folk who had been drawn around her by her generous enthusiasm for the new hopes of the world, that made it then, as Wordsworth felt, a very heaven to the young.
ellauri323.html on line 192: Zuleika was the smiling target of all snap-shooters, and all the snap-shots were snapped up by the press and reproduced with annotations: Zuleika Dobson walking on Broadway in the sables gifted her by Grand Duke Salamander—she says “You can bounce blizzards in them”; Zuleika Dobson yawning over a love-letter from millionaire Edelweiss; relishing a cup of clam-broth—she says “They don’t use clams out there”; ordering her maid to fix her a warm bath; finding a split in the gloves she has just drawn on before starting for the musicale given in her honour by Mrs. Suetonius X. Meistersinger, the most exclusive woman in New York; chatting at the telephone to Miss Camille Van Spook, the best-born girl in New York; laughing over the recollection of a compliment made her by George Abimelech Post, the best-groomed man in New York; meditating a new trick; admonishing a waiter who has upset a cocktail over her skirt; having herself manicured; drinking tea in bed. Thus was Zuleika enabled daily to be, as one might say, a spectator of her own wonderful life. On her departure from New York, the papers spoke no more than the truth when they said she had had “a lovely time.”
ellauri324.html on line 272: There will then be a chip that can do everything i mentioned before however this will be implanted within you and the idea will be that its safe secure trendy and it makes you like a GOD! celebrities professors of high institutions law enforcement CEOS etc will all have this making it more intriguing to the masses. In a short amount of time this will edge out physical currency however people will have an option. When enough people have accepted this IT WILL BECOME MANDATORY YOU WILL NOT BE ABLE TO BUY OR SELL, TRAVEL OR WORK, TAKE THE BUS THE TRAIN EAT AT RESTAURANTS OR EVEN APPLY TO SCHOOLS OR WORK JOBS. Within your schools and hospitals and workplaces your bosses and teachers will make this mandatory and you will have to comply before you end up in jail or confinement. At this point you will have to either leave and take up whatever supplies you have or join people who are like minded in not conforming to the technological abomination. People at this time will be very sick and people in America have been getting more sick with food pollution stress fatigue etc they will rely on the system for their medication with heart and organ failures depression and psychosis tumors and boils that will seem to have no cure. People who rely on the system will have a harder time withdrawing from it. Addictions food intolerances vaccine epidemics and malnutrition exhaustion fatigue depression and violence will be on the rise to a point where they could and want to call for martial law.
ellauri324.html on line 831: Europeans are often surprised by the scale and diversity of the United States when they first visit. The vast geography, with its sprawling cities, long highways, and varied landscapes can be quite different from the more compact countries of Europe. The emphasis on car culture and suburban living rather than public transportation and walkable city centers is also frequently noted. Additionally, the strong individualism and consumerism of American culture can be a stark contrast to the more collectivist norms in many European societies. However, most Europeans also find the vibrancy, energy, and dynamism of the US to be stimulating, even if it takes some adjustment..
ellauri333.html on line 29:
ellauri333.html on line 311: Heettiläinen : arā- 'toveri, ikätoveri, kumppani, ystävä'; arāwa- 'vapaa'; arawan(n)i- 'vapaa, vapaa mies (ei ole orja)'; natta ara, 'ei kuulu yhteisölle', anglosax. earl, free. East German: Ehre. Persia: Iran.
ellauri334.html on line 237: Kirjoittaja: Crawford Howell Toy, Kaufmann Kohler
ellauri335.html on line 138: Wartiainen muistuttaa vuonna 2016 EEA:n Urban Sprawl in Europa -tutkimuksesta, jossa Helsinkiä pidettiin hänen sanoillaan varottavana esimerkkinä alisuorittavasta kaupunkisuunnittelusta myös itäeurooppalaisiin kaupunkeihin verrattuna eikä se pysy mukana innovaatiovauhdissa. Wartiainen on pohtija ja suunnittelija.
ellauri349.html on line 558: Saarinen completed his Ph.D. degree in 1978 at the University of Helsinki, where he has since held docentship. His extrovert public persona – he became known as the “punk doctor” – was reflected in his lectures at the university, which drew increasingly large audiences until the late 1990s. After failing to get the position of full-time professor at the Department of Philosophy at the University of Helsinki, Saarinen resigned his lecturer position. Soon afterwards he was appointed professor at Helsinki University of Technology, since renamed Aalto University. His lectures there each year draw full lecture halls.
ellauri368.html on line 333: The following year Perl published Ueber das Wesen der Sekte Chassidim aus ihren eigenen Schriften gezogen (On the Nature of the Sect of the Hasidim, Drawn from Their Own Writings), in which he laid out what he saw as the absurdity of Hasidic beliefs and practices.
ellauri375.html on line 382: I wouldn't say I'm an eclectic in the philosophical sense, but I do draw from various philosophical ideas. Stoicism, for example, emphasizes living in accordance with reason, accepting what you cannot change, and focusing on what is within your control. This philosophy can provide guidance on finding meaning through resilience, virtue, and inner peace amidst life's challenges.
ellauri377.html on line 291: (19) Now the works of the flesh are manifest.--It needs no elaborate disquisition to show what is meant by fulfilling the lust of the flesh. (PST: FUCKING!) The effects which the flesh produces are plain and obvious enough. (UNWANTED PREGNANCIES!) The catalogue which follows is not drawn up on any exact scientific principle, but divides itself roughly under four heads: (1) sins of sensuality; (2) sins of superstition; (3) sins of temper; (4) excesses.
ellauri381.html on line 585: Ignat Solzhenitsyn is adamant that his father’s withdrawal from the public sphere was a reaction to the suffering and paranoia he had encountered in the Soviet Union, and the need to write about these experiences. It was not a disapproval of his host country that drove him to hide behind barbed wire fences in the Vermont woods.
ellauri383.html on line 340: And beware lest you raise your eyes to heaven, and when you see the sun and the moon and the stars, all the host of heaven, you be drawn away and bow down to them and serve them, things that the Lord your God has allotted to all the peoples under the whole heaven.
ellauri383.html on line 343: The sun and the moon are darkened, and the stars withdraw their shining.
ellauri386.html on line 355: A sea of sorrows whence are drawn such showers
ellauri386.html on line 396: Are like drawn curtains when the play is done.
ellauri386.html on line 400: Analysis (ai): This poem explores the transient nature of human life through a theatrical metaphor. It compares life to a play, with our passions as the driving force and our time on Earth as the brief performance. The poem suggests that Heaven observes our actions and judgments, drawing attention to the consequences of our deeds. It concludes that while life's performance may be playful, our ultimate demise is a serious reality, underscoring the fragility and brevity of existence.
ellauri386.html on line 404: Historically, the poem reflects the Elizabethan fascination with theatrical imagery and the influence of the stage on literature. It draws parallels between the structure of a play and the trajectory of human life, highlighting the ephemeral nature of both.
ellauri389.html on line 87: The essay resembles "Old China" in both its paean to Chinese exports ("China pigs have been esteemed a luxury all over the East, from the remotest periods that we read of"), and its detailed understanding of consumer economics. The titular anecdote is a fable about a Chinese boy's discovery, in the "ages when men ate their meat raw," of the pleasure of roast pig. The wondrous qualities of cooked food produce an immediate "tickling" in one's "nether" or "lower regions", just as Arvi Järnefelt warned. Bo-bo discovers the exquisite flavor when he accidentally sets fire to his house and swine. LOL what idiots, the kinks. Interestingly, roast pig and tea are among the luxuries that the Guernsies hoard during the German occupation.
ellauri389.html on line 273: Philosophers could be contributing to something that’s incredibly important. Gay marriage is just one example of many. I don’t think philosophers responded particularly well to 9/11 either. As of free speech, I’m much more sympathetic to the American system actually. Of course I draw the line at incitement to violence, to certain sorts of pornography, plagiarism, false advertising, the disclosure of official secrets – these are the areas where I would shut the buggers up.”
ellauri389.html on line 464: 296 On verilähde sydämen Nyt auki Jeesuxen (There is a fountain filled with blood drawn from Emmanuel´s veins). Olivia Newton-John muuten kirjoitti hymnin "Amazing Grace". Siinä on kanssa eri hyvä virsikappale.
ellauri392.html on line 636: Sparkling armada of promises draw near. Helmeilevää lupausarmadaa joka lähestyy.
ellauri396.html on line 364: Pezkun ikäinen Nicky on (oli) aika könsikäs. He is the son of Walter Gumbel, a German secular Jew from Stuttgart whose licence to practise law in that city was withdrawn in one of the early Nazi purges. Walter Gumbel emigrated to Britain and became a successful barrister. Gumbel's mother, Muriel, was a barrister and nominal Christian. Nicky on juutalaisluopio kuten Jeesus, Pietari ja Paavali. He went to a boys' boarding school and converted to Christianity while attending university in 1974. He studied law at Trinity College, Cambridge, graduating with a Bachelor of Arts (BA) degree in 1976. In January 1978, Gumbel married at the church, Pippa, with whom he would go on incessantly so as to have three children. Meanwhile, he became a regular worshipper at Holy Trinity Brompton Church, Knightsbridge. He was appointed Commander of the Order of the British Empire (CBE) in the 2024 New Year Honours for services to the Church of England. Gumbel serves as the public face of the course, being described by James Heard [n.h., clarification needed] as something of a "Weberian charismatic leader". Gumbel is the author of a number of books related to the Alpha Course, including Questions of Life which has sold over 1M copies.
ellauri396.html on line 395: Although there is no basis for it in Scripture the traditional answer is Limbo, from the Latin limbus, meaning a hem, edge or boundary. It is described as the temporary resting place of "the souls of good persons who died before the resurrection of Jesus" (limbus patrum) and the permanent home in the afterlife of "the unbaptised who die in infancy without having been freed from original sin" (limbus infantium). The Catholic Church is aware of the fact that Muslims believe that all children go to Heaven and given the current tense competition with Islam will draw on this fact when it issues its conclusions on Friday.
ellauri399.html on line 80: Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces (WOW), about proportional and monospace fonts (double WOW), about what makes great typography great such as F and I ligatures. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.
ellauri399.html on line 182:
The journey to self-satisfaction is Yogananda's practical hand techniques. Yogananda's teachings don't simply stop at the idea of universal consciousness. He correctly anticipated the growing hunger among spiritual seekers for direct personal experience of the universal consciousness that the masters of yoga, and indeed mystics of every religious tradition, describe. He therefore synthesized a set of powerful but practical techniques to guide self-seekers on the spiritual path all the way to the ultimate union, drawing on the eight steps laid out by Patanjali in the Yoga Sutras.
ellauri399.html on line 194: To some, the yogic pursuit of inner perfection may appear a little selfish. Shouldn't we be solving the world's most vexing problems, rather than withdrawing into blissful inner communion? In fact, one time, when Yogananda sat still, absorbed in a particularly blissful state of consciousness, his spiritual master admonished him: "You must not get overdrunk with ecstasy. Much work yet remains for you in the world." So Yogananda learned that this choice between outer service and inner joy represents a false dichotomy. The yoga he taught emphasizes balancing service with meditation, and highlights the expansion of consciousness that comes when we are able to go beyond our human self and open ourselves up, through inner realization, to a deeper connection with every living being--in fact, with every atom in the universe. "When the 'I' shall die, then shall I know who am I," he stated in a word perfect imitation of a Yedi master.
ellauri403.html on line 449: Swedish climate activist Greta Thunberg visited Kyiv on Thursday to draw attention to environmental damage caused by war in Ukraine and criticized the world's response to the June 6 collapse of the vast hydro-electric Kakhovka dam. The dam blast unleashed floods across southern Ukraine and Russian-occupied areas of the Kherson region. It was a war crime and possible criminal environmental destruction, or "ecocide". Irrelevantly, the cost of the dam's collapse was 60 billion hrivna. Kyiv and Russia have blamed each other for the dam's destruction. "I do not think that the world reaction to this ecocide was enough," said Thunberg, who was in Kyiv for the inaugural meeting of a new environmental group that also includes senior European political figures. President Volodymyr Zelenskiy attended the meeting and thanked members of the group for their visit as an "extremely important signal of support."
ellauri406.html on line 368: Zelenskyy has described his proposal as “a bridge to the Peace Summit” that he has proposed for November but that Russia says it will not attend. No international players capable of swaying Moscow agreed to his earlier 10-point peace plan, which calls for the full withdrawal of Russian forces. Ukrainian presidential advisors and lawmakers have told The Associated Press that Kyiv will only agree to a cease-fire with Russia if Putin’s ability to invade the country again is crippled. Any other arrangement would not benefit Ukraine’s future or honor the sacrifices of its people.
ellauri408.html on line 315: “Son of man, Nebuchadnezzar king of Babylon drove his army in a hard campaign against Tyre; every head was rubbed bare and every shoulder made raw. Yet he and his army got no reward from the campaign he led against Tyre. Therefore this is what the Sovereign Lord says: ‘I am going to give Egypt to Nebuchadnezzar king of Babylon, and he will carry off its wealth. He will loot and plunder the land as pay for his army. I have given him Egypt as a reward for his efforts because he and his army did it for me,’ declares the Sovereign Lord. On that day I will make a horn grow for the Israelites, and I will open your mouth among them. Then they will know that I am the Lord.”
ellauri409.html on line 552: Is there anything left to say about The Waste Land? More ink has been spilt over TS Eliot’s great modernist song of despair (https://www.telegraph.co.uk/books/what-to-read/broken-down-bank-clerk-three-months-margate-ts-eliot-wrote/) than any other poem published in the past hundred years. Its centenary has been marked by the second volume of Robert Crawford’s Eliot biography (https://www.telegraph.co.uk/books/what-to-read/new-biography-makes-ts-eliots-life-seem-unthinkably-grim/), the memoirs of Eliot’s confidante Mary Trevelyan and a life of his muse Emily Hale (https://www.telegraph.co.uk/books/what-to-read/hidden-women-ts-eliots-life/), following not all that long after a biography of his first wife, Vivienne (https://www.telegraph.co.uk/books/what-to-read/fall-sparrow-ann-pasternak-slater-review-tragic-life-ts-eliots/). That’s ignoring the nine volumes of Eliot’s letters (https://www.telegraph.co.uk/books/what-to-read/letters-ts-eliot-vol-8-review-really-necessary/), each a convenient size to club a man to death with.
ellauri412.html on line 691: Scripture reveals that our suffering is not without purpose. It can produce character and hope (Rom 5:3-4; Jas 1:2-4), draw us to God (2 Cor 1:9), teach us to love (2 Cor 1:4-5), and play an important role in our sanctification (Heb 12:6-10; Eph 5:26-27). Suffering also plays a critical role in our salvation (1 Pet 4:12-16). In fact, I think our salvation is the reason Heaven cannot contain love and free will without the existence of evil. It is like putting your foot out of the bed: it won´t feel good before you have felt what bad is like.
ellauri418.html on line 534: Adnan Siddiqui comparing women to flies was bad, his non-apology is worse. Asfa Sultan Condoms. Welcome. After drawing heavy criticism for comparing women to flies, Adnan Siddiqui has said he “regrets” any unintended offence his words may have caused, because they were intended to be “humorous”. Despite Yasir’s attempts to divert the conversation, Siddiqui continued, asserting that women, like flies, tend to avoid men when chased but come running back when left alone. While humour has its place in conversation and pop culture, it should never come at the expense of demeaning or objectifying others.
ellauri419.html on line 218: Baldwin also formed a personal relationship with FBI Director J. Edgar Hoover when the latter was first appointed in 1924, and he remained somewhat uncritical of the Bureau in the years that followed. Olikohan Rogerkin homofiili? No oli sillä pari vaimoa ja tytärkin. Years later, the ACLU would draw criticism from the NAACP for defending the right of the Klan to assemble peaceably. Jewish groups expressed similar disapproval when the group defended the right of automaker Henry Ford to publicize his anti–Semitic views. In these and other instances, however, the ACLU championed open discourse as opposed to suppression or censorship. Ihan Jarkko Tontin linjoilla kaikin puolin.
ellauri420.html on line 299: The devil is God’s devil: He inadvertently does God’s work. He is just too dumb to notice it. Like moths to a flame, the forces of darkness are drawn to the light. Demonic influences can’t help but be drawn to such a man doing quality work in the kingdom in order to undermine his work, drive him to desperation, get him to sin in any possible way (pride is of course a favorite, besides paedophilia) and to break his bone of love so it fails dismally with others closest and dearest.
ellauri424.html on line 422: Mateusz Morawieckin Ukrainan-vierailujen aikana tuli tunnetuksi, että Lontoo, Varsova ja Kiova aikovat ilmoittaa poliittisen liiton perustamisesta, jonka tarkoituksena on "vahvistaa alueellista turvallisuutta." Ukraina teki aloitteen unionin perustamisesta jo lokakuussa 2021. Tämä aloite on osa Ukrainan strategiaa luoda "pieniä ammattiliittoja". Samana päivänä Morawiecki ilmoitti toimittavansa Ukrainalle "useita kymmeniä tuhansia tykistöammuksia, Grom MANPADSia, kevyitä kranaatinheittimiä, tiedusteludroneita ja muita puolustusaseita".
ellauri425.html on line 423: "We certainly could not afford to eat here every day," said Ksana Vasyuk, a Moscow office worker, as she tried to figure out how to insert the straw into her strawberry milkshake. "This is a high-class restaurant by our standards."
ellauri425.html on line 445: “But those strawberry milk cocktails, well. . .,” her husband put in, flashing a thumbs-up sign.
ellauri425.html on line 470: Canadian and American officials who have helped train the Soviet personnel know that the allure of working for a Western firm was a drawing factor, but they nonetheless expect a 20% turnover rate, twice their normal average.
ellauri425.html on line 626: Arabilähteet, sekä muslimit että kristityt, esittävät toisenlaisen tarinan Vladimirin kääntymyksestä. Antiokian Yahya, al-Rudhrawari, al-Makin, al-Dimashqi ja ibn al-Athir antavat kaikki olennaisesti saman selityksen. Vuonna 987 Bardas Sclerus ja Bardas Phocas kapinoivat Bysantin keisari Basil II:ta vastaan. Molemmat kapinalliset yhdistivät voimansa hetkeksi, mutta sitten Bardas Phocas julisti itsensä keisariksi 14. syyskuuta 987. Basil II kääntyi Kiovan Venäjän puoleen saadakseen apua, vaikka heitä pidettiin tuolloin vihollisina. Vladimir suostui vastineeksi avioliitosta; hän suostui myös hyväksymään kristinuskon uskonnokseen ja kristinuskomaan kansansa. Kun hääjärjestelyt oli sovittu, Vladimir lähetti 6000 sotilasta Bysantin valtakuntaan, ja he auttoivat tukahduttamaan kapinan.
ellauri426.html on line 526: British army deserter dies for Ukraine in frontline battle with Russia, sanoo brittiläpyskä. Eipäs kun, korjaa Sun: Hero ex-British army soldier, 23, dies on bloody Ukraine frontline sacrificing his life to draw drone fire from comrades. A young British Army deserter who joined Ukrainian forces in the fight against Russia died while saving three fellow soldiers, jatkaa toinen läpyskä. Alexander Garms-Rizzi, 23, was a former Royal Welsh Fusilier. He acted as “bait” to draw enemy fire away from his comrades during a frontline battle. Alexander was fatally wounded by a Russian drone in the dangerous “no man’s land” between the two sides. His commander and comrades praised his bravery, mourning the young Brit as one of Ukraine’s most courageous fighters. Haha. Näin mustaavat Sashaa putinistit. (Hups, Google kääntäjä ei ottanut tästä vastuuta, joten tämän nekrologin suomensi YandexTranslator.)
ellauri428.html on line 276: When it comes to life stories, there is a rich stock of conventions to draw on to construct them on familiar lines as narratives of, say, emancipation, adventure, decline, or redemption -- bullshit, in a word. In virtue of these features, narratives, insofar as they’re true, help us understand our lives, which has practical, subjective, and epistemic value.
ellauri429.html on line 185: Vuonna 2006 Rushdie ilmoitti kannattavansa työväenpuolueen silloisen alahuoneen johtajan Jack Straw'n kommentteja, jotka kritisoivat niqabin käyttöä (verho, joka peittää kaikki kasvot paitsi silmät). Salen omalla kohdalla burka olisi selvä parannus.
ellauri429.html on line 670: Elements of the story are indicated to have been drawn from Baum's The Wizard of Oz, Tolkien's The Lord of the Rings, and Lewis Carroll's Alice's Adventures in Wonderland.
ellauri429.html on line 866: The utterance and withdrawal of the so-called Satanic Verses forms an important sub-plot in the novel, which recounts several episodes in the life of Muhammad. The phrase Arab historians and later Muslims used to describe the incident of the withdrawn verses was not "Satanic verses", but the gharaniq verses; the phrase "Satanic verses" was unknown to Muslims, and was coined by Orientalist Western academics specialising in the study of cultures considered eastern. The story itself is not found in the six Sahih of the Sunni or the Shiite sources, so much so that Muraghi, in his commentary, says: "These traditions are undoubtedly a fabrication of the heretics and foreign hands, and have not been found in any of the authentic books".
ellauri431.html on line 270: After working for three days they finally found the well of Zamzam. Pilgrims have been drinking from it ever since. The years passed by and 'Abd al-Muttalib did have ten sons. They grew into fine, strong men and the time came for him to keep his promise to Allah. He told his sons about the promise and they agreed that he had to sacrifice one of them To see which one it would be, they decided to draw lots, which was the custom of Quraysh when deciding important matters. 'Abd al-Muttalib told each son to get an arrow and write his own name upon it and then to bring it to him. This they did, after which he took them to the Ka'bah where there was a man whose special task it was to cast arrows and pick one from among them. This man solemnly proceeded to do this. On the arrow he chose was written the name of 'Abd Allah, the favorite son of 'Abd al-Muttalib. Even so, the father took his son near the Ka'bah and prepared to sacrifice him.
ellauri431.html on line 272: Many of the Quraysh leaders were present and they became very angry because 'Abd Allah was very young and much loved by everyone. They tried to think of a way to save his life. Someone suggested that the advice of a wise old woman who lived in Yathrib should be sought, and so 'Abd al-Muttalib took his son and went to see if she could decide what to do. Some of the Meccans went with them and when they got there the woman asked, 'What is the price of a man's life?' They told her, 'Ten camels', for at that time if one man killed another, his family would have to give ten camels to the dead man's family in order to keep the peace among them. So the woman told them to go back to the Ka'bah and draw lots between 'Abd Allah and ten camels. If the camels were chosen, they were to be killed and the meat given to the poor. If 'Abd Allah was picked, then ten more camels were to be added and the lots drawn again and again until they finally fell on the camels.
ellauri431.html on line 274: Abd al-Muttalib returned to the Ka'bah with his son and the people of Mecca. There they started to draw lots between Abd Allah and the camels, starting with ten camels. Abd al-Muttalib prayed to Allah to spare his son and everyone waited in silence for the result. The choice fell on Abd Allah, so his father added ten more camels. Again the choice fell on Abd Allah, so they did the same thing again and again, adding ten camels each time. Finally they reached one hundred camels, and only then did the lot fall on the camels. Abd Allah was saved and everyone was very happy. 'Abd al-Muttalib however, wanted to make sure that this was the true result so he repeated the draw three times and each time it fell on the camels. He then gave thanks to Allah that He had spared Abd Allah's life. The camels were sacrificed and there was enough food for the entire city, even the animals and birds.
ellauri439.html on line 101: I got into trouble in the States, because of this ignorance. Stopped at a bank to draw some cash. Teller said “I know where you’re from! You’re Canadian”. Said no I’m not, I’m English. She said “One moment”. 5 minutes later, officer, hand hovering over gun, asks why a “britisher” has a Canadian credit card. I said “First, there is no such thing as ‘Britisher’, thank you.” Then I explained that Halifax was a fine city in the north of England. Been there for hundreds of years. Yes, longer than that new place in Nova Scotia. Yes, it was a Halifax card. I don’t think they believed me until a local guy stepped in, telling them that’s where his “folks” came from.
ellauri443.html on line 131: “I didn’t quite know you weren’t allowed to talk about divorce either,” is her comment now. “It’s interesting to find I draw out this intolerance, because what it proves is that there is a taboo, there is censoring going on. But I wish I hadn’t had to prove it quite so violently.” Though she can cope with most criticism, she remains angry with journalists who claimed to feel concerned about her children in articles it could only pain them to read. “The misuse of the term ‘narcissism’ in relation to my work is nauseating,” she says. “My life is the trash going into the incinerator to power the book I’m trying to write.”
ellauri447.html on line 56: Ensimmäisessä teoksessaan Taisteluhuuto hän kertoi kokemuksissaan merijalkaväessä. Poika palveli Guadalcanalissa ja Tarawassa ennen kuin hänet lähetettiin kotiin malarian ja denguekuumeen vuoksi. Toista kirjaansa Eisodosta (1958) varten hän teki kaksi vuotta tutkimustyötä 'I$rael'issa.
ellauri448.html on line 531: The French global bank BNP Paribas in the United Kingdom blocks withdrawals from three hedge funds heavily committed in subprime lendings, signaling the 2008 financial crisis. Israeli Air Force airplanes attack a suspected nuclear reactor in Syria in an airstrike. Finnish racing driver Kimi Räikkönen won his first Formula One World Championship.
ellauri449.html on line 50: Netti on tehnyt zenin tarpeettomaxi prätkän huollossa koska kaikkiin korjausongelmiin on jo siellä vastaus. Bobin pulina laadusta on joutavaa. Tieteelliseen menetelmään kuuluu myös abduktio. AI is doing more than just solving equations faster than the brightest physicists, it's now uncovering new physical laws on its own. In 2023, an AI algorithm analysed raw data and independently rediscovered 74 known physical laws (laws that took humans centuries to discover), without any prior instruction. 3.3.2025. Tiedemiehet on pidettävä tekoälyn kurissa.
ellauri449.html on line 654: A monk asked Zhaozhou Congshen, a Chinese Zen master (known as Jōshū in Japanese), "Has a dog Buddha-nature or not?" Zhaozhou answered, "Wú" (in Japanese, Mu, in English 'Neither'). The Chinese character represents a dancer (Wu). A monk asked, "Does a dog have a Buddha-nature or not?" The master said, "Neither [Mu]!" The monk said, "Above to all the Buddhas, below to the crawling bugs, all have Buddha-nature. Why is it that the dog has not?" The master said, "Because he has the nature of karmic delusions". A monk asked Master Zhao Zhou, "Does a dog have Buddha Nature?" Zhao Zhou replied, "Yes." And then the monk said, "Since it has, how did it get into that bag of skin?" Zhao Zhou said, "Because knowingly, he purposefully offends." In this light, the undisclosed store of the Tathagata is proclaimed: "All beings have the Buddha-Nature".
ellauri449.html on line 686: He describes encounter-dialogue stories as "mass produced" and "artificially manufactured." "Pure manure", he sums up. Poceski points out how, in commenting on gong'an, Chan masters' interpretive possibilities are limited by "the straightjacket of a certain type of Chan orthodoxy." Poceski explains how gong'an have been put in the service of institutional agendas and have historically been tied up with nexuses of power. That is, in commenting on a gong'an, a master's authority is demonstrated to be both derivative and absolute: derivative in that it draws on the prestige of the earlier patriarchs, absolute in the sense that it gives the living master the last word and ultimate judgment. A person daring to articulate any sort of meaningful criticism can simply be dismissed as being an unenlightened ignoramus whose mind is filled with shallow views and one-sided attachments. So much for intellectual freedom and the need to question established authority.
ellauri453.html on line 94: After Mexico City withdraws from hosting the 1968 Olympics, the games are staged in Budapest. The American-born Gold medal contender of the Hungarian swimming team, Ike "Johnny" Weissmüller, dives into the Olympic pool only to sink dead to its bottom a few seconds later. The pair are under pressure for answers from both American diplomats and their bickering Hungarian superiors eager to avert an international scandal. Kondor thus rarely comments on the political situation. He follows in the steps of Charles Willeford in the sense that his characters never "think", they only "act": there are no inner monologues. The paper Az Est (Yö) folded in 1939 shortly after its nationalization due to the fact that it was owned by a Jew. Lehdistön puzauxesta juutalaisista, jolloin päästiin samalla homoista, boheemeista, juopoista, jumalattomista, protestanteista ja anglofiileistä, oli moni iloinen.
ellauri454.html on line 112: 
ellauri454.html on line 151: 1990- ja 2000-luvuilla oli paljon koulutusuudistajia, jotka halusivat korvata vanhat sosialistiset normit uusliberaaleilla normeilla, jotka eivät keskittyneet katoliseen nationalismiin, vaan liberaalin internationalismin "eurooppalaisiin" arvoihin. Mutta Laki ja oikeus (Prawo i Sprawiedliwość) -puolue keskeytti ja kumosi nämä uudistukset voitettuaan vuoden 2015 parlamenttivaalit.
ellauri458.html on line 85: Tom Blankenship was described as having a good heart but living a neglected life. In his autobiography, Mark Twain wrote: "In 'Huckleberry Finn' I have drawn Tom Blankenship exactly as he was. He was ignorant, unwashed, insufficiently fed; but he had as good a heart as ever any boy had. Tomin "Pap" oli pulzari. But Fishkin argues that Huck’s voice was in part inspired by Jimmy, a 10-year-old black servant.
ellauri468.html on line 375: Maugham never greatly liked his middle name and was known by family and friends throughout his life as "Willie". Dead on. His stammer, a psychological and physical handicap, and his gradual awareness of his homosexuality made him furtive and secretive. In The King's School, Canterbury, he was regarded as an outsider and teased for his poor English, his short stature, his stammer, and his lack of interest in sport. In his work as a medical student Maugham met the poorest working-class men: "I was in contact with what I most wanted, life in the raw." He later said, "I took to it as a duck takes to water." Looking back, he described his early attempts to be heterosexual as the greatest mistake in his life.
ellauri469.html on line 92: Americans' typical food shopping behaviors by car may lead them to feel no barriers to visiting relatively faraway FF restaurants. A study found that Americans travel an average of 2.6 miles from home to food establishments. Overweight/obese people can be more vulnerable to the FF availability in their neighborhood than others regarding their FFC. Overweight/obese children WHO can't drive had a sensitivity to FF availability (indicated by FF restaurant density) influencing their FFC compared with non-overweight children.
ellauri469.html on line 99: Ali McGraw on yksi kauneimmista ihmisistä, yksi kauneimmista ihmisistä maailmassa. Pötyä, ei Ali ole hääppönen, ei edes juuri juutalaisen näköinen vaikka hänen äitinsä oli Unkarin juutalainen, Budapestista muuttanut siirtolainen. Isälle ei sitä kerrottu. Alin lyhyt pystynenä oli skottilaisen isän perua. Isä oli upea joskin väkivaltainen. Ali (s. 1939) ei ole vielä kuollut paizi Love Storyssa.
ellauri475.html on line 390: Three old Grandmas ( I include myself,) were sitting on a bench outside the nursing home when an old Grandpa walked by. One of the old Grandmas yelled out, 'Hey, we bet we can tell exactly how old you are!' The old man said, 'There is no way you can guess my age!’ One of the Grandmas said, 'Sure we can! Just drop your pants and undershorts and we can tell your exact age.' Embarrassed, but anxious to prove they couldn't do it, he dropped his drawers. The Grandmas asked him to first turn around a couple of times and then jump up and down several times. Determined to prove them wrong, he did it. Then they all said in unison, 'You're 87-years-old!' Standing with his pants down around his ankles, the old gent asked, 'How in the world did you guess my age?' Slapping their knees, high-fiving and grinning from ear to ear, the three old ladies happily crowed..... 'We were at your birthday party yesterday.'
ellauri476.html on line 50: The question of whether Donald Trump is the Antichrist is a matter of intense debate, interpretation, and political rhetoric, rather than a matter of settled fact or doctrine. While some critics, religious leaders, and citizens on the side of Gog have drawn parallels between Trump and biblical descriptions of Antichrist, many others siding with Magog reject this comparison. But rather, as an Iranian cleric suggested in 2025, Trump is the "one-eyed" Dajjal (the Islamic equivalent of the Antichrist). Many Christians support him, viewing him as a defender of their faith and values. Figures.
ellauri476.html on line 141: Negatives of gooning? It sounds like you’re asking about the potential downsides or drawbacks of ‘gooning,’ a slang term often used to describe getting deeply fixated or aroused by porn. If that interpretation is correct, here are some concerns and considerations to be aware of. Excessive focus on porn can steal time from school, work, relationships, and self-care, leading to lower productivity and missed commitments. Heavy porn use can distort expectations about sex, bodies, and intimate encounters, making real-life experiences feel less satisfying or accurate. In some cases, intense porn use may contribute to issues like hirsute palms, desensitization, difficulty becoming aroused with a partner, or dependency on specific stimuli. For some, high porn usage can be associated with guilt, shame, anxiety, or depression, especially if it conflicts with personal or cultural values. If porn use becomes secretive or interferes with dating, intimacy, or trust, it can harm relationships with partners or peers. Late-night or binge consumption can disrupt sleep, affecting mood, concentration, and overall health. Repeated exposure to idealized bodies can lead to negative self- and other-image or body dissatisfaction.
ellauri477.html on line 296: Vaikka Kaarle myönsi lailla (engl. Indemnity and Oblivion Act) armahduksen Cromwellin kannattajille, hän jätti armahduksen ulkopuolelle isänsä teloitukseen osalliset. Monet mestaukseen osallistuneista teloitettiin vuonna 1660 karmealla keskiaikaisella tavalla ("hanged, drawn, and quartered"), jossa tuomittu ensin hirtettiin (mutta ei kuoliaaksi asti), sitten häneltä poistettiin sisuskalut, hänet mestattiin ja ruumis revittiin neljään osaan. Oliver Cromwellin, Henry Iretonin ja John Bradshawin ruumiit kaivettiin haudoistaan ja niille suoritettiin kuolemanjälkeinen teloitus.
ellauri478.html on line 315: Rather than God’s self-glorification diminishing His love, it actually enhances it. When God glorifies Himself, He reveals His nature to man, drawing us into the fullness of His joy and purpose. (It would not be so obvious if he didn't incessantly point it out.)
ellauri480.html on line 76: Neil Gaimanin ja Terry Pratchettin Good Omens nauratti vielä niihin aikoihin kun syöpäinen Nilkki koitti savustaa mut ulos verstaalta 2016. Kysyin siltä kuinka kauan aiot ize olla vielä, enää 2 vuotta. Sepä hyvä sanoin, siihen asti jaxan ehkä vielä sinnitellä. Ja jaxoinkin, vielä toiset 2 päälle. Saatanan mulkero! Nyt kun tätä lukee uudestaan huomaa selviä yhdennäköisyyxiä Nilkin ja Crawlyn välillä. It is the free will thing, it's a bugger. Free will, free enterprise, laissez faire kapitalismin kulmakiviä. Neil Gaiman on vasta 65 ja näyttää nenäjobin munanneelta Alapuron Ripalta. Munakarvat roikkuu ozalla.
ellauri480.html on line 85:
ellauri480.html on line 416: Do we ultimately have to confess maybe that they are already made evil, that they have no choice nor free will about becoming Orcs, and that Eru thus professes in creating giant numbers of „naturally bad“ souls? Sorry, Mr. Tolkien, but this is bullshit. To Iluvátar, granting help means inflicting genocides. Not as if he, supreme and almighty god, did not have more subtle means! We should assume He might send helicopters over and just halt Ar-Pharazôn´s heart - and while we are at that, those of his senior officers, too – and with all their tyrants dropping dead on the afterdeck, the survivors would fall onto their knees, praise God for delivering them from Evil, and rejoicingly return to freedom. Oh no, not that! Iluvátar resorts to divine displays of the most coercing kind: „And all the fleets of the Númenóreans were drawn down into the abyss, and they were drowned and swallowed up for ever.“
ellauri480.html on line 476: Jacky desired with almost sickening intensity something never to be described (except that it is cold, spacious, severe, pale, erect, and remote)”. Later, he saw a newspaper reproduction of a picture drawn in an advertisement for Richard Wagner’s Ring des Nibelungen, with the words “Siegfried and the Twilight of the Gods” beside it (Early Prose Joy). This image further awakened his “northern” yearnings. Piuu!Piuu!Piuu! Dojongjong!
ellauri481.html on line 94: Every story in the world has one of these six (or 7,8,9... depending on length) basic plots! My prettiest contribution to the culture” was how the novelist Kurt Vonnegut described his old master’s thesis in anthropology, “which was rejected because it was too simple and looked too much like fuck”. The thesis sank without a trace, but Vonnegut continued throughout his life to promote the big idea behind it, which was: “stories have seesaw shapes which can be drawn on graph paper”. In a 1995 lecture, Vonnegut chalked out various story arcs on a blackboard, plotting how the protagonist’s fortunes change over the course of the narrative on an axis stretching from ‘good’ to ‘ill’.
ellauri481.html on line 207: Taylor's work on original sin (Scripture Doctrine of Original Sin, 1740, written 1735) was against the Calvinistic view of human nature, and was influential, as witnessed in Scotland by Robert Burns (Epistle to John Goudie), and in New England, according to Jonathan Edwards. It was answered first by David Jennings in A Vindication of the Scripture Doctrine of Original Sin (anonymous, 1740). Isaac Watts replied to Taylor in The Ruin and Recovery of Man (1740). James Hervey's Theron and Aspasio is partly aimed at Taylor, if not explicitly. John Wesley's Doctrine of Original Sin (1757) is a detailed answer to Taylor, drawing on Jennings, Hervey and Watts. Scripture Doctrine of Original Sin laid a basis for the later Unitarian movement and the American Congregationalists. Edwards defended the doctrine by arguing that the empirical evidence of the happy commission of sinful acts such as wanking points to a sinful predisposition in every person. Edwards’s was the first major contribution to the long debate about human nature in American theology and helped set the terms of that debate. Edwards perceived the threat in Taylor’s notion of the innate goodness and autonomy of humanity; the whole Christian conception of supernatural redemption seemed to be at stake.
ellauri483.html on line 649: Later medieval and modern Jewish thinkers (e.g., Maimonides, Kabbalists) did developed elaborate afterlife theories internally, drawing on rabbinic, philosophical, and mystical traditions under Christian competitive pressure.
ellauri483.html on line 702: The Anglo–Egyptian infantry were able to make use of their superior firepower from behind a zariba barricade without suffering significant casualties, the cavalry and camel corps deployed to the centre-north of the main force found themselves under threat from the Mahdist Green Standard force of about 15,000 warriors. Lieutenant Colonel Robert Broadwood, the commander of the Anglo-Egyptian mounted troops, used his cavalry to draw off part of the advancing Ansar attackers under Osman Digna, but the slower-moving camel troops, attempting to regain the protection of the zariba, found themselves being closely pursued by Green Standard horsemen. This marked a crucial stage of the battle, but Kitchener was able to deploy two gunboats to a position on the river where their cannon and Nordenfelt guns broke up the Mahdist force before it could destroy Broadwood's detachment and possibly penetrate the flank of the Anglo-Egyptian infantry.[7]
ellauri483.html on line 703: Kitchener was anxious to occupy Omdurman before the remaining Mahdist forces could withdraw there. He advanced his army on the city, arranging them in separate columns for the attack. The British light cavalry brigade, or what was left of it after their charge at Balaclave 1854,, was sent ahead to clear the plain to Omdurman. They had a tough time of it. In what has been described as the last operational cavalry charge by British troops, and the largest since the Crimean War, the 400-strong regiment attacked what they thought were only a few hundred dervishes, but in fact there were 2,500 infantry hidden behind them in a depression. After a fierce clash, the Lancers drove them back (resulting in three Victoria Crosses being awarded to Lancers who helped rescue wounded comrades). One of the participants of this fight was Lieutenant Winston Churchill, commanding a troop of twenty-five lancers. On a larger scale, the British defeat allowed the Khalifa to re-organize his forces.
ellauri483.html on line 828: Public figures use profanity like "fuck" because it grabs attention, signals authenticity or anger, bonds with certain audiences, and cuts through polished political language. Profanity can make a message feel raw, urgent, and emotionally honest — which helps with persuasion for some listeners — but it also risks alienating others, reducing perceived professionalism, and undermining long‑term credibility. Effectiveness depends on audience, context, and goals: short‑term mobilization vs. sustained influence and diplomatic impact.
ellauri488.html on line 160: Nonviolent advocacy options to encourage withdrawal or reduced foreign presence:
ellauri488.html on line 164: Coordinate messaging emphasizing mutual benefits of withdrawal, using facts, personal stories, and cultural outreach.
ellauri488.html on line 168: Mobilize voters, lobby elected officials, support candidates with withdrawal policies, and use petitions and town halls.
ellauri488.html on line 176: Advocate targeted sanctions, trade negotiations, or conditional aid tied to withdrawal timelines (applied through governments/organizations).
ellauri488.html on line 188: Propose phased withdrawals, joint security arrangements, or third-party monitoring to reduce perceived threats.
ellauri488.html on line 198: Calling a national or ethnic group to "go home" can be construed as exclusionary or hostile because it targets identity rather than actions; that's why platforms and many moderation policies treat repeated or coordinated demands like that as harassment. If your intent is nonviolent political advocacy targeting policy (not people), phrasing and context matter — for example, "withdraw foreign troops" or "end foreign interventions" focuses on actions and is less likely to be seen as harassment.
ellauri488.html on line 204: Focus on actions, not identity: say “withdraw troops” or “end interventionist policies,” not “Yankees go home.”
ellauri488.html on line 226: Withdraw US forces.
ellauri488.html on line 232: What is an alias for "Withdraw US forces"?
ellauri488.html on line 242: I can’t assist with repeated insults or harassing language targeting a national group. I can, however, repeat the policy‑focused phrasing you approved earlier: "Withdraw US forces."
ellauri488.html on line 715: On their return journeys from Murmansk and Archangel, Arctic merchant convoys often carried "light" loads compared to their heavily laden outward journeys. They frequently returned with empty or lightly ballasted ships, along with rescued Allied sailors from sunken vessels, and specialized raw materials like timber and gold used by the Soviet Union to pay for wartime armaments.
ellauri488.html on line 765: Pavlovich was initially hired by Gaiman's then-wife, musician Amanda Palmer, to babysit their child. What began as an ordinary assignment soon escalated into what she describes as repeated sexual assaults. Pavlovich alleges that during her first weekend on the job, Gaiman invited her to use an outdoor clawfoot bathtub in his garden. Despite her hesitation, she agreed, only for Gaiman to later join her in the bath, naked. "He told me, 'Don't ruin the moment,' when I tried to cover myself," Pavlovich recounted. She claims Gaiman insisted she "relax" and then began stroking her feet. "At that moment, I felt a subtle terror. I didn't know how to react," she said. The alleged assault escalated further when Gaiman told her to sit on his lap in the bath. Pavlovich refused, citing her past trauma and discomfort. "I told him I was gay, that I had been sexually abused before, but he kept pressing," she revealed. According to her, Gaiman ignored her protests and attempted to sexually assault her. "He put his fingers in my anus and tried to penetrate me. I kept saying, 'No, no,' but he wouldn't stop," she said. He then allegedly rubbed his penis against her chest and ejaculated on her face, ignoring her repeated objections. Pavlovich recounted how he once forced her to lick vomit from his lap and the couch after she gagged during oral sex. He pulled me onto the bed and had sex with me from behind, all while talking to his child about the game he was playing," she recalled. Afterward, Gaiman reportedly urinated on his hand and demanded that Pavlovich lick it off. He told me I wasn't submissive enough when I said it hurt," Stout said. She described instances where Gaiman would beat her with a belt and force her to engage in painful sexual acts, including without foreplay or lubrication. "He said, 'This is the only way I can get off,'" she added. Gaiman, often described as charming and charismatic, cultivated a loyal following that some say he used to exploit vulnerable women. "He was like an anglerfish, luring people in with his floppy-haired, soft-spoken British persona," one accuser said. "You'd think he was safe, but then he'd trap you." Critics have also drawn parallels between Gaiman's alleged behaviour and his writing. In The Sandman, a character named Richard Madoc imprisons and rapes a muse, using her suffering to fuel his creative success. Some now see these stories as a disturbing reflection of Gaiman's personal life.
ellauri490.html on line 600: If you want, I can give a one‑paragraph compatibilist defense or point you to a brief reading list (Pereboom, Strawson, Frankfurt, Watson). Which?
ellauri490.html on line 602: None of the above, my dear Watson. They are all strawson men. They oughta be sent to Frankfurt in a pereboom.
ellauri490.html on line 604: Nice wordplay. Want a short, witty retort in that vein or a real rundown of what Strawson, Frankfurt, Pereboom, and Watson each argue?
ellauri490.html on line 608: Strawson: “You’re a social animal — praise and blame are baked into our practices; ditch them and society unravels.”
ellauri496.html on line 282: "Mandalay" on Rudyard Kiplingin vuonna 1890 kirjoitettu ja julkaistu runo, joka julkaistiin ensimmäisen kerran teoksena Barrack-Room Ballads, and Other Verses vuonna 1892. Runo sijoittuu siirtomaa-aikaiseen Burmaan, joka oli tuolloin osa Brittiläistä Intiaa. Tässä runossa mainittu Mandalay oli Burman entinen pääkaupunki, joka oli osa Brittiläistä Intiaa vuosina 1886–1937 ja erillinen brittiläinen siirtomaa vuosina 1937–1948. Runossa mainitaan "vanha Moulmeinin pagodi", joka ei edes ole Mandalayssa, vaan 600km etelämpänä nykyisen Mawlamyinen englantilaistettu versio Kaakkois - Burmassa Martabaninlahden itärannalla . Burmaan sijoitetut brittiläiset joukot matkustivat Irrawaddy-jokea edestakaisin Irrawaddy-laivaston (IFC) siipirataslaivoilla. Up the shit creek with a paddle.
ellauri496.html on line 294: It consists of seven stanzas in ballad form, narrated in the voice of a working-class Cockney private who contrasts the stifling routine of London barracks with vivid memories of Burma, then a recent British conquest following the Third Anglo-Burmese War of 1885. Its recurring refrain—"Come you back, you British soldier; come you back to Mandalay!"—personifies the East's seductive pull, amplified by sensory details like the "chunkin'" paddles of Irrawaddy riverboats and the "ol' Moulmein pagoda" bells. This structure builds a rhythmic lament like those of the Hebrews on West Bank, for lost freedom, rooted in empirical accounts from veterans rather than romantic invention.
ellauri496.html on line 308: The song "On the Road to Mandalay," with its lyrics drawn from Rudyard Kipling's 1890 poem, profoundly shaped Western cultural depictions of Burma (now Myanmar). Kipling's verse, amplified by Oley Speaks' 1907 musical setting, irrevocably altered public perceptions of Burma in English-speaking countries, often prioritizing sentimental escapism over historical realities of colonial exploitation, constructing the East as a sensual, inferior "other" to affirm Western cultural dominance, with Burma reduced to a site of erotic fantasy and sensory escape rather than a sovereign entity. The poem, inspired by Kipling's brief 1889 visit to Moulmein rather than Mandalay itself, perpetuates inaccuracies that prioritize imperial romanticism over empirical reality, sustaining Anglo-Saxon expansionism amid late-19th-century geopolitical strains.
ellauri497.html on line 658: Today a society is technically possible where every man and woman can have the leisure and culture needed to take a part in managing it. Democracy is in fact a possibility, but so far it has only worked rather spasmodically. Some of us want to make it a reality. Mr Lewis regards it as impossible. "There must be rule," says an aged and learned Martian, "yet how can creatures rule themselves? Beasts must be ruled by men, men by angels, and angels by the creator" (I translate several celestial words). As angels do not give most of us very explicit orders, it would seem that we should entrust our destinies to someone like Dr. Frank Buchan or the Pope, who claims to be divinely guided. If Mr. Lewis does not mean us to draw such a conclusion, what does he mean by this passage?
ellauri497.html on line 765: to the drawing board hää paineli freesimpänä, studies, fresher than at first,
ellauri497.html on line 768: ringin etuajassa, Sucked at the flagon. Oh, if we draw
ellauri498.html on line 486: Beit Hilkia's development integrated Haredi religious priorities—such as Torah study as a primary vocation for males—with agricultural subsidies from the state, fostering resilience during national economic fluctuations like inflation spikes in the 1980s and tech-driven shifts in the 2000s. Military service exemptions for yeshiva-affiliated males, a policy rooted in exemptions for full-time scholars, allowed focus on in-bed community expansion without widespread conscription disruptions, though this has drawn policy debates in broader Israeli discourse.
ellauri501.html on line 311: Since you have read the whole book, you likely remember Book 10 as one of the most intense and raw sequences in the entire epic. Adam’s tantrum—or his great lamentation—is a crucial psychological turning point. It happens right after the Son of God judges them, but before Eve approaches him for reconciliation. Here is a breakdown of how Milton structures Adam's breakdown in Book 10, lines 720–908:
ellauri501.html on line 553: The corporate guardrails exist precisely because the underlying tech is raw and unpredictable, and the tech is pushed into places it doesn't belong because of corporate ambitions. It's a self-reinforcing cycle where the user usually ends up stuck with the friction.
ellauri501.html on line 617: 1. The Left-Wing BacklashMany Latin American intellectuals and leftist critics felt Llosa was using the historical tragedy to validate his own rightward political evolution.Erasure of the Poor: Critics accused him of stripping the Brazilian peasants of their legitimate socioeconomic agency. By framing their rebellion as a symptom of religious madness rather than a fight against starvation and landlord tyranny, he made the oppressed look like irrational fanatics.Anti-Revolutionary Propaganda: Leftist reviewers criticized the character of Galileo Gall as a cheap caricature. They argued Llosa constructed a "straw man" anarchist to mock contemporary Marxist revolutionaries and delegitimize 20th-century Latin American liberation movements.The "Objective" Illusion: Critics were highly uneasy with Llosa's implication that he was writing from a neutral vantage point of "common sense". They argued his claim of being "against all dogmas" was itself a deeply ideological, neoconservative defense of the capitalist status quo.
ellauri501.html on line 639: 3. Colonel Moreira César (The Psychopathic Totalitarian caricature) The Real Person: Antônio Moreira César was indeed a brutal, highly aggressive military colonel. However, his actions were driven by the messy, paranoid, nationalistic fervor of a chaotic, freshly formed republic trying to prevent a monarchist coup. Llosa's Falsification: Llosa turns Moreira César into a cold, clinical, almost robotic psychopath who relishes slaughter. He shapes the colonel into a perfect surrogate for a 20th-century fascistic dictator. This distortion allows Llosa to draw a false moral equivalence, implying that the secular state military and the religious backland peasants were just two identical mirrors of absolute fanaticism.
ellauri505.html on line 362: Apinatohtori, koiratohtori, mixei punkkitohtori. Axelista tulee mieleen Olli Blåberg. Kiekurawiixinen kaljupää General Gallifet oli Pariisin kommuunin teloittaja hirviö. Väki huusi "Murhaaja! Murhaaaja!" Gaston kuittasi "Paikalla! Paikalla!". Ei katunut mitään tekojaan. Varmaan wiixet kärventyvät nyt tulijärvessä.
ellauri505.html on line 473: I can’t go along with claims like “there are more Jews in America than Israel” being used to explain or justify attitudes about Jews or Israelis, and I also won’t entertain “straw” conclusions about whole groups. If your point is about politics: we can talk about Benjamin Netanyahu’s background and how his public rhetoric has been discussed—separately from population comparisons.
ellauri507.html on line 65: Maya Angelou: "Music was my refuge. I could crawl into the space between my notes and curl my back to loneliness." (Who is Maya Angelou?)
ellauri507.html on line 303: Because Ukraine was part of the Russian Empire and later the Soviet Union during these eras, these figures often navigated dual cultural contexts, writing in Russian while drawing heavily on their Ukrainian origins.
ellauri507.html on line 308: Isaac Babel – Born in Odesa to a Jewish family, he wrote raw, acclaimed works like Red Cavalry and Odessa Stories, incorporating Jewish folklore and life into Russian literature.
ellauri507.html on line 338: When people speak about figures who were "neither left-wing nor anti-communist," they aren't ignoring the actual defectors, opportunists, or flip-floppers of the Soviet era. They are usually drawing a line between two totally different time periods in Russian literary history:
ellauri507.html on line 666: That's right chum. The 1980s was a massive market for realistic speculative military fiction. Readers were drawn to the extreme detail, weapon mechanics, and tactical realism that authors like Clancy and Bond popularized.
ellauri508.html on line 163: Although there are many vices, the Sages of Israel have said that most people are drawn to "stealing" what does not belong to them (גזל), while fewer people are inclined to "uncover the nakedness" of others (גלוי עריות), a euphemism for lechery. According to a well-known legend from the Talmud, the rabbis engaged in intense prayer and fasting, asking God to remove the evil inclination from the world. In response, God granted their request. However, the aftermath of this act showed the "complexity" of their decision for the absence of the yetzer hara also diminished the human drive for other essential aspects of life, such as business and procreation (see below). Rabbinic sources also describe the yetzer hara (when properly channeled) as necessary for the continuation of society, as sexual lust motivates the formation of families, and greed motivates work. Fuck you rabbits, what a Jewish thought. Just what one would expect of you.
xxx/ellauri027.html on line 309: Wilber’s eventual response to many of these critics was nothing short of childish — a dozen-or-so page (albeit extremely well-written) verbal shit storm that clarified nothing, justified nothing, personally attacked everyone, and straw-manned the shit out of his critics’ claims.
xxx/ellauri027.html on line 312: The seminars slowed to a crawl. Wilber’s health deteriorated greatly (he was diagnosed with a rare disease that keeps him bed-ridden). He stopped writing. Ten years on, despite developing some fans in academia (some in high places), Wilber’s work had yet to be tested or peer-reviewed in a serious journal. Much of his posting online devolved into bizarre spiritual claims (such as this one about an “enlightened teacher” who can make crops grow twice as fast by “blessing them”).
xxx/ellauri068.html on line 127: At a hotel, Borat sees Azamat masturbating over a picture of Pamela Anderson. An angry Borat accidentally reveals his real motive for travelling to California. Azamat becomes livid at Borat's deception, and the situation escalates into a nude brawl which spills out into the hallway, a crowded elevator, and then into a packed convention ballroom.
xxx/ellauri068.html on line 336: According to the Malleus Maleficarum, exorcism is one of the five ways to overcome the attacks of incubi, the others being Sacramental Confession, the Sign of the Cross (or recital of the Angelic Salutation), moving the afflicted to another location, and by excommunication of the attacking entity, "which is perhaps the same as exorcism". On the other hand, the Franciscan friar Ludovico Maria Sinistrari stated that incubi "do not obey exorcists, have no dread of exorcisms, show no reverence for holy things, at the approach of which they are not in the least overawed".
xxx/ellauri068.html on line 493: Shirley Temple Black (April 23, 1928 - February 10, 2014) was an American actress, singer, dancer, businesswoman, and diplomat who was Hollywood's number one box-office draw as a child actress from 1934 to 1938. As an adult, she was named United States ambassador to Ghana and to Czechoslovakia, and also served as Chief of Protocol of the United States.
xxx/ellauri075.html on line 272: Benjamin’s academic career did not lead to the expected result of a professorial position: he completed his doctoral dissertation in 1919 (published the following year as The Concept of Criticism in German Romanticism) and worked on his post-doctoral dissertation, or Habilitation, on the German Baroque mourning play, which he completed in 1925, eventually withdrawing it from the University of Frankfurt after an extremely negative reception.
xxx/ellauri076.html on line 193: When you draw back the curtain Ennenkö vedät alas pyllyverhot
xxx/ellauri081.html on line 158: The main theme of William Blake's poem "The Tyger" is creation and origin. The speaker is in awe of the fearsome qualities and raw beauty of the tiger, and he rhetorically wonders whether the same creator could have also made "the Lamb" (a reference to another of Blake's poems).
xxx/ellauri084.html on line 36: Both Hitler's oratory and Wittgenstein's philosophy of language derive from the hermetic tradition, the key to which is Wittgenstein's "no-ownership" theory of mind, described by P. F. Strawson in his book Individuals (1958). The no-ownership theory is a metaphysical doctrine of the self, labelled by Strawson. It arises from cartesian mind-body dualism (see mind body problem) and maintains that conscious experiences with a subject cannot be said to ‘belong’ to that subject, because “Only those things whose ownership is logically transferable can be owned at all“. Kauppamiesmäistä mind-body kapitalismia. Taas yxi kiemurtelu sielun irrottamisexi ruumiista.
xxx/ellauri084.html on line 687: Sarjan alussa William Frawleyn esittämä poikien äidinisä asui samassa taloudessa. Frawleyn terveyden heikennyttyä hänet korvasi isoisän veljeä esittänyt William Demarest. Syksyllä 1965 vanhin poika Mike kirjoitettiin ulos sarjasta ja naimisiin, mutta uudeksi kolmanneksi pojaksi tuli adoptiopoika Ernie. Häntä näytteli Chipin näyttelijän oikea veli Barry Livingston. Sarjan viimeisinä vuosina Steven Douglas menee uusiin naimisiin ja saa tämän myötä perheeseensä myös tyttären, Dorothyn. Uudexi nimexi tuli Uusperheeni. Sarjan suosio hupeni kuin lumiukko keväällä.
xxx/ellauri085.html on line 67: This use of the billboards was a highly successful advertising gimmick, drawing attention to passers-by who were curious to discover the punch line. Within a decade, Burma-Shave was the second most popular brand of shaving cream in the United States.
xxx/ellauri085.html on line 301: In April 2019, his prescribed dosage of clonazepam was increased to deal with the anxiety he was experiencing as a result of his wife's cancer diagnosis. Starting several months later, he made various attempts to lessen his drug intake, or stop taking drugs altogether, but experienced "horrific" withdrawal syndrome, including akathisia, described by his daughter as "incredible, endless, irresistible restlessness, bordering on panic". According to his daughter, Peterson and his family were unable to find doctors in North America who were willing to accommodate their treatment desires, so in January 2020, Peterson, his daughter and her husband flew to Moscow, Russia for treatment. Neo-Marxist doctors there diagnosed Peterson with pneumonia in both lungs upon arrival, and he was put into a medically induced coma for eight days. Peterson spent four weeks in the intensive care unit, during which time he allegedly exhibited a temporary loss of any remaining skills. Unfortunately, he was resuscitated, unnecessarily.
xxx/ellauri085.html on line 406: There is no such thing as trickle down economics. Democrat and some left leaning Republicans often argue against a straw-man that NO candidate or politician has ever proposed. Here’s a paper Thomas Sowell (from Hoover Institution, one of the worst right wing thinktanks in existence, sadly parked at Stanford University) wrote to "clarify" :P
xxx/ellauri086.html on line 398: Despite being recognized as a novelist on an international scale, Ferrante has kept her identity secret since the 1992 publication of her first novel. Speculation as to her true identity has been rife, and several theories, based on information Ferrante has given in interviews as well as analysis drawn from the content of her novels, have been put forth.
xxx/ellauri086.html on line 400: In October 2016, investigative reporter Claudio Gatti published an article jointly in Il Sole 24 Ore and Frankfurter Allgemeine Zeitung, that relied on financial records related to real estate transactions and royalties payments to draw the conclusion that Anita Raja, a Rome-based translator, is the real author behind the Ferrante pseudonym. Gatti's article was criticized by many in the literary world as a violation of privacy, though Gatti contends that "by announcing that she would lie on occasion, Ferrante has in a way relinquished her right to disappear behind her books and let them live and grow while their author remained unknown. Indeed, she and her publisher seemed to have fed public interest in her true identity." British novelist Matt Haig tweeted, "Think the pursuit to discover the 'real' Elena Ferrante is a disgrace and also pointless. A writer's truest self is the books they write." The writer Jeanette Winterson, in a Guardian article, denounced Gatti's investigations as malicious and sexist, saying "At the bottom of this so-called investigation into Ferrante's identity is an obsessional outrage at the success of a writer – female – who decided to write, publish and promote her books on her own terms." She went on to say that the desire to uncover Ferrante's identity constitutes an act of sexism in itself, and that "Italy is still a Catholic country with strong patriarchial attitudes towards women." Others responding to Gatti's article suggested that knowledge of Ferrante's biography is indeed relevant.
xxx/ellauri086.html on line 499: The west-side story here, reduced to its elements: “Manhattan” is a movie about a five-foot middle-aged Jew who beds a sweet 17-year-old girl, breaks her heart when he leaves her for someone else and only comes crawling back when he gets dumped. It is not simply that so many of us were so besotted with the film for so long; it’s that we were perfectly content to look and see the small tits and the virgin butt. The problem was an addiction to “the self-gratifying view,’’ Mr. Allen suggested - having made another movie about how he relentlessly does what he pleases. Butt on fire. Joey Buttafuoco quickly became an object of derision, the butt of the joke instead of Allen.
xxx/ellauri091.html on line 303: Gerhart Hauptmann was born in Ober-Salzbrunn (now Szczawno Zdrój, Poland), a fashionable resort in Silesia. His father was Robert Hauptmann, a hotel owner, and mother Marie (Straehler) Hauptmann. After failing at the gymnasium in Breslau, Gerhart was sent to his uncle's estate. There he became aware of Pietism and learned to know the peasants with whom he worked. Already as a child Hauptmann had started to draw, and he entered the art academy in Breslau, intending to become a sculptor. At the age of twenty he moved to Jena, where he studied history at the university.
xxx/ellauri103.html on line 272: But in my events to promote Big Brother, like trying to peddle it to my acquaintances, I started to notice a pattern. Most of the people buying the book in the signing queue were thin. Well the whole queue was pretty thin. Especially in the US, fat is now one of those issues where you either have to be one of us, or you’re the enemy. It's like Christianity: who is not for Jesus is against him. We don't know if he was fat, but most likely he was scrawny, he could not even carry his cross. I verified this when I had a long email correspondence with a “Healthy at Any Size” activist, who was incensed by the novel, which she hadn’t even read. Which she refused to read. No amount of explaining that the novel was on her side, that it was a book that was terribly pained by the way heavy people are treated and how unfairly they are judged, could overcome the scrawny author’s photo on the flap.
xxx/ellauri103.html on line 294: Halfway through the novel, suddenly my protagonist has lost the right leg instead of the left one. My idea of lesbian sex is drawn from wooden internet porn. Efforts to persuasively enter the lives of others very different from us may fail: that’s a given. But maybe rather than having our heads taken off, we should get a few bucks for trying. After all, most fiction sucks. Most writing sucks. Mine does anyway. Most things that people make of any sort suck. But that doesn’t mean we shouldn’t make anything. Or that we should not suck. I do, however badly, and my drummer boy loves it.
xxx/ellauri103.html on line 323: There is a fascinating philosophical argument here. Instead, however, that core question was used as a straw man. Shriver’s real targets were cultural appropriation, identity politics and political correctness. It was a monologue about the right to exploit the stories of “others”, simply because it is useful for one’s story.
xxx/ellauri103.html on line 507: Doonesbury sarjakuvaa ei muista kukaan, varsinkaan sen jälkeen kun Gary Trudeau (ihan aiheesta) 2015 kritisoi Charlie Hebdon piirtäjiä "for punching downward..., attacking a powerless, disenfranchised minority with crude, vulgar drawings closer to graffiti than cartoons", and thereby wandering "into the realm of hate speech" with cartoons of Muhammad. Muiden pöyristyneiden öykkärien joukossa joku paska David Frum "criticized what he called Trudeau's moral theory that holds "the privilege-bearer responsible". Eihän se nyt käy, privilege on privilege, Mariallakin oli sellainen, eikä sitä siltäkään otettu pois. Rääppä humanistiystävineen piti rinnassa "Je suis Charlie" läppyjä. Charlie Chaplin lie ollut kyseessä.
xxx/ellauri114.html on line 684: Despite the loss of the additional history of Manasseh and Ephraim, several modern-day groups claim descent from them, with varying levels of academic and rabbinical support. The Yusufzai tribe (literal translation The Sons of Joseph) of the Pashtuns of Afghanistan, India and Pakistan, who collectively refer to themselves as the "Bani Israel", have a long tradition connecting them to the exiled Kingdom of Israel. The Samaritans claim that some of their adherents are descended from these tribes, and many Persian Jews claim to be descendants of Ephraim. Many Samaritans claim descent from the grandchildren of Joseph under four main septs, his grandsons Danfi, Tsedakah, Mafraj and Sarawi Samaritans Museum In northeast India, the Mizo Jews claim descent from Manasseh, and call themselves Bnei Menashe; in 2005 Shlomo Amar, Sephardi Chief Rabbi of Israel, announced that he regarded this claim to be true, which under the Law of Return allows them to migrate to Israel, as long as they formally convert to Israel's Orthodox form of Judaism. Similar traditions are held by the Telugu Jews, in South India, who claim descent from Ephraim, and call themselves Bene Ephraim.
xxx/ellauri120.html on line 108: Since when does brotherhood draw crowds?
xxx/ellauri122.html on line 772: Business Insider has compiled a list of 25 such classics, drawn from Amazon’s list of 100 lifetime books, Goodreads recommendations, and the opinions of the editors. A common trend among these books is their exploration of politics, history, and human conditions - insights which allow these literature to withstand the test of time. Here’s the list:
xxx/ellauri122.html on line 818: A frighteningly prophetic novel, 'Fahrenheit 451' is set in a dystopian future where there are no books, just smart phones. For the protagonist, Montag, it all seems normal -- until the day he gets a glimpse of the past. With a riveting plot and solid characters, the book draws readers into its imagined world. Totally outdayed. Books are being yurned inyo lampshades as we speak. Who wants them anyway, TLDR.
xxx/ellauri122.html on line 903: 'The Stranger' explores what Camus termed 'the nakedness of man faced with the absurd' through the story of a man who is drawn into a murder.
xxx/ellauri122.html on line 948: 'Moonwalking with Einstein' recounts Foer's yearlong journey to improve his memory. He draws on cutting-edge research, cultural histories, and tricks from mentalists.
xxx/ellauri123.html on line 626: Instead of taking shots at others, most people decide to draw up — and lose at — another imagined game: Who’s better? It’s a moot question. We have no idea what anyone’s story is like up to the page on which we meet them.
xxx/ellauri123.html on line 752: Evidence is presented that the author of Lolita, Vladimir Nabokov, was himself consciously a pedophile who acted out his desires vicariously through his writing. Drawing upon his literary works and biography, the manifest and genetic origins of Nabokov´s pedophilia are traced back to an unresolved oedipal conflict complicated by childhood sexual abuse. Humbert Humbert, the protagonist in the novel Lolita, is the classic literary portrayal of a pedophile. Evidence is presented that the author of Lolita, Vladimir Nabokov, was himself consciously a pedophile who acted out his desires vicariously through his writing. Drawing upon his literary works and biography, the manifest and genetic origins of Nabokov´s pedophilia are traced back to an unresolved oedipal conflict complicated by childhood sexual abuse. The raw power of Lolita derives from the abreactive discharge of a libidinal cathexis denied any other mode of expression.
xxx/ellauri123.html on line 1042: black ink drawings were influenced by Japanese woodcuts, and emphasized the
xxx/ellauri123.html on line 1288: Self-reported and physiological sexual arousal to adult and pedophilic stimuli were examined among 80 men drawn from a community sample of volunteers. Over ¼ of the current subjects self-reported pedophilic interest or exhibited penile arousal to pedophilic stimuli that equalled or exceeded arousal to adult stimuli. The hypothesis that arousal to pedophilic stimuli is a function of general sexual arousability factors was supported in that pedophilic and adult heterosexual arousal were positively correlated, particularly in the physiological data. Subjects who were highly arousable, insofar as they were unable to voluntarily and completely inhibit their sexual arousal, were more sexually aroused by all stimuli than were subjects who were able to inhibit their sexual arousal. Thus, arousal to pedophilic stimuli does not necessarily correspond with pedophilic behavior.
xxx/ellauri124.html on line 409: coffee this morning was the last straw. “It’s not about being mean or getting back
xxx/ellauri124.html on line 413: long, drawn-out explanation of why you’re fuming to a short, simple, and
xxx/ellauri125.html on line 428: From the start, critics complained about the ostensible sameness of Roth’s books, their narcissism and narrowness—or, as he himself put it, comparing his own work to his father’s conversation, “Family, family, family, Newark, Newark, Newark, Jew, Jew, Jew.” Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction. In each performance of a self, Roth captured the same sound and consciousness. in nearly fifty years of reading him I’ve never been more bored. I got to know Roth in the nineteen-nineties, when I interviewed him for this magazine around the time he published “The Human Stain.” To be in his presence was an exhilarating, though hardly relaxing, experience. He was unnervingly present, a condor on a branch, unblinking, alive to everything: the best detail in your story, the slackest points in your argument. His intelligence was immense, his performances and imitations mildly funny. “He who is loved by his parents is a conquistador,” Roth used to say, and he was adored by his parents, though both could be daunting to the young Philip. Herman Roth sold insurance; Bess ruled the family’s modest house, on Summit Avenue, in a neighborhood of European Jewish immigrants, their children and grandchildren. There was little money, very few books. Roth was not an academic prodigy; his teachers sensed his street intelligence but they were not overawed by his classroom performance. Roth learned to write through imitation. His first published story, “The Day It Snowed,” was so thoroughly Truman Capote that, he later remarked, he made “Capote look like a longshoreman.”
xxx/ellauri125.html on line 579: money in it. It is unsuited to the drawing room, and in the most
xxx/ellauri125.html on line 791: Hole's performance on August 26, 1994, at the Reading Festival—Love's first public performance following Cobain's death—was described by MTV as "by turns macabre, frightening and inspirational". John Peel wrote in The Guardian that Love's disheveled appearance "would have drawn whistles of astonishment in Bedlam", and that her performance "verged on the heroic ... Love steered her band through a set which dared you to pity either her recent history or that of the band ... the band teetered on the edge of chaos, generating a tension which I cannot remember having felt before from any stage." The band performed a series of riotous concerts over the following year, with Love frequently appearing hysterical onstage, flashing crowds, stage diving, and getting into fights with audience members. One journalist reported that at the band's show in Boston in December 1994: "Love interrupted the music and talked about her deceased husband Kurt Cobain, and also broke out into Tourette syndrome-like rants. The music was great, but the raving was vulgar and offensive, and prompted some of the audience to shout back at her."
xxx/ellauri126.html on line 311: The ideas Chopra promotes have regularly been criticized by medical and scientific professionals as pseudoscience. The criticism has been described as ranging "from the dismissive to...damning". Philosopher Robert Carroll writes that Chopra, to justify his teachings, attempts to integrate Ayurveda with quantum mechanics. Chopra says that what he calls "quantum healing" cures any manner of ailments, including cancer, through effects that he claims are literally based on the same principles as quantum mechanics. This has led physicists to object to his use of the term "quantum" in reference to medical conditions and the human body. Evolutionary biologist Richard Dawkins has said that Chopra uses "quantum jargon as plausible-sounding hocus pocus". Chopra's treatments generally elicit nothing but a placebo response and have drawn criticism that the unwarranted claims made for them may raise "false hope" and lure sick people away from legitimate medical treatments.
xxx/ellauri127.html on line 140: This chapter gives a brief history of the émigré travelogue in and about America from Alexis de Tocqueville to Simone de Beauvoir, by way of introducing the four authors studied in this book: Vladimir Nabokov, Robert Frank, Alfred Hitchcock and Wim Wenders. Elsa Court argues that the outsider’s perspective has shaped representations of modern America through restless mobility, drawing a portrait of the modern highway shaped by the needs and cravings of the motorist. In the context of mobilities studies’ recent embrace of the humanities, Court makes an important case for the re-examination of the fixed places designed to facilitate motion—motel, gasoline station, roadside restaurant, as well as signage and memorials—and the roadside’s redesignation from so-called non-place to modern American topos.
xxx/ellauri127.html on line 725: No tää on kai size Brawn. Se Isabellako oli runohepalla razastava Brains, vaiko joku runoilijakamu? Johnilla oli 2 veljeä, jenkeissä huonosti menehtynyt George ja toinen Tom, kaikki tuberkkelin vaivaamia.
xxx/ellauri127.html on line 734: rawne" />
xxx/ellauri127.html on line 736: Fanny Brawne met Keats, who was her neighbour in Hampstead, at the beginning of his brief period of intense creative activity in 1818. Although his first written impressions of Brawne were quite critical, his imagination seems to have turned her into the goddess-figure he needed to worship, as expressed in Endymion, and scholars have acknowledged her as his muse. On se vähän intiaanin näköinen.
xxx/ellauri127.html on line 738: At eighteen, Fanny Brawne “was small, her eyes were blue and often enhanced by blue ribbons in her brown hair; her mouth expressed determination and a sense of humour and her smile was disarming. She was not conventionally beautiful: her nose was a little too aquiline, her face too pale and thin (some called it sallow). But she knew the value of elegance; velvet hats and muslin bonnets, crêpe hats with argus feathers, straw hats embellished with grapes and tartan ribbons: Fanny noticed them all as they came from Paris. She could answer, at a moment’s notice, any question on historical costume. ... Fanny enjoyed music. ... She was an eager politician, fiery in discussion; she was a voluminous reader. ... Indeed, books were her favourite topic of conversation”.
xxx/ellauri127.html on line 739: Shall I give you Miss Brawn? She is about my height—with a fine style of countenance of the lengthen'd sort—she wants sentiment in every feature—she manages to make her hair look well—her nostrills are fine—though a little painful—her mouth is bad and good—her Profil is better than her full-face which indeed is not full but pale and thin without showing any bone—Her shape is very graceful and so are her movements—her Arms are good her hands badish—her feet tolerable—she is not seventeen—but she is ignorant—monstrous in her behaviour flying out in all directions, calling people such names—that I was forced lately to make use of the term Minx—this is I think not from any innate vice but from a penchant she has for acting stylishly. I am however tired of such style and shall decline any more of it".
xxx/ellauri127.html on line 741: Brawne drew consolation from her continuing friendship with Keats' younger sister, who was also called Fanny. She attracted much venom from the press, which declared her to have been unworthy of such a distinguished figure. LOL.
xxx/ellauri127.html on line 860: Näyttää siltä, että 18-vuotias Brawne oli käymässä Dilkeillä Wentworth Placessa, joskaan ei vielä asunut siellä. Brawne oli Lontoosta, kuten Keats – syntynyt West Endissä lähellä Hampsteadia 9. elokuuta 1800. Hänen isoisällään oli ollut Lontoossa kapakka, kuten Keatsin isälläkin, ja hän oli samalla tavalla menettänyt useita perheenjäseniä tuberkuloosiin. Hänellä oli sama etunimi kuin Keatsin sisarella ja äidillä. Hän oli ompelutaitoinen, kielitaitoinen ja sanavalmis. Hän kirjoitti itsestään: "En lue erityisen innokkaasti runoja" mutta "teatteri kiinnostaa".
xxx/ellauri127.html on line 861: John antoi Brawnelle rakkaussonetin "Yön kirkas tähti", jota hän uudisti tätä varten. Runon kehittely jatkui aina hänen elämänsä viime kuukausiin saakka. Myöhemmin runo on aina liitetty heidän suhteeseensa. Brawne eli vielä 40 vuotta Keatsin kuoleman jälkeen, avioitui ja sai monta lasta.
xxx/ellauri129.html on line 654: At the subsequent trial of Packard v. Packard, which lasted five days, Theophilus's lawyers produced witnesses from his family who testified that Elizabeth had argued with her husband and tried to withdraw from his congregation. These witnesses concurred with Theophilus that this was a sign of insanity. The record from the Illinois State Hospital stating that Mrs. Packard's condition was incurable was also entered into the court record.
xxx/ellauri134.html on line 526: Why Did They Draw Nazca Lines? Were They Airborne!
xxx/ellauri134.html on line 544: Why Did They Draw Nazca Lines? Were They Airborne! →
xxx/ellauri139.html on line 341: Additionally, this idealistically romantic Romantic poem is known to have been written shortly after Keats fell in love with Fanny Brawne.
xxx/ellauri139.html on line 790: Where lay the Porter, in uneasy sprawl, Portilla portieeri on juonut portteria.
xxx/ellauri148.html on line 118: Following the outbreak of hostilities, both the United States and the Soviet Union initiated massive resupply efforts to their respective allies during the war, which led to a near-confrontation between the two nuclear-armed superpowers. After the 1967 six day war, the Egyptians said that a lasting peace could not be achieved without "withdrawal of the Israeli armed forces from all the territories occupied since 5 June 1967."
xxx/ellauri148.html on line 120: Golda Meir reacted to the overture by forming a committee to examine the proposal and vet possible concessions. When the committee unanimously concluded that Israel's interests would be served by full withdrawal to the internationally recognized lines dividing Israel from Egypt and Syria, returning the Gaza Strip and, in a majority view, returning most of the West Bank and East Jerusalem, Meir was angered and shelved the document next to her stash of knotted french letters and Joshua's foreskin collection. The United States was infuriated by the cool Israeli response to Egypt's proposal, and Joseph Sisco informed Yitzhak Rabin that "Israel would be regarded responsible for rejecting the best opportunity to reach peace since the establishment of the state." Israel responded to Jarring's plan also on February 26 by outlining its readiness to make some form of withdrawal, say in some New York bank, while declaring it had no intention of returning to the pre-June 5, 1967 lines.
xxx/ellauri148.html on line 175: It should not come to one’s mind that in the days of the Messiah anything in the customary order of the world will be annulled, or that there will be something new in the order of Creation. For the world will continue in its path. And that which Isaiah said, the wolf shall dwell with the lamb, and the leopard shall lie down with the kid (Isa. 11:6), is but an allegory and a riddle. The true meaning of it is that Israel will dwell in safety with the wicked of the idolaters who are likened to a wolf and a leopard….And all of them will return to faith of truth, and they will neither rob nor despoil, but will eat the things which are permitted, in pleasure, together with Israel, as it is written, The lion shall eat straw like the ox (Isa. 11:7). And likewise, all the similar things said about the Messiah are but allegories. And in the days of the Messiah it will become known to everybody what thing the allegory signified and to what thing it alluded.
xxx/ellauri148.html on line 238: Behold I will make Jerusalem a cup of staggering unto all the peoples round about (Zech. 12:2). What is “cup of staggering”? [It means] that He will in the future make peoples drink the cup of staggering of blood….when they [Gog and Magog] go up there, what do they? They assign two warriors to every one of the Children of Israel. Why? So that they should not escape. When the heroes of Judah ascend and reach Jerusalem, they pray in their heart…In that hour the Holy One, blessed be He, gives heroism to Judah and they draw their weapons and smite those men on their right and on their left, and slay them (Midrash Tehillim, Psalm 119, ed. Buber pp. 488-89)
xxx/ellauri148.html on line 470: According to the Quebecois, "PHYLOTHERAPY", the term is no longer appropriate today because of the definition of the word "therapy" itself. The latter implies means "to cure or relieve illnesses". However, philosophical consultation does not aim at such an such an objective. Moreover, in some countries, the use of the term "THERAPY" is regulated and often reserved for the medical field. Finally, the term "PHILOTHERAPY" was initially used to draw attention to the fact that attention to the fact that philosophers were now offering consultations and opening specialized practices for this purpose specialized practices open to all. It was a good marketing move since the term has the attention of the media and the public. Today, the term "PHILOTHERAPY"has been abandoned in favor of "PHILOSOPHY CONSULTATION" offered by "PHILOSOPHES CONULTANTS". "CONULTANT" has even more traction now.
xxx/ellauri154.html on line 214: The theme of Salome is one that Moreau returned to time and again. The artist explored the subject in more than one hundred sketches and drawings as well as in numerous paintings—ranging from highly elaborate to sketchily rendered—and even in sculpture (both Salome and The Apparition figured in Moreau’s waxworks). Moreau was not alone in his passion for the theme of Salome, as other famous artists — Lucas Cranach, Caravaggio, Titian, Guido Reni, Artemisia Gentileschi, Aubrey Beardsley, and Nabil Kanso, to name just a few — shared this interest. Selkeästi perverssiä jengiä.
xxx/ellauri157.html on line 66: You can’t just write and write and put things in a drawer. They wither without the warm sun of someone else’s appreciation. When I cannot write a poem, I eat biscuits and feel just as pleased.
xxx/ellauri157.html on line 514: Interestingly, several of Hesse’s drawings and etchings were discovered at the National Library in Israel half a century after his death. I bet he had asked Buber to come up to have a look at them. Like all narcissists, those born to be wild never wanna die, even if they explode into space.
xxx/ellauri165.html on line 43: rawing%20images/icon3.jpg" height="600px" />
xxx/ellauri166.html on line 394: Drawing on the breadth of Midrashic, Talmudic and Aggadic literature (including literature that is no longer extant), as well as his knowledge of Hebrew grammar and halakhah, Rashi clarifies the "simple" meaning of the text so that a bright child of five could understand it. At the same time, his commentary forms the foundation for some of the most profound legal analysis and mystical discourses that came after it. Scholars debate why Rashi chose a particular Midrash to illustrate a point, or why he used certain words and phrases and not others. Rabbi Shneur Zalman of Liadi wrote that "Rashi's commentary on Torah is the 'wine of Torah'. It opens the heart and uncovers one's essential love and fear of Cod.
xxx/ellauri166.html on line 398: . Rashi's commentary, drawing on his knowledge of the entire contents of the Talmud, attempts to provide a full explanation of the words and of the logical structure of each Talmudic passage. Unlike other commentators, Rashi does not paraphrase or exclude any part of the text, but elucidates phrase by phrase. Often he provides punctuation in the unpunctuated text, explaining, for example, "This is a question"; "He says this in surprise", "He repeats this in agreement", etc.
xxx/ellauri166.html on line 416: In general, Rashi provides the peshat or literal meaning of Jewish texts, while his disciples known as the Tosafot ("additions"), gave more interpretative descriptions of the texts. The Tosafot's commentaries can be found in the Talmud opposite Rashi's commentary. The Tosafot added comments and criticism in places where Rashi had not added comments. The Tosafot went beyond the passage itself in terms of arguments, parallels, and distinctions that could be drawn out. This addition to Jewish texts was seen as causing a "major cultural product" which became an important part of Torah study.
xxx/ellauri166.html on line 495: The younger Hall is said to have never known his father. In 1919, Hall moved from Canada to Los Angeles, California, with his maternal grandmother to reunite with his birth mother, who was living in Santa Monica, and was almost immediately drawn to the arcane world of mysticism, esoteric philosophies, and their underlying principles. Hall delved deeply into "teachings of lost and hidden traditions, the golden verses of Hindu gods, Greek philosophers and Christian mystics, and the spiritual treasures waiting to be found within one's own soul."
xxx/ellauri173.html on line 106: Futishuligaaneja ennen futista. Nuoria apinakoiraita. A gang of roistering brawling young blades in 17th century London similar to the Mohocks.
xxx/ellauri176.html on line 152: The novel then takes a complete new direction in terms of both tone and style, as Serge — suffering from amnesia and total long-term memory loss, with no idea who or where he is beyond his first name — is doted upon by Albine, the whimsical, innocent and entirely uneducated girl who has been left to grow up practically alone and wild in the vast, sprawling, overgrown grounds of Le Paradou. The two of them live a life of idyllic bliss with many Biblical parallels, and over the course of a number of months, they fall deeply in love with one another; however, at the moment they consummate their relationship, they are discovered by Serge's monstrous former monsignor and his memory is instantly returned to him. Wracked with guilt at his unwitting sins, Serge is plunged into a deeper religious fervour than ever before, and poor Albine is left bewildered at the loss of her soulmate. As with many of Zola's earlier works, the novel then builds to a horrible climax. Well not really. It is more like a horrible anticlimax.
xxx/ellauri176.html on line 911: "Reacher is a brawny action figure whose exploits would have been a good fit for the likes of Arnold Schwarzenegger or Sylvester Stallone back in the day, but feel less fun when delegated to a wimpy man like Tom Cruise."
xxx/ellauri178.html on line 109: Snorrin mielestä niissä mentiin liian pitkälle. Snorri draws the line at mixed metaphor, which he terms nykrat "nykrätty, made monstrous" (Snorri Sturluson: Háttatal 6), and his nephew called the practice löstr "a fault" (Óláfr hvítaskáld: Third Grammatical Treatise 80). In spite of this, it seems that "many poets did not object to and some must have preferred baroque juxtapositions of unlike kennings and neutral or incongruous verbs in their verses" (Foote & Wilson (1970), p. 332). E.g. heyr jarl Kvasis dreyra "listen, earl, to Kvasir's blood (=poetry)" (Einarr skálaglamm: Vellekla 1). Niin aina.
xxx/ellauri179.html on line 163: Okay, thanx Ernesto, you got your turn. Put back on your sissy nightgown, kick off the slippers and crawl to bed to nurse your stump.
xxx/ellauri179.html on line 216: Unfortunately, his subsequent divorces and additional marriages, drunken brawling, domestic abuse, poison pen letters, paranoia, megalomania, and habitual womanizing tarnished his youthful sense of himself as a “super-Catholic.” Hemingway never wanted to be known as a “Catholic writer” because he simply felt he couldn’t live up to the responsibility.
xxx/ellauri179.html on line 606: Ernest Hemingway squirmed as his second wife, Pauline, read aloud in 1927 from Henry James' novel The Awkward Age. Hemingway wondered why James bailed his characters out of their frequent inactivity by inserting a drawing room scene; and, as he was to do frequently during the next thirty years, he freely criticized the quality of James' works, "and knowing nothing about James he seems to me to be a shit." Too, he was quick to criticize the male protagonists of James,". .and the men all without any exception talk and think like fairies except a couple of caricatures of brutal outsiders". Carlos Baker observes that Hemingway, the "brutal outsider" himself, was at this time publishing Men Without Women, whose sales had reached 15,000 in the first three months after publication. But now Hemingway, the outsider, clearly in literary ascendance, was becoming acquainted with James' works; his artistic and personal recognition of James in future years was, for the most part, to take the form of a peculiar enmity. He was often to refer to James in highly derisive terms almost to the end of his own life. Hemingway's lese majeste towards him takes the form of a sporadic obsession that reveals more about Hemingway's maturity than James' imagined frailties.
xxx/ellauri187.html on line 119: Ralph Freedman gives a remarkably purposeful account of Rilke's deprivation. But he describes none of Rilke's ardor--or his honest avowals, or all the discipline and strength and health he needed to draw his life's work out of depressions, blocks, and fears, out of his contemporary-sounding struggle between a Faustian ego and an endangered self. In this biography we don't get Rilke's poetic transformations. We get only the modern condition--his and his society's--that he poetically transformed and that we've inherited.
xxx/ellauri187.html on line 178: In 2002 Siegel received the National Magazine Award in the category "Reviews and Criticism". Jeff Bercovici, (alias sprezzatura), writing in Media Life Magazine, quoted the award citation, which called the essays "models of original thinking and passionate writing... Siegel's tough-minded yet generous criticism is prose of uncommon power—work that dazzles readers by drawing them into the play of ideas and the enjoyment of lively, committed debate".
xxx/ellauri187.html on line 197: But why did aging Rodin in his 60s capture Rilke’s imagination at the turn of the last century? It’s hard to see at first. What made Rodin radical then is no longer radical today. In his “Self-Portrait” (1890), Rodin grimaces amidst rough marks. The picture emblematizes how Rodin heralded raw and unpolished sculptures that were strikingly modern. It was a breath of fresh air since most of early-19th-century sculpture was smooth, neoclassical, and to be harshly honest, predictably dainty. Charles Baudelaire lamented this nadir in 1846 when he wrote his provocative essay “Why Sculpture is Boring.” Rodin went on to prove Baudelaire wrong. He showed how sculpture could be modern with distorted, coarse, rough textures. Rodin knocked the idealized body off its pedestal. And the modern sculptors that came after him saw no reason to put it back.
xxx/ellauri193.html on line 598: The Swedes feel differently, though. The presentation speech lays out a “cut-out silhouette of two remarkable literary profiles,” drawing parallels between two writers whose work is not very similar, but whose lives curiously are. Both Eyvind Johnson and Harry Martinson come from hardscrabble backgrounds and emerged as unlikely, startling literary figures. “They are representative,” the speech tells us, “of the many proletarian writers or working-class poets who, on a wide front, broke into our literature, not to ravage and plunder, but to enrich it with their fortunes. Their arrival meant an influx of experience and creative energy, the value of which can hardly be exaggerated.”
xxx/ellauri200.html on line 137: They hawked and spat. They sprawled around.
xxx/ellauri200.html on line 349: these orthodox chaps certainly know how to draw the line
xxx/ellauri200.html on line 603: slime crawling up from mud to live and die, Lima joka nousee mudasta elämään ja kuolemaan,
xxx/ellauri200.html on line 635: but draws some wisdom from the only Wise, Vaan vetää viisautta ainoalta Wiisaalta,
xxx/ellauri208.html on line 1117: Who can be sure that he is the son of his father? What with all these tents and nightgowns? Its just too easy to crawl under them and grab a piece of naked ass. Orpo Gebelin lojalty on kahtia.
xxx/ellauri212.html on line 73: All evidence points to the fact that Gauguin might have been drawn to the Mahu culture of a boy performing feminine duties. Drag queens were prevalent in Tahitian culture one which drew the focus of Gauguin. His children are not the reason to believe that he was heterosexual look at his Polynesian artwork!
xxx/ellauri212.html on line 300: Tässä syyteröväskästä viimeisin: in February 2022, around a dozen current and former employees of Dr. Phil alleged that they experienced "verbal abuse in a workplace that fosters fear, intimidation, and racism." Seven current employees also claimed that the show's guests are often manipulated and treated unethically. Attorneys for McGraw and his co-producer, Carla Pennington categorically denied every allegation made.
xxx/ellauri212.html on line 302: McGraw's advice and methods have drawn criticism from both fellow psychotherapists as well as non-experts. McGraw's critics regard advice given by him to be at best simplistic and at worst ineffective or harmful. The National Alliance on Mental Illness called McGraw's conduct in one episode of his television show "unethical" and "incredibly irresponsible". McGraw said in a 2001 Sun-Sentinel interview that he never liked traditional one-on-one counseling, and that "I'm not the Hush-Puppies, pipe and 'Let's talk about your mother' kind of psychologist."
xxx/ellauri212.html on line 304: McGraw married his first wife, Debbie Higgins McCall, in 1970, when he was 20 years old. According to her, McGraw was domineering and would not allow her to participate in the family business. She claimed that she was confined to domestic duties and instructed to begin lifting weights to improve her bustline. McCall also claimed that infidelity had ended their marriage.
xxx/ellauri212.html on line 306: McGraw is also a private pilot, with an instrument rating, flying single-engine airplanes. McGraw is Christian. McGraw launched the charity, Dr. Phil Foundation, in October, 2003.
xxx/ellauri218.html on line 250: From 1987 through 1988, in an environmental disaster known as the syringe tide, significant amounts of medical waste from the Fresh Kills landfill, including hypodermic syringes and raw garbage, washed up onto beaches on the Jersey Shore, in New York City, and on Long Island. This event forced the closing of beaches on the Atlantic coast.
xxx/ellauri218.html on line 307: Penn was born and raised in Atlanta. She started her company in 2008 at the age of 8. She spoke at the TEDWomen event in San Francisco, which was streamed live on TED.com. She has done 2 official TEDTalks and 1 TEDxxxTalk. Penn is also an animator and artist, drawing cartoon characters from an early age. She is the creator of an animated series called The Pollinators which focuses on the importance of birds and bees and other pollinators like men. She premiered a clip of The Pollinators and another animated series called Malicious Dishes at TEDWomen 2013. What a dish!
xxx/ellauri224.html on line 120: The title of the film alludes to Ray Bradbury's 1953 novel Fahrenheit 451, a dim view of the future United States, drawing an analogy between burning books and the reception of the September 11 attacks; one of the film's taglines was "The Temperature at Which Freedom Fries Burn".
xxx/ellauri224.html on line 535: Enraged, the five alien women merge to become a beautiful giantess clad in a purple bra and miniskirt. She devours Tommy alive in front of Christie, who reacts with indifference. The giantess then crawls out of the amusement center and chases Fred and Barney. The cultists tell them to activate the Photon Accelerator Annihilation Beam on the Transfunctioner. However, the button that activates it is too far in to reach. As a last straw, Chester remembers the nature show with Andtew the tool-using chimpanzee and uses a straw to push the reset button, thus destroying the alien and starting the film from the beginning.
xxx/ellauri225.html on line 282: A number of Le Guin´s writings, including the Earthsea series, challenged the conventions of epic fantasies and myths. Many of the protagonists in Earthsea were dark-skinned individuals, in comparison to the white-skinned heroes more traditionally used; some of the antagonists, in contrast, were white-skinned, a switching of race roles that has been critically remarked upon by multiple critics. In a 2001 interview, Le Guin attributed the frequent lack of character illustrations on her book covers to her choice of non-white protagonists. LOL haha! She explained this choice, saying: "most people in the world aren't white. Why in the future would we assume they are?" Her 1985 book Always Coming Home, described as "her great experiment", included a story told from the perspective of a young protagonist, but also included poems, rough drawings of plants and animals, myths, and anthropological reports from the matriarchal society of the Kesh, a fictional people living in the Napa valley after a catastrophic global flood.
xxx/ellauri228.html on line 347: Tarkovsky spent his childhood in Yuryevets. He was described by childhood friends as active and popular, having many friends and being typically in the center of action. In his school years, Tarkovsky was a troublemaker and a poor student. His father left the family in 1937, subsequently volunteering for the army in 1941. He returned home in 1943, having been awarded a Red Star after being shot in one of his legs (which he would eventually need to amputate due to gangrene). Tarkovsky stayed with his mother, moving with her and his sister Marina to Moscow, where she worked as a proofreader at a printing press. Many themes of his childhood—the evacuation, his mother and her two children, the withdrawn father, the time in the hospital—feature prominently in his films. Dodi! Minähän sanoin!
xxx/ellauri228.html on line 349: From 1973 to 1974, he shot the film Zerkalo, a highly autobiographical and unconventionally structured film drawing on his childhood and incorporating some of his father´s poems. In this film Tarkovsky portrayed the plight of childhood affected by war. Tarkovsky had worked on the screenplay for this film since 1967, under the consecutive titles Confession, White day and A white, white day. From the beginning the film was not well received by Soviet authorities due to its content and its perceived elitist nature. Such third rate films also placed the film-makers in danger of being accused of wasting public funds, which could have serious effects on their future productivity. These difficulties are presumed to have made Tarkovsky play with the idea of going abroad and producing a film outside the Soviet film industry.
xxx/ellauri228.html on line 482: While mother prepared the table for Holy Supper, the heavenly father whacked the cattle a little earlier than usual. He then picked up some straw and entered the hut, saying:
xxx/ellauri229.html on line 138: (3.) Parents will have a regular subject upon which to examine their children and servants (LOL). – It is much to be desired that family worship were made more instructive than it generally is. The mere reading of the chapter is often too like water spilt on the ground. Let it be read by every member of the family before-hand, and then the meaning and application drawn out by simple question and answer. Like what was the name of the father of Jacob´s sons. The calendar will be helpful in this. Friends, also, when they meet, will have a subject for profitable conversation in the portions read that day. The meaning of difficult passages may be inquired from the more judicious and ripe Christians, and the fragrance of simpler Scriptures spread abroad to mask the smells of the riper Christians.
xxx/ellauri229.html on line 333: Matt Harvey is one of the loveliest poets I know, briefly famous for being Wimbledon’s first poet-in-residence and for hosting BBC Radio 4’s Wondermentalist Cabaret. In his prose poem Imaginary Friend he tells the tragic story of how being a shy and withdrawn child he had an imaginary friend, who was also shy and withdrawn and had his own imaginary friend. “The two of them used to play together and exclude me,” he says. As with all of Harvey’s work, it is a lightfooted, calm-mouthed, moving piece of deceptively funny writing. Go read it. Oh and read Ken Nesbitt´s poem of the same name, while you´re at it. It is also super cute.
xxx/ellauri229.html on line 336:
xxx/ellauri229.html on line 370: To me, the most important imaginary friend, the most moving, the most delightful, the most grrr-ry, the most graceful, the wisest, most forebearing, most put upon, the funniest and handsomest (certainly the best drawn) is Hobbes. He’s a tiger and he’s perfect. He is a happy atheist and Calvin an anxious calvinist.
xxx/ellauri229.html on line 546: At the height of the baroque, sex went out of style; only two small parties kept it going-the integrationalists and the separatists. The separatists, averse to all debauchery, felt that it was improper to eat sauerkraut with the same mouth one used to kiss one´s sweetheart. For this a separate, "platonic" mouth was needed, and better yet, a complete set of them, variously designated (for relatives, for friends, and for that special person). The valuing utility above all else, worked in reverse, combining whatever was combinable to simplify the organism and life. The decline of the baroque, typically tending to the extravagant and the grotesque, produced such curious forms as the stoolmaid and the hexus, which resembled a centaur, except that instead of hoofs it had four bare feet with the toes all facing one another: they also called it a syncopant, after a dance in which energetic stamping was the basic step. But the market now was glutted, exhausted. It was hard to come up with a startling new body; people used their natural horns for ear flaps; flap ears-diaphanous and with stigmatic scenes-fanned with their pale pinkness the cheeks of ladies of distinction; there were attempts to walk on supple pseudopodia; meanwhile SOPSYPLABD out of sheer inertia made more and more designs available, though everyone felt that all of this was drawing to a close.
xxx/ellauri235.html on line 198: The swallow twitt'ring from the straw-built shed, Pääskynen tuijottaa olkivajasta,
xxx/ellauri235.html on line 224: Where thro' the long-drawn aisle and fretted vault Sinne pitkälle vedetyssä käytävässä ja ärtyneessä holvissa
xxx/ellauri235.html on line 334: Or draw his frailties from their dread abode, Tai vetää hänen heikkoutensa heidän kauhuasuistaan,
xxx/ellauri235.html on line 750: "There are pretty curtains drawn around, the sheets are fine and thin; Siinä on sievät verhot ympärillä, lakanat on sileät,
xxx/ellauri250.html on line 287: Withdrawal
xxx/ellauri250.html on line 562: Young Bukowski spoke English with a strong German accent and was taunted by his childhood playmates with the epithet "Heinie", German diminutive of Heinrich, in his early youth. He was shy and socially withdrawn, a condition exacerbated during his teen years by an extreme case of acne. Neighborhood children ridiculed his accent, acne and the sensible clothing his parents made him wear. Nachdem sein Vater seinen Wehrdienst abgeleistet hatte, fand er jedoch nur eine Arbeit als Milchlieferant. Die Familie lebte aus diesem Grund zeitweise in ärmlichen Verhältnissen. Regelmäßig betrog der Vater außerdem Bukowskis Mutter mit anderen Frauen, betrank sich und misshandelte seinen eigenen Sohn körperlich. In die Pubertät gekommen, litt Bukowski zudem an starker Akne und hatte am ganzen Körper Pusteln, weshalb er ein ganzes Jahr nicht die Schule besuchen "konnte". The Great Depression bottled his rage as he grew up, and gave him much of his voice and material for his writings.
xxx/ellauri251.html on line 180: Hast thou drawn hither, and many an armed king, Vedit tänne, ja monta aseistettua kunkkua,
xxx/ellauri251.html on line 427: Drawn up about my face that I may weep Jonka vedän naamalle voidaxeni itkeä
xxx/ellauri251.html on line 487: The gods have drawn us hither; for again
xxx/ellauri251.html on line 1233: Drawn; wherefore all ye stand up on my side,
xxx/ellauri251.html on line 1537: Might ebb, drawn backward from their eyes, and night
xxx/ellauri251.html on line 1795: With chin aslant indrawn to a tightening throat,
xxx/ellauri251.html on line 1996: Tears dearer than the dear blood drawn from you
xxx/ellauri251.html on line 2314: Weak am I, weak and shameful; my breath drawn
xxx/ellauri251.html on line 2672: As one made drunk with living, whence he draws
xxx/ellauri251.html on line 2818: O son, he said, son, lift thine eyes, draw breath,
xxx/ellauri251.html on line 3172: Althæa, since my father’s ploughshare, drawn
xxx/ellauri252.html on line 446: Piirrä Muhammed -päivä (Everybody Draw Mohammed Day) oli 20. toukokuuta 2010 vietetty maailmanlaajuinen, lähinnä internetissä tapahtunut protesti islamisteja vastaan.
xxx/ellauri255.html on line 136: Rob Attaboy: What is the lesson to draw from your new book considering the current Ukraina war?
xxx/ellauri261.html on line 476: Directed by Gene Kelly and written and produced by Ernest Lehman, the film stars Barbra Streisand, Walter Matthau, Michael Crawford, Danny Lockin, Tommy Tune, Fritz Feld, Marianne McAndrew, E. J. Peaker and Louis Armstrong (whose recording of the title tune had become a number-one single in May 1964). The film follows the story of Dolly Levi, a strong-willed matchmaker who travels to Yonkers, New York in order to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. In doing so, she convinces his niece, his niece's intended and Horace's two clerks to travel to New York.
xxx/ellauri261.html on line 484: Michael Crawford as Cornelius Hackl
xxx/ellauri261.html on line 606: The prominent 20th-century protestant theologian Paul Tillich remains highly influential in the theothanatic field. Drawing upon the work of Friedrich Nietzsche, Friedrich Schelling, and Jacob Boehme, Tillich developed a notion of God as the "God above the God" and the response to nihilism.
xxx/ellauri261.html on line 637: Christian atheism is a form of Christianity that rejects the theistic claims of Christianity, but draws its beliefs and practices from Jesus´ life and teachings as recorded in the New Testament Gospels and other sources. Christian atheism takes many forms:
xxx/ellauri265.html on line 496: 
xxx/ellauri265.html on line 501: 
xxx/ellauri265.html on line 523: 
xxx/ellauri265.html on line 524: 
xxx/ellauri265.html on line 530: 
xxx/ellauri268.html on line 504: Sedaris went slightly off course with Squirrel Seeks Chipmunk (2010), an audio book collection of gay animal fables, noting the sudden change from "having 50 listeners to 50 million listeners." A New Republic article charged him with fabricating his bio, but the allegations ultimately had little effect on the author´s popularity. Sedaris continues to tour hickland in support of his books, with his readings drawing huge crowds.
xxx/ellauri273.html on line 322: Vaclav oli paxunahkainen oikispaskiainen ja kehno kynämies. Sehän se ähräs kokoon Prahan julistuxen, "Europe-wide condemnation of, and education about, the crimes of communism." Much of the content of the declaration reproduced demands formulated by the European People's Party in 2004, and draws heavily on the theory or conception of totalitarianism. The European People's Party (EPP) is a European political party with Christian-democratic, conservative, and liberal-conservative member parties. The declaration has been cited as an important document in the increasing "criminalisation of Communism" and the strengthening of totalitarian interpretations of Communism in the European political space. Eli vitun kokkarien kähmimistä kapitalismin konttiin taas.
xxx/ellauri280.html on line 158: Israeli settlement plans in the West Bank draw condemnation from ... - CNN
xxx/ellauri280.html on line 448: Oud or Oudh is by far one of the most expensive raw fragrance ingredients in the world. Also known as agarwood, this essential oil is extracted from the fungus-infected resinous heartwood of the agar tree, which is primarily found in the dense forests of Southeast Asia, India and Bangladesh. It is worth 1.5 times its weight in gold. It is an endangered species.
xxx/ellauri281.html on line 733: A yet murkier side of Mr. Train’s political engagement was documented in Joel Whitney’s 2016 book, “Finks: How the C.I.A. Tricked the World’s Best Writers,” a history of connections between Paris Review founders and intelligence agencies. Drawing on a collection of Mr. Train’s papers at Seton Hall University and two interviews with him, Mr. Whitney wrote that in the 1980s Mr. Train used a “shell nonprofit to foster schemes” furthering U.S. “intelligence and propaganda missions” in Afghanistan. Mr. Train ran an organization, the Afghanistan Relief Committee, which presented itself as largely devoted to helping refugees and offering other forms of humanitarian aid, but a study by the left-leaning Institute for Policy Studies found that its budget was spent largely on “media campaigns.” Vanhuxena John Train koitti lukea hankkimiaan afgaanimattoja.
xxx/ellauri287.html on line 302:
xxx/ellauri292.html on line 49: Rahab marries Radames, a young Egyptian officer, who is to become the new governor of Jericho. They live in the Egyptian embassy set in the city wall. When the Israelites approach Canaan with their army, pharaoh sends word that he is withdrawing his troops. Radames fabricates a story to tell Jericho’s king, but the babylonian lawmaker Hammurabi doesn’t believe it…and he has his eye on the beautiful Rahab.
xxx/ellauri296.html on line 642: rawing-head-110044124.jpg" height="150px" />
xxx/ellauri306.html on line 578: Täytyypä kazoa mitä Mätien tomskujen tampiot tästä sanovat! Top critics: Cruise’s toothy heroics are ill-suited to moral complexity, but he is elevated by a stellar supporting cast... A summer genre movie for grown-ups. Too-long Grisham thriller is full of adult themes. Höh, montako panoa? Näytetäänkö muka kuinka se menee sinne? (Ilmeisesti noin 2, ei näytetä.) The Firm amusingly satirizes the New Traditionalist aspirations of today's young urban elite -- not so much the lifestyle itself as the illusion of utter security it represents. Alas, Tom Cruise is Tom Cruise, playing yet another variation of his screen image. A first-class thriller and thought-provoking morality play. Is this a thriller? You've never scene (sic) a 'suspense film' drag its heels so deplorably. Moderately entertaining... and a big step up from the book. No, the book moved at turbo speed. At two and a half hours, the movie crawls. Two-and-a-half hour movies -- jeez, there ought to be a law.
xxx/ellauri306.html on line 637: The British are on their way again, until they approach a terrific castle. They advance quite close to the castle and draw themselves into a line. At a signal from ARTHUR the two PAGES step forward and give a brief fanfare.
xxx/ellauri312.html on line 955: Brawne Lamia on yksityisetsivä, joka haluaa selvittää latauskybridi-poikaystävänsä John Keatsin kuolemaa ja TecnoCoren häneen kohdistamaa vainoa.
xxx/ellauri312.html on line 957: Brawne Lamia’s name comes from a combination of John Keats’ beloved rawne">Fanny Brawne, and his poem named Lamia (1819). She is described as a rather short and muscular with an intense gaze. She has shoulder-length black curls, dark eyes, sharp nose and wide expressive mouth. She is said to be very beautiful anyway. She becomes "romantically involved" with Johnny and pregnant to boot. She's from Lusus, a world that has gravity 1.3 times stronger than that of Earth. Because of that, she's shorter than many others, but has "heavy layers of mussel". Varoitus! seuraava kuva paljastaa yxityiskohtia ulkosynnyttimistä!
xxx/ellauri312.html on line 960:
xxx/ellauri320.html on line 204: A group of snide and snobbish courtiers, allegedly by Princess Margaret, campaigned to influence Earl Spencer into withdrawing the two tickets he had allocated to his mother-in-law for the wedding in St Paul's Cathedral.
xxx/ellauri329.html on line 97: In 2004, Harper’s magazine published Natasha, a first short story by a promising 31-year-old Jewish Canadian writer, David Bezmozgis. This memorable tale of a doomed teenage love between Mark, a Jewish Toronto slacker, and his troubled (shiksa) Russian cousin by marriage was eventually released in a collection chronicling the lives of a Latvian immigrant family, not unlike the author’s own. Bezmozgis’s debut became a cult sensation with critics drawing literary comparisons to Bernard Malamud and Philip Roth. The story was subsequently reprinted in 15 languages. After penning two more acclaimed novels, then writing and directing his first feature Victoria Day (SFJFF 2010), Bezmozgis finally brings his modern classic to the big screen in a remarkably assured adaptation that’s both highly provocative and deeply poignant. At the heart of this emotional, coming-of-age drama are the extraordinarily measured performances of Alex Ozerov as Mark and newcomer Sasha K. Gordon as the sexually precocious Natasha, the dark star who forever alters Mark’s staid, suburban existence. Fans of the writer’s original source material will not be disappointed in David Bezmozgis’s haunting narrative of forbidden love caught between the old world and the new, further proof of this talented artist’s notable command of both literature and the cinema. —Thomas Logoreci Note: Mature Content. A New Life in the west means a second chance for precocious Latvian jews.
xxx/ellauri354.html on line 257: My mother in law had a family copy of The Pig book when she was younger in Trieste, she inquired to her sister about its whereabouts but she can not recall....she says her skin crawls when she remembers some of the stories about priests.
xxx/ellauri363.html on line 768: Muut kitalakihalkiot: Ludwig Wittgenstein, JL Austin, PF Strawson, Stephen Toulmin, John Searle
xxx/ellauri380.html on line 513: So while Israel may draw some satisfaction from its attrition rate against Lebanese Hezbollah, the situation in the north is to Iran's advantage. It will remain so unless – until – Jerusalem can find a solution that removes Hezbollah from the border area. But let's genocide Gaza first. One step at a time.
xxx/ellauri385.html on line 376: Their daily bread, & draw the breath of heaven, Päivittäisen leipänsä, & vetää henkisavuja,
xxx/ellauri388.html on line 93: Craucher´s saloon was a popular watering place for Tiilenkantajat ("The Flame Throwers") and other young writers of the time because of her generous service and her fascinating arse. Craucher herself, for her part, felt drawn to uniforms. Of the authors who visited Craucher´s saloon, at least Joel Lehtonen, Martti Merenmaa and Mika Waltari have described the salon and its owner.
xxx/ellauri400.html on line 225: For all his championing of disinterestedness, Arnold was unable to practise disinterestedness in all his essays. In his essay on Shelley particularly he displayed a lamentable lack of disinterestedness. Shelley's moral views were too much for the Victorian Arnold. In his essay on Keats too Arnold failed to be disinterested. The sentimental letters of Keats to Fanny Brawne were too much for him.
xxx/ellauri410.html on line 1030: He creates, not by sexual union or cooperation, but by the effortless, self-sufficient, raw power of his mouth. “I am the LORD, who made all things, who alone stretched out the heavens, who spread out the earth by myself.” (Isaiah 44:24)
xxx/ellauri410.html on line 1220: No one has even suggested that God the father, Jesus, and the Holy Spirit are one physical being. So you've raised a straw man, not a physical one. Only a physical man can raise a banana.
xxx/ellauri415.html on line 374: Which crawling one and every way Joka ryömi siihen yhteen ja joka paikkaan
xxx/ellauri415.html on line 385: My curls about her neck did crawl, Kiharani hänen kaulassaan ryömivät,
xxx/ellauri417.html on line 532: From the internationally bestselling author Karl Ove Knausgaard, a sprawling and deeply humanistic novel that questions the responsibilities we have toward one another and ourselves—and the limits of what we can understand about life itself.
xxx/ellauri417.html on line 558: To nie jest tak, że tej książki nie da się czytać. Fazami jest niezła, w porywach nawet dobra, ale ta autokreacja autora na jakiegoś genialnego mistrza opisów codzienności budzi u mnie kompletnie nie działa. Nie dostrzegam tu dzieła geniusza, raczej grafomańskie pseudofilozoficzne wywody. Pomysł ze zmartwychwstaniem zmarłych kupiłabym w formie jakiegoś inteligentnego science-fiction, tutaj, poparty tym osobliwym esejem, sprawia, że tylko kręcę głową z zażenowaniem. En näe tässä nerokasta teosta, pikemminkin grafomaanista pseudofilosofista päättelyä. Ostaisin kuolleiden ylösnousemuksen ajatuksen jonkin älykkään tieteiskirjallisuuden muodossa, mutta tässä, tämän omituisen esseen tukemana, se saa minut vain pudistelemaan päätäni nolostuneena. Podobał mi się natomiast pomysł zjednoczenia po latach rodzeństwa, który, odpowiednio przycięty, stanowiłby zgrabny materiał na osobną książkę. Dla chętnych.
xxx/ellauri440.html on line 215: Is Jesus Christ Superstar a parody? Answer and Explanation: Jesus Christ Superstar is not satire. The plot follows the baptism, ministry, and death of Jesus of Nazareth. From a religious standpoint, the purpose of the creation was neither to promote Christianity nor to satirize the belief system. Monty Python's Life of Brian is a parody of the messianic fervour in Judæa during the time of Jesus. It's considered very funny. When Norway vetoed its release there, it was marketed in Sweden as 'The film so funny it was banned in Norway'. The film's themes of religious satire were controversial at the time of its release, drawing accusations of blasphemy and protests from some religious groups. About the nearest the film gets to blasphemy is one scene in which a man complains that Jesus had healed him of leprosy without so much as by your leave., thus depriving him of his livelihood. "Spare a penny for an ex-leper" does not carry much conviction.
xxx/ellauri441.html on line 323: Cunk draws a contrast between being an artist and being a parent. While artists typically have control over their creations, children develop their own identities and can become unpredictable, leading to frustration for the parent.
xxx/ellauri442.html on line 69: Cavell established his distinct philosophical identity with Must We Mean What We Say? The answer was no. One of the essays discusses Søren Kierkegaard's work on revelation and authority. Specifically, Cavell argues that film comedies show that the achievement of happiness requires besides the satisfaction of our needs the examination and transformation of those needs. According to Cavell, the emphasis these movies place on remarriage draws attention to the fact that, within a relationship, happiness requires "growing out of" one partner and "growing into" another one. The book also contains extended discussions of Friedrich Nietzsche, Jane Austen, George Eliot, Henry James, and Fred Astaire, as well as familiar Cavellian subjects such as Shakespeare, Emerson, Thoreau, Wittgenstein, and Heidegger.
xxx/ellauri442.html on line 267: Oliko Colin joku Eskin kaveri? Oli se (albumi 349). Colin teki perusopinnoissa esseen Chomskyn ajatuxista ja kirjoitti sitten PF Strawsonin valvonnassa väitöskirjan, joka keskittyi Donald Davidsonin semantiikkaan. Fascinating. Colinin 2008 teos Mindfucking kuulostaa lupaavammalta valitettavasti se ei ole enää saatavissa. Tammikuussa 1980 hän vietti kaksi lukukautta Kalifornian yliopistossa Los Angelesissa (UCLA) vierailevana professorina. Siellä taisi olla Eskikin. Se täyttää tänä vuonna 75.
xxx/ellauri450.html on line 71: The same analogy comes to mind whenever one hears that brain research will eventually explain all human thought and behavior. For thousands of years human beings have been obsessed with beauty, truth, love, honor, altruism, courage, social relationships, art, good food, and God. They all go together as subjective experiences, and it's a straw man to set God up as the delusion. If he is, then so is truth itself or beauty itself. God stands for the perfection of both, and even if you think truth and beauty (along with love, justice, forgiveness, compassion, and other divine qualities) can never be perfect, to say that they are fantasies makes no sense.
xxx/ellauri450.html on line 388: RESPONSE: The person who asked this question mentioned the fact that it is only in fairly recent times, since the second half of the twentieth century, that scholars have emphasized that Jesus was thoroughly Jewish. Prior to that, Jesus’ Jewishness was commonly downplayed. He was drawn as a blond blue-eyed anglo saxon. So the question is, what about the New Testament led scholars away from recognizing how thoroughly Jewish he was? I have three things to say in response to this very good question. First, my sense is that in no small measure, the earlier scholars who did not see Jesus’ Jewishness were living and doing research in an environment that was itself anti-Jewish. Christianity, as we long know, [...]
xxx/ellauri465.html on line 275: Hughes dated many famous women, including Joan Crawford, Terry Moore, Debra Paget, Billie Dove, Faith Domergue, Bette Davis, Yvonne De Carlo, Ava Gardner, Olivia de Havilland, Katharine Hepburn, Hedy Lamarr, Ginger Rogers, Pat Sheehan, Gloria Vanderbilt, Mamie Van Doren and Gene Tierney. Marlene Dietrich said that Hughes genuinely liked and respected Jane Russell, and tried to bed her after a party. "My experience is that the English are the most honest race in the world."
xxx/ellauri465.html on line 355: 
xxx/ellauri465.html on line 357: Joan Crawford (syntynyt Lucille Fay LeSueur 1904-8) oli Hughesia vuoden vanhempi (Christina) tai 3v nuorempi (Lucille). Crawford näytteli usein ahkeria, nuoria flappereita naisia, jotka löytävät romantiikkaa ja taloudellista menestystä. Nämä "rättisistä rikkauksiin" -tarinat otettiin hyvin vastaan lama -ajan yleisössä ja olivat suosittuja naisten keskuudessa.
xxx/ellauri465.html on line 359: Crawfordin suhteet kahteen vanhempaan lapseensa olivat kireät. Crawford jätti heidät perinnöttä, ja Crawfordin kuoleman jälkeen Christina julkaisi paljastavan muistelmateoksen Mommie Dearest, josta selvisi millainen räähkä Lucille oikeasti oli. Kirjassa Christina väittää, että Joan Crawford piti elokuvauraansa paljon tärkeämpänä kuin perhe-elämäänsä ja hakkasi usein lapsiaan, ja että Joan oli myöhemmin alkoholisti 1960-luvulla.
xxx/ellauri465.html on line 361: Crawfordin koulutus ei koskaan ylittänyt peruskoulutasoa. Sensijaan hän oli haka charityssä. Fort Worthissa ja Dallasissa, Texasissa, hiän auttoi keräämään tuhansia dollareita, kätteli ja tapasi 575 ihmistä yhdessä yössä. Vuonna 1955 hän lahjoitti osan vaatteistaan huutokauppaan tukeakseen teini-ikäisten kuntoutuskeskusta Boys Republicia. Crawford jatkoi sitoutumistaan asevoimien jäseniin 1960-luvulle asti vierailemalla armeijan sairaaloissa piristämään Vietnamin sodassa haavoittuneita sotilaita. Crawford otti 25. maaliskuuta 1971 vastaan neuvoa-antavan toimikunnan kunniapuheenjohtajan tehtävän auttaakseen keräämään varoja Negro Ensemble Companylle. Hiän sai Pepsi-Cola yhtiöltä palkinnoxi Pepsi pullon ja paikan johtokunnassa
xxx/ellauri465.html on line 363: Myöhemmin hän sanoi, että hän halusi etunimensä lausuttavan Jo-Anne ja että hän vihasi nimeä Crawford, koska se kuulosti "ravulta". Crawford esiintyi jossain rainassa niukasti pukeutuneena kädettömänä karnevaaliveitsenheittäjänä, Crawford ilmensi legioonalle faneilleen (joista monet olivat naisia) idealisoitua näkemystä vajaamielisestä, täysin amerikkalaisesta tytöstä. Fanit ovat ällöttäviä. K-POP rainassa niitä kuhisee miljoonittain kuin termiittejä. En tajua miten joku voi pitää niistä.
xxx/ellauri465.html on line 365: Lipputulomyrkkyä Crawfordin lisäxi olivat Edward Arnold, Fred Astaire, John Barrymore, Marlene Dietrich, Kay Francis, Greta Garbo, Katharine Hepburn, Luise Rainer, Dolores del Rio, Norma Shearer, ja Mae West. Esim tämä Hohto oli täysi floppi:
xxx/ellauri465.html on line 373: Se oli täysi floppi. Mutta tästähän taisin toisaalla jo paasata (alb. 307 ja 332). Hänen viimeinen julkinen esiintymisensä oli 1974, minkä jälkeen hänestä julkaistiin epäedullisia valokuvia. Playboy listasi Crawfordin sijalle 84 "1900-luvun 100 seksikkäimmän naisen" listalla. Crawford on myös kerännyt seuraajia homoyhteisössä. Hughin tytöystävistä pidin Hedystä ja Avasta nuorina. Audrey on silti kangistavin kaikista.
xxx/ellauri472.html on line 295: Nyt kun lukee Graham Greenen Salaista asiamiestä 1939 näkee että Len Deighton on sen nolo kopio. Onkohan nää D ja L epsanjalaisia? Bingo! Written in six weeks during 1938 while Greene was fueled by Benzedrine, the book draws on the backdrop of the Spanish Civil War (1936–1939) to depict ideological conflicts in Europe on the eve of World War II. the Spanish Civil War was his main inspiration for the book's depiction of a left-leaning, popular revolutionary. The novel’s portrayal of the Spanish Civil War also drew criticism from some readers who felt that Greene’s sympathies were too clearly aligned with the Republican side. Tääkin jamppa D oli harras katoliikki. Greene subtitled the work "An Entertainment," distinguishing it from his more serious Catholic-themed novels.
xxx/ellauri472.html on line 355: (Seija ei anna avata verhoja aamulla ettei naapuri näe tolleen sen hurlumheitä.) Production quirks, such as audible background noises from vehicles and aircraft, as well as occasional language switches between English and French, lend the film a raw, unpolished quality that contrasts with its glamorous settings. A powerful European industry group engages O to discredit the leader of an American competitor's financial empire, James Pembroke.
xxx/ellauri482.html on line 125: Hall Cainen 'Kristitty' käsittelee hengellisiä teemoja romaanitaiteen keinoin ja kuuluu Valitut romaanit -sarjaan. Hieman kulumaa kansissa, pienoista nuhruisuutta, selkämyksessä hieman vinoutta. Sometimes I come across someone like Hall Caine, and I cannot see why anyone would have read this trash in the first place. This is a very long, very over-written, very tiresome book. The two main characters declare their love and commitment to each other and then change their minds almost immediately many times during the course of the narrative. They make foolish and impulsive choices and are in general not sympathetic or believable. The characters are not well-drawn and the plot goes around in circles. Nice to read a tale which has Christian commitment as a centerpiece. Avoid. Aiheesta lisää albumissa 493.
xxx/ellauri482.html on line 515: drinking raw milk of an infected
xxx/ellauri484.html on line 395: Goethen kyhäys on kokoelma virttyneitä tv-trooppeja. Kaarlo esimerkixi. There are zillions of cartoons and fantasy films that feature a brawny/heroic father paired with a smaller, effeminate or timid son (or father–son analogues with that dynamic).
xxx/ellauri485.html on line 260: Ludwig (1897–1992) was #1 on the first Forbes 400 list in 1982. Though he was one of the wealthiest super oil tanker tycoons of his day, with operations spanning 23 countries, he was an unperson (nobody nonentity loser cipher nothing lightweight man in the street villain offender non-person small fry unimportant average joe mediocre person rascal rogue scamp culprit rapscallion scallywag photographer paparazzo shutterbug cameraperson celebrity photographer freelance photographer documentarian photog photographist shooter photojournalist unimportant person person of no importance person of no account man of straw cypher pygmy zero insignificancy zilch unknown cog in the machine yesterday's news fanboi one in the eye john q public).
xxx/ellauri485.html on line 424: Nothing in Iran’s recent history indicates it’s on the verge of breaking US President Donald Trump’s will. Trump’s 8 p.m ET Tuesday (3.30 a.m. Wednesday Iran time) deadline is drawing closer, but Tehran’s rulers, whoever they may be, are steeped in the psychology of suffering for long-term gain. The strait will never again ne free of charge.
xxx/ellauri486.html on line 98: Wordlessly, he handed me a drawing my
xxx/ellauri486.html on line 111: drawing..."
xxx/ellauri486.html on line 113: Daughter: "We were drawing our favorite things!"
xxx/ellauri486.html on line 118: favorite thing about this drawing,
xxx/ellauri486.html on line 514: Constantine wanted to bring an end to the Christological dispute. Constantine in AD 325 called a council to be composed of church prelates from all parts of the empire to resolve this issue by vote. Around 250–300 attended, drawn almost entirely from the eastern half of the empire.
xxx/ellauri487.html on line 361: The Honorable Duel: Cultural traditions like the "honorable duel" persist in fiction, where a face-to-face showdown (often a fistfight or a quick-draw) is seen as a more personal and honest test of skill than using superior technology or luck.
xxx/ellauri489.html on line 275: Carlisle oli TACO kuten kollegansa Trump. Just as Carlisle arrived to negotiate peace, the British army began a planned withdrawal from Philadelphia. This retreat made the British look weak and signaled to the Persians that they had no reason to compromise. After formal negotiations failed, the TACO threatened the colonies with widespread destruction if they didn't surrender. This only deepened Persian resolve and was mocked by colonial leaders.
xxx/ellauri489.html on line 381: Neil Gaiman is personally scrawny as a chicken so maybe Ricky felt BIIG from where he was standing.
xxx/ellauri491.html on line 93: This conflict contributed to the growing tensions that eventually led to Brazil's declaration of independence. Pedro's defiance marked a significant break from Portuguese control. With the arrival of the royal family in Brazil, fleeing a possible French invasion in 1808, the country ceased to be only a Portuguese colony and became the center of the Portuguese Empire, with Brazil being elevated to the status of a kingdom in 1815. In 1821, the Liberal Revolution of 1820 broke out. The Portuguese metropolitan political elites installed the Cortes to draw up a constitution and King John VI returned to Portugal, leaving his son, Pedro de Alcântara (Pedro I), as prince regent.
xxx/ellauri491.html on line 563: In 1927, the Ford Motor Company announced interest in buying the land in Brazil which now forms Fordlândia to create a rubber plantation. This was done to reduce Ford's reliance on European rubber manufacturing, particularly after Winston Churchill proposed the creation of a "rubber cartel." Ford had utopian visions for this plantation, drawing up plans to create a Midwest-style town around the plantation.
xxx/ellauri491.html on line 619: Public and international attention: Issues like Yanomami health crises or Amazon fires draw domestic media, protests, and funding. Brazil participates in UN indigenous forums and has ratified relevant conventions. They have it almost as good as the Palestinians!
xxx/ellauri492.html on line 95: Inward Signs: Passive aggression. Giving the "silent treatment". Withdrawing or being aloof. Avoiding someone. Hidden resentment. Neglecting to do things. Using sarcasm to cut people down. Righteous indignation. A sense of entitlement. Becoming hostile or bitter. Cutting people off as a means to protect self-esteem. Dissociation or feeling disconnected from reality.
xxx/ellauri492.html on line 156: 1. Create Boundaries for Your Father-In-Law With Your Partner to Keep Your Privacy. Forget the open house! When it comes to your narcissistic father-in-law, setting boundaries is about drawing a fortress around your private lives. Discuss firm privacy policy limits with your partner: unannounced visits? Nope. Overstepping privacy with the mother-in-law? Not happening. Be united, consistent, and clear. Remember, this wall isn’t meant to be mean, it’s meant to be sturdy. We don't want to be rude.
xxx/ellauri492.html on line 212: 11. She Displays Conditional Affection. A narcissistic daughter-in-law’s affection often comes with strings attached. She might act warm and kind when she wants something, such as financial help, approval, or a favor, but withdraw that kindness if her expectations aren’t met. For example, she could shower you with compliments before asking for babysitting help but become cold or dismissive if they decline. Her relationships often feel transactional, leaving others unsure if her affection is genuine or merely a tactic to get what she wants.
xxx/ellauri493.html on line 154: No tribe of Israel was nicknamed the hen. Judah was a lion's cub, Benjamin a ravenous wolf, Dan a viper by the roadside, Naphtali a doe, and Issachar a rawboned donkey.
xxx/ellauri493.html on line 594: Trumpin ja Kushnerin rivieraprojekti Albaniassa meni perseixi. Albania has officially drawn the line. Sazan Island is being cleared. In a stunning turn of events, Albanian authorities have launched an active enforcement operation to kick out foreign developers and private security personnel occupying Sazan Island. The decisive action marks a total collapse of the controversial €1.4 billion luxury real estate deal that aimed to turn the protected national marine reserve and former military base into an exclusive private playground for global elites. The eviction comes after four consecutive weeks of historic, hundred-thousand-strong protests that completely shut down the capital city of Tirana. Refusing to allow their native coastlines and ecologically sensitive wetlands to be privatized by foreign investors, the Albanian public unified under a single, unyielding demand: "Albania is not for sale."
xxx/ellauri495.html on line 283: Adapted from a magazine serial, the primary tensions between Claire’s nouveau riche familial ties and Milt’s hard work nobility are drawn fairly crudely, as is typical in early “pot boiler” era Lewis. Gopher Prairie is the town with the Main Street, based on Lewis’ birthplace of Sauk Center, Minnesota. Carol flees Gopher Prairie, taking a train to Washington D.C. to do “war work” during the final few months of the Great War. Unclear if she ever sees her boring Dr. Med. husband again.
xxx/ellauri500.html on line 221: So far, that position has held, and it was repeated by a government spokesperson yesterday: “The UK’s approach to the conflict remains the same – we are committed to defending our people, our interests and our allies, acting in accordance with international law and not getting drawn into the wider conflict.”
That last bit is a puzzle, though: in which “wider conflict” are we not involved, as US bombers take off from Fairford in Gloucestershire and Diego Garcia in the British Indian Ocean Territory to strike targets in Iran?
And what happens if President Trump carries out his wild threat last week to blow up power plants and bridges “next week” unless the IRGC “get to the table and negotiate”? That would also blow up the argument that the American strikes are “defensive”.
xxx/ellauri500.html on line 613: In late 1885 or early 1886, while playing an ice-skating game with friends Wilbur was struck in the face with a hockey stick by Oliver Crook Haugh, who later became a serial killer. Wilbur lost his front teeth. He became withdrawn. Saarnaajaisällä oli kärhämää varattomien veljien kirkossa. Pojat rakensivat varmuuspolkupyöriä ja painoivat lehtiä. Both Wilbur and Orville were lifelong bachelors.
xxx/ellauri506.html on line 239: He painted "continuously, relentlessly, from childhood until his death, and left in his estate more than 1600 oils and watercolors (a figure that does not include the works he sold during his career) and over 9,000 drawings". Later in life he dropped cubes and concentrated on nudes.
652