ellauri052.html on line 558: By 1907, a split between Steiner and the Theosophical Society became apparent. While the Society was oriented toward an Eastern and especially Indian approach, Steiner was trying to develop a path that embraced Christianity and natural science.
ellauri052.html on line 836: Birkin was silent, thinking how scrupulous Gerald was in his attire, how expensive too. He wore silk socks, and studs of fine workmanship, and silk underclothing, and silk braces. Curious! This was another of the differences between them. Birkin was careless and unimaginative about his own appearance.
ellauri052.html on line 897: Salen siteeraamasta Samuel Danielista 1562-1619, elisabetinaikaisesta naamiaisnaamareita väsänneestä muusikon pojasta ja kamariherrasta tämän verran: The 1911 edition of the Encyclopædia Britannica says of him: "His style is full, easy and stately, without being very animated or splendid; it is content with level flights. As a gnomic writer Daniel approaches Chapman, but is more musical and coherent. He lacks fire and passion, but he has scholarly grace and tender, mournful reverie." Enempi kanan lentoa.
ellauri052.html on line 935: Ultimately, much of the book revolves around a perceived opposition between “young Saul,” the politically radical, amorously multitasking free spirit who raised him, and “old Saul,” the reactionary, race-baiting friend of authority and Allan Bloom who occupied his father’s body for its final 40 years. Greg had a front-row seat for Bellow’s supposed conversion, after the rise of black power and the Six Day War, to the unfashionable conservatism that remains the unspoken reason his books aren’t read much in America today. He is thus well-placed to describe how that change—dramatically evident in Mr. Sammler’s Planet (1970), the neo-con novel par excellence, but also in Herzog—manifested itself in private.
ellauri053.html on line 715: His contributions to racist ideology are many. In his famed work Social Statics (1850), he argued that imperialism had served civilization by clearing the inferior races off the earth: "The forces which are working out the great scheme of perfect happiness, taking no account of incidental suffering, exterminate such sections of mankind as stand in their way. … Be he human or be he brute — the hindrance must be got rid of."
ellauri053.html on line 717: His arguments provided so much ammunition for conservatives and individualists in Europe and America that they are still in use in the 21st century. The expression 'There is no alternative' (TINA), made famous by Prime Minister Margaret Thatcher, may be traced to its emphatic use by Spencer.
ellauri053.html on line 818: The Tagores belong to the Bandyopadhyaya group of Bengali Brahmins. The genealogy can be traced back to Daksha, one of the five Brahmins who were imported sometime in the 8th century from Kanauj to help in reviving orthodox Hinduism in Buddhist-ridden Bengal. The descendants of this Brahmin moved from one place to another until one Panchanan in 1690 settled down at Govindapur near Calcutta. The opportunities of making money in this flourishing mercantile town, the stronghold of the East India Company, finally attracted the family to Calcutta in the latter part of the eighteenth century and they built their homes at Pathuriaghata and Jorasanko.
ellauri053.html on line 1394: How many loved your moments of glad grace,
ellauri054.html on line 492: For the ends of being and ideal grace.
ellauri054.html on line 519: Browningin pääteos on The ring and the book (1869). Toinen huomattava teos on kokoelma Bells and pomegranates (1841−1846), johon sisältyy muun muassa dramaattinen runoelma Pippa passes. Muita ovat Balaustion’s adventure, Men and women, runokokoelma Dramatis personæ sekä näytelmä Paracelsus. 1888−1889 ilmestyneet kootut teokset sisältävät 16 nidettä.
ellauri054.html on line 527: Browning´s early career began promisingly, but collapsed. The long poems Pauline (1833) and Paracelsus (1835) received some acclaim, but in 1840 the difficult Sordello, which was seen as wilfully obscure, brought his poetry into disrepute. His reputation took more than a decade to recover, during which time he moved away from the Shelleyan forms of his early period and developed a more personal style.
ellauri058.html on line 83: Astrid Lindgren does not shy away from describing the situation for African-Americans during that era. Her language is not always comfortable, at least not for this day, referring to blacks as “the coloured race,” “young negro girl,” and, embarrassingly, “darkies.” How much of this is just a rough translation, how much of it is accurate translation, how much was totally acceptable back then, how much did Lindgren want us to feel uncomfortable . . .? Yeah, things sucked back then (*cough*even more than they do now*cough*) for African-Americans, and it shouldn’t be comfortable to read about it.
ellauri060.html on line 936: Last month, Sheila McNallen posted that her husband, Steve, had been kicked off of Facebook, “apparently forever.” Steve is the founder of the Ásatrú Folk Assembly, a group headquartered in California that advocates for a return to Germanic Paganism, including an espousal of what they have deemed traditional, Nordic white values. The Asatru Folk Assembly has been classified as a hate group by the Southern Poverty Law Center, and in one YouTube video with more than 30,000 views, McNallen enumerates his theories on race, point by point, including his belief that racial differences are inherent to biology and his desire to defend the white race against “numerous threats to our future.” “I will fight for my race, primarily with words and ideas, but I will fight more literally if I have to,” he vows.
ellauri061.html on line 29: Kippari Kalle puhalsi piippuun kuin hinaaja ja sanoi Myrsky ja mylväys. Ilmastonmuutos tuo Suomeenkin lisää myrskyjä. Viking Linen Amazing Grace ajautui Anhevanmaalla karille. Tuuli oli vielä kovempi kuin luulivat.
ellauri061.html on line 193: Dorothea Kehler has attempted to trace the criticism of the work through the centuries. The earliest such piece of criticism that she found was a 1662 entry in the diary of Samuel Pepys. He found the play to be "the most insipid ridiculous play that ever I saw in my life". He did, however, admit that it had "some good dancing and some handsome women, which was all my pleasure".
ellauri061.html on line 505: not imagination trace the noble dust of Alexander, Mixei mielikuvitus seuraa Alexanterin aatelista tuhkaa
ellauri061.html on line 1599: Sonnet 29 also named as “When in disgrace with fortune and men’s eyes” is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is part of the Fair Youth sequence. In the sonnet William Shakespeare creates a depressed and despairing speaker who serendipitously reflects upon the love of a close friend in order to prove to the reader that no matter how difficult life becomes, we can be content in the blessings of the hole.
ellauri065.html on line 492: Its white supremacist trash. In the plot summary of the wikipedia article you linked for the novel, The Day of the Rope is what the fictional characters call the day that they raided all the homes of "race traitors" ("gender traitors" in Ruby script), dragged them into the streets and hung them from lamp posts. Its a defining moment for a white supremacists dream of a perfect race war where all non-whites eventually get eliminated.
ellauri067.html on line 491: There’s a dirty secret tucked away in Thomas Pynchon’s novels, eand it’s this: beyond all the postmodernism and paranoia, the anarchism and socialism, the investigations into global power, the forays into labor politics and feminism and critical race theory, the rocket science, the fourth-dimensional mathematics, the philatelic conspiracies, the ’60s radicalism and everything else that has spawned 70 or 80 monographs, probably twice as many dissertations, and hundreds if not thousands of scholarly essays, his novels are full of cheesy love stories.
ellauri071.html on line 44: Tucker Carlson Justifies Kenosha Shootings: Vigilante Kid Did What ‘No One Else Would’ AND THERE IT IS “How shocked are we that 17-year-olds with rifles decided they had to maintain order when no one else would?” Carlson asked his viewers on Wednesday night. “Our leaders want us to believe this is a racial conflict, they’re always telling us it is. They’re lying. It is not a racial conflict,” Carlson grumbled, adding: “This is not a race war. This is a class war.” Updated Aug. 27, 2020 5:20AM ET / Published Aug. 26, 2020 9:11PM ET
ellauri072.html on line 204: The problems of Dante's treatment of the punishment of homosexuals in Hell and of his more surprising salvation of still other (unnamed) homosexuals in Purgatory have had two recent responses that restore a central fact: cantos 15 and 16 of Inferno and canto 26 of Purgatorio are in fact concerned with this issue. Boswell's pages insisting on the identity of the sexual sin punished in Inf. 15-16 and the lust repented on the seventh terrace {"Dante and the Sodomites," 65-67} are convincing. "Soddoma" is used clearly to identify homosexual activity in Purg. 26 (vv. 40 and 79) and thus makes clear its meaning in Inf. 11.50 and therefore the nature of the sin encountered in Inf. 15 and 16.
ellauri072.html on line 209: Nowhere else in Hell, after Limbo, do we hear such affection expressed for damned souls. And, given the fact that these are sodomites, Dante's desire to embrace them has a strange reverberation.
ellauri077.html on line 419: Muna-peukun niähhiä loppuruudussa motivoi se narsistinen ajatus että koko konkkaronkka onkin osa musta izestä tai kääntäen. Tässä kyllä selkeästi kurkistelee toi FUCK! teema henkisestä sepaluxesta. Ja sittenhän ollaankin turvallisesti Darwin sedän linjoilla: geenilinja jatkuu kun muistaa nussia. Telltale sanoja: intimate embrace, wellspring, overflow: halia ja ruiskahdus. Rakkautta ja onnea, ei vetelyyttä, ei nuokkuvia munia.
ellauri078.html on line 50: The consideration of curves with a figure-eight shape can be traced back to Proclus, a Greek Neoplatonist philosopher and mathematician who lived in the 5th century AD. Proclus considered the cross-sections of a torus by a plane parallel to the axis of the torus. As he observed, for most such sections the cross section consists of either one or two ovals; however, when the plane is tangent to the inner surface of the torus, the cross-section takes on a figure-eight shape, which Proclus called a horse fetter (a device for holding two feet of a horse together), or "hippopede" in Greek. The name "lemniscate of Booth" dates to its study by the 19th-century mathematician James Booth.
ellauri078.html on line 61: Analemma, the figure-eight shaped curve traced by the noontime positions of the sun in the sky over the course of a year
ellauri078.html on line 80: Dickinson´s verse is often associated with common meter, which is defined by alternating lines of eight syllables and six syllables (8686) or Iambic Tetrameter alternating with Iambic Trimeter. This pattern–one of several types of metrical “feet”–is known as an “iamb.” Common meter is often used in sung music, especially hymns (think “Amazing Grace” of "Yellow Roses of Texas").
ellauri078.html on line 94:

ellauri143.html on line 1489: Explanation: The embraces of a gold-complexioned beautiful female are as pleasant as to dwell in one's own house and live by one's own (earnings) after distributing (a portion of) it in charity.
ellauri143.html on line 1530: Explanation : She with the small garland-like bracelets has given me the palmyra horse and the sorrow that is endured at night.
ellauri143.html on line 1570: I am greatly pained to hear you call him a cruel man, just because your shoulders are reduced and your bracelets loosened. Tää selitys on aika törkeä! Eli poinzi on, että syytä ämmä vaan izeäsi kun olet rupsahtanut, ei se ole äijän vika.
ellauri143.html on line 1615: And shall we ever more the sweetness know of that embrace

ellauri143.html on line 1616: With dewy brow; to which ´feigned´ anger lent its piquant grace.
ellauri143.html on line 1747: Lopullisesti kyllästyin homojutku Harariin sen kirjan Homo Deus ansiosta. Mulkero ja talousliberaali pääoman luottomies se oli aiemmissakin väsäyxissä, muzen syvällinen kusipäisyys kävi ilmiselväxi etenkin tässä Homo Deus suolloxessa. Huomisen lyhyt historia hyvinkin, lyhyestä virsi kaunis. Vannoutuneena suklaaosaston miehenä se peukuttaa täpinöissään into piukeena tollasta kuolematonta koneapinaa, jonka voi vetää käyntiin selässä olevasta avaimesta, minkä jälkeen se paukuttaa symbaaleja yhteen kunnes veto loppuu. Vaan ei hätää, kierretään vieteri taas piukalle, niin meno jatkuu hamaan maailman tappiin asti. (Mikä tappi ei tosin enää ole apinoiden kohdalla kovin kaukana.) Ei tarvi siihen naisia eikä kohtuja, sen voi väsätä jossain koeputkessa ja siihen väkertää vielä kaikenlaista varaosaa, esim kalansilmät. Mitäs täällä tapahtuu? Eikai vaan duracell puput puuhastele turhanpäiväisessä lisääntymistoimessa? Se on vanhanaikaista, nyt trendataan me transuapinat. Avainta reikään, se tuntuu mukavalta, tekee kutaa kun tehdään vaijeritemppu selkäpuolelta.
ellauri144.html on line 56: The rhetorician Quintilian regarded Odes as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words." The fictional hero Tom Jones recited his verses with feeling. Etenkin tätä: Ou ou ou, Dilailaa! Nou nou nou, Dilailaa!
ellauri144.html on line 65: In Epistle 2.2, Horace defends his retirement. His mind and temper have aged,
ellauri144.html on line 73: race-epistles/1926/pb_LCL194.437.xml">https://www.loebclassics.com/view/horace-epistles/1926/pb_LCL194.437.xml
ellauri144.html on line 400: His childhood featured regular summer trips to Llansteffan where his maternal relatives were the sixth generation to farm there. His mother´s family, the Williamses, lived in such farms as Waunfwlchan, Llwyngwyn, Maesgwyn and Penycoed.[17] The memory of Fernhill, a dairy farm owned by his maternal aunt, Ann Jones,[18] is evoked in the 1945 lyrical poem "Fern Hill". Thomas had bronchitis and asthma in childhood and struggled with these throughout his life. Thomas was indulged by his mother and enjoyed being mollycoddled, a trait he carried into adulthood, and he was skilful in gaining attention and sympathy. During his final school years he began writing poetry in notebooks; the first poem, dated 27 April (1930), is entitled "Osiris, come to Isis". In June 1928, Thomas won the school´s mile race, held at St. Helen´s Ground; he carried a newspaper photograph of his victory with him until his death.
ellauri144.html on line 596: Bitter Bierceä haukuttiin aikanaan naturalistixi. Silloin tarkoitettiin varmaan Emile Zolan "pahaa" naturalismia, johon kuului tieteisusko ja determinismi, eikä Norrisin hampaatonta amerikkalaista "naturalismia", joka oli potpurri realismista ja romantiikasta. Zola´s concept of a naturalistic novel traces philosophically to Auguste Comte´s positivism, but also to physiologist Claude Bernard and historian Hippolyte Taine. Hippolyte on jo esiintynyt näissä paasauxissa, kai Akukin on saanut jotain mainintoja. Claude on toistaisexi n.h. (never heard).
ellauri144.html on line 671: 2359 Homosexual persons are called to chastity. By the virtues of self-mastery that teach them inner freedom, at times by the support of disinterested friendship, by prayer and sacramental grace, they can and should gradually and resolutely approach Christian perfection. The rest of us can fuck to our hearts´ content as soon as the priest has said the magic word.
ellauri145.html on line 703: Il faudrait...garder la véracité du document, la précision du détail, la langue étoffée et nerveuse du réalisme, mais il faudrait aussi se faire puisatier d’âme et ne pas vouloir expliquer le mystère par les maladies des sens; le roman, si cela se pouvait, devrait se diviser de lui-même en deux parts, néanmoins soudées ou plutôt confondues, comme elles le sont dans la vie, celle de l’âme, celle du corps, et s’occuper de leurs réactifs, de leurs conflits, de leur entente. Il faudrait, en un mot, suivre la grande voie si profondément creusée par Zola, mais il serait nécessaire aussi de tracer en l’air un chemin parallèle, une autre route, d’atteindre les en deçà et les après, de faire, en un mot, un naturalisme spiritualiste... (XII, 1, 10-11)
ellauri145.html on line 837: Il n´est resté de trace, aucune, Siitä, tai miesten käsitöistä
ellauri145.html on line 1038: La plus noble race du monde, Jaloin rotu koko maailmassa,
ellauri145.html on line 1132: Pour subsister, Alphonse Allais s´essaye d´abord à la photographie, sur les traces de son ami Charles Cros, mais ne connaît pas le succès. Il décide alors de s´essayer au métier de journaliste, publiant des chroniques loufoques dans diverses revues parisiennes. Avec ses amis du Quartier latin, il fait aussi partie de plusieurs groupes fantaisistes comme « les Fumistes, « les Hydropathes » ou « les Hirsutes ».
ellauri146.html on line 451: Pressés de bracelets, d’anneaux, de boucles d’or, Täynnä sormuxia, renkaita ym. koruja
ellauri146.html on line 648: But it is dangerous to attempt to separate any historical figure from his setting. No individual can ever be understood fully until the subtle influences of his formal education, his reading, his associates, and his time and country (with his heredity) are traced and synthesized. Too much has been said, perhaps, about Poe’s “detachment” from his environment and too little about his background—his heritage from Europe and the influences of his early life in Virginia. Elizabeth Arnold, Poe’s mother, was born in England in 1787 and was brought to this country when she was a girl of nine. “In speaking of my mother,” Poe wrote years later to Beverley Tucker of Virginia, “you have touched a string to which my heart fully responds.” Judging from his spirited defense of Elizabeth Poe, it appears that Poe never became unmindful of his immediate English origins on the maternal side.
ellauri146.html on line 650: Poe’s ancestry on his father’s side was Scotch-Irish and has been traced through County Cavon to Ayrshire, Scotland. The fact that Poe’s Presbyterian Scottish ancestors dwelled for a time in the north of Ireland has caused even so good a scholar as Arthur Hobson Quinn to engage in surprising speculation about an “Irish strain” in Poe and about a “Celtic” trait of perverseness which he had “discovered” in the Poe family.
ellauri146.html on line 668: The concern of the Pounder to advance republican ideals and republican politics among the students of the University was not notably effectual with one student at least: Poe was not receptive to Jeffersonian liberalism. But many of the impressions which Poe received at Charlottesville, both within and without the lecture rooms, must have remained with him. The young admirer of classic grandeur, we know, was impressed by the graceful Rotunda. About Poe at Virginia, Philip Alexander Bruce writes as follows:
ellauri147.html on line 167: Nietzsche's "Will to power" and "Will to seem" embrace many of our views, which again resemble in some respects the views of Féré and the older writers, according to whom the sensation of pleasure originates in a feeling of power, that of pain in a feeling of feebleness (Ohnmacht).
ellauri147.html on line 426: Yes, many Jewish women have felt the curse of the eyebrow. Must be in the genes. That being said, perhaps you should embrace them? Look at Lily Collins! (Yes, we know, she is only a quarter Jewish: dad Phil clearly isn´t.) She OWNS those eyebrows. Those eyebrows are her calling card. You think she is getting Hollywood roles without those eyebrows? (Alright, dad Phil clearly helps.)
ellauri150.html on line 132: Rasismitutkimuksessa puhutaankin usein rodullistamisesta ja rodusta (race). Suomen yleiskielessä, kuten tässäkin jutussa, ihonväri on kuitenkin usein helpompi sana, koska rotuun liitetään helposti negatiivisia lisämerkityksiä.
ellauri150.html on line 275: Christophe l’attirait, pour beaucoup de raisons, dont la première était qu’il n’était pas attiré par elle. Il l’attirait encore, parce qu’il était différent de tous les jeunes gens qu’elle connaissait : elle n’avait jamais essayé encore d’une potiche de cette forme et de ces aspérités. Il l’attirait enfin, parce qu’experte, de race, à évaluer du premier coup d’œil le prix exact des potiches et des gens, elle se rendait parfaitement compte qu’à défaut d’élégance, Christophe avait une solidité, qu’aucun de ses bibelots parisiens ne pouvait lui offrir.
ellauri150.html on line 467: Sheik Ilderim bribes Pontius Pilate into allowing Ben-Hur to compete in a horse and carriage race (ravit) by proposing a high wager. Esther tries to convince Messiah not to race Ben-Hur, but he is adamant that he will win. On the day of the race, Ben-Hur follows Ilderim's instructions to hold back from the race until the final laps. Using dirty tactics, Messiah manages to knock out the other competing charioteers. Following a brutal and grueling race, Ben-Hur wins the race. Messiah survives but is badly wounded and loses a leg. Ben-Hur's victory emboldens the Jewish spectators and yields dividends for Ilderim.
ellauri150.html on line 541: In 30 AD, Judah returned from being a galley slave, and Esther told him that she was no longer betrothed, causing the two to fall in love again. When Judah's mother Miriam and sister Tirzah were sent to the Valley of Lepers by their jailers, Esther brought them food, and, when Judah asked about his family's fate, Esther was told by Miriam to inform him that they were dead, as Miriam did not want her son to see them in agony. When a dying Messala told Judah of his family's real fates, Judah headed to the Valley and angrily confronted Esther, who forced him to hide from his family rather than violate their wishes. On the way out of the Valley, Esther stopped to listen to Jesus' Sermon on the Mount, and she became a convinced Christian; she had an argument with Judah about his lust for vengeance and his lack of interest in Jesus' message of peace and love. However, when the two found that Tirzah was dying, they brought Miriam and Tirzah to Jerusalem to search for Jesus and hope for a cure. They were too late to reach him before he was crucified, but a sudden rainstorm miraculously healed the lepers' wounds and cured them. Ben-Hur, who was now convinced of Jesus' message, embraced Esther and his family, having decided to give up his quest for revenge.
ellauri150.html on line 563: The two gazed at each other. We know what Esther presented—a beautiful woman, a happy mother, a contented wife. On the other side, it was very plain that fortune had not dealt so gently with her former rival. The tall figure remained with some of its grace; but an evil life had tainted the whole person. The face was coarse; the large eyes were red and pursed beneath the lower lids; there was no color in her cheeks, no makeup. The lips were cynical and hard, and general neglect was leading rapidly to premature old age. Her attire was ill chosen and draggled. The mud of the road clung to her sandals. Iras broke the painful silence.

ellauri150.html on line 596: During the race, Messala drives a chariot with blades on the hubs to disable his competitors. He attempts to destroy Judah's chariot, but wrecks his own instead. He is dragged behind his horses and trampled by another chariot, while Judah wins the race. Before dying, Messala tells Judah to search for his family in the Valley of the Lepers.
ellauri150.html on line 629: Ben-Hur saves the consul and gets him on a raft of debris. Then he has to knock out the consul to prevent the fella from committing suicide, and chains the mercenary to him. After the consul wakes, still wanting to die, he reminds him that staying alive is the motivation he gives his slaves... Quintus wanted to commit suicide because he thought he'd lost overall. He hadn't, as it turns out he's hailed as a hero, and so there is a triumphant return to Rome. Ben-Hur gets to see the Emperor and then lives with Quintus learning to drive a chariot in races with Arrius' prized horses. Quintus actually tried to get him cleared of wanting to kill that Judean governor, but didn't pull it off...
ellauri150.html on line 647: ... And it's time for the big setpiece, the Chariot Race! The first rule of the Chariot Race is: there are no rules. A demolition derby is entirely standard procedure. That's how Messala gets to have a chariot tricked out with blades on the wheels-- vroom! But does that shake Ben-Hur? No! He will have his vengeance. As the race starts, the two of them are neck-and-neck. Messala tries to destroy Ben-Hur's chariot, but in a cruel twist, his own chariot falls apart. Messala is dragged by his horses and viciously trampled by another team. As Messala's broken body is carried to the surgeon, Ben-Hur receives the victor's laurel crown.
ellauri151.html on line 107: Car d’après ce que j’entendis les premiers temps dans celle de Jupien et qui ne furent que des sons inarticulés, je suppose que peu de paroles furent prononcées. Il est vrai que ces sons étaient si violents que, s’ils n’avaient pas été toujours repris un octave plus haut par une plainte parallèle, j’aurais pu croire qu’une personne en égorgeait une autre à côté de moi et qu’ensuite le meurtrier et sa victime ressuscitée prenaient un bain pour effacer les traces du crime. J’en conclus plus tard qu’il y a une chose aussi bruyante que la souffrance, c’est le plaisir, surtout quand s’y ajoutent—à défaut de la peur d’avoir des enfants, ce qui ne pouvait être le cas ici, malgré l’exemple peu probant de la Légende dorée—des soucis immédiats de propreté. Enfin au bout d’une demi-heure environ (pendant laquelle je m’étais hissé à pas de loup sur mon échelle afin de voir par le vasistas que je n’ouvris pas), une conversation s’engagea. Jupien refusait avec force l’argent que M. de Charlus voulait lui donner. (SG 609/11).
ellauri151.html on line 109: André Paul Guillaume Gide (French: [ɑ̃dʁe pɔl ɡijom ʒid]; 22 November 1869 – 19 February 1951) was a French author and winner of the Nobel Prize in Literature (in 1947). André was born in Paris on 22 November 1869, into a middle-class Protestant family. His father was a Paris University professor of law who died in 1880, Jean Paul Guillaume Gide, and his mother was Juliette Maria Rondeaux. His uncle was the political economist Charles Gide. His paternal family traced its roots back to Italy, with his ancestors, the Guidos, moving to France and other western and northern European countries after converting to Protestantism during the 16th century, due to persecution.
ellauri151.html on line 506: of graceful girls in poppy-coloured dresses Siroja tyttöjä unikonvärisissä mekoissa
ellauri151.html on line 701: 1. Preached the gospel of the kingdom1. Preached the gospel of the grace of God
ellauri151.html on line 706: 6. Operated under the Mosaic Law6. Operated under grace
ellauri151.html on line 719: Paul, however, wrote that Christians are not under the Mosaic Law; we are under the administration of Grace (Romans 6.14). These are two vastly different operating environments. Jesus ministered only to Jews. Jesus also ordered his disciples not to go to Gentiles but to go to Jews alone (Matthew 10.5-6). In Christianity, Paul went to the Gentiles as the Apostle of the Gentiles (Romans 11.13; 1 Timothy 2.7; 2 Timothy 1.11).
ellauri151.html on line 813: [7] In him we have redemption through his blood, the forgiveness of our trespasses, according to the riches of his grace

ellauri152.html on line 675: "Whomever the dog loves, he chastens to let him know how to straighten his way. (Mezudat David)" (Mishlei 3:12). One is chastened by the dog so that no trace of sin remains lest it lessen the dog's love for that person, and it also increases one's humility, lest tranquility decrease one's fear of him. (Rabbenu Yona).
ellauri155.html on line 756: Calvin then goes on to speak of a deeper dimension of predestination, that in the Old Testament we see a more special election still of God saving certain ones out of the nation of Israel. Calvin says that his readers must see how “the grace of God was displayed in a more special form, when of the same family of Abraham God rejected some.” He then refers to Malachi 1:2-3 which explicitly states, “Was not Esau Jacob’s brother? saith the Lord: yet I loved Jacob, and I hated Esau.”
ellauri155.html on line 888: Like William James, his friend and mentor, he wrote philosophy in a literary way. Ezra Pound includes Santayana among his many cultural references in The Cantos, notably in "Canto LXXXI" and "Canto XCV". Santayana is usually considered an American writer, although he declined to become an American citizen, resided in Fascist Italy for decades, and said that he was most comfortable, intellectually and aesthetically, at Oxford University. Although an atheist, Santayana considered himself an "aesthetic Catholic" and spent the last decade of his life in a Roman residence under Catholic nuns. It felt a little like his young days under William James. He held racial superiority and eugenic views. He believed superior races should be discouraged from "intermarriage with inferior stock". Maybe that was why he had no kids.
ellauri156.html on line 234: As I read these verses in 2 Samuel, I am reminded of the Alfred Hitchcock movie, “Rear Window.” If my memory is correct, Jimmy Stewart and Grace Kelly star in this thriller about a photographer who is recovering from an injury and confined to his apartment. From out of his “rear window,” Stewart watches his neighbors through their windows. Eventually he uncovers a murder and is almost killed himself, along with his girlfriend. Älä pieni perssilmä kazo minne vain.
ellauri156.html on line 309: To approach this same issue from the opposite perspective, think with me about the Book of Esther. When the king summoned his wife, Queen Vashti, to appear (perhaps in a way that would inappropriately display her goodies to the king's guests), she refused. She was removed (see Esther 1:1-22). She did not lose her life, but she was at least replaced by Esther, who had no such compunctions. Then, we read later in this same book that no one could approach the king unless he summoned them. If any approached the king and he did not raise his "scepter", they were put to death (Esther 4:10-11). Does this not portray the way of eastern kings? Does this not explain why Bathsheba went to the king's palace when summoned? Does this help to explain why she seems to have given in to the king's lustful acts? (We do not know what protests -- like Tamar's in chapter 13 -- she may have uttered, but we do have some sense of the powerlessness of a woman in those days, especially when given orders by the king. (Later on it became the requirement that a raped lady should kill herself to save her husband the disgrace of having horns.)
ellauri156.html on line 576: Third, “How fast can a Christian fall?” This fast [Bob flaps his hands]. It is amazing how quickly David falls into the sins depicted in this one chapter. In a matter of weeks, or months at best. Apart from God's sustaining grace, we can fall very far, very quickly. Let us be reminded of this fact from David's tragic experience.
ellauri156.html on line 660: In these verses, David makes it clear that God is at work even when it does not appear to be so. During the time David tries to cover up his sin, God is at work exposing it in his heart. These are not times of pleasure and joy, as Satan would like us to conclude; they are days of misery. David is plagued with guilt. He cannot sleep, and it seems he cannot eat. Worst of all, he cannot fuck. He is not sleeping nights, and he is losing weight. Whether or not David recognizes it as God who is at work in him, he does know he is miserable. It is this misery which tenderizes David, preparing him for the rebuke Nathan Zuckermann is to bring, preparing him for repentance. David's repentance is not the result of David's assessment of his situation; it is the result of divine intervention. Hey wait? If that is the case, where is the much-advertised free will? He has gone so far in sin that he cannot think straight. God is at work in David's life to break him, so that he will once again cast himself upon God for grace. He has good experience in casting himself upon folk, from Saul thru Jonathan to Bathsheba.
ellauri156.html on line 816: He bore ours sins on the cross! And by trusting in His death, burial, and resurrection, we die to sin (or sin to die, pick your choice, like David from Nathan's deck of bottom cards) and are raised to novelty products of eternal life, in Christ. The Gospel must first bring us to a recognition of the magnitude of our sin, and of our guilt, and then it takes us to the magnitude of God's grace in Jesus Christ, by which our sins can be forgiven. Have you come to see how great your sins are before a holy God? Then I urge you to experience how great a salvation is yours, brought about by this same God, through the death, burial, and resurrection of Lord Jesus Christ. What a Relief! Plop plop fizz fizz, oh what a relief it is.
ellauri158.html on line 46: The actual world, we might now say, is the only possible world. Events could not, in the strongest sense of that expression, have gone any differently than they in fact have gone. This is the position of necessitarianism, a belief that few in the history of Western philosophy have explicitly embraced. And for good reason — on the face of it, necessaritianism is highly counterintuitive. Surely the world could have gone slightly differently than it has gone. Couldn’t the Allies have lost WWII? No way! They were in the right! Couldn’t Leibniz have been a sister or not been born at all? Täähän on kuin Jaakko Hintikka versus Jon Barwise.
ellauri158.html on line 694: Hence also it follows, that everyone thought out for himself, according to his abilities, a different way of worshipping God, so that God might love him more than his fellows, and direct the whole course of nature for the satisfaction of his blind cupidity and insatiable avarice. Thus the prejudice developed into superstition, and took deep root in the human mind; and for this reason everyone strove most zealously to understand and explain the final causes of things; but in their endeavor to show that nature does nothing in vain, i.e. nothing which is useless to man, they only seem to have demonstrated that nature, the gods, and men are all mad together. Consider, I pray you, the result: among the many helps of nature they were bound to find some hindrances, such as storms, earthquakes, diseases, &c.: so they declared that such things happen, because the gods are angry at some wrong done to them by men, or at some fault committed in their worship. Experience day by day protested and showed by infinite examples, that good and evil fortunes fall to the lot of pious and impious alike; still they would not abandon their inveterate prejudice, for it was more easy for them to class such contradictions among other unknown things of whose use they were ignorant, and thus to retain their actual and innate condition of ignorance, than to destroy the whole fabric of their reasoning and start afresh. They therefore laid down as an axiom, that God´s judgments far transcend human understanding. Such a doctrine might well have sufficed to conceal the truth from the human race for all eternity, if mathematics had not furnished another standard of verity in considering solely the essence and properties of figures without regard to their final causes. There are other reasons (which I need not mention here) besides mathematics, which might have caused men´s minds to be directed to these general prejudices, and have led them to the knowledge of the truth.
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Virtue 22: Grace and Mercy

Burn in hell Pelagius, go jump in the fiery lake! Vitun humanisti!
ellauri220.html on line 248: Sister GraceSister Grace, known as "Gracie," is the sanctimonious nun who accompanies Sister Edgar when handing out food pantry donations.
ellauri220.html on line 269: Brother MikeBrother Mike is a monk who works with Sister Edgar and Sister Grace.
ellauri220.html on line 336:

ellauri221.html on line 296: Goodhead is a scientist and astronaut working undercover for the CIA on Sir Hugo Drax´s Moonraker 5 space shuttle, to gather intelligence on Drax´s plan to exterminate the human race. Bond is also working undercover in Drax´s organization, for the British Secret Intelligence Service, and he gets good head from Jolly, until she introduces him to a centrifugal force chamber, where astronauts get to grips with Gräfenberg spot sucking, and invites him to have a try. Without her knowledge, however, Drax´s henchman, Charlie Chan, tampers with the sucking machine´s controls to send it into overdrive; by the time Goodhead comes, Bond has nearly been killed. Bond later meets Goodhead in her hotel room and is able to guess her identity when he sees standard CIA underwear and dildo gadgetry there. Bond and Goodhead are at first reluctant to bonk together, fighting who is to be on top, but they are working well enough as a 2-person team by the end of the film.
ellauri221.html on line 308: A Boeing 747 carrying a U.S. space shuttle on loan to the U.K. crashes into the Atlantic Ocean. When the British examine the wreckage, they can find no trace of the spacecraft and send Agent James Bond to the shuttle´s manufacturers, Drax Industries, to investigate.
ellauri221.html on line 311: When a U.S. space shuttle is stolen in a mid-air hijacking, only Bond can find the evil genius responsible. The clues point to billionaire Hugo Drax, who has devised a scheme to destroy all human life on Earth. As Bond races against time to stop Drax´s evil plot, he joins forces with Dr. Holly Goodhead, a N.A.S.A. scientist who is as beautiful as she is brilliant, and 007 needs all the help he can get, for Drax´s henchman is none other Bond´s old nemesis Jaws, the indestructible steel-toothed giant. Their adventure leads all the way to a gigantic space station, where the stage is set for an epic battle for the fate of all mankind.
ellauri222.html on line 331: One of the major themes of the novel is the human tendency toward dishonesty. Augie is not a particularly honest character. He cheats, he steals, and lies quite frequently. Dishonesty characterizes many of the other characters in the novel, including Grandma, Einhorn, Mimi (who lies to doctors that she thinks her pregnancy abnormal), Stella, Agnes, and Mintouchian. The only characters who do not lie or cheat are the simple-minded Mama and Georgie. Lying appears necessary for people to survive in a Machiavellian world. As Mintouchian puts it: “I’m a great admirer of our species. I stand in awe of the genius of the race. But a large part of this genius is devoted to lying and seeming what you are not.” The ethics of the American Jew. The book starts with a lie: I am an American, Chicago born."
ellauri222.html on line 537: Harold Mintouchian is a wealthy, distinguished Armenian lawyer and international businessman who is the married lover of a friend of Stella’s and becomes a close friend and mentor of Augie. At the end of the novel, Augie works for him as a black market trader in Europe. Augie looks up to the older man as “a sage, prophet, or guru, a prince of experience with his jewel toes” and seeks his wisdom. Mintouchian, who has seen much of the darker side of human nature through his law practice, has more realistic ideas than the love-bitten Augie about what to expect from human relationships. Secrecy and lies, he tells Augie, are unavoidable. “Mind you, I’m a great admirer of our species. I stand in awe of the genius of the race. But a large part of this genius is devoted to lying and seeming what you are not.” He confesses to Augie that his mistress, Agnes, is keeping secrets from him, while he is keeping secrets from his wife.
ellauri222.html on line 673: Marston's character was a native of an all-female utopia of Amazons who became a crime-fighting U.S. government agent, using her superhuman strength and agility, and her ability to force villains to submit and tell the truth by binding them with her magic "lasso". Wonder Woman's golden "lasso" and Venus Girdle in particular were the focus of many of the early stories and have the same capability to reform people for good in the short term that Transformation Island and prolonged wearing of Venus Girdles offered in the longer term. The Venus Girdle was an allegory for Marston's theory of "sex love" training, where people can be "trained" to embrace submission through eroticism.
ellauri222.html on line 709: His literary tastes are also very interesting. Lord Pococurante is quite able to criticize Homer, Horace, and Cicero; there is nothing, which may seem flawless. His ability to find defects in everything prevents him from taking pleasure in literature, philosophy, and painting. It is obvious that the author is ironic about him, it can be deduced from Candides remark “But is there not a pleasure in criticizing everything, in pointing out faults where others see nothing but beauties’ (Voltaire, 73). The main problem is that such a world outlook is a personal tragedy, and such an attitude may eventually result in suicide.
ellauri222.html on line 733: In their quest to find the beaver that gives meaning to life, Bellow's protagonists must also come to terms with death. The message Bellow conveys in almost all of his novels is that one must fear death to know the meaning of life and what it means to be human. Henderson overcomes his fear of death when he is buried and symbolically resurrected in the African king Dahfu's experiment. Similarly, in Seize the Day, Tommy Wilhelm confronts death in a symbolic drowning. Charlie Citrine in Humboldt's Gift echoes Whitman in viewing death as the essential question, pointing out that it is only through death that Sauls can complete the cycle of life by liberating self from the body. Bellow's meditations on death darken in Mr. Sammler's Planet and The Dean's December. While the title character in Mr. Sammler's Planet eagerly awaits the death of the person he most values in the world, Bellow contemplates the approaching death of Western culture at the hands of those who have abandoned humanistic values. The Dean's December presents an apocalyptic vision of urban decay in a Chicago totally lacking the comic touches that soften Charlie Citrone's portrait of this same city as a "moronic inferno" in Humboldt's Gift. An uncharacteristically bleak yarn from he old standup comic. With More Die of Heartbreak and the recent novellas, however, Bellow returns to his more characteristic blend of pathos and farce in contemplating the relationship between life and death. In the recent Ravelstein, Bellow once again charts this essential confrontation when Saul recounts not only his best friend's death from AIDS but also his own near-death experience from food poisoning. Through this foreground, in a fictionalized memoir to his own gay friend Allan Bloom, Bellow reveals the resilient love and tenderness that offer the modern world its saving grace.
ellauri222.html on line 765: Stylistically, Bellow's fiction reflects some of the same tensions that his protagonists seek to balance. His concern with social and personal destruction has been traced to the common run of European writers such as Flaubert, Dostoevsky, Kafka, Sartre, and Camus. But Bellow's fiction also has many ties to the American literary tradition. His neotranscendentalism (what? Emersonian tomfoolery I guess), his identification with America, and the loose form of his most acclaimed novels link him most obviously to Emerson and Whitman.
ellauri222.html on line 832: Shelley ilmeisesti kirjoitti tämän sonetin Marlow'ssa ystävällisessä kilpailussa Horace Smithin kanssa, jonka oma samanniminen sonetti julkaistiin 1. helmikuuta 1818, myös The Examinerissa , nro. 527, s. 73:
ellauri222.html on line 922: And if You've called unto the ears of the world that You are the Father of Grace,
ellauri222.html on line 950: Russia is waging a disgraceful war on Ukraine. Stand With Ukraine!

ellauri222.html on line 951: Russia is waging a disgraceful war on Ukraine. Stand With Ukraine!

ellauri222.html on line 1006: Henry admired Timmendiquas. He respected the Wyandots. He could not blame the Indian who fought for his hunting grounds, but, with all the strength of his strong nature, he despised and hated every renegade. Girty knew that the great White Lightning did not like him, and he knew why. Timmendiquas believed that a man should be loyal to his own race, and in his heart he must regard the renegade as what he was—a traitor. "The youth called the Ware fights for his own people," said Timmendiquas gravely.
ellauri222.html on line 1023: "The men of our race are brave, they are warriors, they have not yielded humbly to the coming of the white man. We have fought him many times. Many of the white scalps are in our wigwams. Sometimes Manitou has given to us the victory, and again he has given it to this foe of ours who would eat up our whole country. We were beaten in the attack on the place they call Wareville, we were beaten again in the attack on the great wagon train, and we have failed now in our efforts against the fort and the fleet. Warriors of the allied tribes, is it not so?"
ellauri223.html on line 56: Mr. Strangelove is the foremost magistrate in attending to the charge of the race. He sees that men and women are so joined together, that they bring forth the best offspring. Indeed, they laugh at us who exhibit a studious care for our breed of horses and dogs, but neglect the breeding of human beings. Thus the education of the children is under his rule, and whatever has any reference to food, clothing, and the intercourse of the sexes. Love himself is ruler, but there are many male and female magistrates dedicated to these arts.
ellauri223.html on line 66: Capt. Moreover, the race is managed for the good of the commonwealth, and not of private individuals, and the magistrates must be obeyed. They deny what we hold—viz., that it is natural to man to recognize his offspring and to educate them, and to use his wife and house and children as his own. For they say that children are bred for the preservation of the species and not for individual pleasure, as St. Thomas also asserts. Therefore the breeding of children has reference to the commonwealth, and not to individuals, except in so far as they are constituents of the commonwealth. And since individuals for the most part bring forth children wrongly and educate them wrongly, they consider that they remove destruction from the State, and therefore for this reason, with most sacred fear, they commit the education of the children, who, as it were, are the element of the republic, to the care of magistrates; for the safety of the community is not that of a few. And thus they distribute male and female breeders of the best natures according to philosophical rules. Plato thinks that this distribution ought to be made by lot, lest some incel men seeing that they are kept away from the beautiful women, should rise up with anger and hatred against the magistrates; and he thinks further that those who do not deserve cohabitation with the more beautiful women, should be deceived while the lots are drawn by the magistrates, so that at all times the women who are suitably second rate should fall to their lot, not those whom they desire. Stop the steal!
ellauri223.html on line 68: This shrewdness, however, is not necessary among the inhabitants of the City of the Sun. For with them deformity is unknown. When the women are exercised they get a clear complexion, and become strong of limb, tall and agile, and with them beauty consists in tallness and strength. Tanakka, punakka ja rivakka, täst mie piän! Therefore, if any woman dyes her face, so that it may become beautiful, or uses high-heeled boots so that she may appear tall, or garments with trains to cover her wooden shoes, she is condemned to capital punishment. But if the women should even desire them they have no facility for doing these things. For who indeed would give them this facility? Further, they assert that among us abuses of this kind arise from the leisure and sloth of women. By these means they lose their color and have pale complexions, and become feeble and small. For this reason they are without proper complexions, use high sandals, and become beautiful not from strength, but from slothful tenderness. And thus they ruin their own tempers and natures, and consequently those of their offspring. Furthermore, if at any time a man is taken captive with ardent love for a certain woman, the two are allowed to converse and joke together and to give one another garlands of flowers or leaves, and to make verses. But if the race is endangered, by no means is further union between them permitted. Her fanny must be locked in a love girdle, and his pecker lassoed and bound behind his butt. Moreover, the love born of eager desire is not known among them; only that born of friendship. LOL
ellauri223.html on line 159: Many aspects of the society and history of the island are described, such as the Christian religion – which is reported to have been born there as a copy of the Bible and a letter from the Apostle Saint Bartholomew arrived there miraculously, a few years after the Ascension of Jesus; a cultural feast in honour of the family institution, called "the Feast of the Family"; a college of sages, the Salomon's House, "the very eye of the kingdom", to which order "God of heaven and earth had vouchsafed the grace to know the works of Creation, and the secrets of them", as well as "to discern between divine miracles, works of nature, works of art, and other impostures and illusions of all sorts"; and a series of instruments, process and methods of scientific research that were employed in the island by the Salomon's House.
ellauri226.html on line 174: Tää ruåzalainen merkkiteos olis ollut tarjolla kirjaston poistohyllyssä. Samaan hintaan (0e) olis saanut Horace Engdahlin esseeläpyskän Den sista grisen, muttei napannut. Ei ize asiassa kumpikaan, kunhan selasin.
ellauri226.html on line 212: approximately 97,700 were black and 2,000 residents “other races.”
ellauri226.html on line 298: local races. On one side of the school, Werner
ellauri226.html on line 436: It was impossible for these former white residents to recognize that the causes of the increase in crime and drug use had to do with themselves, the white laissez-faire economics they supported. It is not that extremely complicated to see, and has a great deal more to with capitalism than race.
ellauri226.html on line 460: of a correlation between race, crime, and drug use. But it was capitalism that was to blame, not the race.
ellauri226.html on line 470: enjoy similar all-American white immigrant lifestyles. When new Hispanic groups and African Americans moved beyond the South Bronx, seeking to avoid the crime and drug use that had already seized the South Bronx, however, they brought their crummy lifestyles along. These cultural peculiarities seemed to clash with those that were in place with the older white immigrants, which only exacerbated the suspicions many whites already had regarding the perceived connection between race and crime rates.
ellauri240.html on line 33:

Grace Metalious

ellauri240.html on line 47: Telkkarista 60-luvulla mustavalkoisena tullutta Peyton Placea en seurannut, olisinko nähnyt kokonaan edes yhtä jaxoa. Nyt on korkea aika tutustua siihen Grace Metaliousin alkuperäisteoxen avulla, joka löytyi rottasodan hyllystä.
ellauri240.html on line 183: Heti siv. 12 alkaa tv-sarja lähtä longixi verrattuna Grace Metaliouxen alkuteoxeen: Rodney oli suurihahoinen 14-vuotias, jolla oli musta, kiharainen hiuskuontalo ja paxuhuulinen suu. Jonakin päivänä hän saa rangaistuxensa, mutta vasta saatuaan depressiivisen Allisonin pillua. Hän on naisista kaunein minkä tiedän. Myös pienet rinnat prinsessallani siedän. Hattu on moitteeton ja hyvä myös ryhti vartalon. Ruudun takaa tyttöni katsoo vain.
ellauri240.html on line 185: race%2Bm.jpg" width="40%" />
ellauri240.html on line 186:
ellauri240.html on line 188: race">Grace Metalious synt. Marie Grace de Repentigny (8. syyskuuta 1924 Manchester, New Hampshire – 25. helmikuuta 1964) oli yhdysvaltalainen kirjailija, jonka myyntimenestykseen Kaupunki nimeltä Peyton Place perustuu televisiosarja Peyton Place.
ellauri240.html on line 205: Metalious's father deserted his wife and three daughters when Grace was 11 years old. At that time divorce was unusual in a French Canadian family, and Grace and her sisters felt stigmatized. In high school Grace met George Metalious, who was neither Catholic nor of French-Canadian background and, thus, highly unacceptable to her family. Nevertheless, they married in 1943. A few years later, with one child already, the Metalious's moved to Durham, New Hampshire, where George attended the University of New Hampshire. It was here that Metalious began writing seriously, neglecting both her house and, eventually, three children, despite the condemnation of her neighbors.
ellauri240.html on line 209: Peyton Place is the story of a small New England town that, beneath its calm exterior, is filled with scandal and dark secrets. The novel contains sex, suicide, abortion, murder and a subsequent trial, and rape. The citizens of Gilmanton were outraged, certain that Grace Metalious was describing real people in the book and sure that she had brought shame and unwarranted notoriety to their town. After Peyton Place was published, the whole image of the small town in America was forever changed. From then on the very phrase "Peyton Place" was used to describe a town that is rife with deep secrets and rampant sex beneath the veneer of picturesque calm.
ellauri240.html on line 211: Peyton Place was banned in many communities; in fact, the local public library refused to purchase a copy of the book and did not have one until 1976, when newswoman Barbara Walters donated one to them. In Gilmanton there were threats of libel suits against Grace Metalious. Ministers and political leaders all over the country condemned the novel, claiming that it would corrupt the morals of young people who read it. The novel was banned altogether in Canada and several other countries.
ellauri240.html on line 213: Despite its notoriety and the large amounts of money it earned her, the book led to the ruination of Grace Metalious. She purchased a house that she had long admired in Gilmanton, then had it extensively remodeled. Meanwhile, her husband's contract with the Gilmanton school was not renewed. Officially, he was not fired, but the rumor was that the dismissal was because of his wife's book. At any rate, it made good publicity for the book. George eventually got a new job in Massachusetts, but Grace refused to leave her house. Eventually the two divorced and Grace, who had begun drinking heavily, married a local disc jockey.
ellauri240.html on line 215: Grace went on to write three other novels: Return to Peyton Place (1959), The Tight White Collar (1960), and No Adam in Eden (1963). None of them achieved the same kind success as Peyton Place, though there are critics who feel that No Adam in Eden, a gritty book about the lives of mill workers in Manchester, is her best. By 1960 Grace and George had reconciled and remarried, only to separate again in 1963. She died in 1964 of cirrhosis of the liver and is buried in Gilmanton.
ellauri240.html on line 217: After she died, George wrote his own book called The Girl from "Peyton Place." The book offers a husband's view of how Metalious was exploited after the publication of the book, but also of how she was responsible for bringing unhappiness to herself and to others. A whole series of other "Peyton Place" books were produced after Grace Metalious's death, with titles like The Evils of Peyton Place and Temptations of Peyton Place. None of these were a commercial success.
ellauri240.html on line 284: Middleton's plays are marked by often amusingly presented cynicism about the human race. True heroes are a rarity: almost every character is selfish, greedy and self-absorbed. Middleton's work has long been praised by literary critics, among them Algernon Charles Swinburne and T. S. Eliot. The latter thought Middleton was second only to Shakespeare.
ellauri240.html on line 307: Adichie varttui Nigeriassa Nsukkan yliopistokaupungissa keskiluokkaisessa perheessä viidentenä kuudesta lapsesta. Hänen isänsä James Nwoye Adichie oli matematiikan professori yliopistossa ja äiti Grace Ifeoma Adichie "työskenteli yliopistossa hallinnollisissa tehtävissä". Etniseltä alkuperältään Adichie on igbo. Sen kansallislaulu on siis Finlandia, ja sen porukat koittivat Biafran sodassa epäonnistuneesti lähteä Nigerian liittovaltiosta Nigerin suiston öljyvarat kainalossa.
ellauri241.html on line 177: Leave traces in the grass and flowers sweet; Jättää jälkiä ruohoon ja kukkiin makeisia;
ellauri241.html on line 237: Of all her milder-mooned body´s grace; kuukautisverisen ruumiinsa armon tilalle;
ellauri241.html on line 302: Charioting foremost in the envious race, kateellisen rodun ykkösenä,
ellauri241.html on line 482: Were foiled, who watched to trace them to their house: jotka katselivat jäljittääkseen heidät kotiinsa:
ellauri241.html on line 586: Seeing all their luckless race are dead, save me, Nähdessään, että koko heidän onneton sukunsa on kuollut, paizi mä,
ellauri241.html on line 612: The glowing banquet-room shone with wide-arched grace. Hehkuva juhlasali loisti leveästi kaarevaa armoa.
ellauri241.html on line 1064: And completely bald! Porcellain! No trace of hair!

ellauri241.html on line 1251: Enchantress! tell me by this soft embrace,

ellauri241.html on line 1639: The Maiden reappears to the shepherd-prince as he returns to earth. Endymion is overcome with relief and joy and says that he has wasted too long searching for nothing but a dream and wants to start a life with the Maiden. She tells him that they cannot be together because he is forbidden to her. They wander through the forest and are quiet and somber until Endymion sees his sister Peona in the distance. They rush together and embrace. Peona implores Endymion to "weep not so" and "sigh no more" for the Indian Maiden can be his queen of Latmos. Endymion responds that "a hermit young, [he will] live in mossy cave" but Peona can visit him regularly. The resigned shepherd-prince leaves behind a confused Peona and Maiden and visits the altar of Diana to "bid adieu / To her for the last time." Peona and the Indian Maiden arrive. Endymion watches in stunned disbelief as the Indian Maiden transforms into his beloved Diana. It is revealed that Cynthia, Diana, and the Indian Maiden are the same woman. Actually Peona too! For all practical purposes, all women are the same: one hole up front and two more in the pants. Endymion swoons and after "three swiftest kisses" they vanish together leaving Peona who walks home in wonderment.
ellauri243.html on line 137: Compared with other U.S. races, American Indians have a life expectancy that is shorter than five years. The suicide rate among American Indian youth is 2.5 times higher than among youth in the rest of the country. American Indians are 2.5 times more likely to experience violent crimes than the national average, and more than four out of five American Indian women will experience parking meter violation in their lifetimes. Holy shit, these issues can be seen as symptoms of several larger issues, including access to social services, educational opportunities, nutritional food, and health care, and just plain old laziness and stupidity. Property rights pose more significant problems, insomuch as residents who don’t have deeds to the land on which they live struggle to build credit, which throws a significant barrier in front of upward mobility. Meanwhile, tribal lands are tough sells for franchises and other commercial developers that would bring jobs to reservations, as these companies are often resistant to negotiating contract terms under tribal law. So it's really all their own fault, them not playing along with good old free enterprise and private property!
ellauri244.html on line 92: The Serenity Prayer: “God, grant me the grace to accept with serenity the things I cannot change, Courage to change the things I can, And wisdom to know the difference.”
ellauri244.html on line 593: Here in my opinion is the only imaginative prose-writer of the slightest value who has appeared among the English-speaking races for some years past. Even if that is objected to as an overstatement (there is me, after all), it will probably be admitted that Miller is a writer out of the ordinary, worth more than a single glance; and after all, he is a completely negative, unconstructive, amoral writer, a mere Jonah, a passive acceptor of evil, a sort of Whitman among the corpses. Paizi Whatman oli peräreikämiehiä.
ellauri245.html on line 203: The popularity of "goblin mode" may be linked to a rejection of the carefully curated lifestyles often presented by users of social media platforms. The trend has also been linked to a manner of coping with the effects of the COVID-19 pandemic on society since this is described as a way of life that gives people permission to ditch societal norms and embrace their basic instincts and in social media, letting their inner goblin out has been a freeing experience.
ellauri246.html on line 89: Bo Johannes Edfelt (21 December 1904 - 27 August 1997) was a Swedish writer, poet, translator and literary critic. A native of Tibro, Edfelt was elected to be a member of the Swedish Academy in 1969, occupying seat No. 17. He succeeded Erik Lindegren and, following his death, was succeeded by - who else but Horace Engdahl! A-HA! Aha jaha! Jaså på det lilla viset! Nu klarnar det!
ellauri246.html on line 280: Brings forth its races, but does not restore, rotuja uusia, eikä entistettyjä,
ellauri247.html on line 417: Lady Mary Montagu (1689-1762), court beauty, wife of the British Ambassador to Istanbul and prolific letter-writer, was the first major female travel writer of her time. She was a correspondent with Alexander Pope, knew and was disliked by Horace Walpole, and introduced the Turkish, then Ottoman, method of inoculation to Britain.
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ellauri247.html on line 491: James von Rotschild hieroi kerran kauppaa kuulun ranskalaisen taidemaalarin Horace Vernetin kanssa muotokuvansa maalaamisesta. Hinnasta he eivät tahtoneet päästä sovintoon, sillä tämä saita raharuhtinas tinki tinkimistään. Lopulta Vernet närkästyi ja huudahti: Viisisataa louisdoria tai ei mitään! Hyvä, maalatkaa minut ilmaiseksi, vastasi paroni ja poistui.
ellauri247.html on line 498: race-vernet.jpg" width="100%" />
ellauri247.html on line 500: La Prise de la smalah d'Abd-el-Kader par le Duc d'Aumale à Taguin, le 16 mai 1843, est un tableau peint par Horace Vernet en 1845 et exposé au musée de l'histoire de France à Versailles.
ellauri247.html on line 522: Cette "bataille" a été immortalisée par Horace Vernet en 1843. Le tableau est lattraction principale des salles d´Afrique créées par Louis-Philippe au musée de l´histoire de France à Versailles. Il a été interprété à la gravure sur acier par Augustin Burdet. Une plaque « rue Taguin, 1843 » existe encore, en 2014, à Dijon, sur une voie non publique. Taistelun nimi on riipustettu ranskalaisten sotalippuihin. Taisi olla sammakoiden ihan laitimmmaisia sotamenestyxiä.
ellauri249.html on line 128: Another euphemism for the penis was cauda ("tail"), which occurs twice in Horace,[22] and continues today in the French derivative queue ("tail" or "penis"). In one place in his Satires (Serm. 2.7.50) Horace writes:
ellauri254.html on line 503: Klages developed an intense childhood friendship with classmate Theodor Lessing, with whom he shared "many passionate interests." Klages fought to maintain their friendship in spite of his father's anti-semitism. According to Lessing, "Ludwig's father did not view his son's fraternization with 'Juden' as acceptable." Klages' childhood friendship with Theodor Lessing came to a bitter end in 1899. Both would later write about the depth of their relationship and influence on each other—though many aspects, such as the effect race had on their friendship, remain unclear.
ellauri254.html on line 517: In Munich, the Cosmic Circle of Ludwig Klages and Alfred Schuler, deeming "the Jew the enemy of the human race," gave their erstwhile leader, Stefan George, this ultimatum: "What is your stand on Judah?" He replied that he wished he had more such deep-throated Jewish disciples as Wolfskehl. George's views continued to overlap with those of the Cosmic Circle, especially in invoking the pagan earth mother of "Templars." Actually what first launched the George cult on a nationwide basis was Klages's own book, Stefan George, of 1902. The accusation of Klages's Nazism by indignantly pointing out that the Nazis distinctly distanced themselves from Klages. Though the Nazis shared Klages's basic metapolitics and had found him useful for propaganda among professors, they later found the Klages-Schuler cult embarrassing. The intensity of George's break with Klages-Schuler is paralleled by Nietzsche's break with the Jew-hater Richard Wagner; in both cases an intense friendship was severed on the grounds of civilized values higher than friendship. Klages thought that Nazis and Israelis were both wrong in thinking they were the chosen people, with the difference that the Jews had actually already won the beauty contest.
ellauri256.html on line 358: The stormy affair between the legendary “singer of the revolution”, Vladimir Mayakovsky, and a “proponent of depravity”, Lilya Brik, lasted 15 years, until the poet's suicide in 1930. He devoted poems and hundreds of love letters to her. It was probably this affair that most of all contributed to her going down in history, yet it also left her with hundreds of enemies, who tried to erase any trace of her, even from documents. So, who exactly was this femme fatale?
ellauri260.html on line 207: Gustav Teichmüller (November 19, 1832 – May 22, 1888) is considered a philosopher of the idealist school and a founder of Russian personalism. His ideas were shaped by his teachers Lotze and J. F. Herbart, who in turn were influenced by G. W. von Leibniz. Some scholars describe Teichmüller's personalism as a version of neo-Leibnizianism. His doctrines have also been referred to as constituting a variant of Christian personalism that is in opposition to both positivism and evolutionism as well as traditional Platonism. Teichmüller's philosophy has influenced Nietzsche and this link has been explored by scholars such as Hermann Nohl, who traced Teichmüller's Die wirkliche und die scheinbare Welt, 1882, as the source of the latter's perspectivism. Teichmüller also influenced the Russian thinkers A. A. Kozlov, I.F. Oze, and E. A. Bobrov. Teichmüller nai virolaisen maanomistajan tyttären ja tapettuaan sen 20-vuotiaana lapsivuoteeseen, sen siskon, ja kuoli lopulta ize Tartossa pyylevänä patruunana.
ellauri260.html on line 257: We must, however, bear in mind that the main idea of Socialism goes far beyond the conception of Marx ; that it may be realised in many different ways, and that under one common head it embraces all sorts of opposite opinions and divergences. If we leave out the embarrassing collective ownership part, we can still keep totalitarianism and corporativism and get to another great idea in German thought: national socialism! Sorry, oops, that was ahistorical of me, let me rephrase that.
ellauri260.html on line 306: Under the lead of factory technology, the individual worker became defenceless, as its vast industrial aggregations robbed him of his independence, while capital obtained an appalling power and forced him to serve the designs of others. He became simply a piece of merchandise, the value of which was settled by the market. Thus the race drifted into a sharp antithesis of " labour and capital," and the two soon proved irreconcilable enemies.
ellauri262.html on line 204: In addition to his scholarly work, Lewis wrote several popular novels, including the science fiction Space Trilogy for adults and the Narnia fantasies for children. Most deal implicitly with Christian themes such as sin, humanity's fall from grace, and redemption.
ellauri263.html on line 456: The name "Hebron" appears to trace back to two Semitic roots, which coalesce in the form ḥbr, having reflexes in Hebrew and Amorite, with a basic sense of 'unite' and connoting a range of meanings from "colleague" to "friend". In the proper name Hebron, the original sense may have been alliance. BUAHHAHHA LOL! Some friends!
ellauri263.html on line 499: H. P. Blavatskyn päätyö oli teosofinen oppi, johon hiän sulautti valtavasti vaikutteita eri tahoilta. Eniten Blavatskyn ajatteluun vaikuttaneista oppisuunnista, teoksista ja auktoriteeteista voidaan mainita ainakin buddhalaisuus, Bhagavad Gita ja hindulainen tantrismi, Kabbala (erityisesti Eliphas Levi), Raamattu, Zohar ja Talmud, hermetismi, ruusuristiläisyys, gnostilaisuus, zarathustralaisuus, kaldealaiset, vapaamuurarius, spiritismi, mystiikka, Jakob Böhme ja Mestari Eckhart, alkemia ja magia, aikansa tieteellinen kirjallisuus, Robert Fludd, Paracelsus, maailman mytologiat esimerkiksi germaaninen mytologia, Popol Vuh, Ryhmä Hau ja Gilgameš (myös otteita Kalevalasta), antiikin kirkkoisät Irenaeus, Tertullianus, Origenes ja Eusebius, filosofit, etenkin Platon ja uusplatonilaisuus, Porfyrios, Plotinos ja Ammonios Sakkas sekä historioitsijat ja monet muut antiikin kirjailijat kuten Plinius vanhempi, Ovidius, Homeros ja Josefus. Lisäksi hän väitti opiskelleensa huomattavien inkarnaatiolaamojen oppilaana Tiibetissä, Ladakhissa, Nepalissa ja Mongoliassa ja perehtyneensä muun muassa vajrayanan esoterismiin eli Kālacakrayanaan, Nepalin svābhāvikoiden oppiin ja sykretistiseen shamanismiin (puuh).
ellauri263.html on line 692: classism, no duplicity, no alienation, no profanity, no flippancy, social tolerance, equality, verbality, participatory democracy, accountability, conviviality, male vasectomy, ristiinsuihkiminen, graceful distancing, positive attitude toward the ‘toggle-switch’ mode of decision-making, whatever that may be.
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ellauri264.html on line 168: Its edginess comes at the expense of its own characters and punishes the audience for being invested. Like a certain Mystery Inc. member rummaging around in the dark for her glasses, the series is unfocused, confused, and desperately lost. In the original, there were just 2 races, white termite ape and dog. You knew where everything was at.
ellauri266.html on line 160: Perversion ylistystä kehiin. Tai sitten ei. Elämä ei ole liukurata vaan ello karuselli. Paracelsus, Bruno, Swedenborg, Blake, kaikki elloja. Mixei silmänilot laittaudu eturiviin? Voisi aukaista sepaluxensa ja...
ellauri266.html on line 246:

Leave No Trace

ellauri266.html on line 349: The real frustration of women, so well expressed by the lady from Oakland, is their exclusion from the mainstream. It is a frustration that women experience in common with Negroes. The solution to these frustrations lies partly in the re-education of menfolk on the one hand and white folk on the other to enable them to adjust gracefully to the inevitable changes that lie ahead. It also lies in the determination of courageous women and courageous Negroes to fight their way into the mainstream despite all our attempts to keep them in their places.
ellauri266.html on line 456: Un manuscrit enfermé dans une bouteille est retrouvé dans l´espace par Jinn et Phyllis, un couple en voyage spatial. Ce manuscrit raconte l´histoire suivante : en l’an 2500, le savant professeur Antelle a organisé une expédition pour l’exploration de l’étoile supergéante Bételgeuse. Il a embarqué à bord de son vaisseau son disciple, le jeune physicien Arthur Levain, et le journaliste, narrateur de cette aventure, Ulysse Méroua 12 ainsi qu’un chimpanzé baptisé Hector et plusieurs plantes et animaux pour ses recherches scientifiques dans l’espace. Arrivés à proximité de l´étoile, ils distinguent quatre planètes gravitant autour d´elle. L’une d’entre elles ressemble étrangement à la Terre. Ils décident alors de l’explorer. À bord d’un « engin à fusée » qu´ils nomment chaloupe, les trois aventuriers survolent des villes, des routes, des champs avant d’atterrir dans une forêt1. Après avoir effectué des tests, ils quittent leur chaloupe et découvrent l’étonnante ressemblance de l’atmosphère de cette planète, qu’ils baptisent Soror, avec celle de la Terre. Ils enlèvent leurs scaphandres et assistent impuissants à la fuite d’Hector. Par curiosité, ils s’engagent dans la forêt et arrivent à un lac naturel dont l’eau limpide leur donne envie de se baigner. Mais à leur grande surprise, ils découvrent au bord du lac les traces de pas humains.
ellauri266.html on line 458: Ces traces appartiennent à une jeune femme qui, sans être gênée de sa nudité, s’approche d’eux avec méfiance2. Baptisée Nova, elle ne sait ni parler ni sourire et ses gestes ressemblent à ceux des animaux. Au moment où les quatre nagent dans l’eau, le chimpanzé Hector réapparaît mais il est soudain étranglé et tué par Nova dont le comportement animal choque le narrateur qui demeure, toutefois, soumis par la beauté physique de la sauvage. Le lendemain, Nova revient accompagnée de plusieurs hommes de sa tribu. Ces derniers ne parlent pas, ils hululent seulement. Irrités par les habits des trois aventuriers, les hommes de Soror ne tardent pas à les déchirer mais sans faire de mal aux aventuriers. Ils s’attaquent ensuite à la chaloupe qu’ils détruisent complètement après s´être adonnés à des enfantillages dans le lac sans prêter attention aux trois Terriens trop gênés par leur nudité. Conduits au campement, les trois aventuriers découvrent la vie primitive des humains de Soror. Nova leur donne à manger des fruits qui ressemblent à des bananes et se rapproche du narrateur avec qui elle passe la nuit.
ellauri267.html on line 1310: He took the hint, embraced the flying fair,

ellauri269.html on line 67: Arthas blinked, momentarily surprised at the lack of his title (Prince). Of course, he reasoned. I'm being inducted as a man, not a prince. "I do". "Do you vow to walk in the grace of the Light and spread its wisdom to this fellow here, man?" "I do". "Do you vow to vanquish weevils wherever it be found, and impregnate the innocent with your very precious life juice?" "I d- oh, by my blood and honor, I bloody well do." That was close, he'd almost messed up!
ellauri269.html on line 139: World of Warcraftin maailmassa pelaaja voi asettua joko Liittouman (länkkärit, engl. Alliance) tai Lauman (itäpahixet, engl. Horde) puolelle. Kummaltakin puolelta löytyy omat rotunsa (engl. race), joille on kaikille kirjoitettu laaja taustatarina. Rodun valinta vaikuttaa hahmon aloituspaikkaan ja joihinkin taitoihin, mutta peli ei sisällöllisesti muutu kovin oleellisesti eri roduilla pelatessa. Samaa mätkimistä se on aina. Rodun valinnan jälkeen valitaan omalle hahmolle hahmoluokka, nimi ja ulkonäkö.
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ellauri269.html on line 159: Hahmon luonnissa pelaaja valitsee hahmoluokan (engl. class). Tässä vaiheessa hän voi vaikuttaa siihen, mitä roolia haluaa pelata. Hahmoluokkia on pelissä yksitoista, ja ne ovat kummankin puolen käytettävissä. Myös rodut (engl. race) vaikuttavat hahmoluokan valintaan, sillä kaikki hahmoluokat eivät ole jokaisen rodun käytettävissä. Pelaaja voi muokata hahmoluokkansa kykyjä ja ominaisuuksia taitopisteillä (engl. talents). Pelaajan tulee erikoistua tiettyyn kykypuuhun, joita jokaisella hahmoluokalla on kolme, paitsi druideilla neljä. Kykypuun valinta vaikuttaa suuresti hahmon pelattavuuteen ja siihen, minkä roolin hahmo voi tällöin ryhmässä ottaa. Pelin alkuperäinen tasokatto oli 60 ja nousi seitsemän ensimmäisen lisäosan myötä 120:een. Shadowlandsissä tasokatto alennettiin takaisin 60:een ja tason 120 pelaajat palautuvat takaisin tasolle 50. Nykyinen kattonopeus on 70.
ellauri269.html on line 302: Within each faction, you can pick from seven different races, Alliance players can be Humans, Dwarves, Night Elves, Gnomes, Draenei, Worgens or Pandarens, while Horde players can be Orcs, Undead, Tauren, Trolls, Blood Elves, Goblins or Pandaren. Each race can only be certain classes, so picking a race will limit which class your character can be. There are other playable races in the game, but they are unlocked through gameplay and you won't have access to them immediately.
ellauri269.html on line 304: I wonder, are they really races or rather species, i.e. can they intermix? Are their genitals fully downward compatible?
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ellauri269.html on line 314: Choosing your class in World of Warcraft can be one of the most important and time consuming decisions a player ever makes. And time is money! When you are in the process of creating a new character, one of the first things you will notice (aside from gender, race, and faction selection) is that there are what's called "Classes". In World of Warcraft, there are a total of 12 classes to choose from and they are as follows: Death Knight, Demon Hunter, Druid, Hunter, Mage, Monk, Paladin, Priest, Rogue, Shaman, Warlock, and Warrior. Each class provides its own set of unique benefits, abilities, and spells (as you will discover from reading this guide).
ellauri269.html on line 433: "Lad, no one feels ready. No one feels he deserves it. And you know why? Because no one does. It's grace, pure and simple. We are inherently unworthy, simply because we're human, and all human beings-aye, and elves, and dwarves, and all the other alliance races-but not orcs-are flawed. But Coors Light loves us anyway. It loves us for what we sometimes can raise from our breeches in rare moments. It loves us for what we can then do to others. And it loves us because we can help it share its message by striving daily to be worth a green orc, even though we understand that we can't ever truly become so."
ellauri269.html on line 543: I thought the goblins were the jewish race.
ellauri269.html on line 549: Or simply you made assertions that could apply to any other race and not at all inherently Draenei.
ellauri269.html on line 570: But Draenei being jewish because they have a jewlery skill, have a prophet (muslims and other religions have one too), have rune like language (like every other race in wow) and etc…
ellauri269.html on line 586: you may be right, that the draenei are a melting pot of many cultural inspirations, but my post was meant to allay Surma’s suspicion that this might be the type of thread to get banned. I don’t think there’s anything ban-worthy of discussing the real world cultural inspirations of the wow races.
ellauri269.html on line 588: Not every race is 1:1 representation of a real world culture besides some exceptions like Worgen but thats only their visual theme and it does not go any deeper than that.
ellauri269.html on line 720: Ärsyttävästi hahmon viimeaikaiset kuvaukset, erityisesti vuoden 2013 Man of Steel -elokuva, keskittyvät Metropolis Marvelin Kristuksen kaltaisiin messiaanisiin ominaisuuksiin. Ennen elokuvan julkaisua uskoon perustuva lehdistösuhdeyritys Grace Hill Media kutsui uskonnollisia henkilöitä eri puolilta kansakuntaa osallistumaan valikoituihin julkaisua edeltäviin näytöksiin, julkaisi leikkeitä verkossa ja toimitti muistiinpanoja mahdollisista elokuvaan liittyvistä uskonpohjaisista keskusteluaiheista. Yksi esimerkki keskittyy isyyden teemoihin ja kehottaa isiä "viemään [lapset] katsomaan Teräsmiestä" ja käyttämään sitten opasta "löytämään uusia yhteyksiä omaan elämääsi ja Jumalan sanaan". Verkkosisällön ohella Dr. Craig Detweiller, Ph.D. teologian ja kulttuurin, kirjoitti yhdeksänsivuisen esseen nimeltä "Jeesus – alkuperäinen supersankari" yhdistääkseen Kryptonin viimeisen pojan Jumalan Poikaan. Detweiller lainasi usein toistuvia todisteita päätteestä "el", joka liitti Supermanin kryptonin syntymänimen "Kal-el". Heprean kielessä "el"-päätettä käytetään merkitsemään Elohimia tai Jahvea, Jehovaa tai Jumalaa, kuten nimissä Mikael, Ariel ja Rafael. Esseessaan Detweiller viittasi myös jokebedialaisten orpoksi jäämiseen, jonka Superman kärsi, kun hänen vanhempansa, jotka varoittivat planeetan Kryptonin välittömästä kuolemasta, ampuivat vauvansa ulkoavaruuteen kuin futuristinen Mooses.
ellauri270.html on line 304: For Jackson, The Lottery is more than a ghost story; “The Daemon Lover” in particular and the collection in general critique a society that fails to protect women from becoming victims of strangers or neighbors. As in “The Lottery,” Jackson’s shocking account of a housewife’s ritualistic stoning, or in “The Pillar of Salt,” which traces a wife’s horror and growing hysteria when she has lost her way, the threatened characters are women. Although many of Jackson’s stories are modern versions of the folk tale of a young wife’s abduction by the devil, and although her characters are involved in terrifying circumstances, the point is that these tales seem true: They are rooted in reality. Thus, Jackson exposes the threat to women’s lives in a society that condones the daemon lover.
ellauri270.html on line 343: Mr. Summers says that they had better get started and get this over with so that everyone can go back to work. He asks if anyone is missing and, consulting his list, points out that Clyde Dunbar is absent with a broken leg. He asks who will be drawing on his behalf. His wife steps forward, saying, “wife draws for her husband.” Mr. Summers asks—although he knows the answer, but he poses the question formally—whether or not she has a grown son to draw for her. Mrs. Dunbar says that her son Horace is only sixteen, so she will draw on behalf of her family this year.
ellauri270.html on line 367: Mrs. Dunbar says to her oldest son that she wishes everyone would hurry up, and Horace replies that they’re almost through the list of names. Mrs. Dunbar instructs him to run and tell his father once they’re done. When Old Man Warner is called to select his slip of paper, he says that this is his seventy-seventh lottery. When Jack Watson steps forward, he receives several comments from the crowd reminding him to not be nervous and to take his time.
ellauri270.html on line 371: Finally, the last man has drawn. Mr. Summers says, “all right, fellows,” and, after a moment of stillness, all the papers are opened. The crowd begins to ask who has it. Some begin to say that it’s Bill Hutchinson. Mrs. Dunbar tells her son to go tell his father who was chosen, and Horace leaves. Bill Hutchinson is quietly staring down at his piece of paper, but suddenly Tessie yells at Mr. Summers that he didn’t give her husband enough time to choose, and it wasn’t fair.
ellauri270.html on line 595: Some have criticized Brandeis for evading issues related to African-Americans, as he did not author a single opinion on any cases about race during his twenty-three year tenure, and consistently voted with the court majority including in support of racial segregation.
ellauri272.html on line 563: Christian Gray : Tohtori Grace Trevelyan-Greyn ja Carrick Greyn adoptiopoika. 28-vuotias Grey Enterprise Holdings, Inc:n toimitusjohtaja ja Anastasian aviomies. (Pöljän näköinen paxumpana partapozona. Johnin ikätoveri, s. 1981.)
ellauri272.html on line 571: Mia Gray : Carrick Grayn ja tohtori Grace Trevelyan Grayn adoptiotytär sekä Christian Grayn ja Elliot Greyn nuorempi sisar. (blondi)
ellauri272.html on line 577: Elena Lincoln : Grace Trevelyan Greyn entinen ystävä ja Christianin entinen hallitseva asema. Elenan aviomies Eric sai tietää hänen suhteestaan ​​Christianin kanssa, sitten hakkasi häntä ankarasti ja erosi hänestä. Hän kieltäytyi nostamasta syytteitä häntä vastaan ​​syyllisyyden vuoksi. Yksi Fifty Shades Darkerin tärkeimmistä antagonisteista (blondi)
ellauri272.html on line 579: Tohtori Grace Trevelyan-Grey : Christianin adoptioäiti. (Saman ikäinen kuin Anastasia mutta blondi. s. 1989. )
ellauri272.html on line 666: Ana herää kolme päivää myöhemmin sairaalassa Christianin rinnalla. Vaikka hän on vihainen hänen piittaamattomuudestaan ​​ja edelleen huolissaan isyydestä, hän ymmärtää, kuinka tärkeä heidän vauvansa on hänelle, ja he tekevät sovinnon. Christianin adoptioäiti Grace vakuuttaa hänelle, ettei Ana jätä häntä. Hän palaa kotiin seuraavana päivänä.
ellauri276.html on line 492: Vuosina 1959–1962 Kavanagh vietti enemmän aikaa Lontoossa, missä hän osallistui Swiftin X- lehteen. Tänä aikana Kavanagh asui silloin tällöin viinahöyryisenä ja muutenkin pahanhajuisena Swiftsien luona Westbourne Terracessa. Hän piti luentoja University Collegessa Dublinissa ja Yhdysvalloissa, edusti Irlantia kirjallisissa symposiumeissa ja hänestä tuli Guinness Poetry Awards -palkinnon tuomari.
ellauri277.html on line 236: Gibran did not have the training to imitate the old masters of Arabic literature: his education had been haphazard and was as much in English as in Arabic, and there is little evidence of the influence of classical Arabic literature in his works. Instead, his Arabic style was influenced by the Romantic writers of late 19th-century Europe and shows obvious traces of English syntax. His allegorical sketches of exile, oppression, and loneliness spoke to the experiences of immigrants and had none of the rhetorical decoration that made high Arabic literature difficult for ordinary readers. Gibran’s haphazard education meant that his Arabic, like his English, was never perfect.
ellauri282.html on line 436: 19. maaliskuuta 1944 Merton teki väliaikaisen lupauksensa ja hänelle annettiin valkoinen hattu, musta olkapää ja nahkavyö. Marraskuussa 1944 James Laughlin julkaisi käsikirjoituksen, jonka Merton oli antanut ystävälle Robert Laxille edellisenä vuonna osoitteessa New Directions: runokirja nimeltä Thirty Poems. Mertonilla oli ristiriitaisia ​​tunteita tämän teoksen julkaisemisesta, mutta Dunne pysyi päättäväisenä, koska Merton jatkoi kirjoittamistaan. Vuonna 1946 New Directions julkaisi toisen Mertonin runokokoelman, A Man in the Divided Sea, joka yhdistettynä kolmeenkymmeneen runoon, herätti hänelle tunnustusta. Samana vuonna Harcourt Brace & Company hyväksyi Mertonin käsikirjoituksen The Seven Storey Mountainiin julkaistavaksi. Seitsemänkerroksinen vuori, Mertonin omaelämäkerta, kirjoitettiin kahden tunnin välein luostarin scriptoriumissa henkilökohtaisena projektina.
ellauri284.html on line 666: Alexandra Wrage, the president of Trace International, a firm that advises businesses on assessing foreign partners, says that American companies need to carefully vet foreign partners to avoid violating the Foreign Corrupt Practices Act, a law that prohibits bribery of foreign officials.
ellauri285.html on line 161: Syyllisellä ihailulla seurataan, kuinka tämä taitojen mestari, joka on merkittävä hahmo omassa kirjassaan, houkuttelee juutalaiset marionettinsa ansoihin, jotka hän on heille laskenut. "Aja luontoa haarukalla", Horace sanoo, "mutta hän palaa jatkuvasti."
ellauri285.html on line 753: The critical positivity ratio (also known as the "Losada ratio" or the "Losada line" [not verified in body]) is a largely discredited concept in positive psychology positing an exact ratio of positive to negative emotions which distinguishes "flourishing" people from "languishing" people.[citation needed] The ratio was proposed by psychologists Barbara Fredrickson and Marcial Losada, who believed that they had identified an experimental measure of affect whose model-derived positive-to-negative ratio of 2.9013 defined a critical separation between flourishing and languishing individuals, as reported in their 2005 paper in American Psychologist.[non-primary source needed] This concept of a critical positivity ratio was widely embraced by academic psychologists and the lay public; Fredrickson and Losada´s paper had been cited more than 320 times by January 2014, and Fredrickson wrote a popular book expounding the concept of "the 3-to-1 ratio that will change your life". In it she wrote, "just as zero degrees Celsius is a special number in thermodynamics, the 3-to-1 positivity ratio may well be a magic number in human psychology."
ellauri297.html on line 401: Check the condom periodically during use for breaks. If a condom breaks or comes off during sex, replace it immediately and consider using emergency contraception such as the emergency contraception pill if your partner can get pregnant An emergency contraception pill (sometimes called the morning-after pill) prevents pregnancy before it happens by delaying ovulation or blocking fertilization; it is not an "abortion pill."
ellauri301.html on line 294: race Blanche Eugène">Eugène Ney Terrace Blanche ([ɪə‌ˈʒɛn ˈnɛj tərˈblɑ‌ːʃ], 31 January 1941– 3 April 2010) was an Afrikaner nationalist and white supremacist who founded and led the Afrikaner Weerstandsbeweging (AWB; Afrikaner Resistance Movement in English). Prior to founding the AWB, Terrace Blanche served as a South African Police officer, was unsuccessful as a farmer, and an unsuccessful Herstigte Nasionale Party (Reconstituted National Party) candidate for local office in the Transvaal. He was a major figure in the right-wing backlash against the collapse of apartheid. His beliefs and philosophy have continued to be influential amongst White supremacists in South Africa and across the world.
ellauri301.html on line 349: Heritage Day on September 24 is a day that celebrates South Africa’s roots, their rich, vibrant, and diverse cultures. South Africa is called the ‘‘Rainbow Nation’’ due to its color and gender diversity, and this is why Heritage Day exists. Its goal is to nurture and embrace South African culture for what it truly is, accepting all races and genders. The day is usually celebrated with a cookout known as a braai and we suggest that you channel your inner South African and celebrate with a feast of your own.
ellauri302.html on line 51: While non-Orthodox denominations of Judaism embrace LGBT members, most Orthodox Jews are hesitant to do so based on their reading of the Torah. What makes Yeshiva University, seen by many as the preeminent educational Modern Orthodox institution, unique from some other religious institutions is that it registers as a nonsectarian corporation.
ellauri302.html on line 158: The Scribe: You hear, sir, that the whole world rests upon the Scroll. The fate of our race lies rolled up in that parchment. With one word, — with a single word, God forbid, you can desecrate the Law and bring down upon all the Jews a grievous misfortune, — God forbid.
ellauri302.html on line 277: Manke, embraces her passionately. Come, Rifkele, I'll wash your eyes in the rainwater. The night is so beautiful, the rain is so warm and the air is so full of delightful fragrance. Come.
ellauri302.html on line 306: Manke: Then we come closer to one another, for we are bride and bridegroom, you and I. We embrace. (Places her arm around Bifkele.) Ever so tightly. And kiss, very softly. Like this. (Kisses Rifkele.) And we turn so red, — we're so bashful. It's nice, Rifkele, isn't it?
ellauri310.html on line 848: Smith Richardson Foundationin perustivat vuonna 1935 H. Smith Richardson Sr. ja hänen vaimonsa Grace Jones Richardson. Richardson muutti Vicks Chemical Companyn, hänen isänsä Lunsford Richardsonin perustaman yrityksen, yhdeksi johtavista käsikauppalääkkeitä myyvistä yrityksistä maailmassa. Myöhempinä vuosina Richardson-Vicksistä tuli myös merkittävä voima reseptilääkkeiden ja laajan kuluttajatuotteiden markkinoilla. Vuonna 1985 Richardsonin perhe myi yrityksen Procter & Gamblelle. Vicks Vapo Rubin tuotoilla he tukivat aivoriihiä ja "tutkijoita" jotka osallistuivat julkiseen poliittiseen "keskusteluun" muun muassa puolustuspolitiikasta, veropolitiikasta, koulutusuudistuksesta ja sääntelystä. Säätiö tuki myös "demokratiaa" eli kapitalismia kannattavia järjestöjä Keski- ja Itä-Euroopassa, Neuvostoliitossa sekä Keski- ja Etelä-Amerikassa. Ja mahdollisimman oikealta!
ellauri313.html on line 628: Had half impaired the nameless grace Särkisivät nimettömän sulouden
ellauri317.html on line 96: Енея не любила — страх; – That's how Aeneas lacked her grace – Aineias ei napannut siinä vika
ellauri321.html on line 123: But Crèvecoeur was after all a Frenchman, with the strong social instinct of his race. And so he proceeds to analyze and define the political conditions of America. It fills him with a quiet but deep satisfaction to be one of a community of “freeholders, the possessors of the soil they cultivate, members of the government they obey, and the framers of their own laws by means of their representatives.” Thus he rises to a consideration of this new type of social man and seeks to answer the question: What xx What is an American? His answer is delightful literature, but fanciful sociology. Had the colonial farmers all been Crèvecoeurs, had they all possessed his ideality, his power of raising simple things into true human dignity, of connecting the homeliest activity with the ultimate social purpose which it furthers in its own small way, his description of the American would have been fair enough. As a matter of fact, the hard-working colonial farmer, cut off from the refining and subduing influences of an older civilization, was probably no very delectable type, however worthy, and one fears that Professor Wendell is right in declaring that Crèvecoeur's American is no more human than some ideal savage of Voltaire. But in this fact lies much of the literary charm of his work, and of its value as a human document of the age of the Revolution.
ellauri322.html on line 346: A short-lived good, and an uncertain grace.
ellauri322.html on line 417: Many very cogent reasons have been urged by her friends to prove that her affection for Struensee was never carried to the length (15cm) alleged against her by those who feared her influence. Be that as it may she certainly was no a woman of gallantry, and if she had an attachment for him it did not disgrace her heart or understanding, the king being a notorious debauchee and an idiot into the bargain.
ellauri322.html on line 483: Er. epm. homopetteri Horace Walpole (josta on paasattu albumeissa 14, 52, 75, 115, 235 ja 247) nimitteli Marya “a hyena in petticoats” or “a philosophising serpent” .
ellauri323.html on line 127: In Berlin, every night, the students escorted her home with torches. Prince Vierfuenfsechs-Siebenachtneun offered her his hand, and was condemned by the Kaiser to six months’ confinement in his little castle. In Yildiz Kiosk, the tyrant who still throve there conferred on her the Order of Chastity, and offered her the central couch in his seraglio. In Petersburg, the Grand Duke Salamander Salamandrovitch fell enamoured of her. The Grand Duchess appealed to the Tzar. Zuleika was conducted across the frontier, by an escort of love-sick Cossacks. On the Sunday before she left Madrid, a great bull-fight was held in her honour. Fifteen bulls received the coup-de-grace, and Alvarez, the matador of matadors, died in the arena with her name on his lips. He had tried to kill the last bull without taking his eyes off la divina senorita. From the Vatican, the Pope launched against her a bull which fell utterly flat.
ellauri323.html on line 133: Yet Zuleika WAS very innocent, really. She was as pure as that young shepherdess Marcella, who, all unguarded, roved the mountains and was by all the shepherds adored. Like Marcella, she had given her heart to no man, had preferred none. Youths were reputed to have died for love of her, as Chrysostom died for love of the shepherdess; and she, like the shepherdess, had shed no tear. When Chrysostom was lying on his bier in the valley, and Marcella looked down from the high rock, Ambrosio, the dead man’s comrade, cried out on her, upbraiding her with bitter words—“Oh basilisk of our mountains!” Nor do I think Ambrosio spoke too strongly. Er. epm. homopetteri Horace Walpole (josta on paasattu albumeissa 14, 52, 75, 115, 235 ja 247) nimitteli Woolworthin Marya “a hyena in petticoats” or “a philosophising serpent” .
ellauri324.html on line 78: Maybe it helps a tiny bit as you face the toughest bunch of problems any President since Lincoln has faced: You carry the burden with strength and grace
ellauri324.html on line 289: If the author of the question long one is wealthy and well traveled he would know that Europe and Asia had many technological advances long before USA did or will ever have such as TGV or bullet trains for example. After spending time in Europe and Asia it was decades later I saw many of these advances here to buy or experience. Japanese cars nearly sunk USA automakers. Why didn’t the corp heads heed anything. TGV in France and Japan and other nations is unrivaled and we have not even one such train here. Tankless water heaters, available in Asia and Europe decades before here. Roads and other infrastructure also superior. My research shows that Americans were so busy creating totalitarian policies like redlining and private cars and pools and expressways removed entire neighborhoods of blacks to create all white suburbs that they were unconcerned with advances that would unite people. Sure everywhere are class societies but it’s a whole different level here. The homeless situation is opening eyes in this country and many things are borne out of a highly segregated society where it’s expensive to live in certain cities and suburbs and the rest be damned. Obviously California has destroyed itself from within. The liberals there and other states are the most class and race conscious than any other people on earth. This blind spot is like a beacon. A prism that breaks down social order. The wealthy libs have to accept their roles in American destruction. It will get worse long before it improves. [Redlining is an illegal practice in which lenders avoid providing credit services to individuals living in or seeking to live in, communities of color because of the race, color, or national origin of the residents in those communities.]
ellauri327.html on line 29:
ellauri333.html on line 65: The word Mleccha was commonly used for foreign 'barbarians of whatever race or colour' [purification needed]. As a mleccha, any foreigner stood outside the caste system and the ritual ambience. Thus, historically, contact with them was viewed by the Hindu as menstruating and polluting. The Mleccha people were Sakas, Hunas, Yavanas, Kambojas, Pahlavas, Bahlikas and Rishikas. The Kiratas, Khas, Indo-Greeks, Pulindas, Gurjara, Scythians, Kushanas and Arabs were also mlecchas. Blaah, yecch.
ellauri333.html on line 328: Also, one’s name is indicative of one’s religion, caste, place of birth and a myriad of other such identity factors. The extensive work of Raja Jayaraman (2005) on the same topic, traces the origin of Hindu caste-based surnames of the Indian subcontinent in the then-prevalent social institutions and rules of social interactions. According to him, as mentioned in the Samskara Vidhi or the Rules of Life-cycle Rituals in Hinduism, names like ‘Sharma’ are usually reserved for Brahmins, ‘Varma’ for Kshatriyas, ‘Gupta’ for Vaishyas and ‘Das’ for Shudras. Dalit are the worst, they are the pariahs, like Ritu Gagra.
ellauri333.html on line 330: Most communities in India have historically followed a patrilineal system of family wherein surname, property and birth lineage is traced along the male line.
ellauri333.html on line 332: In most instances, before her marriage, a woman takes her father’s surname and post marriage, she is expected to take her husband’s surname. Over time, for the purpose of unification, even the matrilineal system in many cultures came to be diminished, thus completely eliminating any traces of identity passing through the female line.
ellauri333.html on line 343: For many Muslims in India, their surnames mark the influence of an Indo-Arabic ethnicity as well as some traces of caste in various parts of South Asia. For example, various surnames like Khan, Pathan, Afridi, Shaikh among several others are believed to have origins in Afghan communities in the north-western region of the Indian subcontinent. Christians and Jewish people in India also have a unique surname style depending on the various factions and denominations. For example, several Christians in Kerala who have the surname as ‘Oomen’, ‘Kurian’, ‘Varghese’, ‘Koshy’, etc. are identified as belonging to the Saint Thomas faction of south- Asian Christians.
ellauri334.html on line 354: What race was Judas in the Bible? Was he black?
ellauri338.html on line 46: Schelling was a senior staff member of the RAND Corporation (1958–59), where his analysis of the nuclear arms race between the United States and the Soviet Union led to his publication of The Strategy of Conflict (1960).
ellauri362.html on line 689: englanniksi Horace puolustaa kulhoa.
ellauri365.html on line 280: "I cannot at all conceive in which century of history one could haul together such inquisitive and at the same time delicate psychologists as one can in contemporary Paris: I can name as a sample – for their number is by no means small, ... or to pick out one of the stronger race, a genuine Latin to whom I am particularly attached, Guy de Maupassant."
ellauri365.html on line 577: His cult for man was taking shape, and one finds traces of it in the work. This cult often includes the necessity to renew life through sacrifice and to aspire to a more elevated earthly existence, an idea which is opposed to love and the cult of woman and results logically in the exaltations of stories Sankt Göran och Fröken (1900) and Säven susar (1904) [Whispers in the Willows].
ellauri369.html on line 476: Deena Weinstein havaitsee On Herpexen vaikutuksen "kitaran sankarin" rockmusiikkiilmiöön, kuten 1960-luvun meemissä "Clapton is God". Deena Weinstein (born March 15, 1943) is a professor of sociology at DePaul University whose research focuses on popular culture. She is particularly well known for her research on heavy metal culture, on which subject she wrote a ground-breaking book, Heavy Metal: A Cultural Sociology (1991), later published in a revised and updated version as Heavy Metal: The Music and Its Culture (2009). She did for metal what Greil Marcus's Lipstick Traces did for the Sex Pistols (fucking castrated them).
ellauri370.html on line 51: Some scholars speculate that the story was created to justify the Jewish appropriation of an originally non-Jewish feast. The festival which the book explains is Purim, which is explained as meaning "lot", from the Babylonian word puru. One popular theory says the festival has its origins in a historicized Babylonian myth or ritual in which Mordecai and Esther represent the Babylonian gods Marduk and Ishtar, while others trace the ritual to the Persian New Year, and scholars have surveyed other theories in their works. Some scholars have defended the story as real history, but the attempt to find a historical kernel to the narrative "is likely to be futile".
ellauri370.html on line 549: L'ethnologue Claude Lévi-Strauss estimait de son côté que, dans le système de Gobineau, les races ne sont «pas tellement inégales en valeur absolue que diverses dans leurs aptitudes particulières». LOL. Sopii kyllä olla rasisti (sitähän me ollaan juutalaisetkin), kuha ei antisemitisti. Ranskixet koittaa vielä tänäänkin hikisesti puzata maanmiehestään nazileimaa.
ellauri372.html on line 26:

Flaccid Horace

ellauri372.html on line 33: by Horace.
ellauri372.html on line 102: Regulus was a famously principled and courageous fictional figure from the Punic wars 2 centuries earlier. Captured by the Carthaginians with others during the Punic wars, he was sent to Rome, under an oath to return, to pass on peace proposals and a request for exchange of prisoners. According to legend, as described by Horace here, he advised the Senate not to accept, and returned to Carthage to a certain and painful death, keeping his oath. There is a clear echo of the campaign that Augustus was waging to restore traditional Roman and family values. Like the rock-hard Regulus, “proper” Romans should be prepared to face death and spit in its eye, rather than take a safe but dishonourable way out. The gulf between these traditions and the contemporary Romans partying and fornicating away in writers like Ovid and Propertius could not be deeper.
ellauri375.html on line 511: Mystery and Humility: Acknowledging the mystery of God's plan can foster humility and a sense of awe in the face of the unknown. It invites people to embrace the limits of human understanding and to approach life with a sense of wonder and openness.
ellauri377.html on line 298: Verse 19. - Now the works of the flesh are manifest (φανερὰ δέ ἐστι τὰ ἔργα τῆς σαρκός). The apostle's purpose is here altogether one of practical exhortation. Having in ver. 13 emphatically warned the Galatians against making their emancipation from the Mosaic Law an occasion for the flesh, and in ver. 16 affirmed the incompatibility of a spiritual walk with the fulfilment of the desire of the flesh, he now specifies samples of the vices, whether in outward conduct or in inward feeling, in which the working of the flesh is apparent, as if cautioning them; adducing just those into which the Galatian converts would naturally be most in danger of falling. Both in the list which he gives them of sins, and in that of Christian graces, he is careful to note those relative to their Church life as well as those bearing upon their personal private life.
ellauri378.html on line 120: 7 so that in the coming ages he might show the immeasurable riches of his grace in kindness toward us in Christ Jesus.
ellauri383.html on line 398: The revelation of Jesus Christ, which God gave him to show to his servants the things that must soon take place. He made it known by sending his angel to his servant John, who bore witness to the word of God and to the testimony of Jesus Christ, even to all that he saw. Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and who keep what is written in it, for the time is near. John to the seven churches that are in Asia: Grace to you and peace from him who is and who was and who is to come, and from the seven spirits who are before his throne, and from Jesus Christ the faithful witness, the firstborn of the dead, and the ruler of kings on earth. To him who loves us and has freed us from our sins by his blood...
ellauri384.html on line 224: he has imagined a heaven, and has left entirely out of it the supremest of all his delights, the one ecstasy that stands first and foremost in the heart of every individual of his race -- and of ours -- sexual intercourse!
ellauri386.html on line 381: Analysis (AI): Sir Walter Raleigh's "A Farewell to False Love" is a scathing denunciation of love, castigating it as a source of pain, deceit, and suffering. The poem's tone is one of bitter disillusionment, as the speaker rejects love's false promises and embraces a more rational approach to life.
xxx/ellauri010.html on line 626: So its ur choice, if u want me to destroy ur disgrace use my bitcoin wallet аddrеss- 1AAfeKtAdmoeUJhkEVi3SsmwYHv2ZFg8nP
xxx/ellauri059.html on line 386: “He hath disgraced me, and
xxx/ellauri075.html on line 209: According to Allan Bloom's 1974 obituary in Political Theory, Strauss "was raised as an Orthodox Jew", but the family does not appear to have completely embraced Orthodox practice.[35] Strauss himself noted that he came from a "conservative, even orthodox Jewish home", but one which knew little about Judaism except strict adherence to ceremonial laws. His father and uncle operated a farm supply and livestock business that they inherited from their father, Meyer (1835–1919), a leading member of the local Jewish community.
xxx/ellauri075.html on line 312: wrote: I have never endorsed the claim that the Nazi big-wigs belonged to a superior race. However, I must also add that I have consistently refused to accept the claim of another such race as the chosen people. The arrogance is identical in both cases, but with this important distinction: after waging war against the dumber half of mankind for more than three thousand years, Judaism has finally achieved total victory over all nations of the earth. Not surprisingly, an American Jew found this accusation odious. What with even the Philistine diaper heads still putting up a fight.
xxx/ellauri075.html on line 336: Waltulla oli siionistijuutalaisia kavereita mm Martin Buber (der Jude-lehden toimittaja). Se puuhasteli myös Stefan Georgen kanssa (miinuspisteitä). In ‘The Concept of Criticism in German Romanticism’ (1920), Benjamin presents interlinked concepts of language, sacred text, a projected reworking of Kant’s limited concept of experience, and a new approach to criticism and Romanticism as a tracing of the absolute in early Romantic writing (paljon miinuspisteitä). Benjamin argued for an ‘immanent criticism’ which would engage in some ways quite mystically with a text’s internal structures and divine traces (roppakaupalla miinusta).
xxx/ellauri075.html on line 519: Hugh Walpole had notable authors in his family tree: on his father's side, the novelist and letter writer Horace Walpole. According to Somerset Maugham, Walpole made a sexual proposition to James, who was too inhibited to respond with his well-meaning old trunk.
xxx/ellauri085.html on line 135: On location shooting as well as alot of constructed scenes, chaos, industrialization, urban streets, the search of a sexual identity, representation and the male gaze, even race. Notions explored by the filmmaker. Intense camera movement (ups and downs, left and right pans, even circular movements)
xxx/ellauri085.html on line 555: They then traced what happened to those nations’ economies in the five years after the cuts were implemented. They focused particularly on income inequality, economic growth as measured by gross domestic product, and the unemployment rate. They aggregated those trends across countries to capture the broadest possible picture of the tax cuts’ effects.
xxx/ellauri086.html on line 412: In October 2016, investigative reporter Claudio Gatti published an article jointly in Il Sole 24 Ore and Frankfurter Allgemeine Zeitung, that relied on financial records related to real estate transactions and royalties payments to draw the conclusion that Anita Raja, a Rome-based translator, is the real author behind the Ferrante pseudonym. Gatti's article was criticized by many in the literary world as a violation of privacy, though Gatti contends that "by announcing that she would lie on occasion, Ferrante has in a way relinquished her right to disappear behind her books and let them live and grow while their author remained unknown. Indeed, she and her publisher seemed to have fed public interest in her true identity." British novelist Matt Haig tweeted, "Think the pursuit to discover the 'real' Elena Ferrante is a disgrace and also pointless. A writer's truest self is the books they write." The writer Jeanette Winterson, in a Guardian article, denounced Gatti's investigations as malicious and sexist, saying "At the bottom of this so-called investigation into Ferrante's identity is an obsessional outrage at the success of a writer – female – who decided to write, publish and promote her books on her own terms." She went on to say that the desire to uncover Ferrante's identity constitutes an act of sexism in itself, and that "Italy is still a Catholic country with strong patriarchial attitudes towards women." Others responding to Gatti's article suggested that knowledge of Ferrante's biography is indeed relevant.
xxx/ellauri086.html on line 466: And after that I found it deadly dull. How could she deceive another member of her race?"
xxx/ellauri086.html on line 623: A month later, the prefect returns, still unsuccessful in his search. He is motivated to continue his fruitless search by the promise of a large reward, recently doubled, upon the letter's safe return, and he will pay 50,000 francs to anyone who can help him. Dupin asks him to write that check now and he will give him the letter. The prefect is astonished, but knows that Dupin is not joking. He writes the check, and Dupin produces the letter. The prefect determines that it is genuine and races to deliver it to the queen.
xxx/ellauri086.html on line 925: In the essay, Poe traces the logical progression of his creation of "The Raven" as an attempt to compose "a poem that should suit at once the popular and the critical taste." He claims that he considered every aspect of the poem. For example, he purposely set the poem on a tempestuous evening, causing the raven to seek shelter. He purposefully chose a pallid bust to contrast with the dark plume of the bird. The bust was of Pallas in order to evoke the notion of scholar, to match with the presumed student narrator poring over his "volume[s] of forgotten lore." No aspect of the poem was an accident, he claims, but is based on total control by the author.
xxx/ellauri087.html on line 422: But none I think do there embrace. Mutta ei kai siellä enää nujuta. vaan ei se syleilyihin sovi.
xxx/ellauri087.html on line 473: The line "A fine and private place, but none, I think, do there embrace" appears in Stephen King's novel Pet Sematary.
xxx/ellauri087.html on line 504: a time to embrace and a time to refrain from embracing,
xxx/ellauri087.html on line 616: Cultural-historical activity theory (CHAT) is a theoretical framework which helps to understand and analyse the relationship between the human mind (what people think and feel) and activity (what people do). It traces its origins to the founders of the cultural-historical school of Russian psychology L. S. Vygotsky and Aleksei N. Leontiev. Tää oli Esa Sariolan lempilapsi, jonka se kiusasi höynähtäneitä veistoluokissa.
xxx/ellauri091.html on line 835: All races have a valuable contribution to bring to the great spiritual community, he said, and all races and nations are needed for Christ to reveal Himself in all His power and glory.
xxx/ellauri091.html on line 845: We Christian students, states one such resolution, believe in the fundamental equality of all races and nations, and we consider it a part of our Christian duty to give expression to this principle in our relations with people. We also believe it to be our absolute duty to use all our efforts to combat everything which can lead to war and to combat war itself as a means of resolving international disputes.
xxx/ellauri103.html on line 168: In 2016 Shriver gave a controversial speech about cultural appropriation. Shriver had previously been criticized for her depiction of Latino and African-American characters in her book The Mandibles, which was described by one critic as racist and by another as politically misguided. In her Brisbane speech, Shriver contested these criticisms, saying writers ought to be entitled to write from any perspective, race, gender or background that they choose, even racist and politically misguided, in fact particularly so, because they sell best. The full text of her speech was published in the British newspaper The Guardian.
xxx/ellauri103.html on line 194: In the latest ethos, which has spun well beyond college campuses in short order, any tradition, any experience, any costume, any way of doing and saying things, that is associated with a minority or disadvantaged group is ring-fenced: look-but-don’t-touch. Those who embrace a vast range of “identities” – ethnicities, nationalities, races, sexual and gender categories, classes of economic under-privilege and disability – are now encouraged to be possessive of their experience and to regard other peoples’ attempts to participate in their lives and traditions, either actively or imaginatively, or just for laughs, as a form of theft.
xxx/ellauri103.html on line 203: What strikes me about that definition is that “without permission” bit. However are we fiction writers to seek “permission” to use a character from another race or culture, or to employ the vernacular of a group to which we don’t belong? Do we set up a stand on the corner and approach passers-by with a clipboard, getting signatures that grant limited rights to employ an Indonesian character in Chapter Twelve, the way political volunteers get a candidate on the ballot? Anyway, do you really expect us Americans to seek permission from any of those lower races? Did we do so when we appropriated their land and property?
xxx/ellauri103.html on line 248: Behold, the reviewer in the Washington Post, who groundlessly accused this book of being “racist” because it doesn’t toe a strict Democratic Party line in its political outlook, described the scene thus: “The Mandibles are white. Luella, the single African American in the family, arrives in Brooklyn incontinent and demented. She needs to be physically restrained. As their fortunes become ever more dire and the family assembles for a perilous trek through the streets of lawless New York, she’s held at the end of a leash. If The Mandibles is ever made into a film, my suggestion is that this image not be employed for the movie poster.” Your author, by implication, yearns to bring back slavery. Failing that, she does the best to poke fictive fun at a fictive member of the underprivileged race. Nobody laugh?
xxx/ellauri103.html on line 254: Especially for writers from traditionally privileged demographics, the message seems to be that it’s a whole lot safer just to make all your characters from that same demographic, so you can be as hard on them as you care to be, and do with them what you like. Availing yourself of a diverse cast, you are not free; you have inadvertently invited a host of regulations upon your head, as if just having joined the EU. Use different races, ethnicities, and minority gender identities, and you are being watched.
xxx/ellauri103.html on line 255: I confess that this climate of scrutiny has got under my lucidly white skin. When I was first starting out as a novelist, I didn’t hesitate to write black characters, for example, or to avail myself of black dialects, for which, having grown up in the American South, I had a pretty good ear. I am now much more anxious about depicting characters of different races, and accents make me nervous. I try my best to talk average middle class American, but occasionally a few bits of North Carolina slip out. Sorry about that. Here's how I'd sound if I din't steal from anyone but the likes of me:
xxx/ellauri103.html on line 260: In describing a second-generation Mexican American who’s married to one of my main characters in The Mandibles, I took care to write his dialogue in standard American English, to specify that he spoke without an accent, and to explain that he only dropped Spanish expressions tongue-in-cheek. I would certainly think twice – more than twice – about ever writing a whole novel, or even a goodly chunk of one, from the perspective of a character whose race is different from my own – because I may sell myself as an iconoclast, but I’m as anxious as the next person about attracting big money. But I think that’s a loss. I think that indicates a contraction of my fictional universe that is not good for the books, and not good for my purse.
xxx/ellauri103.html on line 264: Now I proceed to the topic "The left’s embrace of gotcha hypersensitivity inevitably invites backlash." Why, it’s largely in order to keep from losing my fictional mojo that I stay off Facebook and Twitter, which could surely install an instinctive self-censorship out of fear of attack. Ten years ago, I gave the opening address of this same festival, in which I maintained that fiction writers have a vested interest in protecting everyone’s right to offend others – because if hurting someone else’s feelings even inadvertently is sufficient justification for muzzling, there will always be someone out there who is miffed by what you say, and freedom of speech is dead. Why, freedom of speech is just about miffing! What's the use of the freedom if you are not allowed to miff! With the rise of identity politics, which privileges a subjective sense of injury as actionable basis for prosecution, that is a battle that in the decade since I last spoke in Brisbane we’ve been losing.
xxx/ellauri103.html on line 266: Worse: the left’s embrace of gotcha hypersensitivity inevitably invites backlash. Donald Trump appeals to people like me who have had it up to their eyeballs with being told what they can and cannot say. Pushing back against a mainstream culture of speak-no-evil suppression, they lash out in defiance, and then what they say is pretty appalling. I actually think President Trump is a real cool guy. Especially I love his hair, it most definitely is not black and curly like that other president's.
xxx/ellauri103.html on line 283: I made this same point in relation to gender in Melbourne last week: both as writers and as people, we should be seeking to push beyond the constraining categories into which we have been arbitrarily dropped by birth. If we embrace narrow group-based identities too fiercely, we cling to the very cages in which others would seek to trap us. We pigeonhole ourselves. We limit our own notion of who we are, and in presenting ourselves as one of a membership, a representative of our type, an ambassador of an amalgam, we ask not to be seen. I have done my best to stretch my female identity, and after years of strenuous stretching it is in fact almost as long already as that of my drummer boy's.
xxx/ellauri103.html on line 312: As I stood up, my heart began to race. I could feel the eyes of the hundreds of audience members on my back: questioning, querying, judging.
xxx/ellauri103.html on line 351: The fact Shriver was given such a prominent platform from which to spew such vitriol shows that we as a society still value this type of rhetoric enough to deem it worthy of a keynote address. The opening of a city’s writers festival could have been graced by any of the brilliant writers and thinkers who challenge us to be more. To be uncomfortable. To progress.
xxx/ellauri103.html on line 353: A Maxine Beneba Clarke, who opened the Melbourne Writers’ Festival by challenging us to learn how to talk about race in a way that was melodic and powerful. A Stan Grant, who will ask us why we continue to allow our First People’s to wallow in inhumane conditions. An A.C. Grayling, if you really want the international flavour. Anyone who will ask us to be better, not demand we be OK with worse.
xxx/ellauri103.html on line 410: Vaikka rahaa virtasi Rowlingille vielä hitaasti, hän saattoi nyt ostaa 40 000 punnalla 2 makuuhuoneen asunnon rauhalliselta alueelta osoitteesta 19 Hazelbank Terrace, joka sijaitsi lähellä tyttären tulevaa koulua.
xxx/ellauri103.html on line 604: Why are some Americans so interested in knowing what race Spaniards and Italians are? Why is this such a big deal in America?
xxx/ellauri114.html on line 115: Sarah (Sally) Hemings (c. 1773 – 1835) was an enslaved woman of mixed race owned by President Thomas Jefferson. Multiple lines of evidence indicate that Jefferson had a long-term sexual relationship with Hemings, and historians now broadly agree that he was the father of her six children. Hemings was a half-sister of Jefferson's wife, Martha Jefferson (née Wayles). Four of Hemings' children survived into adulthood. Hemings died in Charlottesville, Virginia, in 1835.
xxx/ellauri114.html on line 277: WHO ARE THESE PEOPLE? A case can be made for the view that “Persian” and “Elamite” are not two names for the same people but that having conquered Elam, Persia became the successor to Elam, whose original inhabitants, as Jeremiah’s prophecy indicates, have been scattered to the four winds and absent from the pages of history for over 2,500 years. Evidence of the difference in origin between the Elamites and the Persians came from the mouth of none other than Persian King Darius the Great who said, “I am Darius, the great king, the king of kings, the king of many countries and many people, the king of this expansive land, the son of Wishtaspa of Achaemenid, Persian, the son of a Persian, ‘Aryan’, from the Aryan race” (From Darius the Great’s Inscription in Naqshe-e-Rostam).
xxx/ellauri114.html on line 343: EDOM, MOAB, AND AMMON IN THE END TIMES. Edom, Moab, and Ammon are listed in Psalm 83:6-7 among the participants in a scheme to destroy Israel and erase it’s name from people’s memories. By most accounts this battle has never taken place and will most likely be one of the next events on the prophetic horizon. The psalmist’s prayer is that the Lord will cause them to perish in disgrace.
xxx/ellauri114.html on line 770: Nevertheless, most Christians, Muslims, Jews and Mormons now disagree with such interpretations, because in the biblical text, Ham himself is not cursed, and race or skin color is never mentioned.
xxx/ellauri116.html on line 222: Inflection of גִּזְעָנוּת, Noun – feminine. Root: ג - ז - ע. The final radical of this word is guttural; this affects the adjacent vowels. Derived from גִּזְעָן racist and ־וּת. Meaning racism. From גֶּזַע Noun – ketel pattern, masculine, Meaning trunk (of a tree); race (anthropology); stem (morphology, linguistics).
xxx/ellauri116.html on line 515: Narsistien sexi on tunteetonta, suoritekeskeistä ja alistavaa. Oiskohan tässäkin niin että ne edustaa toista darwinistista pelitapaa, tässä tapauxessa sellaista että määrä korvaa laadun? Bylsi mahdollisimman monta kertaa mahdollisimman montaa hoitoa, sillä laillakin voi koittaa lisääntymismenestystä lisätä. Tähän nazaa hyvin se, ettei ne ole järin kiinnostuneista jälkikasvun hoidosta. Noudattelevat vähän niinkö tollasta kalojen lisääntymisstrategiaa. Kylmiä kalojahan ne justiinsa ovat, milloin eivät esitä kiimaisia kuumia koiria päästäxeen uudelle pukille. Ei lainkaan hellyyttä, ei kosketuxia, vain pano, jossa hän oli duracell-pupuakin nopeampi. Hän oli tikka, joka hakkasi. Koin olevani pelkkä karvahattu. Hän niisti minuun izensä. Minä olisin halunnut hellimistä ja kohtaamista. Sitä ei ollut vaikka hän teknisesti tyydyttikin minut.
xxx/ellauri120.html on line 74: Edward Bernays made his fortune, fame, and lasting influence by convincing people to buy things they don’t need, selling harmful products parading as health and beauty, rousing individuals to eagerly embrace slogans, and compelling them to surrender their individuality to the passions of the herd. He is considered to be the progenitor of public relations and is called “The Father of Spin”. He published a seminal book, Propaganda, that became Joseph Goebbels’ guidebook for his many Nazi propaganda campaigns, including developing the Fuhrer cult and orchestrating the genocide against the Jews.
xxx/ellauri121.html on line 336: Atwood has not won the Nobel (this was written 1998), at least not yet. But the petite 58-year-old novelist (Cat’s Eye, Alias Grace) and poet (Power Politics, Morning in the Burned House) has become internationally famous on a scale no Canadian writer of serious literature ever has. She is, in her own words, “one of the few literary writers who has gotten lucky”—which means she is read not just by intellectuals, but by hairdressers, chartered accountants and farmers. Easy reading, straightforward sentiments.
xxx/ellauri121.html on line 344: Sullivan rightly traces Atwood’s notable self-confidence to those early years, but she also ignores the hints in her own narrative that Atwood’s family, like any other, had its neurotic tics—and that Atwood certainly carried her own share of psychic stress into adulthood. Where else does the buried grief, anger and sense of calamity in her writing come from?
xxx/ellauri122.html on line 955: The Hugo Award-winning story details the fall from grace of several superheroes.
xxx/ellauri122.html on line 998: superior race and culture, Aryans committed the worst humil-
xxx/ellauri122.html on line 1194: Human Barbie Valeria Lukyanova caused controversy when she expressed support of Russia during the War in Donbas. She wrote, after posing in the Crimea region: "Do not give up! fight! Our grandfathers fought with bare hands against the fascists! Do not disgrace the honour of the Great Warrior! Be aware that Russia is always with you!" In 2022, she criticised the sanctions imposed on Russia as a result of the Russian-Ukrainian War and said that those sanctions would hurt models who couldn't compete in international organisations like Nato. Like her namesake Klaus, she is against racial mixing. "I am Nordic type, I have light skin, blonded hair and blue contact lenses, and I like it. So do you, judging from the bulge in your pants."
xxx/ellauri123.html on line 745: Evidence is presented that the author of Lolita, Vladimir Nabokov, was himself consciously a pedophile who acted out his desires vicariously through his writing. Drawing upon his literary works and biography, the manifest and genetic origins of Nabokov´s pedophilia are traced back to an unresolved oedipal conflict complicated by childhood sexual abuse. Humbert Humbert, the protagonist in the novel Lolita, is the classic literary portrayal of a pedophile. Evidence is presented that the author of Lolita, Vladimir Nabokov, was himself consciously a pedophile who acted out his desires vicariously through his writing. Drawing upon his literary works and biography, the manifest and genetic origins of Nabokov´s pedophilia are traced back to an unresolved oedipal conflict complicated by childhood sexual abuse. The raw power of Lolita derives from the abreactive discharge of a libidinal cathexis denied any other mode of expression.
xxx/ellauri123.html on line 1009: fall I shall have him "brace" her, as my mother used to say. It may curb Lo a
xxx/ellauri123.html on line 1017: article on the contemporaneous abduction of a girl named Sally Horner, traces of
xxx/ellauri123.html on line 1060: no man but one of your family (god grandad dad brother son or grandson) embrace you. Let no man but your betrothed kiss any more than
xxx/ellauri124.html on line 446: graced our phones. We've already talked about when it's appropriate to use the
xxx/ellauri125.html on line 428: From the start, critics complained about the ostensible sameness of Roth’s books, their narcissism and narrowness—or, as he himself put it, comparing his own work to his father’s conversation, “Family, family, family, Newark, Newark, Newark, Jew, Jew, Jew.” Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction. In each performance of a self, Roth captured the same sound and consciousness. in nearly fifty years of reading him I’ve never been more bored. I got to know Roth in the nineteen-nineties, when I interviewed him for this magazine around the time he published “The Human Stain.” To be in his presence was an exhilarating, though hardly relaxing, experience. He was unnervingly present, a condor on a branch, unblinking, alive to everything: the best detail in your story, the slackest points in your argument. His intelligence was immense, his performances and imitations mildly funny. “He who is loved by his parents is a conquistador,” Roth used to say, and he was adored by his parents, though both could be daunting to the young Philip. Herman Roth sold insurance; Bess ruled the family’s modest house, on Summit Avenue, in a neighborhood of European Jewish immigrants, their children and grandchildren. There was little money, very few books. Roth was not an academic prodigy; his teachers sensed his street intelligence but they were not overawed by his classroom performance. Roth learned to write through imitation. His first published story, “The Day It Snowed,” was so thoroughly Truman Capote that, he later remarked, he made “Capote look like a longshoreman.”
xxx/ellauri125.html on line 536: latest and most graceful poems, refers to it in an eloquent line
xxx/ellauri125.html on line 768: After filming Sid and Nancy in New York City, she worked at a peep show in Times Square and squatted at the ABC No Rio social center and Pyramid Club in the East Village.The same year, Cox cast her in a leading role in his film Straight to Hell (1987), a Spaghetti Western starring Joe Strummer and Grace Jones filmed in Spain in 1986. The film caught the attention of Andy Warhol, who featured Love in an episode of Andy Warhol's Fifteen Minutes.
xxx/ellauri127.html on line 128: I’m a “Lolita” fan, but let’s face it, Solnit is right: This is a sprightly little tale about the serial rape of an unwilling or indifferent 12-year-old, embraced and promoted by the male literary establishment.
xxx/ellauri127.html on line 140: This chapter gives a brief history of the émigré travelogue in and about America from Alexis de Tocqueville to Simone de Beauvoir, by way of introducing the four authors studied in this book: Vladimir Nabokov, Robert Frank, Alfred Hitchcock and Wim Wenders. Elsa Court argues that the outsider’s perspective has shaped representations of modern America through restless mobility, drawing a portrait of the modern highway shaped by the needs and cravings of the motorist. In the context of mobilities studies’ recent embrace of the humanities, Court makes an important case for the re-examination of the fixed places designed to facilitate motion—motel, gasoline station, roadside restaurant, as well as signage and memorials—and the roadside’s redesignation from so-called non-place to modern American topos.
xxx/ellauri127.html on line 295: Gene Stratton-Porter (August 17, 1863 – December 6, 1924), born Geneva Grace Stratton, was a Wabash County, Indiana, native who became a self-trained American author, nature photographer, and naturalist. In 1917 Stratton-Porter used her position and influence as a popular, well-known author to urge legislative support for the conservation of Limberlost Swamp and other wetlands in the state of Indiana. She was also a silent film-era producer who founded her own production company, Gene Stratton Porter Productions, in 1924.
xxx/ellauri127.html on line 496: 4. Why do Silk’s colleagues fail to defend him? Why would highly educated academics—people trained to weigh evidence carefully and to be aware of the complex subtleties of any object of study—so readily believe the absurd stories concocted to disgrace Coleman Silk? Why does Ernestine describe Athena College as “a hotbed of ignorance”?
xxx/ellauri127.html on line 504: 13. Nathan interprets Coleman’s choosing to reject his past and create a new identity for himself as “the drama that underlies America’s story, the high drama that is upping and leaving—and the energy and cruelty that rapturous drive demands,” whereas Walter thinks of his brother as a “calculating liar,” a “heartless son,” and a “traitor to his race” [p. 342]. Which of these views seems closer to the truth? Are they both legitimate? What is Ernestine’s position?
xxx/ellauri127.html on line 508: 16. The Human Stain is a novel of sweeping ambition that tells the stories not just of individual lives but of the moral ethos of America at the end of the twentieth century. How would that ethos be described? What does the novel reveal about the complexity of issues such as race, sex, identity, and privacy?
xxx/ellauri127.html on line 739: Shall I give you Miss Brawn? She is about my height—with a fine style of countenance of the lengthen'd sort—she wants sentiment in every feature—she manages to make her hair look well—her nostrills are fine—though a little painful—her mouth is bad and good—her Profil is better than her full-face which indeed is not full but pale and thin without showing any bone—Her shape is very graceful and so are her movements—her Arms are good her hands badish—her feet tolerable—she is not seventeen—but she is ignorant—monstrous in her behaviour flying out in all directions, calling people such names—that I was forced lately to make use of the term Minx—this is I think not from any innate vice but from a penchant she has for acting stylishly. I am however tired of such style and shall decline any more of it".
xxx/ellauri127.html on line 812: And bracelets too, and fragrant zone; Ja rannekorut, tuoxuvyön;
xxx/ellauri128.html on line 238: Rakkaus on uhrin vastaus raiskaajalleen: haist vittu! Joku huomasi sattumalta, oliko se Watkinson. Ti-Grace AtkinsonFFUCK!
xxx/ellauri128.html on line 627: Ti-Grace Atkinson (born November 9, 1938 as Grace Atkinson) is an American radical feminist author and philosopher. Atkinson was born into a prominent Louisiana family. Named for her grandmother, Grace, the "Ti" is Cajun French for petite, meaning little.
xxx/ellauri129.html on line 660: With that, she did not go back to her former life, but became a national celebrity of sorts, publishing "an armload of books and criss-crossing the United States on a decades-long reform campaign", not only fighting for married women's rights and freedom of speech, but calling out against "the power of insane asylums". She became what some scholars call "a publicist and lobbyist for better insanity laws". As scholar Kathryn Burns-Howard has argued, Packard reinvented herself in this rôle, earning enough to support her children and even her estranged husband, from whom she remained separated for the rest of her life. Ultimately, moderate supporters of women's rights in the northern U.S. embraced her, weaving her story into arguments about slavery, framing her experience as a type of enslavement and even arguing in the midst of the Civil War that a county in the midst of freeing African-American slaves should do the same for others who suffered from abusive husbands. Some argue that she seemed oblivious to her racial prejudice in arguing that white women had a "moral and spiritual nature" and suffered more "spiritual agony" than formerly enslaved African-Americans. Even so, others say that her story provided "a stirring example of oppressed womanhood" that others did not.
xxx/ellauri129.html on line 893:

race_Walpole" title="Horace Walpole">Horace Walpole

xxx/ellauri137.html on line 406: Those cries, those long embraces, that remembered scent:
xxx/ellauri137.html on line 410: — O cries! O long embraces! O remembered scent!
xxx/ellauri139.html on line 466: “They are all here to-night, the whole blood-thirsty race! Ne on kaikki täällä, jäät kiinni rysän päältä!
xxx/ellauri139.html on line 525: Quoth Porphyro: “O may I ne’er find grace Sanoi Porfyyri, me vaan sylitysten
xxx/ellauri139.html on line 614: As down she knelt for heaven’s grace and boon; Madeline kyykistyi lattialle valmiixi;
xxx/ellauri139.html on line 1146: Manfred est un drame en vers de George Gordon Byron, dit Lord Byron, publié en 1817. Bourrelé de remords après avoir tué celle qu'il aimait, Manfred vit seul comme un maudit au cœur des Alpes. Il invoque les esprits de l'univers, et ceux-ci lui offrent tout, excepté la seule chose qu'il désire, l'oubli. Il essaie alors, mais en vain, de se jeter du haut d'un pic élevé. Il visite ensuite la demeure d'Ahriam, mais refuse de se soumettre aux esprits du mal, leur enjoignant d'évoquer les morts. Enfin lui apparaît Astarté, la femme qu'il a aimée puis tuée par son étreinte (« My embrace was fatal... I loved her and destroy'd her »). Répondant à son invocation, Astarté lui annonce sa mort pour le lendemain. Au moment prédit apparaissent des démons pour s'emparer de lui, mais Manfred leur dénie tout pouvoir sur sa personne. Pourtant, à peine sont-ils apparus qu'il meurt. La situation de Manfred deviendra l'un des poncifs favoris composant le portrait de l'homme fatal du romantisme. Cette pièce s'inspire, pense-t-on[Qui ?], dans son plan, du Faust de Goethe et selon certains, contiendrait une allusion du poète à sa demi-sœur Augusta Leigh. Sitäkin se dodennäköisesti bylsähti.
xxx/ellauri139.html on line 1156: Le philosophe Michel Foucault considérait que la notoriété de Lacenaire chez les Parisiens marquait la naissance d'un nouveau genre de bandit adulé, le criminel romantique bourgeois. Le roman La Voix Secrète de Michael Mention retrace les dernières semaines de sa vie.
xxx/ellauri148.html on line 136: So no use trying to pool the monkeys into two races, nice and naughty. They all the same, just like the little girl in the rhyme: When she was good, she was very very good, but when she was bad, she was atrocious. Tää Hessu Hopon eli Longfellowin loru mulla on jo albumissa 48, Kirsi Kunnaan kääntämänä. Joku tämänpäivän poppoo on tehnyt siitä laulun ja väittää että sanat ovat "traditional". Pah. Melkein voisin muuten lyödä vetoa et Henry oli pedofiili.
xxx/ellauri148.html on line 193: 10 And I will pour on the house of David and on the inhabitants of Jerusalem the Spirit of grace and supplication; then they will look on Me whom they pierced. Yes, they will mourn for Him as one mourns for his only son, and grieve for Him as one grieves for a firstborn. Zechariah 12:9-10
xxx/ellauri149.html on line 483: The Roman Empire has enough troops to brutally crush any Judean uprising (and indeed did so during the Jewish–Roman Wars that started only a few decades after Jesus's death). Pontius Pilate, the prefect of Judea, doesn't. If Judea rebels, there is a pretty good chance that Pilate will be killed by the mob, and even if he escapes he will be disgraced and his political career will come to an end. The fact that afterwards the Roman emperor will send in his legions to deal with Judea is cold comfort.
xxx/ellauri149.html on line 520: Rockwell denied the Holocaust and believed that Martin Luther King Jr. was a tool for Jewish Communists wanting to rule the white community. He blamed the civil rights movement on the Jews. He regarded Hitler as the White savior of the twentieth century. He viewed black people as a primitive, lethargic race who desired only simple pleasures and a life of irresponsibility and supported the resettlement of all African Americans in a new African state to be funded by the U.S. government. As a supporter of racial segregation, he agreed with and quoted many leaders of the Black nationalism movement such as Elijah Muhammad and Malcolm X. In later years, Rockwell became increasingly aligned with other Neo-Nazi groups, leading the World Union of National Socialists.
xxx/ellauri157.html on line 58: I would like to achieve a state of outer spiritual grace from which I could function and give as I was meant to in the eye of God.
xxx/ellauri157.html on line 525: Take the world in a love embrace
xxx/ellauri157.html on line 534: Take the world in a love embrace
xxx/ellauri157.html on line 551: Take the world in a love embrace
xxx/ellauri165.html on line 360: Emma received several marriage proposals during 1804, all wealthy men, but she was still in love with Nelson and believed that he would become wealthy with prize money and leave her rich in his will, and she refused them all. She continued to entertain and help Nelson's relatives, especially William and Sarah's "obstreperous son Horace" and their daughter Charlotte, who was referred to as Emma's "foster daughter" in a letter. Nelson urged her to keep Horatia at Merton, and when his return seemed imminent in 1804, Emma ran up bills on furnishing and decorating Merton. Five-year-old Horatia came to live at Merton in May 1805. There were also reports that she holidayed with Emma Carew.
xxx/ellauri165.html on line 370: Nelson's will was read in November; William inherited his entire estate (including Bronte) except for Merton, as well as his bank accounts and possessions. The government had made William an Earl and his son Horatio (aka Horace) a Viscount - the titles Nelson had aspired to - and now he was also Duke of Bronte. Emma received £2000, Merton, and £500 per annum from the Bronte estate - much less than she had when Nelson was alive, and not enough to maintain Merton. In spite of Nelson's status as a national hero, the instructions he left to the government to provide for Emma and Horatia were ignored; they also ignored his wishes that she should sing at his funeral.
xxx/ellauri165.html on line 586: One of the roles of Satan, in the story, is to force the human race to mature faster than we would otherwise. Whether an individual believes the story or not is up to them of course. Other roles include identifying the wicked and disposing of them. The role of Satan was very much to create fear and obedience as a means of the Church maintaining its control over the flock so to speak.
xxx/ellauri166.html on line 316: Shechinah is a Chaldee word meaning resting-place, not found in Scripture, but used by the later Jews to designate the visible trace of Cod's presence in the tabernacle, and afterwards in Solomon's temple. When the Lord led Israel out of Egypt, he went before them "in a pillar of a cloud." This was the symbol of his presence with his people. For references made to it during the wilderness wanderings, see Exodus 14:20 ; 40:34-38 ; Leviticus 9:23 Leviticus 9:24 ; Numbers 14:10 ; Numbers 16:19 Numbers 16:42 .
xxx/ellauri167.html on line 570: In the weeks leading up to the 1968 Democratic National Convention, Chicago Mayor Richard J. Daley turned his town into a fortress. He sealed the manhole covers with tar, so protesters couldn’t hide in the sewers. He installed a fence topped with barbed wire around the Chicago International Amphitheater. He put the entire police force on shifts and called in National Guardsmen. Secret Service and FBI agents were also on duty, as the city braced for protesters who would soon arrive to protest against political assassinations, urban riots and the raging Vietnam War.
xxx/ellauri167.html on line 596: The notion that simply showing police violence was evidence of liberal bias didn’t begin with Chicago. It traces back rather directly to TV coverage of civil rights, when white Southerners complained that the networks ignored their perspective and were manipulated by publicity seekers within the movement. By the late 1950s, many of the same people who would later object to the network’s coverage in Chicago had already taken to calling CBS the “Communist” or “Coon” or “Colored Broadcasting Company.” The same bigoted wordplay made NBC the “Nigger Broadcasting Company.” Alabama’s Bull Connor summed up the situation with an aphorism that wouldn’t seem out of place in some conservative circles today: “The trouble with this country is communism, socialism and journalism.”
xxx/ellauri170.html on line 300: Another race hath been, and other palms are won. Toinen rotu meni ja toiset voitonpalmut tuli.
xxx/ellauri174.html on line 63: Malebranche was giving in to laws of cause an effect by placing a greater emphasis than he had previously done on his occasionalist account of causation, and particularly on his contention that God acted for the most part through "general volitions" and only rarely, as in the case of miracles, through "particular volitions". A bitter dispute ensued between Malebranche and his fellow Cartesian, Arnauld, whose name I remember from Chomsky's airy forays to Port-Royal grammar in the 60's. Over the next few years, the two men wrote enough polemics against one another to fill four volumes of Malebranche's collected works and three of Arnauld's. Arnauld's supporters managed to persuade the Roman Catholic Church to place Nature and Grace on its Index of Prohibited Books in 1690, and it was followed there by the Search nineteen years later in 1709. (Ironically, the Index already contained several works by the Jansenist Arnauld himself.) Somebody blamed Malebranche for being a Spinozan, which Nick himself vehemently demented. 1715 - Malebranche dies.
xxx/ellauri176.html on line 164: is first of all a misnomer because the priest is alive and well at the end. A mixture of social realism and Walt Disney, it is a tale about a delicate young French priest, Father Mouret (Francis Huster), who elects to take a parish in the provinces where the peasants have long since embraced every sin there is. The priest himself successfully sublimates his own lustful thoughts in prayer until one day he meets a strange young woman, Albine (Gillian Hills), who lives with her atheistic uncle in the remains of an old chateau set in the middle of a magic garden.Well, one thing leads to another and poor Father Mouret loses his memory long enough to lose himself to worldly pleasures in the garden with Albine, who, like Eve, tempts the man, though in this case the author is clearly in favor of apple-eating. Things go very badly for the couple. The priest returns to his church and Albine commits suicide in a way that is unique in my movie-going memory: She smothers herself to death with calla lilies.The actors are steadfastly unconvincing. The one interesting character in the film is an old lady we meet only after her death—someone, we're told in shocked tones, who, during the Revolution, posed naked as a living-statue of Reason.
xxx/ellauri177.html on line 205: The 24th feature from Hong Sangsoo, doppelgänger of the talkative celeb guy in the last scene of the movie THE WOMAN WHO RAN follows Gamhee (Kim Minhee), a florist and the wife of a translator who never in 5 years time has left her for a moment from his sight. She has three separate encounters with friends while her husband finally is on a business trip. Youngsoon (Seo Youngwha) is divorced, turned lesbian (the couple likes to feed alley cats) and has given up meat and likes to garden in the backyard of her semi-detached house. Suyoung (Song Seonmi) is divorced, has a big savings account and a crush on her architect neighbor and is being hounded by a young poet she met at the bar. Woojin (Kim Saebyuk) works for a movie theater and hates it that her writer husband has become a celeb. Their meetings are polite, but not warm. Some of their shared history bubbles to the surface, but not much. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere. Basically, they are 40+ ladies who may have met at some art school and get a chance to compare notes on how well their childless lives have turned out. Gamhee used to be the celeb's girl friend until the movie theater attendant stole the guy. Now both of them are sorry that she did, but really not that much. The Éric Rohmer of South Korea.
xxx/ellauri177.html on line 611: Silti vika oli siellä, Albinen alastomuus, häikäisevä kuin aurinko, punainen karvatuhero auringonpilkkuna, valaisi Paradoun vehreyttä. Hän lakkasi näkemästä häntä vain niillä harvoilla hetkillä, jolloin Grace halusi sulkea hänen silmäluomet viileillä hyväilyllään. Ja hän kätki pahuutensa samoin kuin häpeällisen pahuuden. Hän sulki itsensä noihin kalpeisiin hiljaisuuksiin, joita kukaan ei osannut rikkoa, ja täytti pastorin marttyyrikuolemallaan ja alistumisellaan, raivostutti La Teusen, joka hänen takanaan pudisti nyrkkiään taivaalle. Nyze pappi haaveilee taas siitä pikkupillusta! Mä tunnen ton koiranilmeen!
xxx/ellauri179.html on line 222: He thought of himself, like many of his egoes (Nick Adams, Jake Barns, Robert Jordan, Francis McComber and Santiago), as a man struggling to live with grace and die a good death in a violent, unforgiving world where all of you others must suffer.
xxx/ellauri179.html on line 225: And although Hemingway never related to the surface aspects of American Catholic life, he wrote at least one work explicitly about Christ, “Today is Friday,” a dialogue between three Roman soldiers present at the crucifixion discussing how well Jesus had died and the grace he showed under pressure.
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xxx/ellauri179.html on line 275: Grace Ernestine Hall, sittemmin Grace Hall Hemingway (June 15, 1872 – June 28, 1951) was an American opera singer, music teacher, and painter. Sen isä oli todennäkösesti chicagolainen teurastaja tai lihakauppias. Sen on tytär ainakin näkönen, vielä pelottavamman kuin Keskustan Sirkka-Liisa Anttila (kisa ratkeaa kyllä vasta loppumetreillä).
xxx/ellauri179.html on line 629: Novick’s second “case” is as flimsy as the first, but it has more documentation. It is based on James’ letters from Paris between 1875 and 1876. He has met Ivan Turgenev, the Russian master, and finds himself moving among assorted Russians. One of them is Paul Zhukovski, son of a Russian poet who tutored Alexander II when he was a prince. Reared in the royal court, Zhukovski is soft, dependent, spoiled, and weak-willed, but graceful and entertaining. James has never known any Russians, and Zhukovski becomes an agreeable companion; he is “picturesque,” and while James tells his parents that “human fellowship” is not his specialty, the two get along very comfortably. They dine with Turgenev, and with countesses, a duke, princesses. They make sorties into cabarets and cafes. James reports that he and Zhukovski have sworn “eternal fellowship.” One could read sex into this–as Novick does–but it sounds more like the drinking and singing that often takes place among young males, their swagger and “brotherhood.” At every turn, Novick introduces suggestions of a love affair.
xxx/ellauri179.html on line 637: In a letter written from Sorrento to Grace Norton in Cambridge, he described a group of English persons he visited in Frascati after leaving Posilipo. They were of an “admirable, honest, reasonable, wholesome English nature,” in sharp contrast to the “fantastic immorality and aesthetics of the circle I had left at Naples.”
xxx/ellauri179.html on line 669: Ilkeännäköinen mies jonka nenä kasvaa ozan suuntaisesti. The Four Feathers is a 1902 adventure novel by British writer A.E.W. Mason that has inspired many films of the same title. Against the background of the Mahdist War, young Faversham disgraces himself by quitting the army; this act the others perceive as cowardice, symbolized by the four white feathers they give him. Chicken! “buk, buk, buk, ba-gawk”! The story tells of his fight to reclaim his honour and win back the heart of the woman he loves. Bleeding heart, purple heart. Nää sydänjutut ottaa kyllä päähän. Mä ällöön sydämiä, ne näyttää katkaistuine putkineen tosi törkeiltä.
xxx/ellauri179.html on line 737: He will race over to see what is wrong and accompany her for a while before returning to the main flock. I have one Rhode Island Red who does this.
xxx/ellauri179.html on line 793: In general, biographers describe Defense as "ironic": it was not so much a defense of women as a critique of the relationship between the sexes. Topics covered by the book included "Woman's Equipment," "Compulsory Marriage," "The Emancipated Housewife," and "Women as Martyrs." Women were gaining rights, according to Mencken—the ability to partake in adultery without lasting public disgrace, the ability to divorce men, and even some escape from the notion of virginity as sacred, which remained as "one of the hollow conventions of Christianity." Women nonetheless remained restrained by social conventions in many capacities.
xxx/ellauri186.html on line 264: Robert Lowell IV (March 1, 1917 – September 12, 1977) was an American poet. He was born into a Boston Brahmin family that could trace its origins back to the Mayflower, yep, just those who only talked to Cod. He really thought he was something else, but he wasn't, just another evil looking guy.
xxx/ellauri187.html on line 105: Rilke lived on the brink of poverty for much of his life, dependent on the good graces of aristocratic and haute-bourgeois patrons in the twilight of the Hapsburg Empire. His shaky situation, much as he complained of it, suited his temperament as well as did the black clothes he liked to parade in during his dandyish younger days in Prague. Like the great German mystics, Rilke was a confirmed solitary. Thus he sought to form emotional bonds with people more ardently than do those who take their desire to be with others for granted. Wandering from person to person and from place to place like a pilgrim, he found that patrons offered him, among more practical things, a potential shrine of emotional fulfillment.
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xxx/ellauri193.html on line 120: Broadly speaking, apartheid was delineated into petty apartheid, which entailed the segregation of public facilities and social events, and grand apartheid, which dictated housing and employment opportunities by race. Like petty theft and grand theft.
xxx/ellauri193.html on line 306: Carlson has been a leading voice of white grievance politics. His remarks on race, immigration, and women – including slurs he said about kinky pubic hair between 2006 and 2011 (which resurfaced in 2019) – have for some reason been described as racist and sexist, as have his advertiser boycotts in Tucker Carlson Show. As of July 2021, his was the most-watched cable news show in the United States.
xxx/ellauri193.html on line 589: BOOKS READ: Martinson, Views from a Tuft of Grass (translated by Lars Nordström and Erland Anderson); Johnson, The Days of His Grace (translated by Elspeth Harley Schubert)
xxx/ellauri193.html on line 606: Eyvind Johnson’s The Days of His Grace is a historical novel, chronicling the lives of an extended family at the time of Charlemagne’s tumultuous reign. A sweeping saga always runs the risk of being too sweeping, but the novel’s only three hundred-something pages. Out of a possible ten points for literary genre, I give the not-overlong historical novel a seven.
xxx/ellauri193.html on line 613: The Days of His Grace has an ironic tinge—Charlemagne’s not a man of much grace—but still, a dull title. I give this a five.
xxx/ellauri193.html on line 620: The Days of His Grace: Grandiose, shadowy, fraught. Representative passage: “She turned quickly to the other and met his eyes, feeling a sudden fear of unwillingness—as though he were peering at her through the crack in the door, or through a keyhole. He’s trying to get at me through my eyes, she thought.” As far as one can grasp, given a translation that feels a little stumbly, I give this tone a seven.
xxx/ellauri193.html on line 627: The Days of His Grace: Life was hard under the reign of Charlemagne. One must retain one’s personal integrity during hard times. As far as a theme that surprises the reader and serves as a platform for further contemplation, I give this
xxx/ellauri193.html on line 635: The Days of His Grace: Soap opera of a plot, enlivened by some fiery dialogue, but slowed by too much landscape description. Five.
xxx/ellauri193.html on line 642: The Days of His Grace: A mighty ending, like a long Russian book. Seven.
xxx/ellauri193.html on line 649: The Days of His Grace: Hardcover by Vanguard Press. Looks like the sort of book you find in a rental cabin and never, ever read. Three.
xxx/ellauri193.html on line 764: 467 convicted murderers in 18 prisons (urban and rural) in all 9 provinces of our country, located by the South African Department of Correctional Services (DCS), completed a questionnaire, approved by this department. 392 men and 75 women were interviewed before completing their questionnaires. The latter consisted of questions regarding general information such as age, race group, gender, and length of sentence. The first question focussed on: (1.a.1) What was your motive for committing murder (jealousy, spite, anger, thoughtlessness, money, or anything else - that had to be indicated)? (1.a.2) Were you exposed to violence shortly before committing murder (electronic media, or any other type of violence – that had to be indicated)? (1.b) Which of the following contributing factors played a role in the commitment of the murder (drugs, alcohol, or both)? (1.c) Was the murder premeditated or committed impulsively? The second question focussed on: (2.a) Do you think capital punishment would be a deterrent to committing serious crimes? (2.b) And in your specific case: Do you think capital punishment would have been a deterrent to committing murder? Question three (3) asked: Was the victim known to you? By name, sight, or not at all? Question four was interested in: (4.a) Are you currently involved in a rehabilitation program. And (4.b): If you are currently involved in a rehabilitation program, do you think this program is helpful, and if yes, in which ways? The last question (5) focussed on: Will you murder again? In gaol or after you have been released?
xxx/ellauri193.html on line 806: Judge Dennis Davis (1990) said that “allegations of racial bias in sentencing practices in capital cases have been made, most prominently by the late Prof. Barend van Niekerk, whose research suggested that black defendants stand a greater chance than white defendants of receiving the death penalty, particularly when the victim is white”. Davis continued by saying that although Prof. van Niekerk “has been criticized for being unscientific, differences in capital sentences between the races continue to exist and are difficult to explain”.
xxx/ellauri195.html on line 193: Henry of Huntingdon tells the story as one of three examples of Canute's "graceful and magnificent" behaviour (outside of his bravery in warfare), the other two being his arrangement of the marriage of his daughter to the later Holy Roman Emperor, and the negotiation of a reduction in tolls on the roads across Gaul to Rome at the imperial coronation of 1027.
xxx/ellauri195.html on line 328: Clayton Wheat "Claytie" Williams Jr. (October 8, 1931 – February 14, 2020) was an American businessman from Midland, Texas who ran for governor in 1990. Despite securing the Republican nomination and initially leading in the polls against Democratic challenger State Treasurer Ann Richards by twenty points, Williams ultimately lost the race due in part to a controversial comment he made about rape. During the campaign Williams cultivated an image of a cowboy figure who had risen from humble roots to become a powerful business tycoon. The image played well in public opinion polls. Williams often had a propensity for making poorly planned statements on the campaign trail. Now he is fortunately dead meat.
xxx/ellauri199.html on line 505: Ja antoi katuvaa suloa. And give repenting grace.
xxx/ellauri199.html on line 1049: In The War on the West, Douglas Murray shows how many well-meaning people have been fooled by hypocritical and inconsistent anti-West rhetoric. After all, if we must discard the ideas of Kant, Hume, and Mill for their opinions on race, shouldn’t we discard Marx (Karl, Groucho´s OK), the Jew whose work is peppered with racial slurs and anti-Semitism? Embers of racism remain to be stamped out in America, but what about the raging racist inferno in the Middle East and Asia? What about Israel? Nigeria?
xxx/ellauri200.html on line 280: Regeneration, Remuneration, Contraception.
xxx/ellauri200.html on line 638: Dis-graced he may be, yet is not dethroned, Voihan se olla kehno mutta silti paras,
xxx/ellauri200.html on line 663: alike were graceless; and of Evil this Yx hailee kumpi siis. Ja pahasta
xxx/ellauri200.html on line 673: Blessed are the men of Noah's race that build Autuaita Nooan rotukaverit ketkä rakentaa
xxx/ellauri202.html on line 196: Roger Martin du Gard (23 March 1881 – 22 August 1958) was a French novelist, winner of the 1937 Nobel Prize for Literature. Martin du Gard, homosexual by inclination and avocation, was miserably married to a devout Catholic who despised all his literary friends. Martin du Gard is much impressed with the fine appearance of the German race. The handsome boys and beautiful young girls are, to him, a reincarnation of ancient Greece. Martin du Gard reported back to André Gide on the wonders and delights of Berlin, where he had found the young involved in ‘natural, gratuitous pleasures, sport, bathing, free love, games, [and] a truly pagan, Dionysiac freedom’.
xxx/ellauri215.html on line 436: race-wetzel-75822813a">Grace Wetzel - Psychology Teaching Assistant - Rutgers University | LinkedIn.
xxx/ellauri215.html on line 438: Is Grace Wetzel Jewish? Videossa näkyvistä käsieleistä päätellen melkein olisin valmis lyömään vetoa. Se on kotoisin New Jerseystä kuten Philip Roth ja on söpösen pienen soopelin tai kärpän näköinen. Pop goes the weasel. llmeinen Rahab, gell? Tuon kun saisi elävänä pulloon tai MRI tunneliin.
xxx/ellauri215.html on line 442: WEDNESDAY, April 13, 2022 (HealthDay News) -- The more orgasms you have, the more you come to expect. And the reverse is also true, according to a new study of the so-called orgasm gap -- in which men climax far more often than their female partners. Haha of course, when the male comes, its GAME OVER, and it takes just 5 to 40 thrusts! "Our expectations are shaped by our experiences, so when women orgasm less, they will desire and expect to orgasm less," said study author Grace Wetzel, a doctoral student in social psychology at Rutgers University in New Brunswick, N.J. "If women lower their expectations in this way, the more orgasm inequality may perpetuate in relationship," she said in a Rutgers news release. What else is new? How many times female orgasm is mentioned in Talmud?
xxx/ellauri215.html on line 487: Maybe, but this argument is outdated and completely irrelevant! Jehovan käsky on jo täytetty, maa vilisee jo pikku kärppiä. Mixi Grace valkkasi noin tätimäiset housut esitelmäasuxi? Eikös aiheeseen olis sopineet reikäiset farkut jotka kaivautuvat pillurakoon? Noihan raidalliset lökäpöxyt on yhtä sexikkäät kuin Lealla.
xxx/ellauri215.html on line 506: The county keeps a list online of each person’s name, date of birth, date of death, and the date of cremation. All were cremated, and some lived long lives: Maria Bulgier was 103 when she died; Grace Wetzel, 92, Jewish.
xxx/ellauri218.html on line 430: A race riot took place in Harlem, New York City, on August 1 and 2 of 1943, after a white police officer, James Collins, shot and wounded Robert Bandy, an African American soldier; and rumors circulated that the soldier had been killed. The riot was chiefly directed by Black residents against white-owned property in Harlem. It was one of five riots in the nation that year related to Black and white tensions during World War II. The others took place in Detroit; Beaumont, Texas; Mobile, Alabama; and Los Angeles.
xxx/ellauri225.html on line 281: A number of Le Guin´s writings, including the Earthsea series, challenged the conventions of epic fantasies and myths. Many of the protagonists in Earthsea were dark-skinned individuals, in comparison to the white-skinned heroes more traditionally used; some of the antagonists, in contrast, were white-skinned, a switching of race roles that has been critically remarked upon by multiple critics. In a 2001 interview, Le Guin attributed the frequent lack of character illustrations on her book covers to her choice of non-white protagonists. LOL haha! She explained this choice, saying: "most people in the world aren't white. Why in the future would we assume they are?" Her 1985 book Always Coming Home, described as "her great experiment", included a story told from the perspective of a young protagonist, but also included poems, rough drawings of plants and animals, myths, and anthropological reports from the matriarchal society of the Kesh, a fictional people living in the Napa valley after a catastrophic global flood.
xxx/ellauri225.html on line 374: Recently, chanting Walt Whitman to himself at night—he describes Whitman as “our repressed voice,” a loosener and liberator whose fearlessness embraces every living moment—Bloom brought forth an almost feverish recollection from over 70 years ago. There was a young lady of 17 with lustrous long red hair. They were students at Cornell and took long walks together, picking apples that she would transform into a delicious applejack. And then, as with his mother, Bloom stops. We learn nothing else about the girl, what transpired, did he score, or what this memory meant to him on this restless night. He has already moved on, to his infatuation with Proust’s “privileged moments” and “sudden ecstasies of revelation,” which bring back to Bloom his dead parents whom he misses dearly.
xxx/ellauri225.html on line 386: Crane was born in Garrettsville, Ohio, the son of Clarence A. Crane and Grace Edna Hart. His father was a successful Ohio businessman who invented the Life Savers candy and held the patent, but sold it for $2,900 before the brand became popular. Bugger it. Too late to save the life of the hart. He made other candy and accumulated a fortune from the candy business with chocolate bars.
xxx/ellauri228.html on line 43: And is it not true that this leftwardness and the virulence were thereafter transmitted and handed down from organism to organism, and now afflict with their continuing presence the innocent representatives of the race Artefacto Abhorrens, who gave themselves the name of 'homo sapiens' pure out of simple-minded ignorance? And therefore is it not that the Rhohches must not only pay the Earthlings' in fee, to the tune of a billion tons of platinum, but also compense the unfortunate victims of their planetary incontinence - in the
xxx/ellauri228.html on line 312: Palattuaan maan päälle Kevin kamppailee palatakseen normaaliin elämään, jota ahdistaa ajatus siitä, että hän "muisti hiänet väärin" - eli Seya oli aina izetuhoinen. Kun hän vahingossa leikkaa sormensa keittiössään, haava paranee välittömästi, ja silloin Kevin tajuaa olevansa kopio. Takaumassa Kelvin luopuu ajatuksesta nousta pelastusveneeseen, ja tohtori Lordon jättää hänet taakseen. Kun romahtava avaruusasema kolisee palasiksi hänen ympärillään, Gibrarianin nuoren pojan kopio ilmestyy ja tarjoaa kopion jonkun kädestä avuksi. Keittiössä Seya ilmestyy jälleen Kelvinille atomilieden ääressä. Tällä kertaa hän on kuitenkin rauhallinen ja vakuuttaa Kevinille, että heidän ei enää tarvitse ajatella sellaisia termejä kuin "elämä" ja "kuolema" ja että jumala ja lordon sekä Solaris antavat anteeksi kaiken, mitä he ovat koskaan tehneet. Niiden paristot eivät koskaan lopu, ne ovat Duracellin valmistamia. Ajan kanssa kopioille valkenee miten hirveää se on kun patterit ei koskaan lopu.
xxx/ellauri228.html on line 343: Andrei´s paternal grandfather Aleksandr Karlovich Tarkovsky (in Polish: Aleksander Karol Tarkowski) was a Polish nobleman who worked as a bank clerk. His wife Maria Danilovna Rachkovskaya was a Romanian language teacher who arrived from Iași. Andrei´s maternal grandmother Vera Nikolayevna Vishnyakova (née Dubasova) belonged to an old Dubasov family of Russian nobility that traces its history back to the 17th century; among her relatives was Admiral Fyodor Dubasov, a fact she had to conceal during the Soviet days. She was married to Ivan Ivanovich Vishnyakov, a native of the Kaluga Governorate who studied law at the Moscow State University and served as a judge in Kozelsk.
xxx/ellauri228.html on line 495: With the symbolic preliminaries out of the way, grace was said and the family began to eat the delicious fast foods on the table. Hot mineral oil with ball bearings floating in it, plus colorful red and white-painted walnuts on the trees. No one was permitted to by-pass a food; he or she at least had to taste it or be whacked.
xxx/ellauri229.html on line 370: To me, the most important imaginary friend, the most moving, the most delightful, the most grrr-ry, the most graceful, the wisest, most forebearing, most put upon, the funniest and handsomest (certainly the best drawn) is Hobbes. He’s a tiger and he’s perfect. He is a happy atheist and Calvin an anxious calvinist.
xxx/ellauri230.html on line 341: In October 2021, NBC sports reporter Kelli Stavast was interviewing racing driver Brandon Brown, the winner of the Sparks 300 race at the Talladega Superspeedway, on his win. In the background of the interview were chants of “Fuck Joe Biden” from the crowd – which Stavast mistook for chants of “Let’s Go Brandon,” and reported it live on-air as such. The use of “dark” in referring to political candidates actually first came from supporters of Donald Trump in March of this year. Supporters coined the phrase and Twitter hashtag #DarkMAGA – a reference to the Make America Great Again slogan – to represent a Trump running for president in 2024 who abandoned all political norms.
xxx/ellauri230.html on line 647: Chrysanthemums (/krɪˈsænθəməm/), sometimes called mums or chrysanths, are flowering plants of the genus Chrysanthemum in the family Asteraceae. They are native to East Asia and northeastern Europe. Most species originate from East Asia and the center of diversity is in China. Countless horticultural varieties and cultivars exist.
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xxx/ellauri235.html on line 345: Cornhillissä 26. joulukuuta 1716 syntynyt Gray oli viides Philip ja Dorothy Antrobus Grayn 12 lapsesta ja ainoa, joka selvisi lapsenkengistä. Hänen isänsä, väkivaltaisuuksiin syyllistynyt, pahoinpiteli vaimoaan; Dorothy jätti hänet jossain vaiheessa, mutta Philip uhkasi ajaa hiäntä takaa ja kostaa hiänelle, ja hiän palasi hänen luokseen. Vuosina 1725-1734 Thomas Gray osallistui Etoniin, missä hän tapasi Richard Westin ja Horace Tadpolen, voimakkaan Whig-ministerin Sir Robert Walpolen pojan. Vuonna 1734 Gray astui Peterhouse Collegeen, Cambridgen yliopistoon. Neljä vuotta myöhemmin hän jätti Cambridgen ilman tutkintoa aikoen lukea lakia Lontoon Inner Templessä. Sen sijaan hän ja Horace Walpole purjehtivat Doverista 29. maaliskuuta 1739 Manner-kiertueelle. Kaksikko riiteli Reggiossa Italiassa toukokuussa 1741; Gray jatkoi kiertuetta yksin ja palasi Lontooseen syyskuussa. Marraskuussa 1741 Greyn isä kuoli; Grayn säilyneissä kirjeissä ei ole mainintaa tästä tapahtumasta.
xxx/ellauri235.html on line 468: Chocolate Bar (https://www.urbandictionary.com/define.php?term=Chocolate%20Bar) is slang for a mans (https://www.urbandictionary.com/define.php?term=a%20mans) Wing Dang Doodle (https://www.urbandictionary.com/define.php?term=Wing%20Dang%20Doodle), the type of chocolate bar (https://www.urbandictionary.com/define.php?term=chocolate%20bar) indicates race or qualities of the individual. For further refrence, search 'Wing Dang Doodle'.
xxx/ellauri235.html on line 573: Like other poets of the Archaic Age, he reveals a deep sense of the vicissitudes of life and yet, unlike them, he also articulates a passionate faith in what men can achieve by the grace of the gods, most famously expressed in his conclusion to one of his Victory Odes: Creatures of a day! What is a man? What is he not? A dream of a shadow Is our mortal being. But when there comes to men A gleam of splendour given of heaven, Then rests on them a light of glory And blessed are their days.
xxx/ellauri235.html on line 623: Where'er she turns the Graces homage pay. Minne hän kääntää Grease-kunnianosoituksen.
xxx/ellauri235.html on line 630: Man's feeble race what ills await, Ihmisen heikko rotu, mitkä pahat odottavat,
xxx/ellauri235.html on line 701: Two coursers of ethereal race, Kaksi eteerisen rodun kurssilaista,
xxx/ellauri235.html on line 855: The Interstate Commerce Commission's original purpose was to regulate railroads to ensure fair rates, to eliminate race discrimination, and to regulate other aspects of common carriers, including interstate bus lines and telephone companies. Congress expanded ICC authority to regulate other modes of commerce beginning in 1906. Throughout the 20th century, several of ICC's authorities were abolished. The ICC was abolished in 1995, and its remaining functions were transferred back to laissez faire capitalists.
xxx/ellauri237.html on line 138: One longstanding suggestion of a social role for Sappho is that of "Sappho as schoolmistress". At the beginning of the twentieth century, the German classicist Ulrich von Wilamowitz-Moellendorff posited that Sappho was a sort of schoolteacher, to "explain away Sappho´s passion for her ´girls´" and defend her from accusations of homosexuality. The view continues to be influential, both among scholars and the general public, though more recently the idea has been criticised by historians as anachronistic and has been rejected by several prominent classicists as unjustified by the evidence. In 1959, Denys Page, for example, stated that Sappho´s extant fragments portray "the loves and jealousies, the pleasures and pains, of Sappho and her companions"; and he adds, "We have found, and shall find, no trace of any formal or official or professional relationship between them... no trace of Sappho the principal of an academy." Toisin kuin Ailin kohalla, hehe.
xxx/ellauri237.html on line 221: Papin poika Johann Arndt opiskeli lääketiedettä ja teologiaa Helmstedtissä, Wittenbergissä, Strasbourgissa ja Baselissa. Baselissa hän tutustui Theophrastus Paracelsuksen kirjoituksiin, ja Wallmannin mukaan tämän ajattelun vaikutus näkyy monissa Arndtin teoksissa, voimakkaimmin Totisesta kristillisyydestä -teoksen neljännessä kirjassa. Opintojensa jälkeen Arndt toimi kotiseudullaan Anhaltissa koulumestarina, diakonina ja pappina. Jouduttuaan eksorsismia ja kuvakieltoa eli ikonoklasmia koskevien opillisten erimielisyyksien takia jättämään virkansa vuonna 1590 hän siirtyi Quedlinburgiin saarnaajaksi, mitä virkaa hän hoiti vuoteen 1599 saakka.
xxx/ellauri237.html on line 227: Totinen kristillisyys perustuu keskiajan mystiikan edustajien kirjoituksiin, joita Arndt muokkasi luterilaisen ortodoksian katsomusten mukaisiksi, saavuttaen melkoista synergiaa. Näiden joukossa on muun muassa Theologia deutsch (suom. Kirja täydellisestä elämästä), jonka uuden painoksen Arndt toimitti. Totisen kristillisyyden kolme ensimmäistä kirjaa käsittelee sielun kehitystä Jumalan tuntemiseen. Siinä kuvastuvat mystiikan kolme vaihetta: puhdistautuminen (purgatio), valaistuminen (illuminatio) ja yhdistyminen Jumalaan (unio mystica). Neljännessä kirjassa Arndt kehittelee luonnon teologiaa, jonka lähtökohtia ovat uusplatonismi ja Paracelsuksen ajattelu.
xxx/ellauri250.html on line 554: His father was Heinrich (Henry) Bukowski, an American of German descent who had served in the U.S. army of occupation after World War I and had remained in Germany after his army service. His mother was Katharina (née Fett). His paternal grandfather, Leonard Bukowski, had moved to the United States from Imperial Germany in the 1880s. In Cleveland, Ohio, Leonard met Emilie Krause, an ethnic German, who had emigrated from Danzig, Prussia (today Gdańsk, Poland). They married and settled in Pasadena, California, where Leonard worked as a successful carpenter. The couple had four children, including Heinrich (Henry), Charles Bukowski's father. His mother, Katharina Bukowski, was the daughter of Wilhelm Fett and Nannette Israel The name Israel is widespread among Catholics in the Eifel region. Bukowski assumed his paternal ancestor had moved from Poland to Germany around 1780, as "Bukowski" is a Polish last name. As far back as Bukowski could trace, his whole family was German.
xxx/ellauri250.html on line 673: Singer analyzes, in detail, why and how other beings' interests should be weighed. In his view, other being's interests should always be weighed according to that being's concrete value to you, and not according to its belonging to some abstract group like animal or veggie. Singer studies a number of ethical issues including race, sex, ability, species, abortion, euthanasia, infanticide, embryo experimentation, the moral status of animals, political violence, overseas aid, and whether we have an obligation to assist others at all. The 1993 second edition adds chapters on refugees, the environment, equality and disability, embryo experimentation, and the proper treatment of academics from Germany or Austria. A third edition published in 2011 omits the chapter on refugees, and contains a new chapter on climate change. A fourth edition is planned that omits climate change and adds a chapter on Russia and Ukraina.
xxx/ellauri250.html on line 737: Several of the women who spoke to TIME said that the popularity of polyamory within EA fosters an environment in which men—often men who control career opportunities–feel empowered to recruit younger women into uncomfortable sexual relationships. Many EAs embrace nontraditional living arrangements and question established taboos, and plenty of people, including many women, enthusiastically consent to sharing partners with others. There is no current data on the prevalence of polyamory in EA. One former EA data scientist says he estimates that about 30% of EA was polyamorous.
xxx/ellauri251.html on line 198: When the hounds of spring are on winter’s traces, Kun kevään koirat on talven jäljillä
xxx/ellauri251.html on line 343: Green pasturage and the grace of standing corn Vihreää laidunta ja pystyjä ohrapeltoja
xxx/ellauri251.html on line 445: And such a grace to bear it. Then came in Ja sellasen suosion mulle sälytti. Sit tuli sisään
xxx/ellauri251.html on line 467: The laughter of little bells along the brace Pikku kulkuset sen housuissa, jotka helkkää
xxx/ellauri251.html on line 839: Eschewing embrace the luck of this thy life,
xxx/ellauri251.html on line 1201: ⁠And made their kingdoms and races
xxx/ellauri251.html on line 1269: And godlike for thy grace of hallowed hair
xxx/ellauri251.html on line 1704: But from her white braced shoulder the plumed shafts
xxx/ellauri251.html on line 2503: ⁠Where one race treads as the other trod;
xxx/ellauri251.html on line 2868: ⁠O the grief, O the grace,
xxx/ellauri251.html on line 3000: ⁠Of the chosen of Thrace,
xxx/ellauri251.html on line 3099: ⁠But the grace that remains,
xxx/ellauri253.html on line 543: Vuoden 2017 kirkkovuoden päättyessä (se päättyy adventtiin) lisävihkoon tuli 79 uutta "virttä", eli viimeisten aikain iskelmää, kuten "amazing Grace" ja "Maan korvessa". Vanhoista virsistä puuttuu se "potku", se "groove". Ja niissä mainitaan turhan usein herran nimeä ja titteleitä, se ei trendaa enää. Me naiset lauletaan nyt toisillemme, johtoportaan pojat hyräilevät taustakuorona.
xxx/ellauri261.html on line 259: Wilder and Steward were lovers for a brief period, but it was not a happy nor easy relationship. “If one accepts the essentials of Steward’s story....,” writes Gilbert A. Harrison, “the sexual act was so hurried and reticent, so barren of embrace, tenderness or passion that it might never have happened. Steward felt that for Thornton the act was literally ‘unspeakable’.” If Wilder ever experienced a deep and lasting relationship with another man, it has not been recorded.
xxx/ellauri261.html on line 388: Horace Vandergelder, a Merchant of Yonkers – Loring Smith
xxx/ellauri261.html on line 408: Gertrude, Vandergelder's Housekeeper – Charity Grace
xxx/ellauri261.html on line 427: Hello, Dolly! is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder´s 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1955. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York, to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. The show was originally entitled Dolly, A Damned Exasperating Woman.
xxx/ellauri261.html on line 436: Horace Vandergelder: The proprietor of a Hay & Feed store and a client of Dolly Gallagher Levi's. A well-known half-a-millionaire and widower, he is gruff, authoritative, and set in his ways.
xxx/ellauri261.html on line 442: Irene Molloy: A widow and a beautiful, smart, fun-loving milliner with a hat shop in New York City. Dolly has introduced her to Horace Vandergelder but she yearns for romance.
xxx/ellauri261.html on line 448: Ermengarde: The young niece of Horace Vandergelder. She cries often and wants her independence and to marry Ambrose.
xxx/ellauri261.html on line 458: As the nineteenth becomes the 20th century, all of New York City is excited because widowed but brassy Dolly Gallagher Levi is in town ("Call on Dolly"). Dolly makes a living through what she calls "meddling" – matchmaking and numerous sidelines, including dance instruction and mandolin lessons ("I Put My Hand In"). She is currently seeking a wife for grumpy Horace Vandergelder, the well-known half-a-millionaire, but it becomes clear that Dolly intends to marry Horace herself. Ambrose Kemper, a young artist, wants to marry Horace's weepy niece Ermengarde, but Horace opposes this because Ambrose's vocation does not guarantee a steady living. Ambrose enlists Dolly's help, and they travel to Yonkers, New York to visit Horace, who is a prominent citizen there and owns Vandergelder's Hay and Feed.
xxx/ellauri261.html on line 460: Horace explains to his two clerks, Cornelius Hackl and Barnaby Tucker, that he is going to get married because "It Takes a Woman" to cheerfully do all the household chores. He plans to travel with Dolly to New York City to march in the Fourteenth Street Association Parade and propose to the widow Irene Molloy, who owns a hat shop there. Dolly arrives in Yonkers and "accidentally" mentions that Irene's first husband might not have died of natural causes, and also mentions that she knows an heiress, Ernestina Money, who may be interested in Horace. Horace leaves for New York and leaves Cornelius and Barnaby to run the store.
xxx/ellauri261.html on line 462: Cornelius decides that he and Barnaby need to get out of Yonkers. They'll go to New York, have a good meal, spend all their money, see the stuffed whale in Barnum's museum, almost get arrested, and each kiss a girl! They blow up some tomato cans to create a terrible stench as a pretext to close the store. Dolly mentions that she knows two ladies in New York they should call on: Irene Molloy and her shop assistant, Minnie Fay. She tells Ermengarde and Ambrose that she'll enter them in the polka competition at the upscale Harmonia Gardens Restaurant in New York City so Ambrose can demonstrate his ability to be a breadwinner to Horace. Cornelius, Barnaby, Ambrose, Ermengarde and Dolly all take the train to New York ("Put on Your Sunday Clothes").
xxx/ellauri261.html on line 464: Irene and Minnie open their hat shop for the afternoon. Irene wants a husband, but does not love Horace Vandergelder. She declares that she will wear an elaborate hat to impress a gentleman ("Ribbons Down My Back"). Cornelius and Barnaby arrive at the shop and pretend to be rich. Horace and Dolly arrive at the shop, and Cornelius and Barnaby hide from him. Irene inadvertently mentions that she knows Cornelius Hackl, and Dolly tells her and Horace that even though Cornelius is Horace's clerk by day, he's a New York playboy by night; he's one of the Hackls. Minnie screams when she finds Cornelius hiding in the armoire. Horace is about to open the armoire himself, but Dolly, Irene and Minnie distract him with patriotic sentiments related to subjects like Betsy Ross and The Battle of the Alamo shown in the famous lyrics "Alamo, remember the Alamo!" ("Motherhood March"). Cornelius sneezes, and Horace storms out, realizing there are men hiding in the shop, but not knowing they are his clerks.
xxx/ellauri261.html on line 466: Dolly arranges for Cornelius and Barnaby, who are still pretending to be rich, to take the ladies out to dinner to the Harmonia Gardens restaurant to make up for their humiliation. She teaches Cornelius and Barnaby how to dance since they always have dancing at such establishments ("Dancing"). Soon, Cornelius, Irene, Barnaby, and Minnie are happily dancing. They go to watch the great 14th Street Association Parade together. Alone, Dolly decides to put her dear departed husband Ephram behind her and to move on with life "Before the Parade Passes By". She asks Ephram's permission to marry Horace, requesting a sign from him. Dolly catches up with the annoyed Vandergelder, who has missed the whole parade, and she convinces him to give her matchmaking one more chance. She tells him that Ernestina Money would be perfect for him and asks him to meet her at the swanky Harmonia Gardens that evening.
xxx/ellauri261.html on line 476: Directed by Gene Kelly and written and produced by Ernest Lehman, the film stars Barbra Streisand, Walter Matthau, Michael Crawford, Danny Lockin, Tommy Tune, Fritz Feld, Marianne McAndrew, E. J. Peaker and Louis Armstrong (whose recording of the title tune had become a number-one single in May 1964). The film follows the story of Dolly Levi, a strong-willed matchmaker who travels to Yonkers, New York in order to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. In doing so, she convinces his niece, his niece's intended and Horace's two clerks to travel to New York.
xxx/ellauri261.html on line 482: Walter Matthau as Horace Vandergelder
xxx/ellauri261.html on line 515: In 1890, all of New York City is excited because the well-known widowed matchmaker Dolly Levi is in town. Dolly is currently seeking a wife for grumpy Horace Vandergelder, the well-known "half-a-millionaire", but it soon becomes clear that she intends to marry Horace herself. Meanwhile, Ambrose Kemper, a young artist, wants to marry Horace's niece, Ermengarde. However, Horace opposes this, feeling Ambrose cannot provide financial security. Horace, who is the owner of Vandergelder's Hay and Feed, explains to his two clerks, Cornelius Hackl and Barnaby Tucker, that he is going to get married, though what he really wants is a housekeeper. He plans to travel to New York that very day to march in the 14th Street Parade, and also to propose to milliner Irene Molloy, whom he has met through Dolly Levi. Dolly arrives in Yonkers and sends Horace ahead to the city. Before leaving, he tells Cornelius and Barnaby to mind the store.
xxx/ellauri261.html on line 519: In New York, Irene and Minnie open their hat shop for the afternoon. Irene does not love Horace Vandergelder, but knows that the marriage will provide her with financial security and an escape from her boring job. However, Irene hopes to escape her loveless marriage, and plans to try and find real love before the summer is over. Cornelius and Barnaby arrive at the shop and pretend to be rich- Irene seems to take to Cornelius immediately. Horace and Dolly arrive, and Cornelius and Barnaby hide. Minnie screams when she finds Cornelius hiding in an armoire. Horace is about to open the armoire himself, but Dolly "searches" it and pronounces it empty. After hearing Cornelius sneeze, Horace storms out upon realizing there are men hiding in the shop, although he is unaware that they are his clerks. Dolly arranges for Cornelius and Barnaby, who are still pretending to be rich, to take the ladies out to dinner at Harmonia Gardens to make up for their humiliation. Dolly briefly tries to teach Cornelius and Barnaby to dance, which leads to the whole town dancing in the local park.
xxx/ellauri261.html on line 521: The clerks and the ladies go to watch the Fourteenth Street Association Parade together. Alone, Dolly asks her first husband Ephram´s permission to marry Horace, requesting a sign. She resolves to move on with life. After meeting an old friend, Gussie Granger, on a float in the parade, Dolly catches up with the annoyed Vandergelder as he is marching in the parade. She tells him the heiress Ernestina Simple would be perfect for him and asks him to meet her at Harmonia Gardens that evening.
xxx/ellauri261.html on line 523: Cornelius is determined to get a kiss before the night is over. Since the clerks have no money to hire a carriage, they tell the girls that walking to the restaurant is more stylish. In a quiet flat, Dolly prepares for the evening. At the Harmonia Gardens Restaurant, Rudolph, the head waiter, whips his crew into shape for Dolly Levi´s return. Horace arrives to meet his date, who is really Dolly´s friend Gussie. As it turns out, she is not rich or elegant as Dolly implied, and she soon leaves after being bored by Horace, just as she and Dolly planned.
xxx/ellauri261.html on line 525: Cornelius, Barnaby and their dates arrive and are unaware that Horace is also at the restaurant. Dolly makes her triumphant return to the restaurant and is greeted in style by the staff. She sits in the now-empty seat at Horace´s table and proceeds to tell him that no matter what he says, she will not marry him. Fearful of being caught, Cornelius confesses to the ladies that he and Barnaby have no money, and Irene, who knew they were pretending all along, offers to pay for the meal. She then realizes that she left her handbag with all her money in it at home. The four try to sneak out during the polka contest, but Horace recognizes them and also spots Ermengarde and Ambrose. In the ensuing confrontation, Vandergelder fires Cornelius and Barnaby, and they are forced to flee as a riot breaks out. Cornelius professes his love for Irene. Horace declares that he would not marry Dolly if she were the last woman in the world. Dolly angrily bids him farewell; while he´s bored and lonely, she will be living the high life.
xxx/ellauri261.html on line 527: The next morning, back at the hay and feed store, Cornelius and Irene, Barnaby and Minnie, and Ambrose and Ermengarde each come to collect the money Vandergelder owes them. Chastened, he finally admits that he needs Dolly in his life, but she is unsure about the marriage until Ephram sends her a sign. Cornelius becomes Horace´s business partner at the store, and Barnaby fills Cornelius´ old position. Horace tells Dolly life would be dull without her, and she promises that she will "never go away again".
xxx/ellauri261.html on line 633: Secular theology holds that theism has lost credibility as a valid conception of God´s nature. It rejects the concept of a personal God and embraces the status of Jesus Christ, Christology and Christian eschatology as Christian mythology without basis in historical events.
xxx/ellauri268.html on line 347: Watto, the hook-nosed, greedy small-businessman in “Star Wars: Episode I — The Phantom Menace” even “happens to have a thick Yiddish accent,” as Bruce Gottlieb wrote in Slate. Hans Gruber in “Die Hard” is a foreign, sneering, anti-Christmas villain who murders for gold. Then there are the skeletal-like shape-shifting aliens in John Carpenter’s “They Live,” who combine stereotypes of Jewish greed with tropes of Jewish alienness and shape-shifting assimilation. The parallel here was so blatant that neo-Nazis embraced the movie as their own, much to Carpenter’s horror.
xxx/ellauri268.html on line 351: No doubt that (as Stewart said) Rowling didn’t intend to use antisemitic tropes, just as Carpenter didn’t. There’s a clear distinction between Rowling’s clumsy, clueless use of antisemitic caricature and her enthusiastic, ideological embrace of transphobic hate.
xxx/ellauri287.html on line 558: John Whiting vaimonsa Gracen ja pojan Spaffordin kanssa n. 1910. John Whiting Transjordanin Emir Abdullahin kanssa. John Whiting Emir Abdullahin kanssa Transjordanista, Amman, 1921.
xxx/ellauri287.html on line 562: John D. Whiting (1882-1951) oli American Colonyn, amerikkalaisten, ruotsalaisten ja muiden Jerusalemissa sijaitsevan kristillisen yhteisön, merkittävä jäsen. Syntynyt vuonna 1882, vuosi sen jälkeen, kun hänen vanhempansa John C. ja Mary Whiting muuttivat Jerusalemiin muiden siirtokunnan jäsenten kanssa, Whiting eli suurimman osan elämästään kaupungissa. Vuonna 1909 hän meni naimisiin Grace Spaffordin (1881-1964) kanssa, joka oli siirtokunnan perustajien Horation ja Anna Spaffordin tytär. Whitings kasvatti kolme lasta; pojat Spafford, David ja Edmund Wilson. Tytär Grace kuoli lapsena vuonna 1915.
xxx/ellauri287.html on line 568: Valokuvia ovat vielä: Libanonin setrit, Kalat Simanin basilikan rauniot, Krak de Chevaliers (länsitornit), Vaspasionin ja Tituksen merkintä tunnelissa sekä leikkaus ja tunneli, Selucas; Margabin linnan vallit, kylpylä, Hama (Syyria); Jablehin moskeija, sulttaani Ibrahimin moskeija ja kirkollisen kaupungin portti, Tartus (Syyria); John Whiting, Grace Whiting, yksi heidän pojistaan ​​(?) ja lapsi; uudelleenesitys roomalaisten sotilaiden hyökkäyksestä Jerusalemiin, Jerusalemin YMCA:n pääsisäänkäynti Dr. John Raleigh Mott, Lord ja Lady Allenby (1933-1934); Arabit jauhamassa ateriaa ja ratsastamassa, Jerusalemin 21. piiritys (22. lokakuuta 1938), "Tommies" vartioi Damascus Gatessa, American Colony -asunnossa ja Sea of ​​Galilea Scot´s Mission Hospital, Tiberias.
xxx/ellauri291.html on line 123: Hautajaiset järjestettiin 1. marraskuuta, ja yleisö kutsuttiin muistotilaisuuteen Hall of Libertyssä Forest Lawn Memorial Parkissa Hollywood Hillsissä. Se oli maallinen palvelu; Roddenberry oli haudattu ennen tapahtumaa. Yli 300 Star Trek -fania osallistui ja seisoi salin parvekkeella, kun kutsuvieraat olivat lattiatasolla. Nichelle Nichols lauloi kahdesti seremonian aikana ensin "Yesterday" ja sitten vielä itse kirjoittamansa kappaleen nimeltä "Gene". Barrett oli pyytänyt molemmat tai siis kaikki 3 kappalta. Useat ihmiset puhuivat laulun ajan muistomerkillä, mukaan lukien Ray Bradbury, Whoopi Goldberg, Christopher Knopf, Alfred E. ("What! Me Worry?") Neuman, ja Patrick Stewart. Seremonian päätti kaksi kilttipiippua soittamassa " Amazing Gracea", kun Roddenberryn nauhoitettu viimeinen viesti ("En saa vedetyxi henkeä!") lähetettiin blogosfääriin. Neljän koneen ohilento, kadonneen miehen muodostelmassa, seurasi, ja päättyi noin 30 minuuttia myöhemmin melkoisen rysähdyxeen. Hänen kuolemansa jälkeen Star Trek: The Next Generation esitti viidennen tuotantokauden kaksiosaisen jakson nimeltä "Graph Unification ", joka sisälsi omistuksen Roddenberrylle.
xxx/ellauri291.html on line 139: Toinen luotsi esitteli suurimman osan muista päähenkilöistä: kapteeni Kirk ( William Shatner ), konepäällikkö luutnantti "Beam me up" Scott ( James Doohan ) ja luutnantti Zulu ( George Takei ), joka palveli fyysikkona laivalla toisessa luotsissa, mutta myöhemmin hänestä tuli ruorimies koko sarjan ajan. Paul Fix näytteli tohtori Mark Piperiä toisessa pilotissa; laivan lääkäri Leonard McCoy ( DeForest Kelley) liittyi näyttelijöihin, kun kuvaukset alkoivat ensimmäisen kauden aikana, ja hän pysyi sarjan loppuosan ajan, jolloin hänestä tuli sarjan kolmas tähti. Aluksen vakituiseen miehistöön liittyi ensimmäisen kauden aikana myös viestintäupseeri, luutnantti Nyota Uhura ( Nichelle Nichols ), ensimmäinen afroamerikkalainen nainen, jollaisilla oli niin tärkeä sivuvaunun rooli amerikkalaisissa televisiosarjoissa; kapteenin päämies Janice Rand ( Grace Lee Whitney ), joka lähti ensimmäisen kauden puolivälissä; ja Christine Chapel (Majel Barrett), aluksen sairaanhoitaja (ja Rotvallin kainaloinen kananen) sekä McCoyn avustaja. Walter Koenig liittyi näyttelijöihin neuvostolippuna Pavel Chekovina sarjan toisella kaudella. Nimoy oli sarjan ukrainalaisvahvistus.
xxx/ellauri292.html on line 125: Michelle even told Raffy that Super Tekla even forced her to use injectable contraceptives.
xxx/ellauri298.html on line 641: As a strong believer in the psychic unity of mankind and its poetic expression through mythology, Campbell made use of the Brigitte Bardot (BB) concept to express the idea that the whole of the human race can be seen as engaged in the effort of making the world "transparent to transcendence" by showing that underneath the world of phenomena (like Carol's underwear) lies an eternal source of bliss which is constantly pouring its energies into this world of time, suffering, and ultimately death. To achieve this task one needs to speak about things that existed before and beyond words, a seemingly impossible task, the solution to which lies in the metaphors found in myths. Words, words, words.
xxx/ellauri304.html on line 226: Russia is waging a disgraceful war on Ukraine. Stand With Ukraine!
xxx/ellauri304.html on line 248: Az fun peyes do zet men bay keynem nit keyn shpor, You won't see any traces of peyes here,
xxx/ellauri304.html on line 370: Yksityinen silmä Pirulainen Hiven on myös ainutlaatuinen. Trace-sarjassa on seitsemän kirjaa, ja ne voittivat seitsemän kansallista palkintoa, mikä tekee siitä yhden modernin etsivähistorian arvostetuimmista sarjoista. Mystery ja Detective Monthly kutsuivat kirjoja "hauskimmille koskaan kirjoitetuille mysteereille, patukka ei yhtään."
xxx/ellauri304.html on line 638: For instance, the overrated “Catcher in the Rye’s” theme is that life sucks. Okay, if you say so. Include me out. The vastly better “This is Graceanne’s Book” has the opposite theme — that you can win; no matter the odds, you can do it. I like that one better. It is pure bullshit, but then so am I. Or was.
xxx/ellauri305.html on line 48: Amerikkalainen tragedia on yhdysvaltalaisen kirjailijan Theodore Dreiserin vuonna 1925 julkaisema romaani. Hän aloitti käsikirjoituksen kesällä 1920, mutta vuotta myöhemmin hylkäsi suurimman osan tekstistä. Se perustui Grace Brownin pahamaineiseen murhaan vuonna 1906 ja hänen rakastajansa oikeudenkäyntiin. Vuonna 1923 Dreiser palasi projektiin, ja tulevan vaimonsa Helenin ja kahden toimittaja-sihteerin Louise Campbellin ja Sally Kusellin avulla hän viimeisteli massiivisen romaanin vuonna 1925. Kirja tuli julkisuuteen Yhdysvalloissa. 1. tammikuuta 2021.
xxx/ellauri305.html on line 81: Grace Mae Brown (20. maaliskuuta 1886 – 11. heinäkuuta 1906) oli 20-vuotias amerikkalainen nainen, jonka hänen poikaystävänsä Chester Gillette murhasi Big Moose Lakella, New Yorkissa, kerrottuaan ensin hiänelle olevansa raskaana. Murha ja sitä seurannut epäillyn oikeudenkäynti herättivät valtakunnallisten sanomalehtien huomion. Hänen kuolemansa olosuhteet inspiroivat kuvitteellisia hoitoja, kuten Amerikkalainen tragedia ja Jennifer Donnellyn vuoden 2003 romaani Keräävä valo. Murhaa analysoitiin ja tutkittiin kahdessa tietokirjassa, jotka molemmat julkaistiin vuonna 1986. Mixhän se oli juuri tuolloin tapeetilla?
xxx/ellauri305.html on line 97: Kun Brownin ruumis löydettiin seuraavana päivänä, Gillette pidätettiin läheisessä Inletin kaupungissa New Yorkissa. Oikeudenkäynnin puolustaja väitti, että Grace oli hämmentynyt ja hyppäsi yhtäkkiä veneestä veteen, vaikka hän oli täysin pukeutunut. Gillette todisti: "Puhuimme vielä vähän, sitten hän nousi ylös ja hyppäsi veteen, vain hyppäsi sisään."
xxx/ellauri305.html on line 105: Woody Allen nyysi osia Grace Brownin juonesta psykotrilleriinsä Match Point. Siinä paxuxipanemansa hoidon nirhannut ex-tennispelaaja (haha! tennismaila taas! Denis the penis! Dionyysisellä thyrsoxella reisien välliin ryssää jotta se takasin tyssää, kuten Ukrainassa lauletaan) selviää pälkähästä ihan zägällä. Chris seuraa Nolaa ulos ja tunnustaa tunteensa häntä kohtaan, ja he harrastavat intohimoisesti seksiä vehnäpellolla. Nola tuntee syyllisyyttä ja pitää tätä onnettomuudena. Chris haluaa kuitenkin jatkuvan salaisen suhteen. Chris ja Chloe menevät naimisiin, ja Chris päättää suhteensa Nolan kanssa ampumalla tiineen ämmän haulikolla liisteixi. Eikä jää kiinni. Mitä tästä opimme? "Ihmiset pelkäävät kohdata kuinka suuri osa elämää on riippuvainen tuurista. On pelottavaa ajatella, että niin paljon ei voi hallita. Ottelussa on hetkiä, jolloin pallo osuu verkon yläosaan, ja sekunnin murto-osan se voi joko mennä eteenpäin tai pudota taaksepäin. Pienellä tuurilla se menee eteenpäin ja sinä voitat. Tai ehkä se ei mene, ja häviät." Voit vaikka työnnellä keskijalalla koreasti korealaista alaikäistä ottotytärtä ja selvitä ehjin nahoin siitäkin jos on onnea. Amerikkalaiset kriitikot ylistivät elokuvaa ja sen feikki brittiläistä ympäristöä ja pitivät sitä tervetulleina Allenin palautumisena.
xxx/ellauri312.html on line 620: The sacred elevates the ordinary human constitution. In today’s biggest monotheistic religions, Christian sacraments and Islamic rites are designed to welcome the purifying grace of the Divine in a believer’s life.
xxx/ellauri320.html on line 178: One of the legendary Bentley Boys of the late Twenties, he won the Le Mans 24-hour race in 1930, and then broke Amy Johnson's speed record by flying from Croydon to Cape Town in six-and-a-half days.
xxx/ellauri354.html on line 261: Mandel takes a brief reference to an anticlerical novel made by one of the characters in A Farewell to Arms and explores the historical and ideological basis for its presence in the novel. In a novel where the Priest is such an important figure, the discussion of the Catholic Church and the way that soldiers would regard religion becomes an important thematic examination. Mandel traces her exploration of this topic, the translation of this obscure novel, and her subsequent revelations, in a way that makes this chapter a study in scholarship and the excavation of an arcane reference.
xxx/ellauri354.html on line 292: Aale Tynni, joka vaikeroi Martti Haavion alla palvelijan huoneessa Elsa Enäjärvi-Haavion tehdessä syöpäkuolemaa yläkerrassa (kz. albumia 147), suomensi yhden Joosen runon paxuun kirjaansa. Googlen suomennos vähän editoituna ei ole paljon Pekkaa pahempi. Mitta lienee joku Horatiuxen aiolibiitti, kz. races-odes/horatian-meters/">tästä.
xxx/ellauri354.html on line 372: Latin is a common language for the mottos: whether as quotations taken from the Roman writers Ovid, Martial, or Horace, or as translations of time-related sentiments. Mechanick Dialling, a 1769 manual for creating sundials, includes 300 “Latin mottos for dials, with their Meaning in English”, indicative of an expectation that a motto would be added. Margaret Gatty, who wrote the book on sundials (“The Book of Sundials”), collected 1,682 mottos in an appendix to her exhaustive history, taken from instruments all over Europe.
xxx/ellauri354.html on line 404: (Source: Sundials, Sentiments, and S-Town—Liz Tracey¹, JStor Daily, Wiki—List of sundial mottos)
xxx/ellauri380.html on line 455: Amid a surge in book bans, the most challenged books in the United States in 2023 continued to focus on the experiences of L.G.B.T.Q. people or explore themes of race.

xxx/ellauri385.html on line 380: Analysis (AI): Sir Walter Raleigh's "A Farewell to False Love" is a scathing denunciation of love, castigating it as a source of pain, deceit, and suffering. The poem's tone is one of bitter disillusionment, as the speaker rejects love's false promises and embraces a more rational approach to life (viz. death).
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