Ivana Trump is a former model and ex-wife of Donald Trump. She and Trump were part of New York City´s social elite during the 1980s. The two split in 1990 and Ivana won a $20 million divorce settlement. She later published The Best Is Yet to Come: Coping With Divorce and Enjoying Life Again. In it, she advised divorcees to "take his wallet to the cleaners."
ellauri032.html on line 221: Thomas Stearns Eliot OM (26 September 1888 - 4 January 1965) was a poet, essayist, publisher, playwright, and literary and social critic. Born in St. Louis, Missouri, to a prominent Boston Brahmin family, he moved to England in 1914 at the age of 25 and went on to settle, work and marry there. He became a British subject in 1927 at the age of 39, subsequently renouncing his American citizenship.
ellauri034.html on line 543: In 1975 the Nigerian writer Chinua Achebe published an essay, "An Image of Africa: Racism in Conrad´s ´Heart of Darkness´", which provoked controversy by calling Conrad a "thoroughgoing racist". Achebe´s view was that Heart of Darkness cannot be considered a great work of art because it is "a novel which celebrates... dehumanisation, which depersonalises a portion of the human race." Referring to Conrad as a "talented, tormented man", Achebe notes that Conrad (via the protagonist, Charles Marlow) reduces and degrades Africans to "limbs", "ankles", "glistening white eyeballs", etc., while simultaneously (and fearfully) suspecting a common kinship between himself and these natives—leading Marlow to sneer the word "ugly." Achebe also cited Conrad´s description of an encounter with an African: "A certain enormous buck nigger encountered in Haiti fixed my conception of blind, furious, unreasoning rage, as manifested in the human animal to the end of my days." Achebe´s essay, a landmark in postcolonial discourse, provoked debate, and the questions it raised have been addressed in most subsequent literary criticism of Conrad.
ellauri038.html on line 206: During this time, their roles reversed somewhat; as Max worked toward recovery and rested at home, Marianne attended political meetings, sometimes until late at night, and published her first book in 1900: Fichtes Sozialismus und sein Verhältnis zur Marxschen Doktrin ("Fichte's Socialism and its Relation to Marxist Doctrine"). Marianne vaikuttaa vasemmistolaisemmalta, järki-ihmiseltä Maxiin verrattuna.
ellauri038.html on line 208: In 1904, the Webers toured America. In America, Marianne met both Jane Addams and Florence Kelley, both staunch feminists and active political reformers. Also during that year, Max re-entered the public sphere, publishing, among other things, The Protestant Ethic and the Spirit of Capitalism. USA:ssa sen lurituxet satoivat vastaanottavaiseen maahan. Marianne also continued her own scholarship, publishing in 1907 her landmark work Ehefrau und Mutter in der Rechtsentwicklung ("Wife and Mother in the Development of Law").
ellauri038.html on line 210: In 1907, Karl Weber died, and left enough money to his granddaughter Marianne for the Webers to live comfortably. During this time, Marianne first established her intellectual salon. Between 1907 and the start of World War I, Marianne enjoyed a rise in her status as an intellectual and a scholar as she published "The Question of Divorce" (1909), "Authority and Autonomy in Marriage" (1912) and "On the Valuation of Housework" (1912), and "Women and Objective Culture" (1913). The Webers presented a united front in public life. Max defended his wife from her scholarly detractors but carried on an affair with Else Jaffe, a mutual friend.
ellauri038.html on line 212: In 1914, World War I broke out. While Max busied himself publishing his multi-volume study of religion, lecturing, organizing military hospitals, serving as an adviser in peace negotiations and running for office in the new Weimar Republic, Marianne published many works, among which were: "The New Woman" (1914), "The Ideal of Marriage" (1914), "War as an Ethical Problem" (1916), "Changing Types of University Women" (1917), "The Forces Shaping Sexual Life" (1919) and "Women's Special Cultural Tasks" (1919).
ellauri038.html on line 216: Following Max's unexpected death, Marianne withdrew from public and social life, funneling her physical and psychological resources into preparing ten volumes of her husband's writing for publication. In 1924, she received an honorary doctoral degree from the University of Heidelberg, both for her work in editing and publishing Max's work as well as for her own scholarship. Between 1923 and 1926, Weber worked on Max Weber: Ein Lebensbild ("Max Weber: A Biography"), which was published in 1926.[15] Also in 1926, she re-established her weekly salon, and entered into a phase of public speaking in which she spoke to audiences of up to 5,000. During this phase, she continued to raise Lili's children with the help of a close-knit circle of friends
ellauri039.html on line 770:

His earliest volume of verse was published in 1889, and its slow-paced and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley, and the poets of the Pre-Raphaelite Brotherhood.

ellauri067.html on line 606: Come Josephine In My Flying Machine is a popular song with music by Fred Fisher and lyrics by Alfred Bryan. First published in 1910, the composition was originally recorded by Blanche Ring and was, for a time, her signature song. Ada Jones and Billy Murray recorded a duet in November 1910, which was released the following year. There have been many subsequent recordings of the pop standard.
ellauri069.html on line 115: “The aim of literature,” says a character in “Florence Green Is 81,” one of Barthelme’s first published stories, “is the creation of a strange object covered with fur which breaks your heart.”
ellauri069.html on line 116: He complained that book publishers “publish an enormous number of things which look like books, sort of feel like books, but in reality are buckets of peanut butter with a layer of whipped cream on top.”
ellauri069.html on line 222: Richard Fariña, to whom Gravity's Rainbow is dedicated, was a good friend of Pynchon's when they were students at Cornell University in the 50s. In 1963, Farina married Mimi Baez, a folksinger and sister of Joan Baez. Although first married under the Napoleonic Code in a secret ceremony in Paris in the spring of 1963, they had an official marriage in Carmel, California, for the benefit of the Baez family. Pynchon was the best man for the Carmel ceremony, coming up from Mexico City where he was living and working on Gravity's Rainbow. In A Long Time Coming and a Long Time Gone, Farina's posthumously published collection of stories (Random House, 1969), Farina describes his and Pynchon's visit to the Monterey Fair. Richard and Mimi Farina formed a folk-music duo (Farina on guitar and Mimi on dulcimer, both singing) and released several albums in the 60s. Richard Farina was killed in a motorcycle crash following a book signing in Carmel for his newly published first (and only) novel, Been Down So Long It Looks Like Up To Me (Random House, 1966). You might want to visit this sweet website dedicated to the memory of Richard and Mimi (who died of cancer in 2001).
ellauri069.html on line 714: American poet, novelist, essayist, songwriter, playwright, editor and publisher. Known for his satirical works challenging American political culture. Perhaps his best-kĺnown work is Mumbo Jumbo (1972), a sprawling and unorthodox novel set in 1920s New York that has been ranked among the 500 most important books in the Western canon. Reed´s work has often sought to represent neglected African and African-American perspectives; his energy and advocacy have centered more broadly on neglected peoples and perspectives, irrespective of their cultural origins.
ellauri070.html on line 315: Skippy is an American comic strip written and drawn by Percy Crosby that was published from 1923 to 1945. A highly popular, acclaimed and influential feature about rambunctious fifth-grader Skippy Skinner, his friends and his enemies, it was adapted into movies, a novel and a radio show. It was commemorated on a 1997 U.S. Postal Service stamp and was the basis for a wide range of merchandising—although perhaps the most well-known product bearing the Skippy name, Skippy peanut butter, used the name without Crosby´s authorization, leading to a protracted trademark conflict.
ellauri071.html on line 93: Roger’s antipathy to Coward´s comedies of manners echoes the comments about Blithe Spirit in the Advent passage at 134 and passim. Pynchon’s own antipathy to the composer, writer and actor goes all the way back to "Lowlands," one of his first published stories.
ellauri071.html on line 101: He did not publicly acknowledge his homosexuality, but it was discussed candidly after his death by biographers including Graham Payn, his long-time partner, and in Coward's diaries and letters, published posthumously.
ellauri071.html on line 224: Junior G-Men was part of the larger "war on crime" campaign being waged through the mass media, which included movies, comic books and strips, radio programs, and pulp books, all of which was encouraged by the FBI and especially its director, J. Edgar Hoover prior to World War II. Most of these featured adult "G-Men" even when marketed to children. The difference with the Junior G-Men was that it was designed to give boys a sense of participating in the exciting adult world of crime-fighting. That said, aside from the original radio program, a book, Junior 'G' Men's Own Mystery Stories (by Gilbert A. Lathrop, Edward O'Connor, and Norton Hughs Jonathan) was published in 1936 and a big little book by Morrell Massey and Henry E. Vallely the following year. Eventually they also appeared on the big screen.
ellauri072.html on line 499: David Foster Wallace wrote three novels, three story collections, two collections of essays, and other things too, but his reputation still rests mainly on “Infinite Jest” — the 1,100-page novel published in 1996 and set alternately in a tennis academy and a rehab center — and on his sui generis now-nearly-a-genre long-form journalism about topics ranging from lobsters to dictionaries to John McCain to the Adult Video News awards for pornographic films. Wallace’s best work, perhaps by far, is “The Pale King,” an unfinished novel about I.R.S. employees that was assembled posthumously by Wallace’s editor, Michael Pietsch.
ellauri073.html on line 540: David Foster Wallace became a regionally ranked tennis player while growing up in Illinois. David Foster Wallace´s thesis, The Broom of the System, that he wrote while at Amherst College was published in 1987 while he was attending graduate school. In 1989 David Foster Wallace´s short story collection titled Girl with Curious Hair was published. After graduating from the University of Arizona David went on to study philosophy at Harvard University but soon chose to leave. He moved to Syracuse to be with the poet and novelist Mary Karr. While in Syracuse David Foster Wallace wrote most of his famous novel Infinite Jest. The finished book was 1,100 pages long. The novel dealt with addiction, art, and consumerism, and was set in the near future.
ellauri074.html on line 255: Tony Robbins has written over six books throughout his career. (Over six? like almost seven?) His first book, Unlimited Power, was published in 1986 and became a national bestseller. He has also written many other great books such as Awaken The Giant Within, Notes From A Friend, MONEY Master the Game, Giant Steps, and Unshakeable.
ellauri074.html on line 462: Vuonna 2005 Vasili erehtyi allekirjoittamaan antisemiittisen kirjelmän «Письмо 5000». The Letter of 5000 (Russian: Письмо‌ 5000), also known as the Letter of only 500 or the Letter of just 19 Deputies (Russian: Письмо 19 депутатов), was an open letter signed by 5,000 Russians, most significantly politicians, aimed at the Prosecutor-General of Russia. The Letter of 5,000 included sharp criticisms of Jews, Jewish leaders, and Jewish organisations, as well as calling for the investigation of the Kitzur Shulchan Aruch as a violation of the Criminal Code of Russia. The letter, published on 21 March 2005, attracted significant discussion in Russian and international media due to its demands, which were widely considered to be antisemitic.
ellauri074.html on line 471: The Kitzur Shulchan Aruch (קיצור שולחן ערוך), first published in 1864, is a work of halacha written by Rabbi Shlomo Ganzfried. The work was written in simple Hebrew which made it easy for the lay person to understand and contributed to its great popularity.
ellauri074.html on line 662: Wallace was deeply suspicious of the media infrastructure that was, when he died, still largely known as “the Net”—“I allow myself to Webulize only once a week now,” he once told a grad student—and he remarked to his wife, as they were moving computer equipment into their house, “thank God I wasn't raised in this era.” Having written his first big stories on a Smith Corona typewriter, Wallace disliked digital drafts and e-publishing in general. He took particular pleasure in the fact that his house in Indiana, the one recreated in The End of the Tour, had the elegantly atavistic address of “Rural Route 2.” He preferred to file his students’ work not on computers, but in a pink Care Bears folder.
ellauri077.html on line 209: To determine precisely what forces have determined the globalization of David Foster Wallace’s magnum opus, I spoke to writers, translators, and publishers in eight countries familiar with the work and its multiple manifestations. This is what they told me (2016).
ellauri077.html on line 216: Once again, the preponderance of American culture in Germany makes Infinite Jest a book that is readily understood. (And at this point I can’t help but take glee in the inherently Wallacian irony that American capitalism’s blob-like smearing of the globalized world has prepared the way for a scathing critique of this very same capitalism contained, Trojan Horse-style, inside a recondite mega-novel.) Still, things get lost: Blumenbach said that he “annotated the text as far as I could, and the publishers put those sixty pages of annotations on their website for a while.”
ellauri077.html on line 703: Hetkinen hetkinen, tästä puuttu tonni! Tässähän on vasta 6 askelta? Ai tää onkin APAn tiivistelmä. The following are the original twelve steps as published by Alcoholics Anonymous:
ellauri077.html on line 797: Tomás Luis de Victoria (1548 – 27. elokuuta 1611) oli espanjalainen säveltäjä ja pappi. The Tenebrae Responsories by Tomás Luis de Victoria are a set of eighteen motets for four voices a cappella. The late Renaissance Spanish composer set the Responsories for Holy Week known as Tenebrae responsories. They are liturgical texts prescribed for use in the Catholic observances during the Triduum of the Holy Week, in the Matins of Maundy Thursday, Good Friday and Holy Saturday. The compositions were published in Rome in 1585.
ellauri078.html on line 52: The infinity symbol (∞) represents a line that never ends. The common sign for infinity, ∞, was first time used by Wallis in the mid 1650s. He also introduced 1/∞ for an infinitesimal which is so small that it can’t be measured. Wallis wrote about this and numerous other issues related to infinity in his book Treatise on the Conic Sections published in 1655. The infinity symbol looks like a horizontal version of number 8 and it represents the concept of eternity, endless and unlimited. Some scientists say, however, that John Wallis could have taken the Greek letter ω as a source for creating the infinity sign.
ellauri078.html on line 103: The earliest known version is found in Christy's Plantation Melodies. No. 2, a songbook published under the authority of Edwin Pearce Christy in Philadelphia in 1853. Christy was the founder of the blackface minstrel show known as the Christy's Minstrels. Like most minstrel songs, the lyrics are written in a cross between a parody of a generic creole dialect historically attributed to African-Americans and standard American English. The song is written in the first person from the perspective of an African-American singer who refers to himself as a "darkey," longing to return to "a yellow girl" (that is, a light-skinned, or bi-racial woman born of African/African-American and European-American progenitors)
ellauri078.html on line 196: It was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first two lines of the second verse do paraphrase St Paul at Galatians 6:14. The poetry of "When I survey..." may be seen as English literary baroque.
ellauri079.html on line 37: Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions. This book was taught in Wallace's Tennis Academy. It's actually quite boring if you ask me. Be there or be square.
ellauri080.html on line 698: The findings were published in the Journal of Studies on Alcohol and Drugs.
ellauri082.html on line 45: Elizabeth Lee Wurtzel (July 31, 1967 – January 7, 2020) was an American writer and journalist, known for the confessional memoir Prozac Nation, which she published at the age of 27. Her work often focused on chronicling her personal struggles with depression, addiction, career, and relationships. Wurtzel's work drove a boom in confessional writing and the personal memoir genre during the 1990s, and she was viewed as a voice of Generation X. In later life, Wurtzel worked briefly as an attorney before her death from breast cancer.
ellauri082.html on line 288: Em's poem was published posthumously in 1890 in Poems: Series 1, a collection of Dickinson's poems assembled and edited by her friends. Critics attribute the lack of fear in her tone as her acceptance of death as "a natural part of the endless cycle of nature," due to the certainty in her belief in Christ. (Silly, if death is a natural part of the endless cycle of nature who needs Christ meddling into it? Christ was no endless cycle guy but like Tom Hanks in "News of the world" a guy who points with his hand straight ahead, in a rigidly raising logistic line toward the abyss.)
ellauri083.html on line 82: The writer Pearl S. Buck emerged into literary stardom in 1931 when she published a book called "The Good Earth." That story of family life in a Chinese village won the novelist international acclaim, the Pulitzer, and eventually a Nobel Prize. Her upbringing in China as the American daughter of missionaries served as inspiration for that novel and many others. By her death in 1973, Pearl Buck had written around 100 books.
ellauri083.html on line 84: We can now add yet another to that list. This week, her estate announced the discovery of a new never-published manuscript called "The Eternal Wonder." And as her son Edgar Walsh tells it, the story of the novel's recovery is a wonder itself.
ellauri083.html on line 88: LYDEN: "The Eternal Wonder" will be published this fall. Edgar Walsh, who manages his mother's literary estate, says he had a complex reaction to the news.
ellauri083.html on line 96: WALSH: To whomever. Initially, she wanted to put the manuscript on eBay and try to sell it there. I contacted an attorney in Philadelphia, Peter Hearn, and said we will not give her what she's asking for, but we will pay her a modest sum of money, and we wanted it returned immediately. That worked. I read the manuscript, and I said, you know, I want to get this published.
ellauri083.html on line 135: The Good Earth (English The Good Earth) is a historical fiction novel by American author Pearl S. Buck published in 1931 that dramatizes family life in a Chinese village in the early 20th century. It was influential in Buck's winning the Nobel Prize for Literature in 1938.
ellauri083.html on line 153: Independent People (Icelandic: Sjálfstætt fólk) is an epic novel by Nobel laureate Halldór Laxness, originally published in two volumes in 1934 and 1935; literally the title means "Self-standing folk". It deals with the struggle of poor Icelandic farmers in the early 20th century, only freed from debt bondage in the last generation, and surviving on isolated crofts in an inhospitable landscape.
ellauri088.html on line 544: Idle Thoughts of an Idle Fellow, published in 1886, is a collection of humorous essays by Jerome K. Jerome. It was the author’s second published book and it helped establish him as a leading English humorist. While widely considered one of Jerome’s better works, and in spite of using the same style as Three Men in a Boat, it was never as popular as the latter. A second "Idle Thoughts" book, The Second Thoughts of An Idle Fellow, was published in 1898.
ellauri088.html on line 599: In addition, here’s a much earlier spoof of German lieder, from the British comic novel “Three Men in a Boat,” published in 1889. I think it shows just how pervasive and long-standing is the English-speaker’s resistance to the rarefied world of the German art-song. The excerpt is also very silly and probably tells you at least as much about British anti-intellectualism and complacency as it does about German over-earnestness.
ellauri089.html on line 48: Robert Anson Heinlein (/ˈhaɪnlaɪn/; July 7, 1907 – May 8, 1988) was an American science-fiction author, aeronautical engineer, and Naval officer. Sometimes called the "dean of science fiction writers", he was among the first to emphasize scientific accuracy in his fiction, and was thus a pioneer of the subgenre of hard science fiction. His published works, both fiction and non-fiction, express admiration for competence and emphasize the value of critical thinking. His work continues to have an influence on the science-fiction genre, and on modern culture more generally.
ellauri089.html on line 96: When Robert A. Heinlein opened his Colorado Springs newspaper on April 5, 1958, he read a full-page ad demanding that the Eisenhower Administration stop testing nuclear weapons. The science fiction author was flabbergasted. He called for the formation of the Patrick Henry League and spent the next several weeks writing and publishing his own polemic that lambasted "Communist-line goals concealed in idealistic-sounding nonsense" and urged Americans not to become "soft-headed".
ellauri089.html on line 114: From Rocket Ship Galileo (1947) to Have Space Suit—Will Travel (1958), Robert A. Heinlein wrote twelve novels, all published by Scribners, that were aimed at what we now call the juvenile market. In Dr. Johnson’s sense of the word, they are classics in their field, they have stood the test of time. They appeared first in hardback—unusual in a field in which, until the 1950s or 1960s, almost all major works were published in magazines or in paperback; and during the 1950s, hardback copies of these novels could be found in school and public libraries all across the country. These novels later appeared in paperback and have remained available in that form to the present. Heinlein’s juvenile novels have been largely ignored by both science fiction critics and critics of children’s literature; but even a half century after they were written, these novels are still “contemporary” and are still among the best science fiction in the range.
ellauri089.html on line 130: When Ayn Rand's novel The Fountainhead was published, Heinlein was very favorably impressed, as quoted in "Grumbles ..." and mentioned John Galt—the hero in Rand's Atlas Shrugged—as a heroic archetype in The Moon Is a Harsh Mistress. He was also strongly affected by the religious philosopher P. D. Ouspensky.
ellauri089.html on line 151: Certainly his best-known and most successful books came after the decision to write entirely for an adult audience, with Stranger in a Strange Land in 1961 and The Moon Is a Harsh Mistress in 1966. And in such books as Farnham's Freehold (1964), he clearly felt freer to express the libertinism that had been implicit in all his earlier published work.
ellauri089.html on line 197: Job: A Comedy of Justice is a novel by Robert A. Heinlein published in 1984. The title is a reference to the biblical Book of Job and James Branch Cabell's book Jurgen, A Comedy of Justice.
ellauri089.html on line 693: Public Domain Dedication Principia Ethica was written by G. E. Moore, and published in 1903. It is now available in the Public Domain.
ellauri090.html on line 103: Quincas Borba is a novel written by the Brazilian writer Machado de Assis. It was first published in 1891. It is also known in English as Philosopher or Dog? The novel was principally written as a serial in the journal A Estação from 1886 to 1891. It was definitively published as a book in 1892 with some small but significant changes from the serialized version.
ellauri090.html on line 120: Rubião becomes friends with Dr. Camacho, a lawyer and the editor of a politically oriented newspaper called Atalaia. On his way to meet Dr. Camacho, Rubião rescues a small child, Deolindo, in danger of being run over by a carriage and horses. Rubião then goes on to Dr. Camacho’s office, where he subscribes generously to the capital fund for Atalaia. Dr. Camacho flatters Rubião by publishing an account of Rubião’s heroism in saving Deolindo. Although Rubião is at first modest and dismissive about his heroism, as he reads Camacho’s account he becomes increasingly self-important.
ellauri092.html on line 65: Dwight Lyman Moody (February 5, 1837 – December 22, 1899), also known as D. L. Moody, was an American evangelist and publisher connected with Keswickianism, who founded the Moody Church, Northfield School and Mount Hermon School in Massachusetts (now Northfield Mount Hermon School), Moody Bible Institute and Moody Publishers. One of his most famous quotes was “Faith makes all things possible... Love makes all things easy.“ Moody gave up his lucrative boot and shoe business to devote his life to revivalism, working first in the Civil War with Union troops through YMCA in the United States Christian Commission. In Chicago, he built one of the major evangelical centers in the nation, which is still active. Working with singer Ira Sankey, he toured the country and the British Isles, drawing large crowds with a dynamic speaking style. Jesus was a great motivational speaker, and the apostles plus Paul of Tarsus copycatted him to the best of their abilities.
ellauri092.html on line 269: In 1859 William Boardman published his book, The Higher Christian Life. The book ultimately birthed the Keswick Movement, so named because the first meeting was held in a church in Keswick, England. The Keswick Movement was filled with doctrinal error from the start and like nearly all errors that infiltrated Christendom over the centuries, they remain to this day. This shouldn’t surprise us because Satan has always twisted God’s Word to his own ends.
ellauri093.html on line 130: The conversion and example of the seven was one of the grand gestures of 19th-century missions, making them religious celebrities; as a result, their story was published as "The Evangelisation of the World" and was distributed to every YMCA and YWCA throughout the British Empire and the United States.
ellauri095.html on line 86: Gerard Manley Hopkins SJ (28 July 1844 – 8 June 1889) was an English poet and Jesuit priest, whose posthumous fame established him among the leading Victorian poets. His manipulation of prosody – particularly his concept of sprung rhythm – established him as an innovative writer of verse, as did his technique of praising God through vivid use of imagery and nature. Only after his death did Robert Bridges begin to publish a few of Hopkins's mature poems in anthologies, hoping to prepare the way for wider acceptance of his style. By 1930 his work was recognised as one of the most original literary accomplishments of his century. It had a marked influence on such leading 20th-century poets as T. S. Eliot, Dylan Thomas, W. H. Auden, Stephen Spender and Cecil Day-Lewis.
ellauri095.html on line 101: The Uranians were a small and clandestine group of male homosexual poets who published works between 1858, when William Johnson Cory published Ionica, and 1930. Although most of them were English, they had counterparts in the United States and France.
ellauri095.html on line 105: Uranian is a 19th-century term that referred to homosexual men. The term was first published by activist Karl Heinrich Ulrichs (1825–95) in a series of five booklets (1864–65) collected under the title Forschungen über das Räthsel der mannmännlichen Liebe (Research into the Riddle of Man–Male Love). Ulrichs derived Uranian (Urning in German) from the Greek goddess Aphrodite Urania, who was created out of the god Uranus' testicles. Therefore, it represents the homosexual gender, while Dionian (Dioning), derived from Aphrodite Dionea, represents the heterosexual gender. Ulrichs developed his terminology before the first public use of the term homosexual, which appeared in 1869 in a pamphlet published anonymously by Karl-Maria Kertbeny (1824–82)
ellauri095.html on line 117: As a poet, Hopkins's father published works including A Philosopher's Stone and Other Poems (1843), Pietas Metrica (1849), and Spicelegium Poeticum, A Gathering of Verses by Manley Hopkins (1892). He reviewed poetry for The Times and wrote one novel. Catherine (Smith) Hopkins was the daughter of a London physician, particularly fond of music and of reading, especially German philosophy, literature and the novels of Dickens. Both parents were deeply religious high-church Anglicans. Catherine's sister, Maria Smith Giberne, taught her nephew Gerard to sketch. The interest was supported by his uncle, Edward Smith, his great-uncle Richard James Lane, a professional artist, and other family members.
ellauri095.html on line 123: Hopkins became a skilled draughtsman. He found his early training in visual art supported his later work as a poet. His siblings were much inspired by language, religion and the creative arts. Milicent (1849–1946) joined an Anglican sisterhood in 1878. Kate (1856–1933) would help Hopkins publish the first edition of his poetry. Hopkins's youngest sister Grace (1857–1945) set many of his poems to music. Lionel (1854–1952) became a world-famous expert on archaic and colloquial Chinese. Arthur (1848–1930) and Everard (1860–1928) were highly successful artists. Cyril (1846–1932) would join his father's insurance firm.
ellauri095.html on line 149: During his lifetime, Hopkins published few poems. It was only through the efforts of Robert Bridges that his works were seen.
ellauri095.html on line 153: Despite Hopkins burning all his poems on entering the Jesuit novitiate, he had already sent some to Bridges, who with some other friends, was one of the few people to see many of them for some years. After Hopkins's death they were distributed to a wider audience, mostly fellow poets, and in 1918 Bridges, by then poet laureate, published a collected edition; an expanded edition, prepared by Charles Williams, appeared in 1930, and a greatly expanded edition by William Henry Gardner appeared in 1948 (eventually reaching a fourth edition, 1967, with N. H. Mackenzie).
ellauri095.html on line 174: The homosexual lifestyle results in a shorter life expectancy. This is undoubtedly due to the health risks associated, such as AIDS, Hepatitis, and a variety of other infections and STDs. In addition, homosexuals are more likely to be smokers, which takes the lifespan even lower. In 1993 Paul Cameron published a study which found that homosexuality takes 20-30 years off the lives of its practitioners. Cameron is a Psychologist and founder of the Family Research Institute. Among men with AIDS their lifespan was 39 years, however even without AIDS a male homosexuals lifespan is just a short 42 years. Lesbians had a median age of death of just 44 years. He also found that lesbians were up to 456 times more likely to die in a car crash than heterosexual women. The liberal Southern Poverty Law Centre dubbed Cameron an "anti-gay extremist", and the American Psychological Association expelled him for exposing the truth about the homosexual lifestyle and accused him of scientific data "fraud". Fortunately, Cameron had the support of faith based groups who would not bow down or turn their behinds to the homosexual agenda.
ellauri095.html on line 227: Several issues led to a melancholic state and restricted his poetic inspiration in his last five years. His workload was heavy. He disliked living in Dublin, away from England and friends. He was disappointed at how far the city had fallen from its Georgian elegance of the previous century. His general health suffered and his eyesight began to fail. He felt confined and dejected. As a devout Jesuit, he found himself in an artistic dilemma. To subdue an egotism that he felt would violate the humility required by his religious position, he decided never to publish his poems. But Hopkins realised that any true poet requires an audience for criticism and encouragement. This conflict between his religious obligations and his poetic talent made him feel he had failed at both.
ellauri095.html on line 246: In 1874 Hopkins returned to Manresa House to teach classics. While studying in the Jesuit house of theological studies, St Beuno´s College, near St Asap in North Wales, he was asked by his religious superior to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he took up poetry once more to write a lengthy piece, "The Wreck of the Deutschland", inspired by the Deutschland incident, a maritime disaster in which 157 people died, including five Franciscan nuns who had been leaving Germany due to harsh anti-Catholic laws (see Kulturkampf). The work displays both the religious concerns and some of the unusual metre and rhythms of his subsequent poetry not present in his few remaining early works. It not only depicts the dramatic events and heroic deeds, but tells of him reconciling the terrible events with God´s higher purpose. The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry, most of which remained unpublished until after his death.
ellauri095.html on line 545: This was a remarkably prophetic poem for Manley Hopkins’s first “beautiful child,” Gerard, born only a year after this poem was published.
ellauri096.html on line 204: Frederic Fitch (1963) reports that in 1945 he first learned of this proof of unknowable truths from a referee report on a manuscript he never published. Thanks to Joe Salerno’s (2009) archival research, we now know that referee was Alonzo Church.
ellauri096.html on line 589: Les Chants de Maldoror (The Songs of Maldoror) is a French poetic novel, or a long prose poem. It was written and published between 1868 and 1869 by the Comte de Lautréamont, the nom de plume of the Uruguayan-born French writer Isidore Lucien Ducasse. The work concerns the misanthropic, misotheistic character of Maldoror, a figure of evil who has renounced conventional morality.
ellauri097.html on line 136: In 1989, per his instructions, Alfred A. Knopf published Mencken's "secret diary" as The Diary of H. L. Mencken. According to an Associated Press story, Mencken's views shocked even the sympathetic scholar who edited it.
ellauri097.html on line 167: His later work consisted of humorous, anecdotal, and nostalgic essays that were first published in The New Yorker and then collected in the books Happy Days, Newspaper Days, and Heathen Days. Mencken was preoccupied with his legacy and kept his papers, letters, newspaper clippings, columns, and even grade school report cards. After his death, those materials were made available to scholars in stages in 1971, 1981, and 1991 and include hundreds of thousands of letters sent and received. The only omissions were strictly personal letters received from women.
ellauri097.html on line 298: In 2006, the Weekend Australian newspaper conducted an experiment. They submitted chapter three of The Eye of the Storm (1973) to twelve publishers and agents around Australia under an anagram of White’s name, Wraith Picket. Nobody offered to publish the book. One responded, “the sample chapter, while reply (sic) with energy and feeling, does not give evidence that the work is yet of a publishable quality.” Notwithstanding that the chapter was not White’s finest writing, and the unfairness of submitting a chapter out of narrative sequence, the hoax prompted a minor crisis in Australian literature: if the industry couldn’t recognize the greatness of our sole Nobel winner, how unenlightened must the country’s publishing industry be now? Shortly thereafter, the ABC launched an online portal called Why Bother With Patrick White? The portal always struck me as sad. What other major writer would need a website dedicated to convincing his countrymen to give him another go? The link to the website is dead now. It would seem, in the end, that nobody could be bothered with Patrick White.
ellauri099.html on line 46: The Picture of Dorian Gray is a Gothic and philosophical novel by Oscar Wilde, first published complete in the July 1890 issue of Lippincott's Monthly Magazine. Fearing the story was indecent, prior to publication the magazine's editor deleted roughly five hundred words without Wilde's knowledge. Despite that censorship, The Picture of Dorian Gray offended the moral sensibilities of British book reviewers, some of whom said that Oscar Wilde merited prosecution for violating the laws guarding public morality. In response, Wilde aggressively defended his novel and art in correspondence with the British press, although he personally made excisions of some of the most controversial material when revising and lengthening the story for book publication the following year.
ellauri099.html on line 48: The longer and revised version of The Picture of Dorian Gray published in book form in 1891 featured an aphoristic preface—a defence of the artist's rights and of art for art's sake—based in part on his press defences of the novel the previous year. The content, style, and presentation of the preface made it famous in its own right, as a literary and artistic manifesto. In April 1891, the publishing firm of Ward, Lock and Company, who had distributed the shorter, more inflammatory, magazine version in England the previous year, published the revised version of The Picture of Dorian Gray.
ellauri099.html on line 50: The whole pile of smut, with all of Wilde's original material intact, was first published in 2011 by Harvard University Press. The Picture of Dorian Gray "pivots on a gothic plot device" with strong themes interpreted from Faust.
ellauri100.html on line 260: Escape from D.C.: The futility of analytical work (see “Beliefs,” below) led to the purchase of a small publishing company (weekly paper and free shopping guide) in western New York State. Worked like a dog for three years, and brought the habit back to the think-tank.
ellauri100.html on line 266: Post-retirement: Spent 18 months as the managing editor of an economics journal published by a privately funded, libertarian think-tank in D.C. — more for the meager wage than for the stimulation of working with semi-intelligent, intellectually doubtfully honest contributors and colleagues. Quit when this part-time job became too hot.
ellauri100.html on line 331: I have noticed that a leftist will accuse you of “hate” just for saying something contrary to the left-wing orthodoxy of the day. If you disagree with what I have to say here, but prefer to spew invective instead of offering a reasoned response, don’t bother to submit a comment — at least not until your rage has passed or your medication has taken effect. (My medication is working fine. It is curious how small the distance is between considered opinion and gobbledygook madness.) As it says in the sidebar, I will not publish incoherent, off-point, offensive, or abusive comments except my own. Nor will I lose any sleep for having denied you an outlet for your incoherence, irrelevance, offensiveness, or abusiveness. You can post it on your own blog or on any of the myriad, hate-filled, left-wing blogs that view murder as “choice,” government dictates as “liberty,” self-defense as a “war crime” (when it’s practiced by the U.S. or Israel), and the Constitution as a vehicle for implementing current left-wing orthodoxy.
ellauri106.html on line 69: From 1958 onwards, the couple lived in New York on the Lower East Side of Manhattan, and in 1959 they spent seven months in Italy on a Guggenheim grant. Upon their return, they both settled in Iowa City, where Roth led the Writers' Workshop at the University of Iowa. The experiences in small-town Iowa far away from the American metropolises flowed into Roth's second novel Letting Go (Other People's Worries), which was published in 1962, but in contrast to Roth's previously published volume of short stories Goodbye, Columbus caused mixed reactions from critics. Stanley Edgar Hyman, for example, criticized weaknesses in the narrative structure of the novel, the two narrative parts of which are only superficially connected, but praised what he saw as "the keenest eye for the details of American life since Sinclair Lewis". Letting Go is also the first novel in which Roth, as in numerous later works, made the writings of his literary predecessors an integral part of the narrative, and is therefore often referred to as Roth's first "Henry James novel".
ellauri106.html on line 71: In 1962, the same year Letting Go was published, Roth became Writer-in-Residence at Princeton University. After separating from his wife, Roth began a five-year psychoanalysis with the New York psychiatrist Hans J. Kleinschmidt, who published the case history anonymously in a medical journal in 1967 under the title The Angry Act: The Role of Aggression in Creativity. Roth traveled to Israel for the first time in June 1963. He participated in the American Jewish Congress, held discussions with Israeli intellectuals and Prime Minister David Ben-Gurion. From 1965 to 1977 Roth had a lectureship in comparative literature at the University of Pennsylvania.
ellauri106.html on line 130: Given long-standing feminist arguments that Roth is a misogynist—not to mention the portrait in Bloom’s memoirs—it was inevitable that any Roth biography would spark arguments about gender politics. What was surprising is that the debate would center around the biographer more than Roth. In the wake of the biography’s release, Bailey has been accused of shocking acts. Four former students from the elite New Orleans high school where he’d taught during the 1990s came forward to complain that he had groomed them as minors and sexually pursued them as adults. One of these women claimed he raped her. Another former student came forward with an allegation of attempted rape when she was an adult. Finally, Valentina Rice, a New York publishing executive, told The New York Times that Bailey raped her in 2015. Bailey strenuously denies all these allegations.
ellauri106.html on line 264: A year later, she published a bruising memoir, Leaving a Doll´s House, in which she portrayed him as depressed, remote, self-centred and verbally abusive.
ellauri106.html on line 334: In 1852, his father arranged to have one of his poems published in the Ohio State Journal without telling him.
ellauri106.html on line 390: Given long-standing feminist arguments that Roth is a misogynist—not to mention the portrait in Bloom’s memoirs—it was inevitable that any Roth biography would spark arguments about gender politics. What was surprising is that the debate would center around the biographer more than Roth. In the wake of the biography’s release, Bailey has been accused of shocking acts. Four former students from the elite New Orleans high school where he’d taught during the 1990s came forward to complain that he had groomed them as minors and sexually pursued them as adults. One of these women claimed he raped her. Another former student came forward with an allegation of attempted rape when she was an adult. Finally, Valentina Rice, a New York publishing executive, told The New York Times that Bailey raped her in 2015. Bailey strenuously denies all these allegations.
ellauri107.html on line 104: An American Dream is a 1965 novel by American author Norman Mailer. It was published by Dial Press. Mailer wrote it in serialized form for Esquire, consciously attempting to resurrect the methodology used by Charles Dickens and other earlier novelists, with Mailer writing each chapter against monthly deadlines. The book is written in a poetic style heavy with metaphor that creates unique and hypnotising narrative and dialogue. The novel's action takes place over 32 hours in the life of its protagonist Stephen Rojack. Rojack is a decorated war-hero, former congressman, talk-show host, and university professor. He is depicted as the metaphorical embodiment of the American Dream.
ellauri107.html on line 171: He was born in 1804 in Salem, Massachusetts, to Nathaniel Hathorne and the former Elizabeth Clarke Manning. His ancestors include John Hathorne, the only judge from the Salem witch trials who never repented his involvement in the witch hunt. He entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824, and graduated in 1825. He published his first work in 1828, the novel Fanshawe; he later tried to suppress it, feeling that it was not equal to the standard of his later work.[2] He published several short stories in periodicals, which he collected in 1837 as Twice-Told Tales. The next year, he became engaged to Sophia Peabody. He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860. Hawthorne died on May 19, 1864, and was survived by his wife and their three children.
ellauri107.html on line 173: Much of Hawthorne's writing centers on New England, many works featuring moral metaphors with an anti-Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his college friend Franklin Pierce, the 14th President of the United States.
ellauri107.html on line 179: The zenith of [Hawthorne and Melville’s] relationship was reached . . . when Moby-Dick was published in middle November of 1851 and was dedicated to Hawthorne [“To Nathaniel Hawthorne: In token of my admiration for his genius”]. Hawthorne’s letter to Melville [at the time], like most of those to his friend, has not been preserved, but Melville’s answer on November 17 . . . speaks of the effect Hawthorne’s letter had upon him, in terms characteristic of his impassioned utterances:
ellauri107.html on line 185: Kesterson also includes a famous published Melvillian reference to Hawthorne that is at least as filled with sexual imagery as the verse of Walt Whitman. It is in the . . .
ellauri107.html on line 218: The major occurrence in Melville’s life . . . during the writing of Moby-Dick was the growing friendship with Nathaniel Hawthorne . . . . We are reminded that throughout the fall and winter of 1850, and summer of 1851, Hawthorne and Melville were visiting and writing to each other. . Hawthorne encapsulating their conversation [of August 1, 1851] by writing in his journal: “Melville and I had a talk about time and eternity, things of this world and of the next, and books, and publishers, and all possible and impossible matters, that lasted pretty deep into the night . . . .”
ellauri107.html on line 260: Speculation about Cohn's sexuality intensified following his death from AIDS in 1986. In a 2008 article published in The New Yorker, Jeffrey Toobin quotes Roger Stone: "Roy was not gay. He was a man who liked having sex with men. Gays were weak, effeminate. He always seemed to have these young blond boys around. It just wasn't discussed. He was interested in power and access." Stone worked with Cohn beginning with the Reagan campaign during the 1976 Republican Party presidential primaries.
ellauri107.html on line 418: In Babbitt (1922), Sinclair Lewis created a living and breathing man with recognizable hopes and dreams, not a caricature. To his publisher, Lewis wrote: “He is all of us Americans at 46, prosperous, but worried, wanting — passionately — to seize something more than motor cars and a house before it's too late.” George F. Babbitt's mediocrity is central to his realism; Lewis believed that the fatal flaw of previous literary representations of the American businessman was in portraying him as “an exceptional man.”
ellauri107.html on line 427: 1937 English author J.R.R. Tolkien published The Hobbit; the title and the originally somewhat complacent and bourgeois character of Bilbo and hobbits in general were influenced by Babbitt.
ellauri108.html on line 220: Whereas its membership had previously derived predominantly from poorer sectors of society, in the 1960s Rastafari began attracting support from more privileged groups like students and professional musicians. The foremost group emphasising this approach was the Twelve Tribes of Israel, whose members came to be known as "Uptown Rastas". Among those attracted to Rastafari in this decade were middle-class intellectuals like Leahcim Semaj, who called for the religious community to place greater emphasis on scholarly social theory as a method of achieving change. Although some Jamaican Rastas were critical of him, many came under the influence of the Guyanese black nationalist academic Walter Rodney, who lectured to their community in 1968 before publishing his thoughts as the pamphlet Groundings. Like Rodney, many Jamaican Rastas were influenced by the U.S.-based Black Power movement. After Black Power declined following the deaths of prominent exponents such as Malcolm X, Michael X, and George Jackson, Rastafari filled the vacuum it left for many black youth.
ellauri108.html on line 443: LearnReligions is part of the Dotdash publishing family.
ellauri109.html on line 533: Roth learned to write through imitation. His first published story, “The Day It Snowed,” was so thoroughly Truman Capote that, he later remarked, he made “Capote look like a longshoreman.”
ellauri109.html on line 541: In March, 1959, The New Yorker published Roth’s story “Defender of the Faith,” in which a Jewish enlisted man tries to manipulate a Jewish sergeant into giving him special treatment out of ethnic kinship. Various rabbis and Jewish community leaders accused Roth of cultural treason. “What is being done to silence this man?” Emanuel Rackman, the president of the Rabbinical Council of America, wrote. “Medieval Jews would have known what to do with him.”
ellauri109.html on line 549: His first, and longest, novel, “Letting Go,” published in 1962, lacked the vibrancy of the early stories, and he struggled for the next several years to free himself from its slightly ponderous Jamesian style.
ellauri109.html on line 551: Kleinschmidt published a journal article in which he describes the case of a “successful Southern playwright” with an overbearing mother: “His rebellion was sexualized, leading to compulsive masturbation which provided an outlet for a myriad of hostile fantasies. These same masturbatory fantasies he both acted out and channeled into his writing.” Roth, who was obviously Kleinschmidt’s “playwright,” saw the article just after finishing the novel. He spent multiple sessions berating Kleinschmidt for this “psychoanalytic cartoon” and yet continued his analysis with him for years.
ellauri109.html on line 555: Roth could not stand the lurid brand of notoriety. Years later, he told friends that he wished he’d never published “Portnoy’s Complaint.” It was by far his best-selling book.
ellauri109.html on line 567: Roth and Bloom divorced, miserably, in 1995. A year later, Bloom published a memoir, “Leaving a Doll’s House,” in which Roth was depicted as brilliant and initially attentive to the demands of her career, but also as unpredictable, unfaithful, remote, and, at times, horribly unkind, not least about Bloom’s devotion to her grown daughter. The book quoted incensed faxes that Roth sent Bloom at the end of their union, demanding that she pay sixty-two billion dollars for failing to honor their prenuptial agreement, and another bill for the “five or six hundred hours” that he had spent going over her lines with her.
ellauri109.html on line 571: In his fury and his hunger for retribution, Roth produced “Notes for My Biographer,” an obsessive, almost page-by-page rebuttal of Bloom’s memoir: “Adultery makes numerous bad marriages bearable and holds them together and in some cases can make the adulterer a far more decent husband or wife than . . . the domestic situation warrants. (See Madame Bovary for a pitiless critique of this phenomenon.)” Only at the last minute was Roth persuaded by friends and advisers not to publish the diatribe, but he could never put either of his marriages behind him for good. He was similarly incapable of setting aside much smaller grievances. As Benjamin Taylor, one of his closest late-in-life friends, put it in “Here We Are,” a loving, yet knowing, memoir, “The appetite for vengeance was insatiable. Philip could not get enough of getting even.”
ellauri109.html on line 605: We learn of Roth’s generosity with unearned money he did not need (just like JFK, who was privately stingy as hell but basked in high-visibility free-of-charge charity) of his remarkable service in getting Milan Kundera published in English.
ellauri109.html on line 609: At the University of Pennsylvania, a friend and colleague—acting, the friend admits, almost as a “pimp”—helped Roth fill the last seats in his oversubscribed classes with particularly attractive undergraduates. Roth’s treatment of a young woman named Felicity (a pseudonym), a friend and house guest of Claire Bloom’s daughter, is particularly disturbing. Roth made a sexual overture to Felicity, which she rebuffed; the next morning, he left her an irate note accusing her of “sexual hysteria.” When Bloom wrote about the incident in her memoir, Roth answered in his unpublished “Notes” with a sense of affront rather than penitence: “This is what people are. This is what people do. . . . Hate me for what I am, not for what I’m not.”
ellauri109.html on line 704: At Cromwell's funeral on 23 November 1658 Dryden strutted with John Milton and Andrew Marvell. Next Dryden sucked up to the court for a possible patron, but failed. He had to make a living writing for publishers, not for the aristocracy, and thus ultimately for the reading public. Bugger it.
ellauri109.html on line 712: Dryden translated works by Horace, Juvenal, Ovid, Lucretius, and Theocritus, a task which he found far more satisfying than writing for the stage. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. The publication of the translation of Virgil was a national event and brought Dryden the sum of £1,400. For example, take lines 789–795 of Book 2 when Aeneas sees and receives a message from the ghost of his wife, Creusa.
ellauri110.html on line 337: The detailed private diary that Pepys kept from 1660 until 1669 was first published in the 19th century and is one of the most important primary sources for the English Restoration period. It provides a combination of personal revelation and eyewitness accounts of great events, such as the Great Plague of London, the Second Dutch War, and the Great Fire of London.
ellauri110.html on line 1075: Welcome! ‘Conversations with Dostoevsky’ is a blog written to mark the 200th anniversary year of Dostoevsky’s birth. It takes the form of a series of conversations between a twenty-first century academic and the writer himself. The topics centre on ‘the big questions’, including God, immortality, faith, nationality, and the power of literature. Blogs will be published weekly, though readers may wish to save them up for a monthly visit.
ellauri110.html on line 1077: I hope that a revised version of these conversations will eventually appear in book form. This published version will include extensive accompanying notes, indicating the sources of the views ascribed to Dostoevsky and, where relevant, references to secondary literature. This will especially be in cases where, for example, the views spoken by Dostoevsky may involve controversial points of interpretation or where his own documented views may require comment for twenty-first century readers. However, this is primarily a work of fiction and although it is supported by scholarship and, I hope, raises questions that are of interest to scholars, it is to be read in the way we might read any work of fiction, where whatever instruction the work may offer is accompanied by a element of entertainment.
ellauri110.html on line 1081: A final thought is that although Dostoevsky himself did not write a blog, there is something blog-like in his Diary of a Writer, a self-published opinion piece that ranged freely over the most apparently disparate issues. To those who fear that blogging and other forms of information technology are inherently antagonistic to the values of great literature (I mean Dostoevsky and not myself, of course), I suggest that it is not a medium of which he would have been afraid. Perhaps even one he would have relished.
ellauri111.html on line 160: In 1599, TWELVE YEARS BEFORE the King James Bible was published, King James himself said this about the Apocrypha:
ellauri111.html on line 255: As I’d had to admit, I hadn’t read The Diary of a Writer (actually a kind of journal that Dostoevsky published monthly and that consisted entirely of his own thoughts about issues of the day), but I did know that he had been involved in several criminal cases, some of which were about the kind of cruelty to children that Ivan Karamazov cited as evidence against the existence of God. I couldn’t remember any details, though. I felt rather like a student who hasn’t done his homework hoping that he’s not the one going to be asked the next question. Only there wasn’t anyone else to ask. In the event, Fyodor Mikhailovich let me off fairly gently.
ellauri111.html on line 291: “I remember. It’s unforgettable. Horrific. In a way I’m not surprised they didn’t let you publish it.”
ellauri111.html on line 293: “Nor was I, though it was very frustrating. But you will also remember that he didn’t just go to confess his sin in the way that a normal penitent does: he had even arranged for a full copy to be printed, ready to be published for the world to see.”
ellauri112.html on line 67: A survey published in American Psychologist in 1991 ranked Wundt´s reputation as first for "all-time eminence" based on ratings provided by 29 American historians of psychology. William James and Sigmund Freud were ranked a distant second and third. During his academic career Wundt trained 186 graduate students (116 in psychology). This is significant as it helped disseminate his work.

Chapter one. What? Where else would you start? According to every publisher and agent I’ve met, most novels really start on chapter three or four. The first few chapters are all set-up or backstory which would improve the novel by being deleted. This kinda guys fast forward over porn film beginnings to the first blow job or insertion. Best improvement would be to scrap the whole book. Plus its author.

The Songs of Bilitis (/bɪˈliːtɪs/; French: Les Chansons de Bilitis) is a collection of erotic, essentially lesbian, poetry by Pierre Louÿs published in Paris in 1894. Since Louÿs claimed that he had translated the original poetry from Ancient Greek, this work is considered a pseudotranslation. Though the poems were actually clever fabulations, authored by Louÿs himself, they are still considered important literature. [by whom?]
ellauri152.html on line 583: The most basic information is this: “Yentl the Yeshiva Boy” is a short story by Isaac Bashevis Singer, the famous Polish-American Jewish writer, published in 1962. It follows Yentl, a Jewish girl from a Polish shtetl who loves Torah-study, as she disguises herself as a man named Anshel in order to study at a yeshiva. Yentl (1983) is the movie-musical adaptation of the story, directed by and starring Barbra Streisand. In many ways it is a fairly faithful adaptation of the story’s events, but it has a different tone and a different ending.
ellauri159.html on line 803: In 2004, he published The Seven Basic Plots: Why We Tell Stories, a Jungian-influenced analysis of stories andń their psychological meaning, on which he had been working for over 30 years. The book was dismissed by Adam Mars-Jones, who objected to Booker employing his generalisations about conventional plot structures prescriptively: "He sets up criteria for art, and ends up condemning Rigoletto, The Cherry Orchard, Wagner, Proust, Joyce, Kafka and Lawrence – the list goes on – while praising Crocodile Dundee, ET and Terminator 2".
ellauri159.html on line 1353: After experiencing the anesthetic nitrous oxide during a dental operation, Blood concluded that the gas had opened his mind to new ideas and continued experimenting with it. In 1874, he published a 37-page pamphlet, The Anesthetic Revelation and the Gist of Philosophy.
ellauri159.html on line 1357: Blood died in Amsterdam, New York. His final work, Pluriverse, was published posthumously. The morale of his most famous interminable poem was this:
ellauri160.html on line 160: In The Cantos, Possum is T. S. Eliot: "but the lot of 'em, Yeats, Possum and Wyndham / had no ground beneath 'em." In the New Age office in 1918, he also met C. H. Douglas, a British engineer who was developing his economic theory of social credit, which Pound found attractive. Douglas reportedly believed that Jews were a problem and needed to abandon a Messianic view of themselves as the "dominating race". According to Colin Holmes, the New Age itself published antisemitic material. It was within this environment, not in Italy, according to Tim Redman, that Pound first encountered antisemitic ideas about "usury". In Douglas's program," Pound had found his true muse: a blend of folkloric Celtic twilight with a paranoid hatred of the money economy and a dire suspicion about an ancient tent people's faith."
ellauri160.html on line 171: Poetry published Pound's "A Few Don'ts by an Imagist" in March 1913. Superfluous words, particularly adjectives, should be avoided (Ahha! This is where Stephen King comes in) as well as expressions like "dim lands of peace". He wrote: "It dulls the image. It mixes an abstraction with the concrete. It comes from the writer's not realizing that the natural object is always the adequate symbol. Just say 'lands'." Poets should "go in fear of abstractions". He wanted Imagisme "to stand for hard light, clear edges", he wrote later to Amy Lowell.
ellauri160.html on line 188: On 22 September 1914 T. S. Eliot traveled from Merton College, Oxford, with an introduction from Conrad Aiken, to have Pound read Eliot's unpublished "The Love Song of J. Alfred Prufrock". Pound wrote to Harriet Monroe, editor of Poetry, on 30 September to say that Eliot—who was at Oxford on a fellowship from Harvard—had "sent in the best poem I have yet had or seen from an American ... He has actually trained himself and modernized himself on his own." Monroe did not like Prufrock's "very European world-weariness", according to Humphrey Carpenter, but she published it anyway, in June 1915.
ellauri160.html on line 196: Harriet Monroe, editor of Poetry, published a letter in April 1919 from a professor of Latin, W. G. Hale, who found "about three-score errors" in the text; he said Pound was "incredibly ignorant of Latin", that "much of what he makes his author say is unintelligible", and that "If Mr. Pound were a professor of Latin, there would be nothing left for him but suicide" (adding "I do not counsel this"). Pound replied to Monroe: "Cat-piss and porcupines!! The thing is no more a translation than my 'Altaforte' is a translation, or than Fitzgerald's Omar is a translation."
ellauri160.html on line 202: In June, July and August 1917 Pound had the first three cantos published, as "Three Cantos", in Poetry. Twice the length of Paradise Lost and 50 times longer than The Waste Land, Pound's 800-page The Cantos ("Canto I" to "Canto CXVI", c. 1917–1962) became his life's work.
ellauri160.html on line 223: While in custody in Italy, Pound began work on sections of The Cantos that were published as The Pisan Cantos (1948), for which he was awarded the Bollingen Prize for Poetry in 1949 by the Library of Congress, causing enormous controversy. After a campaign by his fellow writers, he was released from St. Elizabeths in 1958 and lived in Italy until his death in 1972. His economic and political views have ensured that his life and work remain controversial. He is popular with the alt-right but his opinions about usury forever condemn him in the circles of New York money liberals.
ellauri161.html on line 1100: The chief of his mystical writings are, The Ornament of Spiritual Marriage (Lat. by Gerh. Groot, Ornatus Spiritualis Desponsionis, MS. at Strasburg; by another translator, and published by Faber Stapulensis [Paris, 1512], De Ornatu Spirit. Nuptiarum, etc.; also in French, Toulouse, 1619; and in Flemish, ´J Cieraet der gheestclyeke Bruyloft, Brussels, 1624, Hengelliset häät): — Speculum AEternae Salutis: — De Calculo, an interpretation of the calculus candidus, Re 2:17: — Samuel, sive de Alta Contemplatione. The other works of Ruysbroeck contain but little more than repetitions of the thoughts expressed in those here mentioned. (Esim. 7 hengellisen rakkauden askelmasta.) He wrote in his native language, and rendered to that dialect the same service which accrued to the High German from its use by the mystics of the section where it prevailed. He is still regarded in Holland as "the best prose writer of the Netherlands in the Middle Ages." His style is characterized by great precision of statement, which becomes impaired, however, whenever his imagination soars, as it often does, to transcendental regions too sublimated for language to describe. His works were accessible until lately only in Latin editions (by Surius, Cologne, 1549, 1552, 1609 [the best], 1692, fol.), or in manuscripts scattered through different libraries in Belgium and Holland. Four of the more important works were published in their original tongue, with prefaces by Ullmann (Hanover, 1848). No complete edition has as yet been undertaken (see Moll, )e Boekerij van het S. Barbara-Klooster te Delft [Amst. 1857, 4to], p. 41).
ellauri162.html on line 104: Louis Émile Clément Georges Bernanos (French: [ʒɔʁʒ bɛʁnanɔs]; 20 February 1888 – 5 July 1948) was a French author, and a soldier in World War I. A Roman Catholic with monarchist leanings, he was critical of elitist thought and was opposed to what he identified as defeatism. He believed this had led to France´s defeat and eventual occupation by Germany in 1940 during World War II. His two major novels "Sous le soleil de Satan" (1926) and the "Journal d’un curé de campagne" (1936) both revolve around a parish priest who combats evil and despair in the world. Most of his novels have been translated into English and frequently published in both Great Britain and the United States.
ellauri162.html on line 112: After the war, he worked in insurance before writing Sous le soleil de Satan (1926, Under the Sun of Satan). He won the Grand Prix du roman de l'Académie française for The Diary of a Country Priest (Journal d'un curé de campagne), published in 1936.
ellauri162.html on line 784: William Lane Craig (born August 23, 1949) is an American analytic philosopher, Christian theologian, Christian apologist, and author. He is Professor of Philosophy at Houston Baptist University and Research Professor of Philosophy at Talbot School of Theology (Biolan University). Craig has updated and defended the Kalam cosmological argument for the existence of God. He has also published work where he argues in favor of the historical plausibility of the resurrection of Jesus. His study of divine aseity and Platonism culminated with his book God Over All. He is a Wesleyan theologian who upholds the view of Molinism and neo-Apollinarianism.
ellauri163.html on line 50: God of Vengeance was published in English-language translation in 1918. In 1922, it was staged in New York City at the Provincetown Theatre in Greenwich Village, and moved to the Apollo Theatre on Broadway on February 19, 1923, with a cast that included the acclaimed Jewish immigrant actor Rudolph Schildkraut. Its run was cut short on March 6, when the entire cast, producer Harry Weinberger, and one of the owners of the theater were indicted for violating the state's Penal Code, and later convicted on charges of obscenity. Weinberger, who was also a prominent attorney, represented the group at the trial. The chief witness against the play was Rabbi Joseph Silberman, who declared in an interview with Forverts: "This play libels the Jewish religion. Even the greatest anti-Semite could not have written such a thing". (You just wait for Philip Roth...) After a protracted battle, the conviction was successfully appealed. In Europe, the play was popular enough to be translated into German, Russian, Polish, Hebrew, Italian, Czech, Romanian and Norwegian. Indecent, the 2015 play written by Paula Vogel, tells of those events and the impact of God of Vengeance. It opened on Broadway at the Cort Theater in April 2017, directed by Rebecca Taichman. Eli ei Asch ihan pasé vielä ole.
ellauri164.html on line 41: A survey published in American Psychologist in 1991 ranked Wundt's reputation as first for "all-time eminence" based on ratings provided by 29 American historians of psychology. William James and Sigmund Freud were ranked a distant second and third.
ellauri171.html on line 218: His father, Marcel Théodore Tissot, was not a watchmaker but a successful drapery merchant. He took part in losing the war of 1870 and in the Paris Commune. In 1885, Tissot had a revival of his Catholic faith, which led him to spend the rest of his life making paintings about Biblical events. Many of his artist friends were skeptical about his conversion, as it conveniently coincided with the French Catholic revival, a reaction against the secular attitude of the French Third Republic. They brought Tissot vast wealth and fame. Tissot spent the last years of his life in his chateau working on paintings of subjects from the Old Testament. Although he never completed the series, he exhibited 80 of these paintings in Paris in 1901 and engravings after them were published in 1904. In the first half of the 20th century, there was a re-kindling of interest in his portraits of fashionable ladies and some fifty years later, these were achieving record prices.
ellauri171.html on line 374: LearnReligions is part of the Dotdash publishing family. Dotdash symbolizes a woman seen from below.
ellauri180.html on line 224: Literary assaults such as these have served to fuel the debates and even a Medline® search today reveals that in the last year alone, 155 reviews or letters have been published arguing for or against routine circumcision. However, studying the evolution of the medical indications provides us with a pleasing demonstration of how controversy drives scientific enquiry. We have already described how the surgeons of 100 years ago advocated circumcision for a wide variety of conditions, such as impotence, nocturnal enuresis, sterility, excess masturbation, night terrors, epilepsy, etc. There can be no doubt that a large element of surgical self-interest drove these claims. However, most of the contemporary textbooks also included epithelioma (carcinoma) of the penis amidst the morass of complications of phimosis. Although rare, once this observation had been made, it presumably filtered down through the textbooks by rote, rather than scientific study. A few reports had appeared in the early 20th century indicating that carcinoma of the penis was rare in circumcised men, but not until the debate over neonatal circumcision erupted in the medical press in the 1930s that this surgical `mantra' was put to the test. In 1932, the editor of the Lancet challenged Abraham Wolbarst, a New York urologist, to prove his contention (in a previous Lancet editorial), that circumcision prevented penile carcinoma. Wolbarst responded by surveying every skin, cancer and Jewish hospital in the USA, along with 1250 of the largest general hospitals throughout the Union. With this survey, he was able to show that penile cancer virtually never occurred in circumcised men and that the risk related to the timing of the circumcision. Over the years this association has been reaffirmed by many research workers, although general hygiene, demographic and other factors such as human papilloma virus and smoking status are probably just as important. However, Wolbarst established that association through formal scientific enquiry and proponents of the procedure continue to use this as a compelling argument for circumcision at birth.
ellauri180.html on line 254: What do you do if you discover another recently published book that has nearly the exact same premise as the one you've written?
ellauri180.html on line 371: Pendragon: Journal of an Adventure through Time and Space, commonly known as Pendragon, is a series of ten young-adult science fiction and fantasy novels by American author D. J. MacHale, published from 2002 to 2009. Science fantasy is a hybrid genre within speculative fiction that simultaneously draws upon or combines tropes and elements from both science fiction and fantasy.
ellauri183.html on line 323: In 1993, the MIT Press published a collection of essays in linguistics to honor Bromberger on the occasion of his retirement. "The View From Building 20," edited by Ken Hale and Jay Keyser, featured essays by Chomsky, Halle, Alec Marantz, and other distinguished colleagues. Jews every nose of them. Alec is not very distinguished, though he beat me for the Harvard Junior Fellowship.
ellauri184.html on line 44: Mailer was raised in Brooklyn, first in Flatbush on Cortelyou Rd and later in Crown Heights at the corner of Albany and Crown Streets. Mailer graduated from Boys High School and entered Harvard College in 1939, when he was 16 years old. As an undergraduate, he was a member of the Signet Society. Mousiken poiei kai ergazou, tee musaa ja duunaa. At Harvard, he majored in engineering sciences, but took writing courses as electives. He published his first story, "The Greatest Thing in the World," at the age of 18, winning Story magazine's college contest in 1941.
ellauri184.html on line 60: Morales moved in with Mailer during 1951 into an apartment on First Avenue near Second Street in the East Village, and they married in 1954. They had two daughters, Danielle and Elizabeth. After attending a party on Saturday, November 19, 1960, Mailer stabbed Adele twice with a two-and-a-half inch blade that he used to clean his nails, nearly killing her by puncturing her pericardium. He stabbed her once in the chest and once in the back. Adele required emergency surgery but made a quick recovery. Mailer claimed he had stabbed Adele "to relieve her of cancer". He was involuntarily committed to Bellevue Hospital for 17 days. While Adele did not press charges, saying she wanted to protect their daughters, Mailer later pleaded guilty to a reduced charge of assault saying, "I feel I did a lousy, dirty, cowardly thing", and received a suspended sentence of three years' probation. In 1962, the two divorced. In 1997, Adele published a memoir of their marriage entitled The Last Party, which recounted her husband stabbing her at a party and the aftermath. This incident has been a focal point for feminist critics of Mailer, who point to themes of sexual violence in his work.
ellauri184.html on line 74: Mailer wrote 12 novels in 59 years. After completing courses in French language and culture at the University of Paris in 1947–48, he returned to the U.S. shortly after The Naked and the Dead was published in May 1948. A New York Times best seller for 62 weeks, it was the only one of Mailer's novels to reach the number one position. It was hailed by many as one of the best American wartime novels and included in a list of the hundred best English-language novels of the twentieth century by the Modern Library. The book that made his reputation sold over a million copies in its first year, (three million by 1981) and has never gone out of print. It is still considered to be one of the finest depictions of Americans in combat during World War II.
ellauri184.html on line 76: Barbary Shore (1951) was not well received by the critics. It was a surreal parable of Cold War leftist politics set in a Brooklyn rooming-house, and Mailer's most autobiographical novel. His 1955 novel, The Deer Park drew on his experiences working as a screenwriter in Hollywood from 1949 to 1950. It was initially rejected by seven publishers due to its purportedly sexual content before being published by Putnam's. It was not a critical success, but it made the best-seller list, sold over 50,000 copies its first year, and is considered by some critics to be the best Hollywood novel since Nathanael West's The Day of the Locust.
ellauri184.html on line 78: Mailer wrote his fourth novel, An American Dream, as a serial in Esquire magazine over eight months (January to August 1964), publishing the first chapter two months after he wrote it. In March 1965, Dial Press published a revised version. The novel generally received mixed reviews, but was a best seller. Joan Didion praised it in a review in National Review (April 20, 1965) and John W. Aldridge did the same in Life (March 19, 1965), while Elizabeth Hardwick panned it in Partisan Review (spring 1965).
ellauri184.html on line 785: This is a bold fearless work and definitely not for the faint of heart. I am not surprised that when this was originally published in 1991, it created lots of controversies with the Catholic Church condemning Jose Saramago for harboring anti-religious vision and his own Portuguese government asking the European Literary Prize to remove this from its shortlist because of the book’s offensive content to religion. Despite this book’s existence, Saramago won the 1998 Nobel Prize for Literature.
ellauri185.html on line 855: In Leader's Bellow biography Vol 2, “Love and Strife,” the novel “Herzog” is published on the very first page and reaches No. 1 on the best-seller list, supplanting John le Carré’s ‘The Spy Who Came In From the Cold.’ Never again would Bellow, about to turn 50 years old, lack for wealth, power, awards or flunkies to stand by him, ready to take his coat and do his bidding. The temptation for someone in his position was to become an insufferable, spoiled monster. And Bellow quickly gave in to temptation.
ellauri189.html on line 75: After leaving the army, he spent several years traveling through western Europe, staying some time in Paris, climbing Mont Blanc in 1818, and spending a good portion of his inherited fortune. He returned to his estate in Volhynia in 1821, where he began an ill-fated affair with a married woman and began writing. He moved to Warsaw in 1824, where he published the poetic novel Maria at his own expense in 1825, and died in poverty the next year in unclear circumstances.
ellauri189.html on line 79: In 1825 Antoni Malczewski published a long poem, Maria (Marya: A Tale of the Ukraine), which constitutes his only contribution to Polish poetry but occupies a permanent place there as a widely imitated example of the so-called Polish-Ukrainian poetic school. In the poem, Wacław, a young husband, goes to fight the Tatars and, after routing the raiders, hurries home to his wife, Maria. All he finds is a cold corpse. Yeah, great. Oh fuck. What's the use. The poem makes use of diversified rhythms and carefully chosen rhymes; and its Byronic hero, as well as its picture of Ukraine as a land of sombre charm, assured Malczewski both popularity and critical applause.
ellauri189.html on line 845: The author originally published this piece on the Pashtun Times
ellauri192.html on line 49: After he graduated from the Moscow University (1913), Trubetzkoy delivered lectures there until the Russian Revolution, when he moved first to the University of Rostov-on-Don, then to the University of Sofia (1920–1922) and finally took the chair of Professor of Slavic Philology at the University of Vienna (1922-1938). He died from a heart attack attributed to Nazi persecution after he had published an article that was highly critical of Hitler's crackpot morphophonological theories.
ellauri192.html on line 61: Jakobson was born in the Russian Empire on 11 October 1896 to a well-to-do family of Jewish descent, the industrialist Osip Jakobson and chemist Anna Volpert Jakobson. Under the pseudonym 'Aliagrov', he published books of zaum poetry and befriended the Futurists Vladimir Mayakovsky, Kazimir Malevich, Aleksei Kruchyonykh and others. It was the poetry of his contemporaries that partly inspired him to become a linguist.
ellauri192.html on line 81: His universalizing structuralist theory of phonology, based on a markedness hierarchy of distinctive features, achieved its canonical exposition in a book published in the United States in 1951, jointly authored by Roman Jakobson, C. Gunnar Fant and Morris Halle.
ellauri192.html on line 303: The novel’s release shortly predated an escalation in Polish nationalism tied to the Law and Justice party’s ascent to power in 2015. But the forces that fueled that escalation were already prevalent. When Tokarczuk accepted the Nike Prize, the country’s highest literary honor, for “The Books of Jacob,” she said in a speech that the country had “committed horrendous acts as colonizers, as a national majority that suppressed the minority, as slaveowners, and as the murderers of Jews.” She was quickly inundated by threats so alarming that her publishers briefly hired bodyguards. In the five years since, she has witnessed the Law and Justice party take an increasingly hard line on censoring certain conversations about Poland’s relationship with Jews. In 2016, the government began a campaign against the Princeton historian Jan Gross, known for his groundbreaking work on the massacre at Jedwabne, in which Poles murdered 1,600 of their Jewish neighbors. In 2018, the Law and Justice party’s government made it illegal to blame Poland or Polish nationals for Nazi crimes. POLIN, a groundbreaking Polish museum of Jewish history, has been leader-less for five months, as its director, who oversaw a number of exhibits highly critical of Poland’s policy toward Jews, awaits official reappointment — despite having been re-approved for the job.
ellauri192.html on line 635: Born in Žižkov, a suburb of Prague in what was then part of Austria-Hungary, Seifert's first collection of poems was published in 1921. He was a member of the Communist Party of Czechoslovakia (KSČ), the editor of a number of communist newspapers and magazines – Rovnost, Sršatec, and Reflektor – and the employee of a communist publishing house.
ellauri192.html on line 661: One is a bilingual edition of "The Plague Monument," published in 1980 by the Czechoslovak Society of Art and Sciences. It is translated by Lyn Coffin with a preface by William E. Harkins, professor of Slavic languages at Columbia University. It is available for $6 from the society at 75- 70 199th Street, Flushing, Queens 11366.
ellauri192.html on line 663: The other Seifert book is "The Casting of Bells," a 64-page collection translated by Tom O'Grady and Paul Jagasich, and published in August 1983 by The Spirit That Moves Us Press in Iowa City, Iowa. Morty Sklar, who described himself yesterday as "publisher, editor, typesetter and stamp licker" of the press, said his is a small, independent press that publishes two books a year. He published 1,000 copies of the Seifert book, but yesterday, upon hearing the news from Sweden, he reordered 2,500 more. It is available in paperback for $6.
ellauri192.html on line 665: Mr. Seifert's memoirs were published in English in September 1981 by sixty-eight publishers, plus in the Czech language by a Czech emigre publishing house in Canada, and they were published in several installments in a Czech-language journal. A portion of the memoirs were published in English in the 1983 issue of Cross Currents, a yearbook of Central European Culture, published by the Department of Slavic Langagues at the University of Michigan. The selection, titled "Russian Bliny," is about Roman Jakobson, a Russian scholar who emigrated to Czechoslovakia after World War I and came to the United States during World War II. In actual fact, they were Ukrainian bliny, another case of cultural appropriation.
ellauri192.html on line 857: Brooks was born on June 28, 1926, in Brooklyn, New York City, to Kate (née Brookman) and Max Kaminsky, and grew up in Williamsburg. His father's family were Jewish people from Gdańsk, Poland; his mother's family were Jews from Kyiv, in the Pale of Settlement of the Russian Empire (present-day Ukraine). In 2021, Brooks published a memoir, All About Me!.During his teens, he legally changed his name to Mel Brooks, influenced by his mother´s maiden name Brookman, after being confused with trumpeter Max Kaminsky. "And I'm sure a lot of my comedy is based on anger and hostility. Growing up in Williamsburg, I learned to clothe it in comedy to spare myself problems—like a punch in the face."
ellauri192.html on line 859: The Twelve Chairs (Russian: Двенадцать стульев, tr. Dvenadtsat stulyev) is a classic satirical novel by the Odessan Soviet authors Ilf and Petrov, published in 1928. Its plot follows characters attempting to obtain jewry hidden in a chair. A sequel was published in 1931. The novel has been adapted to other media, primarily film. Kirjoittajat oli "ihan nulikoita": Ilf 30, Katajev 26. Katajev kaatui suuressa isänmaallisessa sodassa 30-vuotiaana. Joten sepä venyi!
ellauri192.html on line 886: Ilya Ilf (Ilya Arnoldovich Feinsilberg) (Russian: Илья Арнольдович Файнзильберг, 1897-1937) and Yevgeny Petrov (Yevgeniy Petrovich Katayev or Russian: Евгений Петрович Катаев, 1902-1942) were two Ukrainian prose authors of the 1920s and 1930s.They did much of their writing together, and are almost always referred to as "Ilf and Petrov". Bet Ilf was Jewish. Ilya Arnoldovich Ilf (born Iehiel-Leyb Aryevich Faynzilberg, Russian: Иехи́ел-Лейб Арьевич Фа́йнзильберг[1]) (15 October [O.S. 3 October] 1897 in Odessa – 13 April 1937, Moscow), was a popular Soviet journalist and writer of Jewish origin who usually worked in collaboration with Yevgeni Petrov during the 1920s and 1930s. Their duo was known simply as Ilf and Petrov. Together they published two popular comedy novels The Twelve Chairs (1928) and The Little Golden Calf (1931), as well as a satirical book Odnoetazhnaya Amerika (often translated as Little Golden America) that documented their journey through the United States between 1935 and 1936.
ellauri192.html on line 890: One-storied America (Одноэтажная Америка) is a 1937 book based on a published travelogue across the United States by two Soviet authors, Ilf and Petrov. The book, divided into eleven chapters and in the uninhibited humorous style typical of Ilf and Petrov, paints a multi-faceted picture of the US. America´s entrepreneurial skills and economic achievements are praised, the oppression of the blacks, the life of the Indians in the reservations and the oppression of workers are denounced. The title of the book refers to their impression that the cities of America consist mainly of one- and two-story buildings, in complete contrast to the popular image of America as the land of skyscrapers. Based on this sentence:
ellauri192.html on line 894: The United States, which was perceived as the land of machines and technological progress, was of great importance at the time for the Soviet Union, which had set itself the goal of overtaking the United States. This slogan (Russian: догнать и перегнать Америку; "catch up and surpass America") was one of the most important slogans during the ambitious industrialization of the Soviet Union. Given the political climate in the Soviet Union in 1937 when the book was published, with the onset of Great Purge, it is no surprise that a version of a book that satirizes the United States was published. Oh sorry I misread:
ellauri192.html on line 895: Given the political climate in the Soviet Union in 1937 when the book was published, with the onset of Great Purge, it is surprising that a version of a book that lovingly satirizes the United States was published.
ellauri197.html on line 162: Henry Talbot de Vere Clifton (1907–1979) was an eccentric, British aristocrat, poet, race horse owner, art collector and film producer. He spent some time in Hollywood during the early 1930s and, in the mid 1930s, produced films in Britain. In the 1930s and 40s he had three books of poetry published.
ellauri197.html on line 164: He was born on 16 December 1907, the son of John Talbot Clifton and Violet Mary Beauclerk, from a very wealthy family with extensive estates and other property holdings in England and Scotland. He was educated at Downside School and Oxford University. He knew the novelist Evelyn Waugh, having possibly met him at Oxford, and who is thought by some to have used him as a model for the Brideshead Revisited character, Sebastian Flyte, although other sources (e.g. Paula Byrne) attribute the inspiration to Hugh Lygon. Waugh was certainly a guest at the family seat, Lytham Hall, in the 1930s and described the Clifton family as “tearing mad”. Clifton's mother, Violet, believed that much of Brideshead Revisited was about the Clifton family and was furious when it was published.
ellauri197.html on line 176: Clifton's three books of poetry were published by Duckworth. The first was Dielma and Other Poems in 1932 and then followed Flight in 1934. One commentator has said that “Clifton was particularly adroit at poems honouring – and marvelling at – women” and the Times Literary Supplement stated that “His lyrics are a gracious tribute to the beauty of women”. These were fairly conventional poems unlike his final work Gleams Britain's Day published in 1942. The Spectator described it as “expressing in a sort of prophetic certitude opinions upon religion, patriotism, love, art, war and peace, which he puts in unconventional verse”. The reviewer stated that the book was “the product of a curious, whimsical mind, full of energy, squandering it on half-digested ideas”. W B Yates dedicated his poem, Lapis Lazuli, to Clifton who had given him a valuable Chinese lapis lazuli carving.
ellauri197.html on line 649: By the age of 12, Browning had written a book of poetry, which he later destroyed for want of a publisher. After attending one or two private schools and showing an insuperable dislike of school life, he was educated at home by a tutor, using the resources of his father's library. By 14 he was fluent in French, Greek, Italian and Latin. He became an admirer of the Romantic poets, especially Shelley, whom he followed in becoming an atheist and a vegetarian (and a bisexual). At 16, he studied Greek at University College London, but left after his first year. His parents' evangelical faith prevented his studying at either Oxford or Cambridge University, both then open only to members of the Church of England. He had inherited substantial musical ability through his mother, and composed arrangements of various songs. He refused a formal career and ignored his parents' remonstrations by dedicating himself to poetry. He stayed at home until the age of 34, financially dependent on his family until his marriage. His father sponsored the publication of his son's poems. Varsinainen vanhapiika, neiti-ihminen.
ellauri197.html on line 651: In March 1833, "Pauline, a Fragment of a Confession" was published anonymously by Saunders and Otley at the expense of the author, Robert Browning, who received the money from his aunt, Mrs Silverthorne. It is a long poem composed in homage to the poet Shelley and somewhat in his style. Originally Browning considered Pauline as the first of a series written by different aspects of himself, but he soon abandoned this idea. The press noticed the publication. However, it sold no copies. Mill oli oikeassa, narsistista jaaritusta.
ellauri198.html on line 691: In March 1833, "Pauline, a Fragment of a Confession" was published anonymously by Saunders and Otley at the expense of the author, Robert Browning, who received the money from his aunt, Mrs Silverthorne. It is a long poem composed in homage to the poet Shelley and somewhat in his style. Originally Browning considered Pauline as the first of a series written by different aspects of himself, but he soon abandoned this idea. John Stuart Mill, however, wrote that the author suffered from an "intense and morbid self-consciousness". Later Browning was rather embarrassed by the work.
ellauri198.html on line 693: In 1838, he visited Italy looking for background for Sordello, a long poem in heroic couplets, presented as the imaginary biography of the Mantuan bard spoken of by Dante in the Divine Comedy, canto 6 of Purgatory, set against a background of hate and conflict during the Guelph-Ghibelline wars. This was published in 1840 and met with widespread derision, gaining him the reputation of wanton carelessness and obscurity. Tennyson commented that he only understood the first and last lines and Carlyle wrote that his wife had read the poem through and could not tell whether Sordello was a man, a city or a book. Ai tän mä taisinkin jo kertoa albumissa 54.
ellauri198.html on line 716: Charlie the Choo-Choo is a "children's book" by Stephen King released in 2016, published under the pseudonym Beryl Evans. It is adapted from a section of King's previous novel The Dark Tower III: The Waste Lands. It was illustrated by Ned Dameron.
ellauri198.html on line 855: Yeats deplored the tremendous enthusiasm among younger poets for Eliot’s The Waste Land, published in 1922. Disdaining Eliot’s flat rhythms and cold, dry mood, Yeats wanted all art to be full of energy and sex.
ellauri198.html on line 864: William Butler Yeats published his poem ‘The Lake Isle of Innisfree’ in December of 1890, an important year in his life due to his increased association with occult societies in London, United Kingdom. In ‘The Lake Isle of Innisfree,’ William Butler Yeats’ narrator asserts his desire to leave the “pavement gray” of his current locale and dwell on the mysterious island of Innisfree, with only bees, crickets, and linnets for a company (and, alas, mosquitoes).
ellauri198.html on line 881: Hyperion, a Fragment is an abandoned epic poem by 19th-century English Romantic poet John Keats. It was published in Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820). It is based on the Titanomachia, and tells of the despair of the Titans after their fall to the Olympians. Keats wrote the poem from late 1818 until the spring of 1819, when he gave it up as having "too many Miltonic inversions." He was also nursing his younger brother Tom, who died on 1 December 1818 of tuberculosis.
ellauri198.html on line 887: Keats picked up the ideas again in his another unfinished poem The Fall of Hyperion: A Dream (1856) published after his death. He attempted to recast the epic by framing it with a personal quest to find truth and understanding. Another failure. Yawn.
ellauri198.html on line 917: Pauline: A Fragment of a Confession (also known as Pauline) is the first published poem by Robert Browning. It was written in 1832, and published anonymously in 1833. The poem is the confession of an unnamed poet to his lover, the eponymous woman. It was first reprinted in 1868 with no alterations to the text.
ellauri203.html on line 473: It was published first in 1866 in the first episode of the new literary magazine Epoch that was launched by Dostoevsky and his brother Mikhail. As we know Turgenev and Dostoevsky were not the best of friends. Turgenev had sent the story to Dostoevsky when he was in Baden Baden. Dostoevsky, however, was too busy playing roulette and returned the story without having read it. Mikhail told him in a letter that that had been a big mistake, because their magazine was sure to be a success if they could have a new Turgenev in the first episode. Dostoevsky proceeded to write an apologetic letter to Turgenev and managed to secure Phantoms for the magazine.
ellauri203.html on line 656: Karin is trying to readjust to life with her family after her release from a mental institution. Her husband Martin is patient with her as she experiences the highs and lows of life. Both she and her younger brother Minus have issues with their father David, who is visiting. Martin is a well-known author who travels frequently and is estranged from his children. He´s about to publish his latest effort and spends much of his time alone, finalizing the manuscript before submitting it t the publishers. After having sex with Minus she realizes she is unable to live in two worlds and must choose between institutionalization and home life.
ellauri204.html on line 382: The most well-known mythopoetic text is Bly’s Iron John: A Book About Men which was published in 1990. Bly suggests that masculine energy has been diluted through modern social institutions, industrialisation, and the resulting separation of fathers from family life. He introduced the ‘wild man’ and urged men to recover a pre-industrial conception of masculinity through brotherhood with other men. The purpose was to foster a greater understanding of the forces influencing the roles of men in modern society and how these changes affect behaviour, self-awareness and identity.
ellauri204.html on line 384: It is also important to note the publishing in the same year of Hiki Pinkola Estés’ mythopoetic classic, Women that Run with the Wolves, in which she tells us of the ‘wild woman’, the wise and ageless presence in the feminine psyche that gives women their creativity, energy and power. Clarissa Pinkola Estés on yhdysvaltalainen kirjailija ja jungilainen psykoanalyytikko. Hänen kirjoittamansa kirja Naiset, jotka kulkevat susien kanssa oli 144 viikkoa New York Timesin myydyimpien kirjojen listalla, mikä teki hänestä ensimmäisen listalle päässeen märkäselän naiskirjailijan.
ellauri204.html on line 409: published-in-1868-illustration-id1251343130" />
ellauri204.html on line 625: He returned 1955 to America after a year in Europe to pursue a doctoral degree at Yale University, where he studied under Erich Auerbach. Auerbach would prove to be a lasting influence on Jameson's thought. This was already apparent in Jameson's doctoral dissertation, published in 1961 as Sartre: the Origins of a Style. Auerbach's concerns were rooted in the German philological tradition; his works on the history of style analyzed literary form within social history. Jameson would follow in these steps, examining the articulation of poetry, history, philology, and philosophy in the works of nauseous Jean-Paul Sartre.
ellauri206.html on line 65: Its having become, by the mid-twentieth century, an important element in Anglo-Saxon narratological theory, according to dramatist and author Arthur E. Krows, the American dramatist Mark Swan told Krows about the playwriting motto "Show – not tell" on an occasion during the 1910s. In 1921, the same distinction, but in the form picture-versus-drama, was utilized in a chapter of Percy Lubbock's analysis of fiction, The Craft of Fiction. In 1927, Swan published a playwriting manual that made prominent use of the showing-versus-telling distinction throughout.
ellauri207.html on line 87: informs readers that it was published by Harvard University Press, the book has been impossible to find. Until now. We’re very excited to announce the long-awaited publication of Parnault’s Dimensions in Mathematics.
ellauri207.html on line 95: In addition to being a milestone for the field, the publication of Dimensions in Mathematics is a true publishing event, a crowning achievement in our centennial year. We’re extremely proud to finally satisfy the millions of Millennium readers who’ve sought out the book, and are deeply humbled by the experience of working with the legendary Dr. Parnault.
ellauri210.html on line 57: André Gide: Prometheus´ Lecture (also published in Marshlands and Prometheus Misbound)
ellauri210.html on line 83: Alfred Jarry: The Debraining Song; and excerpts from Ubu Enchained, Act I, Scene II Le Champ de Mars (also published in The Ubu Plays)
ellauri210.html on line 379: At the height of his fame and success, while The Importance of Being Earnest (1895) was still being performed in London, Wilde prosecuted the Marquess of Queensberry for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with men. After two more trials he was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897. During his last year in prison, he wrote De Profundis (published posthumously in 1905), a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. On his release, he left immediately for France, and never returned to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. What an opportunity for a man of his caliber, one would have thought.
ellauri210.html on line 771: Les Couilles Enragées (Eng: Mad Balls) is a book by Benjamin Péret written in 1928.. Eventually published under a pseudonym in 1954 by Eric Losfeld as Les Rouilles Encagees, Mad Balls is an explosion of Péret's virulent anti-religiousness and erotic delirium. It featured seven explicit illustrations by Yves Tanguy.
ellauri210.html on line 850: "Richard Cory" is a narrative poem written by Edwin Arlington Robinson. It was first published in 1897, as part of The Children of the Night, having been completed in July of that year; and it remains one of Robinson's most popular and anthologized poems. The poem describes a person who is wealthy, well educated, mannerly, and admired by the people in his town. Despite all this, he takes his own life.
ellauri210.html on line 1279: According to the trivia section here at IMDB, "George Bernard Shaw adamantly opposed any notion that Higgins and Eliza had fallen in love and would marry at the end of the play, as he felt it would betray the character of Eliza who, as in the myth of Pygmalion and Galatea, would "come to life" and emancipate herself from the male domination of Higgins and her father. He even went so far as to include a lengthy essay to be published with copies of the script explaining precisely why Higgins and Eliza would never marry, and what "actually happened" after the curtain fell: Eliza married Freddy and opened a flower shop with funds from Colonel Pickering. Moreover, as Shaw biographers have noted, Higgins is meant to be an analogue of the playwright himself, thus suggesting Higgins was actually a homosexual." Eliza, where are my slippers?
ellauri210.html on line 1308: Nadja (1928), the second book published by André Breton, is one of the iconic works of the French surrealist movement. It begins with the question "Who am I?"
ellauri210.html on line 1314: Dating from 1960, the widely available English translation by Richard Howard is a translation of the first edition of Breton's novel, dating from 1928. Breton published a second, revised edition in 1963. No English translation of this second edition is currently available. Ketäpä enää kiinnostaa.
ellauri210.html on line 1378: Mansour’s first published collection of poems, titled: Cris, was published in Paris in 1953 by Pierre Seghers. This collection of work references male and female anatomy in explicit language that was unusual for the time. Religious language can also be found. However, it is inverted, replacing what would be Christ with the lover. References of Egyptian mythology are also present in Cris. Mansour references the White Goddess as well as Hathor.
ellauri213.html on line 296: Each year, the organisation publishes the Girls' Attitudes Survey, which surveys the views of girls and young women on topics such as body image, career aspirations and mental health. BBC staff were told there are more than 150 genders and urged to develop ‘trans brand’.
ellauri213.html on line 298: Girlguiding UK has signed the campaign to try and force the hand of Rupert Murdoch, who hinted a few weeks ago that he is considering ending the publication of photographs of topless models on page 3 of The Sun – which he owns, as chief executive of News Corporation. Page 3, or Page Three, was a British newspaper convention of publishing a large image of a topless female glamour model (known as a Page 3 girl) on the third page of mainstream red-top tabloids. The Sun introduced the feature, publishing its first topless Page 3 image on 17 November 1970. The Sun's sales doubled over the following year, and Page 3 is partly credited with making The Sun the UK's bestselling newspaper by 1978. In response, competing tabloids including the Daily Mirror, the Sunday People, and the Daily Star also began featuring topless models on their own third pages. Notable Page 3 models included Linda Lusardi, Samantha Fox, and Katie Price.
ellauri213.html on line 311: The Sun ceased publishing topless Page 3 images in its Republic of Ireland edition in 2013, in its UK editions in 2015, and on its Page3.com website in 2017. The Daily Star also ceased publishing images of topless glamour models in 2019. However, these decisions were not necessarily a direct result of the No More Page 3 campaign. The then official photographer for Page 3, Alison Webster, also criticised the campaign, saying "people should be able to make their own choices". Prime Minister David Cameron replied, "I think on this one I think it is probably better to leave it to the consumer."
ellauri213.html on line 312:

In August 2013, The Sun's Republic of Ireland edition replaced topless Page 3 girls with clothed glamour models. Its UK editions followed suit in January 2015, discontinuing Page 3 after more than 44 years. The Daily Star became the last print daily to drop topless photographs, moving to a clothed glamour format in April 2019. This ended the Page 3 convention in Britain's mainstream tabloid press. As of 2022, the only British tabloid still publishing topless models is the niche Sunday Sport. Only old geezers buy it anymore. Others prefer peering down the bottomless pit.
ellauri213.html on line 387: As a major transport hub, with sea and river ports, the city is home to the headquarters of the Baltic Fleet of the Russian Navy, and is one of the largest industrial centres in Russia. It was deemed the best city in Russia in 2012, 2013, and 2014 in Kommersant's magazine The Firm's Secret, the best city in Russia for business in 2013 according to Forbes, and was ranked fifth in the Urban Environment Quality Index published by Minstroy in 2019. Kaliningrad has been a major internal migration attraction in Russia over the past two decades, and was one of the host cities of the 2018 FIFA World Cup.
ellauri213.html on line 434: Seuraavassa on listattuna pahoja naisia rikkomuxineen (kuvissa söpöset alleviivattu): Irma Grese (Naziwächterin), Myra Hindley (serial pedocide), Isabela of Castile (born in the year 1451 and died in 1504, Isabella the Catholic, was queen of Castile and León. She and her husband, Ferdinand II of Aragon, brought stability to the kingdoms that became the basis for the unification of Spain. Isabella and Ferdinand are known for completing the Reconquista, ordering conversion or exile of their Muslim and Jewish subjects and financing Christopher Columbus’ 1492 voyage that led to the opening of the “New World”. Isabella was granted the title Servant of God by the Catholic Church in 1974), Beverly Allitt (pedocide, Angel of Death), Queen Mary of England (catholic), Belle Gunness (norwegian-american serial killer), Mary Ann Cotton (serial killer), Ilse Koch (Lagerfrau), Katherine Knight (very bad Aussie), Elizabeth Bathory (hungarian noblewoman and serial killer), Sandra Avila Beltran (drugs), Patty Hearst (hänen isoisänsä oli lehtikeisari William Randolph Hearst. Hiän joutui kidnappauksen uhriksi, mutta pian tämän jälkeen hiän teki pankkiryöstön ja joutui vankilaan), Genene Jones (infanticide nurse), Karla Homolka (Canadian serial killer), Diane Downs (infanticide), Aileen Wuornos (serial killer), Griselda Blanco (drug lady), Lizzie Borden (kirvesmurhaaja), Bonnie Parker (bank robber), Anne Bonny (pirate), publishing.com/elcomercio/Z4JHQMAFJJHIDKHFIBQ3E7BR7E.jpg">Mary Bell (pedocide), Delphine LaLaurie (serial slavekiller), Patricia Krenwinkel (Manson family member), Leslie van Houten (Manson family member), Darlie Routier (infanticide), Susan Smith (infanticide), Susan Atkins (Manson family member), Ching Shih (pirate), Anna Sorokin Delvey (con woman), Amelia Dyer (serial killer), Assata Shakur (black terrorist), Belle Gunness (serial killer), Gypsy Rose Blanchard (matricide), Pamela Smart (mariticide), Ruth Ellis (nightclub hostess, last woman hanged in UK), Phoolan Devi (bandit), Ma Barker (matriarch), Jennifer Pan (parenticide), Virginia Hill (gangster), Karla Faye Tucker (burglar, first woman injected in US), Leonarda Cianciully (serial murderer, soapmaker), Mary Read, Carill Ann Fugate (murder spree), Grace Marks (maid), Belle Starr (outlaw, friend of Lucky Luke), Zerelda Mimms (Mrs. Jesse James), Jane Toppan (serial killer), Sara Jane Moore (wannabe assassin of Gerald Ford), Martha Beck (serial killer), Doris Payne (jewel thief), Mary Brunner (Manson family member), Barbara Graham (executed by gas), Grace O'Malley (pirate), Sada Abe (jealous geisha. When they asked why she had killed Ishida, “Immediately she became excited and her eyes sparkled in a strange way: ‘I loved him so much, I wanted him all to myself. But since we were not husband and wife, as long as he lived he could be embraced by other women. I knew that if I killed him no other woman could ever touch him again, so I killed him…..’ ), Samantha Lewthwaite (white somali terrorist), Theresa Knorr (murderess), Lynette Fromme (Manson family, wannabe assassin of Gerald Ford), The Freeway Phantom (serial killer), Carol M. Bundy (serial killer), Fanny Kaplan (bolshevik revolutionary), Marguerite Alibert (Ed VII courtesan), Jean Harris (author), Linda Hazzard (physician, serial killer), Mary Jane Kelly (1st victim of Jack the Ripper), Kim Hyon-hui (North-Korean spy), Vera Renczi (serial killer), Clare Bronfman (filthy rich criminal), Kirsten Gilbert (serial killer nurse), Gerda Steinhoff (Lagerwächterin), Linda Carty (baby robber), Estella Marie Thompson (black prostitute, blowjobbed Hugh Grant), Elizabeth Becker (Lagerwächterin), Juana Barraza (asesina en serie), Olivera Circovic (baseball player, writer, jewel thief), Olga Hepnarova (mental serial killer), Sabina Eriksson (knäpp tvilling), Minnie Dean (serial killer), Madame de Brinvilliers (aristocrat parri- and fratricide), Martha Rendell (familicide, last woman hanged in Western Australia), Violet Gibson (wannabe assassin of Mussolini), Idoia López Riaño (terrorist), Styllou Christofi (murdered her daughter in law), Mary Eastley (convicted of witchcraft), Wanda Klaff (Lagerwächterin), Giulia Tofana (avvelenatrice), Tisiphone (1/3 raivottaresta), Jean Lee (murderer for money), Brigitte Mohnhaupt (RAF terrorist), Marcia (mistress of Commodus), Beate Zschäpe (far-right terrorist), Evelyn Frechette (singer, Dillingerin heila), Francoise Dior (naziaktivisti), Linda Mulhall (nirhasi äidin poikaystävän saxilla), Brigit Hogefeld (RAF terrorist), Martha Corey (Salem witchhunt victim), Marie Lafarge (arsenikkimurha), Debra Lafave (teacher, gave blow job to student), Enriqueta Marti (asasina en serie), Alse Young (witch hanging victim), Elizabeth Michael (actress, involuntary manslaughter: nasty boyfriend hit his head and died while beating her), Susannah Martin (witchcraft), Maria Mandl (Gefängnisoffizerin), Mary Frith (pickpocket and fence), Hanadi Jaradat (suicide bomber), Marie-Josephte Carrivau (mariticide), Gudrun Ensslin (RAF founder), Anna Anderson (vale-Anastasia), Ans van Dijk (jutku nazikollaboraattori), Elizabeth Holmes (bisneshuijari), Ghislaine Maxwell (Epsteinin haahka), Julianna Farrait (drugs), Yolanda Saldivar (embezzler, killer), Jodi Arias (convicted killer Jodi Ann Arias was born on July 9, 1980, in Salinas, California. In the summer of 2008, Arias made national headlines when she was charged with murdering her ex-boyfriend Travis Alexander, a 30-year-old member of the Church of Jesus Christ of Latter Day Saints who was working as a motivational speaker and insurance salesman. Aargh. Justifiable homicide.) Alyssa Bustamante (kid murder), Mary Kay Letourneau (kid abuser), Mirtha Young (drugs), Catherine Nevin (mariticide), Pilar Prades (maid), Irmgard Möller (terrorist), Christine Schürrer (krimi), Reem Riyashi (suicide bomber), Amy Fisher (jealous), Wafa Idris (suicide bomber), Jeanne de Clisson (ex-noblewoman), Christine Papin (maid murderer), Sally McNeil (body builder), Mariette Bosch (murderer), Sandra Ávila Beltrán (drugs), Alice Schwarzer (journalist), Andrea Yates (litter murderer), Mimi Wong (bar hostess), Pauline Nyiramasuhuko (criminal politician), Josefa Segovia (murderer), Martha Needle (serial killer), Antonina Makarova (war criminal), Mary Surratt (criminal businessperson), Dorothea Binz (officer), Leona Helmsley (tax evasion), Angela Rayola (reality tv personality), Léa Papin (maid murderer), Ursula Erikssson (kriminell mördare), Maria Petrovna (spree killer), Aafia Siddiqui (criminal), Fatima Bernawi (palestinian militant), La Voisin (fortune teller), Deniz Seki (singer), Rasmea Odeh (Arab activist), Hildegard Lächert (nurse), Sajida al-Rishawi (suicide bomber), Hayat Boumeddiene (ISIS groupie, nähty viimexi Al Holissa), Herta Ehlert (Lagerwächterin), Elizabeth Stride (seriös mördare), Adelheid Schulz (krimi), Jenny-Wanda Barkman (Wächter), Shi Jianqiao (pardoned assassin. The assassination of Sun Chuanfang was ethically justified as an act of filial piety and turned into a political symbol of the legitimate vengeance against the Japanese invaders.), Rosemary West (serial killer), Juana Bormann (Lagerwächterin), Kathy Boudin (criminal), Kate Webster (assassin), Teresa Lewis (murderer), Hermine Braunsteiner (Lagerwächterin), Flor Contemplacion (assassina), Constance Kent (fratricide), Tamara Samsonova (serial killer), Herta Bothe (Lagerwächterin), Maria Gruber (Mörderin), Irene Leidolf (möderin), Waltraud Wagner (Mörderin), Elaine Campione (criminelle), Greta Bösel (Pflegerin), Marie Manning (Mörderin), Darya Nikolayevna Saltykova (sadist), Nora Parham (executed), Maria Barbella (assassina), Linda Wenzel (ISIS activist), Anna Marie Hahn (Mörderin), Suzane von Richthofen (parenticide), Charlotte Mulhall (murderer), Khioniya Guseva (kriminal), Daisy de Melker (serial killer nurse), Stephanija Meyer (Mörderin), Sinedu Tadesse (murderer), Ayat al-Akhras (suicide bomber), Akosita Lavulavu (minister of infrastructure and tourism), Sabrina de Sousa (criminal diplomat), Sally Basset (poisoner), Emma Zimmer (Aufseher), Mary Clement (serial killer), Irina Gaidamachuk (serial killer), Dagmar Overbye (serialmorder), Gesche Gottfried (Mörderin), Frances Knorr (serial killer), Beate Schmidt (Serienmörderin), Elizabeth Clarke (accused victim of witchcraft), Kim Sun-ja (serial killer), Olga Konstantinovana Briscorn (serial killer), Roxana Baldetti (politico), Rizana Nafeek (house maid), Margaret Scott (accused of witchcraft), Jacqueline Sauvage (meurtrier), Veronique Courjault (tueur en série), Barbara Erni (thief), Hilde Lesewitz (Schutzstaffel Wächterin), Thenmoli Rajaratnam (suicide bomber), etc. etc..
ellauri214.html on line 263: P.P.S. Joku David Crane muikeilee rasvasta kiiltävä rapuliina kaulassa: aion syyttää Putinia sotarikoxesta. Tosin niihin on syyllistyneet vähävenäläisetkin mutta niitä ei lasketa. Olen kaatanut 1 presidentin, voin tehdä sen toistekin. Kyseessä oli Liberian presidentti, musta mies jolla oli joxeenkin pienet liperit. In 2017, Crane founded the Global Accountability Network to investigate international crimes in Syria, Yemen, Venezuela, and China. In 2022, his organization published a white paper titled "Russian War Crimes Against Ukraine: The Breach of International Humanitarian Law By The Russian Federation". Mustaa valkoisella. Heppu oli US Armyn rullissa 20v uran alussa. Ezellasta.
ellauri214.html on line 539: Although Tokarczuk (pronounced “Tok-ar-chook”, like a toy train) is in London to celebrate Flights making the long list for the Man International Booker Prize, she feels “conversationally jet-lagged”discussing it because it was published in Poland back in 2007, quickly gaining popularity across the continent. It has taken a decade for the novel to make it into English, superbly rendered by superb American translator Jennifer Croft.
ellauri222.html on line 68: In Leader's Bellow biography Vol 2, “Love and Strife,” the novel “Herzog” is published on the very first page and reaches No. 1 on the best-seller list, supplanting John le Carré’s ‘The Spy Who Came In From the Cold.’ Never again would Bellow, about to turn 50 years old, lack for wealth, power, awards or flunkies to stand by him, ready to take his coat and do his bidding. The temptation for someone in his position was to become an insufferable, spoiled monster. And Bellow quickly gave in to temptation.
ellauri222.html on line 133: Bellow published his first short story in 1941. It came out in Partisan Review—marking the start of a relationship that was key to establishing Bellow’s reputation as the intellectuals’ chosen novelist. Bellow visited New York frequently, and lived there at various points, but he was never comfortable in the city. “I congratulated myself with being able to deal with New York,” he told Philip Roth near the end of his life, “but I never won any of my struggles there, and I never responded with full human warmth to anything that happened there.”
ellauri222.html on line 169: At Bard, Bellow became close friends with a literature professor named Jack Ludwig. As Leader describes him, Ludwig was an oversized personality, a big man, extravagant, a shameless purveyor of bad Yiddish, and an operator. Ludwig idolized Bellow; people who knew them said that Ludwig wanted to be Bellow. He flattered Bellow, went for long walks with him, started up a literary journal with him, and generally insinuated himself into Bellow’s life. Bellow accepted the proffer of adulatory attentiveness. The couples (Ludwig was married) socialized together. This was the period when Bellow wrote “Seize the Day,” which Partisan Review published in a single issue, in 1956, after The New Yorker turned it down, and “Henderson the Rain King,” published in 1959, a novel whose hero was based on a neighbor of the Bellows in upstate New York.
ellauri222.html on line 185: “Herzog” was nevertheless received the way all Bellow’s novels had been received: as a report on the modern condition. Many of the critics who reviewed it—Irving Howe, Philip Rahv, Stanley Edgar Hyman, Richard Ellmann, Richard Poirier—knew Bellow personally and knew all about the divorce. (Poirier was an old friend of Ludwig’s; the review he published, in Partisan Review, was a hatchet job.) None of these reviewers mentioned the autobiographical basis of the book, and several of them warned against reading it autobiographically, without ever explaining why anyone might want to. The world had no way of knowing that the story was not completely made up.
ellauri222.html on line 239: Adam Bellow is executive editor at Bombardier Books, a politically conservative imprint at Post Hill Press. He previously founded and led the conservative imprints All Points Books at St Martin's Press and Broadside Books at HarperCollins, served as executive editor-at-large at Doubleday, and as editorial director at Free Press, publishing several controversial conservative books such as Illiberal Education, The Real Anita Hill, The Bell Curve, and Clinton Cash.
ellauri222.html on line 823: Sharon Talley is a tired professor of English at Texas A&M University-Corpus Christi. She is the author of four books, "Women's Diaries from the Civil War South," "Southern Women Novelists and the Civil War," "Ambrose Bierce and the Dance of Death," and "Student Companion to Herman Melville." In addition, her articles have been published in journals such as "Nineteenth-Century Prose," "American Imago," and the "Journal of Men's Studies."
ellauri222.html on line 886: Ozymandias (/ˌɒziˈmændiəs/ oz-ee-MAN-dee-əs; real name Adrian Alexander Veidt) is a fictional anti-villain in the graphic novel limited series Watchmen, published by DC Comics. Created by Alan Moore and Dave Gibbons, named "Ozymandias" in the manner of Ramesses II, his name recalls the famous poem by Percy Bysshe Shelley, which takes as its theme the fleeting nature of empire and is excerpted as the epigraph of one of the chapters of Watchmen. Ozymandias is ranked number 25 on Wizard's Top 200 Comic Book Characters list and number 21 on IGN's Top 100 Villains list. No, wait, Ozymandias was a Greek name for the pharaoh Ramesses II (r. 1279–1213 BC), derived from a part of his throne name, Usermaatre. In 1817, Shelley began writing the poem "Ozymandias", after the British Museum acquired the Younger Memnon, a head-and-torso fragment of a statue of Ramesses II, which dated from the 13th century BC. Earlier, in 1816, the Italian archeologist Giovanni Battista Belzoni had "removed" the 7.25-short-ton (6.58 t; 6,580 kg) statue fragment from the Ramesseum, the mortuary temple of Ramesses II at Thebes, Egypt. The reputation of the statue fragment preceded its arrival to Western Europe; after his Egyptian expedition in 1798, Napoleon Bonaparte had failed to acquire the Younger Memnon for France. Although the British Museum expected delivery of the antiquity in 1818, the Younger Memnon did not arrive in London until 1821. Shelley published his poems before the statue fragment of Ozymandias arrived in Britain, and the view of modern scholarship is that Shelley never saw the statue, although he might have learned about it from news reports, as it was well known even in its previous location near Luxor.
ellauri222.html on line 888: The book Les Ruines, ou méditations sur les révolutions des empires (1791) by Constantin François de Chassebœuf, comte de Volney (1757–1820), first published in an English translation as The Ruins, or a Survey of the Revolutions of Empires (London: Joseph Johnson, 1792) by James Marshall, was an influence on Shelley. helley had explored similar themes in his 1813 work Queen Mab. Typically, Shelley published his literary works either anonymously or pseudonymously, under the name "Glirastes", a Graeco-Latin name created by combining the Latin glīs ("dormouse") with the Greek suffix ἐραστής (erastēs, "lover", vitut se on mikään suffixi!); the Glirastes name referred to his wife, Mary Shelley, whom he nicknamed "dormouse". Unikeon köyrijä. Mäuschen, sanoi Percy Marylle niikö Pikin kreikkalainen poikaystävä, setämäinen Kleomenis.
ellauri222.html on line 1003: Ellsworth Huntington travelled continental Europe in hopes of better understanding the connection between climate and state success, publishing his findings in The Pulse of Asia, and further elaborating in Civilization and Climate. Like the political geographers, a crucial component of his work was the belief that the climate of North-western Europe was ideal, with areas further north being too cold, and areas further south being too hot, resulting in lazy, laid-back populations. These ideas have powerful connections to colonialism, and may have played a role in the creation of the 'other' and the literature that many used to justify taking advantage of less advanced nations. Who needs Proust or Tolstoy when it suffices to reach up to get a banana.
ellauri223.html on line 153: New Atlantis is an incomplete utopian novel by Sir Francis Bacon, published posthumously in 1626. It appeared unheralded and tucked into the back of a longer work of natural history, Sylva sylvarum (forest of materials). In New Atlantis, Bacon portrayed a vision of the future of human discovery and knowledge, expressing his aspirations and ideals for humankind. The novel depicts the creation of a utopian land where "generosity and enlightenment, dignity and splendour, piety and public spirit" are the commonly held qualities of the inhabitants of the mythical Bensalem. The plan and organisation of his ideal college, Salomon's House (or Shlomo's House), envisioned the modern research university in both applied and pure sciences.
ellauri236.html on line 182: So much for Raffles. Now for a header into the cesspool. No Orchids for Miss Blandish, by James Hadley Chase, was published in 1939, but seems to have enjoyed its greatest popularity in 1940, during the Battle of Britain and the blitz. In its main outlines its story is this:
ellauri236.html on line 186: Several other points need noticing before one can grasp the full implications of this book. To begin with, its central story bears a very marked resemblance to William Faulkner's novel, Sanctuary. Therefore, it is not, as one might expect, the product of an illiterate hack, but a brilliant piece of plagiarism, with hardly a wasted word or a jarring note anywhere. Thirdly, the whole book, récit as well as dialogue, is written in the American language; the author, an Englishman who has (I believe) never been in the United States, seems to have made a complete mental transference to the American underworld. Fourthly, and what is worst (from the point of view of a serious writer like myself) the book sold, according to its publishers, no less than half a million copies. Actually 2.
ellauri236.html on line 516: Chase was subject to several court cases during his career. In 1942, his novel Miss Callaghan Comes to Grief (1941), a lurid account of the white slave trade, was banned by the British authorities after the author and his publisher Jarrold were found guilty of an obscene book. Each was fined a hefty £100. Later, the Anglo-American crime author Raymond Chandler proved that Chase had lifted whole sections of his work in Blonde's Requiem (published 1945) forcing Chase to issue an apology in The Bestseller.
ellauri238.html on line 860: Layle Silbert Yehuda Amichai (1924-2000) is recognized as one of Israel´s finest poets. His poems, written in Hebrew, have been translated into 40 languages (2 more than Herbert), and entire volumes of his work have been published in English, French, German, Swedish, Spanish, and Catalan. “Yehuda Amichai, it has been remarked with some justice,” according to translator Robert Alter, “is the most widely translated Hebrew poet since King David.” But boy, has he a long way to go to beat Dave.
ellauri240.html on line 138: January 6, 2011. China's stealth jet is no cause for alarm: US. The day after a Chinese newspaper published photos of what is supposedly a prototype of China's first stealth jet, US officials said they are not worried about the development.
ellauri240.html on line 207: After graduation George was offered a position as a principal at a school in Gilmanton, New Hampshire. By now the family had three children, all dependent upon his meager salary. It was while she was living in Gilmanton that Julian Messner, a New York publisher, agreed to publish Peyton Place. The book was a best seller by the fall of 1956, and Metalious became a wealthy woman overnight. Eventually, 20 million copies were sold in hardcover, along with another 12 million Dell paperbacks. Metalious became famous as the housewife who wrote a bestseller; she was referred to as "Pandora in Blue Jeans," the simple small-town woman who opened the box of sins.
ellauri240.html on line 209: Peyton Place is the story of a small New England town that, beneath its calm exterior, is filled with scandal and dark secrets. The novel contains sex, suicide, abortion, murder and a subsequent trial, and rape. The citizens of Gilmanton were outraged, certain that Grace Metalious was describing real people in the book and sure that she had brought shame and unwarranted notoriety to their town. After Peyton Place was published, the whole image of the small town in America was forever changed. From then on the very phrase "Peyton Place" was used to describe a town that is rife with deep secrets and rampant sex beneath the veneer of picturesque calm.
ellauri240.html on line 221: Although Peyton Place is still well known for its depiction of a certain kind of small town society with many hidden secrets, few people read the book any longer. Few people read any books any longer. Scandalous in its time, it no longer has the same force of shock that it did when it was published. Thanx to the pill.
ellauri240.html on line 494: Rainn Dietrich Wilson. (s. 20. tammikuuta 1966 Seattle, Washington), hän on yhdysvaltalainen näyttelijä. Hänet tunnetaan parhaiten roolistaan Dwight Schrutena televisiosarjan Konttori yhdysvaltalaisessa versiossa. Hän ei saanut tähtiosaa, eikä sivuosastakaan Emmyä. Hän tuli tähtien shakkiottelussa toisexi. Outside of acting, Wilson published an autobiography, The Bassoon King, in 2015, and co-founded the digital media company SoulPancake in 2008. In 2022, On November 10, 2022, Wilson changed his name on social media to Rainnfall Heat Wave Rising Sea Levels Wilson in an effort to raise awareness about climate change, though he did not legally change his name.
ellauri243.html on line 486: It is clear that Dale Brown never expected to be as successful as he has been. This is clear by his killing off of some characters, only to be resurrected in subsequent novels. He originally only intended to write 3 novels for his publisher. Now, 24 books later, he is an accomplished author and his fans are eagerly awaiting his next novel teeming with revenants.
ellauri243.html on line 501: The book was met with widely positive reviews and it was on the bestsellers list. It is important to note that the original hardcover release of the book did not make the best sellers list. It was only when the publisher sent Brown on a tour of military bases to peddle the paperback release, that it made the list. The highest position was number 4 and it ended up selling over a million copies in the first two weeks.
ellauri243.html on line 510: Dale Brown is still at the forefront of publishing novels today. He most recent novel, Tiger’s Claw, was released in August 2013. The plot of this book surround President Phoenix, Arizona, who has again slashed the military budget just when China begins to test it’s new domestic missile.
ellauri243.html on line 726: Disraeli wrote novels throughout his career, beginning in 1826, and published his last completed novel, Endymion, shortly before he died at the age of 76. Endymion tuli mainituxi albumissa 127, sehän oli se Keazin 50 sheidiä.
ellauri244.html on line 624: During the last four years of his life, Miller held an ongoing correspondence of over 1,500 letters with Brenda Venus, a young Playboy model and columnist, actress and private dancer. A book about their correspondence was published in 1986. She was 56 years his junior.
ellauri245.html on line 267: Nsala of Wala in the Nsongo District (Abir Concession) is a photograph published by Edmund Dene Morel in his book King Leopold's Rule in Africa, in 1904. The image depicts a Congolese man named Nsala examining the severed foot and hand of his five-year-old daughter, Boali. The photograph was taken by Alice Seeley Harris, the wife of a missionary, in the village of Baringa on 14 May 1904. It was subsequently employed as a tool in the inhumane media campaign against the situation in the Congo Free State, which was largely characterised by rubber dildos.
ellauri245.html on line 326: Bury Me Standing: The Gypsies and Their Journey is a non-fiction book on the lives of the Romani people by the American-Uruguayan writer Isabel Fonseca published in 1995. The book is organized in eight chapters and contains black and white photographs and maps.
ellauri247.html on line 419: Called the “Queen of the Blues”, Elizabeth Montagu led and hosted the Blue Stockings Society of England from about 1750. It was a loose organization of privileged women with an interest in education, but it waned in popularity at the end of the 18th century. It gathered to discuss literature, and also invited educated men to participate. Talk of politics was prohibited; literature and the arts were the main subjects. Many of the bluestocking women supported each other in intellectual endeavors such as reading, art work, and writing. Many also published literature. Dr. Johnson once wrote about Montagu, that “She diffuses more knowledge than any woman I know, or indeed, almost any man. Conversing with her, you may find variety in one“.
ellauri254.html on line 397: One of these ‘noisy gatherings with dances and masks’ proved the occasion of a notable scandal within the world of Russian letters. On 3 January, 1911, Sologub and his wife hosted a masquerade to celebrate the new year. Among the attendees were the writers Aleksei Remizov and Aleksei Tolstoy. Remizov was well known within the world of Russian letters for his mischievous sense of humour. He founded a ‘Great and Free House of Apes’, declaring himself Chancellor, and sent out missives to writers and publishers decreeing them positions in this ironic organisation; and Andrei Bely dubbed him a ‘petty cash demon’ – the title of Sologub’s most celebrated work – owing to his appearance.
ellauri254.html on line 816: Kaverin managed to republish Lunz's last play, Gorod Pravdy [The City of Truth], in a theatrical journal in 1989, one year after he had helped to effect the first publication in the Soviet Union of Yevgeny Zamyatin's anti-utopian novel, My [We, 1920]. The censorship board was beginning to crack, but still the Lunz collection was delayed beyond the life of the last Serapion (Kaverin) and the end of the Soviet system. Koska matka oli hauska niin, ottivat he mukaan vielä yhden kaverin.
ellauri256.html on line 46: Rozanov frequently referred to himself as Fyodor Dostoyevsky's "Underground Man" and proclaimed his right to espouse contrary opinions at the same time. He first attracted attention in the 1890s when he published political sketches in the conservative newspaper Novoye Vremya ("New Time"), owned and run by Aleksey Suvorin. Rozanov's comments, always paradoxical and sparking controversy, led him into clashes with the Tsarist government and with radicals such as Lenin. For example, Rozanov readily passed from criticism of Russian Orthodoxy, and even of what he saw as the Christian preoccupation with death, to fervent praise of Christian faith, from praise of Judaism to unabashed anti-Semitism, and from acceptance of homosexuality as yet another side of human nature to vitriolic accusations that Gogol and some other writers had been latent homosexuals.[citation needed] He proclaimed that politics was "obsolete" because "God doesn't want politics any more," constructed an "apocalypse of our times," and recommended the "healthy instincts" of the Russian people, their longing for authority, and their hostility to modernism.
ellauri256.html on line 524: MIT:n silloinen laskuopin professori ennusti Billystä: I believe he will be a great mathematician, the leader in that science in the future. 11-vuotiaana nenäkäs Billy sai toistuvasti turpiin 5v vanhemmilta Harvardin luokkatovereilta (ml Buckminster Fuller) ja alkoi eristäytyä. Billy vowed to remain celibate and never to marry, as he said women did not appeal to him. Later he developed a strong affection for Martha Foley, one year older than him. Ei siitäkään tullut lasta eikä paskaakaan. Isompana Billy ajoi mieluiten ympäriinsä raitiovaunulla. He obsessively collected streetcar transfers, wrote self-published periodicals, and taught small circles of interested friends his version of American history. Sidis arveli että Euroopassakin oli ollut intiaaneja. Sidis peukutti jonkinlaista dualismia. Sidis died from a cerebral hemorrhage in 1944 in Boston at age 46.
ellauri256.html on line 526: Martha Foley was born in Boston, Massachusetts, on March 21, 1897, to Walter and Margaret M. C. Foley. From 1909 to 1915, she attended Boston Girls' Latin School, and even then aspired to be a writer. The school magazine published her first short story, "Jabberwock," when she was eleven years old. (I had thought it was Lewis Carrol's.) After graduating from the 'Girls School' she attended Boston University but did not graduate, unlike Riitta Roth, who did. The topic of her MA thesis was Garten-Laub. The name of her kitten was Klobürste. (Riitta's, not Martha's)
ellauri257.html on line 101: The story was initially published in 1835 as part of the Mirgorod collection of short stories, but a much expanded version appeared in 1842 with some differences in the storyline. The 1842 text has been described by Victor Erlich [ru] as a "paragon of civic virtue and a force of patriotic edification", contrasting the rhetoric of the 1835 version with its "distinctly Cossack jingoism".
ellauri257.html on line 343: Gombrowicz wrote in Polish, but he did not allow his works to be published in Poland until the authorities lifted the ban on the unabridged version of Dziennik, his diary, in which he described their attacks on him. No tästä arvaa jo mixi sille oltiin tuppaamassa dynypötköä. Mikä pahinta, Gombrowicz´s work has links with existentialism and structuralism. Sen hengenheimolaisia olivat sellaiset lurjuxet kuin Foucault, Barthes, Deleuze, Lacan, and Sartre.
ellauri257.html on line 486: Shadows on the Hudson (original title Shotns baym Hodson ) is a novel by Isaac Bashevis Singer. First serialized in The Forward, a Yiddish newspaper, it was published in book form in 1957. It was translated into English by Joseph Sherman in 1998. The book follows a group of prosperous Jewish refugees in New York City following World War II, just prior to the founding of the state of Israel.
ellauri257.html on line 506: In the United States, Singer went through a period of depression in which he published little fiction, until in 1938, he met Alma Wasserman and the two married in 1940. For Singer as homo domesticus, I needed the views of his wife, Alma Haimann, whom I’ll refer to by her first name hereafter. I had read in a 1970s article from The Jewish Exponent that Alma had been at work on an autobiography. “I’m about as far as the first 100 pages,” she told the Philadelphia newspaper. I was also aware, from Paul Kresh’s 1979 biography, “The Magician of West 86th Street,” that Singer didn’t think his wife would ever finish the manuscript. But was there such a manuscript?
ellauri257.html on line 571: Lodge was a Christian Spiritualist. In 1909, he published the book Survival of Man which expressed his belief that life after death had been demonstrated by mediumship. His most controversial book was Raymond or Life and Death (1916). The book documented the séances that he and his wife had attended with the medium Gladys Osborne Leonard. Lodge was convinced that his son Raymond who had become cannon food had communicated with him and the book is a description of his son's experiences in the spirit world. According to the book Raymond had reported that those who had died were still the same people that they had been on earth before they "passed over". There were houses, trees and flowers in the Spirit world, which was similar to the earthly realm, although there was no STD. The book also claimed that soldiers who died in World War I smoked cigars and drank whisky and ate pussy also in the spirit world and because of such statements the book was criticised.
ellauri260.html on line 390: Sir James George Frazer OMG FRS FRSE FBA WTF (/ˈfreɪzər/; 1 January 1854 – 7 May 1941) was a Scottish social anthropologist and folklorist influential in the early stages of the modern studies of mythology and comparative religion. His lousy reputation improved after his new wife in 1896, Lilly Frazer, decided that he was undervalued because of atheism and that she could improve his impact by leaving out some of it. His dissertation was published years later as The Growth of Plato's Ideal Theory. He remained a classical fellow all his life, not unlike Kari Hotakainen.
ellauri260.html on line 392: Frazer is commonly interpreted as an atheist in light of his criticism of Christianity and especially Roman Catholicism in The Golden Bough. However, his later writings and unpublished materials suggest an ambivalent illicit relationship with Neoplatonism and Hermeticism.
ellauri260.html on line 393: In 1896 Frazer married Elizabeth "Lilly" Grove, a writer whose father was from Alsace. She would later adapt Frazer's Golden Bough as a book of children's stories, The Leaves from the Golden Bough. Frazer was not widely travelled. His prime sources of data were ancient histories and questionnaires mailed to missionaries and imperial officials all over the globe. His vision of the annual sacrifice of the Year-King has not been borne out by field studies. His wife Lady Frazer published a single-volume abridged version, largely compiled by her, in 1922, with some controversial material on Christianity excluded from the text. Sigmund Freud, the founder of psychoanalysis, cited Totemism and Exogamy frequently in his own Totem and Taboo:
ellauri262.html on line 78: MacDonald is often regarded as the founding father of modern fantasy writing. His best-known works are Phantastes (1858), The Princess and the Goblin (1872), At the Back of the North Wind (1868–1871), and Lilith (1895), all fantasy novels, and fairy tales such as "The Light Princess", "The Golden Key", and "The Wise Woman". MacDonald claimed that "I write, not for children, but for the child-like, whether they be of five, or fifty, or seventy-five." MacDonald also published some volumes of sermons, the pulpit not having proved an unreservedly successful venue.
ellauri262.html on line 186: Christus Victor is a book by Gustaf Aulén published in English in 1931, presenting a study of theories of atonement in Christianity. The original Swedish title is Den kristna försoningstanken ("The Christian Idea of the Atonement") published in 1930. Aulén reinterpreted the classic ransom theory of atonement, which says that Christ's death is a ransom to the powers of evil, which had held humankind in their dominion. It is a model of the atonement that is dated to the Church Fathers, and it was the dominant theory of atonement for a thousand years, until Anselm Panda of Canterbury supplanted it in the West with his satisfaction theory of atonement. So that the baddies in the story were Sauron and the goblins and orcs of Mordor, not God as angry Scrooge McDuck coming for his dues.
ellauri262.html on line 224: Lewis's last novel, Till We Have Faeces, a retelling of the myth of Cupid and Psyche, was published in 1956. Although Lewis called it "far and away my best book," it was not as well-reviewed as his previous work. It is a retelling of the myth of Cupid and Psyche from the unusual perspective of Psyche's sister Peg. Mere Christianity was voted best book of the 20th century by Christianity Today in 2000.
ellauri262.html on line 403: The academic critic Q. D. Leavis criticises Sayers in more specific terms in a review of Gaudy Night and Busman's Honeymoon, published in the critical journal Scrutiny, saying her fiction is "popular and romantic while pretending to realism." Leavis argues that Sayers presents academic life as "sound and sincere because it is scholarly," a place of "invulnerable standards of taste charging the charmed atmosphere". But, Leavis says, this is unrealistic: "If such a world ever existed, and I should be surprised to hear as much, it does no longer, and to give substance to a lie or to perpetuate a dead myth is to do no one any service really." Leavis comments that "only best-seller novelists could have such illusions about human nature."
ellauri262.html on line 411: Sayers's first book was poetry and was published in 1916 as OP. by Blackwell Publishing in Oxford. Her second book of poems, "Catholic Tales and Christian Songs", was published in 1918, also by Blackwell.
ellauri262.html on line 433: After publishing her first two detective novels, Sayers married Captain Oswald Atherton "Mac" Fleming, a Scottish journalist whose professional name was "Atherton Fleming". The wedding took place on 13 April 1926 (Dot was 33 and Mac 45) at Holborn Register Office, London. Fleming was divorced with two daughters.
ellauri263.html on line 621: Aleister Crowley (/ˈælɪstər ˈkroʊli/; born Edward Alexander Crowley; 12 October 1875 – 1 December 1947) who was an English occultist, philosopher, ceremonial magician, poet, painter, novelist, and mountaineer. He founded the religion of Thelema, identifying himself as the prophet entrusted with guiding humanity into the Æon of Horus in the early 20th century. A prolific writer, he published widely over the course of his miserable life.
ellauri264.html on line 120: In 2011, Gionet worked for Capitol Records for a short time, before pursuing his own career in rap music with a "wild, redneck, kick-ass" persona. He kept his nickname Baked Alaska as a stage name. His rap songs used a satirical tone and traded on his Alaskan roots, with titles like "I Live on Glaciers" or "I Climb Mountains". In 2013, the Anchorage Daily News published a profile of Baked Alaska, describing him as a "comedy/music video artist". Gionet also posted many humorous videos on Vine where he became known as a prankster, achieving some online popularity. A video of him pouring a gallon of milk on his face attracted several millions of views. He called himself at the time a "cross between Weird Al, Lonely Island, Borat and Jackass".
ellauri264.html on line 371: "Man of Constant Sorrow" (also known as "I Am a Man of Constant Sorrow") is a traditional American folk song first published by Dick Burnett, a partially blind fiddler from Kentucky. The song was originally titled "Farewell Song" in a songbook by Burnett dated to around 1913. A version recorded by Emry Arthur in 1928 gave the song its current titles.
ellauri264.html on line 507: The Shulchan Aruch (Hebrew: שֻׁלְחָן עָרוּך [ʃulˈħan ʕaˈrux], literally: "Set Table"), sometimes dubbed in English as the Code of Jewish Law, is the most widely consulted of the various legal codes in Judaism. It was authored in Safed (today in Israel) by Joseph Karo in 1563 and published in Venice two years later. Together with its commentaries, it is the most widely accepted compilation of halakha or Jewish law ever written.
ellauri264.html on line 509: The halachic rulings in the Shulchan Aruch generally follow Sephardic law and customs, whereas Ashkenazi Jews generally follow the halachic rulings of Moses Isserles, whose glosses to the Shulchan Aruch note where the Sephardic and Ashkenazi customs differ. These glosses are widely referred to as the mappah (literally: the "tablecloth") to the Shulchan Aruch´s "Set Table". Almost all published editions of the Shulchan Aruch include this gloss, and the term "Shulchan Aruch" has come to denote both Karo's work as well as Isserles', with Karo usually referred to as "the mechaber" ("author") and Isserles as "the Rema" (an acronym of Rabbi Moshe Isserles).
ellauri264.html on line 511: In the century after it was published by Karo (whose vision was a unified Judaism under the Sephardic traditions) it became the code of law for Ashkenazim, together with the later commentaries of Moses Isserles and the 17th century Polish rabbis.
ellauri264.html on line 538: The halachic rulings in the Shulchan Aruch generally follow the Sephardic custom. The Rema added his glosses and published them as a commentary on the Shulchan Aruch, specifying whenever the Sephardic and Ashkenazic customs differ. These glosses are sometimes referred to as the mappah, literally, the 'tablecloth,' to the Shulchan Aruch´s 'Set Table.' Almost all published editions of the Shulchan Aruch include this gloss.
ellauri264.html on line 691: So this is what´s common between Graham Bell, Bill Gates, Steve Jobs , Mark Zuckerberg and Ray Kroc: All of them have managed to steal something very valuable from somebody and make it work for them. Steve Jobs brought the idea of mouse from Xerox and Bill Gates copied the entire idea from Steve Jobs Mark Zuckerberg stole the idea from Winklewoss brothers and published as his own.
ellauri266.html on line 328: Korzybski’s major work on general semantics is Science and Sanity (1933; 5th ed., 1994). The Institute of General Semantics (founded 1938) publishes a quarterly, ETC: A Review of General Semantics.
ellauri270.html on line 232: Jeffin runousoppi on ilmeisesti plagioitu sen Lontoon lehtorilta Winifred Nowottnyltä. "Current criticism often takes metaphor au grand sérieux, as a peephole on the nature of transcendental reality, a prime means by which the imagination can see into the life of things." --Language Poets Use (1962) by Winifred Nowottny. Winifred M.T.Nowottny, nee Dobbs, was educated at the University of London and later taught English Literature at University College London. She published the books, Language Poets Use in 1962 and Hopkins´ Language of Prayer of Praise in 1972. Jeff ois niikö Harry Potter ja Winifer Dobbs sen kotihaltija. Toinen keskeinen Jeffin lähde oli Penguin Dictionary of Quotations.
ellauri270.html on line 425: Jackson’s “The Lottery” was published in the years following World War II, when the world was presented with the full truth about Nazi Germany and the Holocaust. In creating the dystopian society of her story, Jackson was clearly responding to the fact that “dystopia” is not only something of the imagination—it can exist in the real world as well. Jackson thus meditates on human cruelty—especially when it is institutionalized, as in a dystopian society—and the… read analysis of Dystopian Society and Conformity.
ellauri270.html on line 529: Enoch Arden, poem by Alfred, Lord Tennyson, published in 1864. In the poem, Enoch Arden is a happily married fisherman who suffers financial problems and becomes a merchant seaman. He is shipwrecked, and, after 10 years on a desert island, he returns home to discover that his beloved wife, believing him dead, has remarried and has a new child. Not wishing to spoil his wife’s happiness, he never lets her know that he is alive.
ellauri272.html on line 75: It has received mixed to negative reviews, as most critics noted the poor literary qualities of the work. Salman Rushdie said about the book: "I've never read anything so badly written that got published. It made Twilight look like War and Peace." Jesse Kornbluth of The Huffington Post said: "As a reading experience, Fifty Shades ... is a sad joke, puny of plot".
ellauri272.html on line 80: Coinciding with the release of the book and its surprising popularity, injuries related to BDSM and sex toy use spiked dramatically. In the year after the novel's publishing in 2012, injuries requiring Emergency Room visits increased by over 50% from 2010 (the year before the book was published). This is speculated to be due to people unfamiliar with both the proper use of these toys and the safe practice of bondage and other "kinky" sexual fetishes in attempting to recreate at home what they had read.
ellauri275.html on line 446: The Georgian poets were, by the strictest definition, those whose works appeared in a series of five anthologies named Georgian Poetry, published by Harold Monro and edited by Edward Marsh, the first volume of which contained poems written in 1911 and 1912. The group included Edmund Blunden, Rupert Brooke, Robert Graves, D. H. Lawrence, Walter de la Mare, Siegfried Sassoon, and John Drinkwater. Until the final two volumes, the decision had not been taken to include female poets.
ellauri277.html on line 242: Gibran’s first book in English, The Madman: His Parables and Poems, was completed in 1917; it was brought out in 1918 by the young literary publisher Alfred A. Knopf, who went on to publish all of Gibran’s English works. A gold mine! A goose laying golden eggs! Way to go Alfred!
ellauri277.html on line 246: Gibran’s masterpiece, The Prophet, was published in September 1923. The earliest references to a mysterious prophet counseling his people before returning to his island home can be found in Haskell’s journal from 1912. Gibran worked on it from time to time and had finished much of it by 1919. He seems to have written it in Arabic and then translated it into English. As with most of his English books, Haskell acted as his editor, correcting Gibran’s chronically defective spelling and punctuation but also suggesting improvements in the wording.
ellauri277.html on line 256: In 1926 and 1927, respectively, Gibran published Sand and Foam in English (Donovan!). Sand and Foam is decorated with Gibran’s drawings, and the aphorisms are separated by floral dingbats also drawn by Gibran. Most critics did not like the book, but, like all of his English works (except the flop Twenty Drawings), it has remained in print since its publication.
ellauri277.html on line 258: In 1928 Gibran published his longest book, Jesus, the Son of Man: His Words and His Deeds as Told and Recorded by Those Who Knew Him. It was the most lavishly produced of Gibran’s books, with some of the illustrations in color. For once, the reviews were strongly and uniformly favorable, and the book has remained the most popular of his works next to The Prophet.
ellauri279.html on line 197: When Yuri joined the faculty of the Department of German and Russian at UCD in January, 1989, none of his colleagues had any idea of the remarkable fifty-five years of his life that had preceded his arrival in Davis. Some of us were aware of the fact that he had been censored for his writing in the Soviet Union, but most, if not all of us, were ignorant of the attack leveled against him in 1974 by the newspaper Izvestiya, which accused him of having slandered the Soviet people, or of his having been removed from the Writers Union of the USSR in 1977 and declared “a traitor to the motherland” for his participation in the Samizdat underground publishing movement. In 1986, he was threatened by the KGB with either incarceration in a prison camp or confinement to a psychiatric ward, where he might well have languished had it not been for the intervention of Western writers such as Kurt Vonnegut and Arthur Miller, as well as, the International PEN-Club. Yuri was banished from his homeland a year later. He became a leading literary figure among Russian émigré writers while in exile, living first in Vienna, and then in Texas, before coming to California.
ellauri285.html on line 154: Rudolph Etzenhouser, who was a traveling elder of the Reorganized Church of Jesus Christ of Latter Day Saints (RLDS), saw the relics as proof of the historicity of the Book of Mormon. Etzenhouser even published a book on his collection of the Michigan Relics.
ellauri285.html on line 639: No portions of this book may be reprinted, reposted or published without written permission from the author.
ellauri285.html on line 751: Alan David Sokal (/ˈsoʊkəl/; born January 24, 1955) is an American professor of mathematics at University College London and professor emeritus of physics at New York University. He works in statistical mechanics and combinatorics. He is a critic of postmodernism, and caused the Sokal affair in 1996 when his deliberately nonsensical paper was published by Duke University Press´s Social Text. He also co-authored a paper criticizing the critical positivity ratio concept in positive psychology.
ellauri285.html on line 755: The first consequential re-evaluation of the mathematical modeling behind the critical positivity ratio was published in 2008 by a group of Finnish researchers from the Systems Analysis Laboratory at Aalto University (Jukka Luoma, Raimo Hämäläinen, and Esa Saarinen). The authors noted that "only very limited explanations are given about the modeling process and the meaning and interpretation of its parameters... [so that] the reasoning behind the model equations remains unclear to the reader"; moreover, they noted that "the model also produces strange and previously unreported behavior under certain conditions... [so that] the predictive validity of the model also becomes problematic."
ellauri285.html on line 759: Fredrickson wrote a response in which she conceded that the mathematical aspects of the critical positivity ratio were "questionable" and that she had "neither the expertise nor the insight" to defend them, but she maintained that the empirical evidence for the existence of a critical positivity ratio was solid. Brown, Sokal, and Friedman, the rebuttal authors, published their response to Fredrickson´s "Update" the next year, maintaining that there was no evidence for a critical positivity ratio. Losada declined to respond to the criticism (indicating to the Chronicle of Higher Education that he was too busy running his consulting business).[verification needed] Hämäläinen and colleagues responded later, passing over the Brown-Sokal-Friedman rebuttal claim of failed criteria for use of differential equations in modeling, instead arguing that there were no fundamental errors in the mathematics itself, only problems related to the model´s justification and interpretation.
ellauri288.html on line 350: Men in Aida is a homophonic translation of Book One of Homer's Iliad into a farcical bathhouse scenario, perhaps alluding to the homoerotic aspects of ancient Greek culture. It was written in 1983 by the language poet David Melnick, and is an example of poetic postmodernism. In 2015, all three books of the Iliad translated by Melnick were published by independent publishing house Uitgeverij under the title Men in Aïda.
ellauri297.html on line 375: Imich spent his career as a chemist, ultimately trying to prove to other scientists that the neshama (soul) survives physical death. In 1995, at the age of 92, he edited and published a book called Incredible Tales of the Paranormal.
ellauri299.html on line 93: In 2011 the Journalists Dan Margalit, Ronen Bergman published a book, in which they claimed that Israel's Shayetet 13 unit, was responsible for the bombing of the Sol Phryne. And that Israel's Minister of Education Yoav Galant was the commander of the operation. The mockies of course deny everything.
ellauri300.html on line 54: Shadows on the Hudson (original title Shotns baym Hodson) is a novel by Isaac Bashevis Singer. First serialized in The Forward, a Yiddish newspaper, it was published in book form in 1957. It was translated into English by Joseph Sherman in 1998. The book follows a group of prosperous Jewish refugees in New York City following World War II, just prior to the founding of the state of Israel. This article about a 1950s novel is a stub. You can help Wikipedia by expanding it.
ellauri301.html on line 111: Preview: The first Wallander novel Mördare utan ansikte (‘Faceless Killers’) was published in Sweden in 1991 and begins with an elderly couple being attacked in a remote farmhouse. The husband dies instantly, the wife lives long enough to whisper the word “foreign”, triggering a wave of violent racism as Wallander seeks to solve the crime.
ellauri309.html on line 275: publisher, your agent, about the fact that a title can’t be stolen in the
ellauri309.html on line 278: publishing) you’d certainly realize it was written, titled and in
ellauri309.html on line 285: publisher, to create a community with other writers, and to show readers I
ellauri310.html on line 34: first appearance in a short comic strip published in the United States on
ellauri316.html on line 831: In 1943, Vlasov published the Smolensk Proclamation, in which he declared that Bolshevism was “the enemy of the Russian people.” His aim was to recruit other Russians now in Germany—the Nazis had taken hundreds of thousands of Red Army soldiers prisoner in the first two years of the war— to unite against the Soviet Union.
ellauri321.html on line 49: None of Wotton's poetry was published during his lifetime and it was not until 1651 that his collected works were issued as Reliquiae Wottonianae. Among these, Elizabeth of Bohemia, Upon the Sudden Restraint of the Earl of Somerset, and The Character of a Happy Life are the most memorable. Izaak Walton's biography of Sir Henry Wotton, written in 1670, clearly depicts his powerful intellect, forthright character, and the esteem in which he was held.
ellauri321.html on line 101: A new English edition appeared in the year following, and an American reprint of the editio princeps was brought out by Matthew Carey in Philadelphia in 1793. In the meantime its author, whose full name was J. Hector Saint John de Crèvecoeur, had himself translated the book into French, adding to it very considerably, and publishing it in Paris in 1784.* A second French edition, still further enlarged and containing excellent maps and plates, appeared in 1787. These bibliographical facts are significant. They show that for at least twenty years, probably for a much longer period, the “Letters from an American Farmer” was an important interpreter of the New World to the Old. It seems to have been in answer to a demand aroused by his first book that Crèvecoeur ventured to treat the same theme once more. But the three bulky volumes of his “Journey in Upper Pennsylvania” (1801) contain little that is now or illuminating.
ellauri321.html on line 108: In 1747, in his sixteenth year, Crèvecoeur was sent by his family to England in order to complete his education. But the young man was of an adventurous spirit, and after a sojourn of about seven years in England, he set sail for Canada, where for the years 1758–59 he served in the French army. In 1764, after some residence in Pennsylvania, he became a naturalized citizen of New York, and five years later settled on a farm in Ulster County. Here, with his wife, Mahetable Tiffet of Yonkers, he lived the peaceful life of many idyllic years during which he gathered the materials for his book. Obviously enough he did not always remain on his farm, but viewed many parts of the country with a quietly observing eye. These journeys are recorded in his pages. He explored pretty thoroughly the settled portions of the States of New York and Pennsylvania, saw something of New England, and also penetrated westward to the limits of the colonies. He went as far South as Charleston, and may have visited Jamaica. Beyond such journeyings we may imagine these years to have xiv have been quite barren of events, serene and peaceful, until the storm of the Revolution began to break. It is not until 1779 that anything of import is again recorded of Crèvecoeur. In that year he made an attempt to return to Normandy, but the sudden appearance of a French fleet in the harbor of New York causing him to be suspected as a spy, he was imprisoned for three months. He was then permitted to sail, and, on his arrival in England, sold for thirty guineas his “Letters from an American Farmer,” which were published at London in 1782, the year after he reached France.
ellauri321.html on line 320: Stuart Profit joined the Scott Trust in 2015. He has been a publishing director at Penguin Books since 1998, and before that he was the publisher of the trade division at HarperCollins for six years.
ellauri321.html on line 326: Russell "Beam me up" Scott joined the Scott Trust in 2015, and is the Scott Trust’s only senior independent director AKA owner. He runs a consultancy business specialising in strategy and execution for digital audience growth and monetisation. He is also co-founder of Grazer Learning, a start-up digital education platform and provides commercial support to a number of other tech start-ups. Previously he held multiple senior roles in consumer publishing, digital and broadcast sectors including Content Director of The Football League, Commercial Director of Northcliffe media and MD of fish4, a digital classified JV between 5 major UK regional senior pressure groups.
ellauri322.html on line 246: The little payment for her pamphlet on the " Education of Daughters " caused Mary Wollstonecraft to think more seriously of earning by her pen. The pamphlet seems also to have advanced her credit as a teacher. After giving up her day school, she spent some weeks at Eton with the Rev. Mr. Prior, one of the masters there, who recommended her as governess to the daughters of Lord Kingsborough, an Irish viscount, eldest son of the Earl of Kingston. Her way of teaching was by winning love, and she obtained the warm affection of the eldest of her pupils, who became afterwards Countess Mount-Cashel. In the summer of 1787, Lord Kingsborough's family, including Mary Wollstonecraft, was at Bristol Hot-wells, before going to the Continent. While there, Mary Wollstonecraft wrote her little tale published as " Mary, a Fiction," wherein there was much based on the memory of her own friendship for Fanny Blood.
ellauri322.html on line 248: The publisher of Mary Wollstonecraft's " Thoughts on the Education of Daughters " was the same Joseph Johnson who in 1785 was the publisher of Oowper's " Task." With her little story written and a little money saved, the resolve to live by her pen could now be carried out. Mary Vollstonecraft, therefore, parted from her friends at Bristol, went to London, saw her publisher, and frankly told him her determination. He met her with fatherly kindness, and received her as a guest in his house while she was making her arrangements. At Michaelmas, 1787, she settled in a house in George Street, on the Surrey side of Blackfriars Bridge. There she produced a little book for children, of " Original Stories from Real Life," and earned by drudgery for Joseph Johnson. She translated, she abridged, she made a volume of Selections, and she wrote for an " Analytical Review," which Mr. Johnson founded in the middle of the year 1788. Among the books translated by her was Necker " On the Importance of Religious Opinions." Among the books abridged by her was S:dzmann's " Elements of Morality."
ellauri322.html on line 264: She was rescued, again, and lived on with deadened spirit. In 1796 these "Letters from Sweden and Norway " were published. Early in 1797 she was married to William Godwin. On the 10th of September in the same year, at the ago of thirty-eight, Mary Wollstonecraft Godwin died, after the birth of the daughter who lived to become the wife of Shelley and write a blockbuster bestseller. The mother also would have lived, if a womanly feeling, in itself to be respected, had not led her also to unwise departure from the customs of the world. Peace be to her memory. None but kind thoughts can dwell upon the life of this too faithful disciple of Rousseau (except for the feminismim).
ellauri331.html on line 40: publishing.com/leparisien/YKSQOGPVVJDTFAFKJTLIJRC3LE.jpg" width="40%" />
ellauri333.html on line 374: Ambedkar published his book Annihilation of Caste on 15 May 1936. It strongly criticised Hindu orthodox religious leaders and the caste system in general, and included "a rebuke of Gandhi on the subject. Later, in a 1955 BBC interview, he accused Gandhi of writing in opposition of the caste system in English language papers while writing in support of it in Gujarati language papers. In his writings, Ambedkar also accused Jawaharlal Nehru of being "conscious of the fact that he is a Brahmin".
ellauri336.html on line 594: Thank goodness: Climate change alarmist and darling of the international liberal media Greta Thunberg has, at long last, weighed in on the conflict between Israel and Hamas. In a social media post published Friday morning, Thunberg held up a sign that read, “Stand with Gaza,” while writing: “Today we strike in solidarity with Palestine and Gaza. The world needs to speak up and call for an immediate ceasefire, justice and freedom for Palestinians and all civilians affected.”
ellauri340.html on line 129: Finnish Bible published in 1776.
ellauri342.html on line 561: Late in the 18th century, other printers began publishing the complete King James Bible. Isaac Collins printed his Bible in 1791; the Collins Bible became known as the first "Family Bible" printed in America. Isaiah Thomas published the first illustrated King James Bible in 1791.
ellauri342.html on line 574: Rakas rakas rakas on Toivo Kärjen ja Metro-tyttöjen kappale. Ei sitä herra Tisch kyllä laulanut. Sensijaan se levytti Tevjen Sunrise, sunset schlaagerin. In 1981, Fisher wrote an autobiography, Eddie: My Life, My Loves, jossa se tuuletti 5 vaimoaan. He wrote another autobiography in 1999 titled Been There, Done That. The latter book devotes little space to Fisher's singing career, but recycled the material of his first book and added many new sexual details that were too strong to publish before. Upon the book's publication, his daughter Carrie (tämä Leija) declared: "I'm thinking of having my DNA fumigated." No nyt on Leijakin jo vainaja. Se existoi enää hologrammina.
ellauri344.html on line 249: Close to one quarter of the 200 richest people in Russia are Jewish, according to a report by Russian banking website lanta.ru, which gives the 48 Jews on the list a combined net worth of $132.9 billion. Juutalaiset, joita on promille kansasta, ovat neljännes 200 rikkaimmasta ja omistavat Venäjän rahasäkistä melkein yhtä paljon kuin muut ryssät yhteensä. President Vladimir Putin said in response that the list is a "Nazi report" and that the ethnicities of the wealthiest members of Russian society should not be published, as it is "subject to cause issues."
ellauri346.html on line 319: The video was also available on the group's YouTube page and was published on Nov. 19, 2023:
ellauri347.html on line 488: Boeree was the author of the first online psychology texts, which he made available at no cost to students and other interested parties starting in 1997. They have been translated into German, Spanish, and Bulgarian. Two of his textbooks have been published, one on personality theories and one on the history of psychology. Boeree was also the inventor of the auxiliary language Lingua Franca Nova, which first appeared in 1998 on the Internet. He was the coeditor of the Lingua Franca Nova dictionary.
ellauri349.html on line 545: 1The Embodied Mind, by Francisco J. Varela, Evan Thompson, Eleanor Rosch. This classic book, first published in 1991, was one of the first to propose the “embodied cognition” approach in cognitive science. It pioneered the connections between phenomenology and science and between Buddhist practices and science—claims that have since become highly influential. The View from Within: First Person Approaches to the Study of Consciousness, by Francisco Varela and Jonathan Shear (Eds). How can we be sure even that we exist? The editors agree that we can't be sure but they recommend a pragmatist approach. Technology and the human condition. By B. Gendron. Published 1 November 1976.
ellauri352.html on line 47: Pinocchio oli puinen sätkyukko. Mäntysilmä (oxankohta laudassa?) tai männynsiemen toskanaxi, jonka nenä veny valhetellessa kuin penis erektiivisenä. These aspects are consistent across all adaptations: Pinocchio is an animated sentient puppet, Pinocchio's maker is Geppetto and Pinocchio's nose grows when he lies. Pinocchio's bad behavior, rather than being charming or endearing, is meant to serve as a warning. Collodi originally intended the story, which was first published in June 1881 in the children's magazine Il Corriere dei Piccoli, to be a tragedy. It concluded with the puppet's execution. Kettu ja kissa jotka vievät Disneyn Pinocchion "teeatteriin" hirttävät hänet lähimpään puuhun, joka sattui olemaan tammi eikä mänty.
ellauri352.html on line 611: The novel has been compared with Edgar Lee Masters´s poetry collection Spoon River Anthology, published in 1915. Tim Martin, writing for Literary Review, compared its "babble of American voices", some from primary sources and some expertly fabricated, with the last act of Thornton Wilder´s play Our Town. Kaskun ei Divina Comediaan.
ellauri353.html on line 277: The Friedmans were recent guests at the Commonwealth Club of Kalak it in Los Angeles. Each author speaks and then takes questions from the audience. Good afternoon and welcome to today's meeting of the common a Club of California. Brought to you from the St Francis Hotel relooking Union Square. I am doing an orderly chair. We also welcome the listener. A.W. F.M. in Sitka Alaska. One of more than two hundred twenty five stations across the country. Joining us for America's longest running. Radio program. We invite all our listeners here and on radio. To visit the club's website. At W.W.W. Commonwealth Club. Dot org. And now for today's speakers. It is with great pleasure that I introduce those plucky Jews, the Friedmans. The Friedmans are with us today. Connection with their recently published memoirs. Bucky people. Published by the University of Chicago. Press this year. They have been partners in love. And in life. For over sixty years.
ellauri353.html on line 281: Mrs. FRIEDMAN attended Reed College and studied economics at the University of Chicago. She was on the staff of the National Research and the bureau. A few. Home Economics. She next joined the staff of the Federal Deposit Insurance Corporation where she worked until she married Milton and moved to New York. Since then she has continued home economic research on her own publishing. Individually and coauthoring the three works referred to a few moments ago. She was mostly a producer of the P.B.S. T.V. series free to choose. And in one thousand nine hundred six she received an honorary doctorate from Pepperdine University. The Milton. And Rose de Friedman Foundation which the Freedman's us. Promotes parental choice. Of the schools. Attend. As I mentioned the title of their most recent book is Two lucky people. I'm being told by my parents. That the harder you work the luckier you get. It is no wonder the Friedan consider themselves lucky. They have worked long hard to make the contributions they have made to each other and to our society. We the members and listen. Well are the lucky ones today. To have them share themselves and their insights with us once again. We welcome. (Milton claps his hands to them.)
ellauri353.html on line 305: Shut up Rose, I thought I would use my few remaining 50 minutes here. You forward publishing people would ask me what's it going to be like. And I said well it's a book which is starting out as a love story. And which will end up as a treatise on social and that's largely what happened though it's throughout from beginning to end it really is a love story because Rose and I have really lived a love story we first met. Just exist. Just sixty sixty six years ago. In September. Nineteen thirty two. And from that time to this we have been close. And I trust shall continue to be said though she gives me no guarantees for the future. To talk about one area of social policy. Which we have engaged for many years. And recently made a major move. And that area is schooling elementary and - this is the main thing! educational vouchers. Parental choice of schools. Not to put a too fine point to it, better folks should have freedom to put their kids in better schools. Hooray democracy, fuck equality, like Alexis Tocqueville said, etc. etc. ad nauseam.
ellauri360.html on line 74: “A Sentimental Novel,” the final published work of the novelist and theorist Alain Robbe-Grillet, appeared in France four months before his death, in 2008, and in English translation last spring. The content of the novel contributed to the lag in its translation: “A Sentimental Novel” (reviewed this summer in Briefly Noted) is a compendium of Robbe-Grillet’s sadistic fantasies, which, he said, he had catalogued since adolescence. The work consists of two hundred and thirty-nine numbered paragraphs that form a sort of sadist’s rhapsody about the sexual initiation of a fourteen-year-old girl, Gigi. Gigi’s travails are recounted in exacting detail, against a lushly imagined mise-en-scène, with elaborate furnishings, torture devices, and a proliferation of young companions. Okei siis Robbe liittyy pitkään jonoon kynäilijäpedofiilejä. Ei siinä mitään, kukapa ei pitäisi latuskarintaisista teinitytöistä. Mutta pakkoko niitä on silleen rääkätä?
ellauri368.html on line 318: Hasidism was inspired by Israel ben Eliezer, who was eventually dubbed the Ba'al Shem Tov after he was "revealed" as a wonder-working leader in about 1736. He lived in the Ukraine, where there was a high density of provincial Jewish communities. Two generations after the death of this charismatic leader, his followers printed BeShT (In Praise of the Ba'al Shem Tov, 1815, a Hebrew work consisting primarily of hagiographie tales about wonders of the rebbe, as passed on and eaborated by his disciples. In the same year, stories by Nahman of Bratislav - a great-grandson of the Ba'al Shem Tov - were published by his scribe Nathan Sternharz. Accompanied by Yiddish versions, the Hebrew tales were intended to reach the broadest possible audience.
ellauri368.html on line 320: Then came Perl, show inserted more than just a grain of sand into the happy oyster of hasidic life. Joseph Perl hailed from Tarnopol and became an erudite follower of the Jewish Enlightenment, or haskalah. He learned German and published an attack on the Hasidim in that language, Ueber das Wesen der Sekte Hasidim (on the essence of the Hasidic Sect, 1816). In so doing he aroused the ire of the hasidim; Perl encodes both his scorn and their fury into his epistolary novel, Revealer of Secrets. The plot of Revealer of Secrets revolves around an offensive anti-hasidic book in German, which is evidently Perl's own tract dating from 1816. The hasidic characters in Revealer of Secrets plot to find and destroy the offending book; in the course of their fictional search, they reveal many of the baser traits that Perl attacked in his 1816 essay.
ellauri368.html on line 331: Hasidism began in the late 1850s under Ukrainian Rabbi Ba'al Shem Tov. His followers published a collection of stories about his life, Shivhei ha-Besht (ln Praise of the Ba'al Shem Tov), in 1815.
ellauri368.html on line 333: The following year Perl published Ueber das Wesen der Sekte Chassidim aus ihren eigenen Schriften gezogen (On the Nature of the Sect of the Hasidim, Drawn from Their Own Writings), in which he laid out what he saw as the absurdity of Hasidic beliefs and practices.
ellauri368.html on line 335: In 1819 he continued his writings against Hasidism by publishing a novel about the subject. In the novel, characters search for the original copy of a recently published anti-Hasidic book. The novel was originally published anonymously.
ellauri368.html on line 341: It is an unusual book in that it satirizes the language and style of early hasidic rabbis writing in Hebrew, which was not the vernacular of the Jews of its time. To make his work available and accessible to his contemporaries, Perl translated his own work into Yiddish. It is currently in print only in an English translation, by Dov Taylor, published by Westview Press.
ellauri369.html on line 476: Deena Weinstein havaitsee On Herpexen vaikutuksen "kitaran sankarin" rockmusiikkiilmiöön, kuten 1960-luvun meemissä "Clapton is God". Deena Weinstein (born March 15, 1943) is a professor of sociology at DePaul University whose research focuses on popular culture. She is particularly well known for her research on heavy metal culture, on which subject she wrote a ground-breaking book, Heavy Metal: A Cultural Sociology (1991), later published in a revised and updated version as Heavy Metal: The Music and Its Culture (2009). She did for metal what Greil Marcus's Lipstick Traces did for the Sex Pistols (fucking castrated them).
ellauri370.html on line 530: Arthur, Comte de Gobineau, was born in France in 1816. His essay ´On the Inequality of Human Races´ was published in 1853. Wagner admitted in his own autobiography ´Mein Leben´ (My Life), that his compositions came to him from some outside source, when he was in a state of trance. Ach! Mein Leben! There is some documentary evidence to support the contention that the mad swan king Ludwig of Bayern maintained a homosexual relationship with Wagner. He is now best known for Disney´s magic Castle at Neuschwanstein with Heli-keiju buzzin round it like a fly circling a turd.
ellauri370.html on line 556: January 1927, Hitler, along with several highly ranked members of the Nazi Party, attended Chamberlain´s funeral. In 1909, some months before his 17th birthday, Rosenberg went with an aunt to visit his guardian where several other relatives were gathered. Bored, he went to a book shelf, picked up a copy of Chamberlain´s The Foundations and wrote of the moment: "I felt electrified; I wrote down the title and went straight to the bookshop." In 1930 Rosenberg published The Myth of the Twentieth Century, a homage to and continuation of Chamberlain´s work. Hitler told the ailing Chamberlain that he´d write a sequel to it. The French Germanic scholar Edmond Vermeil considered Chamberlain´s ideas "essentially shoddy".
ellauri373.html on line 152: Mr. Henry Ford, in an interview published in the New York World, February 17, 1921, put the case for Nilus tersely and convincingly thus:
ellauri373.html on line 187: The Revue des etudes Juives, financed by James de Rothschild, published in 1889 two documents which showed how true the Protocols are in saying that the Learned Elders of Zion have been carrying on their plan for centuries. On January 13, 1489, Chemor, Jewish Rabbi of Arles in Provence, wrote to the Grand Sanhedrim, which had its seat in Constantinople, for advice, as the people of Arles were threatening the synagogues. What should the Jews do? This was the reply:
ellauri381.html on line 449: As a result of the Khrushchev Thaw, Solzhenitsyn was released and exonerated. He pursued writing novels about repression in the Soviet Union and his experiences. He published his first novel, One Day in the Life of Ivan Denisovich in 1962, with approval from Soviet leader Nikita Khrushchev, which was an account of Stalinist repressions. Actually, it was about a normal day in a labor camp. Following the removal of Khrushchev from power, the Soviet authorities attempted to discourage Solzhenitsyn from writing any more anticommunist crap. He went on anyway, sending the crap to the west. In 1974, Solzhenitsyn was stripped of his Soviet citizenship and flown to West Germany. In 1976, he moved with his family to the United States, where he continued to write. In 1990, shortly before the dissolution of the Soviet Union, his citizenship was restored, and four years later he returned to Russia, where he remained until his death in 2008.
ellauri382.html on line 373: Entrepreneur Jesse Itzler, upon seeing Goggins perform at a 24-hour ultramarathon, hired Goggins to live with him in his house for a month. Itzler wrote about his experience on a blog and later published the story as a book Living With A Seal.
ellauri383.html on line 578: Most of the Ukrainian speakers in Estonia today are Ukrainians who arrived in the country after the 2014 Russian aggression against Ukraine. There have been short-term attempts to teach the Ukrainian language in Estonian schools, and Ukrainian Sunday schools have also operated for a shorter period of time. There is no Ukrainian-language press in Estonia, nor have Ukrainian-language dictionaries and educational literature been published. Now at least they have something to read at the coffee table.
ellauri389.html on line 271: “I spent most of my time at school playing rugby. I ended up going to Bristol University to do psychology, and I took philosophy and sociology as subsidiary subjects in the first year. I got disillusioned with psychology, dropped out, was a car park attendant for six months, tried to start a new course in English, but I wouldn’t have got a grant, so I carried on into my second year with philosophy, thinking I would become a journalist. Probably because I did so much student journalism I could write well enough that I conned them into a first class degree in philosophy, which meant I could go to Cambridge to do a PhD – there were proper grants in those days. I tried to get a job in publishing in my first year there but didn’t get that, so it’s only philosophy in want of anything better really."
ellauri389.html on line 314: Although Ms. Wordsworth did not publish her work, many of her journals, travelogues, and poems have been posthumously dug out and published with profit.
ellauri389.html on line 379: As early as 1795 he published a volume of poems at Carlisle, which display a thoughtfulness unusual at his age. In 1796 he made the acquaintance of Coleridge on the latter's visit to Birmingham to enlist subscribers to his Watchman. Fascinated with Coleridge's conversation, Lloyd "proposed even to domesticate with him, and made him such a pecuniary offer that Coleridge immediately acceded to the proposal." This was £80 a year, in return for which Coleridge was to devote 3 hours every morning to his instruction; and although the undertaking (apart from the "domestication") may not have been very strictly performed, Lloyd, much later in life, speaks with enthusiasm of the benefit he had derived from Coleridge's society.
ellauri389.html on line 387: The collection was headed by an elegant Latin motto on the mutual friendship of the authors, attributed to "Groscollius," but in reality composed by Coleridge. Coleridge shortly afterwards asserted that he had only allowed Lloyd's poems to be published together with his own at the earnest solicitation of the writer, and ridiculed both them and Lamb's poems in sonnets subscribed "Nehemiah Higginbotham" in the Monthly Magazine, November 1797.
ellauri389.html on line 391: Edmund Oliver, a novel in letters, got published in 1798, some of the details of which are derived from Coleridge's experiences as a private dancer, dancer for money. The book is mainly a polemic against Godwin's views on marriage, and, though very poor as a novel, is not devoid of interesting features. Don't miss the engravings!
ellauri389.html on line 397: He corresponded in French with Miss Watson, daughter of the Bishop of Llandaff, "the letters on both sides being full of spirit and originality." His principal literary occupation was a translation of Ovid's Metamorphoses, commenced in 1805 and completed in 1811, specimens only of which have been published.
ellauri389.html on line 403: Lloyd also wrote, and printed privately at Ulverston, a novel, entitled Isabel, which was published in 1820, but has remained almost unknown. It has little merit, if not less.
ellauri389.html on line 411: For some time he displayed a flurry of literary activity, publishing in 1819 a collection of his poems, under the title of Nugæ Canoræ; in 1821, Desultory Thoughts in London; Titus and Gisippus; and other Poems; and Poetical Essays on the Character of Pope; in 1822, The Duke D'Ormond, a tragedy written in 1798, together with Beritola, a metrical tale in the Italian manner; and a small volume of poems in 1823. Nothing to write home about, alackaday.
ellauri390.html on line 588: Shortly after his return, he had a stream of conscious typing experience that lasted for 21 days. What flowed through him became a little book called, The Cafe on the Edge of the World. The inspirational story went on to be translated into 44 languages, win Bestseller of the Year nine times, and inspire millions of readers around the world. This despite being rejected by fifty-four publishers.
ellauri391.html on line 180: In 2012 she published her first novel and has worked as a freelance author ever since. She continues to write novels but also writes and creates content for "Totally Not Aliens", a video gaming company. Autorin von dem spielbaren Kinderbuch "Eppi". Felicitas Pommerening, geb. 1982, lebt mit ihrem Mann und ihren drei Kindern in Mainz. Hoppla Sie haben eine Seite gefunden, die leider nicht existiert.
ellauri391.html on line 562: This type of character, though unusual, is not unheard-of in philosophy. Unlike, say, history or sociology, philosophy has long reserved a place for the occasional talent who struggles or declines to publish. The tradition dates back to Socrates, and was boldly carried on by Esa Saarinen.
ellauri391.html on line 563: The philosopher Robert Pippin, who has helped secure positions for Kimhi at the University of Chicago, explains that drafts of the manuscript have circulated to great excitement, if among “a very curated audience.” Harvard University Press was interested in publishing the book as early as 2011, but Kimhi, ever the perfectionist, was reluctant to let it go, forever refining and refashioning. Perhaps his foot-dragging was an expression of doubt, too: Could any book live up to his reputation?
ellauri393.html on line 112: Jonkun apulaisprofessori Kellen Mrkvan mukaan Texasin Baylor-yliopistosta (ei 20 parhaan joukossa) tappioiden välttämisen "vinouma" on stabiili ja näyttää lisääntyvät iän myötä. Bugger it! Mistähän sekin johtuisi? Oisko niin että tappioista toipumiseen on vähemmän aikaa vanhana? Elämän mittaan ekonominen voimattomuus vaikuttaa onnellisuuteemme. On tuskin ylläri että on tullut taipumus pitää nykytilannetta parempana kuin muutosta. Mrkva kertoo omalla WordPress-alustallaan: "I study consumer decision making, often combining lab experiments with field experiments or A/B tests used in online retail. My work has been published in several outlets including Journal of Marketing, PNAS, Psychological Science, JPSP, JEP:G, Journal of Consumer Psychology, and Harvard Business Review." Vitun assareita koko posse. Kellen on kerakkeista päätellen Kartvelista kotoisin. Käyttäjille näytetään kahta eri versioita internetsivustosta. Seuraavaksi tutkitaan mikä versio vetää käyttäjiä enemmän puoleensa. On vaikea määrittää lopullisesti, milloin A/B-testausta käytettiin ensimmäisen kerran. Mahdollisesti se oli Jahven testi vällykäärme vastaan paratiisin haravointi. Nykyään Microsoftin ja Googlen kaltaiset yritykset tekevät kumpikin yli 10 000 A/B-testiä vuosittain. Siinä kyllä Jahve kalpenee.
ellauri399.html on line 106: When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960's, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions. In many ways better than Google in fact, except less advertising.
ellauri402.html on line 484: In April 1918, Martti Pihkala published the book "What kind of Finland should we create?" In his book, he considered the supreme enemy of culture to be hedonism rather than the goal of the continuation of the family. He advocated forced sterilization and the isolation of those who had "wicked" lives from society as a means of breeding a superior Finnish race. Pihkala placed harmony between social classes as a counterbalance to moral decay and socialism.
ellauri405.html on line 227: Mit vit kaikki anglosaxisia kyhäyxiä. Monikohan aasialainen on näitä nähnyt. "Walt Whitman is America’s world poet—a latter-day successor to Homer, Virgil, Dante, and Shakespeare. In Leaves of Grass (1855, 1891-2), he celebrated democracy, nature, love, and friendship. This monumental work chanted praises to the body as well as to the soul, and found limited beauty and reassurance even in death." Whitman’s self-published Leaves of Grass was inspired in part by his travels through the American frontier and by his admiration for Ralph Waldo Emerson. Ylläri.
ellauri405.html on line 228: Emerson himself declared the first edition was “the most extraordinary piece of wit and wisdom that America has yet contributed.” Whitman published his own enthusiastic review of Leaves of Grass. Contemporaries found it cringy. Over 1,000 people came to view his funeral. Almost as many as came to Trump's inauguration.
ellauri408.html on line 203: Jean-Luc Nancy (/nɑːnˈsiː/ nahn-SEE; French: [ʒɑ̃lyk nɑ̃si]; 26 July 1940 – 23 August 2021) was a French philosopher. Nancy's first book, published in 1973, was Le titre de la lettre (The Title of the Letter, 1992), a reading of the work of French psychoanalyst Jacques Lacan, written in collaboration with Philippe Lacoue-Labarthe. Nancy is the author of works on many thinkers, including La remarque spéculative in 1973 (The Speculative Remark, 2001) on Georg Wilhelm Friedrich Hegel, Le Discours de la syncope (1976) and L'Impératif catégorique (1983) on Immanuel Kant, Ego sum (1979) on René Descartes, and Le Partage des voix (1982) on Martin Heidegger. Ize kaljuhead ei juuri mitään kekannut, kuhan vinkkasi näihin eilispäivän suuruuxiin. Nancy collaborated with Lacoue-Labarthe on several other books and articles. One of the very few monographs that Jacques Derrida ever wrote on a contemporary philosopher is On Touching, Jean-Luc Nancy. Nice touch, quite touching actually.
ellauri408.html on line 650: Useita satoja kirjoja ilmestyi yhdeltä kustantajalta noin kahdensadan vuoden aikana, kustantajaa ei enää ole. Pierre "publishing house" Marteaun tai Peter Hammerin nimillä mennyt äreä äskillä toimiva äkistyskirjoittava pilkka-jätti toimi Kölnissä, Amsterdamissa, harvemmin muissa paikoissa.
ellauri408.html on line 658: Vätys luki yöllä lisää Goethen runoja ja piti niistä enemmän, sillä ne olivat ylevämpiä. No meine Göttin on ainakin pelkkä panoruno, jolla Goethe kosiskeli Charlotte von Steiniä. A poem written by Goethe on 15 September 1780 and sent at once to Charlotte von Stein. It was first published in 1789 in Goethes Schriften.
ellauri409.html on line 552: Is there anything left to say about The Waste Land? More ink has been spilt over TS Eliot’s great modernist song of despair (https://www.telegraph.co.uk/books/what-to-read/broken-down-bank-clerk-three-months-margate-ts-eliot-wrote/) than any other poem published in the past hundred years. Its centenary has been marked by the second volume of Robert Crawford’s Eliot biography (https://www.telegraph.co.uk/books/what-to-read/new-biography-makes-ts-eliots-life-seem-unthinkably-grim/), the memoirs of Eliot’s confidante Mary Trevelyan and a life of his muse Emily Hale (https://www.telegraph.co.uk/books/what-to-read/hidden-women-ts-eliots-life/), following not all that long after a biography of his first wife, Vivienne (https://www.telegraph.co.uk/books/what-to-read/fall-sparrow-ann-pasternak-slater-review-tragic-life-ts-eliots/). That’s ignoring the nine volumes of Eliot’s letters (https://www.telegraph.co.uk/books/what-to-read/letters-ts-eliot-vol-8-review-really-necessary/), each a convenient size to club a man to death with.
ellauri409.html on line 626: From Personae by Ezra Pound, copyright © 1926 by Ezra Pound. Reprinted by permission of New Directions Publishing Corporation. All rights reserved. No part of this poem may be reproduced in any form without the written consent of the publisher. 😂😄😃😝😁
ellauri421.html on line 86: publisher%22%3A%22msn-msn%22%2C%22actionType%22%3A%22visible%22%2C%22appType%22%3A%22bidder%22%2C%22apiKey%22%3A%2269629143827c91b118c7e0dc9f2a4eb0059feae9%22%2C%22session%22%3A%22v2_a6a446e1f876764ed0af9f93a0bd11f6_f08b3e60-f1a0-4b36-9b25-42fdb1f7dec9-tucte3f7e4a_1734034952_1734034952_CNawjgYQrrs-GLDvnpahicD7SCABKAYwRTiSxghA04sQSMuG2ANQ____________AVgAYAFo4o3Dpo_8tI8CcACAAQA%22%2C%22responseId%22%3A%22__c85e0e0c06f09eae07efc0c30c0d95f1__52034d8c1331134bcac266f292217510__%7E%7EV1%7E%7E-6890994332151287258%7E%7EKWxCmAzPI5acMIs9ewjllNtPVizRSUmTpyH651YCaIznoZueAsnM0UTkqRiz-o8uuKa2_rupL9I0kvx1XVufuiUEapM41JCwn5v2panIlXnIc8Es3y1hwg6vYZx9qpDLJTiwnL_OCNN_rh5XJ4KYV9DL9zfU5aPfDX0nscSjjjo9wjlNAMp5EfQZuvX6txn8E4gjagZdb2sqnSJQ8Pldm_LzOvT4CR0PUHGyMijPLStovpq6D6m4pUGfikgQIeT2bclBqFe3gBLi-fskh51ncmi8ybFBAasV8C_8Z8b0MsLTdmOJuaz37rr7tVGDPmp9oWj4AkyScKQO9X69aEFNhQ__text%22%7D" />
ellauri421.html on line 247: In August 1941, two months after the outbreak of the Soviet-German War, Dolmatovsky was captured by the Germans. This happened during the battles near Kiev, in the area of Uman, where thousands of Soviet soldiers were taken prisoner. Yevgeniy was shell-shocked and wounded in the arm. Like thousands of other Soviet prisoners of war, he was locked up in a makeshift concentration camp that had been set up in a clay pit at a brick factory. The inmates of this camp, which was nicknamed the "Uman Pit", were held in terrible conditions, and many of them died. Jews, commissars, the wounded, and the weak were shot. Miraculously, Dolmatovsky managed to escape, and he was sheltered by a Ukrainian family, who put their own lives at risk by aiding him. Being an energetic man by nature, Dolmatovsky immediately wrote a poem titled "The Dnieper". It was published in frontline newspapers, set to music, and widely performed by military bands. In May 1945, Dolmatovsky was present at the signing of the German Instrument of Surrender. His wartime decorations included the Order of the Patriotic War, 1st Class; the Order of the Red Star, and several medals.
xxx/ellauri027.html on line 305: At the weekend seminar, I couldn’t shake the feeling that what we were participating in was thinly-veiled self-indulgence and little more. In hindsight, I think this was as much a branding problem (from a business perspective) as an organizational problem (social perspective). Integral Institute built their movement in order to influence academia, governmental policy, to get books and journals published, and to infuse these ideas into the world at large. Yet, here we were, spending money to sit in a room performing various forms of meditation and yoga, having group therapy sessions, art performances, and generally going on and on about how “integral” we were and how important we were to the world without seemingly doing anything on a larger scale about it.
xxx/ellauri044.html on line 1216: Accusations against Sai Baba by his critics over the years have included sleight of hand, sexual abuse, money laundering, fraud in the performance of service projects, and murder. In the article Divine Windfall, published in the Daily Telegraph, Anil Kumar, the ex-principal of the Sathya Sai Educational Institute, said that he believed that the controversy was part of Sathya Sai Baba's divine plan and that all great religious teachers had to face criticism during their lives. :D Joo mä tiedän Baba sanoi syytteisiin, mulla on vitusti enemmän juudaxia kuin Jeesuxella.
xxx/ellauri057.html on line 845: A hundred and one years ago, in 1917, Knut Hamsun published what was probably his most influential and at the same time most controversial novel: Markens grøde (translated into English as Growth of the Soil). This story about the colonization of new farmland in northern Norway (Hammarby, luulajansaamexi Hambra, mistä Knupo oli peräsin) by the pioneer Isak and his wife Inger attained immense popularity in Hamsun’s home country and abroad, and earned its author the Nobel Prize in literature. In later years, it has often been criticized for, among other things, postulated parallels to Nazi »blood and soil« ideology, for its racist and colonialist portrayal of the Sami, and for its antagonism towards female self-determination.
xxx/ellauri068.html on line 89: It has been claimed that the authors of Zhambyl's published poems were actually Russian poets, who were officially credited as "translators."
xxx/ellauri068.html on line 93: In a different account, according to the Kazakh journalist Erbol Kurnmanbaev, Zhambyl was an akyn of his clan, but until 1936 was relatively unknown. In that year, a young talented poet Abilda Tazhibaev "discovered" Zhambyl. He was directed to do this by the First Secretary of the Communist Party of Kazakhstan, Levon Mirzoyan, who wanted to find an akyn similar to Suleiman Stalsky, the Dagestani poet. Tazhibaev then published the poem "My Country", under Jambyl's name. It was translated into Russian by the poet Pavel Kuznetsov, published in the newspaper "Pravda" and was a success. After that, a group of his "secretaries" - the young Kazakh poets worked under Jambyl's name. In 1941-1943, they were joined by the Russian poet Mark Tarlovsky.
xxx/ellauri068.html on line 213: I said some of this yesterday, but it wasn’t easy: in one interview, the first question I was asked was about Borges’s sexuality. Infrequent, they said, unusual, like in his stories. The first thing that came to mind was an article on Hans Christian Andersen, published in his own centenary in 2005, which doesn’t say a word about Andersen’s oeuvre and instead is dedicated to providing a pathetic portrait of the repressed homosexual, the vindictive upstart, the complicated and ugly man, like the duckling, which was Andersen. I’m intentionally omitting who wrote it and where it can be found.
xxx/ellauri068.html on line 269: Martti (Martin) Rautanen, also known as El Gaucho Martín Fierro, is a 2,316-line epic poem by the Argentine writer José Hernández. The poem was originally published in two parts, El Gaucho Martín Fierro (1872) and La Vuelta de Martín Fierro (1879). The poem supplied a historical link to the gauchos' contribution to the national development of Argentina, for the gaucho had played a major role in Argentina's independence from Spain.
xxx/ellauri068.html on line 272: In the 1920s, Borges and other avant-garde Argentine writers embracing "art for art's sake" published a magazine called Martín Fierro; they are often referred to collectively as the grupo Martín Fierro ("Rautas-Martin ryhmä"),
xxx/ellauri075.html on line 151: He developed his thinking in a second book on Fyodor Dostoyevsky and Frederich Nietzsche, which increased Shestov's reputation as an original and incisive thinker. In All Things Are Possible (published in 1905) Shestov adopted the aphoristic style of Friedrich Nietzsche to investigate the difference between Russian and European Literature. Although on the surface it is an exploration of numerous intellectual topics, at its base it is a sardonic work of Existentialist philosophy which both criticizes and satirizes our fundamental attitudes towards life situations. D.H. Lawrence, who wrote the Foreword to S.S. Koteliansky's literary translation of the work, summarized Shestov's philosophy with the words: " 'Everything is possible' - this is his really central cry. It is not nihilism. It is only a shaking free of the human psyche from old bonds. The positive central idea is that the human psyche, or soul, really believes in itself, and in nothing else". Shestov deals with key issues such as religion, rationalism, and science in this highly approachable work, topics he would also examine in later writings such as In Job's Balances. Shestov's own key quote from this work is probably the following: "...we need to think that only one assertion has or can have any objective reality: that nothing on earth is impossible. Every time someone wants to force us to admit that there are other, more limited and limiting truths, we must resist with every means we can lay hands on".
xxx/ellauri075.html on line 163: The results of this tendency are seen in his work Kierkegaard and Existential Philosophy: Vox Clamantis in Deserto, published in 1936, a fundamental work of Christian existentialism.
xxx/ellauri075.html on line 205: Leo Strauss (/straʊs/;[30] German: [ˈleːo ˈʃtʁaʊs];[31][32] September 20, 1899 – October 18, 1973) was a German-American political philosopher and classicist who specialized in classical political philosophy. Born in Germany to Jewish parents, Strauss later emigrated from Germany to the United States. He spent much of his career as a professor of political science at the University of Chicago, where he taught several generations of students and published fifteen books.
xxx/ellauri075.html on line 334: Benjamin’s academic career did not lead to the expected result of a professorial position: he completed his doctoral dissertation in 1919 (published the following year as The Concept of Criticism in German Romanticism) and worked on his post-doctoral dissertation, or Habilitation, on the German Baroque mourning play, which he completed in 1925, eventually withdrawing it from the University of Frankfurt after an extremely negative reception.
xxx/ellauri075.html on line 379: Her remarks caused Mrs. Johnson to burst into tears. It is widely believed that Kitt's career in the United States was ended following her comments about the Vietnam War, after which she was branded "a sadistic nymphomaniac" by the CIA. A defamatory CIA dossier about Kitt was discovered by Seymour Hersh in 1975. Hersh published an article about the dossier in The New York Times.[20] The dossier contained comments about Kitt's sex life and family history, along with negative opinions of her that were held by former colleagues. Kitt's response to the dossier was to say "I don't understand what this is about. I think it's disgusting."[20] Following the incident, Kitt devoted her energies to performances in Europe and Asia.
xxx/ellauri075.html on line 473: In 1988, Wallace criticized Ellis’s first published essay, calling Ellis and his category of novelists “Catatonics” for their naïve pretension.
xxx/ellauri085.html on line 106: If it is a surprise to learn that Lawrence originally conceived of Women in Love as a money-making pot-boiler, it comes as an endearing shock to read that James Joyce submitted some of his early work to the firm of Mills and Boon. There is no record of the reader’s report, beyond the fact that he rejected Dubliners as unsuitable material for the unique imprint of that publishing house. For his part, Lawrence had no doubt that the author of Ulysses was the real smutmonger of modern fiction. ‘My God, what a clumsy olla putrida James Joyce is!’, he wrote to Aldous Huxley, ‘nothing but old fags and cabbage-stumps of quotations from the Bible and the rest stewed in the juice of deliberate journalistic dirty-mindedness.’ To his wife Frieda he wrote, after reading Ulysses, that ‘the last part of it is the dirtiest, most indecent, obscene thing ever written’; and he later complained that Joyce had degraded the novel to the level of an instrument for measuring twinges in the toes of unremarkable men. Joyce’s reply to the charge that he was just another pornographer doing dirt on sex was to claim that at least he had never made the subject predictable or boring. He denounced Lady Chatterbox’s Lover — his title for Lawrence’s notorious novel — as a ‘lush’ production in ‘sloppy English’ and dismissed its ending as ‘a piece of propaganda in favour of something which, outside of DHL’s country at any rate, makes all the propaganda for itself’. It is a minor irony of literary history that both men were married at Kensington Register Office in London, although, unlike Lawrence, the Irishman allowed a decent interval of twenty-five years to elapse before the solemnisation of his nuptials.
xxx/ellauri086.html on line 399: In October 2016, investigative reporter Claudio Gatti published an article jointly in Il Sole 24 Ore and Frankfurter Allgemeine Zeitung, that relied on financial records related to real estate transactions and royalties payments to draw the conclusion that Anita Raja, a Rome-based translator, is the real author behind the Ferrante pseudonym. Gatti's article was criticized by many in the literary world as a violation of privacy, though Gatti contends that "by announcing that she would lie on occasion, Ferrante has in a way relinquished her right to disappear behind her books and let them live and grow while their author remained unknown. Indeed, she and her publisher seemed to have fed public interest in her true identity." British novelist Matt Haig tweeted, "Think the pursuit to discover the 'real' Elena Ferrante is a disgrace and also pointless. A writer's truest self is the books they write." The writer Jeanette Winterson, in a Guardian article, denounced Gatti's investigations as malicious and sexist, saying "At the bottom of this so-called investigation into Ferrante's identity is an obsessional outrage at the success of a writer – female – who decided to write, publish and promote her books on her own terms." She went on to say that the desire to uncover Ferrante's identity constitutes an act of sexism in itself, and that "Italy is still a Catholic country with strong patriarchial attitudes towards women." Others responding to Gatti's article suggested that knowledge of Ferrante's biography is indeed relevant.
xxx/ellauri086.html on line 649: The Scarlet Letter: A Romance is a work of historical fiction by American author Nathaniel Hawthorne, published in 1850. Set in Puritan Massachusetts Bay Colony during the years 1642 to 1649, the novel tells the story of Hester Prynne, who conceives a daughter through an affair and then struggles to create a new life of repentance and dignity. Containing a number of religious and historic allusions, the book explores themes of legalism, sin, and guilt.
xxx/ellauri086.html on line 653: The Scarlet Letter was one of the first mass-produced books in America. It was popular when first published and is considered a classic work today. It inspired numerous film, television, and stage adaptations. Critics have described it as a masterwork and novelist D. H. Lawrence called it a "perfect work of the American imagination".
xxx/ellauri086.html on line 687: He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860.
xxx/ellauri086.html on line 916: George Rex Graham, a friend and former employer of Poe, declined Poe's offer to be the first to print "The Raven". Graham said he did not like the poem but offered $15 as a charity. Graham made up for his poor decision by publishing "The Philosophy of Composition" in the April 1846 issue of Graham's American Monthly Magazine of Literature and Art. Another act of charity.
xxx/ellauri086.html on line 933: Paikannäyttäjän talo (The Fall of the House of Usher) is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities.
xxx/ellauri087.html on line 448: To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (1621–1678) either during or just before the English Interregnum (1649–60). It was published posthumously in 1681. This poem is considered one of Marvell's finest and is possibly the best recognised carpe diem poem in English. Although the date of its composition is not known, it may have been written in the early 1650s. At that time, Marvell was serving as a tutor to the daughter of the retired commander of the New Model Army, Sir Thomas Fairfax, fucking her like a rabbit when Papa looked the other way.
xxx/ellauri087.html on line 465: The line "deserts of vast eternity" is used in the novel Orlando: A Biography, by Virginia Woolf, which was published in 1928.
xxx/ellauri091.html on line 340: The New Yorker is published by Condé Nasty Inc. and is a subsidiary of Advance Publications. S.I. Newhouse acquired The New Yorker in 1985 for “$200 a share for the magazine’s common stock, an investment of about $142 million.” The Newhouse family owns Advance Publications and currently, the third and fourth generations of the Newhouse family is involved in the management. For details about the Newhouse family click here. The New Yorker, Vogue, Vanity Fair, Gentlemen’s Quarterly (GQ), Architectural Digest (AD), Condé Nast Traveler, and Wired are all published by Conde Nasty.
xxx/ellauri091.html on line 342: In review, The New Yorker uses strong emotionally loaded headlines such as “Don’t Underestimate Elizabeth Warren and Her Populist Message” and “Is Fraud Part of the Trump Organization’s Business Model?” The New Yorker also publishes satirical articles from satirist Andy Borowitz through his Borowitz Report, such as “Trump Offers to Station Pence at Border with Binoculars in Lieu of Wall.” The Borowitz Report always favors the left and mocks the right. Further, The New Yorker provides original in-depth journalistic reporting such as this: Four Women Accuse New York’s Attorney General of Physical Abuse. The result of this investigation led to the Attorney General resigning just hours after the New Yorker published the story. In general, both wording and story selection tends to mostly favor the left.
xxx/ellauri103.html on line 154: Drivel had written eight novels and published seven (one novel could not find a publisher) before writing We Need to Talk About Kevin, which she called her "make or break" novel due to the years of "professional disappointment" and "virtual obscurity" preceding it.
xxx/ellauri103.html on line 168: In 2016 Shriver gave a controversial speech about cultural appropriation. Shriver had previously been criticized for her depiction of Latino and African-American characters in her book The Mandibles, which was described by one critic as racist and by another as politically misguided. In her Brisbane speech, Shriver contested these criticisms, saying writers ought to be entitled to write from any perspective, race, gender or background that they choose, even racist and politically misguided, in fact particularly so, because they sell best. The full text of her speech was published in the British newspaper The Guardian.
xxx/ellauri103.html on line 170: In June 2018, she criticised an effort by the publisher Penguin Random House to diversify the authors that it published and better represent the population, saying that it prioritised diversity over quality and that a manuscript "written by a gay transgender Caribbean who dropped out of school at seven" would be published "whether or not said manuscript is an incoherent, tedious, meandering and insensible pile of mixed-paper recycling". Penguin Random House marketer and author Candice Carty-Williams criticised the statements. As a result of her comments Shriver was dropped from judging a competition for the magazine Mslexia.
xxx/ellauri103.html on line 176: This is the full transcript of the keynote speech, Fiction and Identity Politics, Lionel Drrivel gave at the Brisbane Writers Festival on 8 September 2016. Her latest book The Mandibles, is published by Harper Collins.
xxx/ellauri103.html on line 268: Regarding identity politics, what’s especially saddened me in my recent career is a trend toward rejecting the advocacy of anyone who does not belong to the group. In 2013, I published Big Brother, a novel that grew out of my loss of my own older brother, who in 2009 died from the complications of morbid obesity. I was moved to write the book not only from grief, but also sympathy of morbid obesity: in the years before his death, as my brother grew heavier, I saw how dreadfully other people treated him – how he would be seated off in a corner of a restaurant, how the staff would roll their eyes at each other after he’d ordered, though he hadn’t requested more food than anyone else. Just a little wafer, is all.
xxx/ellauri103.html on line 335: It’s not always OK if a white guy writes the story of a Nigerian woman because the actual Nigerian woman can’t get published or reviewed to begin with. It’s not always OK if a straight white woman writes the story of a queer Indigenous man, because when was the last time you heard a queer Indigenous man tell his own story? How is it that said straight white woman will profit from an experience that is not hers, and those with the actual experience never be provided the opportunity? It’s not always OK for a person with the privilege of education and wealth to write the story of a young Indigenous man, filtering the experience of the latter through their own skewed and biased lens, telling a story that likely reinforces an existing narrative which only serves to entrench a disadvantage they need never experience.
xxx/ellauri103.html on line 524: Kathie Lee married Paul Johnson, a composer/arranger/producer/publisher of Christian music, in 1976. After their divorce in 1982, she married sportscaster and former NFL player Frank Gifford in 1986. He died in 2015. Kathie Lee has released studio albums and written books. Kathie Lee has sold clothes made in offshore sweatshops whose living and working conditions were simply inhumane.
xxx/ellauri104.html on line 75: The first edition of the DSM was published in 1952, listing 102 broad categories of disorders. Each of these included a short list of symptoms, along with some information about suspected causes.
xxx/ellauri113.html on line 89: On the Fourfold Root of the Principle of Sufficient Reason (German: Ueber die vierfache Wurzel des Satzes vom zureichenden Grunde) is an elaboration on the classical Principle of Sufficient Reason, written by German philosopher Arthur Schopenhauer as his doctoral dissertation in 1813. The principle of sufficient reason is a powerful and controversial philosophical principle stipulating that everything must have a reason or cause. Schopenhauer revised and re-published it in 1847. The work articulated the centerpiece of many of Schopenhauer's arguments, and throughout his later works he consistently refers his readers to it as the necessary beginning point for a full understanding of his further writings.)
xxx/ellauri113.html on line 216: V. Jane felt that the nurses and assistants of Prof. Hawking were intruding in their family life and Prof. Hawking felt that Jane had stopped loving him and loved Jonathan instead. After taking divorce from Jane in 1995, Hawking married Elaine Mason. Hawking took divorce from Elaine Mason in 2006 because she was physically abusing him. Prof. Hawking again started having a close friendship with Jane. Jane described her experiences with Prof. Hawking in her memoir Travelling to Infinity: My Life with Stephen which was published in 2007.
xxx/ellauri114.html on line 117: The historical question of whether Jefferson was the father of Hemings' children is the subject of the Jefferson–Hemings controversy. Following renewed historical analysis in the late 20th century, and a 1998 DNA study (completed in 1999 and published as a report in 2000) that found a match between the Jefferson male line and a descendant of Hemings' youngest son, Eston Hemings, the Monticello Foundation asserted that Jefferson fathered Eston and likely her other five children as well. However, there are some who disagree. In 2018, the Thomas Jefferson Foundation of Monticello announced its plans to have an exhibit titled Life of Sally Hemings, and affirmed that it was treating as a settled issue that Jefferson was the father of her known children. The exhibit opened in June 2018.
xxx/ellauri116.html on line 385: Simone de Beauvoir, who Sartre playfully referred to as “The Beaver,” never published a piece of writing without her partner’s input until after his death. Likewise, he referred to her as a “filter” for his books, and some scholars have even made the case that she wrote some of them for him.
xxx/ellauri116.html on line 393: Mikäs se nyt oli? Ainiin se 1700-luvun romaani, mulla taitaa olla se, vaikken ole lukenut. A French epistolary novel by Pierre Choderlos de Laclos, first published in four volumes by Durand Neveu from March 23, 1782. It is the story of the Marquise de Merteuil and the Vicomte de Valmont, two narcissistic rivals (and ex-lovers) who use seduction as a weapon to socially control and exploit others, all the while enjoying their cruel games and boasting about their talent for manipulation. It has been seen as depicting the corruption and depravity of the French nobility shortly before the French Revolution, and thereby attacking the Ancien Régime. The book has also been described as merely a story about two amoral people.
xxx/ellauri120.html on line 74: Edward Bernays made his fortune, fame, and lasting influence by convincing people to buy things they don’t need, selling harmful products parading as health and beauty, rousing individuals to eagerly embrace slogans, and compelling them to surrender their individuality to the passions of the herd. He is considered to be the progenitor of public relations and is called “The Father of Spin”. He published a seminal book, Propaganda, that became Joseph Goebbels’ guidebook for his many Nazi propaganda campaigns, including developing the Fuhrer cult and orchestrating the genocide against the Jews.
xxx/ellauri121.html on line 304: After graduating in English from the University of Toronto, the young poet— she was by now publishing in Canadian literary magazines—enrolled in graduate school at Radcliffe, the all-female women university at Harvard, in 1961. She was chagrined by the intensely chauvinistic atmosphere: among other things, female students were not allowed access to the university’s modern poetry collection in the Lamont Library. Only men could read all the juicy bits.
xxx/ellauri121.html on line 308: In the early 70s, Atwood added considerably to her work as a teacher and writer by editing manuscripts for the cutting-edge nationalist publisher The House of Anansi. By then, her marriage to Polk was over (Sullivan is vague about why, offering mainly generalities about the difficulty of staying together in that morally freewheeling era. Fact is, Jim Polk was not enough of a handyman for manly Margaret.) In 1972, Atwood met Gibson, a novelist and cultural activist whose own marriage was crumbling. The two began an affair, meeting at first clandestinely in the basement office of Toronto’s Longhouse Bookshop, but soon living together—for several years on a working farm north of the city.
xxx/ellauri121.html on line 314: The books he wrote were never “hot”, but they were never read, so no harm done. His novels were well crafted but never quite took off — what the French call connerie pure. In 1996, he decided to stop writing novels altogether, and concentrate on childcare and cooking & laughing at Peggy's jokes. Kinda ironic given they didnt ever marry tho. It’s as if he made sure to stick around long enough for her new sequel to The Handmaid’s Tale – The Testaments – to be published. Considerate.
xxx/ellauri121.html on line 316: But back to young Peggy. As a result of the governor's award, The Edible Woman was published. Atwood began to enjoy a growing reputation; nonetheless, while her own career took off, she still devoted considerable amounts of time to a small radical publishing house, Anansi, in which her first and only husband was deeply involved. Over this period, Atwood and Jim Polk drifted apart, and Atwood began a relationship with the novelist Graeme Gibson. Together with Graeme's two teenage sons, Matt and Grae, they went off to a farm in a small agricultural community in 1973 in Alliston.
xxx/ellauri121.html on line 323: James "Jim" Polk was the long time editorial director of House of Anansi Press and edited two books by Charles Taylor, as well as work by Margaret Atwood, George Grant, Northrop Frye, and many others. With a literature PhD (which Peggy never finished) he has taught at Harvard, Idaho, Ryerson and Alberta, and has written a comic novel, a stage comedy about Canadian publishing, articles, short stories, and criticism about Canadian writers and writing. As an advisor at the Ontario Ministry of Culture, he worked on grants for theatre and books, developed a tax credit for publishers and remodelled the Trillium Book Prize to include Franco Ontarian writing. He lives in Toronto and, trained as a pianist, still practices daily, playing classics and show-tunes in seclusion.
xxx/ellauri121.html on line 362: Kirjassa June on hetero, leffassa se lepakoizi Moiran kaa. Luke oli naimisissa, Moira pahexui, sanoi että se on saalistusta toisen naisen mailla. June vastasi ettei Luke ollut mikään kala eikä maakokkare, vaan vapaata riistaa. Se että on rakastunut ei ole mikään perustelu sanoi Moira. Joo kyllä Peggy oli aika paskapää. Gibsonilla oli vaimo publisher Shirley Gibson ja niillä 2 teini-ikäistä poikaa Matt and Grae, jotka Graeme vei mukanaan. Peggy tuli kyynärpäilemään 1973. Graeme s. 1934 oli 5 vanhempi ja silloin paremmissa varoissa, vaikka sehän kyllä sitten korjaantui. Shirley s. 1927 oli vielä paljon vanhempi, v. 1973 se oli 46 ja kuoli noin meidän ikäisenä 1997. Ei ihme että Graeme lähti lätkimään 34-vuotiaan pesää nuolemaan.
xxx/ellauri122.html on line 776: First published in 1949, George Orwell's account of a chilling future is a timeless read.
xxx/ellauri122.html on line 791: Written in 1914 and published in 1925, a year after Kafka's death, 'The Trial' tells the terrifying tale of Josef K., a bank officer who is arrested and finds himself having to defend charges that he struggles to get information on.
xxx/ellauri122.html on line 878: Wilde's philosophical novel was originally published as a serial story in the July 1890 issue of Lippincott's Monthly Magazine, but as editors feared the story was improper, they deleted five hundred words before its publication. They were just as uninteresting as the rest of this extra narcissistic gay snobbery.
xxx/ellauri122.html on line 879: In response, Wilde revised and expanded the magazine edition, publishing it as a novel.
xxx/ellauri122.html on line 922: Tätä kirjaa en ole jaxanut lukea useista yrityxistä huolimatta, se on niin tympäisevä. Catch-22 is a satirical war novel by American author Joseph Heller. He began writing it in 1953; the novel was first published in 1961. Often cited as one of the most significant novels of the twentieth century, beats me why. Heller was born on May 1, 1923, in Coney Island in Brooklyn, son of poor Jewish parents, Lena and Isaac Donald Heller, from Russia. Heller said that the novel had been influenced by Svejk, Céline, Waugh and Nabokov. Hilariously funny, the novel’s insights are also deadly serious. It is a debris of sour jokes.
xxx/ellauri123.html on line 372: Weinreb grew up in Scheveningen, Netherlands, to which his family had moved in 1916, and became notorious for selling a fictitious escape route for Jews from the occupied Netherlands in the Second World War. When his scheme fell apart in 1944, he left his home in Scheveningen and went into hiding in Ede. He was imprisoned for 3½ years after the war for fraud as well as collaboration with the German occupier. In his memoirs, published in 1969 he maintained that his plans were to give Jews hope for survival and that he had assumed that the liberation of the Netherlands would take place before his customers were deported. The debate about his guilt or innocence—called the “Weinreb affair”—was very heated in the Netherlands in the 1970s, involving noted writers like Renate Rubinstein and Willem Frederik Hermans. In an attempt to end this debate, the government asked the Rijksinstituut Oorlogsdocumentatie (Netherlands institute for war documentation) to investigate the matter. in 1976 the institute issued a report (of which a part already was leaked to the press in 1973), which determined that his memoirs were "a collection of lies and fantasies," and that his collaboration had caused 70 deaths. Although his activities did contribute to some Jews' survival, most Jews who fell for Weinreb's swindle were deported and killed.
xxx/ellauri123.html on line 376: Even after his death in 1988 the discussion about Weinreb in the Netherlands has not come to an end. In a Dutch biography by Regina Grüter published in 1997, Een fantast schrijft geschiedenis, Weinreb was depicted as a sufferer from pseudologia fantastica. se oli mytomaani toisin sanoen!
xxx/ellauri123.html on line 684: Since 2014, millions of people have read my work. I’ve been published in Business Insider, CNBC, and Fast Company. I was also featured on Medium (Top Writer in 10+ topics), Quora (Top Writer 2017 & 2018), Pocket, and more.
xxx/ellauri123.html on line 1154: Remu was born in Nogent-le-Rotrou. A nobleman (under the tutelage of the Lorraine family), he did his studies under Marc Antoine Muret and George Buchanan. As a student, he became friends with the young poets Jean de La Péruse, Étienne Jodelle, Jean de La Taille and Pierre de Ronsard and the latter incorporated Remy into the "La Pléiade", a group of revolutionary young poets. Belleau´s first published poems were odes, les Petites Inventions (1556), inspired by the ancient lyric Greek collection attributed to Anacreon and featuring poems of praise for such things as butterflies, oysters, cherries, coral, shadows, turtles, and twats. His last work, les Amours et nouveaux Eschanges des Pierres precieuses (1576), is a poetic description of gems and their properties inspired by medieval and renaissance lapidary catalogues. He died impotent in Paris on 6 March 1577, and was buried in Grands Augustins. Remy Belleau was greatly admired by impotent poets in the twentieth century, such as Francis Ponge. Francis Ponge (1899 Montpellier, Ranska – 1988 Le Bar-sur-Loup, Ranska) oli ranskalainen runoilija. Ponge työskenteli kirjailijanuransa ohella toimittajana, kustannustoimittajana ja ranskan kielen opettajana. Hän osallistui toisen maailmansodan aikana vastarintaliikkeeseen ja kuului vuosina 1937–1947 kommunistipuolueeseen. Hän sai vaikutteita eksistentialismista, ja esinerunoissaan hän paljastaa kielen avulla objektin itsenäisenä, omanlakisena maailmana. Francis Ponge was born in Montpellier, France in 1899. He has been called “the poet of things” because simple objects like a plant, a shell, a cigarette, a pebble, or a piece of soap are the subjects of his prose poems. To transmute commonplace objects by a process of replacing inattention with contemplation was Ponge’s way of heeding Ezra Pound’s edict: ‘Make it new.’ Ponge spent the last 30 years of his life as a recluse at his country home, Mas des Vergers. He suffered from frequent bouts with nervous exhaustion and numerous psychosomatic illnesses. He continued to write up until his death on August 6, 1988.
xxx/ellauri124.html on line 366: depressed brain to receive. According to a 2017 study published in the journal
xxx/ellauri124.html on line 522: This article was originally published on July 3, 2015. That shows how much behind times you are.
xxx/ellauri124.html on line 555: experience. His work has been published on Macworld, PCMag, 1Password's blog, and
xxx/ellauri125.html on line 428: From the start, critics complained about the ostensible sameness of Roth’s books, their narcissism and narrowness—or, as he himself put it, comparing his own work to his father’s conversation, “Family, family, family, Newark, Newark, Newark, Jew, Jew, Jew.” Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction. In each performance of a self, Roth captured the same sound and consciousness. in nearly fifty years of reading him I’ve never been more bored. I got to know Roth in the nineteen-nineties, when I interviewed him for this magazine around the time he published “The Human Stain.” To be in his presence was an exhilarating, though hardly relaxing, experience. He was unnervingly present, a condor on a branch, unblinking, alive to everything: the best detail in your story, the slackest points in your argument. His intelligence was immense, his performances and imitations mildly funny. “He who is loved by his parents is a conquistador,” Roth used to say, and he was adored by his parents, though both could be daunting to the young Philip. Herman Roth sold insurance; Bess ruled the family’s modest house, on Summit Avenue, in a neighborhood of European Jewish immigrants, their children and grandchildren. There was little money, very few books. Roth was not an academic prodigy; his teachers sensed his street intelligence but they were not overawed by his classroom performance. Roth learned to write through imitation. His first published story, “The Day It Snowed,” was so thoroughly Truman Capote that, he later remarked, he made “Capote look like a longshoreman.”
xxx/ellauri125.html on line 437: his novel “When She Was Good,” published the previous year, was based on her.) In
xxx/ellauri125.html on line 443: Roth's shrink Kleinschmidt published a journal article in which he
xxx/ellauri125.html on line 454: Henry Roth, though some of these remain unpublished. The rationale for Henry Roth
xxx/ellauri125.html on line 455: is that in his novels published after his death he reveals that he had an
xxx/ellauri125.html on line 457: suffered from writer's block for much of his career after publishing Call It
xxx/ellauri125.html on line 460: that while content to teach in oblivion, he never published again.
xxx/ellauri125.html on line 485: With Walton's support, he began Call It Sleep in about 1930, completed the novel in the spring of 1934, and it was published in December 1934, to mostly good reviews. Yet the New York Herald Tribune's book critic Lewis Gannett foresaw that the book would not prove popular with its bleak depiction of New York's Lower East Side, but wrote readers would "remember it and talk about it and watch excitedly" for Roth's next book. Call It Sleep sold slowly and poorly, and after it was out-of-print, critics writing in magazines such as Commentary and Partisan Review kept praising it, and asking for it to be reprinted. After being republished in hardback in 1960 and paperback in 1964, with more than 1,000,000 copies sold, and many weeks on the New York Times bestseller list, the novel was hailed as an overlooked Depression-era masterpiece and classic novel of immigration. Today, it is widely regarded as a masterpiece of Jewish American literature. With Walton's support, he began Call It Sleep in about 1930, completed the novel in the spring of 1934, and it was published in December 1934, to mostly good reviews. Yet the New York Herald Tribune's book critic Lewis Gannett foresaw that the book would not prove popular with its bleak depiction of New York's Lower East Side, but wrote readers would "remember it and talk about it and watch excitedly" for Roth's next book. Call It Sleep sold slowly and poorly, and after it was out-of-print, critics writing in magazines such as Commentary and Partisan Review kept praising it, and asking for it to be reprinted.[ After being republished in hardback in 1960 and paperback in 1964, with more than 1,000,000 copies sold, and many weeks on the New York Times bestseller list, the novel was hailed as an overlooked Depression-era masterpiece and classic novel of immigration. Today, it is widely regarded as a masterpiece of Jewish American literature. After Muriel's death in 1990, Roth moved into a ramshackle former funeral parlor and occupied himself with revising the final volumes of his monumental work, Mercy of a Rude Stream. It has been alleged that the incestuous relationships between the protagonist, a sister, and a cousin in Mercy of a Rude Stream are based on Roth's life. Roth's own sister denied that such events occurred. Roth attributed his massive writer's block to personal problems such as depression, and to political conflicts, including his disillusion with Communism. At other times he cited his early break with Judaism and his obsessive sexual preoccupations as probable causes. Roth died in Albuquerque, New Mexico, United States in 1995. The character E. I. Lonoff in Philip Roth's Zuckerman novels (The Ghost Writer and Exit Ghost in this case), is a composite of Roth, Bernard Malamud and fictional elements.
xxx/ellauri125.html on line 602: Matthew Henson ehti mutiaisena ekax pohjoisnavalle. Tai sille paikalle jota ne luuli pohjoisnavaxi. Kunnia siitä meni Pearylle. in 1912 he published a memoir titled A Negro Explorer at the North Pole. Charles Drew keräsi sotaan veripankkeja, valkoista, mustaa ja punaista. Jäätyään auton alle se ei saanut verta valkoisesta sairaalasta vaan sai vuotaa kuiviin pihalla.
xxx/ellauri125.html on line 750: Courtney Michelle Harrison was born on July 9, 1964, at Saint Francis Memorial Hospital in San Francisco, California, the first child of psychotherapist Linda Carroll (née Risi) and Hank Harrison, a publisher and road manager for the Grateful Dead. Her parents met at a party held for Dizzy Gillespie in 1963. Her mother, who was adopted at birth and raised by an Italian-American family in San Francisco, was the biological daughter of novelist Paula Fox; Love's maternal great-grandmother was screenwriter Elsie Fox. Phil Lesh, the founding bassist of the Grateful Dead, is Love's godfather. According to Love, she was named after Courtney Farrell, the protagonist of Pamela Moore's 1956 novel Chocolates for Breakfast. Love is of Cuban, English, German, Irish, and Welsh descent.
xxx/ellauri127.html on line 252: 1952 is a capital year in the novel and the number 52 is omnipresent and thus loaded with a mysterious meaning in the mind of Nabokov, in the context of this novel. It must be a central symbolic element in the Lolita’s riddle. Se oli hyvä vuosi muutenkin. « Pierre Point in Melville Sound » (p.33 TAL) was a reference to « Pierre or the Ambiguities » a Novel by Herman Melville (1819-1891; notice the 19/91) published in 1852. «brun adolescent (…) se tordre-oh Baudelaire! » (p.162 TAL): Charles Baudelaire (1821-1867 was one of the most famous French poet who translated Edgar A. Poe in French). A part of « Le Crépuscule du Matin » (1852). Se tordre tarkoittanee käteenvetoa. Humbert refering to the hunchbacked hoary black groom at the « Enchanted Hunters » Hotel: « Handed over to uncle Tom » (p.118 TAL): « Uncle Tom’s Cabin » by Harriet Beecher Stowe (1811-1896) is from 1852. Ehm… the list is non-negligible.
xxx/ellauri127.html on line 256: Hegel (mentioned in p.259 TAL; he married in 1811 and his sister Christian Luise died in 1832) was fascinated by Goethe (and also by Jean-jacques Rousseau (allusion to him in p. TAL « Jean-jacques Humbert« ) and the French Revolution). Goethe published a « Theory of Colours » concerning the light spectrum (a hint, more about this in the final conclusion part). There are recurrent mentions of Goethe in Freud‘s writings. Schopenhauer cited Goethe’s novel « Wilhelm Meister’s Apprenticeship » as one of the four greatest novels ever written, along with « Tristram Shandy« , « La Nouvelle Heloïse« , and « Don Quixote« .
xxx/ellauri127.html on line 625: It has been suggested by Admiral Schneider (in Coleridge, Opium and "Kubla Khan", University of Chicago Press, 1953), among others, that this prologue, as well as the person from Porlock, was fictional and intended as a credible smokescreen of the poem's apparent lecherous intent when published. It was good old clubfooted Byron that convinced Coleridge to publish it in 1816. The poet Stevie Smith also suggested this view in one of her own poems, saying "the truth is I think, he had already stuck it in there".
xxx/ellauri127.html on line 669: At 15 years, I was a REVIEWER AND CORRECTOR of the Pan American Journal of Public Health articles published by the Pan American Health Organization (PAHO).
xxx/ellauri127.html on line 670: He was a collaborator of the Biocenosis Magazine of the National University of Costa Rica, publishing articles.
xxx/ellauri127.html on line 680: In almost 20 years of uninteresting work, we have published hundreds of articles and brought quantity medical information to tens of millions of suckers people worldwide, in the hopes that quantity will turn into quality, as Marx predicted.
xxx/ellauri127.html on line 711: Endymion" is a poem by John Keats first published in 1818 by Taylor and Hessey of Fleet Street in London. John Keats dedicated this poem to the late poet Thomas Chatterton. Thomas Chatterton (20 November 1752 – 24 August 1770) was an English poet whose precocious talents ended in suicide at age 17. He was an influence on Romantic artists of the period such as Shelley, Keats, Wordsworth and Coleridge. Chatterton was born in Bristol where the office of sexton of St Mary Redcliffe had long been held by the Chatterton family. The poet's father, also named Thomas Chatterton, was a musician, a poet, a numismatist, and a dabbler in the occult. Tom got one over on his uncle the sexton: han var sjutton när han dog.
xxx/ellauri127.html on line 743: Endymion received scathing criticism after its release, and Keats himself noted its diffuse and unappealing style. Keats did not regret writing it, as he likened the process to leaping into the ocean to become more acquainted with his surroundings; in a poem to J. A. Hessey, he expressed that "I was never afraid of failure; for I would sooner fail than not be among the greatest." However, he did feel regret in its publishing, saying "it is not without a feeling of regret that I make it public." Not all critics disliked the work. eg. the poet Thomas Hood.  Henry Morley said, "The song of Endymion throbs throughout with a noble poet's sense of all that his art means for him. What mechanical defects there are in it may even serve to quicken our sense of the youth and freshness of this voice of aspiration." Meaning: Dig it mon. Endymionin jälkeen Keaz kommentoi sen vastaanottoa seuraavasti.
xxx/ellauri128.html on line 125: Benjamin Disraeli, 1st Earl of Beaconsfield KG PC FRS (21 December 1804 – 19 April 1881) was a British statesman and Conservative politician who twice served as Prime Minister of the United Kingdom. He played a central role in the creation of the modern Conservative Party, defining its policies and its broad outreach. Disraeli is remembered for his influential voice in world affairs, his political battles with the Liberal Party leader William Ewart Gladstone, and his one-nation conservatism or "Tory democracy". He made the Conservatives the party most identified with the glory and power of the British Empire. He is the only British prime minister to have been of Jewish birth. He was also a novelist, publishing works of fiction even as prime minister.
xxx/ellauri128.html on line 130: World events thereafter moved against the Conservatives. Controversial wars in Afghanistan and South Africa undermined his public support. He angered British farmers by refusing to reinstitute the Corn Laws in response to poor harvests and cheap imported grain. With Gladstone conducting a massive speaking campaign, his Liberals defeated Disraeli´s Conservatives at the 1880 general election. In his final months, Disraeli led the Conservatives in Opposition. He had written novels throughout his career, beginning in 1826, and he published his last completed novel, Endymion, shortly before he died at the age of 76. Russell pelkäsi pienenä Gladstonen setää.
xxx/ellauri128.html on line 401: Helen May Rowland (/ˈroʊlənd/; 1875–1950) was an American journalist and humorist. For many years she wrote a column in the New York World called "Reflections of a Bachelor Girl". Many of her pithy insights from these columns were published in book form, including Reflections of a Bachelor Girl (1909), The Rubáiyát of a Bachelor (1915), and A Guide to Men (1922).
xxx/ellauri128.html on line 446: Douglas Francis Jerrold (Scarborough 3 August 1893 - 1964) was a British journalist and publisher. As editor of The English Review from 1931 to 1935, he was a vocal supporter of fascism in Italy and of Francoist Spain.He was personally involved in the events of July 1936 when two British intelligence agents piloted an aircraft from the Canary Islands to Spanish Morocco, taking General ... Jerrold´s figure was small and spare, and in later years bowed almost to deformity. His features were strongly marked and expressive, from the thin humorous lips to the keen blue eyes, gleaming from beneath the shaggy eyebrows. He was brisk and active, with the careless bluffness of a sailor. Briljantti vittupää.
xxx/ellauri128.html on line 497: In 1959, Ciardi published a book on how to read, write, and teach poetry, How Does a Poem Mean?, which has proven to be among the most-used books of its kind.
xxx/ellauri128.html on line 521: Elbert Green Hubbard (June 19, 1856 – May 7, 1915) was an American writer, publisher, artist, and philosopher. Raised in Hudson, Illinois, he had early success as a traveling salesman for the Larkin Soap Company. Hubbard is known best as the founder of the Roycroft artisan community in East Aurora, New York, an influential exponent of the Arts and Crafts Movement.
xxx/ellauri128.html on line 601: Margaret Caroline Anderson (November 24, 1886 – October 19, 1973) was the American founder, editor and publisher of the art and literary magazine The Little Review, which published a collection of modern American, English and Irish writers between 1914 and 1929. The periodical is most noted for introducing many prominent American and British writers of the 20th century, such as Ezra Pound and T. S. Eliot in the United States, and publishing the first thirteen chapters of James Joyce's then-unpublished novel, Ulysses. A large collection of her papers on Gurdjieff's teaching is now preserved at Beinecke Rare Book and Manuscript Library, Yale University. She was blond, shapely, with lean ankles and a Scandinavian face. ... In 1916, Anderson met Jane Heap. The two became lovers. In early 1924, through Alfred Richard Orage, Anderson came to know of spiritual teacher George Ivanovitch Gurdjieff, and saw performances of his 'Sacred dances', first at the 'Neighbourhood Playhouse', and later at Carnegie Hall. Shortly after Gurdjieff's automobile accident, Anderson, along with Georgette Leblanc, Jane Heap and Monique Surrere, moved to France to visit him at Fountainebleau-Avon, where he had set up his institute at Château du Prieuré in Avon.
xxx/ellauri128.html on line 617: Felix Dahn (Ludwig Sophus Felix Dahn; * 9. Februar 1834 in Hamburg; † 3. Januar 1912 in Breslau) war ein deutscher Rechtswissenschaftler, Schriftsteller und Historiker. Sillä oli samanlainen 2-haarainen parta kuin Bunyip Bluegumin sedällä. Dahn kirjoitteli säännöllisesti Gartenlaubeen. Dahn published numerous poems, many with a nationalist bent. His Mette von Marienburg portrays bands of "Masures and Poles" hiding in the "Podolian forest". Kaiken kaikkiaan aika mitätön.
xxx/ellauri129.html on line 662: With that, she did not go back to her former life, but became a national celebrity of sorts, publishing "an armload of books and criss-crossing the United States on a decades-long reform campaign", not only fighting for married women's rights and freedom of speech, but calling out against "the power of insane asylums". She became what some scholars call "a publicist and lobbyist for better insanity laws". As scholar Kathryn Burns-Howard has argued, Packard reinvented herself in this rôle, earning enough to support her children and even her estranged husband, from whom she remained separated for the rest of her life. Ultimately, moderate supporters of women's rights in the northern U.S. embraced her, weaving her story into arguments about slavery, framing her experience as a type of enslavement and even arguing in the midst of the Civil War that a county in the midst of freeing African-American slaves should do the same for others who suffered from abusive husbands. Some argue that she seemed oblivious to her racial prejudice in arguing that white women had a "moral and spiritual nature" and suffered more "spiritual agony" than formerly enslaved African-Americans. Even so, others say that her story provided "a stirring example of oppressed womanhood" that others did not.
xxx/ellauri129.html on line 666: Elizabeth realized how narrow her legal victory had been; while she had escaped confinement, it was largely a measure of luck. The underlying social principles which had led to her confinement still existed. She founded the Anti-Insane Asylum Society and published several books, including Marital Power Exemplified, or Three Years Imprisonment for Religious Belief (1864), Great Disclosure of Spiritual Wickedness in High Places (1865), The Mystic Key or the Asylum Secret Unlocked (1866), and The Prisoners' Hidden Life, Or Insane Asylums Unveiled (1868). In 1867, the State of Illinois passed a "Bill for the Protection of Personal Liberty" which guaranteed that all people accused of insanity, including wives, had the right to a public hearing. She also saw similar laws passed in three other states. Even so, she was strongly attacked by medical professionals and anonymous citizens, unlike others such as Dorothea Dix, with her former doctor from the Jacksonville Insane Asylum, Dr. McFarland, who privately called her "a sort of Joan D'Arc in the matter of stirring up the personal prejudices". As such, Elizabeth's work on this front was "broadly unappreciated" while she was alive. She only received broader recognition, starting in the 1930s, by a well-known historian of mental illness, Albert Deutsch, and again in the 1960s from those who were "attacking the medical model of insanity".
xxx/ellauri129.html on line 672: William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist and playwright known for The Woman in White (1859), and for The Moonstone (1868), which has been posited as the first modern English detective novel. Born to the London painter William Collins and his wife, he moved with the family to Italy when he was twelve, living there and in France for two years and learning Italian and French. He worked initially as a tea merchant. After publishing Antonina, his first novel, in 1850, Collins met Charles Dickens, who became a friend and mentor. Some Collins work first appeared in Dickens's journals Household Words and All the Year Round. They also collaborated on drama and fiction. Collins gained financial stability and an international following by the 1860s, but began to suffer from gout and became addicted to the opium he took for the pain, so that his health and writing quality declined in the 1870s and 1880s. Collins was critical of the institution of marriage: he split his time between widow Caroline Graves – living with her for most of his adult life, treating her daughter as his – and the younger Martha Rudd, by whom he had three children.
xxx/ellauri130.html on line 174: Marcion of Sinope (/ˈmɑːrʃən, -ʃiən, -siən/; Greek: Μαρκίων [note 1] Σινώπης; c. 85 – c. 160) was an early Christian theologian, an evangelist, and an important figure in early Christianity.Marcion preached that the benevolent God of the Gospel who sent Jesus Christ into the world as the savior was the true Supreme Being, different from and opposed to the malevolent demiurge or creator god, identified with the Hebrew God of the Old Testament. He considered himself a follower of Paul the Apostle, whom he believed to have been the only true apostle of Jesus Christ, a doctrine called Marcionism. Marcion published the earliest extant fixed collection of New Testament books, making him a vital figure in the development of Christian history.[citation needed] Early Church Fathers such as Justin Martyr, Irenaeus, and Tertullian denounced Marcion as a heretic, and he was excommunicated by the church of Rome around 144. He published the first known canon of Christian sacred scriptures, which contained ten Pauline epistles (the Pastoral epistles weren't included) and a shorter version of the Gospel of Luke (the Gospel of Marcion). This made him a catalyst in the process of the development of the New Testament canon by forcing the proto-orthodox Church to respond to his canon. Varmaan Marcion oli sitten yhtä persepää kuin Puovoli.
xxx/ellauri130.html on line 549: Alfred Austin P.L. (30 May 1835 – 2 June 1913) was an English poet who was appointed Poet Laureate in 1896, after an interval following the death of Tennyson, when the other candidates had either caused controversy or refused the honour. It was claimed that he was being rewarded for his support for the Conservative leader Lord Salisbury in the General Election of 1895. Austin´s poems are little-remembered today, his most popular work being prose idylls celebrating nature. Austin oli aika lailla Unlucky Alfin näköinen. Bugger it. With my luck, they nominate me as Poet Laureate. Austin was caricatured as "Sir Austed Alfrin" by L. Frank Baum in his 1906 novel John Dough and the Cherub. He was also the subject of a Vanity Fair cartoon by Spy published on 20 February 1896.
xxx/ellauri130.html on line 587: But recently that position has shifted a little. Last year he published A Comedian’s Prayer Book, which features him talking to the supreme being in his typically down-to-earth way (“I always liked thinking Jesus' knob hung out from women's clothes with sinners. It made me feel potentially understood”). “One of the things religion has suffered from is being spoken of in grave terms constantly. I seriously think it is a joke." Another boring thing about Skinner: he’s been a teetotaller since he reached his 60s. He got a kid at 55, who must now be, wait, 35? No, Buzz is just 10. I have only recently realized I'm not the main character here, but just an extra in a bigger scene. “Hitting kids … that’s another of those things that have stopped,” Evolution is what Skinner is all about – animals can change and they can grow, it just takes millions of years. When he made his jokes about racism and homophobia, he says, there was a slight backlash from the left. They hadn't stopped hitting lads, the sods. Frank Skinner’s 30 Years of Dirt is at the Assembly Roxy, Edinburgh, from 4 to 28 August. For more information and tickets go to frankskinnerlive.com.
xxx/ellauri136.html on line 82: Lucia Toman´s credentials: Doctoral researcher in Literature. MA in Comparative Literature & Literary Analysis and Criticism, Goldsmiths, University of London · Graduated 2018. A voracious reader · Literature. Reads extensively and has published on Jungian psychology · Jungian Psychology. Avid reader, writer and doctoral student in literature · Literature. PhD researcher interested in Jungian psychoanalysis · Jungian Psychological Type. Knows French. Knows Slovak. Knows Czech. Bet her family is Bohemian (or Moravian perhaps).
xxx/ellauri136.html on line 180: The idea of writing a book is so you can break all your rules, personal or not. The point of a writer is to write about characters you probably could never become or want to become. The best writers write outside of themselves. But with that written, not all writers write fiction. Some write memoirs or autobiographies. But maybe the personal rule they are breaking is publishing their personal life.
xxx/ellauri137.html on line 575: Two editions of Fleurs du mal were published in Baudelaire's lifetime — one in 1857 and an expanded edition in 1861. "Scraps" and censored poems were collected in Les Épaves in 1866. After Baudelaire died the following year, a "definitive" edition appeared in 1868.
xxx/ellauri137.html on line 641: If you're buying this trash for a class then you're a sucker, turn back now! Hopefully Edward isn't still teaching his own tasteless fan fiction in a college setting. It's a misunderstood teenager's journey through satire complete with crude, unoriginal and stereotypical takes on characters from the lens of a self insert hero amounting to little more than finger pointing. You'll be offended, sure, but with little substance left to interpret besides the authors very obvious discomfort with himself and others unlike him. (Make some new friends, Edward.) Beyond being ridiculous as a required reading piece for a class, actually paying for this garbage is insulting, and of course it is an absolute drag to slog through. Nobody's going to publish this except on demand printing obviously and that's why you're buying it from Amazon!!!
xxx/ellauri137.html on line 652: John has just published another beautifully prepared edition of the "North Atlantic Review," a literary magazine with choice offerings in poetry, essays, short stories, and photos. Endorsed by Edward Eriksson, Literary Presentations, July 11, 2011, Edward worked with john in the same group.
xxx/ellauri137.html on line 662: Alok Mishra is a literary entrepreneur as well as a literary philanthropist who has been active in this field almost for a decade now (adding the individual capacity as well as organisational). He is currently active as the founder of BookBoys PR, a dedicated company which works for authors and publishers and help them reach the target readers. Alok has been in this field, promotions and author branding, for more than 4 years now.
xxx/ellauri138.html on line 103: T. Harv Eker (born June 10, 1954) is an author, businessman and motivational speaker known for his theories on wealth and motivation. He is the author of the book Secrets of the Millionaire Mind published by HarperCollins.
xxx/ellauri138.html on line 215: Wylie's final novel, The End of the Dream, was published posthumously in 1972 and foresees a dark future where America slides into ecological catastrophe.
xxx/ellauri138.html on line 266: Roth also gave Bailey copies of two self-published manus, "Notes to my Biographer," a 295-page rebuttal of his ex-wife Memoirs of Claire Bloom in 1996, and "Notes on a Slander-Monger", a response to the notes and interviews Miller had compiled.
xxx/ellauri138.html on line 268: Literary history is full of moments of betrayal, when trusted confidants defied the wishes of the authors. Max Brod ignored Franz Kafka's order to burn his unpublished manus and diaries. Vladimir Nabokov and Philip Larkin's instructions to destroy the unpublished manus were rescinded by the heirs and executors, who not only retained but published them. Bailey did not publish Roths samizdats.
xxx/ellauri138.html on line 274: Meanwhile, the estate has aggressively decided to control access to the Roth documents independently held at Princeton University, which the university has purchased.Born in 2018 to Roth's friend Benjamin Taylor. The cache includes a copy of "Notes on a Slander-Monger ", unpublished essays on topics such as money, marriage and illness, and a list of his relationships with women, with commentaries.
xxx/ellauri138.html on line 302: One day Philip handed me the manuscript of Notes for My Biographer. 'Take it,' he said, holding out the stack of pages held together by a large rubber band.'I want you to read it.' The book was a rebuttal to Claire Bloom's Leaving a Doll's House, Philip's ex-wife's account of their marriage, which was published in 1996. Many of the stories he'd already told me. He'd talked a lot to me about both Claire and his first wife, Margaret Martinson.
xxx/ellauri138.html on line 305: Philip wanted the book published. But no one would touch it for fear of the lawsuit Bloom might bring against them. At one point we discussed the idea of Philip offering to pay any damages arising from any legal case brought by Claire. More than anything, Philip wanted to put the record straight. I wanted for him to be able to put the record straight. I knew how forcefully he'd been struck and blindsided by Leaving a Doll's House. After its publication, Philip told me New York magazine published a photo of him on its front cover with the word 'MISOGYNIST' written across it. Philip went into hiding.
xxx/ellauri139.html on line 1205: Doston typerä jatkosarja jossain viikkolehdessä. Doston oli jo ollut lusimassa Siperiassa. Suht palasina se sieltä palasi. He planned to explore the moral and psychological dangers of the ideology of "radicalism", and felt that the project would appeal to the conservative publisher Katkov.
xxx/ellauri148.html on line 86: The editor of the first-year literary magazine and a writer for the Lampoon, a semi-secret Sorrento Square organization that occasionally publishes a so-called humor magazine, McCormack says his writing experiences during college simply confirmed his future plans. "I was headed where I was headed and [Harvard] was the mosta humorous place to be along the way," he says.
xxx/ellauri157.html on line 243: The first leader of Lubavitch hasids, Schneur Zalman of Liadi kept in his desk some of his unpublished Hasidic mystical writings. A fire broke out that destroyed them. Afterwards, he asked if anyone had secretly copied them. His close associates replied that no one had, since he had written atop their pages the warning of "Joka tämän varastaa sitä piru rakastaa". Schneur replied "what has become of Hasidic self-sacrifice for the sake of Heaven?"
xxx/ellauri157.html on line 589: In 1970, Richard Young, Alton L. Becker, and Kenneth Pike published Rhetoric: Discovery and Change, a widely influential college writing textbook that used a Rogerian approach to communication to revise the traditional Aristotelian framework for rhetoric. The Rogerian method of argument involves each side restating the other's position to the satisfaction of the other, among other tricks. On paper, it can be expressed by carefully acknowledging and understanding the opposition before dismissing them.
xxx/ellauri165.html on line 346: By the autumn of the same year, upon Emma's advice, Nelson bought Merton Place, a small ramshackle house at Merton, near Wimbledon, for £9,000, borrowing money from his friend Davison. He gave her free rein with spending to improve the property, and her vision was to transform the house into a celebration of his genius. There they lived together openly, with Sir William and Emma's mother, in a ménage à trois that fascinated the public. Emma turned herself to winning over Nelson's family, nursing his 80-year-old father Edmund for 10 days at Merton, who loved her and thought of moving in with them, but could not bear to leave his beloved Norfolk. Emma also made herself useful to Nelson's sisters Kitty (Catherine), married to George Matcham, and Susanna, married to Thomas Bolton, by helping to raise their children and to make ends meet. Nelson's sister-in-law Sarah (married to William), also pressed him for assistance and favours, including the payment of their son Horatio's school fees at Eton. Also around this time, Emma finally told Nelson about her daughter Emma Carew, now known as Emma Hartley, and found that she had had nothing to worry about; he invited her to stay at Merton and soon grew fond of "Emma's relative". An unpublished letter shows that Nelson assumed responsibility for upkeep of young Emma at this time.
xxx/ellauri165.html on line 354: Nelson had been offered the position of Commander-in-Chief of the Mediterranean Fleet, and they rushed to have Horatia christened at Marylebone Parish Church before he left. On her baptism record, her name was recorded as Horatia Nelson Thompson, and her date of birth falsely recorded as 29 October 1800 in order to continue the pretence that she had been born in Naples and was godchild of Emma and Nelson, according to Kate Williams and based on an unpublished letter; however the only publicly available transcription of the record shows 29 October 1801. Nelson later wrote a letter explaining that the child was an orphan "left to his care and protection" in Naples.
xxx/ellauri165.html on line 382: In early 1813 she petitioned the Prince of Wales, the government and friends, but all of her requests failed and she was obliged to auction off many of her possessions, including many Nelson relics, at low prices. However she continued to borrow money to keep up appearances. Public opinion turned against her after the Letters of Lord Nelson to Lady Hamilton were published in April 1814.
xxx/ellauri166.html on line 492: Manly Palmer Hall (18 March 1901 – 29 August 1990) was a Canadian author, lecturer, astrologer and mystic. Over his 70 year career, he gave thousands of lectures, including two at Carnegie Hall, and published over 150 volumes, of which the best known is The Secret Teachings of All Ages (1928). Manly ei näyttänyt järin miehekkäältä, pikemminkin niljakkaalta ilkimyxeltä.
xxx/ellauri167.html on line 90: Gustav Davidson (Warsaw, Poland, 1895 – New York City, 6 February 1971) was an American poet, writer, and publisher. He was one time secretary of the Poetry Society of America. Gustav Davidson was born on December 25, 1895, in Warsaw, Poland. In the wake of anti-Jewish pogroms in Poland, his family fled to the United States, settling in New York City in 1907. Davidson received bachelor's and master's degrees at Columbia University in 1919 and 1920 respectively. He worked for the Library of Congress between 1938 and 1939 and became executive secretary of the Poetry Society of America from 1949 to 1965 (after which he was elected executive secretary emeritus).
xxx/ellauri167.html on line 92: During the 1920's and 1930's he published poetry and dramatic works, and edited literary magazine. In 1940 he founded Fine Editions Press. He married Mollie Strauss in 1942.
xxx/ellauri167.html on line 494: I cannot conclude without acquainting your Excellency that I have made Extracts from ‘Robison’s Proofs of a Conspiracy,’ and arranged them in such a Manner as to give a compendious Information to the Public of the dangerous and pernicious Plan of the ‘Illuminati or Jacobins,’ and by some Remarks to caution them against it. I had them published in ‘Bartgis’s Federal Gazette’ of this Place, from which they were copied and inserted into the ‘Baltimore Federal Gazette[’] of the 9th Inst.
xxx/ellauri167.html on line 620: The Illuminatus! Trilogy is a series of three novels by American writers Robert Shea and Robert Anton Wilson, first published in 1975. The trilogy is a satirical, postmodern, science fiction–influenced adventure story; a drug-, sex-, and magic-laden trek through a number of conspiracy theories, both historical and imaginary, related to the authors´ version of the Illuminati. The narrative often switches between third- and first-person perspectives in a nonlinear narrative. It is thematically dense, covering topics like counterculture, numerology, and Discordianism.
xxx/ellauri168.html on line 61: H. G. Wells wrote a book published in 1940 entitled The New World Order. It addressed the ideal of a world without war in which law and order emanated from a world governing body and examined various proposals and ideas. Damned Communist!
xxx/ellauri169.html on line 203: Mark Prophet, and later his wife, claimed to be Messengers of the Ascended Masters. As such they are (were) able to communicate with the Masters and deliver their instruction to the world. Dictations described as coming directly from the Masters were published weekly as Pearls of Wisdom.
xxx/ellauri170.html on line 412: Man and the higher animals, especially the primates, have some few instincts in common … similar passions, affections, and emotions, even the more complex ones, such as jealousy, suspicion, emulation, gratitude and magnanimity; they practise deceit and are revengeful; they are sometimes susceptible to ridicule, and even have a sense of humour… ‘The Descent of Man’, published 1871 (2nd ed., 1874) by Charles Darwin; Ch. 3
xxx/ellauri174.html on line 61: In 1674–75, Malebranche published the two volumes of his first and most extensive philosophical work. Entitled in all brevity Concerning the Search after Truth. In which is treated the nature of the human mind and the use that must be made of it to avoid error in the sciences, the buchlein laid the foundation for Malebranche’s philosophical reputation and ideas. It dealt with the causes of human error and on how to avoid such mistakes. Most importantly, in the third book, which discussed pure understanding, he defended a claim that the ideas through which we perceive objects exist in God. A big mistake, but a nice try anyway. In the 1678 third edition, he added 50% to the already considerable size of the book with a sequence of (eventually) seventeen Elucidations. These responded to further criticisms, but they also expanded on the original arguments, and developed them in new ways.
xxx/ellauri179.html on line 109: The Purple Land is a novel set in 19th-century Uruguay, first published in 1885 under the title The Purple Land that England Lost. Initially a commercial and critical failure, it was reissued in 1904 with the full title The Purple Land, Being One Richard Lamb's Adventures in the Banda Orientál, in South America, as told by Himself.
xxx/ellauri179.html on line 212: It was at this time that Hemingway changed the title of his unpublished first novel, tentatively titled “Lost Generation,” to “The Sun Also Rises.” And writing to another friend, he declared, “If I am anything I am a Catholic . . . I cannot imagine taking any other religion seriously.”
xxx/ellauri179.html on line 286: To read Hemingway has always produced strong reactions. When his parents received the first copies of their son’s book In Our Time (1924), they read it with horror. Furious, his father sent the volumes back to the publisher, as he could not tolerate such filth in the house. Hemingway’s apparently coarse, crude, vulgar and unsentimental style and manners appeared equally shocking to many people outside his family. On the other hand, this style was precisely the reason why a great many other people liked his work. A myth, exaggerating those features, was to be born.
xxx/ellauri179.html on line 290: The posthumously published novels, such as Islands in the Stream (1970) and The Garden of Eden (1986), have disappointed many of the old Hemingway readers. However, rather than bearing witness to declining literary power, (which, considering the author’s declining mental health is indeed a rather trivial observation) the late works confront us with a reappraisal and reconsideration of basic values. Well they needed one to be sure.
xxx/ellauri179.html on line 606: Ernest Hemingway squirmed as his second wife, Pauline, read aloud in 1927 from Henry James' novel The Awkward Age. Hemingway wondered why James bailed his characters out of their frequent inactivity by inserting a drawing room scene; and, as he was to do frequently during the next thirty years, he freely criticized the quality of James' works, "and knowing nothing about James he seems to me to be a shit." Too, he was quick to criticize the male protagonists of James,". .and the men all without any exception talk and think like fairies except a couple of caricatures of brutal outsiders". Carlos Baker observes that Hemingway, the "brutal outsider" himself, was at this time publishing Men Without Women, whose sales had reached 15,000 in the first three months after publication. But now Hemingway, the outsider, clearly in literary ascendance, was becoming acquainted with James' works; his artistic and personal recognition of James in future years was, for the most part, to take the form of a peculiar enmity. He was often to refer to James in highly derisive terms almost to the end of his own life. Hemingway's lese majeste towards him takes the form of a sporadic obsession that reveals more about Hemingway's maturity than James' imagined frailties.
xxx/ellauri179.html on line 623: What evidence does Novick offer for the James-Holmes “affair”? Just two French words James uses in his long and vivid notebook entry recalling his early days in Boston, where his family settled in a brick house in Ashburton Place near the State House. The words are l’initiation première–“first initiation.” In the entry, James is writing generally of the “rite of passage” that inaugurated his literary career. He describes the strong emotions he felt at the assassination of Lincoln (on James’$2 22nd birthday); how he wept when Hawthorne died; and the dawning sense of freedom experienced after the war’s end. He mentions also his first book review on English novel-writing, published in the North American Review, whose editors paid him $12, praised his writing, and asked for more. He does mention Holmes, but only to describe a brief visit he made to Holmes’ mother to ask how her son was faring in England, and his own fierce envy of Holmes for traveling abroad while James remained at home.
xxx/ellauri179.html on line 631: At the end of 1876, James moved to London. So far as we know, Zhukovski faded into the distance. James published seven books during the next three years and became a celebrity in London society. But Novick continues to allude to Zhukovski as if the relationship were of paramount importance to James. Only one letter from the Russian, written in 1879, survives. Zhukovski is in Italy and invites James to join him at the Villa Postiglione, his pension, at Posilipo, near Naples. While in Rome, James reserves a room in the pension for five days.
xxx/ellauri179.html on line 791: The original title for Defense was A Book for Men Only, but other working titles included The Eternal Feminine as well as The Infernal Feminine. The book was originally published by Philip Goodman in 1918, but Mencken released a new edition in 1922 in an attempt to bring the book to a wider audience. This second edition, published by Alfred Knopf, was both much longer and milder.
xxx/ellauri179.html on line 986: Hemingway routinely describes Robert Cohn, introduced in the novel’s first lines as “the middleweight boxing champion of Princeton,” as a “kike” and a “rich Jew”; his obnoxiousness fuels the plot. (Cohn was based on Harold Loeb, a friend who gave Hemingway crucial support in getting his early work published; Hemingway could not forgive anyone who did him a good turn.) The anti-Semitic insult of writing a character like Cohn into his first major novel is breathtaking: it was not, like Hemingway’s letters, intended for private consumption only, but as characterization and a plot device in a work of fiction — a novel, as it turned out, written for the ages.
xxx/ellauri179.html on line 1001: He wrote panned clunkers like Across the River and Into the Trees (1950) and the posthumously published Islands in the Stream (1970) and The Garden of Eden (1986), the first of which prompted John Dos Passos to write, “How can a man in his senses leave such bullshit on the page?”
xxx/ellauri186.html on line 78: After the war, Beecher supported social reform causes such as women's suffrage and temperance. He also championed Charles Darwin's theory of evolution, stating that it was not incompatible with Christian beliefs. He was widely rumored to be an adulterer, and in 1872 the Woodhull & Claflin's Weekly published a story about his affair with Elizabeth Richards Tilton, the wife of his friend and former co-worker Theodore Tilton. In 1874, Tilton filed charges for "criminal conversation" against Beecher. The subsequent trial resulted in a hung jury and was one of the most widely reported trials of the century. Tolstoi olisi ollut tyytyväinen siihen että syyllinen vapautettiin ja valamiehet hirtettiin.
xxx/ellauri186.html on line 90: Henry Ward Beecher had publicly denounced Woodhull's advocacy of free love. Outraged at what she saw as his hypocrisy, she published a story titled "The Beecher-Tilton Scandal Case" in her paper Woodhull and Claflin's Weekly on November 2, 1872; the article made detailed allegations that America's most renowned clergyman was secretly practicing the free-love doctrines that he denounced from the pulpit. Woodhull was arrested in New York City and imprisoned for sending obscene material through the mail. The scandal split the Beecher siblings; Harriet and others supported Henry, while Isabella publicly supported Woodhull.The first trial was Woodhull's, who was released on a technicality.
xxx/ellauri186.html on line 98: In 1865, Robert E. Bonner of the New York Ledger offered Beecher twenty-four thousand dollars to follow his sister's example and compose a novel; the subsequent novel, Norwood, or Village Life in New England, was published in 1868. Beecher stated his intent for Norwood was to present a heroine who is "large of soul, a child of nature, and, although a Christian, yet in childlike sympathy with the truths of God in the natural world, instead of books." McDougall describes the resulting novel as "a New England romance of flowers and bosomy sighs ... 'new theology' that amounted to warmed-over Emerson". The novel was moderately well received by critics of the day.
xxx/ellauri186.html on line 489: Othello, in full Othello, the Moor of Venice, tragedy in five acts by William Shakespeare, written in 1603–04 and published in 1622 in a quarto edition from a transcript of an authorial manuscript.
xxx/ellauri187.html on line 131: One ugly phrase in a personal letter, for instance (out of a vast personal correspondence), referring to Franz Werfel as a "Jew-boy," and some murky generalities about Werfel's "Jewish attitude toward his work," do not an anti-Semite make. Rilke cherished the many Jews he knew, including Simmel; he enjoyed reading the Hasidic philosopher Martin Buber and steeped himself in Jewish Scripture, claiming that Judaism was closer than Christianity to God. He also remained a lifelong champion of Werfel's work. And a reader discovers buried deep in Freedman's footnotes that Rilke wrote the offending letter to the poet Hugo von Hoffmannsthal, a good friend and an important patron. Hoffmannsthal was also Jewish, and he shared Rilke's negative views on the superambitious Werfel, who emigrated to America and, in 1941, published The Song of Bernadette, a novel about a miracle at Lourdes. Freedman doesn't mention that about five months after Rilke wrote the letter to Hoffmannsthal, along with a nearly identical letter to his patron Princess Marie von Thurn und Taxis, Rilke again wrote similar letters to the two of them praising Werfel's poetry so exuberantly that they almost sound like retractions of his first letters.
xxx/ellauri187.html on line 145: If the adolescent Rilke broke up with his adolescent girlfriend, Valerie von David-Rhônfeld, he was a treacherous seducer. Freedman quotes copiously from David-Rhônfeld's embittered memoirs--published shortly after Rilke's death--to posit a pattern in Rilke's personality. "I came to love that poor unfortunate creature," David-Rhônfeld recalls about her teenage sweetheart, "whom everyone avoided like a mangy dog." For Freedman, this vindictive picture of Rilke provides the "clue" to Rilke's "isolation."
xxx/ellauri187.html on line 369: In 1902 Groddeck published his first book, Ein Frauenproblem, dedicated to his wife; in 1909, the book Hin zu Gottnatur was released.
xxx/ellauri187.html on line 370: In 1921 Groddeck published his first psychoanalytic novel, Der Seelensucher. Ein psychoanalytischer Roman, later published in English as "The Seeker of Souls". After reading it and promoting its publication Freud commended Groddeck to the Berlin Psychoanalytic Association. Ein gewisser Alfred Polgar in his comprehensive review (Berliner Tageblatt, 20 December 1921) found "nothing comparable among German books" and felt reminded of Cervantes, Swift, und Rabelais.
xxx/ellauri187.html on line 371: In 1923 he published Das Buch vom Es, an unusual work in which each chapter is in the form of a letter to a girlfriend addressed as "my dear".
xxx/ellauri193.html on line 48: Traditionally, people who are high in dark traits are considered to have empathy deficits, potentially making them more dangerous and aggressive than the rest of us. But we recently discovered something that challenges this idea. Our study, published in Personality and Individual Differences, identified a group of individuals with dark traits who report above-average empathic capacities – we call them “dark empanzees”.
xxx/ellauri193.html on line 80: We are currently replicating and extending some of our findings using the dark tetrad instead. Our results are yet to be published, but indicate there are two further profiles in addition to the four groups we’ve already identified. One is an “emotionally internalised group”, with high levels of affective empathy and average cognitive empathy, without elevated dark traits. The other shows a pattern similar to autistic traits – particularly, low cognitive empathy and average affective empathy in the absence of elevated dark traits.
xxx/ellauri193.html on line 324: Carlson began his career in linguistics as a fact-inventor and wing-nut for Police Review, a national conservative journal then published by The Heritage Foundation and later acquired by the even worse Hoover Institution.
xxx/ellauri193.html on line 402: Gordimer and Roberts failed to reach an agreement over his account of the illness and death of Gordimer's husband Reinhold Cassirer and an affair Gordimer had in the 1950s, as well as criticism of her views on the Israel–Palestine conflict. Roberts published independently, not as "authorised", and Gordimer disowned the book, accusing Roberts of breach of trust.
xxx/ellauri193.html on line 661: The Believer is published by the Beverly Rogers, Carol C. Harter Black Mountain Institute. Daniel Handler (s. 28. helmikuuta 1970 San Francisco, Kalifornia) on läskiponzo yhdysvaltalainen kirjailija, joka tunnetaan parhaiten Surkeiden sattumusten sarja -kirjoistaan, jotka hän on kirjoittanut käyttäen salanimeä Lemony Snicket. Surkeiden sattumusten sarja on mustaa huumoria sisältävä 13-osainen sarja, joka keskittyy Charles Baudelairen orpojen sisarusten elämään ja salaperäiseen järjestöön nimeltä Retuperän VPK. Kirjoittamalla eri nimellä Handler lisäsi itsensä tarinaan. Eli teki tollaset Nobel-lautakunnan temput, oman hännän nostaja. Surkeiden sattumusten sarja on erityisen suosittu Yhdysvalloissa ja siitä on tehty myös Brad Silberlingin ohjaama elokuva Lemony Snicketin surkeiden sattumusten sarja vuonna 2004. Elokuva sai Oscar-palkinnon parhaasta maskeerauksesta.
xxx/ellauri193.html on line 731: Despite a global move that seeks alternatives to prison sentences, an increasing number of countries are calling for the reinstatement of capital punishment as a crime deterrent, according to the 2020 Global Prison Trends report. More than 20 000 people are detained on death row worldwide, living in inhumane chicken-style detention conditions and often following unfair trials, said the report, published in Thailand.
xxx/ellauri195.html on line 278: Short Story: Norman Mailer THE GREATEST THING IN THE WORLD Nov/Dec 1941 STORY MAGAZINE. MAILER'S FIRST PUBLICATION IN A NATIONALLY-CIRCULATED MAGAZINE, AT 18 YEARS OLD WHILE AN ENGINEERING STUDENT AT HARVARD. Other contributions by Eli Cantor, Morton Fineman and Padraic Fallon, etc. Two corners lightly bumped, spine a bit faded, overall in great shape.

At Harvard, he majored in engineering sciences, but took the majority of his electives as writing courses. He published his first story, "The Greatest Thing in the World," at the age of 18, winning Story magazine's college contest in 1941.

Early in his career, Mailer typed his own works and handled his correspondence with the help of his sister, Barbara. After the publication of The Deer Park in 1955, he began to rely on hired typists and secretaries to assist with his growing output of works and letters. Among the women who worked for Mailer over the years, Anne Barry, Madeline Belkin, Suzanne Nye, Sandra Charlebois Smith, Carolyn Mason, and Molly Cook particularly influenced the organization and arrangement of his records.

xxx/ellauri199.html on line 325: Phillis Wheatley was both the second published African-American poet and first published African-American woman. Born in Senegambia, she was sold into slavery at the age of 7 and transported to North America. She was purchased by the Wheatley family of Boston, who taught her to read and write, and encouraged her poetry when they saw her talent. The publication of her Poems on Various Subjects, Religious and Moral brought her fame both in England and the American colonies; figures such as George Washington praised her work. During Wheatley´s visit to England with her master´s son, the African-American poet Jupiter Hammon praised her work in his own poem. Wheatley was emancipated after the death of her master John Wheatley. She married soon after. Two of her children died as infants. After her husband was imprisoned for debt in 1784, Wheatley fell into poverty and died of illness, quickly followed by the death of her surviving infant son. Whom did she marry? Was it Wheatley Jr, or perhaps Neptune Hammon?
xxx/ellauri199.html on line 360: Born into slavery at the Lloyd Manor on Long Island, Hammon learned to read and write. In 1761, at the age of nearly 50, Hammon published his first poem, "An Evening Thought: Salvation by Christ with Penitential Cries." Se oli aika mitäänsanomaton. He was the first African-American poet published in North America. Also a well-known and well-respected preacher and clerk-bookkeeper, he gained wide circulation of his poems about slavery. As a devoted Christian evangelist, Hammon used biblical fundamentalism to criticize the institution of slavery.
xxx/ellauri199.html on line 362: "An Evening Thought: Salvation by Christ, with Penitential Cries" was Jupiter Hammon´s first published poem. Composed on December 25, 1760, it appeared as a broadside in 1761. The printing and publishing of this poem established Jupiter Hammon as the first polished black poet.
xxx/ellauri199.html on line 364: Eighteen years on the cotton field passed before his second work appeared in print, "An Address to Miss Phillis Wheatley." Hammon wrote the poem during the Revolutionary War, while Henry Lloyd had temporarily moved his household and slaves from Long Island to Hartford, Connecticut, to evade British forces. Phillis Wheatley, then enslaved in Massachusetts, published her first book of poetry in 1773 in London. She is recognized as the first published black female author. Hammon never met Wheatley, but was a great admirer. His dedication poem to her contained twenty-one rhyming quatrains, each accompanied by a related Bible verse. Hammon believed his poem would encourage Wheatley along her Christian journey. Lukikohan Pyllis koko runoa? Ei se tuonut sille kovin paljon onnea.
xxx/ellauri199.html on line 366: In 1778 Hammon published "The Kind Master and Dutiful Servant," a poetical dialogue, followed by "A Poem for Children with Thoughts on Death" in 1782. These works set the tone for Hammon´s "An Address to Negros in the State of New York."
xxx/ellauri199.html on line 889: She has published over 50 books of children’s poetry and appeared on radio and television. Judith likes to start her poems off by writing on green paper with a 2B pencil.
xxx/ellauri199.html on line 1057: Douglas Murray is an associate editor of The Spectator. His latest publication, The Madness of Crowds, was a bestseller and a book of the year for The Times and The Sunday Times. His previous book, The Strange Death of Europe: Immigration, Identity, Islam, was published by Bloomsbury in May 2017. It spent almost twenty weeks on the Sunday Times bestseller list and was a number one bestseller in nonfiction. Read less.
xxx/ellauri199.html on line 1071: The rhymes morphed into his first children’s book, “And to Think That I Saw It on Mulberry Street,” about a boy who witnesses increasingly outlandish things. First published in 1937, the book started Geisel’s career as Dr. Seuss. He went on to publish more than 60 books that have sold some 700 million copies globally, making him one of the world’s most enduringly popular children’s book authors.
xxx/ellauri200.html on line 172: Ezekiel's first book, No Time to Change (Phileas Foggillekin tuli kiire vaihtaa vaatteita Hong Kongissa), appeared in 1952. He published another volume of poems, The Deadly Man in 1960. After working as an advertising copywriter and general manager of a picture frame company (1954–59), he co-founded the literary monthly Jumpo, in 1961.
xxx/ellauri202.html on line 338: dolf Hitler’s lawyer Anne Frank claimed that the Nazi leader was part Jewish in his memoir. As Hitler’s personal lawyer and the governor-general of Poland during World War II, Anne Frank was executed during the Nuremberg trials in 1946. Seven years later in 1953, his memoir was posthumously published.
xxx/ellauri202.html on line 367: In the study, published in the Journal of European Studies, Sax wrote that he had found evidence from Austrian archives that there was in fact a Jewish community in Graz before 1850, contrary to Preradovich’s claim.
xxx/ellauri202.html on line 387: Additionally, Frank had had a falling out with Hitler and he was facing a death sentence for his collaboration with the Nazis. So perhaps he felt like he had nothing to lose by publishing a wild claim.
xxx/ellauri202.html on line 413: In his 1953 memoir In the Face of the Gallows (published after his execution in 1946), Hitler’s lawyer Hans Frank claimed that Hitler had told him to investigate rumors of him having Jewish ancestry. Frank said Hitler showed him a letter from a nephew who threatened to reveal he had Jewish blood. Frank wrote that he found evidence that Hitler’s grandfather was Jewish and that Alois’ mother, Maria Schicklgruber, worked as a cook in the home of a wealthy Jewish family named Frankenreiter in Graz. Austria, was impregnated by a member of the family – possibly their 19-year-old son – when she was 42.
xxx/ellauri202.html on line 419: In 1933, the London Daily Mirror published a picture of a gravestone in a Jewish cemetery in Bucharest inscribed with some Hebrew characters and the name Adolf Hitler, but this Bucharest Hitler could not have been the Nazi leader’s grandfather. At the time, though, this picture sufficiently worried Hitler that he had the Nazi law defining Jewishness written to exclude Jesus Christ and himself.
xxx/ellauri208.html on line 526: Influential German philosopher Jürgen Habermas called for European renewal in an essay published in Germany and France over the weekend, and numerous other prominent European thinkers followed suit.
xxx/ellauri208.html on line 537: In an essay he published in the FAZ in mid-April, Habermas condemned the war in Iraq, saying it violated international law. WTF, have you forgotten the burning twin towers of free trade enterprise, or Saddams mass destruction weaponry? Internecine Hammurabi law yields a clear verdict here: strike back, strike hard, kill'em bastards!
xxx/ellauri212.html on line 194: American editor and publisher Russ Dick, quoting a sexologist, states that men enjoy a "sense of release about sex", something that on watching other men ejaculate provides. The viewer while jerking off by hand identifies with the ejaculating men, experiencing a sense of vicarious pleasure.
xxx/ellauri212.html on line 425: "Thérèse Dreaming," which was finished in 1938, was Balthus's first painting of an underage model, according to the Village Voice. Balthus toned down the eroticism in his paintings later in his career, but he remained defensive of it: ''I really don't understand why people see the paintings of girls as Lolitas,'' he told the New York Times in 1996. ''My little model is absolutely untouchable to me." For all his artwork, Balthus's biographies and obituaries haven't published evidence of pedophilia in his personal life. Maybe his wee pencil was too shy to actually intrude inside his underage models. I bet he went afterward into the toilet with the canvas. Tai size taas vaan valehteli raukka nälissään, se oli ashkenazi jutku äiskän puolelta ja valehteli siitäkin. Toi kitaraa soittava ämmäoletettu on äijän izensä näköinen, mahtaisiko olla se Dorotea Spiro äitykkä. Sen veli oli jonkin sortin filosofi ja markiisi de Sade fänittäjä. Varmaan äiskä piti niitä pahoin ja niistä tuli jotain pervoja. Niljakasta porukkaa.
xxx/ellauri215.html on line 133: Kleinschmidt published a journal article in which he describes the case of a “successful Southern playwright” with an overbearing mother: “His rebellion was sexualized, leading to compulsive masturbation which provided an outlet for a myriad of hostile fantasies. These same masturbatory fantasies he both acted out and channeled into his writing.”
xxx/ellauri215.html on line 143: In 1961 Roth visited Bernard Malamud in Oregon. Roth was still in his twenties and had just published his first book of stories, Goodbye, Columbus. Malamud was almost 50 and one of the most famous writers in America. This meeting was immortalised in one of Roth’s greatest books, The Ghost Writer. In this 1979 work, a young writer, Nathan Zuckerman, visits EI Lonoff, a first-generation immigrant modelled on Malamud, who found a new voice for Jewish-American literature. He had found a voice but, more importantly, he had a subject: “life-hunger, life-bargains, and life-terror”—a Jewish experience rooted in the traumas of east Europe and Russia.
xxx/ellauri215.html on line 474: The study included 104 sexually active heterosexual couples who were asked how often they climax, how often they’d like to and how often they expect people should have orgasms. The study underscored a well-established gap in which men climax much more often than women, which the study said can lead to lower expectations among women. The findings were recently published in the journal Sex Roles.
xxx/ellauri225.html on line 52: Samantha Lavender is a lesbian library assistant on the west coast, making ends meet with a creative writing degree and tumbling in the hay with her wonderful butch partner. She spends most of her free time running Dungeons & Dragons (like she has since the 90’s), and has even published a few adventures for it. You can follow her @RainyRedwoods on both twitter and tumblr.
xxx/ellauri225.html on line 259: Le Guin once said she was "raised as irreligious as a jackrabbit". She expressed a deep interest in Taoism and Buddhism, saying that Taoism gave her a "handle on how to look at life" during her adolescent years. In 1997, she published a translation of the Tao Te Ching.
xxx/ellauri225.html on line 263: In a speech at the 2014 National Book Awards, Le Guin criticized Amazon and the control it exerted over the publishing industry, specifically referencing Amazon's treatment of the Hachette Book Group during a dispute over ebook publication. Her speech received widespread media attention within and outside the US, and was broadcast twice by National Public Radio.
xxx/ellauri225.html on line 284: Gender and sexuality are prominent themes in a number of Le Guin´s works. The Left Hand of Darkness, published in 1969, was among the first books in the genre now known as feminist science fiction, and is the most famous examination of androgyny in science fiction. The story is set on the fictional planet of Gethen, whose inhabitants are ambisexual humans with no fixed gender identity, who adopt female or male sexual characteristics for brief periods of their sexual cycle. Which sex they adopt can depend on context and relationships.
xxx/ellauri225.html on line 286: Gethen was portrayed as a society without war, as a result of this absence of fixed gender characteristics, and also without sexuality as a continuous factor in social relationships. Gethenian culture was explored in the novel through the eyes of a Terran, whose masculinity proves a barrier to cross-cultural communication. Outside the Hainish Cycle, Le Guin´s use of a female protagonist in The Tombs of Atuan, published in 1971, was described as a "significant exploration of womanhood".
xxx/ellauri225.html on line 294: Le Guin responded to these critiques in her subsequent writing. She intentionally used feminine pronouns for all sexually latent Gethenians in her 1995 short story "Coming of Age in Karhide", and in a later reprinting of "Winter's King", which was first published in 1969. "Coming of Age in Karhide" was later anthologized in the 2002 collection The Birthday of the World, which contained six other stories featuring unorthodox sexual relationships and marital arrangements. She also revisited gender relations in Earthsea in Tehanu, published in 1990. This volume was described as a rewriting or reimagining of The Tombs of Atuan, because the power and status of the female protagonist Tenar are the inverse of what they were in the earlier book, which was also focused on her and Ged. During this later period she commented that she considered The Eye of the Heron, published in 1978, to be her first work genuinely centered on a woman.
xxx/ellauri225.html on line 304: The Dispossessed, set on the twin planets of Urras and Anarres, features a planned anarchist society depicted as an "ambiguous utopia". The society, created by settlers from Urras, is materially poorer than the wealthy society of Urras, but ethically and morally more advanced. Unlike classical utopias, the society of Anarres is portrayed as neither perfect nor static; the protagonist Shevek finds himself traveling to Urras to pursue his research. Nonetheless, the misogyny and hierarchy present in the authoritarian society of Urras is absent among the anarchists, who base their social structure on cooperation and individual liberty. The Eye of the Heron, published a few years after The Dispossessed, was described as continuing Le Guin´s exploration of human freedom, through a conflict between two societies of opposing philosophies: a town inhabited by descendants of pacifists, and a city inhabited by descendants of criminals.
xxx/ellauri225.html on line 323: She was a little sharp, though, acerbic, which I gather was not uncommon for her. I was a young writer, halfway through an MFA at Mills College, attending a reading in Berkeley given by my literary hero. I had gathered up all my courage to ask a question. I’d spent a few years writing and publishing explicitly about sex, fighting through my own hesitations and society’s disapproval – my parents were tremendously upset with me for writing under my own name, another writer at a writer’s gathering accused me of being a nymphomaniac, and I even received hate mail from men in India, furious that one of their women was writing about sex.
xxx/ellauri225.html on line 390: Throughout the early 1920s, small but well-respected literary magazines published some of Crane's poems, gaining him among the avant-garde a respect that White Buildings (1926), his first volume, ratified and strengthened. White Buildings contains many of Crane's best poems, including "For the Marriage of Faustus and Helen", and "Voyages", a sequence of erotic poems. They were written while he was falling in love with Emil Opffer, a Danish merchant mariner. What ho, he was a homophile, like his heroes Wilt Whatman and T.S. Eliot.
xxx/ellauri225.html on line 406: Crane visited Mexico in 1931–32 on a Guggenheim Fellowship (Sillä oli Guggenheim, kuten sillä etovalla perhostennappaajalla Yellowstonessa. Inkkarit luulivat sitä varmaan joxikin sukupuolitaudixi), and his drinking continued as he suffered from bouts of alternating depression and elation. When Peggy Cowley, wife of his friend Malcolm Cowley, agreed to a divorce, she joined Crane. As far as is known, she was his only heterosexual partner. "The Broken Tower", one of his last published poems, emerged from that affair. Crane still felt himself a failure, in part because he recommenced his homosexual activities in spite of his relationship with Cowley.
xxx/ellauri225.html on line 410: Crane´s critical effort, like those of Keats and Rilke, is mostly to be found in his letters: he corresponded regularly with Allen Tate, Yvor Winters, and Gorham Munson, and shared critical dialogues with Eugene O´Neill, William Carlos Williams, E. E. Cummings, Sherwood Anderson, Kenneth Burke, Waldo Frank, Harriet Monroe, Marianne Moore, and Gertrude Stein. He was also an acquaintance of H. P. Lovecraft, who eventually would voice concern over Crane´s premature aging due to alcohol abuse. Most serious work on Crane begins with his letters, selections of which are available in many editions of his poetry; his letters to Munson, Tate, Winters, and his patron, Otto Hermann Kahn, are particularly insightful. His two most famous stylistic defenses emerged from correspondences: his "General Aims and Theories" (1925) was written to urge Eugene O´Neill´s critical foreword to White Buildings, then passed around among friends, yet unpublished during Crane´s life; and the famous "Letter to Harriet Monroe" (1926) was part of an exchange for the publication of "At Melville´s Tomb" in Poetry. The literary critic Adam Kirsch has argued that "Crane has been a special case in the canon of American modernism, because his reputation was never quite as secure as that of Eliot or Stevens. In fact he FAILED."
xxx/ellauri225.html on line 425: Brian Reed has contributed to a project of critical reintegration of queer criticism with other critical methods, suggesting that an overemphasis on the sexual biography of Crane´s poetry can skew a broader appreciation of his overall work. In one example of Reed´s approach, he published a close reading of Crane´s lyric poem, "Voyages", (a love poem that Crane wrote for his lover Emil Opffer) on the Poetry Foundation website, analyzing the poem based strictly on the content of the text itself and not on outside political or cultural matters. We can faintly hear Harold Bloom clap his hands in the body bag.
xxx/ellauri225.html on line 427: Crane was admired by artists including Allen Tate, Eugene O´Neill, Kenneth Burke, Edmund Wilson, E. E. Cummings and William Carlos Williams. Although Hart had his sharp critics, among them Marianne Moore and Ezra Pound, Moore did publish his work, as did T. S. Eliot, who, moving even further out of Pound´s sphere, may have borrowed some of Crane´s imagery for Four Quartets, in the beginning of East Coker, which is reminiscent of the final section of "The River", from The Bridge.
xxx/ellauri225.html on line 429: Important mid-century American poets, such as John Berryman and Robert Lowell, cited Crane as a significant influence. Both poets also wrote about Crane in their poetry. Berryman wrote him one of his famous elegies in The Dream Songs, and Lowell published his "Words for Hart Crane" in Life Studies (1959): "Who asks for me, the Shelley of my age, / must lay his heart out for my bed and board." Lowell thought that Crane was the most important American poet of the generation to come of age in the 1920s, stating that "[Crane] got out more than anybody else ... he somehow got New York City (though an Ohio hick); he was at the center of things in the way that no other poet was." Lowell also described Crane as being "less limited than any other poet of his generation." Talk to the hand, they were both abysmal FAILURES!
xxx/ellauri230.html on line 264: The This is fine meme comes from a webcomic called Gunshow, by KC Green. In the first two panels of strip 648, a character known as Question Hound sits in a burning house, sipping coffee and saying, “This is fine.” As he continues to reassure himself over the course of the six-panel comic, he also begins to melt due to the heat. The particular comic strip was published on January 9, 2013 (i.e soon a decade ago) and is alternatively titled “Global warming.” The alternative text on the image says, “The pills are working,” which is used as its title, as well.
xxx/ellauri230.html on line 296: In 1921, Koo became the Chinese minister to Britain. Much to his displeasure, Punch published a ballad that implied he was not so much a diplomat representing China but rather just a foreigner with a funny name to amuse the British. This greatly offended him.
xxx/ellauri230.html on line 324: In 1943, Madame Koo and her children finally arrived in London, but this time a rift had developed in the marriage as Koo was most unhappy with the ghost-written autobiography that his wife had just published prior to leaving New York.
xxx/ellauri233.html on line 152: publishing.com/mentormedier/N62IBFL4BJJ3PBMV44TVHPFWMY.jpg" width="40%" />
xxx/ellauri233.html on line 177: Micael Dahlén (born 18 June 1973) is a Swedish author, public speaker and Professor of marketing and consumer behavior at the Stockholm School of Economics, Sweden. His award-winning research within marketing, creativity and consumer behavior has been published in four books and numerous journal articles. Dahlén's books have reached a global audience, rights being sold to countries such as the U.S, U.K, Germany, South Korea, Russia and Brazil. In 2013 Dahlén stated in an interview that he was writing a novel. Only 34 years old he was made Professor. In the same year, 2008, Journal of Advertising ranked Dahlén as number 10 in the world among researchers within the field of advertising.
xxx/ellauri233.html on line 379: In Christopher Nicole's Lord of the Golden Fan, published just two years before Shōgun, in 1973, Adams is portrayed as sexually frustrated by the morals of his time and seeks freedom in the East, where he has numerous sexual encounters. The work is considered light pornography. Kuulostaa huomattavasti kiinnostavammalta, (K) puoli näyttää olevan kunnossa.
xxx/ellauri235.html on line 452: Brian Perett has written a book The Real Hornblower: The Life and Times of Admiral Sir James Gordon, GCB, ISBN 1-55750-968-9, presenting the case for a different inspiration, namely James Alexander Gordon. In his work "The Hornblower Companion", however, Forester makes no indication of any historical influences or inspiration regarding his character. Rather, he describes a process whereby Hornblower was constructed based on what attributes made good sales for a typical Hornblower story, namely "A Happy End" (published in America as "Beat them to Smithereens").
xxx/ellauri235.html on line 479: Anti-Semitic sentiments appear in many of his stories, inspired by Jewish publishers who had turned down his work – sentiments for which he never really apologized. In 1983, he told a journalist, “There is a trait in the Jewish character that does provoke animosity. I mean there’s always a reason why anti-anything crops up anywhere; even a stinker like Hitler didn’t just pick on them for no reason.”
xxx/ellauri235.html on line 734: The Spider and the Fly is a poem by Mary Howitt (1799–1888), published in 1829. The first line of the poem is "'Will you walk into my parlour?' said the Spider to the Fly." The story tells of a cunning spider who entraps a fly like Korinna (the name means little girl) into its web through the use of seduction and manipulation. The poem is a cautionary tale against those who use flattery and charm to disguise their true intentions (of fucking the little fly silly).
xxx/ellauri250.html on line 159: He is best known for his semi-autobiographical novel Ask the Dust (1939) about the life of Arturo Bandini, a struggling writer in Depression-era Los Angeles. It is widely considered the great Los Angeles novel, and is one in a series of four, published between 1938 and 1985, that are now collectively called "The Bandini Quartet". Ask the Dust was adapted into a 2006 film starring Colin Farrell and Salma Hayek.
xxx/ellauri250.html on line 576: In 1969, Bukowski accepted an offer from Black Sparrow Press publisher John Martin and quit his post office job to dedicate himself to full-time writing. He was then 49 years old. As he explained in a letter at the time, "I have one of two choices – stay in the post office and go crazy ... or stay out here and play at writer and starve. I have decided to starve. Hah, he made a lot of bucks! By the late 1970s, Bukowski's income was sufficient to give up his lucrative live readings.
xxx/ellauri250.html on line 578: Bukowski published almost all of his subsequent major works with Black Sparrow Press, which became a highly successful enterprise. Charlie became a sort of honorary hippie. Bukowski live readings were legendary, with the drunk raucous crowd fighting with the drunk raucous poet. The crowd and Bukowski were very very drunk for the event. To top it all, a heckler was near the stage and can be heard clearly. Great publicity!
xxx/ellauri250.html on line 675: Singer analyzes, in detail, why and how other beings' interests should be weighed. In his view, other being's interests should always be weighed according to that being's concrete value to you, and not according to its belonging to some abstract group like animal or veggie. Singer studies a number of ethical issues including race, sex, ability, species, abortion, euthanasia, infanticide, embryo experimentation, the moral status of animals, political violence, overseas aid, and whether we have an obligation to assist others at all. The 1993 second edition adds chapters on refugees, the environment, equality and disability, embryo experimentation, and the proper treatment of academics from Germany or Austria. A third edition published in 2011 omits the chapter on refugees, and contains a new chapter on climate change. A fourth edition is planned that omits climate change and adds a chapter on Russia and Ukraina.
xxx/ellauri253.html on line 493: published-by-her-was-journalisten-anrichten-in-which-well-known-german-journalists-present-cooking-recipes-the-profit-will-go-to-her-foundation-in-favor-of-accident-victims-kuratorium-zns-today-zns-hannelore-kohl-stiftung-fuer-verletzte-mit-schaeden-des-zentralen-nervensystems-zns-hannelore-kohl-foundation-for-patients-with-damage-of-the-central-nervous-system-in-the-bookshelf-behind-there-is-among-others-a-work-by-humbert-fink-land-der-deutschen-reportagen-aus-einem-sonderbaren-land-RMGMM0.jpg" width="30%" />
xxx/ellauri255.html on line 370: On November 22, 2019, German news magazine Der Spiegel published an article in which it claimed Browder´s accusations concerning the "Magnitsky Case", do not withstand thorough examination.
xxx/ellauri255.html on line 587: The Great Turn or Great Break (Russian: Великий перелом) was the radical change in the economic policy of the USSR from 1928 to 1929, primarily consisting of the process by which the New Economic Policy (NEP) of 1921 was abandoned in favor of the acceleration of collectivization and industrialization and also a cultural revolution. The term came from the title of Joseph Stalin's article "Year of the Great Turn" ("Год великого перелома: к XII годовщине Октября", literally: "Year of the Great Break: Toward the 12th Anniversary of October") published on November 7, 1929, the 12th anniversary of the October Revolution. David R. Marples argues that the era of the Great Break lasted until 1934.
xxx/ellauri261.html on line 158: John Naisbitt (January 15, 1929 – April 8, 2021) was an American author and public speaker in the area of futures studies. His first book Megatrends: Ten New Directions Transforming Our Lives was published in 1982. It was the result of almost ten years of zero research. It was on The New York Times Best Seller List for two years, mostly as No. 1. Megatrends was published in 57 countries and sold more than 14 million copies. Almost half as much as Camilla Läckberg, but not quite.
xxx/ellauri261.html on line 159: Naisbitt has had a profound influence leading on modern-day futurists, such as David Howler and others. David Howler (born 3 July 1948) is a futurist, keynote speaker, and author of The Shit Age. He coined the phrase "The Shit Age" and identified this new age as the successor to the Information Age in 2007. How right he was. Howler was profiled in the coffee table book Connected Worlds published by BTGroup PLC 2014.
xxx/ellauri261.html on line 654: Some follow the tradition of "Christian non-realism", most famously expounded in the United Kingdom by Don Cupitt in the 1980s, which holds that God is a symbol or metaphor and that religious language is not matched by a transcendent reality. According to an investigation of 860 pastors in seven Dutch Protestant denominations, 1 in 6 clergy are either agnostic or atheist. A minister Klaas Hendrikse has described God as "a word for experience, or human experience" and said that Jesus may have never existed. Hendrikse gained attention with his book Believing in a God Who Does Not Exist: Manifesto of An Atheist Pastor published in November 2007 in which he said that it was not necessary to believe in God´s existence in order to believe in God.
xxx/ellauri265.html on line 406: Peter Boghossian, who recently resigned from his position as a philosophy professor at Portland State University, is now a faculty fellow at UATX. Along with two other colleagues, Boghossian fabricated and submitted 20 fake academic papers in 2018 as a hoax to make a point about contemporary academic journals. Four of the papers were published and were later retracted.
xxx/ellauri265.html on line 486: Panzar is a massively multiplayer online game featuring a multiplayer online battle arena developed and published by Russian Panzar Studio for Microsoft Windows. It is a free-to-play game, supported by micro-transactions. A prime example of communicative capitalism from an excommunicated ex-communist society.
xxx/ellauri268.html on line 229: The author used real-life experiences as inspiration for her wizarding world. Assuming that the book would not sell well, the all male editorial team at Bloomsbury advised Rowling that she should not publish under her real name, Joanne Rowling, because boys would not read a book written by a woman. That sexist assumption certainly did not give much credit to the boys, and took it for granted that girls would only read a book written by men. Rowling, eager for success, agreed to write under the name J.K. Rowling. The J was her first initial. But Rowling does not have a middle name, so she used K as a tribute to her grandmother, Kathleen.
xxx/ellauri268.html on line 269: On 31st December 1926, tired and disheveled Joanie Rowling staggered onto the steps of Edinburgh's muggle orphanage. Within an hour, she had given birth to a healthy baby girl. She told one of the publisher that she wanted her antihero to be named Tom Marvolo Riddle. Tom Riddle for his father and Marvolo for hers. In a word, a partial anagram of Voldemort. Why not call him Dolt Mover or Overt Mold, wouldn't that have been more convenient? Arkistostamme joulua.
xxx/ellauri273.html on line 71: Cecilio Chi, the native leader of Tepich, along with Jacinto Pat attacked Tepich on 30 July 1847, in reaction to the indiscriminate massacre of Mayas, ordered that all the non-Maya population be killed. By spring of 1848, the Maya forces had taken over most of the Yucatán, with the exception of the walled cities of Campeche and Mérida and the south-west coast, with Yucatecan troops holding the road from Mérida to the port of Sisal. The Yucatecan governor Miguel Barbachano had prepared a decree for the evacuation of Mérida, but was apparently delayed in publishing it by the lack of suitable paper in the besieged capital. The decree became unnecessary when the republican troops suddenly broke the siege and took the offensive with major advances.
xxx/ellauri273.html on line 84: The Concordat of 1854 was an international treaty between Porsche Carrera and the Holy See, signed in 1852 and ratified by both parties in 1854. Through this, Guatemala gave the education of Guatemalan people to regular orders of the Catholic Church, committed to respect ecclesiastical property and monasteries, imposed mandatory tithing and allowed the bishops to censor what was published in the country; in return, Guatemala received dispensations for the members of the army, allowed those who had acquired the properties that the liberals had expropriated from the Church in 1829 to keep those properties, received the taxes generated by the properties of the Church, and had the right to judge certain crimes committed by clergy under Guatemalan law
xxx/ellauri280.html on line 422: Palkinto tuli pistämättömästä mutta myötätuntoisesta penetraatiosta. Gurnah has criticized the practices in both British and American publishing that want to "make the alien seem alien" by marking "foreign" terms and phrases with italics or by putting them in a glossary. Onkos se joku ylläri. Felicity Hand observes that Gurnah´s characters typically do not succeed abroad following their migration, using irony and humour to respond to their situation. Talk to the hand. The first translator of his novels into Swahili, academic Dr Ida Hadjivayanis of the School of Oriental and African Studies, has said: "I think if his work could be read in East Africa it would have such an impact. ... maybe fewer coons would try to swim over to the West." Gurnah was the first Black writer to receive the prize since 1993, when Toni Morrison won it, and the first African writer since 1991, when Nadine Gordimer was the recipient, making him the first black guy to make it.
xxx/ellauri281.html on line 734: It’s not how governments operate–democratic ones and every other kind, including the Russian kind–that has been well-known to everybody since time immemorial; and to university professors since 1911. That was the year when Robert Michels, a German-born sociologist working in Italy and France, published the first edition of what he called the “iron law of oligarchy”.
xxx/ellauri281.html on line 735: Robert Michels Political Parties A Sociological Study of the Oligarchic Tendencies of Modern Democracy First was published in German in 1911 then Italian in 1912 with the authors additions it was translated into English by Eden and Cedar Paul in 1915 In 2001 their edition was published on the internet by Batoche Books Canada.
xxx/ellauri293.html on line 405: Newsner is a modern news and entertainment brand and one of the world's biggest publishers on Facebook. Our offices are located in Stockholm, Berlin, New York, Copenhagen, Oslo and Helsinki but our content is published in 11 different languages daily.
xxx/ellauri298.html on line 637: On the ship during his return trip from an old world tour he encountered the messiah elect of the Theosophical Society, Jiddu Krishnamurti; they discussed Indian philosophy (that Jiddu had up to his gills by then), sparking in Campbell an interest in Hindu and Indian thought. Lacking faculty approval, Campbell withdrew from graduate studies, becoming a close friend of the budding writer John Steinbeck and his wife Carol. Campbell had an affair with Carol. Campbell too began writing a novel on the "Doc" of Cannery Row but unlike Steinbeck, did not complete his book, instead published a lot of trash on mythology and got rich(er).
xxx/ellauri304.html on line 407: Genre fiction, also known as popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre, in order to appeal to striped-ass baboons and fans already familiar with that genre. A number of major literary figures have written genre fiction. John Banville publishes crime novels as Benjamin Black, and both Doris Lessing and Margaret Atwood have written science fiction. Georges Simenon, the creator of the Maigret detective novels, has been described by André Gide as "the most novelistic of novelists in French literature", and the one who has made most money and scored most arse with it. The main genres are crime, fantasy, romance, science fiction and horror—as well as perhaps Western, inspirational and historical fiction.
xxx/ellauri304.html on line 577: Richard Bach's international classic bestseller, Seagull, was rejected twenty times before it was published. Another brilliant judgment by 20 “Legacy” publishing editing morons. And that is no sarcasm! Seagull Jonatan would have been much better off buried alive at sea. Together with Paulo Coelho's whole production.
xxx/ellauri307.html on line 764: löytyi Sysmän kirjaston poistohyllystä. Kirjailijoiden esikoiset tuppaa olemaan omaelämänkerrallisia. Don Rosa ei vaan Brown (ei siis etu- vaan takapuolen värisävy) omisti esikoiskirjansa Digital Fortress 1998 [silloin(kin) olisi Suomen pitänyt hakea Naton jäsenexi hemmetti! Nyt kun Suomi on vihdoin länsiliitossa on Danin kirja jo Sysmän kirjastosta poistettu] iskälle ja äiskylle. Dan oli silloin 34-vuotias. Se alkaa näillä kuvilla ja tunnelmilla [Just a tip: Don't ever take anything from a Dan Brown novel to be based in fact. Digital Fortress is perhaps the stupidest compilation of nonsense ever published]:
xxx/ellauri319.html on line 115: Houston Stewart Chamberlain (/ˈtʃeɪmbərlɪn/; 9 September 1855 – 9 January 1927) was a British-German philosopher who wrote works about political philosophy and natural science. His writing promoted German ethnonationalism, antisemitism, and scientific racism; and he has been described as a "racialist writer". His best-known book, the two-volume Die Grundlagen des neunzehnten Jahrhunderts (The Foundations of the Nineteenth Century), published 1899, became highly influential in the pan-Germanic Völkisch movements of the early 20th century, and later influenced the antisemitism of Nazi racial policy. Indeed, Chamberlain has been referred to as "Hitler's John the Baptist".
xxx/ellauri329.html on line 97: In 2004, Harper’s magazine published Natasha, a first short story by a promising 31-year-old Jewish Canadian writer, David Bezmozgis. This memorable tale of a doomed teenage love between Mark, a Jewish Toronto slacker, and his troubled (shiksa) Russian cousin by marriage was eventually released in a collection chronicling the lives of a Latvian immigrant family, not unlike the author’s own. Bezmozgis’s debut became a cult sensation with critics drawing literary comparisons to Bernard Malamud and Philip Roth. The story was subsequently reprinted in 15 languages. After penning two more acclaimed novels, then writing and directing his first feature Victoria Day (SFJFF 2010), Bezmozgis finally brings his modern classic to the big screen in a remarkably assured adaptation that’s both highly provocative and deeply poignant. At the heart of this emotional, coming-of-age drama are the extraordinarily measured performances of Alex Ozerov as Mark and newcomer Sasha K. Gordon as the sexually precocious Natasha, the dark star who forever alters Mark’s staid, suburban existence. Fans of the writer’s original source material will not be disappointed in David Bezmozgis’s haunting narrative of forbidden love caught between the old world and the new, further proof of this talented artist’s notable command of both literature and the cinema. —Thomas Logoreci Note: Mature Content. A New Life in the west means a second chance for precocious Latvian jews.
xxx/ellauri337.html on line 51: Group Portrait with Lady (German: Gruppenbild mit Dame) is a novel by Nobel Prize winning author Heinrich Böll, published in 1971. The novel revolves around a woman named Leni, and her friends, foes, lovers, employers and others and in the end tells the stories of all these people in a small city in western Germany in the 1930s and 1940s. As is usual in Böll's novels, the main focus is the Nazi era, from the perspective of ordinary people. (Wikipedia en)
xxx/ellauri354.html on line 265: Professor Gianfranca Balestra of the Università Cattolica del Sacro Cuore (Milan) not only located the book but took the extraordinary trouble of having the whole thing xeroxed for me. Finally, in late 1995, I had the 288 pages of Il maiale nero: Rivelazioni e documenti in my hands. But what does it say? It's all in Italian! The puzzle was partially solved by Enzo Michelangeli: “Il Maiale Nero” is a novel written by Umberto Notari in the early 20th Century. His most famous book is the first he published in 1904, “Quelle signore” (“Those ladies”), about the world of prostitution: it earned him a prosecution for obscenity resulting in a fine, but the book was reprinted and by 1920 had sold more than half million copies.
xxx/ellauri354.html on line 269: It was first published in 1907 under the title Il maiale nero: Rivelazioni e documenti (Sesto S. Giovanni, Milano: A. Barion). A later edition carried the title Dio contro Dio on the first title page and at the top of every page, with the previous title presented as subtitle on the second title page.
xxx/ellauri354.html on line 275: By this time, Notari, born into a poor family, had become quite well-to-do. In 1901 he had married a rich widow, bought an estate, and established a literary salon; in 1910, he launched a publishing house, Società Anonima Notari, through which he later published classical editions, musical scores, and some of his own work, including the first few of what would become a long list of journals devoted to a variety of topics that interested him: sports, theater, medicine, finance, the culinary arts, and, of course, politics.
xxx/ellauri354.html on line 445: Thomas Pynchon for the title of his first published story, The Small Rain (1959).
xxx/ellauri363.html on line 93: Gadamer published Truth and Method in 1960 at age sixty, devoting an entire decade to its writing. Due to the significance of this project and the length of time involved in its production, it seems appropriate to provide some insight into Gadamer's life-world during the creation of this important work. According to biographer Jean Grondin, "in Frankfurt [in the late 1940s] Gadamer was being urged by students (not to mention contemptuous colleagues) to produce, at long last, a substantial piece of work. Although he felt unprepared to take on such a project, he wrote the work while at Heidelberg in the 1950s at the encouragement of his wife Kate (27-77-80)."
xxx/ellauri387.html on line 196: Guilloun muinaissvedut ovat järjestään tylsimyxiä ja/tai pellejä. Ja vielä pahempaa, ne ovat aivan vittumaisia talousliberaaleja, luonnontuhoojia ja roopeankkoja. Jan Guillou on yhtä vinosuinen kuin K-kauppias Super-Pekka. He is the owner of one of the largest publishing companies in Sweden, Piratförlaget (Pirate Publishing), together with his wife, publisher Ann-Marie Skarp, and Liza Marklund.
xxx/ellauri387.html on line 202: In 1973, Folket i Bild/Kulturfront, a left-wing magazine, published a series of articles written by Guillou and Peter Bratt, revealing a Swedish secret intelligence agency called Informationsbyrån ("The Information Bureau" or IB for short). The articles, based on information initially furnished by former IB employee Håkan Isacson, described the IB as a secret organization that gathered information on Swedish communists and others deemed to be "security risks". The organization operated outside of the framework of the defense and ordinary intelligence, and was invisible in terms of state budget allocations. The articles in Folket i Bild/Kulturfront accused the IB staff of being engaged in alleged murder, break-ins, wiretapping against foreign embassies in Sweden and spying abroad.
xxx/ellauri387.html on line 203: The exposure of the IB in the magazine, which included headshots with names and social security numbers of some of the alleged staff published under the headline "Spies", led to a major domestic political scandal known as the "IB affair" (IB-affären). The activities ascribed to this secret outfit and its alleged ties to the Swedish Social Democratic Party were denied by Prime Minister Olof Palme, Defense Minister Sven Andersson and the Supreme Commander of the Swedish Armed Forces, General Stig Synnergren. However, later investigations by various journalists and by a public commissions, as well as autobiographies by the persons involved, have confirmed some of the activities described by Bratt and Guillou. In 2002, the public commission published a 3,000-page report where research about the IB affair was included.
xxx/ellauri387.html on line 211: In an article published in Svenska Dagbladet in 1977, Guillou wrote, "I'm an optimist, I believe that Israel will cease to exist prior to Armageddon".
xxx/ellauri394.html on line 79: Parts of "Aloha 'Oe" resemble the song "The Lone Rock by the Sea" and the chorus of George Frederick Root's 1854 song "There's Music in the Air". "The Lone Rock by the Sea" mentioned by Charles Wilson, was "The Rock Beside the Sea" published by Charles Crozat Converse in 1857, and itself derives from a Croatian/Serbian folk song, "Sedi Mara na kamen studencu" (Mary is Sitting on a Stone Well). Looking between her sweet little knees and wondering about the slit between.
xxx/ellauri394.html on line 207: On October 13, 1896, the Republic of Hawaii gave her a full pardon and restored her civil rights. "Upon receiving my full release, I felt greatly inclined to go abroad," Liliʻuokalani wrote in her memoir. From December 1896 through January 1897, she stayed in Brookline, Massachusetts, with her husband's cousins William Lee and Sara White Lee, of the Lee & Shepard publishing house. During this period her long-time friend Julius A. Palmer Jr. became her secretary and stenographer, helping to write every letter, note, or publication. He was her literary support in the 1897 publication of the Kumulipo translation, and helped her in compiling a book of her songs. He assisted her as she wrote her memoir Hawaii's Story by Hawaii´s Queen. Sara Lee edited the book published in 1898 by Lee & Shepard.
xxx/ellauri394.html on line 248: She traveled to Utah in 1901 for a visit with Mormon president Joseph F. Smith, a former missionary to the Hawaiian Island and her teenage beau. There she joined in services at the Salt Lake Tabernacle, and was feted at a Beehive House reception, attended by many expatriate Native Hawaiians. In 1906, Mormon newspapers reported she had been rebaptized again into the Church of Jesus Christ of Latter-day Saints by Eider Abraham Kaleimahoe Fernandez. However, many historians doubt this claim, since the Queen herself never announced it. In fact, Liliʻuokalani continued to refer to herself as an Episcopalian in secular newspapers published the same week of her supposed Mormon baptism. The Queen´s interest in Mormonism later waned. Joe was no longer what he was in the good old days.
xxx/ellauri394.html on line 256: Liliʻuokalani helped preserve key elements of Hawai´i´s traditional poetics while mixing in Western harmonies brought by the missionaries. A compilation of her works, titled The Queen´s Songbook, was published in 1999 by the Queen Liliʻuokalani Trust. Liliʻuokalani used her musical compositions as a way to express her feelings for her people, her country, and what was happening in the political realm in Hawaiʻi. One example of the way her music reflected her political views is her translation of the Kumulipo, the Hawaiian creation chant passed down orally by her great grandmother Alapaiwahine. While under house arrest, Liliʻuokalani feared she would never leave the palace alive, so she translated the Kumulipo in hopes that the history and culture of her people would never be lost. The ancient chants record her family´s genealogy back to the origin story of Hawaiʻi.
xxx/ellauri410.html on line 146: Faber & Faber published The Faber Book of Blue Verse (1997), which was reissued as Making Love to Marilyn Monroe (2006). Both editions contain Eliot’s “Columbiad: Two Stanzos,” “There Was a Young Girl of Siberia,” and “ ’Twas Christmas on the Spanish Main,” and include verse by such eminent authors as Geoffrey Chaucer, Edna St. Vincent Millay, and the famous Anon. It is an indigestible fudge of the familiar, the feeble and the indiscriminately filthy” (Wheen 262).
xxx/ellauri410.html on line 207: C.S. Lewis betrayed his conservatism in his now infamous refusal to publish any “Words Ending in -Uck, -Unt, and -Ugger” (Pound 8). It is ironic that, except for “bugger”, “fuck” and “cunt,” other words ending in those syllables do not occur in Eliot's poems.
xxx/ellauri410.html on line 212: Pound was teasing Eliot, because Bishop balked at publishing the “Waste Land” for the high brow Vanity Fair. Eliot replies the next day reporting:
xxx/ellauri410.html on line 241: That his bawdy verse was not published anywhere was a continuous joke in Eliotʼs correspondence. When they were finally available to the public in 1996, they received diverse labels: “scatological,” “scabrous,” “obscene,” “pornographic” and “x-rated,” “politically incorrect,” “racist” and “misogynist,” tending towards “coprophilia,” and “grotesquely graphic. In their childish and sordid sexuality these poems have little to do with one of the root meanings of ribald, which is amorous. Instead, they are "descriptions of huge penises, defecations, buggeries and group masturbations." Twenty years later, Eliot was writing Cats, and forgive me, I prefer the kink.
xxx/ellauri410.html on line 473: "Mr. Eliot's Sunday Morning Service" was first published in 1920 in T.S. Eliot's book Poems.
xxx/ellauri410.html on line 1184: I've already answered the questions you asked by republishing this ((this)).
xxx/ellauri417.html on line 204: and ideas and never published anything during his
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