ellauri048.html on line 1074: Garrett Jones claims that Alfred Tennyson and Arthur Henry Hallam, whose death was the occasion for writing In Memoriam, were in some sense homosexual lovers, and that Hallam was a promiscuous homosexual whose father sent him to Cambridge, separating him from his Eton friends as a way of curtailing his son's inclinations (a curious, rather naive strategy, one might think!). For most of the book, he gives the impression that the two friends had an intense homosexual relationship that must have included physical acts. However, on p. 192 out of 199, he announces the following:
ellauri070.html on line 81: We learn that Cole Porter was notoriously promiscuous and loved giving head to young Marines. Tyrone Power, also an ex-Marine, was bisexual but preferred male sexual partners.
ellauri171.html on line 994: It is worth noting that nowhere in the text is Jezebel characterized as promiscuous or seductive. The text makes no mention of her physical appearance. Unlike characters such as Rachel, Joseph, and Rebekah, whom the Bible explicitly labels as aesthetically appealing, there is no such indication for Jezebel. In fact, if anything, the text indicates that Jezebel is an all-too-loyal wife —even capable of murder. She is not an admirable character by any means, however, it is critical to highlight that nothing about her modern connotation is exemplified in text.
ellauri222.html on line 421: An employee of the Einhorns, the pretty and promiscuous Lollie is also William Einhorn’s mistress for a time. She leaves the family’s employ after the stock market crash and ends up being killed by a boyfriend.
ellauri389.html on line 75: The essay's preoccupation with porcelain is a striking contrast to the way Chinese porcelain appears jumbled among the Japan lacquer, Javanese coffee, and Jamaican sugar that appear in Alexander Pope's Rape of the Lock (1712, 1714), and it is similarly distinguished from the Chinese pagodas promiscuously mingling with Egyptian crocodiles and Indian Buddhas in Thomas De Quincey's more contemporary orientalist work, Confessions of an English Opium-Eater (1821).
xxx/ellauri179.html on line 153: The Lady Brett Ashley character is a British, charismatic, and independent woman with a drinking problem. She is the love of Kake's life and she loves him too, but she (and Kake) both see his impotence as a possible obstacle to a relationship as she leads a promiscuous life of romantic adventures. She is waiting to get divorced from the aristocrat from whom she got her title, and then plans to marry Mike Campbell. She is terminally unhappy and always wanting someone else. She falls in love with Romero at the bullfight and becomes his inspiration at the ring.
xxx/ellauri320.html on line 199: But in actual fact their relationship was entirely platonic. She was sharply aware that Mountbatten, emasculated by the infidelities of his promiscuous and nymphomaniac wife, Edwina, had scant interest in sex in his later years, particularly with women.
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