ellauri063.html on line 295: Screenwriter Deborah Moggach initially attempted to make her script as faithful to the novel as possible, writing from Elizabeth's perspective while preserving much of the original dialogue. Joe Wright, who was directing his first feature film, encouraged greater deviation from the text, including changing the dynamics within the Bennet family. Wright and Moggach set the film in an earlier period and avoided depicting a "perfectly clean Regency world", presenting instead a "muddy hem version" of the time. Chickenbutt Knightley was well-known in part from her role in the Pirates of the Caribbean film series. It was marketed to a younger, mainstream audience; promotional items noted that it came from the producers of 2001's romantic comedy Bridget Jones's Diary before acknowledging its provenance as an Austen novel.
ellauri066.html on line 938: On the lighter side, the pandemic has presented many companies with an unprecedented opportunity. This includes the mecidine, mask and mortuary business. But also small-time Finnish serial entrepreneurs named "Jyri" and the producers of little ketchup satchets.
ellauri069.html on line 572: The Romance of Helen Trent was a radio soap opera which aired on CBS from October 30, 1933 to June 24, 1960 for a total of 7,222 episodes. The show was created by Frank and Anne Hummert, who were among the most prolific producers during the radio soap era. The program opened with:
ellauri117.html on line 393: Discover management team feels no impetus to “finalize deal” because they know big-name director will never actually commit to said television project. What big-name director’s attachment gets you is meetings with big-name producers.
ellauri119.html on line 188: It only took the entire run of the series, but in literally the last episode of the show, season three's "Minerva, Mayhem, and Millionaires," we got the most amazing Robin exclamation ever. There's a real chance that this was just so perfect that the producers realized that there was nowhere else to go after this, so they just canceled the show.
ellauri150.html on line 750: Maybe the Vatican needs to get into the movie business! In the past the Vatican sponsored the works of arts of the greatest artists of the times. Today the cinema is our greatest, most technologically advanced art form and we need Christian movie directors and producers that will dedicate their art to Christ. This will never happen in Hollywood. The one exception was "The Passion" and we saw what a struggle that was.
ellauri164.html on line 453: The producers faced a technical difficulty in a scene which contained a nuclear explosion. After several experiments, the special effects coordinator Samir Jaber - a Syrian citizen who worked for Mosfilm - decided to create the required sequence by trickling a drop of orange-tinted perfume into a watery solution of aniline and filming it close up. Haha wimps!
ellauri180.html on line 51: In the books, Elena was popular, selfish and a "mean girl". However, the show's producers, Julie Plec and Kevin Williamson, felt that it wasn't the direction they wanted to go with their heroine in The Young Adult Vampire Diaries television series. Instead, she became a nicer, relatable, and more of "the girl next door" type, until her life gets flipped upside down when she meets the Salvatore Brothers. Stefan Salvatore is a good-hearted and affectionate young adult vampire and the complete opposite of his older brother, Damon Salvatore. Stefan's malevolent young adult vampire brother is mostly thought of as selfish and manipulative, but later on begins to display a more caring side.
ellauri180.html on line 53: Executive producers Julie Plec and Kevin Williamson agreed that in the book series, Elena was turned into a vampire too early, which was around page 200 of The Awakening. Elena's transition into a vampire was planned for two years. Plec said: "That felt obviously too soon, and rushed, and we didn’t want to make a show about a teenage girl who instantly becomes a vampire. But we always knew that her journey would take her there eventually". At the second season's conclusion, Elena was nearly turned into a vampire. Dobrev was happy that she wasn't, because she felt "it would have been like she came too soon", and also didn't think it was something Elena or she wanted.
ellauri194.html on line 335: Get Christie Love! gave the first black woman to serve in a State Police force in the United States, Louise Smith, critical motivation to continue with her chosen career when she faced significant discrimination both in the barracks and on the streets. In 2017, producers Courtney Kemp and Vin Diesel became attached to a reboot of the series for ABC, entitled Get Christie Love (without the exclamation point), a co-production between Lionsgate Television and Universal Television, which focused on an African American female CIA agent who leads an elite ops unit. However, ABC later announced that it had decided not to pick the pilot up to series.
ellauri197.html on line 502: The term gold digger rose in usage after the popularity of Avery Hopwood's play The Gold Diggers in 1919. Hopwood first heard the term gold digger in a conversation with Ziegfeld performer Kay Laurell. As an indication on how new the slang term was, Broadway producers urged him to change the title because they feared that the audience would think that the play was about mining and the Gold Rush.
xxx/ellauri125.html on line 309: In addition to the repurposed King quote, West and producers TNGHT sample Nina Simone’s version of “Strange Fruit” without any apparent regard for it as a chronicle of Southern violence. Instead, he harnesses the devastating verses recounting the “strange fruit” hanging from a Southern tree — the dangling body of a lynching victim — in service of a song about gold-digging women, a night on the town taking MDMA and having sex.
xxx/ellauri193.html on line 372: Carlson’s former head of booking, Abby Grossberg, said that male producers regularly used vulgarities to describe women and frequently made antisemitic jokes. As a rule, between 9 am-5pm.
xxx/ellauri193.html on line 374: Ms. Grossberg said in the lawsuit naming Mr. Carlson that male producers regularly used vulgarities to describe women and frequently made antisemitic jokes.
xxx/ellauri250.html on line 161: Ask the Dust is a 2006 romantic drama film based on the 1939 book Ask the Dust by John Fante. The film was written and directed by Robert Towne. Tom Cruise (with Paula Wagner and Cruise/Wagner Productions) served as one of the film's producers. The film was released on a limited basis on March 17, 2006, and was entered into the 28th Moscow International Film Festival. It was filmed almost entirely in South Africa with the use of stages to portray Los Angeles. The film received negative to mixed reviews from critics. The review aggregator Rotten Tomatoes reported that 65% of critics gave the film negative reviews, based on 104 reviews. The site's consensus states: "Though Hayek is luminous, Farrell seems miscast, and the film fails to capture the gritty, lively edginess of the book upon which it's based."
xxx/ellauri252.html on line 254: Norman Corwin was Jewish, and his parents observed Judaism (his father, Sam Corwin, attended holiday services until his death at 110). While not an observant Jew, Corwin infused much of his work with the ideas of the Hebrew Prophets. One of the prayerbooks of American Reform Judaism, Shaarei Tefila: Gates of Prayer, contains a portion of the Prayer from the finale of Corwin's On a Note of Triumph (see link to full text below). Corwin was among the first producers to regularly use entertainment – even light entertainment – to tackle serious social issues.
xxx/ellauri354.html on line 415: ¹S-Town was an American investigative journalism podcast hosted by Brian Reed and created by the producers of Serial and This American Life. In 2012, horologist John B. McLemore sent an email to the staff of the show This American Life asking them to investigate an alleged murder in his hometown of Woodstock, Alabama, a place he claimed to despise. There wasn't any.
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