| And now shall mine head be lifted up above mine enemies round about me: therefore will I offer in his tabernacle sacrifices of joy; I will sing, yea, I will sing praises unto the LORD. |
ellauri093.html on line 445: The praises of all the prophets are kneaded together. Kaikkien profeettojen ylistyxet on vaivattuna yhteen.
ellauri093.html on line 446: All their praises are mingled into one stream, Kaikki niiden kehut sekaantuvat yhdexi virzasuihkuxi,
ellauri093.html on line 450: Because all praises are directed towards God’s Light, Sillä kaikki kiitoxet on suunnattu kohti Aladdinin lamppua,
ellauri108.html on line 73: In the King James Version of the Christian Bible, the Hebrew יהּ is transliterated as "JAH" (capitalised) in only one instance: "Sing unto God, sing praises to his name: extol him that rideth upon the heavens by his name JAH, and rejoice before him". An American Translation renders the Hebrew word as "Yah" in this verse. In the 1885 Revised Version and its annotated study edition, The Modern Reader's Bible, which uses the Revised Version as its base text, also transliterates "JAH" in Psalms 89:8 which reads,"O LORD God of hosts, who is a mighty one, like unto thee, O JAH? and thy faithfulness is round about thee".
ellauri140.html on line 140: Though it praises her in some ways, The Faerie Queene questions Elizabeth's ability to rule so effectively because of her gender, and also inscribes the "shortcomings" of her rule. There is a character named Britomart who represents married chastity. This character is told that her destiny is to be an "immortal womb" – to have children. Here, Spenser is referring to Elizabeth's unmarried state and is touching on anxieties of the 1590s about what would happen after her death since the kingdom had no heir. No vittu ei ole maailma mixkään muuttunut, just samanlaista tuubaa kirjoitti Suomenmaa just Sanna Marinista.
ellauri185.html on line 123: At this point, David offers a majestic eulogy, where he praises the bravery and magnificence of both his friend Jonathan and King Saul.
ellauri214.html on line 106: But, Rowling's talent is skin deep. I absolutely do not agree that she did a great job in character and/or plot development. Her characters are pretty clichéd (Chosen one and his side kick), her setting is pretty narrow (British boarding school experiences), her plot is pretty predictable, and like all amateur writers, her plot line often meanders for no good reason at all. Her world building is imaginative, but lack planning. Simply put, most part of her world is a whim, it's not coherent, she didn't think it through. And the more you think about it, the bigger the problem it is. Oh and that one character everyone is singing praises about, as if it's the best written character of all time? Stereotypical Byronic hero. I read how people praise Snape being this greatest character of our generation, I couldn't help but wondering, you guys never read Wuthering Heights?! I've never attended an American high school but I'm pretty sure the Great Gatsby is on the required reading list.
ellauri223.html on line 74: G.M. This seems excellent and sacred, but the community of women is a thing too difficult to attain. The holy Roman Clement says that wives ought to be common in accordance with the apostolic institution, and praises Plato and Socrates, who thus teach, but the Glossary interprets this community with regard to obedience. And Tertullian agrees with the Glossary, that the first Christians had everything in common except wives.
ellauri333.html on line 137: For whosoever praises his own sect or blames other sects all out of devotion to his own sect, with the view of glorifying his own sect, — if he is acting thus, he rather injures his own sect very severely {section H). Hence the king recommends to all sects concord {samavSya, section I) and the guarding of speech (vacho-gupti, section D).
ellauri352.html on line 634: Tocqueville praises democracy in America
ellauri405.html on line 227: Mit vit kaikki anglosaxisia kyhäyxiä. Monikohan aasialainen on näitä nähnyt. "Walt Whitman is America’s world poet—a latter-day successor to Homer, Virgil, Dante, and Shakespeare. In Leaves of Grass (1855, 1891-2), he celebrated democracy, nature, love, and friendship. This monumental work chanted praises to the body as well as to the soul, and found limited beauty and reassurance even in death." Whitman’s self-published Leaves of Grass was inspired in part by his travels through the American frontier and by his admiration for Ralph Waldo Emerson. Ylläri.
ellauri408.html on line 325: John of Patmos, the author of Revelation, turned Jesus into a false prophet by putting words in his mouth. In the letters to the churches, John of Patmos has Jesus saying that he will personally murder children for their mother’s sins. (Revelation 2:20-23) Do you think Jesus actually returned to earth and murdered children for something they didn’t do? And John of Patmos was no Christian, because he said Jesus would judge Christians and murder their children for eating foods offered to idols. But Jesus clearly said that Christians can eat ANY food and Paul specifically said that he could eat foods offered to idols, since they were false gods. John of Patmos in another false prophecy accused Jesus of murdering trillions of animals after they had all sung the praises of God. Why? And he said human beings would be tortured with fire and brimstone — not in “hell” — but in the presence of the Lamb and Holy Angels. So according to John of Patmos, there will be a torture chamber in heaven, at the foot of the throne of God! Thomas Jefferson called John of Patmos a lunatic, and I agree.
xxx/ellauri176.html on line 51: Athenaeus provides many anecdotes about Phryne. He praises her beauty, writing that on the occasion of the festivals of the Eleusinia and Poseidonia, she would let down her hair and step nude into the sea. Kuvassa sillä näkyy olevan uimalakki päässä. Se onkin järkevämpää kuin aukaista tukka uimaan mennessä. This would have inspired the painter Apelles to create his famous picture of Aphrodite Anadyomene (Ἀφροδίτη Ἀναδυομένη, Rising from the Sea also portrayed at times as Venus Anadyomene). Mitä vittua sehän on sama asia. Herne herne! Supposedly the sculptor Praxiteles, who was also her lover, used her as the model for the statue of the Aphrodite of Knidos, the first nude statue of a woman from ancient Greece. Oiskoon se muka oikeasti eka? Mä oon varma että pornokuvia on tehty maailman sivu, ne ei vaan ole kovassa käytössä kaikki säilyneet.
xxx/ellauri199.html on line 736: Unitaarit antavat, United praises given,
xxx/ellauri379.html on line 133: Character Analysis The Intended. Kurtz's fiancée is marked — like the Harlequin — by her absolute devotion to Kurtz. When Marlow visits her after his return from Africa, he finds that she has been dressed in mourning for more than a year and still yearns for information about how her love spent his last days. However, she is actually devoted to an image of Kurtz instead of the man himself: She praises Kurtz's "words" and "example," assuming that these are filled with the nobility of purpose with which Kurtz began his career with the Company. Her devotion is so absolute that Marlow cannot bear to tell her Kurtz's real last words ("The horror! The horror!") and must instead tell her a lie ("The whore! The whore!") that strengthens her already false impression of Kurtz. On a symbolic level, the Intended is like many Europeans, who wish to believe in the greatness of men like Kurtz without considering the more "dark" and hidden parts of their characters. Like European missionaries, for example, who sometimes fuck the very people they were professing to save, the Intended is a misguided soul whose belief in Marlow's lie reveals her need to cling to a fantasy-version of the what the Europeans (i.e., the Company) are doing in Africa.
xxx/ellauri400.html on line 223: Arnold praises Chaucer's excellent style and manner, but says that Chaucer cannot be called a classic since, unlike Homer, Virgil and Shakespeare, his poetry does not have the high poetic seriousness which Aristotle regards as a mark of its superiority over the other arts.
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