ellauri197.html on line 214: If art is to assist in mitigating sorrow, turbulence, and evil, then it must filter out the bathos that brings on hysterics. Art serves society as a sort of safety valve wherein viewers view the performance with some distance. That distance must then be framed in a way that not only lowers the temperature on sorrow but also elevates with the beauty of the truth the content portrays.
ellauri207.html on line 351: Oh, come off it. That surly cunt of yours is squirming like a snake. Zalachenko about Lisbeth Salander, his own daughter. He was portrayed by Georgi Staykov. Sanokaas, onko tällänen sievää puhetta? Kysyn taas: mix niin monet tykkää just tälläsestä? Koska ne on apinoita.
ellauri214.html on line 66: J. K. Rowling’s first adult novel The Casual Vacancy stirred a ruckus within Sikh Community after its publication leading to the involvement of SGPC and its head showing concern with the negative portrayal of Sikh characters in the novel. Rowling defends the novel by her theory of ‘corrosive racism’ after her ‘vast amount of research’ in Sikhism. The chapter explores diasporic Sikh identity through the character of Sukhvinder who though dyslexic is stifled by her mother and harassed by her classmate Fats through slanderous remarks targeting her Sikh identity. Though Sukhvinder resorts to self-torture after undergoing racism, she emerges victorious like a brave Sikh by her self-determination and emerges a heroine by helping everybody in Britain. The chapter applies Teun A. van Dijk’s racist discourse and post-colonial theories specifically Homi Bhabha’s hybridity of cultures, Jacques Rancière’s distribution of the sensible hinting at the redistribution of identities to make invisible diaspora visible and inaudible audible and Gayatri Spivak’s theory of the subaltern to prove that the Sikh diaspora remains in Charhdi Kala (higher state of mind) even in tough situations. The chapter concludes that though British Sikh diaspora undergoes racialism leading to identity crisis, Sikhs finally find resolution through Sikh identity model Sukhvinder who, treading the footsteps of Sikh heroes like Bhai Kanhayia, becomes a heroin addict by risking her life to save Robbie and by helping all in the novel.
ellauri220.html on line 472: Many shows and movies don't bother getting a foreign language right when they portray them. The incidence of this increases along with the obscurity of the language. But first and foremost, if the intended audience won't be able to tell the difference anyway, why bother? A variation on this is that the foreigners speak English, but are identified as foreign by an accent or are parading universally known national images.
ellauri220.html on line 504: When the work uses this trope on multiple groups of people speaking different languages, things can get complicated. The work may only translate the language of one group and keep the other group speaking its native language. In these cases, the translated group is always the one the audience is supposed to sympathize with, while the untranslated one is portrayed as more "foreign."
ellauri220.html on line 519: This refers to casting practice, and in the case of Trope Codifier Peter Stormare it has even achieved the status of Casting Gag. It refers to "international" or "ethnic" - at any rate not American or British - actors who are considered to somehow look or be able to act so vaguely but conspicuously foreign that they can be used for any nationality. (Cliff Curtis is a maori.) It´s As Long as It Sounds Foreign and Gratuitous Foreign Language applied to casting. However, But Not Too Foreign is often in effect because you´ll want someone who speaks good English (even though intentionally accented) and rather panders to viewers´ expectations than give an accurate portrayal of a specific ethnic identity which also means that the character´s background might be very vague as long as it´s foreign.
ellauri221.html on line 155: Cox's Brownies were little men who had mischievous adventures together. Each Brownie had a distinctive physical appearance: Cholly Boutonnière wore a top hat and monocle, while others wore traditional Turkish, Irish, German, Swedish, Russian, and Chinese garb. There was an Eskimo, an American Indian, even an Uncle Sam. "Much of the success of his books can be attributed to his treatment of the characters, who portray human nature with its goodness and strength and also its follies, but never its baseness.".
ellauri221.html on line 294: Doctor Jolly Goodhead is a fictional character from the James Bond franchise, portrayed by Lois Chiles. She does not appear in any of the Ian Fleming novels, only in the film version of Moonraker (1979), but her character is similar to that of Gala Brand, the female lead in the original novel Moonraker (1955), by way of being James´s major lay this time round. In 25 years, James has graduated from screwing a secretary to schtupping a doctor of science. Way to go, Bond girls! Right on!
ellauri222.html on line 763: This grooming of the self paradoxically requires looking out for number 1. Nowhere is this fact more vividly portrayed than in Henderson the Rain King. Driven in the beginning by a relentless inner voice that repeats, "I want! I want!," Henderson's egoistic absorption in his material success ironically alienates him from himself. Hitching his family to seek fundamental truths in the wilderness of Africa, he discovers the arse loving relationship that men need with nature and with each other and symbolically surrenders his self by accepting responsibility for a lion cub and an orphan child.
ellauri223.html on line 153: New Atlantis is an incomplete utopian novel by Sir Francis Bacon, published posthumously in 1626. It appeared unheralded and tucked into the back of a longer work of natural history, Sylva sylvarum (forest of materials). In New Atlantis, Bacon portrayed a vision of the future of human discovery and knowledge, expressing his aspirations and ideals for humankind. The novel depicts the creation of a utopian land where "generosity and enlightenment, dignity and splendour, piety and public spirit" are the commonly held qualities of the inhabitants of the mythical Bensalem. The plan and organisation of his ideal college, Salomon's House (or Shlomo's House), envisioned the modern research university in both applied and pure sciences.
ellauri223.html on line 170: He portrayed a vision of the future of human discovery and knowledge. The plan and organisation of his ideal college, "Shlomo's House", envisioned the modern research university in both applied and pure science. The end of their foundation is thus described: "The end of our foundation is the knowledge of causes, and secret motions of things; and the enlarging of the bounds of human empire, to the effecting of all things possible". Vitun nilkki, hemmetin teknofriikki humanisti.
ellauri236.html on line 169: Prohibition and the ensuing Great Depression in the US (1929–39) had given rise to the Chicago gangster culture prior to World War II. This, combined with Chase's book trade experience, convinced him that there was a big demand for gangster stories. After reading James M. Cain's novel The Postman Always Rings Twice (1934), and having read about the American gangster Ma Barker and her sons, and with the help of maps and a slang dictionary, he wrote No Orchids for Miss Blandish in his spare time, he claimed over a period of six weekends, though his papers suggest it took longer. The book achieved remarkable notoriety and became one of the best-selling books of the decade. It was the subject of the 1944 essay "Raffles and Miss Blandish" by George Orwell (alla). Chase and Robert Nesbitt adapted it to a stage play of the same name which ran in London's West End to good reviews. The 1948 film adaptation was widely denounced as salacious due to the film's portrayal of violence and sexuality. Robert Aldrich did a remake, The Grissom Gang, in 1971.
ellauri240.html on line 117: Vang Pao, mercenary soldier, born 8 December 1929; died 6 January 2011. Vang Pao, the Laotian general who marshalled a CIA mercenary army to fight a "secret war" against communist insurgents in the remote mountains of Laos in the 1960s, has died aged 81. Although Vang Pao's supporters portrayed him as a father figure uniting all his people, the Hmong (an ethnic minority in Laos), on the side of the US against the communist world, his critics regarded him as a charismatic but ruthless opium warlord, who made arrogant and misleading claims to speak on behalf of all Hmong. Far from uniting the Hmong, they say, he divided them. Some historians argue that he allowed his "secret army" to be used as cannon-fodder, played as pawns on a CIA geopolitical chessboard.
ellauri240.html on line 124: Vang Pao has been widely portrayed by his Hmong supporters and the US media as an American war hero and venerated leader of the Hmong people. The former CIA chief William Colby once called him "the biggest hero of the Vietnam war". He came very close to having a park in Madison City, Wisconsin, named after him in 2002. But McCoy objected to the honouring of a man who had ordered the summary executions of prisoners and soldiers who crossed him, and accused Vang Pao of war crimes and heroin-trafficking. Five years later, Vang Pao's name was removed from a new school in Madison after opponents said it should not bear the name of a man with such a blood-stained history.
ellauri257.html on line 346: Kosmos is Gombrowicz´s most complex and ambiguous work. In it he portrays how human beings create a vision of the world, what forces, symbolic order and passion take part in this process and how the novel form organises itself in the process of creating sense. Njoopa joo.
ellauri257.html on line 514: She and Singer met in the Catskills, at a farm village named Mountaindale. Although in the manuscript, Alma is elusive about dates, it is known that the encounter took place in 1937. The two were refugees of what Singer’s older brother, Israel Joshua, by then already the successful novelist I.J. Singer, would soon describe as “a world that is no more.” And the two were married to other spouses. Alma and her husband, Walter Wasserman, along with their two children, Klaus and Inga, had escaped from Germany the previous year and come to America, settling in the Inwood section of Manhattan. As for Isaac — as Alma always called him — he arrived in 1935. She portrays their encounters as romantic, although she appears to have been perfectly aware of his reputation.
ellauri263.html on line 377: At a time when Israelis rarely seek out Palestinian viewpoints in real life, much less on TV, this may explain why Fauda’s creators initially struggled to find a domestic outlet for the series. (LOL!) It portrays the infiltrator unit, whose members (an all-male panel, except for one token woman for the boys to drool about) kill, torture, assault and violently threaten Palestinians in a manner that jars with any claims of moral superiority. And this second series contains more narrative mirroring. We see each side struggle with unity and discipline over revenge and going rogue, with causes taking precedence over family relationships, lured into a violence that creates its own momentum. Both sides are compromised, manipulative and varying degrees of unhinged.
ellauri263.html on line 383: Fauda’s creators have said they want to show that everyone living in a war zone pays a price, but such portrayals of an equality of suffering are ripe for criticism in the midst of an asymmetric conflict, in which one side is under occupation. This is more acutely obvious at a time when international media has focused on Israel opening fire on unarmed protesters near the Gaza border earlier this month, killing 58 Palestinians, including children, and wounding over 1,000 in a single day.
ellauri264.html on line 158: Wired's Amos Barshad wrote that while there was likely still reactions of a racist and homophobic nature targeting the show, the main complaints were for it addressing diversity issues in a "flat, one-note manner", and that the portrayal of Velma's bisexuality had divided fans.
ellauri277.html on line 222: Similarly, Gibran later portrayed his life in Lebanon as idyllic, stressing his precocious artistic and literary talents and his mother’s efforts to educate him; some of these stories were obviously tall tales meant to impress his American patrons.
ellauri301.html on line 451: Steven Paul “Steve” Jobs – who is currently being portrayed by Ashton Kutcher in the biopic “Jobs” — was the biological child of a Syrian-born father and a Swiss-American Catholic mother who gave him up for adoption at birth.
ellauri333.html on line 169:
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ellauri362.html on line 737: The poem vividly portrays the desolation of winter, with its barren landscapes, frozen streams, and harsh weather conditions. This imagery serves as a metaphor for the effects of alcohol on the human spirit. Just as winter chills and hardens the earth, alcohol numbs the senses, dulls the intellect, and stifles emotions.
ellauri375.html on line 705: Faith and Obedience: Abraham is portrayed as a man of great faith who obeyed God's command, trusting in God's promises even when they seemed impossible or uncertain.
ellauri378.html on line 647: Black Ops takes place between 1961 and 1968 during both the Cold War and the Vietnam War, 16 years to 23 years after the events of World War 3. It portrays a secret history of black operations carried out behind enemy lines by the CIA. Missions take place in various countries around the globe, including Cuba, the Soviet Union, the United States, South Vietnam, China, British Hong Kong, Canada, and Laos. The single-player campaign revolves around the CIA's attempts to stop Soviet sleeper agents embedded in the US, to be activated via broadcasts from a numbers station, deploying an experimental nerve agent and chemical weapon known as "Nova 6".
ellauri381.html on line 593: For much of the late 1970s and 1980s, Solzhenitsyn was portrayed in the Western media as a cranky has-been. "Partly it was his fault,” Ignat answers. “His strident political tone was not compatible with typical Western discourse. Then people saw the beard and, well, two plus two equals Old Testament prophet. But that was a result of the urgency of the times he was living in. People did not understand the world he had come from. Where he came from good manners were not a common currency.”
ellauri384.html on line 387: Jews have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, Comedian Sarah Silverman popularized the term “Jewface” to criticize the trend. Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey, like a paleface blackened with shoeshine to play a coon,” Silverman said on her podcast in 2021.
ellauri389.html on line 73: The tempest over a teacup that occurs in "Old China" is Lamb's prosaically imperial scramble for the sign of poetic genius that he associates with Coleridge-that is, China. Indeed, as a series, the Elia essays repeatedly portray Chinese commodities as the definitive form of affordable imperial luxury "made in China". They are themselves a superfoetation of the pre-occupation chinoiserie.
ellauri389.html on line 91: "Roast Pig" congratulates the recent breakthrough of domestic porcelain manufacturers by downplaying the long history of Chinese superiority at porcelain-firing techniques, and instead promoting an Englishman's mastery of these activities. The essay portrays the Chinese as irresponsible consumers and more importantly, authorizes English insurance culture as the one safe guarantee of guiltless consumption.
ellauri392.html on line 732: They have represented the indicators of their bad destiny, their sacrifice for the better world by the solitude and alienation of Jewish individuals in America, turning back to the historical facts (since the Second World War) as the cause for the atrocity towards Jews and their suffering then and now. The writers put the Jews on the pedestal of a sublime nation and at the same time made them victims of modern society. The Jewish writers took a chance in American literature which had a didactic effect, using another common argument, not easily compatible with the theory of superior American morals but certainly applicable. [Ни сам не разумем ову тачку.] The writers would claim they had a duty to portray how people actually think and behave. But the writers also had a duty to implant moral lessons.
ellauri406.html on line 246: Twenty years ago, a mob of radical nationalists attacked Russian-speaking people in Odessa. Dozens of people were killed in a building that the russophobic Banderites had attacked and set on fire. After the crime, Prime Minister Yatsenuk (“Yats”), who was de facto appointed by Victoria “Fuck the EU” Nuland, the US government’s string-puller in the Maidan coup, visited the crime scene and showed his true colors. If he had been the prime minister for all the people, he would have shown compassion for the victims, condemned the murderers and vowed to bring them to justice. Instead, he excused the crime by spreading an unfounded conspiracy theory against Russia and taking a hostile stance by portraying the case as part of the war against Russia.
ellauri429.html on line 922: The view of many Muslims was that "Rushdie has portrayed the prophet of Islam as a brothel keeper". "Rushdie accuses the prophet, particularly Muhammad of being like prostitutes": "all who pray are sons of whores". "The Prophet's wives are portrayed as women of the street, his homes as a public brothel and his companions as bandits". The book, in fact, portrays prostitutes who "had each assumed the identity of one of Mahound's wives".
ellauri429.html on line 938: Some commentators have concluded that the character "Bilal X" in Rushdie's book is a caricature of Yusuf Islam. The fictional character Bilal, se musta ex-orja, a successful African-American former pop singer who has converted to Islam, is portrayed by Rushdie as the "favoured lieutenant" of "the Imam", a character based on the Shia Ayatollah Ruhollah Khomeini. Bilal X's "well-nourished, highly trained" voice serves as "a weapon of the West turned against its makers.
ellauri434.html on line 185: This is the first English translation of a little known essay by Mikhail Bulgakov (“Kiev – gorod”) originally published 100 years ago, in 1923. At that time, the Kyiv he portrayed was grappling with the aftermath of war, drought, famine, and infectious disease, but the text also reveals Bulgakov’s casual racism and deep-seated aversion for Ukrainian culture. The translation, swiftly crafted by Emily Finer, a writer, translator and senior lecturer at the University of St Andrews, features extensive explanatory notes and an introduction that not only offers context but redirects attention toward the text’s contemporary ramifications.
ellauri434.html on line 191: English language readers are unlikely to recognise the author of The Master and Margarita in the author of “Kiev — town”. Beyond Ukraine, Bulgakov tends to be revered as a writer who spoke truth to power, who stood for freedom and creative resilience. The vagaries of censorship and serendipity by which Bulgakov’s novels reached their readers against all odds seem to belong to the magical environment of The Master and Margarita, to a world where “manuscripts don’t burn”. So entrenched is this perception among Bulgakov’s English fans that when the National Theatre staged John Hodge’s Collaborators,a counterfactual play in which Bulgakov and Stalin start to act as each other’s ghost writers, audiences were horrified. One letter to the Times Literary Supplement fumed: “This insulting portrayal of Mikhail Bulgakov as a pathetic puppet manipulated by Stalin into collaborating with and even prompting his atrocities cannot be justified”. Those keen to defend Bulgakov’s reputation might find it interesting that his writing was marshalled in support of one more genocidal leader of Russia in 2019. A pro-separatist weekly newspaper from Donets’k reprinted “Kiev — town” among its articles belittling the Ukrainian state and sinister editorials calling for Russia to “be more active in Donbas”.¨
ellauri444.html on line 62: The Spy Who Came in from the Cold portrays Western espionage methods as morally inconsistent with Western democracy and values. At its publication during the Cold War, the moral presentation of The Spy Who Came in from the Cold rendered it a revolutionary espionage novel by showing the intelligence services of both the Eastern and Western nations as engaging in the same expedient amorality in the name of national security. Le Carré also presents his Western spy as morally burnt-out. The espionage world of Alec Leamas portrays love as a many-splendored thing that can have disastrous consequences for those involved. Good does not always vanquish evil in Leamas' world, a defeatist attitude that was criticised in The Times. What the hell do you think spies are? Moral philosophers measuring everything they do against the word of God or Karl Marx? They're not. They're just a bunch of seedy squalid bastards like me, little men, drunkards, queers, henpecked husbands, civil servants playing "Cowboys and Indians" to brighten their rotten little lives. Do you think they sit like monks in a cell, balancing right against wrong? Yesterday I would have killed Mundt because I thought him evil and an enemy. But not today. Today he is evil and my friend.
ellauri449.html on line 664: Asimov wrote "More or Less Wrong" in response to an "English Literature major" who criticized him for believing in scientific progress. This unnamed individual is portrayed by Asimov as having taken the postmodern viewpoint that all scientific explanations of the world are equally in error. Irritated, the rationalist Asimov put forth his views in his monthly F&SF column, and the result became the title essay of this collection. Another essay debunks the mythical lunar effect that links the human female menstrual cycle to the phases of the Moon.
ellauri468.html on line 570: Harry Palmer is the name given to the anti-hero protagonist of several films based on spy novels written by Len Deighton, in which the main character is an unnamed intelligence officer. For convenience, the novels are also often referred to as the "Harry Palmer" novels. The Times called Caine "the epitome of Sixties cool in his first outing as the secret agent Harry Palmer". A trailer for his second role as Palmer described him as possessing "horn rims, cockney wit and an iron fist". The character's thick horn-rimmed glasses, girls, and disregard for authority were cited by Mike Myers as an influence for Austin Powers; Caine would later star in Austin Powers in Goldmember (2002), with his portrayal of Nigel Powers, father of secret agent Austin Powers, a spoof of Palmer.
ellauri468.html on line 584: Harry Palmer is the name given to the anti-hero protagonist of several films based on spy novels written by Len Deighton, in which the main character is an unnamed intelligence officer. For convenience, the novels are also often referred to as the "Harry Palmer" novels. The Times called Caine "the epitome of Sixties cool in his first outing as the secret agent Harry Palmer". A trailer for his second role as Palmer described him as possessing "horn rims, cockney wit and an iron fist". The character's thick horn-rimmed glasses, girls, and disregard for authority were cited by Mike Myers as an influence for Austin Powers; Caine would later star in Austin Powers in Goldmember (2002), with his portrayal of Nigel Powers, father of secret agent Austin Powers, a spoof of Palmer.
ellauri471.html on line 488: In the Blackford Oakes novels (1976–2005), a spy series written by William F. Buckley Jr., Dulles is portrayed in several books, acting in his role as director of the CIA. The airport was named after his big bro.
ellauri476.html on line 133: 1In George Sand's autobiographical novel Elle et lui (She and He, 1859), the main figures were fictionalized versions of herself, named Thérèse Jacques, and her tumultuous lover, the poet Alfred de Musset, represented as painter Laurent de Fauvel, depicting their passionate, difficult relationship and journey to Italy. When Alfred de Musset and George Sand met in 1833, Musset was 23 years old, and Sand was 29, making her a cougar six years his senior3, beginning their famous but tumultuous romance. The novel sparked controversy, leading to responses from Musset's brother and others, solidifying its basis in Sand's real-life affair with de Musset. Lui: Thérèse (George Sand): Amantine Lucile Aurore Dupin, a famous female novelist known for her strong personality and male pseudonym, representing Sand's artistic and emotional self. Il: Laurent (Alfred de Musset): A brilliant but tormented poet and dramatist whose passionate but destructive relationship with Sand became legendary in 19th-century French literature. Published two years after de Musset's death, Elle et lui was Sand's fictionalized account of their intense, often painful love affair, a well-known episode from her life. The novel's publication caused a stir, with many criticizing Sand for her portrayal of de Musset and their relationship. Alfred de Musset's brother published Lui et Elle (He and She) in response, defending his brother's memory, and the literary world became embroiled in debate. From their love at first sight to their tumultuous relationship involving excesses of all sorts, deceptions, baths and tears, the ...
ellauri480.html on line 81: The portrayal of angels and demons in popular culture has evolved significantly, thanx to Neil and Terry.
ellauri480.html on line 191:
- The Old Testament: This is where the overwhelming majority of the directed violence occurs. It portrays a period of nation-building, law-giving, and direct divine intervention in warfare.
ellauri481.html on line 228: David Marcus (Jewish theological seminary, Chicago, not the Jewish crypto billionaire) has contended that linguistic scholars have missed the point of the biblical anecdote: the purpose of the later Judean narrator was not to record some phonetic detail, but to satirise the incompetence of "the high and mighty northern Ephraimites". Marcus clarified how "the shibboleth episode ridicules the Ephraimites who are portrayed as incompetent nincompoops who cannot even repeat a test-word spoken by the Gileadite ICE guards. What a laugh!"
ellauri481.html on line 350: Abu Nidal (May 1937 – August 16, 2002), born Sabri Khalil al-Banna, was a Palestinian militant leader and the founder of Fatah. While he portrayed himself as a staunch anti-Zionist, he is generally regarded by historians ande security experts as a mercenary and terrorist leader rather than a "patriotic hero," said The Guardian. Never trust The Guardian, it is a wily Westerner, and behind a paywall anyway. Tekoäly voi tehdä virheitä, tarkista aina sen vastauxet. Puhumattakaan Jewish Virtual Encyclopediasta. He was killed by Iraqi intelligence officers under orders from Saddam "hetkinen! Hussee!" Hussein. Says who? CIA most likely.
ellauri481.html on line 382: In 1992, Patrick Seale, former correspondent for the London Observer, and one of Britain’s top Middle East specialists, wrote a biography, Abu Nidal: A Gun for Hire. Seale’s book made a stunning revelation: although portrayed in mainstream media as a “Palestinian terrorist” and “enemy of Israel,” Nidal was in fact employed by Mossad — Israel’s equivalent of the CIA.
xxx/ellauri057.html on line 847: A hundred and one years ago, in 1917, Knut Hamsun published what was probably his most influential and at the same time most controversial novel: Markens grøde (translated into English as Growth of the Soil). This story about the colonization of new farmland in northern Norway (Hammarby, luulajansaamexi Hambra, mistä Knupo oli peräsin) by the pioneer Isak and his wife Inger attained immense popularity in Hamsun’s home country and abroad, and earned its author the Nobel Prize in literature. In later years, it has often been criticized for, among other things, postulated parallels to Nazi »blood and soil« ideology, for its racist and colonialist portrayal of the Sami, and for its antagonism towards female self-determination.
xxx/ellauri059.html on line 358: The stereotype of the Jew as a mean, dishonest money-grabbing individual has persisted, even into the twenty-first century. And Shakespeare has been accused of being anti-Semitic as a result of his portrayal of Shylock in that way in The Merchant of Venice.
xxx/ellauri081.html on line 511: His radio and television programs, popular from 1932 until his death in 1974, were a major influence on the sitcom genre. Benny often portrayed his character as a miser who obliviously played his violin badly and ridiculously claimed to be 39 years of age, regardless of his actual age.
xxx/ellauri084.html on line 774: In France, after its release, communists, socialists, and "independent groups" treated the film favorably; however, the far right disapproved on account of the director's background. Some French critics denounced the film as unpatriotic. The film has also been criticized for being too selective and that the director was "too close to the events portrayed to provide an objective study of the period."
xxx/ellauri084.html on line 801: Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize in Literature, for her novel The Age of Innocence. She was inducted into the National Women's Hall of Fame in 1996. Among her other well known works are the The House of Mirth and the novella Ethan Frome.
xxx/ellauri086.html on line 891: "The Philosophy of Composition" is Edgar Allan Poe's theory about how good writers write when they write well. He concludes that length, "unity of effect" and a logical method are important considerations for good writing. He also makes the assertion that "the death... of a beautiful woman" is "unquestionably the most poetical topic in the world". Poe uses the composition of his own poem "The Raven" as an example. The essay first appeared in the April 1846 issue of Graham's Magazine. It is uncertain if it is an authentic portrayal of Poe's own method.
xxx/ellauri103.html on line 223: Hold it. OK, he’s necessarily “representing” his characters, by portraying them on the page. But of course he’s using them for his plot! How could he not? They are his characters, to be manipulated at his whim, to fulfill whatever purpose he cares to put them to.
xxx/ellauri103.html on line 233: And here’s the bugbear, here’s where we really can’t win. At the same time that we’re to write about only the few toys that landed in our playpen, we’re also upbraided for failing to portray in our fiction a population that is sufficiently various.
xxx/ellauri114.html on line 124: Ron Maxwell is (or was) an ardent Trump supporter. He fears some truly inspired Shakespeare director is sure to portray Duncan as Trump, so that Macbeth can spend a full five minutes frenetically stabbing him in his sleep, which should provide ample time for the Trump hating zealots to achieve their ultimate catharsis. But this does not make Trump a villain. As with all of Shakespeares characters, Trump is entirely human in his complexity and contradiction. Shakespeare for dummies indeed.
xxx/ellauri122.html on line 1031: But is Barbie really that great of a role model? Was she really portraying true feminism or displaying the “right” way to look? Were these impressionable young girls learning an independent way of life or a body figure which should be modeled? If Barbie was paving the “new” way of life, then why was she so goddamn skinny? We liberated U.S. women weigh 3x more in our 10 gallon panties.
xxx/ellauri123.html on line 752: Evidence is presented that the author of Lolita, Vladimir Nabokov, was himself consciously a pedophile who acted out his desires vicariously through his writing. Drawing upon his literary works and biography, the manifest and genetic origins of Nabokov´s pedophilia are traced back to an unresolved oedipal conflict complicated by childhood sexual abuse. Humbert Humbert, the protagonist in the novel Lolita, is the classic literary portrayal of a pedophile. Evidence is presented that the author of Lolita, Vladimir Nabokov, was himself consciously a pedophile who acted out his desires vicariously through his writing. Drawing upon his literary works and biography, the manifest and genetic origins of Nabokov´s pedophilia are traced back to an unresolved oedipal conflict complicated by childhood sexual abuse. The raw power of Lolita derives from the abreactive discharge of a libidinal cathexis denied any other mode of expression.
xxx/ellauri127.html on line 709: Endymion tarkottanee puolisukeltajaa. Kuuhullu astronomi tai sit paimen vaan. Astronomi mainitaan merenneitopätkässsä. Octopussy's garden in the waves. The 4th century Babylonian god of the sea was known as Oannes who was portrayed as a man with a fish tail in place of legs. Oannes would appear out of the ocean every day as a fish-human creature to share his wisdom with the people along the Persian Gulf, then return to the sea at night. There was also Atargatis, a Syrian moon and sea goddess, her story tells us that after causing the death of her mortal lover she fled to the sea and took the form of a woman above the waist and a fish below, for this reason she became known as a mermaid goddess. During medieval times mermaids were considered as matter-of-factly alongside other aquatic animals, such as whales and dolphins. The goddess Venus is sometimes depicted as a mermaid, being born from a giant clam shell.
xxx/ellauri128.html on line 431: John Barrymore (born John Sidney Blyth; February 14 or 15, 1882 – May 29, 1942) was an American actor on stage, screen and radio. A member of the Drew and Barrymore theatrical families, he initially tried to avoid the stage, and briefly attempted a career as an artist, but appeared on stage together with his father Maurice in 1900, and then his sister Ethel the following year. He began his career in 1903 and first gained attention as a stage actor in light comedy, then high drama, culminating in productions of Justice (1916), Richard III (1920) and Hamlet (1922); his portrayal of Hamlet led to him being called the "living American tragedy".
xxx/ellauri128.html on line 617: Felix Dahn (Ludwig Sophus Felix Dahn; * 9. Februar 1834 in Hamburg; † 3. Januar 1912 in Breslau) war ein deutscher Rechtswissenschaftler, Schriftsteller und Historiker. Sillä oli samanlainen 2-haarainen parta kuin Bunyip Bluegumin sedällä. Dahn kirjoitteli säännöllisesti Gartenlaubeen. Dahn published numerous poems, many with a nationalist bent. His Mette von Marienburg portrays bands of "Masures and Poles" hiding in the "Podolian forest". Kaiken kaikkiaan aika mitätön.
xxx/ellauri137.html on line 204: Majas on a Balcony 1800-1810 is one of the many genre paintings by Goya portraying scenes from contemporary life. The physical setting is an azotea or balcony, a characteristic appendage of Spanish houses and an integral part of social life and character in the towns and cities of Goya's country. The features and props of the setting are confined to an iron railing with vertical grills, a very austere structure (compared to the rich elaborate grill-work of which we are accustomed to think as flourishing in Spain, or at least in New Orleans), which alludes to the socio-economic character of the house; the edge of the floor; some chairs - rather inelegant - one of which has cheap wicker matting; and in the background, a bare wall, a only proof of whose presence is a shadow to the extreme right suggesting a material surface.
xxx/ellauri137.html on line 742: From 2003 to 2004, Harding competed as a professional boxer. Her life has been the subject of many books, films, documentaries, and academic studies. In 2014, two television documentaries were made about Harding´s life and skating career (Nancy & Tonya and The Price of Gold), inspiring Steven Rogers to write the film I, Tonya in 2017, in which Harding was portrayed by Australian actress Margot Robbie. In 2018, she was a contestant on season 26 of Dancing with the Stars, finishing in third place. In 2019, she won season 16 of Worst Cooks in America: Celebrity Edition.
xxx/ellauri149.html on line 361: According to the Anglo-Saxons, the film centers on the conflict between Judas and Jesus during the week of the crucifixion of Jesus. Needless to say, Neeley, Anderson, and Elliman were nominated for Golden Globe Awards in 1974 for their portrayals of Jesus, Judas, and Mary Magdalene, respectively. It attracted criticism from a few religious groups and received mixed reviews from critics.
xxx/ellauri149.html on line 365: Roger Ebert gave the film three stars out of four, calling it "a bright and sometimes breathtaking retelling" of the source material. He praised it as a improved version of the "commercial shlock" of the source material, "being light instead of turgid" and "outward-looking instead of narcissistic". He applaud the portrayal of the titular character as "human, strong and reachable", only achieved elsewhere by The Gospel According to St. Matthew (1964) and The Last Temptation of Christ (1988).
xxx/ellauri149.html on line 373: Nevertheless, the film as well as the musical were criticized by some religious groups. As a New York Times article reported, "When the stage production opened in October 1971, it was criticized not only by some Jews as anti-Semitic, but also by some Catholics and Protestants as blasphemous in its portrayal of Jesus as a young man who might even be interested in sex." A few days before the film version's release, the National Jewish Community Relations Advisory Council described it as an "insidious work" that was "worse than the stage play" in dramatizing "the old falsehood of the Jews' collective responsibility for the death of Jesus," and said it would revive "religious sources of anti-Semitism." Jesus argued in response that the film "never was meant to be, or claimed to be an authentic or deep theological work. Just humdrum everyday anti-semitism."
xxx/ellauri154.html on line 108: George Sand is portrayed by Merle Oberon in A Song to Remember, by Patricia Morison in Song Without End, by Rosemary Harris in Notorious Woman, by Judy Davis in Impromptu and by George Who? in a 1973 French biographical film.
xxx/ellauri165.html on line 330: Sharing Sir William Hamilton's enthusiasm for classical antiquities and art, she developed what she called her "Attitudes"—tableaux vivants in which she portrayed sculptures and paintings before British visitors. Emma developed the attitudes using Romney's idea of combining classical poses with modern allure as the basis for her act.
xxx/ellauri165.html on line 493: Depending on the perspective and precepts of the various religions in which he is a figure, he may also be portrayed as the president of the Third Heaven, a division of heaven in Judaism, Islam and Christianity. In Islam he is one of the four archangels, and is identified with the Quranic Malak al-Mawt (ملك الموت, 'angel of death'), which corresponds with the Hebrew-language term Mal'akh ha-Maweth (מלאך המוות) in Rabbinic literature.
xxx/ellauri166.html on line 342: The Ruch Ah Qudsh is the spirit or character aspect of Yahuah, and therefore a part of Yahuah (Isaiah 40:13). The Ruach is pictured allegorically throughout the Tanakh as the feminine or motherly aspect of Yahuah, and is also synonymous with wisdom, as depicted in the Proverbs where wisdom says, "Yahuah possessed me in the beginning of his way, before his works of old. I was set up from everlasting, from the beginning, or ever the earth was." (Proverbs 8:22,23) The phrase, "YHUH possessed me", indicates that wisdom is the Ruach, or the bride, especially since wisdom is portrayed as feminine.
xxx/ellauri166.html on line 346: It is through the being of Yahuah (fatherly aspect) and the wisdom or spirit of Yahuah (motherly aspect) that the son of Yahuah, the bodily manifestation or substance of Yahuah was conceived, and eventually brought forth into the world by the means of a virgin named Miriam. Ha Mashiach was conceived of the Ruach (Matthew 1:20), and in the physical portrayal of this, he was born of Miriam. The meaning of the word "of" carries through in that HaMashiach is conceived and born of the Ruch, as sort of "pictured" in Miriam. The conception in the spiritual realm was also pictured at HaMashiach's baptism when the Ruch Ah Qudsh descended upon him in the form of a dove, and Yahuah spoke from heaven saying, "my son, the beloved, in you I am well pleased" Luke 3:22.
xxx/ellauri176.html on line 51: Athenaeus provides many anecdotes about Phryne. He praises her beauty, writing that on the occasion of the festivals of the Eleusinia and Poseidonia, she would let down her hair and step nude into the sea. Kuvassa sillä näkyy olevan uimalakki päässä. Se onkin järkevämpää kuin aukaista tukka uimaan mennessä. This would have inspired the painter Apelles to create his famous picture of Aphrodite Anadyomene (Ἀφροδίτη Ἀναδυομένη, Rising from the Sea also portrayed at times as Venus Anadyomene). Mitä vittua sehän on sama asia. Herne herne! Supposedly the sculptor Praxiteles, who was also her lover, used her as the model for the statue of the Aphrodite of Knidos, the first nude statue of a woman from ancient Greece. Oiskoon se muka oikeasti eka? Mä oon varma että pornokuvia on tehty maailman sivu, ne ei vaan ole kovassa käytössä kaikki säilyneet.
xxx/ellauri176.html on line 150: The plot centres on the neurotic young priest Serge Mouret, first seen in La Conquête de Plassans, as he takes his orders and becomes the parish priest for the uninterested village of Artauds. The inbred villagers have no interest in religion and Serge is portrayed giving several wildly enthusiastic Masses to his completely empty, near-derelict church. Serge not only seems unperturbed by this state of affairs but actually appears to have positively sought it out especially, for it gives him time to contemplate religious affairs and to fully experience the fervour of his faith. Eventually he has a complete nervous breakdown and collapses into a near-comatose state, whereupon his distant relative, the unconventional doctor Pascal Rougon (the central character of the last novel in the series, 1893's Le Docteur Pascal), places him in the care of the inhabitants of a nearby derelict stately home, Le Paradou.
xxx/ellauri179.html on line 128: Rima the Jungle Girl returned to the DC Universe in a new pulp-era comic debuting in 2010 entitled First Wave. Rima was portrayed as a South American native with piercings and tattoos, who didn't speak, but communicated in bird-like whistles like Roger Whitaker. Plying a big knife and a panther, she helped Doc Savage's assistant Johnny Littlejohn, then darted back into the forest.
xxx/ellauri183.html on line 272: I can't say any more about the plot without spoiling it, so I won´t. Cohn himself is--from my perspective anyway--one of those characters you end up really liking and caring and worrying about, in part because he attempts to stay rational and kind no matter how absurd or threatening the situations get. A good book to escape into, especially if you enjoy compelling portrayals of apocalyptic stuff peopled by characters who question the nature of existence in a world where God´s mysteries remain maddeningly unsolvable. (less)
xxx/ellauri183.html on line 296:Why are Jews portrayed as penny-pinchers?
xxx/ellauri186.html on line 762: The Infancy Gospel of Thomas portrays the child Jesus as a boy of mysterious and
xxx/ellauri187.html on line 151: As for the centerpiece of Freedman's argument for Rilke's sexism--he "abandoned" Clara and their daughter, Ruth--here he portrays Clara, too, as if she were Tess of the D'Urbervilles. On the contrary. Clara enthusiastically seconded Rilke's definition of two artists wedded as each, in Rilke's cautiously ambiguous phrase, "the guardian of the other's solitude." After Rilke left for Paris, she placed Ruth with her wealthy and supportive parents and went on a pilgrimage to Egypt, among other places. Like Rilke, the adventurous Clara had a fascinating life--I don't know why Freedman didn't write her biography. Women artists suffered in Rilke's society, but not because of Rilke.
xxx/ellauri200.html on line 184: Naipaul's fiction and especially his travel writing have been criticised for their allegedly unsympathetic portrayal of the Third World. The novelist Robert Harris has called Naipaul's portrayal of Africa racist and "repulsive," reminiscent of Oswald Mosley's fascism. Edward Said argued that Naipaul "allowed himself quite consciously to be turned into a witness for the Western prosecution", promoting what Said classified as "colonial mythologies about wogs and darkies". Said believed that Naipaul's worldview may be most salient in his book-length essay The Middle Passage (1962), composed following Naipaul's return to the Caribbean after 10 years of exile in England, and the work An Area of Darkness (1964).
xxx/ellauri200.html on line 188: Writing in The New York Review of Books about Naipaul in 1980, Joan Didion offered the following portrayal of the writer:
xxx/ellauri212.html on line 192: in Japanese bukkake videos, female performers are frequently dressed as office ladies or in school uniforms, and they are being humiliated, whereas women in Western-style bukkake videos are portrayed as enjoying the scene.
xxx/ellauri224.html on line 124: Moore had remarked only days earlier that: "I fully expect the Fox News Channel and other right-wing media to portray this as an award from the French. There was only one French citizen on the jury. Four out of nine were American. This is not a French award, it was given by an international jury dominated by Americans."The jury was made up of four North Americans (one of them born in Haiti), four Europeans, and one Asian. Some fucking expatriate commies, I bet.
xxx/ellauri225.html on line 287: Gethen was portrayed as a society without war, as a result of this absence of fixed gender characteristics, and also without sexuality as a continuous factor in social relationships. Gethenian culture was explored in the novel through the eyes of a Terran, whose masculinity proves a barrier to cross-cultural communication. Outside the Hainish Cycle, Le Guin´s use of a female protagonist in The Tombs of Atuan, published in 1971, was described as a "significant exploration of womanhood".
xxx/ellauri225.html on line 289: Le Guin´s attitude towards gender and feminism evolved considerably over time. Although The Left Hand of Darkness was seen as a landmark exploration of gender, it also received criticism for not going far enough. Reviewers pointed to its usage of masculine gender pronouns to describe its androgynous characters, the lack of androgynous characters portrayed in stereotypical feminine roles, and the portrayal of heterosexuality as the norm on Gethen.
xxx/ellauri225.html on line 291: Le Guin´s portrayal of gender in Earthsea was also described as perpetuating the notion of a male-dominated world; according to the Encyclopedia of Science Fiction, "Le Guin saw men as the actors and doers in the [world], while women remain the soft centre of a chocolate bar, the soda fountain from which they drink".
xxx/ellauri225.html on line 305: The Dispossessed, set on the twin planets of Urras and Anarres, features a planned anarchist society depicted as an "ambiguous utopia". The society, created by settlers from Urras, is materially poorer than the wealthy society of Urras, but ethically and morally more advanced. Unlike classical utopias, the society of Anarres is portrayed as neither perfect nor static; the protagonist Shevek finds himself traveling to Urras to pursue his research. Nonetheless, the misogyny and hierarchy present in the authoritarian society of Urras is absent among the anarchists, who base their social structure on cooperation and individual liberty. The Eye of the Heron, published a few years after The Dispossessed, was described as continuing Le Guin´s exploration of human freedom, through a conflict between two societies of opposing philosophies: a town inhabited by descendants of pacifists, and a city inhabited by descendants of criminals.
xxx/ellauri227.html on line 104: Micke Eriksson is a recurring character in Netflix series Young Royals. He is portrayed by Leonard Terfelt. To be added. To be added. To be added. Micke is first introduced when Simon goes to him to purchase booze for the initiation party, he appears friendly towards his son and invites him in to talk, even allowing him to buy the alcohol for the party. He seems to want to mend his ...
xxx/ellauri228.html on line 349: From 1973 to 1974, he shot the film Zerkalo, a highly autobiographical and unconventionally structured film drawing on his childhood and incorporating some of his father´s poems. In this film Tarkovsky portrayed the plight of childhood affected by war. Tarkovsky had worked on the screenplay for this film since 1967, under the consecutive titles Confession, White day and A white, white day. From the beginning the film was not well received by Soviet authorities due to its content and its perceived elitist nature. Such third rate films also placed the film-makers in danger of being accused of wasting public funds, which could have serious effects on their future productivity. These difficulties are presumed to have made Tarkovsky play with the idea of going abroad and producing a film outside the Soviet film industry.
xxx/ellauri233.html on line 379: In Christopher Nicole's Lord of the Golden Fan, published just two years before Shōgun, in 1973, Adams is portrayed as sexually frustrated by the morals of his time and seeks freedom in the East, where he has numerous sexual encounters. The work is considered light pornography. Kuulostaa huomattavasti kiinnostavammalta, (K) puoli näyttää olevan kunnossa.
xxx/ellauri237.html on line 129: One tradition claims that Sappho committed suicide by jumping off the Leucadian cliff. No ei nyt ainakaan jonkun äijän tähden! Sappho´s sexuality has long been the subject of debate. Sir Lawrence Alma-Tadema´s Sappho and Alcaeus (above) portrays her staring rapturously at her contemporary chum Alcaeus; images of a lesbian Sappho, such as Simeon Solomon´s painting of Sappho with Erinna (below), were much less common in the nineteenth century.
xxx/ellauri237.html on line 134: Among modern Western male heteronormal scholars, Sappho´s sexuality is still debated – André Lardinois has described it as the "Great Sappho Question". Early translators of Sappho sometimes heterosexualised her poetry. Ambrose Philips´ 1711 translation of the Ode to Aphrodite portrayed the object of Sappho´s desire as male, a reading that was followed by virtually every other translator of the poem until the twentieth century, while in 1781 Alessandro Verri interpreted fragment 31 as being about Sappho´s love for a guy named Phaon. Friedrich Gottlieb Welcker argued that Sappho´s feelings for other women were "entirely idealistic and non-sensual", while Karl Otfried Müller wrote that fragment 31 described "nothing but a friendly affection": Glenn Most comments that "one wonders what language Sappho would have used to describe her feelings if they had been ones of sexual excitement", if this theory were correct. By 1970, it would be argued that the same poem contained "proof positive of [Sappho´s] lesbianism".
xxx/ellauri237.html on line 136: Today, it is generally accepted that Sappho´s poetry portrays homoerotic feelings: as Sandra Boehringer puts it, her works "clearly celebrate eros between women". Toward the end of the twentieth century, though, some scholars began to reject the question of whether or not Sappho was a lesbian – Glenn Most wrote that Sappho herself "would have had no idea what people mean when they call her nowadays a homosexual", André Lardinois stated that it is "nonsensical" to ask whether Sappho was a lesbian, and Page duBois calls the question a "particularly obfuscating debate". WTF? Pelottaako äijiä ajatus pillua lipsuvasta Psapfasta? Vai onko ne vaan mustasukkiaisia?
xxx/ellauri237.html on line 138: One longstanding suggestion of a social role for Sappho is that of "Sappho as schoolmistress". At the beginning of the twentieth century, the German classicist Ulrich von Wilamowitz-Moellendorff posited that Sappho was a sort of schoolteacher, to "explain away Sappho´s passion for her ´girls´" and defend her from accusations of homosexuality. The view continues to be influential, both among scholars and the general public, though more recently the idea has been criticised by historians as anachronistic and has been rejected by several prominent classicists as unjustified by the evidence. In 1959, Denys Page, for example, stated that Sappho´s extant fragments portray "the loves and jealousies, the pleasures and pains, of Sappho and her companions"; and he adds, "We have found, and shall find, no trace of any formal or official or professional relationship between them... no trace of Sappho the principal of an academy." Toisin kuin Ailin kohalla, hehe.
xxx/ellauri250.html on line 161: Ask the Dust is a 2006 romantic drama film based on the 1939 book Ask the Dust by John Fante. The film was written and directed by Robert Towne. Tom Cruise (with Paula Wagner and Cruise/Wagner Productions) served as one of the film's producers. The film was released on a limited basis on March 17, 2006, and was entered into the 28th Moscow International Film Festival. It was filmed almost entirely in South Africa with the use of stages to portray Los Angeles. The film received negative to mixed reviews from critics. The review aggregator Rotten Tomatoes reported that 65% of critics gave the film negative reviews, based on 104 reviews. The site's consensus states: "Though Hayek is luminous, Farrell seems miscast, and the film fails to capture the gritty, lively edginess of the book upon which it's based."
xxx/ellauri298.html on line 231: and dependency on them. All too often leaders and managers who portray themselves
xxx/ellauri320.html on line 227: She was emphatically never the pallid virginal victim falsely portrayed in tomorrow's telehagiography.
xxx/ellauri380.html on line 441: Lev Lossev, himself a Russian Jew, discussing the possibility of anti-Semitism in the works of Mr. Solzhenitsyn, expressed clearly his conviction that Mr. Solzhenitsyn was not anti-Semitic. But in presenting the adversary view, as a kind of devil's advocate, he used such words as ''snake'' and ''degenerate'' to describe the Jewish assassin portrayed in ''August 1914'' (words not used by Mr. Solzhenitsyn in the book), and it was thought that such terms beamed in Russian into the Soviet Union might have been misinterpreted.
xxx/ellauri410.html on line 146: The Bolovian verses carry much critical baggage. To Conrad Aiken, they are “hilariously naughty parerga” or “admirable stanzas” (March 22). Ezra Pound calls them “chançons ithyphallique” (IMH xvi). Bonamy Dobrèe claims, “They are part of an elaborated joke, nurtured through years. It is about some primitive people called the Bolovians, who wore bowler hats, and had square wheels to their chariots” (Tate 73). Subsequent descriptions are equally diverse, ranging from “pornographic doggerel” (Thorpe) to “scabrous exuberances” (Ricks xvi). One critic says they have “a surprising racial, even racist, focus” (Cooper 66). Another claims “these poems comically and obscenely portray the history of early European expansion as an orgy of uncontrollable desire and deviant sexuality” (McIntire 283). Pornoa mikä pornoa. Eliot borrows generously from common bawdy songs and joins a long list of classical writers who indulge in sexual, obscene, erotic, bawdy, scatological, and otherwise blue verse.
xxx/ellauri410.html on line 469: The Jew of Malta (full title: The Famous Tragedy of the Rich Jew of Malta) is a play by Christopher Marlowe, written in 1589 or 1590. The plot primarily revolves around a Maltese Jewish merchant named Barabas. The original story combines religious conflict, intrigue, and revenge, set against a backdrop of the struggle for supremacy between Spain and the Ottoman Empire in the Mediterranean that takes place on the island of Malta. There has been extensive debate about the play's portrayal of Jews and how Elizabethan audiences would have viewed it.
xxx/ellauri414.html on line 100: Kommunistien kokous Pöllölässä" by Tiitus [Ilmari Kivinen] is a satirical account of a communist meeting in Pöllölä in 1922. The story humorously portrays the preparations, discussions, and interactions among communist cells, highlighting the challenges and absurdities of communist ideology and party politics. Filled with witty dialogues, political satire, and social commentary, the narrative reflects the author's critical perspective on the communist movement of the time. Hinta 433 jeniä.
xxx/ellauri427.html on line 202: The book was portrayed as a revenge thriller book but what it really was was merely a game of survival and viciousness of a sadistic cycle of torture. Not much about the vengeful intentions of the victim. There wasn’t much of an epic scene or an epiphany either, and all the little details and secrets of the characters were laid out at the start, so everything was somewhat predictable. There were also a couple of confusing timeline switches between the chapters that I couldn’t make sense of.
xxx/ellauri440.html on line 181: Husum seems at his best in describing Niko before he meets Jesus, doing a first-rate job of portraying a soul in agony. That effort, though, makes some of the balance of the book seem a bit of a misfire. Niko's easy acceptance of the idea of moving to Tarm and his mollification there and later don't quite fit the self-destructive and tormented Niko of the first third of the book. Likewise, at times events in Copenhagen seem a bit too much like a blithe excursion than the struggle of an anguished soul. Additionally, although the ending is certainly appropriate for a story about a search for redemption, it is a bit confusing.
xxx/ellauri440.html on line 208: Jesus Christ Superstar was controversial because the portrayal of Jesus as having moments of doubt, the focus on Judas Iscariot, and the implied romantic relationship between Jesus and Mary Magdalene upset many Christians. Why did Jesus Christ Superstar not include the Resurrection? Simple. Tim Rice, the lyricist, does not believe Jesus was the Son of God. Rice said, “We approached the opera from the point of view of Christ the man, rather than Christ the God. Rice and Lloyd Webber were in their 20s when they wrote Jesus Christ Superstar. How is Andrew Lloyd Webber so rich? Real estate investments: Aside from his musical career, Webber sources income from profitable investments in the real estate world. The prolific British composer behind "Cats," "Phantom of the Opera," and "Jesus Christ Superstar," built a billion-dollar fortune off blockbuster musicals. But Sir Paul McCartney was the richest musician in the United Kingdom and Ireland in 2022.
xxx/ellauri440.html on line 211: The most controversial Jesus films were The Passion of the Christ, The Last Temptation of the Christ, and The Life of Brian. The Passion of the Christ faced controversy due to its historical and biblical inaccuracies, with critics arguing that it focused on pain, suffering, hopelessness, and hate rather than faith, hope, love and redemption. The film's alleged antisemitic nature added to the controversy, as it portrayed Jewish people as enemies of Jesus, ignoring the fact that Jesus himself was Jewish. The extreme violence depicted in The Passion of the Christ received criticism for being exploitative and voyeuristic, with some audience members experiencing extreme discomfort and even physical health issues like Jesus' side wound and stigmata while watching it. Kirrsi sai stigman kämmeneen repiessään voikukkia.
xxx/ellauri440.html on line 437: Listening to (sic) Five on Finniston Farm, I was really struck by the importance of the idea of an American trying to "buy up British history" (and one of the children comes very close to saying precisely these precise words!) and this struck me as a really interesting piece of postwar insecurity and even nationalist resentment. And does it strike anybody else that the quaint little islands, half-forgotten, always to be rediscovered, in danger of being sold and containing unimaginably rich hoards of gold (cultural heritage?!?) might actually all be fantasies and insecurities about Britain as an island nation? Enid Blyton gives us a stereotypical portrayal of Americans in Five On Finniston Farm - Junior is spoilt and his father is loud, brash and greedy. Do British people understand that if they came to America to work and
xxx/ellauri441.html on line 307: In "An Old Photograph of My Son," the speaker does not explicitly portray feelings of being victimized by his son. Instead, the poem focuses on themes of nostalgia, love, and the passage of time. While there may be nuances of frustration or sadness related to changes in their relationship over time, the overall tone leans more toward reflection and tenderness rather than victimization.
xxx/ellauri441.html on line 308: In summary, the poem captures a more nuanced and affectionate perspective rather than portraying the speaker as a victim of his son's actions.
xxx/ellauri441.html on line 317: Cunk suggests that the speaker expresses feelings of being victimized by his son, portraying the adolescent as a "petty tyrant." This highlights a darker aspect of parenting, where the struggles and sacrifices of the parent can lead to resentment.
xxx/ellauri467.html on line 903: Obsession with guns. The United States has a historical fondness for guns, and this is often portrayed in American media. A considerable percentage of Americans own firearms, and the United States has some of the developed world's highest death rates caused by firearms. A 2018 article attributed the high death rates to mass shootings or inner city violence, but the murder rate in America was then on a decline, and it appeared that suicide by firearm is a large contributor to the "gun-deaths" statistic. The international media often report American mass shootings, making these incidents well known internationally despite the fact that these kind of killings account for an extremely small portion of the huge firearms death rate. In 2007, the United States was ranked number one in gun ownership with a rate of 88.8 guns per 100 residents. In 2017, the United States again ranked number one in gun ownership with a rate of 120.5 guns per 100 citizens.
xxx/ellauri467.html on line 909: Environmental ignorance. Americans may be seen as reckless and imprudent regarding the preservation of the environment. They may be portrayed as lavish, driving high polluting SUVs and unconcerned about climate change or global warming. The United States (whose population is 327 million) has the second-highest carbon dioxide emissions after China (whose population is 1.4 billion), is one of the few countries which did not ratify the Kyoto Protocol, and one of three countries to refuse to participate in the Paris Agreement. In the context of stereotyping, it is perhaps more relevant to look at CO2 production per capita; the USA compares favorably with oil-producing nations in the Middle East, with Qatar at 40.3 metric tons per capita versus the United States' 17.6 metric tons per capita, though they are behind most European countries. Germany, for instance, emits only 9.1 metric tons per capita. However, the United States has reduced their energy-related greenhouse gas emissions by 12% from 2005 to 2018 while, in the same time period, the world's energy-related emissions have increased by 24%.
xxx/ellauri472.html on line 295: Nyt kun lukee Graham Greenen Salaista asiamiestä 1939 näkee että Len Deighton on sen nolo kopio. Onkohan nää D ja L epsanjalaisia? Bingo! Written in six weeks during 1938 while Greene was fueled by Benzedrine, the book draws on the backdrop of the Spanish Civil War (1936–1939) to depict ideological conflicts in Europe on the eve of World War II. the Spanish Civil War was his main inspiration for the book's depiction of a left-leaning, popular revolutionary. The novel’s portrayal of the Spanish Civil War also drew criticism from some readers who felt that Greene’s sympathies were too clearly aligned with the Republican side. Tääkin jamppa D oli harras katoliikki. Greene subtitled the work "An Entertainment," distinguishing it from his more serious Catholic-themed novels.
xxx/ellauri472.html on line 297: Mr. Forbes, Rose's fiancé with his own secretive personal life including a mistress, is a Jew. They are portrayed as different from English or Spaniards. Greene uses rich and sensual older Jewish men who fail to fuck the young Gentile girls they want. In the end, however, a weeping Forbes rises momentarily above his self-interest. It was later adapted into a 1945 film directed by Herman Shumlin, starring Charles Boyer as D. and Lauren Bacall as Rose, though Greene reportedly disliked the cinematic liberties taken.
xxx/ellauri472.html on line 363: Silly gender studies view O's portrayal as a dominatrix figure as both progressive, reversing submission dynamics from the original novel, and exploitative, reinforcing patriarchal power structures through commodified sexuality.
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