ellauri051.html on line 1822: 1209 My right hand pointing to landscapes of continents and the public road. 1209 Oikea käteni osoittaa maanosien maisemia ja yleistä tietä.
ellauri062.html on line 269: Only when June learns it is essentially Serena's personal request to meet Nichole, she eventually agrees, pointing out she wants Serena "to owe her". Ihankuin Jill Pylkkänen: they owe me SOOOO much. Tääkin on jotain juutalaiskristillisyyttä. Serena is still bitter about the loss of Nichole. Later, June visits the Lincoln Memorial where the statue of Abraham Lincoln has been desecrated (actually only beheaded). June tells Serena that she is small, cold, and empty and that she will always be empty. Wrong, to the contrary, June is full of shit.
ellauri089.html on line 542: § 66. The term "metaphysical" is defined as having reference primarily to any object of knowledge which is not a part of Nature—does not exist in time, as an object of perception; but since metaphysicians, not content with pointing out the truth about such entities, have always supposed that what does not exist in Nature, must, at least, exist, the term also has reference to a supposed "supersensible reality": …
ellauri094.html on line 378: We shouldn’t miss that worldviews are at play even with the skeptic’s objection to Christianity. The worldview of the author of the Skeptic Annotated Bible actually doesn’t even allow for such a thing as the law of non-contradiction to be meaningful and intelligible. In other words for him to try to disprove the Bible by pointing out that there’s a Bible contradiction doesn’t even make sense within his own worldview. Check out our post “Skeptic Annotated Bible Author’s Self-Defeating Worldview.” Read also Stanford's bit on contradictory beliefs here. Lisää aiheesta:
ellauri106.html on line 551: Phil summarily dismisses liberals and radicals alike as so many mouthpieces of political correctness, degradation of language and self-righteous finger-pointing.
ellauri115.html on line 1136: Hare wrote a popular science bestseller published in 1993 without conscience: The Disturbing World of the Psychopaths Among Us (reissued 1999). He describes psychopaths as 'social predators', while pointing out that regrettably, most don't kill their prey. One philosophical review described it as having a high moral tone yet tending towards sensationalism and graphic anecdotes, and as providing a useful summary of the assessment of psychopathy but ultimately avoiding the difficult questions regarding internal contradictions in the concept or how it should be classified.
ellauri119.html on line 458: Aristotle by contrast placed more emphasis on philia (friendship, affection) than on eros (love); and the dialectic of friendship and love would continue to be played out into and through the Renaissance, with Cicero for the Latins pointing out that "it is love (amor) from which the word 'friendship' (amicitia) is derived" Meanwhile, Lucretius, building on the work of Epicurus, had both praised the role of Venus as "the guiding power of the universe", and criticised those who become "love-sick...life's best years squandered in sloth and debauchery".
ellauri142.html on line 1047: Smail also attacks the common conceptions of 'happiness' and 'relationships', pointing out that these are by-products of real life, and should not be ends in themselves. He suggests that taking part in real joint efforts is what seems to make people forget themselves and become truly happy, but he also takes a despairing view of how modern society makes it hard to see what the real point of these efforts might be for many people.
ellauri152.html on line 619: The ending of Yentl is just supremely disappointing compared to the unapologetic ending of Yeshiva Boy. “I’ll live out my time as I am,” Anshel says in the story—and Anshel is the name she is referred to as in this passage, even while also referred to as a woman and with she/her pronouns. Yentl the Yeshiva Boy often engages in this mixing of gender signifiers—it’s in the very title, which pairs the traditionally feminine name “Yentl” with the clashing term “boy,” letting them jostle each other to create dissonance and ambiguity. The terms not matching is their meaning. This is how Anshel is. A woman with a man’s soul, a man with she/her pronouns, a person with two names. It’s not couched in easily understandable modern terms, but no one who has heard of these modern terms would read Yentl as a cis woman playing dress up. It’s different than that. Queerer than that.
ellauri152.html on line 622: And yet in other ways, the film can’t help preserving the queerness of the story despite itself. Barbra Streisand can add a song about how Yentl is just jealous of Badass for being a conventionally feminine woman whom Avigdor loves, but she can’t stop me from putting my grubby little bi hands all over her film, pointing at Yentl’s tortured gaze aimed at Badass, and saying “GAY.” And she certainly didn’t no-homo the interactions between Anshel and Avigdor very well, because they are in fact very yes-homo, and I will point and say “GAY” at that too.
ellauri156.html on line 108: What I am pointing out here is that the decision on David's part -- to remain in Jerusalem -- is the beginning of woes for both David and the nation Israel. Why is it wrong for David to stay home while the rest of the men of Israel go to war against the Ammonites? First, leading the nation in war is one of the main tasks of the king:
ellauri161.html on line 560: Haha, yeah, he is—and amen to that. This is the truest, most on-point movie I saw in 2021. McKay gets sinister in Don’t Look Up, and I, for one, am glad somebody is being appropriately nasty in pointing out how absolutely moronic humans have become in the new millennium. Sorry, folks: We are fucking up big time; McKay knows it; and he’s pulling no punches.
ellauri183.html on line 262: Despite Malamud's shadings with rabbinical law, then, this is a familiar hopeless-Utopia blueprint. Moreover, the restless treatment here—part downbeat-comic, part liturgical-lyric—never endows the tale with the sort of Biblical fervor which heightens the best of Doris Lessing´s fables. And the result is a disappointing, predictable parable—intentionally funny at times but unintentionally funny too, hollow in most of its lyrical moments, and only occasionally provocative in its eclectic philosophizing.
ellauri194.html on line 289: Some post-Cold War millenarians still identify Gog with Russia, but they now tend to stress its allies among Islamic nations, especially Iran. For the most fervent, the countdown to Armageddon began with the return of the Jews to Israel, followed quickly by further signs pointing to the nearness of the final battle – nuclear weapons, European integration, Israel's reunification of Jerusalem in the Six Day War in 1967, and America's wars in Afghanistan and the Persian Gulf. According to an unconfirmed report, US President George W. Bush, in the prelude to the 2003 Invasion of Iraq, told French President Jacques Chirac, "Gog and Magog are at work in the Middle East." Bush is said to have continued, "This confrontation is willed by God, who wants to use this conflict to erase His people's enemies before a new age begins." Officials from the Bush Administration claim there is no record of this conversation and that making such references, "doesn't sound at all like Bush", and French officials on the call have similarly claimed to have not heard any such remarks.
ellauri217.html on line 234: Mikä vaivaa kassia, se on kuin pieru exyxissä. He sighed pointing to his balls: I have a big secret here, too heavy to bear alone.
ellauri222.html on line 743: His literary tastes are also very interesting. Lord Pococurante is quite able to criticize Homer, Horace, and Cicero; there is nothing, which may seem flawless. His ability to find defects in everything prevents him from taking pleasure in literature, philosophy, and painting. It is obvious that the author is ironic about him, it can be deduced from Candides remark “But is there not a pleasure in criticizing everything, in pointing out faults where others see nothing but beauties’ (Voltaire, 73). The main problem is that such a world outlook is a personal tragedy, and such an attitude may eventually result in suicide.
ellauri222.html on line 767: In their quest to find the beaver that gives meaning to life, Bellow's protagonists must also come to terms with death. The message Bellow conveys in almost all of his novels is that one must fear death to know the meaning of life and what it means to be human. Henderson overcomes his fear of death when he is buried and symbolically resurrected in the African king Dahfu's experiment. Similarly, in Seize the Day, Tommy Wilhelm confronts death in a symbolic drowning. Charlie Citrine in Humboldt's Gift echoes Whitman in viewing death as the essential question, pointing out that it is only through death that Sauls can complete the cycle of life by liberating self from the body. Bellow's meditations on death darken in Mr. Sammler's Planet and The Dean's December. While the title character in Mr. Sammler's Planet eagerly awaits the death of the person he most values in the world, Bellow contemplates the approaching death of Western culture at the hands of those who have abandoned humanistic values. The Dean's December presents an apocalyptic vision of urban decay in a Chicago totally lacking the comic touches that soften Charlie Citrone's portrait of this same city as a "moronic inferno" in Humboldt's Gift. An uncharacteristically bleak yarn from he old standup comic. With More Die of Heartbreak and the recent novellas, however, Bellow returns to his more characteristic blend of pathos and farce in contemplating the relationship between life and death. In the recent Ravelstein, Bellow once again charts this essential confrontation when Saul recounts not only his best friend's death from AIDS but also his own near-death experience from food poisoning. Through this foreground, in a fictionalized memoir to his own gay friend Allan Bloom, Bellow reveals the resilient love and tenderness that offer the modern world its saving grace.
ellauri241.html on line 428: And last, pointing to Corinth, asked her sweet, Ja lopuksi, osoittaen Khersonia, kysyi häneltä kuin karkkia,
ellauri241.html on line 1645: The poem has been criticized for its inconsistencies and its somewhat disappointing conclusion. Seems Keaz whisked the guy away at the end quickly before he could get into any more mischief. He was probably thoroughly fed up with him. But then again Jack was just 22. Endymion presents many problems to its interpreters, as it did to Jack himself. Critics have, however, been able to agree that the poem contains considerable eroticism.
ellauri247.html on line 124: In 1898 the pioneer ethnologist W.E. Roth wrote a letter to the Australasian pointing out that gang-oo-roo did mean 'kangaroo' in Guugu Yimidhirr, but this newspaper correspondence went unnoticed by lexicographers. Finally the observations of Cook and Roth were confirmed when in 1972 the anthropologist John Haviland began intensive study of Guugu Yimidhirr and again recorded /gaNurru/.
ellauri254.html on line 517: In Munich, the Cosmic Circle of Ludwig Klages and Alfred Schuler, deeming "the Jew the enemy of the human race," gave their erstwhile leader, Stefan George, this ultimatum: "What is your stand on Judah?" He replied that he wished he had more such deep-throated Jewish disciples as Wolfskehl. George's views continued to overlap with those of the Cosmic Circle, especially in invoking the pagan earth mother of "Templars." Actually what first launched the George cult on a nationwide basis was Klages's own book, Stefan George, of 1902. The accusation of Klages's Nazism by indignantly pointing out that the Nazis distinctly distanced themselves from Klages. Though the Nazis shared Klages's basic metapolitics and had found him useful for propaganda among professors, they later found the Klages-Schuler cult embarrassing. The intensity of George's break with Klages-Schuler is paralleled by Nietzsche's break with the Jew-hater Richard Wagner; in both cases an intense friendship was severed on the grounds of civilized values higher than friendship. Klages thought that Nazis and Israelis were both wrong in thinking they were the chosen people, with the difference that the Jews had actually already won the beauty contest.
ellauri299.html on line 148: Michael Vattenfall: Very disappointing. I would expect a Grisham book to be lighter reading, but this was totally unconvincing and lacked believability. The whole purpose of the book is based upon the transformation of the main character's view of the homeless, but I didn't buy it. Well I did, but I regret it now. Money completely wasted.
ellauri302.html on line 501: Reb Ali, gesticulating. Let's get right down to business. (To the stranger, pointing to Tekel.) This gentleman wishes to unite families with you. He has an excellent daughter and wants as her husband a scholar well versed in Rabbinical lore. He'll support the couple for life.
ellauri324.html on line 647: assisted in. So, yeah, disappointing would be the right
ellauri346.html on line 276: Speaking with the BBC, the 71-year-old assessed the situation on the Ukrainian front and criticized Western countries sharply. This former officer believes that Western countries should be more assertive in supporting Kyiv and mobilizing to win the war in Ukraine. He pointed to the disappointing summer counteroffensive by the Ukrainian Armed Forces, highlighting the delay in armaments delivery and the inadequate amount of equipment sent to the east as significant issues.
ellauri383.html on line 241: And pointing to the scenario for the war next year, Sullivan said Ukraine intends "to move forward to recapture the territory that the Russians will have taken from them by then."
xxx/ellauri013.html on line 1069: The story also reveals unsuspected depths of cunning in the wretched Cornelius, whose abject (sic) and intense hate acts like a subtle inspiration, pointing out an unerring way towards revenge.
xxx/ellauri085.html on line 61: To market Burma-Shave, Allan Odell devised the concept of sequential signboards to sell the product. Allan Odell recalled one time when he noticed signs saying Gas, Oil, Restrooms, and finally a sign pointing to a roadside gas station. The signs compelled people to read each one in the series and would hold the driver’s attention much longer than a conventional billboard. Though Allan’s father, Clinton, wasn’t crazy about the idea he eventually gave Allan $200 to give it a try.
xxx/ellauri123.html on line 764: Läppä läppä. Deeply depressed, Humbert unexpectedly receives a letter from a 17-year-old Dolores (signing as "Dolly (Mrs. Richard F. Schiller)"), telling him that she is married, pregnant, and in desperate need of money. Humbert, armed with a pistol, tracks down Dolores' address and gives her the money, which was due as an inheritance from her mother. Humbert learns that Dolores' husband, a deaf mechanic, is not her abductor. Dolores reveals to Humbert that Quilty took her from the hospital and that she was in love with him, but she was rejected when she refused to star in one of his pornographic films. Dolores also rejects Humbert's request to leave with him. Humbert goes to the drug-addled Quilty's mansion and shoots him several times. Shortly afterward, Humbert is arrested, and in his closing thoughts, he reaffirms his love for Dolores and asks for his memoir to be withheld from public release until after her death. Dolores dies in childbirth on Christmas Day in 1952, disappointing Humbert´s prediction that "Dolly Schiller will probably survive me by many years."
xxx/ellauri129.html on line 445: Smarra gets two stars, both were disappointing chores to read. If you are considering taking up Smarra because you heard it was the earliest vampire story, I think you´re heading for disappointment. In a dream sequence, some undead creatures with sharpened teeth that like to drink blood are described, but nothing further. There´s no real vampire lore or any characterization of vampirism to sink one´s teeth into. I had a hard time figuring out the plot of Smarra, but I think it´s mostly about a man trying to wake up from bad dreams and finding out he can´t. The dreams are recounted vaguely, in terms of plot, but in excruciating detail, in terms of vision, none of which has its significance explained.
xxx/ellauri137.html on line 641: If you're buying this trash for a class then you're a sucker, turn back now! Hopefully Edward isn't still teaching his own tasteless fan fiction in a college setting. It's a misunderstood teenager's journey through satire complete with crude, unoriginal and stereotypical takes on characters from the lens of a self insert hero amounting to little more than finger pointing. You'll be offended, sure, but with little substance left to interpret besides the authors very obvious discomfort with himself and others unlike him. (Make some new friends, Edward.) Beyond being ridiculous as a required reading piece for a class, actually paying for this garbage is insulting, and of course it is an absolute drag to slog through. Nobody's going to publish this except on demand printing obviously and that's why you're buying it from Amazon!!!
xxx/ellauri149.html on line 366: Conversely, Howard Thompson of The New York Times wrote, "Broadway and Israel meet head on and disastrously in the movie version of the rock opera 'Jesus Christ Superstar,' produced in the Biblical locale. The mod-pop glitter, the musical frenzy and the neon tubing of this super-hot stage bonanza encasing the Greatest Story are now painfully magnified, laid bare and ultimately patched beneath the blue, majestic Israeli sky, as if by a natural judgment." Arthur D. Murphy of Variety wrote that the film "in a paradoxical way is both very good and very disappointing at the same time. The abstract film concept ... veers from elegantly simple through forced metaphor to outright synthetic in dramatic impact."
xxx/ellauri176.html on line 718: They’re going to have couscous. And they’re going to have ratatouille,” she says, pointing to the handwritten “specials” on the board. “The kids like it better when they’re not surprised. There’s usually one night when it’s blank, and then they can suggest something.”
xxx/ellauri179.html on line 810: The first edition of the book sold fewer than 900 copies, a disappointing showing. The second edition sold much better, during the more progressive Roaring Twenties.
xxx/ellauri199.html on line 1061: Writing in The Guardian, the political journalist Gaby Hinsliff described Strange Death as "gentrified xenophobia" and "Chapter after chapter circles around the same repetitive themes: migrants raping and murdering and terrorising; paeans to Christianity; long polemics about how Europe is too ´exhausted by history´ and colonial guilt to face another battle, and is thus letting itself be rolled over by invaders fiercely confident in their own beliefs", while also pointing out that Murray offers little definition of the European culture he claims is under threat. Pankaj Mishra´s review in The New York Times described the book as "a handy digest of far-right clichés". In The Intercept, Murtaza Hussain criticized the "relentlessly paranoid tenor" of Murray´s work and said that its claims of mass crime perpetuated by immigrants were "blinkered to the point of being propaganda", while noting the book´s appeal to the far right. In Middle East Eye, Georgetown professor Ian Almond called the book "a staggeringly one-sided flow of statistics, interviews and examples, reflecting a clear decision to make the book a rhetorical claim that Europe is doomed to self-destruction".
xxx/ellauri202.html on line 385: “Even if there were Jews living in Graz in the 1830s, at the time when Adolf Hitler’s father, Alois, was born, this does not prove anything at all about the identity of Hitler’s paternal grandfather,” Evans said, also pointing out that Frank’s memoir has been found to be “notoriously unreliable.”
xxx/ellauri280.html on line 122: On Monday, Chinese Foreign Ministry spokesperson Wang Wenbin accused the United States of "fanning flames and stoking confrontations" by providing Ukraine with defensive weapons, and said Beijing would "never accept (U.S.) finger-pointing and even coercion and pressure on China-Russia relations." Here's a look at where China stands on the conflict.

xxx/ellauri394.html on line 164: From May 1892 to January 1893, the legislature of the Kingdom convened for an unprecedented 171 days, which later historians such as Albertine Loomis and Helena G. Allen dubbed the "Longest Legislature". This session was dominated by political infighting between and within the four parties: National Reform, Reform, National Liberal and Independent; none were able to gain a majority. Debates heard on the floor of the houses concerned the popular demand for a new constitution and the passage of a lottery bill and an opium licensing bill, aimed at alleviating the economic crisis caused by the McKinley Tariff. The main issues of contention between the new monarch and the legislators were the retention of her cabinet ministers, since political division prevented Liliʻuokalani from appointing a balanced council and the 1887 constitution gave the legislature the power to vote for the dismissal of her cabinet. Seven resolutions of want of confidence were introduced during this session, and four of her self-appointed cabinets (the Widemann, Macfarlane, Cornwell, and Wilcox cabinets) were ousted by votes of the legislature. On January 13, 1893, after the legislature dismissed the George Norton Wilcox cabinet (which had political sympathies to the Reform Party), Liliʻuokalani appointed the new Parker cabinet consisting of Samuel Parker, as minister of foreign affairs; John F. Colburn, as minister of the interior; William H. Cornwell, as minister of finance; and Arthur P. Peterson, as attorney general. Exclusively palefaces in the posse, where are all the coons hiding? She chose these men specifically to support her plan of promulgating a new constitution while the legislature was not in session.
xxx/ellauri394.html on line 349: A Hawaii newspaperman born in Oromo, Maine 1871. In 1915, Farrington organized the Honolulu Ad Club. One of his invited guest speakers was Warren Harding, a Republican Senator from Ohio. Farrington introduced Harding as "the future president of the United States." Harding replied that if Farrington´s prediction came true, he would name Farrington governor of the Territory of Hawaii. Three months after taking office as U.S. President in 1921, Harding fulfilled his promise, appointing Farrington as the Territorial Governor of Hawaiʻi. His tenure was controversial, as he followed the previous Governor in favouring the Whites.
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