ellauri002.html on line 269: Since pity is fled;
ellauri005.html on line 334: Tell manhood shakes off pity
ellauri008.html on line 868: Kun jenkeissä tehtiin hiljan poliisisarja jossa savunaama oli puikoissa ja paleface sidekickinä, enemmistökatsojat oli shokissa. Sellaisetkin sarjat on vähän kyseenalaisia missä pomona on joku ämmä. Puuttuu vaan et jumala ois musta apinanaaras joka olis vielä mamu, muu tai lesbo. Hintelä ja vanha ja kukkahattu päässä, tai alaikänen läski rättipää vammanen ja ruma. Ei helkkari, ei jumalauta tulis uskonnosta mitään, missä olis pelote? Ketä ihailtas ja toteltas? Hirveydet ja niiden sepitys kysyy palleja, sen tiesi Palle Hirviseppä. Pojat ovat poikia, miehet miehiä. Vähän tyhmempiä, siks voisivatkin alkaa koulun myöhemmin, niin saisivat taas lytätyksi tytöt siinäkin. Sais nenäkkäät tytöt opetuksen. Lisää miesopettajia suosimaan poikia ja bylsimään tyttöjä, ja niille kunnon palkat, munalisä.
ellauri011.html on line 930: Hippityttö lähtee taivaalle timanttijahtiin:
ellauri011.html on line 936:
Yeah, keep it simple stupid. Say it with a KISS. Kylhä hippityttökin lopulta hiffaa et jos kaikki olis kaiken aikaa matkalla, ketään ei olis kotona laittamassa äijille ruokaa.
ellauri016.html on line 780: In 1999, "Pink Moon" was used in a Volkswagen commercial, boosting Drake's US album sales from about 6,000 copies in 1999 to 74,000 in 2000. The LA Times saw it as an example of how, following the consolidation of US radio stations, previously unknown music was finding audiences through advertising. Fans used the filesharing software Napster to circulate digital copies of Drake's music; according to the Atlantic, "The chronic shyness and mental illness that made it hard for Drake to compete with 1970s showmen like Elton John and David Bowie didn't matter when his songs were being pulled one by one out of the ether and played late at night in a dorm room." In November 2014, Gabrielle Drake published a biography of her brother. Over the following years, Drake's songs appeared in soundtracks of "quirky, youthful" films such as The Royal Tenenbaums, Serendipity and Garden State. Made to Love Magic, an album of outtakes and remixes released by Island Records in 2004, far exceeded Drake's lifetime sales. In 2017, Kele Okereke cited Pink Moon as an influence on his third solo album Fatherland. Other contemporary artists influenced by Drake include José González, Bon Iver, Iron & Wine, Alexi Murdoch and Philip Selway of Radiohead.
ellauri017.html on line 1201: Tässä aamu- ja iltateen lipityxessä
ellauri022.html on line 310: And pity author´s wrongs.
ellauri028.html on line 198: Apparently man is a selfish prick that can't think for himself and relies on "outside influences". He is a chameleon. He is nothing but a mere machine. Well, at least according to Twain. Man is a fraud and only lives for himself. He is really driving home this point that everyone is selfish and acts out of selfish needs (big surprise?), even if viewed (publicly and personally) as a self-sacrificing person. My question is; who cares? If the end result is the same, what does the actions matter. Let's say, saving a woman from a burning house. Twain says you do this out of making yourself feel good and avoiding the pain of not saving the woman, nothing else; the woman comes second to your own need of feeling good. But regardless of how it makes you feel, you still saved the woman in the end. The good is still done, even though you did it for yourself. Forget how the action was achieved. What does it matter if we refer to this as "self sacrificing" or "selfishness". Answer me this question, Twain! THE ACTION REMAINS THE SAME!!!.... I feel this must have been written during a time when everyone was going around smugly proclaiming to be self-sacrificing do-gooders and self-proclaimed religious nuts while really being shitty people; which had to be the most annoying thing ever. I guess it feels a bit outdated and I think people who naively go around claiming that they are "self-sacrificing do-gooders" are simply laughed at in our post modern times as smug assholes who need to get off their high horse (high horse? who owns a fucking horse nowadays, anyways?). I feel it is pretty accepted now that those who do good are doing them for their own selfish gains and the view of acceptance by others, at least I think this is the case. I don't know cause I don't know do-gooders, everyone I know (including myself) are dicks and more concerned with their celluar phones and creating social dating websites on the internet in vain attempts to pick up chicks only to drink alone and desperately spend several hours harassing women on social dating sites until one, out of pity, decides to respond to your 50 private messages, which then they foolishly decides to set up a date with you; only for you to be disappointed and stood up; which results in more drinking and paying a "dancer" to give you a hand job behind the goodwill on a Saturday night....
ellauri029.html on line 45: Näistä kyhäyxistä hupaisasti näkyy miten lapsiraukat taistelevat kahden tulen välissä, omat ja ehkä vanhempien vihervasemmistolaisemmat ajatuxet ja oppiahjolta sekä työnantajilta paukutettu talousliberaali ilosanoma. Samoja synnintuntoja ja ripityxiä kuin ennen kirkossa. Marx ja Engels pyörisivät kiven alla kuin väkkärät, jos niistä olis edes kallo ja lonkkaluut jälellä.
ellauri033.html on line 1076: According to legend, Tasso wrote verses to his beloved Eleonora that touched her heart. A few years later, at the wedding of one of the Gonzaga family, celebrated at the court of Este, Tasso kissed the princess Eleonora on the cheek. Furious, Alphonso turned coolly to his courtiers and remarked, "What a great pity that the finest genius of the age has become suddenly mad!" The duke had Tasso shut up in the hospital of St. Anna in Ferrara. (In actuality, Tasso had been beset by delusional fears of persecution starting in 1575 and began a series of mad wanderings around 1577.)
ellauri035.html on line 205: Over wild eyes and the pity of her slim body
ellauri035.html on line 1039: Mut jos tota Pamelan piipitystä koittaa dekoodata, niin onkohan siinä mitään muuta kun sen aika izestään selvän pointin toistoa et ihmispesän pörisevät struktuurit on vaan performanssia, niitä on aktiivisesti pidettävä pystyssä kuin toisissa kodeissa kesällä lattialla mattoja, kun toisissa ne pysyvät pitämättäkin. Siinähän on se positiivinen puoli, että pesärypäleen muotoa voi muuttaa ihan vaan häirizemällä pörriäisiä riittävän kovasti.
ellauri043.html on line 237: Yö on tyyni; tuhannet tähdet tykkivät; ei kuulu muuta kuin hämähäkkien kipitystä.
ellauri051.html on line 321: Soikkeli näkyy olevan lojaaleja uuskritiikkimiehiä. Lisänaula Markun arkkuun on että se pitää Slimenonista: "kolmas kirja on Simenonin suomennetut muistelmat (yksi niistä) ja sitä olen lueksinut sieltä täältä. Mitään avaimia sen äijäjäpityksestä ei saa Simenonin taiteen ymmärtämiseen." Tämän käsitys on helposti osoitettavissa vääräxi, kuten olen tehnyt toisaalla.
ellauri053.html on line 833: Our house has had an interesting history. As I have already said, my forefathers migrated to Calcutta in the early days of the East India Company, and, having helped in the erection of Fort William, made enough money to construct a palatial building of their own at Jorasanko in the northern quarter of the town. Other gentry were attracted to this quarter which gradually became the most fashionable part of the city, with elegant houses vying with each other. It is a pity that most of these houses are being crowded out or demolished to make room for hideous modern mansions. The architecture of that period with high columned facades and a series of interior courtyards was not only dignified but most suited to the tropical climate.
ellauri061.html on line 322: First Clown Why, there thou say'st: and the more pity that Spede 1 Sinäpä sen sanoit: ja sääli että
ellauri066.html on line 486: It is the opposite of pity, as pity is pain at undeserved misfortune.
ellauri066.html on line 514: Displeasure at another's unhappiness is sympathy, pity, or compassion. [citation needed]. Paizi pity on selkeesti ylhäältä alaspäin, se on vähän niinkuin armoa. Señor ten piedad de nosotros.
ellauri069.html on line 284: on asemoitu sinne. Hänellä on epätavallinen vaste roketteihin: niistä tulee kepityxiä. Mutta stondit tulee päiviä ennen rokettien tuhoamista, panopaikoissa joista tulee myöhemmin pommipaikkoja. Salaperäiset voimat Britin ja Amerikan älykkyydessä on tietoisia täst Alokkaan herkkyydest, ja pitää häntää tarkkixella. Novelli aukeaa Joulukuussa 1944, jolloin Suomi on jo vetäytynyt sodasta, sanoilla, "Kiljuset tulee taivaan poikki". Kiljuset on V-2 roketin lento.
ellauri073.html on line 262: Foley is disheveled, sweaty, obese, clumsy and unstylish. He exhibits poor social skills, frequently loses his temper, often disparages and insults his audience, and wallows in cynicism and self-pity about his own poor life choices, to which he often makes reference. Foley's trademark line is warning his audience that they could end up like himself: "35 years old, eating a steady diet of government cheese, thrice divorced, and living in a van down by the river!" In most sketches, whenever a member of his audience mentions a personal accomplishment, Foley responds with mockery: "Well, la-dee-frickin-da!", "Whoop-dee-frickin-doo!", or a similarly dismissive remark. The usual outfit of choice for Foley is a too-small blue-and-white plaid sport coat, a too-big white dress shirt, a solid green necktie, black horn-rimmed glasses, ill-fitting khakis which he is continually pulling up, a wristwatch, penny loafers, and slicked-down blond hair. In a prison sketch, he dons blue jeans and a denim shirt with the inmate number "3307" while retaining his watch, glasses and a crucifix necklace (he also mentions a "homemade tattoo of a van down by the river"). While working as a mall Santa in another sketch, he wears a stereotypical Santa outfit, complete with black snow boots.
ellauri077.html on line 432: To love with the spirit is to pity, and he who pities most loves most.
ellauri098.html on line 633: Myers-Briggsin tyyppi-indikaattorilla on voimakas korrelaatio Big Five-tyypityksen kanssa. Big Fiven OCEAN-asteikolla korkeaa Openness-lukemaa vastaa N (intuitio) ja matalaa S (tosiasiallinen); korkeaa Conscientiousness-lukemaa vastaa J (harkitseva) ja matalaa P (spontaani); korkeaa Extroversion-lukemaa vastaa E (ekstrovertti) ja matalaa I (introvertti), ja korkeaa Agreeableness-lukemaa vastaa F (tunteva) ja matalaa T (ajatteleva). Neuroottisuusakselia MBTI:ssa ei ole.
ellauri098.html on line 728: Myers-Briggsin tyyppi-indikaattorilla on voimakas korrelaatio Big Five-tyypityksen kanssa. Big Fiven OCEAN-asteikolla korkeaa Hörhöys(O) lukemaa vastaa N (hörhö) ja matalaa S (ketku); korkeaa Pedanttius(C)-lukemaa vastaa J (kimmo) ja matalaa P (touho); korkeaa Öykkäriys(E)-lukemaa vastaa E (öykkäri) ja matalaa I (väpelö), ja korkeaa Hölmöys(A)--lukemaa vastaa F (ääliö) ja matalaa T (nörtti). Jenkein ja naismaisin on ESFP eli öykkäri ketku ääliö touho, nazein ja miehekkäin on INTJ eli väpelö hörhö nörtti kimmo. Neuroottisuusakselia MBTI:ssa ei ole. Neuroottisuus hävisi kondomien mukana.
ellauri107.html on line 444: In the comedy Andria (“The Girl of Andros”) by the Roman poet Terentius, Simo uses it to comment on the tears of his son Pamphilus at the funeral of a neighbor to his interlocutor Sosias. At first he was of the opinion that these were an expression of special sympathy and was pleased about it. But when he discovered that the deceased's pretty sister was also a member of the funeral procession, he realized that his son's emotion was only faked to get closer to him: hinc illae lacrumae, haec illast misericordia. ("Hence his tears, that is the reason for his pity!").
ellauri107.html on line 569: lähteneet junalle. Oletin heidän muodostaneen mielipiteensă Maureenista Morrisin ja Lenoren puheiden perusteella. Olin väärässä. Morris ei ollut edes maininnut Maureenia heille. He olivat päässeet hänestä perille omin päin tavattuaan hänet vain kymmenen minuutin ajan. Talk about serendipity!
ellauri109.html on line 266: Kun opiskelijana luin puheaktiteoreetikkoja, Austin tuntui järkimieheltä mutta Searlen sepustuxet oli puhasta potaskaa. Ja kuinka oikeassa olinkaan, Searlen pussista ei löydy puhtaita jauhoja vaan tappavaa kaliumia. Likainen mieli jonka aivoille paras palkinto ois niskalaukaus. Huomasin sen 26-vuotiaana alle kymmenessä minuutissa kuten Phil Rothin vanhemmat. Talk about serendipity.
ellauri110.html on line 137: Book IV of Gulliver's Travels is the keystone, in some ways, of the entire work,[citation needed] and critics have traditionally answered the question whether Gulliver is insane (and thus just another victim of Swift's satire) by questioning whether or not the Houyhnhnms are truly admirable. Gulliver loves the land and is obedient to a race that is not like his own. The Houyhnhnm society is based upon reason, and only upon reason, and therefore the horses practice eugenics based on their analyses of benefit and cost. They have no religion and their sole morality is the defence of reason, and so they are not particularly moved by pity or a belief in the intrinsic value of life. Gulliver himself, in their company, builds the sails of his skiff from "Yahoo skins".
ellauri115.html on line 414: Hume's eyes were on France, in particular, and his reputation as the good David. His first denunciations of Rousseau were made to his friends in Paris; his Concise and Genuine Account of the Dispute between Mr. Hume and Mr. Rousseau would be published there in French, edited by Rousseau's enemies. He studiously avoided communicating with Mme de Boufflers, knowing she would, as she did, urge "generous pity". Hume's descriptions of Rousseau as ferocious, villainous and treacherous ensured joyful coverage in newspapers and discussions in fashionable drawing rooms, clubs and coffee houses. The actor-manager David Garrick wrote to a friend on July 18 that Rousseau had called Hume "noir, black, and a coquin, knave".
ellauri117.html on line 649: destiny fate predetermination doom election foreordainment foreordination fortune inevitability karma kismet lot necessity ordinance portion preordainment preordination divine decree God's will course of events what is written way the ball bounces way the cookie crumbles circumstance stars providence chance luck fortuity serendipity what is written in the stars divine will Moirai Lady Luck handwriting on the wall condition horoscope hazard destination breaks circumstances the stars astral influence Dame Fortune God's plan what is in the books expectation afterlife Fates heritage cup dole inescapableness wyrd orlay Norns roll of the dice Parcae accident situation wheel of fortune lot in life coincidence state position break plight lap of the gods fixed future Judgment Day Moira misfortune handwriting on wall predicament divine intervention one's portion outside influence one's lot the way cookie crumbles the hand one is dealt.
ellauri133.html on line 700: Joseph ”Joss” Hill Whedon (s. 23. heinäkuuta 1964, New York, New York) on yhdysvaltalainen käsikirjoittaja, ohjaaja, tuottaja, sarjakuvakäsikirjoittaja ja joskus myös säveltäjä ja näyttelijä. Hänet tunnetaan luomistaan televisiosarjoista Buffy, vampyyrintappaja (1997–2003), Angel (1999–2004), Buttfly (2002), Doghouse (2009–2010) ja P.A.N.T.Y.S.H.I.E.L.D. Agentit (2013–2020). Lisäksi Whedon on käsikirjoittanut elokuvan Toy Story – iankaikkista elämää (1995), ohjannut ja käsikirjoittanut elokuvan Serendipity (2005), käsikirjoittanut ja tuottanut elokuvan Uncle Tom's Cabin in the Woods (2012) sekä ohjannut ja käsikirjoittanut elokuvat The Averagers (2012) ja Averagers: This is the Age of Aquarius (2015). Näistä olen nähnyt Toy Storyn.
ellauri140.html on line 58: Book IV, despite its title "The Legend of Cambell and Telamond or Of Friendship", Cambell's companion in Book IV is actually named Triamond, and the plot does not center on their friendship; the two men appear only briefly in the story. The book is largely a continuation of events begun in Book III. First, Scudamore is convinced by the hag Ate (discord) that Britomart has run off with Amoret and becomes jealous. A three-day tournament is then held by Satyrane, where Britomart beats Arthegal (both in disguise). Scudamore and Arthegal unite against Britomart, but when her helmet comes off in battle Arthegal falls in love with her. He surrenders, removes his helmet, and Britomart recognizes him as the man in the enchanted mirror. Arthegal pledges his love to her but must first leave and complete his quest. Scudamore, upon discovering Britomart's sex, realizes his mistake and asks after his lady, but by this time Britomart has lost Amoret, and she and Scudamore embark together on a search for her. The reader discovers that Amoret was abducted by a savage man and is imprisoned in his cave. One day Amoret darts out past the savage and is rescued from him by the squire Timias and Belphoebe. Arthur then appears, offering his service as a knight to the lost woman. She accepts, and after a couple of trials on the way, Arthur and Amoret finally happen across Scudamore and Britomart. The two lovers are reunited. Wrapping up a different plotline from Book III, the recently recovered Marinel discovers Florimell suffering in Proteus' dungeon. He returns home and becomes sick with love and pity. Eventually he confesses his feelings to his mother, and she pleads with Neptune to have the girl released, which the god grants.
ellauri146.html on line 826: Peppu oli jo 9-vuotiaana hapannaama, irvistelijä, pieni röyhkimys ja kvetch, sen piipityxessä oli aina oma pieni raivostuttava narinansa, aina jotain vastahankaista ja kaunaista, ikäänkuin (äiti sanoo) maailma olisi velvollinen huolehtimaan hänestä, mutta tyhjännauraja ja klovni myös, joka menee kazomaan Eretz Yisroelin miehiä. Turhaan se kuvittelee suutelevansa "suloista tytärtään" ja "etevää poikaansa", ei siitä ole siihen. Sen sankarit oli Tom Paine ja Abe Lincoln.
ellauri150.html on line 569: "The Messala. Further, tell thy husband that for the harm I sought to do him I have been punished until even he would pity me."
ellauri150.html on line 571: "Nay," said Iras, "I do not want pity or tears. Tell him, finally, I have found that to be a Roman is to be a brute. Farewell."
ellauri151.html on line 268: Old hands get soiled, it seems, whatever they caress, but they too have their beauty when they are joined in prayer. Young hands were made for caresses and the sheathing (sic) of love. It is a pity to make them come too soon.
ellauri161.html on line 491: Annoyingly, in these days movies from the U. S. are becoming more and more of "a color". They are not telling a story, but are taking a side. They are either democrat or republican, conservative or liberal, blue or red, flyover or coast. Don't Look Up is not a big offender, but the language and presentation was clearly on the "coast" side. Thus, it will be probably appreciated by people who already saw the world this way and ignored or at best maligned by the people on the other side. And it's a pity, because this film is meant to bring us together as a civilization and not keep us divided. I feel like it could have done a better job in that direction.
ellauri171.html on line 1134: Amnon ignored her words. He was without pity or remorse. He had his servant literally throw her out of the room. He would not even use her name: ‘Put this woman out of my presence, and bolt the door after her.’
ellauri180.html on line 590: The men were never to discover who the other truly was, namely the good old enemy. More's the pity.
ellauri188.html on line 124: The present population of all the six inhabited islands of that group of eleven, numbers, according to Mr. Frank Varney, a long-time resident on Hivaon, about 1,000 or 1,200. Only a small proportion of these are pure bloods, most of that number being natives from the Tuamotus or the Society Islands, and many of them are half-bloods or quarter-bloods, Chinese features being very common. But I met many middle-aged, elderly and old, pure-blooded Mar quesans, a fine, self-respecting race, commanding our admiration and pity. I can not believe that all these people, whom I saw in 1922 and 1923, will have vanished in 1930. It will take a longer time than that, perhaps only a few years longer, before the last pure blooded Marquesan steps off the stage. I am quite sure that Dr. Linton, of the Field Museum, and Dr. Handy, of Bishop Museum, Honolulu, both of whom have made special study of the Marquesans, will agree with me in this.
ellauri214.html on line 535: Halfway through her fifth novel Flights, Olga Tokarczuk asks her readers to take pity on the poor souls for whom English is their “real language”. “Just imagine!” teases Poland’s most widely translated female author. “They don’t have anything to fall back on or turn to in moments of doubt. How lost they must feel in the world, where all instructions, all the lyrics of the stupidest possible songs, all the excruciating pamphlets and brochures — even the buttons in the lift! — are in their private language . . . they are accessible to everyone and everything!”
ellauri216.html on line 788: Pelastusmiehistö on aivan Rizan oven edessä. Pelastustie, pysäköinti oven eteen kielletty. Junailija varjelkoon meitä oppineilta miehiltä. Sisälukutaidosta on pelkkää harmia. Noviisin ei pidä päästää ymmärrystä sydämeen, siitä tulee sille kovaa lihanhimoa ja jättimäinen kepitys. Isä Agapikin huomaa sen tunnustelemalla vaikkon umpisokea.
ellauri217.html on line 350: Vitun ärrävikainen kekkapää kaula kenossa päästellen pieniä narsistisia hymyjä ja sylki roiskuen paasaava savolainen kalju ankka toisena. Ja kolmantena kaikilla hammasriveillä irvistelevä hai Melitta Naivisto! Se ämmä taitaa olla vielä elävien kirjoissa, more´s the pity.
ellauri222.html on line 791: Because Bellow refuses to devalue human potential in even his bleakest scenarios, his novels often come under attack for their affirmative endings. Augie hails himself as a new Columbus, the rediscoverer of America; Henderson, while triumphantly returning home with his new charges, dances with glee, "leaping, leaping, pounding, and tingling over the pure white lining of the grey Arctic silence." Herzog inexplicably evades his fate, emerging from the flux of his tortured mind to reclaim his sanity and his confidence in the future. Yet, the victories of Bellow's heroes are not unqualified, but rather as ambiguous and tenuous as is the human condition itself. As a new Columbus, Augie speaks from exile in Europe; in holding the orphan child, Henderson recalls the pain of his separation from his own father; by renouncing his self-pity and his murderous rage at his ex-wife Madeleine, Herzog reduces but does not expiate his guilt. Nonetheless, these characters earn whatever spiritual victory they reap through their penes and their refusal to succumb to doubt and cynicism. Through their perseverance in seeking the truth of human existence, they ultimately renew themselves by transcending to an intuitive spiritual awareness that is no less real because it must be taken on faith.
ellauri223.html on line 98: No one is killed or stoned unless by the hands of the people, the accuser and the witnesses beginning first. For they have no executioners and lictors, lest the State should sink into ruin. The choice of death is given to the rest of the people, who enclose the lifeless remains in little bags and burn them by the application of fire, while exhorters are present for the purpose of advising concerning a good death. Nevertheless, the whole nation laments and beseeches God that his anger may be appeased, being in grief that it should, as it were, have to cut off a rotten member of the State. Certain officers talk to and convince the accused man by means of arguments until he himself acquiesces in the sentence of death passed upon him, or else... But if a crime has been committed against the liberty of the republic, or against God, or against the supreme magistrates, there is immediate censure without pity. These motherfuckers are punished with death.
ellauri238.html on line 648: We express our deep respect to Karpov as a chess player. We express our deep contempt for him as a Russian and an accomplice of Putin. The mentioned match, as you probably know, was also an ideological battle (considering the status of Korchnoi and considering how opportunistic Karpov was both under the Soviet regime and under the current Russian regime). It's a pity that Korchnoi couldn't win and Fischer refused to play at all. Korchnoi jumped to our side and Fischer was an exemplary Jew.
ellauri241.html on line 115: All pain but pity: thus the lone voice spake: kaiken tuskan, paitsi säälin: näin yksinäinen ääni puhui:
ellauri241.html on line 331: Lycius, look back! and be some pity shown." Lycius, katso taaksepäin! ja osoita sääliä."
ellauri241.html on line 345: For pity do not this sad heart belie Sillä sääli älä usko tätä surullista sydäntä,
ellauri241.html on line 357: For pity do not melt!" "If I should stay," Sillä sääli älä sula!" "Jos minun pitäisi jäädä",
ellauri244.html on line 563: No olipa turhanpöiväistä löpinää. Älkää LÖPISKO! olisi Omppu huutanut. In 2014 the book was reissued as Jonathan Livingston Seagull: The Complete Edition, which added a 17-page fourth part to the story. Bach reported that he was inspired to finish the fourth part of the novella by a near-death experience which had occurred in relation to a near-fatal plane crash in August 2012. What a pity.
ellauri245.html on line 170: In November 2011, Miller posted remarks pertaining to the Occupy Wall Street movement on his blog, calling it "nothing but a pack of louts, thieves, and rapists, fed by Woodstock-era nostalgia and putrid false righteousness." He said of the movement, "Wake up, pond scum. America is at war against a ruthless enemy. Maybe, between bouts of self-pity and all the other tasty tidbits of narcissism you´ve been served up in your sheltered, comfy little worlds, you´ve heard terms like al-Qaeda and Islamicism." Miller´s statement generated controversy. In a 2018 interview, Miller backed away from his comments saying that he "wasn´t thinking clearly" when he made them and alluded to a very dark time in his life during which they were made.
ellauri248.html on line 85: Let's go through a few of these points. First, I don't think I've ever read a mystery novel with a less likable main character/narrator. Rob (Adam) Ryan is an asshole, plain and simple. Sure, he's been warped by his childhood and circumstances, but he does just about every annoying thing you could possibly imagine-- he constantly navel-gazes and feels self pity, he sleeps with then immediately plays the stereotypical male "I don't want anything to do with you now" role with his female partner (the person we were told was his best friend, and whom he would never ever sleep with), he acts like an idiot over the 17 year old villain/ temptress/ psychopath/ whatever betraying his partner, and by the end of the book he is worse off than ever. I know that lots of detectives (esp. in hard-boild stories) are unlikable, and have many personal issues, but this guy just took the cake. I wanted to take a baseball bat to his head [hear, hear!]. To make matters worse, French throws in this little gem towards the end of the novel:
ellauri270.html on line 319: Mr. Summers, the man who conducts the lottery, arrives. He also organizes the river dances, the purity pledges, and the Halloween program, because he has time to devote to volunteering. He runs the coal business in town, but his neighbors pity him because his wife is unkind and the couple has no children. Mr. Summers arrives bearing a black box. He is followed by the postmaster, Mr. Graves, who caries a stool.
ellauri302.html on line 442: Yekel yatkaa yäkätystä: I told you everything. So you advised me to have a Holy Scroll written. In there I placed it, — in her room. I stood before it night after night, and used to say to it, **You are really a God. You know everything I do. You will punish me. Very well. Punish me. Punish my wife. We have both sinned. But my poor, innocent daughter. Guard her. Have pity upon her!'*
ellauri325.html on line 745: Luottamustoimet poikivat. Kulttuurirahaston ja Finlandia-palkinnot (Erno Paasilinna 1984) menivät harakoille Masan myötävaikutuxella. Muinaisrunoprofessorit eivät vietä iltojaan nykyrunoilijattarien parissa. More´s the pity. Pekka Kejosesta ei myyriäinen pitänyt. Ehdotti sijalle Kalle Päätaloa. Vielä vuosikymmeniä myöhemmin Masaa harmitti Päätalon tappio Pekka Anus Kejoselle.
ellauri333.html on line 350: Surnames are an important detail to know about people and they do highlight the uniqueness of not only each individual, but also each community in the world. However, upon critical interrogation of the nature of surnames, one can also understand that they play a huge role in segregationist and exclusionary politics. Indiands are a huge pile of assholes. It is a pity there are so many of them.
ellauri342.html on line 165: Seitsemän vuotta kului näin; sitten näiden seitsemän vuoden lopussa Tistet Védène palasi Napolin hovista. Hänen aikansa ei ollut vielä ohitse; mutta hän oli saanut tietää, että paavin ensimmäinen sinappityöntekijä oli juuri kuollut äkillisesti Avignonissa, ja koska paikka näytti hänestä hyvältä, hän oli saapunut suurella kiireellä liittymään riveihin.
ellauri342.html on line 186: -Vai niin! pikku juttu, suuri pyhä isä... Tulin kysymään sinulta... Muuten, onko sinulla vielä muulisi? Ja onko hän terve?... Ah! niin paljon parempi!... Tulin kysymään sinulta ensimmäisen juuri kuolleen sinappityöntekijän paikkaa.
ellauri345.html on line 50: Itävaltalainen kriitikko Hugo von Hoffmannsthal kuvaili tätä Walter Benjaminin noin 1920-21 kirjoitettua esseetä "täysin vertaansa vailla". Se tunnetaan esimerkillisenä esimerkkinä Benjystä joka on alistanut kirjallisen aiheensa intensiiviselle dialektiselle väpitysprosessille. Goethen proosatyyliä ja aikomuksia vastaan hyökkäävässä esseessä Benjamin puolustaa myyttisen ajattelun (jonka hän paikantaa Goethen proosan välineestä) ylittävyyden sijasta vielä kohtaamatonta (ja periaatteessa käsittämätöntä) "vapautta". Noniin, siis juutalaista talousliberalismia. Tyypillisesti Benjamin paikantaa tämän kokemuksen taiteeseen, joka hänen mukaansa yksin kykenee väpittämällä ylittämään myytin voimat. Aivan ylittämätöntä potaskaa. Vaalisukulaisissa oli yxinkertaisesti kyse Goethen pedofiliasta ja ristiinsuihkinnasta, joka menee puihin kun panopuun syyllisyydentunteet ylittävät panetuxen. Nojju. Tulee mieleen sen polakin Gombroviczin pornografia. Kaikki pedofiilit on samanlaisia.
ellauri349.html on line 52: Esan uomakipitys päättyi paskakaivoarvosanaan filosofian apulaisen haussa 1990-luvun lopussa. Vähän taisin vahingoniloisesti virnuilla Kouvolan suunnalta. Sen jälkeen se teki välttämättömyydestä hyvettä kuin kettu pihlajanmarjoista, ja alkoi Schopenhauerin ja Nietzschen lailla dissata "koulufilosofiaa." Siitä tuli motivationaalinen puhuja ja yritysvalmentaja.
ellauri364.html on line 327: Mies haluaa ennen kaikkea olla miehekäs ja nainen naisellinen. Miehen pitää olla suuri ja voimakas, hänellä tulee olla iso pää, leveät hartiat ja kapea lantio, tumma ja voimakas ääni, kunnollinen parrankasvu ja hyvin kehittyneet ulkoiset sukuelimet. Jos yhdessäkin kohdassa on vikaa, ovat asiat hullusti. Naisen laita on samoin: litteä rinta ja karvainen vaza ovat alituisia murheenkryynejä. Mielestäni käteenveto eli runkkaus on tärkein esimerkki neuroottinen vaivan syntymisestä sukuelämän häiriöiden yhteydessä. Izetyydytys on hyvin tavallista jo lapsilla. Vain Freud tietää kuinka usein isät ovat uhanneet vääntää pojilta kikkelit irti, jos Schuco-avain katoaa. Myös tytöt harjoittavat pimpitystä, haaveilevat, ja tulevat tästä frigideixi.
ellauri392.html on line 743: Another Bellow’s novel, Dangling Man, is written in the personal voice of the protagonist whose principal domain is his own sensibility, and whose principal audience is he himself. The text is striking in its exclusion of the female voice, its enactment of a homo-social male world, and the overt narcissism and misogyny of its protagonist, Joseph. It is the story of a young man caught in the trap of self-pity, who believes that intellectual or spiritual enlightenment is to be attained by personal isolation within the confines of a cheap New York boarding house room while he studies the writers of the Enlightenment. Failing that, he joins the Merchant Marine just to fail there too. Saul's own life story to the dot.
xxx/ellauri027.html on line 498: asiakaslähtöisyys briljantti jaxuhali huultskupuna keinovoima ketteryys kilpailuetu kimaltava kollari kukoistus kustannustehokkuus lärveiset mahtava makustella masuasukki me-pystyvyys monilahjakas myyntiponnistelut napostella peba peppujulkkis pikkuneiti poksahtaa posketon positiivinen rapsakka rohea rouhea räjähdysvoimainen seukata tissittää tsemppiä tuhkamuna tunnevoimainen tykittää uomakipitys voimavirta yöppäri
xxx/ellauri059.html on line 635: Timonin vapaus on izensä kanssa elämistä ja muilta poissaoloa. Onpas siinä izekeskeinen ja narsistinen moralisti. Epätoivoista yritystä vapautua keskiluokkaisista arvoista. Kuten matkoista, autoista ja tonnikalasta. Ihminen miettii mikä on elämän tarkoitus, tarjoilee umpityhmä hostessi. Tämän kuultuaan Timo höristää korviaan kuin vanha tykkihevonen ja vetää perstaskusta sarjan filosofiklisheitä: elämä on izetarkoitus, tule sellaisena kuin olet, yms yms.
xxx/ellauri087.html on line 258: Arki ennen koronaa oli Saarisen mukaan liian usein suoritekeskeistä uomakipitystä ja viihteen ylikulutusta. Silloin ei ollut aikaa ajatella pidempiä linjoja ja elämämme ytimiä. Oli liian kiire.
xxx/ellauri087.html on line 310: Mitä olemme oppineet tästä keväästä? No sen, Esa Saarinen sanoo, että kun viihdeteollisuuden ja suoritekipityksen koneistot taas käynnistyvät, syvempi horisontti tulee hämärtymään. Silloin Eskin ansiot taas lähtee pyörimään, ettei niin pahaa ettei jotain hyvääkin, tai kääntäen.
xxx/ellauri125.html on line 791: Hole's performance on August 26, 1994, at the Reading Festival—Love's first public performance following Cobain's death—was described by MTV as "by turns macabre, frightening and inspirational". John Peel wrote in The Guardian that Love's disheveled appearance "would have drawn whistles of astonishment in Bedlam", and that her performance "verged on the heroic ... Love steered her band through a set which dared you to pity either her recent history or that of the band ... the band teetered on the edge of chaos, generating a tension which I cannot remember having felt before from any stage." The band performed a series of riotous concerts over the following year, with Love frequently appearing hysterical onstage, flashing crowds, stage diving, and getting into fights with audience members. One journalist reported that at the band's show in Boston in December 1994: "Love interrupted the music and talked about her deceased husband Kurt Cobain, and also broke out into Tourette syndrome-like rants. The music was great, but the raving was vulgar and offensive, and prompted some of the audience to shout back at her."
xxx/ellauri128.html on line 584: British Eugenics Society oli Darwinin serkun Sir Francis Galtonin aivopieruja. Galton ei selvinnyt laajennetusta matematiikasta ja lääkärinopinnotkin jäi sitten kesken. Tehdäänpä sensijaan nazimeisingillä selvää muista misfiteistä! Galtonin veljexiin kuului mm iljexet Julian ja Aldous Huxley, H.G.Wells, Winston Churchill, Bertrand Russell ja Charles Darwin. "Man is gifted with pity and other kindly feelings; he has also the power of preventing many kinds of suffering. I conceive it to fall well within his province to replace Natural Selection by other processes that are more merciful and not less effective. This is precisely the aim of Eugenics.” Since wars begin in the minds of men and women, it is in the minds of men and women that the defences of peace must be constructed. (UNESCO)
xxx/ellauri170.html on line 420: It’s so good to follow and copy something that works, to follow someone who’s been through it and done it, and to find that modern empirical scientific research is confirming our experiences. And it’s good to be able to describe the process in dictionary definable words and post scientific empirical neurological and genetic research that both confirms actualism and buckets the spiritual belief in an immortal Godly soul. Ah, serendipity abounds … Peter, The Actual Freedom Trust Mailing List.
xxx/ellauri176.html on line 63: The best known event in Phryne's life is her trial. Athenaeus writes that she was prosecuted for a capital charge and defended by the orator Hypereides, who was one of her lovers. Athenaeus does not specify the nature of the charge, but Pseudo-Plutarch writes that she was accused of impiety. The speech for the prosecution was written by Anaximenes of Lampsacus according to Diodorus Periegetes. When it seemed as if the verdict would be unfavourable, Hypereides removed Phryne's robe and bared her breasts before the judges to arouse their "pity". Her beauty instilled the judges with a superstitious fear, who could not bring themselves to condemn "a prophetess and priestess of Aphrodite" to death. They decided to acquit her out of "pity". Pity ja piety on sama sana. Molemmat tulee sanasta 'pipu' (lat. penis).
xxx/ellauri176.html on line 71: There are also arguments for the veracity of the disrobing. The words "a prophetess and priestess of Aphrodite" might have indicated that Phryne participated in the Aphrodisia festival on Aegina. If true, this would have showed the jurors that she was favored by the goddess and deserving of "pity". Also, it was accepted at the time that women were especially capable of evoking the sympathy of the judges. Mothers and children could be brought to courts for such purposes. The baring of breasts was not restricted or atypical for prostitutes or courtesans, and could be used to arouse compassion as well as "pity".
xxx/ellauri176.html on line 128: Water sportsThe use of urine for arousal of pity.
xxx/ellauri179.html on line 281: By the time he was on to his most open-minded wife, Mary, his final spouse, they were exchanging letters about hair that were, Dearborn says, ‘frankly pornographic’, while indulging in sexual role-swapping in bed. Of course, Hemingway — who won the Nobel Prize for Literature in 1954 — wouldn’t be the first genius to have a somewhat less impressive private life. The real Hemingway was self-pitying, self-glorifying and thin-skinned, ready to turn viciously on friends on the slightest provocation. Kake kavereineen tossa Ford Fiesta kirjassa vaikutti täys paskiaisilta ihan miehissä. Mitääntekemättömiä renttuja.
xxx/ellauri179.html on line 648: Hemingway makes explicit here the themes of irony and pity: the irony of Kake's situation (he is a kind of superman who nevertheless can't perform the most basic of manly activities, namely fucking) as well as the pity "we" (who have our penises in working order) feel for him. The writer does so in an extended section, rich with dialogue, that is meant to be funny but has not dated well. The joking between Kake and Bill, over breakfast and later at lunch, is certainly believable as such, but it's difficult for a contemporary audience to follow, because the references to Frankie Fritsch and so forth have grown obscure with the passage of time. (The reference to Bryan's death tells us exactly when these scenes are occurring: 1925.) Do note, however, that Kake's physical condition is alluded to — and quickly backed away from. ("I'd a hell of a lot rather not talk about it" could be the motto of Kake's stoic take on the world, while Hemingway's would be "I want to talk about it all the time".) The writer has established, however, that Kake's condition is not simple impotence (rather it is loss of limb, or shortening of the joystick) and that it was caused by an accident.
xxx/ellauri187.html on line 149: Rilke's most benevolent patron, Princess Marie von Thurn und Taxis, was wise enough both to nurture Rilke's gift and to keep her distance from her complicated protégé. An unblinking observer of Rilke's life, she was able to see his liaisons for what they were. And she knew how Rilke's acute sensitivity to his own condition, combined with his talent for self-pity, often landed him in the arms of the wrong people: "You must always be seeking out such weeping willows, who are by no means so weepy in reality, believe me--you find your own reflection in those eyes." But Freedman, doggedly indifferent to the available evidence, makes Rilke's lovers and women friends out to be helpless victims of a smooth seduction machine.
xxx/ellauri225.html on line 423: With such a sound of gently pitying laughter.
xxx/ellauri229.html on line 554: Everybody was supposed to be a hindless shemale, looking the same coming and going. What a pity. Where´s the fun without a long unbending peg and a matching gooey hole, going in coming out, etcetera ad nauseam. The hole moreover ingeniously placed precisely in the middle of the fork, so it can be conveniently entered from either side.
xxx/ellauri251.html on line 1032: And my limbs yearn with pity of thee, and love
xxx/ellauri251.html on line 1183: Wilt thou turn thee not yet nor have pity,
xxx/ellauri251.html on line 1467: Nor holding pity of any worth;
xxx/ellauri251.html on line 1952: Bow down, cry, wail for pity; is this a time
xxx/ellauri251.html on line 2349: And none of these hath pity of them, and none
xxx/ellauri251.html on line 2450: Have pity upon all people for their sake.
xxx/ellauri251.html on line 2510: Shall the waves take pity on thee
xxx/ellauri251.html on line 2664: Call ye on them; I will not pity man,
xxx/ellauri251.html on line 2665: Shew ye your pity. I know not if I live;
xxx/ellauri251.html on line 2713: She wept, and she had no pity;
xxx/ellauri251.html on line 3211: Pity me, pity even me gone hence and dead,
xxx/ellauri268.html on line 248: Merope sucks. I pity her but also kind of am disgusted by her, which I think is exactly how we are supposed to feel about her.
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