ellauri095.html on line 135: A short fellow of 5’2 or 3”, he was enthusiastic, had a high-pitched voice, loved to sketch and write poems, was close to his family, and had warm, lifelong friends from Oxford, fellow Jesuits, and Irish families. For recreation he visited art exhibitions and old churches, and enjoyed holidays with his family, friends, and fellow Jesuits in Switzerland, Holland, the Isle of Wight, the Isle of Man, Whitby on the North Sea, Wales, Scotland, and the West of Ireland. During these holidays, he loved to hike and swim. His passions were nature (especially trees), ecology, beauty, poetry, art, his family and friends, his country, his religion, and his God. His curse was a lifelong “melancholy” (his word) which in 1885 in Dublin became deep depression and a sense of lost contact with God.
ellauri095.html on line 555: He was pitched to his death at a blow, Sen kimmahdutti jorpakkoon raakapuu,
ellauri100.html on line 917: They went with pitchers to the reedy brook;
ellauri100.html on line 967: Trudg’d home, her pitcher dripping all the way;
ellauri147.html on line 228: Emily finally gets an opportunity to pitch her idea to Camille´s mother. Sylvie is unimpressed with Emily´s idea to market Camille´s family´s champagne. Emily meets Julia Roberts who is a member of the Aussie Football League (AFL). She is aware of Emily´s association with Pierre Cadault and asks if Pierre might be willing to donate her his dress to be auctioned at AFL´s fundraising benefit.
ellauri156.html on line 209: A second reason may be boredom. Something you my dear remaining readers know by now. It is one thing to fight battles in which the enemy is quickly overcome. But the besieging of Rabbah is a whole different kind of war. This battle will not be won so quickly. It will take time to starve the Ammonites to the point that they surrender. It is not a very exciting kind of war to wage. And while they wait, the Israelite soldiers (which includes David) have to pitch their tents outside the city, living in the open field. This is no picnic, and David knows it. David's attitude seems reflected in the advertising slogan of a major hamburger chain, “You deserve a break today.”
ellauri156.html on line 442: Dunno says his original conception was for a film that would encompass David's life and go into three main chapters: David as a boy fighting Goliath; a more mature David and his friendship with Jonathan, ending with the affair with Bathsheba; and an older David and his relationship with his son Absalom. Dunno wrote a treatment which he estimated would make a four hour movie. Zanuck was not enthusiastic so Dunno then pitched the idea of doing a film just on David and Bathsheba, which Zanuck loved.
ellauri156.html on line 768: The consequences are not only appropriate, but intensified. David took one man's wife; another will take several (I bet four) of his wives. This happens when Absalom rebels against his father's rule and temporarily takes over the throne. Following the advice of Ahithophel, Absolom pitches a tent on the roof of David's palace (the place from which David first looked upon Bathsheba) and there, in the sight of all Israel, sleeps with David's concubines as a declaration that he has taken over his father's throne and all that goes with it (2 Samuel 16:20-22). While David seeks to commit his sins in private, God sees to it that the consequences are very public. Aijaa. Kai tää Absalom-tarinakin täytyy vielä lehteillä.
ellauri163.html on line 48: He wrote the drama Got fun nekome (God of Vengeance) in the winter of 1906 in Cologne, Germany. It is about a Jewish brothel owner who attempts to become respectable by commissioning a Torah scroll and marrying off his daughter to a yeshiva student. Set in a brothel, the play includes Jewish prostitutes and a lesbian scene. I. L. Peretz famously said of the play after reading it: "Burn it, Asch, burn it!" Instead, Asch went to Berlin to pitch it to director Max Reinhardt and actor Rudolph Schildkraut, who produced it at the Deutsches Theater. God of Vengeance opened on March 19, 1907 and ran for six months, and soon was translated and performed in a dozen European languages. It was first brought to New York by David Kessler in 1907. The audience mostly came for Kessler, and they booed the rest of the cast. The New York production sparked a major press war between local Yiddish papers, led by the Orthodox Tageplatt and even the secular Forverts. Orthodox papers referred to God of Vengeance as "filthy," "immoral," and "indecent," while radical papers described it as "moral," "artistic," and "beautiful". Some of the more provocative scenes in the production were changed, but it wasn't enough for the Orthodox papers. Even Yiddish intellectuals and the play's supporters had problems with the play's inauthentic portrayal of Jewish tradition, especially Yankl's use of the Torah, which they said Asch seemed to be using mostly for cheap effects; they also expressed concern over how it might stigmatize Jewish people who already faced much anti-Semitism. The association with Jews and sex work was a popular stereotype at the time. Other intellectuals criticized the writing itself, claiming that the second act was beautifully written but the first and third acts failed to support it.
ellauri171.html on line 510: The Bible story describes how Dinah went out to visit some women. She cannot have been alone when she left the pitched tents of her family and went into the city.
ellauri336.html on line 604: That’s the first thing that makes Thunberg’s statement so disgusting. It’s truly mind-boggling that an internationally famous figure could comment on this conflict, which was escalated to its current fever pitch by Hamas’s brutal terrorist attack, without even mentioning that attack or offering any support to its victims.
ellauri370.html on line 392: A lot of Elvis Presley songs were written especially for him, but according to Mac Davis, Presley´s 1969 hit, In the Ghetto, was not such a song. Mac Davis commented, 'I never really dreamed of pitching that song to Elvis. I had been working on In the Ghetto for several years. I grew up playing with a little boy in Lubbock, Texas, whose family lived in a dirt street ghetto. His dad and my dad worked in construction together. So that little boy and I sort of grew up together. I never understood why his family had to live where they lived while my family lived where we lived. Of course back in those days, the word "ghetto" hadn't come along yet. (It is Venetian for "foundry".) But I always wanted to write a song about that situation and title it 'The Vicious Circle'. I thought that if you were born in that place and that situation, then you grow up there and one day you die there, and another kid is born there that kind of replaces you. And later I started thinking about the ghetto as a title for the song.
ellauri389.html on line 399: His abilities as a thinker were overrated highly. "It was really a delightful luxury," declares De Quincey, "to hear him giving free scope to his powers for investigating subtle combinations of character." "His mind," says Talfourd, "was chiefly remarkable for a fine power of analysis. In this power of discriminating and distinguishing, in a word nitpicking, carried almost to a pitch of painfulness, Lloyd has scarcely been equalled."
ellauri406.html on line 362: Meanwhile, outnumbered Ukrainian forces face grinding battles against one of the world’s most powerful armies in the east. As Zelenskyy pitches his plan to Biden on Thursday, Ukrainian servicemen will be grappling to hold defensive lines in the key logistics point of Vuhledar in the Donetsk region. For some of them, it is essential that Biden buys into Zelenskyy’s plan. - Who shall I introduce next? President Putin? WHAT?
xxx/ellauri114.html on line 373: For the Lord has a day of vengeance, a year of retribution, to uphold Zion’s cause. Edom’s streams will be turned into pitch, her dust into burning sulfur; her land will become blazing pitch! It will not be quenched night or day; its smoke will rise forever. From generation to generation it will lie desolate; no one will ever pass through it again. The desert owl and screech owl will possess it; the great owl and the raven will nest there. God will stretch out over Edom the measuring line of chaos and the plumb line of desolation (Isaiah 34:5-11).
xxx/ellauri138.html on line 121:

Baines, D. (April 16, 2010) Vancouver man sued for pitching U.S. unsaleable properties. Vancouver Sun, retrieved December 15, 2011. Archived 2014-01-23 at the Wayback Machine.
xxx/ellauri167.html on line 586: Cronkite thanked Rather “for staying in there, pitching despite every handicap that they can possibly put in our way from free flow of information at this Democratic National Convention.” Cronkite clearly suspected that Daley had purposely avoided resolving the electrical workers’ strike in order to hinder network coverage. “Dick Daley’s a fine fellow, but when his strong hand is turned agin’ you, as the press has felt it was on this occasion, he’s a tough adversary.”
xxx/ellauri179.html on line 711: As the chicks are now moving around they must learn the safety rules. The Mother hen has two distinct calls to bring the chicks back to her in the case of danger or uncertainty. The first is a low pitched clucking, this means the chicks should stay near Momma.
xxx/ellauri179.html on line 716: Distress: This is a higher pitched peeping – it is continuous and sounds unhappy. Being cold and hungry are the usual reasons.
xxx/ellauri179.html on line 803: It is the close of a busy and vexatious day—say half past five or six o´clock of a winter afternoon. I have had a cocktail or two, and am stretched out on a divan in front of a fire, smoking. At the edge of the divan, close enough for me to reach her with my hands, sits a woman not too young, but still good-looking and well dressed—above all, a woman with a soft, low-pitched, agreeable voice. As I snooze she talks—of anything, everything, all the things that women talk of: books, music, the play, men, other women. No politics. No business. No religion. No metaphysics. Nothing challenging and vexatious—but remember, she is intelligent; what she says is clearly expressed... Gradually I fall asleep—but only for an instant... then to sleep again—slowly and charmingly down that slippery hill of dreams. And then awake again, and then asleep again, and so on. I ask you seriously: could anything be more unutterably beautiful?
xxx/ellauri215.html on line 131: It wasn’t until “The Ghost Writer,” in 1979, that Roth regained his footing. Zuckerman, Roth’s most Roth-like surrogate, was a perfectly pitched instrument. The costs of radical freedom—the challenge of grappling openly, outrageously, with even the ugliest impulses of life—became a subject of his work.
xxx/ellauri218.html on line 142: Donnie Ray Moore (February 13, 1954 – July 18, 1989) was an American relief pitcher in Major League Baseball (MLB) who played for the Chicago Cubs (1975, 1977–79), St. Louis Cardinals (1980), Milwaukee Brewers (1981), Atlanta Braves (1982–84) and California Angels (1985–88). Moore is best remembered for the home run he gave up to Dave Henderson while pitching for the California Angels in Game 5 of the 1986 American League Championship Series. With only one more strike needed to clinch the team's first-ever pennant, he allowed the Boston Red Sox to come back and eventually win the game. Boston then won Games 6 and 7 to take the series. Shortly after his professional career ended, he shot his wife three times in a dispute, failed to finish her and then committed suicide. Kylmä olen sitten huono. En osu edes omaan päähäni. Kierot palefacet puhuvat tyhmän Simson-nekrun ympäri. Hyvässä sovussa lähdetään ottelusta autolle.
xxx/ellauri228.html on line 574: Charlie Parsons (baseball) (1863–1936), Major League Baseball pitcher
xxx/ellauri394.html on line 361: Kalili was the choir director at his ward (congregation) of the Church of Jesus Christ of Latter-day Saints (Mormon) in Laie up until the 1970s. The term “shaka” is not a Hawaiian word. It’s attributed to David “Lippy” Espinda, a used car pitchman who ended his TV commercials in the 1960s with the gesture and an enthusiastic “Shaka, brah!”
xxx/ellauri410.html on line 948: Ohjelman suunnittelulle ja pitchille omistautuneiden vuosien jälkeen "L´Agence" luotiin arvostetulla kanavalla TF1 vuonna 2020. Sen debyytti sai raikkaan vastaanoton, mikä vahvisti yleisön tuen tälle tarinalle. Menestys ei pysähtynyt tähän; Netflix, joka alun perin epäröi, koska yleisö oli huolissaan liiallisesta ylellisyyteen keskittyvän sisällön vastaanottamisesta, vaikutti sarjan vetovoimaan.
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