ellauri112.html on line 819: “God himself provides ‘wine which makes man’s heart glad’ just as He gives ‘food which sustains man’s heart’ (Ps. 104:14.15). He promises His people that, if they will obey Him, He will bless them with an abundance of wine (Deut 7:13, 11:14, Prov. 3:10. etc.). He threatens to withdraw this blessing from them if they disobey His law (Deut. 28:39, 51; Isa. 62:8). The Scriptures clearly teach that God permits His people to enjoy wine and strong drink as a gift from Him. ‘You may spend the money for whatever your heart desires, for oxen, or sheep, or wine, or strong drink, or whatever your heart desires; and there you shall eat in the presence of the Lord your God and rejoice, you and your household’ (Deut. 14:26).
ellauri159.html on line 1159: You work best when they have the freedom to follow your own process and timeline. Estimate how long you’ll need to complete each task, then add 50% and a cushion. Set milestones along the way only to remove them as you go. Incorporate a lot of time for breaks. If your energy wanes, meet with a writer friend for coffee or other libation, and discuss your ideas. If the project permits, consider copulating with a co-writer.
ellauri160.html on line 204: His obituary in The Times described it as not a great poem, because of the lack of structure, but a great improvisation: "The exasperating form permits the occasional, and in the early Cantos and in The Pisan Cantos not so occasional, irruption of passages of great poetry, hot and burning lava breaking through the cracks in piles of boring scree."
ellauri210.html on line 1318: In the remaining quarter of the text, André distances himself from her corporeal form and descends into a meandering rumination on her absence, so much so that one wonders if her absence offers him greater inspiration than does her presence. It is, after all, the reification and materialization of Nadja as an ordinary person that André ultimately despises and cannot tolerate to the point of inducing tears. There is something about the closeness once felt between the narrator and Nadja that indicated a depth beyond the limits of conscious rationality, waking logic, and sane operations of the everyday. There is something essentially “mysterious, improbable, unique, bewildering” about her; this reinforces the notion that their propinquity serves only to remind André of Nadja's impenetrability. Her eventual recession into absence is the fundamental concern of this text, an absence that permits Nadja to live freely in André's conscious and unconscious, seemingly unbridled, maintaining her paradoxical role as both present and absent. With Nadja's past fixed within his own memory and consciousness, the narrator is awakened to the impenetrability of reality and perceives a particularly ghostly residue peeking from under its thin veil. Thus, he might better put into practice his theory of Surrealism, predicated on the dreaminess of the experience of reality within reality itself. Nadja Nadja soromnoo.
ellauri263.html on line 451: The city is often described as a "microcosm" of the Israeli-Palestinian conflict and the Israeli occupation of the West Bank. The Hebron Protocol of 1997 divided the city into two sectors: H1, controlled by the Palestinian National Authority, and H2, roughly 20% of the city, including 35,000 Palestinians, under Israeli military administration. All security arrangements and travel permits for local residents are coordinated between the Palestinian National Authority and Israel via the Israeli military administration of the West Bank (COGAT). The Jewish settlers have their own governing municipal body, the Committee of the Jewish Community of Hebron.
xxx/ellauri103.html on line 231: Because the ultimate endpoint of keeping out mitts off experience that doesn’t belong to us is that there is no fiction. Someone like me only permits herself to write from the perspective of an ugly straight white female born in North Carolina, closing on sixty, able-bodied but with bad knees, skint for years but finally able to buy the odd new Dolce Cabbana. All that’s left is a memoir. Well, you are right, who would care to read that, in my case at least?
xxx/ellauri167.html on line 574: The Archie Bunkers of America, impassive to the hippies’ and yippies’ plight, saw them playing the newsmen like a fiddle, getting free publicity for their cause and, ultimately, getting what they deserved from the police. The protesters hurled profanities at the cops. They engaged in street theater, nominating a pig as the Democratic presidential candidate. They attempted to sleep in the parks (defying the curfew) and to hold marches even though marching permits had been denied by the city. Allen Ginsberg even led the kids in chanting “Om.”
xxx/ellauri167.html on line 590: The mayor was a masterful machine politician, but he lacked nuance in his understanding of mass media. He refused permits for protesters, as if that would keep them from protesting and, therefore, prevent journalists from covering them. He had crude “We Love Mayor Daley” signs made, and had city workers to hold them up in front of the cameras. He stuck decals of himself on the phones in every delegate’s hotel room, which was a particularly dunderheaded move given that the city was in the middle of an electrical workers’ strike that made the phones all but useless.
xxx/ellauri261.html on line 585: Hegel argued that God (as Absolute or Father) is radically negated by the concrete incarnation of God (as Christ or Son). This negation is subsequently itself negated at the Crucifixion of Jesus, resulting in the emergence of the Holy Spirit, God as both concrete (the church) and absolute (spiritual community). In Hegelian thought, therefore, the death of God does not result in a strict negativity, but rather, permits the emergence of the full revelation of God: absolute consciousness.
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