ellauri095.html on line 455: Their rivalry began with Hopkins’s response to her poem “The Convent Threshold.” Geoffrey Hartman was clearly on the right track when he suggested in the introduction to Hopkins: A Collection of Critical Essays (1966) that “Hopkins seems to develop his lyric structures out of the Pre-Raphaelite dream vision. In his early ‘A Vision of the Mermaids’; and ‘St. Dorothea’; he may be struggling with such poems as Christina Rossetti’s ‘Convent Threshold’; and Dante Gabriel Rossetti’s ‘The Blessed Damozel,’ poems in which the poet stands at a lower level than the vision, or is irrevocably, pathetically distanced.” Such poems were the essence of medievalism in poetry according to William Morris, who felt that Keats’s “La Belle Dame Sans Merci” was the germ from which all Pre-Raphaelite poetry sprang. Standing beyond Keats, however, the primary source was Dante. Christina Rossetti clearly alludes to Beatrice’s appeal to Dante in “The Convent Threshold”:
ellauri144.html on line 280: The film was produced as part of the studio's goodwill message for Latin America. The film stars Donald Duck, who in the course of the film is joined by old friend José Carioca, the cigar-smoking parrot from Saludos Amigos, who represents Brazil, and later becomes friends with a pistol-packing rooster named Panchito Pistoles, who represents Mexico. The Disney song is pathetically bad. Donald Duck's telescope has an erection when the duck focuses on Latin beauties, such as Carmen Mirandaxxx/ellauri149.html on line 392: Jesus: There will be poor always, pathetically struggling; look at the good things you've got! ...You'll be lost, and you'll be so sorry, when I'm gone!
xxx/ellauri179.html on line 149: The Jewish Princeton man and writer Cohn believes in love, romance and the ideals he finds in literature but he gets on the nerves of most of the other men in the novel by the way he pathetically hangs around Brett and with his "superior, Jewish" way. He becomes a target for the other men's dissatisfaction.
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