ellauri046.html on line 785: Whose pastoral passions are made for the grove;
ellauri060.html on line 466: A traditional pastoral folk song the popular form of which dates to the mid-19th century. It is largely believed to have been sung commonly during the Sepoy Rebellion of 1857, though no credible source seems to confirm it. If it were true the song likely predates the 19th century, though no published copies of the work exist.
ellauri106.html on line 453: Phillu kritisoi kärkevästi kaikkia jotka uskoo "sokeasti" yhtään mihinkään, se on ihan järkevää ja oikeutettua. Luuleminen riittää hyvin arkitarpeisiin, mihin tässä tarvitaan mitään uskoa tai toivoa. Parempi kazoa kuin katua. Älä pure kättä joka näyttää likaiselta. Phillun jakelemat rangaistuxet polulta oikealta poikenneille on ihan vanhan testamentin tyylisiä, ennen kaikkea tietysti langenneille naisille. Tää kirja oli siis American pastoral, joka on 1/3 trilogiasta, jonka muut osat ovat I married a communist ja The human stain. En ole lukenut. Vielä ainakaan.
ellauri106.html on line 633: Tää pätkä tulee taas American pastoralista, joka kuullostaa niin pahalta että se pitää ehkä seuraavaxi lukea:
ellauri107.html on line 140: Pepun paskanjauhanta muka-uskollisuudesta shixavaimolle on läpinäkyvää valetta. Ize se on seemiläisheimonsa pahin semiitti. On olevinaan sankaria paxujalkaiselle ämmälle joka ei merkitse sille vähääkään. Tääkö pitäis uskoa? Uskokoon ken jaxaa. Ja samalla kuxii jotain "herttaista ja huomaavaista ja sievää opiskelijatyttöä" Karen Oakesia siinä sivussa. Ei tää nyt yhtään komputoi. Ainoa yhteinen nimittäjä sen toimille on ihan silmitön loukattu narsismi ja naisviha. Hei mutta olikohan Peppu Uranuxen poikia? Seuraava mietelmä esiintyi filmin American pastoral loppuvizinä:
ellauri140.html on line 103: Colin Firth M+, a shepherd noted for his songs and bagpipe playing, briefly appearing in Book VI. He is the same Colin Clout as in Spenser´s pastoral poetry, which is fitting because Calidore is taking a sojourn into a world of pastoral delight, ignoring his duty to hunt the Blatant Beast, which is why he set out to Ireland to begin with. Colin Clout may also be said to be Spenser himself.
ellauri151.html on line 64: La Symphonie pastorale est un roman court écrit par André Gide entre février et novembre 1918 puis publié en 1919, qui traite du conflit entre la morale religieuse et les sentiments.
ellauri155.html on line 798: Calvin exemplified a pastoral use of this doctrine, patterned after Christ and the apostles, who used this doctrine in two chief ways - to humble the proud and to comfort the humble.
ellauri155.html on line 810: The last sentence is rather remarkable. “Should it be his will to exercise you still further, by concealing it from you, submit to that will, that you may become the wiser than the weakness of your own understanding can ever attain to.” Calvin shows how much wisdom and comfort can be found in submitting to God’s divine will, trusting Him regardless of how much or how little of that will He has revealed to the afflicted. In so doing, he reveals to us true pastoral care in using this Biblical doctrine. Hey, just how much is it? I did not notice any quote.
ellauri156.html on line 447: The musical score was by Alfred Newman (the funny looking kid on the cover of Mad magazine), who, for the bucolic scene with the shepherd boy, used a solo oboe in the Lydian mode, drawing on long established conventions linking the solo oboe with pastoral scenes and the shepherd's pipe. To underscore David's guilt-ridden turmoil in the Mount Gilboa scene, Newman resorted to a vibraphone, which Miklós Rózsa used in scoring Peck's popular 1945 Spellbound, in which he played a no less disturbed patient suffering from amnesia, viz. prophet Nathan Zuckerman.
ellauri163.html on line 535: Parmi ses livres les plus célèbres, Éducation de la Volonté, qui en 1909 avait été publié dans pas moins de 32 éditions et traduit en plusieurs langues. Il est mis à l´index par le Vatican dont deux restent encore à l´Index en 1948. Son livre La morale à l´école fait partie des 13 livres interdits qui seront à l´origine de la lettre pastorale des cardinaux, archevêques et évêques de France du 14 septembre 1909 justifiant le refus des sacrements aux parents dont les enfants utilisent ces livres.
ellauri172.html on line 908: - André Gide, La symphonie pastorale, roman, éd. Gallimard, 1920. CHECK
ellauri241.html on line 878: White hawthorn, and the pastoral eglantine; Valkoinen orapihlaja ja pastoraalinen omppuruusu;
ellauri246.html on line 91: At first this poem seems very pastoral, but it was written in the summer of either 1940 or 1941. Sweden was not at war, but had seen Denmark and Norway occupied by Nazi Germany and Finland defeated by the Soviet Union. Ekelöf was firmly opposed to the totalitarian regimes, so see this poem as finding a moment of peace, pineapple and bananas in a time of other people's crisis.
ellauri301.html on line 230: Khoekhoen (singular Khoekhoe) (or Khoikhoi in the former orthography; formerly also Hottentots) are the traditionally nomadic pastoralist indigenous population of southwestern Africa. They are often grouped with the hunter-gatherer San (literally "Foragers") peoples. The designation "Khoekhoe" is actually a kare or praise address, not an ethnic endonym, but it has been used in the literature as an ethnic term for Khoe-speaking peoples of Southern Africa, particularly pastoralist groups, such as the !Ora, !Gona, Nama, Xiri and ǂNūkhoe nations. Noi huutomerkit ym ovat naxautusäänteitä, joita meille opetti svartskalle kielitieteen assari, musta Lumikki. Nyt sekin saattaa olla vitskalle pikemminkin.
ellauri301.html on line 236: Circumstantial evidence supports the theory that at the time of the Dutch arrival, the girl was living with her uncle Autshumato (also known as Harry by the Dutch), the circumstantial evidence being that she showed consistent hostility to the !Uriǁ’aekua and, by association, to her own mother, who lived with them. In contrast Krotoa´s fate and fortunes were closely aligned to those of her uncle Autshumato and to his clan known as the !Uriǁ´aeǀona. The ǃUriǁ´aeǀona (rendered in Dutch as "Goringhaicona") people who were sedentary, non-pastoral hunter-gatherers are believed to be one of the first clans to make acquaintance with the Dutch people. Prior to the Dutch´s arrival Autshumato served as a postal agent for passing ships of a number of countries. If the theory of !Oroǀõas having lived with her uncle is true, then her early service to the VOC may not have been as violent a transition as it was made out to be.
ellauri374.html on line 210: EU equivalents include the German: haberfeldtreiben and German: katzenmusik, Italian: scampanate, Spanish cacerolada, (also cacerolazo or cacerolada) and of course French charivari. Americans of course were not that nasty. In a North American charivari participants might throw the culprits into horse tanks or force them to buy candy bars for the crowd. "All in fun – it was just a shiveree, you know, and nobody got mad about it. At least not very mad." In music, Charivari would later be taken up by composers of the French Baroque tradition as a 'rustic' or 'pastoral' character piece. In Samuel Butler´s Hudibras, the central character encounters a skimmington in a scene notably illustrated by William Hogarth. In the 1966 film El Dorado, Cole Thorton (John Wayne) tells Mississippi (James Caan) that they were unable to re-enter the saloon they just left because the "shivaree" (i.e., the fight they had with other bar patrons) "wore out our welcome".
ellauri391.html on line 129: Ab 1950 bekämpfte er die deutsche Wiederbewaffnung. Im Kalten Krieg widersprach er kontinuierlich dem prinzipiellen Antikommunismus. His pastoral career began in the rural Swiss town of Safenwil, where he was known as the "Red Pastor from Safenwil".
ellauri391.html on line 158: Hamann deserves to be known precisely because he was the first to voice counter-Enlightenment views. Named by Goethe as the "brightest intellect of his era," Hamann, a resident of Königsberg, East Prussia, and friend of Kant, was denied access to a professorship or a pastoral call because he was a stutterer. Having undergone a conversion experience while on a business trip to London that had gone awry, he disavowed the Enlightenment ideal of limiting truth to autonomous reason. In a word, autonomous reason is no substitute for "Christ" (the word).
xxx/ellauri087.html on line 456: Further in the field of science fiction, Ursula K. Le Guin wrote a Hugo-nominated short story whose title, "Vaster than Empires and More Slow", is taken from the poem. Ian Watson notes the debt of this story to Marvell, "whose complex and allusive poems are of a later form of pastoral to that which I shall refer, and, like Marvell, Le Guin's nature references are, as I want to argue, "pastoral" in a much more fundamental and interesting way than this simplistic use of the term." There are other allusions to the poem in the field of Fantasy and Science Fiction: the first book of James Kahn's "New World Series" is titled "World Enough, and Time"; the third book of Joe Haldeman's "Worlds" trilogy is titled "Worlds Enough and Time"; and Peter S. Beagle's novel A Fine and Private Place about a love affair between two ghosts in a graveyard. The latter phrase has been widely used as a euphemism for the grave, and has formed the title of several mystery novels.
xxx/ellauri173.html on line 119: Very likely. But this is what occurs to me: in these poems, Virgil reworks Theocritus´ idylls, in detail, down to including many embedded passages and quotations translated from Greek into Virgillian Latin. I wonder if Θεόκριτος isn't the god who opened the leisure of the pastoral idyll to Virgil. Θεός means 'god' after all, as Virgil would have known. And κριτος? Well κριτος means 'selection', 'choice'. It means eclogue.
xxx/ellauri230.html on line 668: Tao Yuanming had five sons. The daughters, if any, were unrecorded (as customary). Approximately 130 of his works survive, consisting mostly of poems or essays which depict an idyllic pastoral life of farming and drinking. Some farming and a lot of boozing. Poem number five of Tao's "Drinking Wine" series translated:
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