ellauri042.html on line 828: Uskonto teatteri ja tanssimusiikki sopii jopa idiooteille. Easter parade. Apinalle on pelehtiminen ihan verissä. Sen tautta neekeritkin laulaa työlauluja, pohtii saxikäsi. Saxikäden argumentissa on jotain hyvin suspektia. Se että idiootti tiedemies osaa tietosanakirjan ulkoa on koneellista, mutta se eze osaa soittaa pianoa näytellä tai tanssia on jotain suurenmoista. Ero on lähinnä siinä kiinnostaako se Olli Saxea. Olli Saxi on tehokkaasti tukkinut eideettisen muistinsa mutta säilyttänyt musiikin kanavana suoraan nivusiin. Ja siellähän se roikkuu sen sammakkoeläimellisen elämän tarkoitus.
ellauri048.html on line 1711: He loves to make parade of pain
ellauri065.html on line 219: Juotikkaan mielestä Tom Sacksin Human Centipede (2009) on omaperäinen idea. Se on kuitenkin ennakoitu Klibanin piirroxessa Business on parade niinkin aikaisin kuin Jaskan syntymävuonna 1976. Mulla on se, ostin sen jenkeissä Jaskan äidin vasta Jaskaa ulos pyllistäessä. Niin ja Grinchin joulumaassa missä wholandian väki tekee Christmas Congaa ilman turvavälejä (Jim Carey, 2000). Joku jenkki haukkuu sitä huonoimmaxi rainaxi ikinä. Se ei ole nähnyt Human Centipedeä. (En minäkään, enkä aiokaan kazoa.)
ellauri099.html on line 221: What was the garden for? Was it a space for leisure, strolling and quiet dialectical chitchat? Was it a mini-laboratory for botanical observation and experimentation? Or was it — and I find this the most intriguing possibility — an image of paradise? The ancient Greek word paradeisos appears to be borrowed etymologically from Persian, and it is said that Darius the Great had a "paradise garden," with the kinds of flora and fauna with which we are familiar from the elaborate design of carpets and rugs. A Persian carpet is like a memory theater of paradise. It is possible that Milesian workers and thinkers had significant contact with the Persian courts at Susa and Persepolis. Maybe the whole ancient Greek philosophical fascination with gardens is a Persian borrowing, and an echo of the influence of their expansive empire. But who knows?
ellauri111.html on line 204: Wow! What an opportunity! He made money by selling pictures of himself, bows and arrows, buttons off his shirt, and even his hat. In 1905, the Indian Office "provided" Geronimo for the inaugural parade for President Theodore Roosevelt. Later that year, the Indian Office "took" him to Texas, where he shot a buffalo in a roundup staged by 101 Ranch Real Wild West for the National Editorial Association. Geronimo was escorted to the event by soldiers, as he was still a prisoner. The teachers who witnessed the staged buffalo hunt were unaware that Geronimo’s people were not buffalo hunters. Aargh!
ellauri140.html on line 162: The House is an emblem of sin and worldliness. The ruler of the palace is Lucifera, who is accompanied by her six counselors. Together they represent the seven deadly sins. When the Redcrosse Knight encounters the palace, he is met with Lucifera and her parade. Each counselor, a sin, and the falsehood of the structure itself representing a flawed nature, altogether embody the House of Pride.
ellauri140.html on line 170: Gluttony (M) – Gluttony is described by Spenser as a "deformed creature" and "more like a monster, than a man". He enters the parade riding a dirty pig, bearing a large stomach and a thin neck. In the poem, Gluttony eats excessively as others starve; this is when gluttony is considered a sin. Muullon se oli A-OK Spenserin aikana. Kaikissa sioissa on pikkuisen likaa, ei siitä pitäs rankasta.
ellauri141.html on line 264: nec sit marita, quae rotundioribus and may no other wife go on parade
ellauri147.html on line 591: