ellauri011.html on line 529: • In 2016, a Sydney-based jewelry designer, Laura Byrne, claimed that Coelho took a quote that she posted on Instagram in 2014 and used it as his own by posting it to his social media page on January 6, 2016.
ellauri011.html on line 918: Meanwhile, she thought to herself: Hmmm, the others must have noticed that I feel different. What a wonderful thing it was, to be able to love. It's what makes us remember our mission on earth, our purpose in life. [A full page follows of this sort of dithyramb. Another solo aria starring Paulo.]
ellauri014.html on line 1970: Bryantin nuoruuden runot meni vesilinnuille (page20">To a Waterfowl), sen piti mennä lakimiehexi. Sen paras runo oli Thanatopsis, ja se onkin tosi hyvä, 17-vuotiaan tekeleexi, ainakin mun miälest. Kunnolla darwinistinen. Ville ei muistanut jälkikäteen kysyttäessä, missä ja milloin se oli kirjoittanut sen. Oisko tässä syy:
ellauri022.html on line 577: Strut stage. Rage page.
ellauri023.html on line 1156: Torinolaiset ei ole mitään saapasmaan valtalinjan pizzakokkeja ja häslääviä spagetin pyörittäjiä, ne on enemmän kuin pikku saxalaisia, insinöörejä. Ironian mestareita, niinkuin Wolfram Roth. Kun kurjuus loppui, Leevi jatkoi elämää. Tääkin on New Yorkerieiden miälestä jotenkin säädytöntä.
ellauri031.html on line 102: Nåja, första staketet ramlar ner: inte hoppa på ekipaget först, vänta din tur. Lilly, som sku bli hennes vän, är en liten fröken och leker inte längre, inte hoppa inte hoppa, bara sakta promenera, med lång och ännu längre överläpp om hon inte gillar någonting. Y är så led på allt at hon hotar att hoppa ut genom fönstret och skrämmer Lilly. Det blir kvarsittning för det naturligtvis. Allt är fasligt fint med genomtråkigt. Lilly är tråkig och en sjåpagås.
ellauri033.html on line 222: la photographie et de la sténographie. Par exemple, certaines pages du
ellauri033.html on line 378: grâce touche quelques pages avant la fin. Un an après, -dans le livre
ellauri043.html on line 154:

page-break-after: avoid; text-align: center;">Anttoni


ellauri043.html on line 436:

page-break-after: avoid; text-align: center;">Eka ääni:
ellauri043.html on line 441:

page-break-after: avoid; text-align: center;">Toinen ääni:


ellauri043.html on line 446:

page-break-after: avoid; text-align: center;">Kolmas ääni:


ellauri043.html on line 450:

page-break-after: avoid; text-align: center;" align="justify">
ellauri043.html on line 463:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 796:

page-break-after: avoid; text-align: center;">Saaban kuningatar


ellauri043.html on line 983:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 990:

page-break-after: avoid; text-align: center;">Lapsi


ellauri043.html on line 997:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1001:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1005:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1013:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1017:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1021:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1025:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1029:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1033:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1040:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1045:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1049:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1053:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1057:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1061:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1067:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1071:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1076:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1080:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1084:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1088:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1092:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1096:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1100:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1104:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1108:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1112:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1119:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1124:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1128:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1134:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1139:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1145:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1149:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1154:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1158:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1162:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1166:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1179:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1186:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1193:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1198:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1204:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1212:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1226:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1230:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1234:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1238:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1242:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1246:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1250:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1257:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1261:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1265:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1270:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1275:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1279:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1286:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1293:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1299:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1304:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1311:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1330:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1342:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1349:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1360:

page-break-after: avoid; text-align: center;">Manès


ellauri043.html on line 1381:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1390:

page-break-after: avoid; text-align: center;">Mies,
ellauri043.html on line 1403:

page-break-after: avoid; text-align: center;">Manès


ellauri043.html on line 1410:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1417:

page-break-after: avoid; text-align: center;">Manès


ellauri043.html on line 1422:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1426:

page-break-after: avoid; text-align: center;">Manès


ellauri043.html on line 1433:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1437:

page-break-after: avoid; text-align: center;">Manès


ellauri043.html on line 1443:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1448:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1452:

page-break-after: avoid; text-align: center;">Saturninus


ellauri043.html on line 1461:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1465:

page-break-after: avoid; text-align: center;">Cerdon


ellauri043.html on line 1470:

page-break-after: avoid; text-align: center;">Marcion


ellauri043.html on line 1474:

page-break-after: avoid; text-align: center;">Pyhä Klemens Alexandrialainen
ellauri043.html on line 1479:

page-break-after: avoid; text-align: center;">Bardesanes


ellauri043.html on line 1486:

page-break-after: avoid; text-align: center;">Hernialaiset


ellauri043.html on line 1490:

page-break-after: avoid; text-align: center;">Priscillianuslaiset


ellauri043.html on line 1494:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1501:

page-break-after: avoid; text-align: center;">Hilarion


ellauri043.html on line 1513:

page-break-after: avoid; text-align: center;">Valentinus


ellauri043.html on line 1521:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1535:

page-break-after: avoid; text-align: center;">Valentinus


ellauri043.html on line 1563:

page-break-after: avoid; text-align: center;">Origènes


ellauri043.html on line 1571:

page-break-after: avoid; text-align: center;">Basilides


ellauri043.html on line 1589:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1594:

page-break-after: avoid; text-align: center;">Elkesaiitit


ellauri043.html on line 1610:

page-break-after: avoid; text-align: center;">Karpokratoslaiset


ellauri043.html on line 1619:

page-break-after: avoid; text-align: center;">Nikolaiitit
ellauri043.html on line 1630:

page-break-after: avoid; text-align: center;">Markosioslaiset


ellauri043.html on line 1660:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 1676:

page-break-after: avoid; text-align: center;">Messalialaisiin


ellauri043.html on line 1687:

page-break-after: avoid; text-align: center;">Paterniolaiset


ellauri043.html on line 1696:

page-break-after: avoid; text-align: center;">Ætius


ellauri043.html on line 1705:

page-break-after: avoid; text-align: center;">yx mies


ellauri043.html on line 1718:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1727:

page-break-after: avoid; text-align: center;">Tertullianus


ellauri043.html on line 1744:

page-break-after: avoid; text-align: center;">Priscilla


ellauri043.html on line 1755:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1759:

page-break-after: avoid; text-align: center;">Priscilla


ellauri043.html on line 1764:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1769:

page-break-after: avoid; text-align: center;">Priscilla


ellauri043.html on line 1773:

page-break-after: avoid; text-align: center;">Yx ääni:


ellauri043.html on line 1782:

page-break-after: avoid; text-align: center;">Maximilla


ellauri043.html on line 1806:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1810:

page-break-after: avoid; text-align: center;">Priscilla


ellauri043.html on line 1819:

page-break-after: avoid; text-align: center;">Maximilla


ellauri043.html on line 1823:

page-break-after: avoid; text-align: center;">Priscilla


ellauri043.html on line 1827:

page-break-after: avoid; text-align: center;">Maximilla


ellauri043.html on line 1839:

page-break-after: avoid; text-align: center;">Montanus


ellauri043.html on line 1854:

page-break-after: avoid; text-align: center;">Tertullianus


ellauri043.html on line 1863:

page-break-after: avoid; text-align: center;">Montanus


ellauri043.html on line 1869:

page-break-after: avoid; text-align: center;">Arkonttilaiset


ellauri043.html on line 1876:

page-break-after: avoid; text-align: center;">Tatianoslaiset


ellauri043.html on line 1887:

page-break-after: avoid; text-align: center;">Valesiolaiset


ellauri043.html on line 1897:

page-break-after: avoid; text-align: center;">Kainilaiset


ellauri043.html on line 1911:

page-break-after: avoid; text-align: center;">Circoncellionit


ellauri043.html on line 1938:

page-break-after: avoid; text-align: center;">Areios


ellauri043.html on line 1950:

page-break-after: avoid; text-align: center;">Sabellius


ellauri043.html on line 1955:

page-break-after: avoid; text-align: center;">Areios


ellauri043.html on line 1959:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 1964:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 1970:

page-break-after: avoid; text-align: center;">Sethianilaiset


ellauri043.html on line 1974:

page-break-after: avoid; text-align: center;">Théodotoslaiset


ellauri043.html on line 1979:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 1984:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 1990:

page-break-after: avoid; text-align: center;">Änkyrän pikku Markku


ellauri043.html on line 1994:

page-break-after: avoid; text-align: center;">Kainuun Paavi


ellauri043.html on line 2000:

page-break-after: avoid; text-align: center;">Isä Mefodi


ellauri043.html on line 2004:

page-break-after: avoid; text-align: center;">Kerinthos


ellauri043.html on line 2008:

page-break-after: avoid; text-align: center;">Valentino


ellauri043.html on line 2014:

page-break-after: avoid; text-align: center;">Pauli
ellauri043.html on line 2020:

page-break-after: avoid; text-align: center;">Hermo Gene


ellauri043.html on line 2028:

page-break-after: avoid; text-align: center;">Jutku


ellauri043.html on line 2039:

page-break-after: avoid; text-align: center;">Anto Leikola


ellauri043.html on line 2045:

page-break-after: avoid; text-align: center;">Lahkopäälliköt


ellauri043.html on line 2049:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2057:

page-break-after: avoid; text-align: center;">Kirsikkaviinerit


ellauri043.html on line 2061:

page-break-after: avoid; text-align: center;">Markkulaiset:


ellauri043.html on line 2065:

page-break-after: avoid; text-align: center;">Imelda Markoslaiset
ellauri043.html on line 2070:

page-break-after: avoid; text-align: center;">Enkratiitit


ellauri043.html on line 2074:

page-break-after: avoid; text-align: center;">Kainuulaiset


ellauri043.html on line 2078:

page-break-after: avoid; text-align: center;">Basilisko


ellauri043.html on line 2082:

page-break-after: avoid; text-align: center;">Manes


ellauri043.html on line 2089:

page-break-after: avoid; text-align: center;">Vanhat ebioniitit


ellauri043.html on line 2104:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2109:

page-break-after: avoid; text-align: center;">Tertullianus


ellauri043.html on line 2113:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2118:

page-break-after: avoid; text-align: center;">Kesarean Eusebios


ellauri043.html on line 2126:

page-break-after: avoid; text-align: center;">Marcellina


ellauri043.html on line 2137:

page-break-after: avoid; text-align: center;">Yx ääni
ellauri043.html on line 2160:

page-break-after: avoid; text-align: center;">Inspiroitunut järbä


ellauri043.html on line 2167:

page-break-after: avoid; text-align: center;">Kaikki


ellauri043.html on line 2175:

page-break-after: avoid; text-align: center;">Henkistynyt heppu


ellauri043.html on line 2188:

page-break-after: avoid; text-align: center;">Kaikki


ellauri043.html on line 2196:

page-break-after: avoid; text-align: center;">Into-piukea


ellauri043.html on line 2203:

page-break-after: avoid; text-align: center;">Kaikki


ellauri043.html on line 2211:

page-break-after: avoid; text-align: center;">Hengästynyt kaveri


ellauri043.html on line 2215:

page-break-after: avoid; text-align: center;">Kaikki


ellauri043.html on line 2229:

page-break-after: avoid; text-align: center;">Inkuboitu


ellauri043.html on line 2246:

page-break-after: avoid; text-align: center;">Kaikki


ellauri043.html on line 2269:

page-break-after: avoid; text-align: center;">Uskovaiset


ellauri043.html on line 2310:

page-break-after: avoid; text-align: center;">Vanhus


ellauri043.html on line 2333:

page-break-after: avoid; text-align: center;">Nuori mies


ellauri043.html on line 2355:

page-break-after: avoid; text-align: center;">Mustakaapu


ellauri043.html on line 2373:

page-break-after: avoid; text-align: center;">Lohduttaja


ellauri043.html on line 2387:

page-break-after: avoid; text-align: center;">Lohduttaja


ellauri043.html on line 2395:

page-break-after: avoid; text-align: center;">Kaikki


ellauri043.html on line 2422:

page-break-after: avoid; text-align: center;">Yksi naisista


ellauri043.html on line 2434:

page-break-after: avoid; text-align: center;">Yx nainen:


ellauri043.html on line 2442:

page-break-after: avoid; text-align: center;">Toinen nainen
ellauri043.html on line 2447:

page-break-after: avoid; text-align: center;">Vielä yxi
ellauri043.html on line 2453:

page-break-after: avoid; text-align: center;">Taas yxi


ellauri043.html on line 2464:

page-break-after: avoid; text-align: center;">Yx mies


ellauri043.html on line 2476:

page-break-after: avoid; text-align: center;">Ja kaikki muut


ellauri043.html on line 2496:

page-break-after: avoid; text-align: center;">Yx leski


ellauri043.html on line 2529:

page-break-after: avoid; text-align: center;">Nakusofisti


ellauri043.html on line 2567:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2614:

page-break-after: avoid; text-align: center;">Muushalainen
ellauri043.html on line 2628:

page-break-after: avoid; text-align: center;">Simo


ellauri043.html on line 2633:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2637:

page-break-after: avoid; text-align: center;">Simeoni


ellauri043.html on line 2647:

page-break-after: avoid; text-align: center;">Helena
ellauri043.html on line 2660:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2668:

page-break-after: avoid; text-align: center;">Simo


ellauri043.html on line 2675:

page-break-after: avoid; text-align: center;">Helena


ellauri043.html on line 2685:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2690:

page-break-after: avoid; text-align: center;">Simo taas


ellauri043.html on line 2695:

page-break-after: avoid; text-align: center;">Helena


ellauri043.html on line 2702:

page-break-after: avoid; text-align: center;">Simon


ellauri043.html on line 2713:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2718:

page-break-after: avoid; text-align: center;">Simo


ellauri043.html on line 2727:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2731:

page-break-after: avoid; text-align: center;">Simppa


ellauri043.html on line 2735:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2744:

page-break-after: avoid; text-align: center;">Simuna


ellauri043.html on line 2753:

page-break-after: avoid; text-align: center;">Spede (siis Antonius)


ellauri043.html on line 2768:

page-break-after: avoid; text-align: center;">Simo Salminen


ellauri043.html on line 2776:

page-break-after: avoid; text-align: center;">Simo-taikuri


ellauri043.html on line 2817:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2834:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2851:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2860:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 2872:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2879:

page-break-after: avoid; text-align: center;"ö>Damis


ellauri043.html on line 2884:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2888:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 2895:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2899:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 2903:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2914:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 2920:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2925:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 2935:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 2943:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 2947:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 2956:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2962:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 2966:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 2976:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 2982:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 2990:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 2995:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3007:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3016:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3021:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3026:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3032:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3037:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3041:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3048:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3054:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3061:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3068:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3077:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3083:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3089:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3093:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3101:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3105:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3112:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3123:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3128:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3133:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3142:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3146:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3154:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3159:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3163:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3167:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3171:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3176:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3187:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3191:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3195:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3202:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3209:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3219:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3227:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3231:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3235:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3239:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3245:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3250:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3254:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3258:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3263:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3267:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3272:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3276:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3280:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3284:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3288:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3293:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3297:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3301:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3305:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3309:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3313:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3317:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3321:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3325:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3329:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3337:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3341:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3345:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3353:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3357:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3361:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3365:

page-break-after: avoid; text-align: center;">Antonius


ellauri043.html on line 3370:

page-break-after: avoid; text-align: center;">Apollonius


ellauri043.html on line 3376:

page-break-after: avoid; text-align: center;">Damis


ellauri043.html on line 3381:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3388:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3402:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3412:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3422:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3429:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3439:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3446:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3452:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3458:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3464:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3470:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3476:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3486:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3496:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3503:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3510:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3517:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3531:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3542:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3549:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3556:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3562:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3568:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3575:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3581:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3587:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3593:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3602:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3609:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3616:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3623:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3634:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3641:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3647:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3653:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3663:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3669:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3679:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3686:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3692:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3699:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3705:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3712:

page-break-after: avoid; text-align: center;">Damis
ellauri043.html on line 3732:

page-break-after: avoid; text-align: center;">Apollonius
ellauri043.html on line 3764:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3801:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3811:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 3837:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3843:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 3850:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3867:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 3874:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3884:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 3900:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 3910:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3916:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 3943:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3953:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 3970:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 3976:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 3986:

page-break-after: avoid; text-align: center;">naku mies
ellauri043.html on line 4007:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4023:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 4035:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4042:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 4050:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4062:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 4102:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4108:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 4129:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4139:

page-break-after: avoid; text-align: center;">Buddha
ellauri043.html on line 4146:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4156:

page-break-after: avoid; text-align: center;">Buddha
ellauri043.html on line 4181:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4201:

page-break-after: avoid; text-align: center;">Oannes
ellauri043.html on line 4225:

page-break-after: avoid; text-align: center;">Hilary
ellauri043.html on line 4231:

page-break-after: avoid; text-align: center;">Tony
ellauri043.html on line 4241:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4257:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4272:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4279:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4287:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4294:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4327:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4334:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4341:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4353:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4360:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4381:

page-break-after: avoid; text-align: center;">Ormuz
ellauri043.html on line 4435:

page-break-after: avoid; text-align: center;">Efesoxen XXL-kokoinen Diana
ellauri043.html on line 4467:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4497:

page-break-after: avoid; text-align: center;">Ryhmänvanhin
ellauri043.html on line 4535:

page-break-after: avoid; text-align: center;">Arkki-Calle
ellauri043.html on line 4561:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4588:

page-break-after: avoid; text-align: center;">Kybele
ellauri043.html on line 4600:

page-break-after: avoid; text-align: center;">Vätys
ellauri043.html on line 4633:

page-break-after: avoid; text-align: center;">Kaikki
ellauri043.html on line 4669:

page-break-after: avoid; text-align: center;">1 nainen
ellauri043.html on line 4727:

page-break-after: avoid; text-align: center;">Isis
ellauri043.html on line 4755:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4765:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4772:

page-break-after: avoid; text-align: center;">Isis
ellauri043.html on line 4843:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4849:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4859:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4866:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4873:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4880:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4887:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4896:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4902:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4951:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 4958:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 4987:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5010:

page-break-after: avoid; text-align: center;">Ääni
ellauri043.html on line 5026:

page-break-after: avoid; text-align: center;">Jupiter
ellauri043.html on line 5066:

page-break-after: avoid; text-align: center;">Juno
ellauri043.html on line 5077:

page-break-after: avoid; text-align: center;">Minerva
ellauri043.html on line 5099:

page-break-after: avoid; text-align: center;">Herkkulesn
ellauri043.html on line 5115:

page-break-after: avoid; text-align: center;">Pluto
ellauri043.html on line 5132:

page-break-after: avoid; text-align: center;">Neptunus
ellauri043.html on line 5147:

page-break-after: avoid; text-align: center;">Diana
ellauri043.html on line 5162:

page-break-after: avoid; text-align: center;">Mars
ellauri043.html on line 5180:

page-break-after: avoid; text-align: center;">Vulkanus
ellauri043.html on line 5195:

page-break-after: avoid; text-align: center;">Ceres
ellauri043.html on line 5225:

page-break-after: avoid; text-align: center;">Bakkus
ellauri043.html on line 5249:

page-break-after: avoid; text-align: center;">Apollo
ellauri043.html on line 5278:

page-break-after: avoid; text-align: center;">Venus
ellauri043.html on line 5312:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5331:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 5358:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 5388:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 5404:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5431:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5437:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 5471:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 5512:

page-break-after: avoid; text-align: center;">Kotilaarit
ellauri043.html on line 5540:

page-break-after: avoid; text-align: center;">Crepitus
ellauri043.html on line 5597:

page-break-after: avoid; text-align: center;">Ääni pääsee:
ellauri043.html on line 5636:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5648:

page-break-after: avoid; text-align: center;" align="justify">
ellauri043.html on line 5660:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5670:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 5677:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5687:

page-break-after: avoid; text-align: center;">Hilarion
ellauri043.html on line 5697:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5731:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5748:

page-break-after: avoid; text-align: center;">Perkele
ellauri043.html on line 5761:

page-break-after: avoid; text-align: center;">Pirulainen
ellauri043.html on line 5767:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5783:

page-break-after: avoid; text-align: center;">Saablari
ellauri043.html on line 5790:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5801:

page-break-after: avoid; text-align: center;">Perhana
ellauri043.html on line 5807:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5817:

page-break-after: avoid; text-align: center;">Piru piru piru
ellauri043.html on line 5828:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5835:

page-break-after: avoid; text-align: center;">Saakuri
ellauri043.html on line 5842:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5872:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 5883:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5890:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 5898:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5905:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 5930:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5937:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 5952:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5962:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 5972:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5983:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 5990:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 5997:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6015:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 6030:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6038:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 6044:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6052:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 6058:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6084:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 6095:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6129:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 6206:

page-break-after: avoid; text-align: center;">vanha nainen
ellauri043.html on line 6226:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 6236:

page-break-after: avoid; text-align: center;">Eukko
ellauri043.html on line 6252:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 6259:

page-break-after: avoid; text-align: center;">Vanha akka
ellauri043.html on line 6276:

page-break-after: avoid; text-align: center;">Toinen nainen
ellauri043.html on line 6295:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 6301:

page-break-after: avoid; text-align: center;">Nainen
ellauri043.html on line 6320:

page-break-after: avoid; text-align: center;">La
ellauri043.html on line 6329:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 6336:

page-break-after: avoid; text-align: center;">Nuori neiti
ellauri043.html on line 6343:

page-break-after: avoid; text-align: center;">Ämmä
ellauri043.html on line 6350:

page-break-after: avoid; text-align: center;">Sakkoliha
ellauri043.html on line 6363:

page-break-after: avoid; text-align: center;">Ensimmäinen nainen
ellauri043.html on line 6378:

page-break-after: avoid; text-align: center;">Toinen nainen
ellauri043.html on line 6400:

page-break-after: avoid; text-align: center;">Kuolema
ellauri043.html on line 6411:

page-break-after: avoid; text-align: center;">Lorna
ellauri043.html on line 6417:

page-break-after: avoid; text-align: center;">Kuolema
ellauri043.html on line 6424:

page-break-after: avoid; text-align: center;">Panohalu
ellauri043.html on line 6430:

page-break-after: avoid; text-align: center;">Kuolema
ellauri043.html on line 6436:

page-break-after: avoid; text-align: center;">Herutuskuva
ellauri043.html on line 6442:

page-break-after: avoid; text-align: center;">Kuolema
ellauri043.html on line 6484:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 6529:

page-break-after: avoid; text-align: center;">Irvikissa
ellauri043.html on line 6539:

page-break-after: avoid; text-align: center;">Kimara
ellauri043.html on line 6545:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6552:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6559:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6567:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6575:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6583:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6591:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6599:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6608:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6618:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6630:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6649:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6656:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6665:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6673:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6681:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6689:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6700:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6712:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6720:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6742:

page-break-after: avoid; text-align: center;">Astomien ryhmä
ellauri043.html on line 6756:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6768:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6787:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6797:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6810:

page-break-after: avoid; text-align: center;">Koirankuonolaiset
ellauri043.html on line 6837:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6856:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6871:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6891:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6909:

page-break-after: avoid; text-align: center;">Antonius
ellauri043.html on line 6926:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6940:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 6987:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 7029:

page-break-after: avoid; text-align: center;">
ellauri043.html on line 7090:

page-break-after: avoid; text-align: center;">Antonius
ellauri046.html on line 268: Kierkegaard's humor ranges from the droll to the rollicking; from farce to intricate, subtle analysis; from nimble stories to amusing aphorisms. In these pages you are invited to meet the wife of an author who burned her husband's manuscript and a businessman who, even with an abundance of calling cards, forgot his own name. You will hear of an interminable vacillator whom archeologists found still pacing thousands of years later, trying to come to a decision. Then there is the emperor who became a barkeeper in order to stay in the know.
ellauri049.html on line 413: J’étais insoucieux de tous les équipages, Mä vähät välitin matkalaukuista,
ellauri049.html on line 415: Quand avec mes haleurs ont fini ces tapages, tän mellastelun hoideltua lautturit
ellauri049.html on line 975: Envolez-vous, pages tout éblouies ! Lentäkää tiehenne, sokaistuneet sivut!
ellauri051.html on line 392: Bring the old pageants--show the feudal world. vanhat torvikulkueet ja feodaalinen maailmas.
ellauri051.html on line 1802: 1190 There is no stoppage and never can be stoppage, 1190 Ei ole pysähdystä eikä koskaan voi olla pysähtymistä,
ellauri053.html on line 1357:

See a problem on this page?

ellauri055.html on line 622: La première édition des Caractères paraît à Paris, chez Étienne Michallet, à l’automne de 1687, sous ce titre : les Caractères de Théophraste, traduits du grec, avec les Caractères ou les Mœurs de ce siècle. L’ouvrage comptait cent pages de traduction et deux cents pages originales.
ellauri058.html on line 799: The twelfth book of The Greek Anthology compiled at the court of Hadrian in the second century a.d. by a poetaster Straton, who like most anthologists included an immodest number of his own poems, is itself a part of a larger collection of short poems dating from the dawn of Greek lyric poetry (Alcaeus) down to its last florescence, which survived two Byzantine recensions to end up in a single manuscript in the library of the Count Palatine in Heidelberg — hence its alternative title, The Palatine Anthology, usually abbreviated to Anth. Pal. This particular, indeed special, collection contained in Book XII subtitled The Musa Paedika or Musa Puerilis, alternately from the Greek word for a child of either sex — and girls are not wholly absent from these pages — or the Latin for “boy,” consists of 258 epigrams on various aspects of Boy Love or, to recur to the Greek root, paederasty.
ellauri060.html on line 1042: The core issue is the Web as we know has been dying, as people all over the world do not want to bother to put up links to other high quality content just for the sake it. It is not that there is no such excellent content, there certainly is on the Web itself which now has tens of trillions of archived pages.
ellauri060.html on line 1044: But what good are those pages if the supply of NEWLY created and added pages is shrinking, with fewer and fewer good links? This decline is very bad, as it gets harder and harder to constantly surface good stuff among the FRESHEST supply of indexed content.
ellauri060.html on line 1060: Google has announced recently so-called BERT update which is about using the latest NLP thing, Transformers, in search results. But BERT is not scalable as it requires short snippets containing answers in advance, as opposed to indexing entire pages. In addition it is computationally prohibitively expensive, even for Google as Transformer models such as BERT are notorious memory hogs, never mind how long it takes to train them.
ellauri061.html on line 291: Lukaisin keihäänheiluttajan bestsellerin Sally Fosterin tennispojan tiiliskiven taustaxi. Tää oli paljon lyhkäsempi ja parempi läppäkin. PST! Please see the bottom of the page for full explanatory notes and helpful resources.
ellauri062.html on line 919: Shahak, an Israeli professor who was a survivor of the Nazi holocaust, describes a 1962 book published in Israel in a bilingual edition. The Hebrew text was on one page, with the English translation on the facing page. The Hebrew text of a major Jewish code of laws contained a command to exterminate Jewish infidels: “It is a duty to exterminate them with one’s own hands.” The English version on the facing page softened it to “It is a duty to take active measures to destroy them.’” The Hebrew page then went on to name which “infidels” must be exterminated, adding “may the name of the wicked rot.” Among them was Jesus of Nazareth. The facing page with the English translation failed to tell any of this.
ellauri063.html on line 65: Rosa Lichtenstein? I am not quite sure who this person is and who publishes her work, but I can scarcely find anything on her besides her own resource page. Which leads me to believe the addition of her in this is nothing more than self-promotion by the author in particular themselves. This lowers the quality of this article to let any random Blogger have their criticisms added to this. Dialectical Materialism is a serioues philolosophical school and method attached to Marxism, and there is lot of commentary on the subject without resorting to unpublished internet articles.
ellauri064.html on line 289: Kaczynski was captured in April of 1996 and according to the FBI, the cabin was key piece of evidence. It housed 40-thousand handwritten journal pages, a live bomb, bomb-making components and descriptions of Kaczynski´s crimes. Since it will no longer be on display in the nation´s capital after the Newsuem closes, the Montana Historical Society director Bruce Whittenberg is trying to see if the piece could make its way back to the Treasure State.
ellauri065.html on line 426: Kun olin lukenut parisen viikkoa Jaakko Yli-Juonikkaan melkein 670-sivuista romaania Jatkosota-extra, kirjoitin Twitterissä puuskahduksen: "Jatkosota-extran ylittää työläydessään tämän vuoden luetuista kirjoista vain Alastalon salissa. Tämän totean luettuani kirjaa pari viikkoa ja edettyäni noin kolmanneksen. Ei se missään nimessä kehno ole, vaan haisee todella." Sain kommentteja, joiden perusteella muut olivat intoutuneet kirjan parissa suorastaan hysteeriseen/uppoutuneeseen lukutapaan, se oli osoittautunut heille varsinaiseksi pageturneriksi. Teki mieli raivota Timo Airaxiselle: "miksi kaikki muut kokevat tämän vetäväksi ja minulle tämä on taapertamista upottavassa suossa niin että saapas jää vähän väliä jumiin". Kun olin tutkiskellut itseäni noiden parin viikon ajalta, totesin, että ne olivat olleet koko syksyn stressaavimmat ja ahdistavimmat viikot – olin tämän ohelle ottanut luettavaksi pitkästä aikaa lasten- ja nuortenkirjallisuutta, jotta maailmassa tuntuisi olevan myös jotakin selkeää ja toiveikasta. Päädyin siis vahvasti siihen näkemykseen, että vika oli lukemisajankohtani ongelmallisuudessa enemmän kuin kirjassa. Ja tuon ensimmäisen kolmanneksen jälkeen se lähtikin vetämään. Ehkä avautuminen aiheesta auttoi? Tai sitten se, että vietin kirjan parissa pidempiä pätkiä kuin aikaisemmin. Eräs kirjan lukija kommentoi, että sen parissa pysymistä edesauttoi juuri lukeminen pitkään kerralla, ja tauon jälkeen aloittaminen oli ollut hankalaa. Se oli varmasti muodostunut ongelmaksi minulle – luin alkuun kirjaa pienissä pätkissä ja välillä muuta.
ellauri066.html on line 462: page_image_770px_wide/s3/2020-09/DSC_4625.jpg?itok=Xu3_KVPu" height="200px" />
ellauri069.html on line 71: He was an adept of irony and deflection in person as well as on the page, a lonely and, at some level, unhappy man who needed humor and companionship. But he had, his friend Pynchon told Daugherty, “a hopeful and unbitter heart.” Women seem to have found him easy to like. He married four times and had at least two long-term relationships between the marriages. He was dependent on alcohol, and he was dependent on work. He wrote every morning and had his first drink around noon.
ellauri069.html on line 472: The book's pivot, the transition from Book III to Book IV, takes place on August 6, 1945, the day Hiroshima was bombed. The V2 rocket is now the precursor to the nuclear ICBM, and the final sections of the book -- the only parts set in contemporary times -- ask the same question of the contemporary reader, including quite directly on the last page: what do you think, what do you do, in those last moments before everything ends?
ellauri070.html on line 458: Carl Denham is a fictional character in the films King Kong and The Son of Kong (both released in 1933). Denham's function in the story is to initiate the action by bringing the characters to Skull Island, where they encounter the giant beast Kong. Denham then brings Kong to New York City to put him on display as entertainment, but he escapes and rampages through the city.
ellauri072.html on line 204: The problems of Dante's treatment of the punishment of homosexuals in Hell and of his more surprising salvation of still other (unnamed) homosexuals in Purgatory have had two recent responses that restore a central fact: cantos 15 and 16 of Inferno and canto 26 of Purgatorio are in fact concerned with this issue. Boswell's pages insisting on the identity of the sexual sin punished in Inf. 15-16 and the lust repented on the seventh terrace {"Dante and the Sodomites," 65-67} are convincing. "Soddoma" is used clearly to identify homosexual activity in Purg. 26 (vv. 40 and 79) and thus makes clear its meaning in Inf. 11.50 and therefore the nature of the sin encountered in Inf. 15 and 16.
ellauri072.html on line 499: David Foster Wallace wrote three novels, three story collections, two collections of essays, and other things too, but his reputation still rests mainly on “Infinite Jest” — the 1,100-page novel published in 1996 and set alternately in a tennis academy and a rehab center — and on his sui generis now-nearly-a-genre long-form journalism about topics ranging from lobsters to dictionaries to John McCain to the Adult Video News awards for pornographic films. Wallace’s best work, perhaps by far, is “The Pale King,” an unfinished novel about I.R.S. employees that was assembled posthumously by Wallace’s editor, Michael Pietsch.
ellauri072.html on line 536: Wallace’s fiction is, in its attentiveness and labor and genuine love and play, very nice. But what is achieved on the page, if it is achieved, may not hold stable in real life. As another dangerously romanticizeable suicide, Heinrich von Kleist, once said: “It is not we who know but rather a certain state of mind in us that knows.” And one is not always in the same state of mind.
ellauri073.html on line 357: Wallace's father said that David had suffered from major depressive disorder for more than 20 years and that antidepressant medication had allowed him to be productive. Wallace experienced severe side effects from the medication, and in June 2007, he stopped taking phenelzine, his primary antidepressant drug, on his doctor's advice. His depression recurred, and he tried other treatments, including electroconvulsive therapy. Eventually he went back on phenelzine but found it ineffective. On September 12, 2008, at age 46, Wallace wrote a private two-page suicide note to his wife, arranged part of the manuscript for The Pale King, and hanged himself from a rafter of his house.
ellauri073.html on line 540: David Foster Wallace became a regionally ranked tennis player while growing up in Illinois. David Foster Wallace´s thesis, The Broom of the System, that he wrote while at Amherst College was published in 1987 while he was attending graduate school. In 1989 David Foster Wallace´s short story collection titled Girl with Curious Hair was published. After graduating from the University of Arizona David went on to study philosophy at Harvard University but soon chose to leave. He moved to Syracuse to be with the poet and novelist Mary Karr. While in Syracuse David Foster Wallace wrote most of his famous novel Infinite Jest. The finished book was 1,100 pages long. The novel dealt with addiction, art, and consumerism, and was set in the near future.
ellauri074.html on line 68: They are always confronting me with dresses, saying, “I made this myself.” They read Woman’s pages and try out the recipes.
ellauri077.html on line 207: But not all things emanating from this country move quite so quickly. Take, for instance, David Foster Wallace’s near-canonical mega-novel Infinite Jest: released in the States in 1996, it has in 20 years been translated into just five languages. (A sixth translation into Greek is currently in the works.) At this rate, it is moving only slightly faster than the massive Quixote, which had appeared in England, France, the Germanic territories, and Venice 20 years after its complete Castilian publication in 1615. However, Jest is massively behind the 3,600-page über-novel My Struggle, which—just 5 years after its complete Norwegian release—is available or forthcoming in over 20 languages.
ellauri077.html on line 216: Once again, the preponderance of American culture in Germany makes Infinite Jest a book that is readily understood. (And at this point I can’t help but take glee in the inherently Wallacian irony that American capitalism’s blob-like smearing of the globalized world has prepared the way for a scathing critique of this very same capitalism contained, Trojan Horse-style, inside a recondite mega-novel.) Still, things get lost: Blumenbach said that he “annotated the text as far as I could, and the publishers put those sixty pages of annotations on their website for a while.”
ellauri077.html on line 724: Voici les douze promesses des alcooliques anonymes (source : « Gros livre », pages 94-95) :
ellauri080.html on line 532: Concerning John Maynard Keynes, an INTJ, it was said: “[He spoke] on a great range of topics, on some of which he was thoroughly an expert, but on others [he had] derived his views from the few pages of a book at which he had happened to glance. The air of authority was the same in both cases.” Meanwhile, Bertrand Russell famously said that “The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.” Coincidentally, history records a number of ENTPs and INTJs very much disliking each other.
ellauri082.html on line 312: I’ve chosen to blog this particular passage, which runs ten pages in lenght, for a few reasons, the most honest reason being its unrelenting frankly honest potrayal of a person in the midst of a serious marijuana dependancy. Erdedy’s chapter has him eagerly awaiting the delivery of 200 grams of high-resin weed, of which he will force himself to smoke in its entirety in one hazy fog-induced sitting. Wallace, writing in the 3rd person, manages to get close enough to Erdedy’s running internal monologue to present to us a deeply troubled young man’s addiction and the lenghts he is willing to go to–whislt also attempting to redeem himself through his numerous attempts in kicking the addiction–in order to satisfy his intense cravings.
ellauri083.html on line 100: WALSH: It was fascinating, frankly, to read her final novel and to realize that it was, in a sense, an historic event. But reading this book just took me back to my many discussions with her about her work. And I just had a sense of awe that a woman, who, when she wrote this, was 78, 79 years old. And she knew she was dying. She was ill with cancer and she knew that she would be ending her life soon. But she sat down and, with a pen, wrote out over 300 pages.
ellauri088.html on line 229: I think what you’re looking for is the “second most developed country without universal healthcare”. You can find a zoomable version at Health Index - Global Residence Index; click on “Universal Health Care Map” a bit down the page.
ellauri089.html on line 96: When Robert A. Heinlein opened his Colorado Springs newspaper on April 5, 1958, he read a full-page ad demanding that the Eisenhower Administration stop testing nuclear weapons. The science fiction author was flabbergasted. He called for the formation of the Patrick Henry League and spent the next several weeks writing and publishing his own polemic that lambasted "Communist-line goals concealed in idealistic-sounding nonsense" and urged Americans not to become "soft-headed".
ellauri092.html on line 104: During the summer of 1883 he returned home to count the revenue but was back again; first to Ireland and then London in November. For the next 8 months he held his greatest meetings yet in the capital. Many of his best new labourers were the pervert convicts from 1875. This campaign sealed the future destiny of many young men who would later go to the admission collection field. It was not long after his death in 1899 that his sermons were second only in demand to Pilgrim’s Progress and were printed right across the ad pages of the Boston Globe.
ellauri094.html on line 219: Nebuchadnezzar and the Babylonian forces returned in 588/586 BCE and rampaged through Judah, leaving clear archaeological evidence of destruction in many towns and settlements there. Clay ostraca from this period, referred to as the Lachish letters, were discovered during excavations; one, which was probably written to the commander at Lachish from an outlying base, describes how the signal fires from nearby towns were disappearing: "And may (my lord) be apprised that we are watching for the fire signals of Lachish according to all the signs which my lord has given, because we cannot see Azeqah." Archaeological finds from Jerusalem testify that virtually the whole city within the walls was burnt to rubble in 587 BCE and utterly destroyed.
ellauri096.html on line 446: Jätetään tää spagettivyyhti tähän kuin Sammeli portinpieleen lähtiessään lenkille. Siihen palataan alempana paasauxessa "kermaperseet ja havenots" alempana kuin koira oxennuxelle.
ellauri096.html on line 450: Juotikas hapantelee aika pahasti heppagenrestä. Sitä vituttaa että esiteinit lukee niitä eikä Juotikasta. Siellä liikkuu löysä raha joka saisi mielellään hakeutua nupipään pehmyreiden taskuihin. No ylläri, jos saa valita söpön raudikon tai kaljupään kakantuhriman hasbeenin välillä, niin mitä luulet että valizee? Mäkin luen mieluummin heppahullua kun näitä Jaskan tuherruxia. "Esimerkixi" fantasia ja 'spefi' ovat aina "sallineet paljon tilaa luovalle mielikuvituxelle ja omaperäiselle sanankäytölle". Mitä helvettiä, ei aina samoina toistuvien mielikuvituxettomien satueläinten ja typerien neologismien kexaseminen vaadi kovin kummallista neroa. Ne on vähintään yhtä klisheisiä kuin heppakirjat, klisheet on vaan toisia, enempi tollasia "poikien". Esim Game of thrones on vaan fantasiasaippua. Se knääpiö oli paras. Oli se helmimäisen ahistunut prinsessakin kiva jolla oli lemmikeitä. Helmi haluis ehkä kisun. Avantgarden 2-tahtimekanismia: ensin se maistuu pahalta ja sitten se alkaa maistua - yhä pahalta. Paha yskä ja yhä pahenee.
ellauri096.html on line 599: "It is not right that everyone should read the pages which follow; only a few will be able to savour this bitter fruit with impunity. Consequently, shrinking soul, turn on your heels and go back before penetrating further into such uncharted, perilous wastelands." — Maldoror, Part I, Chapter 1.
ellauri100.html on line 315: The urban riots that followed the murder of Martin Luther King Jr. opened my eyes to the futility of LBJ’s social tinkering. I saw at once that plowing vast sums into a “war” on black poverty would be rewarded with a lack of progress, sullen resentment, and generations of dependency on big brother in Washington. (Regarding the possibility that I am a racial bigot, see the note at the bottom of this page. If you don't care to read that far, yes, I am a racial bigot, and how.)
ellauri100.html on line 497: In addition, we asked you some questions on the second page about your mental health. That recent Gallup poll showed that conservatives and religious people report having better mental health when asked using a single question (“how would you rate your mental health?”). We want to see if their finding holds up using a more specific scale, so we asked you to report on a variety of symptoms related to depression and anxiety, which are the most common kinds of mental health symptoms that people report. In the graph below, your score is shown in green. High scores mean MORE mental health complaints. Scores run from 1 (the lowest possible score, no symptoms at all) to 5 (the highest possible score, people who responded “extremely” to all items). As before, the blue bar shows the score of the less religious people; the red bar shows the average score of the most religious people.
ellauri100.html on line 515: The graph below shows your scores (in green) on the items from the first page, compared to those of the average liberal (in blue) and the average conservative (in red) visitor to this website. The scale runs from 1 (lowest score) to 7 (highest score).
ellauri100.html on line 517: The second graph shows your results from the items on page 2, where we asked about “alternatives to prison.” This page should produce similar results to what you see from Page 1. We expect liberals to favor the more lenient and rehabilitative alternatives, and conservatives to favor the more punitive options. We are trying out various ways of asking these questions to see which format, or combination of formats, produces the best measurement of people’s attitudes.
ellauri105.html on line 469: Oliko se irakilaisten käyttämä venäläinen taistelumyrkky? Amerikkalaisten agent orange tai napalm? Vaiko vaan vanhanaikainen nälistys? Venäläisten sotilaiden nylkeminen elävältä? Kiinalainen kidutus? Drawing and quartering? Käristäminen halstarilla? Hiiskatti tää on tiukka kisa! Kaikki missit ovat nättejä kuin Miss Sweden pageantissa.
ellauri106.html on line 531: Confident from its victory over Fascism and emboldened by the subsequent economic boom, America jelled behind what social theorist Jeffrey Alexander has called modernization or romantic liberalism. As has been the case throughout much of Roth’s career, the socio-political touchstone of his American Trilogy is the “patriotic war years” and the consensus culture that blossomed immediately afterward. “Everything was in motion,” Zuckerman says in the opening pages of American Pastoral. “The lid was off. Americans were to start over again, en masse, everyone in it together”. Reagan-propagandaa.
ellauri106.html on line 635: In his baffled grief, Levov is taunted by a female confederate of his daughter’s who stridently berates him as a capitalist pig for a dozen pages, then tries to seduce him with corny porno lines like, “I bet you’ve got yourself quite a pillar in there ... the pillar of society.” When he resists, she shows him her vagina, and “rolling the labia lips outward with her fingers, [exposes] to him the membranous tissue veined and mottled and waxy with the moist tulip sheen of flayed flesh.”
ellauri107.html on line 57:
page=play_download&mode=play&dl_mp3folder=L&dl_file=lyle_van_news_1945-08-10_lyle_van_news.mp3&dl_series=Lyle%20Van%20News&dl_title=Lyle%20Van%20News&dl_date=1945.08.10&dl_size=3.43%20MB">Lyle Van puhuu haudan takaa

ellauri107.html on line 268: Taylor says that after Roth announced his retirement from writing in 2012, he stopped making art, but he still wrote, producing a manuscript of over a thousand pages whose purpose was to air grudge after grudge. Taylor comments that the underside of Roth's greatness swarmed with grievances time had not assuaged.
ellauri107.html on line 395: The antihero of Roth’s 1995 novel Sabbath’s Theatre blinds us with his astonishing misogyny, his exponential misanthropy, his audacious nihilism - and yet he makes us care shit. The depraved Mickey Sabbath, the hero, anti-hero and villain of Philip Roth’s 1995 tour d'Eiffel, Sabbath’s Theatre. Just what he does to deserve this affection over the course of 450 bile-filled pages is hard to fathom. He virtually copies that bête noire of creative writing courses, the unsympathetic character. To discover such a monstrous creation on the page is a shock.
ellauri107.html on line 556: Aunt Maud and Kate return to London while Densher remains with Milly. Unfortunately, the dying girl learns from a former suitor of Kate's about the plot to get her money. She withdraws from Densher and her condition deteriorates. Densher sees her one last time before he leaves for London, where he eventually receives news of Milly's death. Milly does leave him a large amount of money despite everything. But Densher does not accept the money, and he will not marry Kate unless she also refuses the bequest. Conversely, if Kate chooses the money instead of him, Densher offers to make the bequest over to her in full. The lovers part on the novel's final page with a cryptic exclamation from Kate: "We shall never be again as we were!"
ellauri109.html on line 414: « C’est la faute à Flaubert » du Dr Mohamed Taan (éditions St-Honoré, Paris - 324 pages) en librairie ou sur e-book.
ellauri109.html on line 571: In his fury and his hunger for retribution, Roth produced “Notes for My Biographer,” an obsessive, almost page-by-page rebuttal of Bloom’s memoir: “Adultery makes numerous bad marriages bearable and holds them together and in some cases can make the adulterer a far more decent husband or wife than . . . the domestic situation warrants. (See Madame Bovary for a pitiless critique of this phenomenon.)” Only at the last minute was Roth persuaded by friends and advisers not to publish the diatribe, but he could never put either of his marriages behind him for good. He was similarly incapable of setting aside much smaller grievances. As Benjamin Taylor, one of his closest late-in-life friends, put it in “Here We Are,” a loving, yet knowing, memoir, “The appetite for vengeance was insatiable. Philip could not get enough of getting even.”
ellauri111.html on line 158: "Apocrypha--that is, books which are not regarded as equal to the holy Scriputres, and yet are profitable and good to read." King James Version Defended page 98.
ellauri111.html on line 213: George Patersonin patterista jäi riipimättä vielä syyllisyyden teema. Olen syyllinen! sanoi Niklas kaadettuaan lattialle spagetin. Tämmöinen vahva syyllisyyden tunne edellyttää vahvaa syyllistäjää, joka löytyi Niklaxelta lähempää kuin lähin puhelin. (Tää oli siis ennen kännyköiden aikoja.) Toi guilt, syyllisyys, on kristinuskon ihan avainjuttuja, ja kyssäselkä ystävämme Kierkegaard piti siitä paljon ääntä. Izesyytös on välttämätön ensiaskel uskoontulossa, sillä eihän sellainen kaipaa parantajaa, jolla ei ole sairauden tunnetta. Alzheimerissa sairauden tunnetta on aluxi, mutta siitä pääsee vähän päästä irti onnexi. Näin sitä selittelee Georgen feikkidostojevski.
ellauri111.html on line 616: You can pray and ask the Lord to lead you to a truly Christian fellowship so that you can get baptized by a Christian and discipled in the way of Christ. Note: This is a tall order these days because today is the day of apostasy. False teachers and false prophets abound on television and in churches. Excerpt from our index page:
ellauri111.html on line 679: There is a wicked man coming that Revelation 13 calls, "the beast." He is an antichrist. He is a man of sin. He is soon to make his appearance on the earth and by peace he shall destroy many. The saints are going to go through deep waters--but hold on to Jesus. Don´t ever renounce him or deny him no matter what. You know what you believe in--the Lord Jesus Christ who is the Creator of heaven and earth and all that in them is. Read more here about the coming of the beast. Jesus said that he that endureth to the end, the same shall be saved. Jesus Christ is God manifested in the flesh. He also said that he would be with us alway, even unto the end of the world, Amen. At the beginning of our index page, there is letter. There are words there for you. Please read it from the beginning.
ellauri111.html on line 717: An excerpt from our index page.
ellauri112.html on line 580: It doesn’t help the film that Marlo is a series of clichés. Both she and Drew could have jumped out of the pages of a woman’s magazine or self-help guide.
ellauri112.html on line 901: First, on the next page of this web site, we will study a few Bible passages concerning the public worship of God in general. We do so for simple reasons. “All Scripture is given by inspiration of God, and is profitable for doctrine, for reproof, for correction, for instruction in righteousness, that the man of God may be complete, thoroughly equipped for every good work” (2 Timothy 3:16-17, NKJV). Worship is a “good work,” but we are not to lean on our own understanding (Proverbs 3:5). Only the Bible can teach us how to worship God in a manner that pleases Him. All our worship, including our observance of the Lord’s Supper, ought to rest on a biblical foundation.
ellauri112.html on line 903: Second, we will devote two pages to the Bible passages that concern the cup in the Lord’s Supper. One page will consider the passages in Matthew, Mark, and Luke. On this page, we will study Jesus’s words, “the fruit of the vine,” in their original context, and we will also learn how these words were used in the Passover meal before and during the time Jesus spoke them. The other page will consider the two relevant passages in I Corinthians, and what they teach us about the contents of the cup. Rather than grow our discussion beyond all bounds, we will limit ourselves to what the Bible says about the contents of the communion cup.
ellauri112.html on line 913: On the next three pages of the web site, we will read articles by William B. Sprague, Moses Stuart, William Slater, and Dunlop Moore. These four nineteenth century religious leaders will give us their answers to the question Moses Stuart asked in 1835, namely, "What is the duty of the churches, in regard to the use of fermented (alcoholic) wine, in celebrating the Lord´s Supper?"
ellauri112.html on line 919: We also briefly summarize the current positions of the Reformed Presbyterian Church of North America, as described by synodical decisions in 2002, 2010, 2017, and 2019. This page also includes an analysis of these decisions.
ellauri112.html on line 923: The last three pages of this web site contain an epilogue, a list of suggested readings for those who want to pursue their study of wine in the Lord´ Supper, and information about this web site and its author. The about page also contains a link to a downloadable paper about wine in the Lord´s Supper. (This paper is available as either a .doc or a .pdf.)
ellauri112.html on line 925: Last, but not least, the about page offers a downloadable brochure, suitable for mass distribution and for anyone wanting a very brief summary of the subject of wine in the Lord´s Supper. Some readers may want a few copies for their church´s book table.
ellauri112.html on line 943: God never intended that grapes, grain, the poppy, the marijuana plant, be used as recreational, mind-altering, behavior-modifying substances. This page he intentionally left blank.
ellauri115.html on line 52: Tää albumi on kieltämättä surkeata paluuta Sammelin portin pieleen oxentaman spagettiläjän ääreen. (Se portti on nyt mennyttä kun Jouni rakentaa uutta leveämpää sähköauton latauxelle sopivampaa porttia.) Silti en voi vastustaa luonnon kuzua, koska ko. kirjan lopussa oli aseistariisuvan inhimillinen res gestae luetelma Janne-Jaakon elinvuosista.
ellauri117.html on line 49: Ce recueil de réflexions et d’observations, sans ordre et presque sans suite, fut commencé pour complaire à une bonne mère qui sait penser. Je n’avais d’abord projeté qu’un mémoire de quelques pages; mon sujet m’entraînant malgré moi, ce mémoire devint insensiblement une espèce d’ouvrage trop gros, sans doute, pour ce qu’il contient, mais trop petit pour la matière qu’il traite. J’ai balancé longtemps à le publier; et souvent il m’a fait sentir, en y travaillant, qu’il ne suffit pas d’avoir écrit quelques brochures pour savoir composer un livre. Après de vains efforts pour mieux faire, je crois devoir le donner tel qu’il est, jugeant qu’il importe de tourner l’attention publique de ce côté-là; et que, quand mes idées seraient mauvaises, si j’en fais naître de bonnes à d’autres, je n’aurai pastout à fait perdu mon temps. Un homme qui, de sa retraite, jette ses feuilles dans le public, sans prôneurs, sans parti qui les défende, sans savoir même ce qu’on en pense ou ce qu’on en dit, ne doit pas craindre que, s’il se trompe, on admette ses erreurs sans examen.
ellauri118.html on line 840: How close and lasting was this friendship is seen on almost every page of Mme. de Sévigné's correspondence. Indeed, so often does the name of Mme. de La Fayette occur in Mme. de Sévigné's letters to her daughter, that the latter may well have been jealous of her mother's friend. The companionship of Mme. de Sévigné was, after the death of La Rochefoucauld, the chief comfort of Mme. de La Fayette in her ill-health and seclusion; and it was from the sick-chamber of her friend that Mme. de Sévigné's letters would seem to have been written in those latter years. In 1693, soon after the death of Mme. de La Fayette, Mme. de Sévigné writes as follows of her dead friend: "Je me trouvois trop heureuse d'être aimée d'elle depuis un temps très-considérable; jamais nous n'avions eu le moindre nuage dans notre amitié.
ellauri131.html on line 912: Hay wrote, on page 225 of her book (December 2008 printing), that it has "... sold more than thirty five million copies". It was announced in 2011 that You Can Heal your Life had reached 40 million sales.
ellauri132.html on line 442: The webmaster who wishes to participate in AdSense inserts the AdSense JavaScript code into a webpage.
ellauri132.html on line 443: Each time this page is visited by an end user (e.g., a person surfing the Internet), the JavaScript code uses inlined JSON to display content fetched from Google's servers.
ellauri132.html on line 444: For contextual advertisements, Google's servers use a web cache of the page created by its Mediabot "crawler" to determine a set of high-value keywords. If keywords have been cached already, advertisements are served for those keywords based on the Ads bidding system.
ellauri132.html on line 445: For website-targeted advertisements, the advertiser chooses the page(s) on which to display advertisements, and pays based on cost per mille (CPM), or the price advertisers choose to pay for every thousand advertisements displayed.
ellauri133.html on line 63:

The most important sentence of your novel is the first one. The most important paragraph is the first one. The most important page... well, you get the idea. Without a great opening, no-one will read your book. Fuck you! If your readers are so wimpy fuck them too!


ellauri133.html on line 65:

It has to introduce your main character. You don't have to go into details, but you need enough to show if the MC is male or female, old or young, and ideally, give an idea of their personality. The opening has to show, or at least hint at, the inciting incident, the problem that starts the story for the MC. Most important, your opening has to grab the reader. Very few people have the patience to wade through pages of description before the action starts. Work on the first paragraph, and particularly the first line, until no-one can resist reading on. So, a few ways to get it wrong. Fuck the main character! This too is just for narcissist nincompoops who can't read about anything but themselves.


ellauri133.html on line 79:

There are fashions in writing, just as there are in clothes. The modern trend, particularly for genre or YA fiction, but increasingly in literary fiction too, is to start the story with the main character on the first page, and to start with the inciting incident. No backstory before chapter three, and then pare it to the bone. "YA" most likely stands for young adult. There hardly is a brand of monkeys that are stupider than young adults. Except YA writers. Give them a dildo and it will keep them occupied for hours.


ellauri133.html on line 80:

Before you scream that your reader won’t understand without a lot of explanation of what is going on, remember that this is the generation that watched the Matrix and Inception. Your reader is smart and will understand what is happening. Spending forty pages explaining the unnecessary is insulting to your reader. You call it smart to know all the tv cliches by heart? The XYZ generations, force fed with tv cliches from the cradle, are arguably the worst class retards so far in world history.


ellauri133.html on line 81:

Interesting fact: the average reader will give up on a boring book by page seventeen. If you’ve wasted any of your precious first pages on boring stuff, you’re likely to join the Page Seventeen club too. TLDR, huh? Your kind better buy Marvel comic magazines. They got a lot of pics to help with the ALL CAPS text in the bubbles, and not much more pages than those 17.


ellauri133.html on line 82:

There are lots of books out there. The reader has to decide quickly which one she is going to spend her time and money on. She's not going to buy something just because it might get good later on. Unless you have won a major prize or had a film made from your book, chances are your reader has never heard of you. She’s going to read a page or two and decide. If it’s on Amazon, she’s going to click “Look Inside” and read a few pages. Yep, "your reader" will do just that, being an analphabet in for mind-numbing pulp. "My reader" takes time to choose a book by its literary merits, not by its gaudy cover and advertising blurbs. And most likely from a public library on the recommendation of a friend. Preferably after reading the plot synopsis.


ellauri133.html on line 83:

Have you ever watched American Idol or X factor at the audition stage? Then you'll know the way you can usually tell within five notes if the singer is actually able to sing and is likely to go through. It's the same with writing. Any writer who can't manage a decent opening is not likely to get much better a hundred pages on. Whining for a second chance because "I sing a lot better in the second verse" (or "The second chapter is really good") doesn't fool anyone. What an idiot. There are lots of books that start out slow but grow on you. But fuck you, you're just such an idiot that hardly has the patience to spell laboriously through the title. Right into the garbage can from the Amazon box if the cover does not please. Your kind had better just watch Netflix or HBO, or reruns of American Idiots and X Position.


ellauri133.html on line 187: Seuraavaksi suuremmat kappaleet on kappaleet. Helpossa fiktiossa ja klikki uutisissa ne on super lyhyitä. Hyvässä romaanissa on väh 50% blankoa. This page intentionally left blank. Lukija näkee heti et hei täähän näyttää helpolta.
ellauri133.html on line 359: His brother George was murdered by It in the first pages of the book and his parents are very cold to him afterward. He has a stutter, which is important to the plot a few times. As an adult, he’s a successful horror novelist and is married to an actress named Audra. IT is not a work of fiction and Stephen King is actually "Stuttering Bill" Denbrough. In reality Steve was born in Portland, Maine and moved away when he was young with his Mother and older brother after abandonment by his father and witnessing a fatal train accident of a play friend. He returned at age 11 to Maine from Conn. and founded The Losers Club in Derry after unsuppressing the true death of his little friend by the railway tracks when he was 2 (as told in his 1981 book Danse Macabre). Now living inbetween Lovell and Bangor, King travels regularly past Derry near Derry Mountain in Linconville and can recollect most of the past due to the closer proximity and is preparing for Pennywises awakening in 2038. Lähde: FanTheory. - Does anyone think Bill Denborough´s stutter was a bit too much? That each word was stirred too much to have a nice flow? - B-b-b-beep - beep, Ruh-ruh-Richie. B-big Bill is puh-puh-PERFECT!
ellauri133.html on line 364: Stephen King’s novel It, first published in 1986, is known for its whopping page count and multigenerational horror saga. In 2017, buzz around It spiked again due to director Andy Muschietti´s big-screen adaptation of the novel. The film, which went on to become the highest-grossing horror movie ever, was the novel’s second trip to the screen, following a 1990 television miniseries. And now Muschietti is continuing the story with the highly anticipated IT Chapter 2, which arrives in theaters today.
ellauri133.html on line 370: The Three Billy Goats Gruff, a classic Norwegian fairy tale about three scrappy goats outsmarting a bridge troll, might sound like a far cry from a 1000-plus page horror novel, but Stephen King cites it as a primary inspiration. He expanded the bridge to encompass an entire city, and the troll morphed into the terrifying demonic entity known as IT.
ellauri133.html on line 380: Clocking in at a whopping 1138 pages, It is second only to The Stand (which came in at 1153 pages) as King’s longest work to date. It weighs four pounds. Turds in excess of 2 lb must be lowered by hand.
ellauri143.html on line 40: page1-330px-%E0%AE%A4%E0%AE%BF%E0%AE%B0%E0%AF%81%E0%AE%95%E0%AF%8D%E0%AE%95%E0%AF%81%E0%AE%B1%E0%AE%B3%E0%AF%8D_%E0%AE%A4%E0%AF%86%E0%AE%B3%E0%AE%BF%E0%AE%B5%E0%AF%81.pdf.jpg" height="350px"/>
ellauri144.html on line 106: Portnoy's Complaint n. (after Alexander Portnoy 1933- ) A disorder in which a fictional character the same age as the writer kvetches on sex, guilt, sex and Jewishness for 250 pages without pausing for breath.
ellauri145.html on line 699: Là-bas did strike a serious blow to the public’s conception of Naturalism. The novel, which opens with a two-page invective against Naturalism, was serialized in L’Echo de Paris, beginning on February 16, 1891. Huysmans’s protagonist, Durtal, feebly defends himself against his friend, Des Hermies, who maligns Naturalism as “du cloportisme” (siiramaisuudesta) while accusing it of having sold out: “Il a vanté l’américanisme nouveau des moeurs, abouti à l’éloge de la force brutale, à l’apothéose du coffre-fort. Par un prodige d’humilité, il a révéré le goût nauséeux des foules, et, par cela même, il a répudié le style, rejeté toute pensée altière, tout élan vers le surnaturel et l’au-delà...” (XII, 1, 6-7).
ellauri146.html on line 640: Poe commented on the general meaning of his story several times. In one unsigned review of the number of the Southern Literary Messenger that contained it he said, “Lionizing ... is an admirable piece of burlesque which displays much reading, a lively humor, and an ability to afford amusement or instruction”; and in another puff of smoke he remarked, “It is an extravaganza ... and gives evidence of high powers of fancy and humor.”‡ To J. P. Kennedy he wrote on February 11, 1836 that it was a satire “properly speaking [page 172:] — at least so meant —... of the rage for Lions and the facility of becoming one.”
ellauri147.html on line 320: pagesix.com/wp-content/uploads/sites/3/2020/10/orianne-phil-collins.jpg?quality=90&strip=all&w=1200" width="20%" />
ellauri151.html on line 131: Mä luulen ezen claim to Nobel fame vuonna 1947 oli toi antikommunismi ennen kaikkea. In 1946, when Pierre Herbert asked Gide which of his books he would choose if only one were to survive," Gide replied, ´I think it would be my Journal.´" Beginning at the age of eighteen or nineteen, Gide kept a journal all of his life and when these were first made available to the public, they ran to thirteen hundred pages. Pääasiassa homoilua ja sen puolustelua. Gide ei koskaan bylsinyt vaimoaan Madeleinea, mutta kävi kerran jonkun nuoren neidon pukilla, ja siitti siinä yhden tyttären. Toista varvia ei tullut, vaikka neito pyyteli.
ellauri155.html on line 519: Advanced education can be helpful, but it is not required to know what God expects of us. This doctrine of perspicuity also recognizes that not everything in Scripture is easy to understand. Some passages are more difficult to interpret than others even if no one can miss the gospel in the pages of the Bible.
ellauri155.html on line 661: Schmitt volunteered for the army in 1916. The same year, he earned his habilitation at Strasbourg with a 1-page thesis under the title Der Wert des Staates und die Bedeutung des Einzelnen (The Value of the State and the Significance of the Individual). The whole thesis consists of a full-page picture of a turd.
ellauri156.html on line 392: In our first lesson, we devoted our attention to the first four verses of chapter 11, which depict David's sin of adultery with Bathsheba. Pretty unbelievable that I got a whole four pages out of it. The trick is was to keep repeating the juicy bit about Bathsheba washing herself before (or after) David's load. I sought to demonstrate that this sin was all of David's doing. The author points his accusing finger at David, not Bathsheba. It was not Bathsheba's indiscretion in bathing herself (as I understand this story), for she was simply obeying the ritual of purification outlined in the law. It was David who, by means of his lofty elevation and view, looked inappropriately at Bathsheba, washing herself,violating her privacy. I endeavored to demonstrate that David's sin with Bathsheba was the result of a sequence of wrong decisions and attitudes on David's part. In one sense, being on the path he was, his destination (of adultery, or something like it) was to be expected. His sins of omission finally blossomed and came into full bloom.
ellauri156.html on line 451: A. H. Weiler of The New York Times described the film as "a reverential and sometimes majestic treatment of chronicles that have lived three millennia." He praised Dunno's screenplay and Peck's "authoritative performance" but found that Wayward "seems closer to Hollywood than to the arid Jerusalem of his Bible." Variety wrote, "This is a big picture in every respect. It has scope, pageantry, sex (for all its Biblical background), cast names, color—everything. It's a surefire boxoffice entry, one of the really 'big' pictures of the new selling season." Philip K. Scheuer of the Los Angeles Times wrote that the film "leaves little to be desired" from the standpoint of production values with Peck "ingratiating" as David and Wayward "a seductress with flaming tresses, in or out of the bath, and only her final contrition is a little difficult to believe." Richard L. Coe of The Washington Post wrote, "On the whole, the picture suggests a Reader's Digest story expanded into a master's thesis for the Ecole Copacabana."] Harrison's Reports wrote, "The outstanding thing about the production is the magnificent performance of Gregory Peck as David; he makes the characterization real and human, endowing it with all the shortcomings of a man who lusts for another's wife, but who is seriously penitent and prepared to shoulder his guilt. Susan Wayward, as Bathsheba, is beautiful and sexy, but her performance is of no dramatic consequence." The Monty Python Bulletin commented that the film had been made "with restraint and relative simplicity" compared to other historical epics, "and the playing of Gregory Peck in particular is competent. The whole film, however, is emotionally and stylistically quite unworthy of its subject." Philip Hamburger of The New Yorker wrote that "the accessories notwithstanding, something is ponderously wrong with 'David and Bathsheba.' The fault lies, I suppose, in the attempt to make excessive enlargements of an essentially-simple story." Zanuck the Hot Dog agreed.
ellauri156.html on line 489: To fully grasp the impact of Uriah's words, let us lick our fingers and turn back a few pages in Samuel's writings to recall David's own words, spoken to Ahimelech the priest, as they relate to this encounter with Uriah:
ellauri159.html on line 1063: You Want to be of service to others, and naturally write in a manner that reflects this value. Keep your audience in mind, then organize your ideas into an easy-to-follow progression. You have a strong sense of harmony—of what works on the page, and what doesn’t. You may also excel at sensory detail, drawing the reader in.
ellauri159.html on line 1149: Focus on the concrete and avoid useless abstract concepts. As a result, your writing will lack a unifying theme that communicates the author’s purpose to those who do not need to know. Be sure to incorporate an organizing principle or chart, such as problem–solution, to serve as a roadmap for the intended reader, for example on a separate crypted page.
ellauri159.html on line 1351: Early books included The Philosophy of Justice Between God and Man (1851) and Optimism: The Lesson of Ages (1860), a Christian mystical vision of the pursuit of happiness from Blood´s distinctly American perspective; on the title page of the book, Blood described it as "A compendium of democratic theology, designed to illustrate necessities whereby all things are as they are, and to reconcile the discontents of men with the perfect love and power of ever-present God." During his lifetime he was best known for his poetry, which included The Bride of the Iconoclast, Justice, and The Colonnades. According to Christopher Nelson, Blood was a direct influence on William James´ The Varieties of Religious Experience as well on James´s concept of Sciousness, prime reality consciousness without a sense of self.
ellauri159.html on line 1353: After experiencing the anesthetic nitrous oxide during a dental operation, Blood concluded that the gas had opened his mind to new ideas and continued experimenting with it. In 1874, he published a 37-page pamphlet, The Anesthetic Revelation and the Gist of Philosophy.
ellauri160.html on line 122: Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972), modernin ajan Li Bai, was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a fascist collaborator in Italy during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem, The Cantos (c. 1917–1962). Hizi noi cantothan on selvä kokoelma paasauxia!
ellauri160.html on line 202: In June, July and August 1917 Pound had the first three cantos published, as "Three Cantos", in Poetry. Twice the length of Paradise Lost and 50 times longer than The Waste Land, Pound's 800-page The Cantos ("Canto I" to "Canto CXVI", c. 1917–1962) became his life's work.
ellauri161.html on line 1090:
This page intentionally left blank

ellauri164.html on line 414: I'm afraid this is absolutely not readable any more. I gave up after 70 pages. My bad? ...more
ellauri164.html on line 421: Got 90 pages in and I disliked every character, is that the goal?
ellauri171.html on line 279: page.jpg" height="200px" />
ellauri180.html on line 53: Executive producers Julie Plec and Kevin Williamson agreed that in the book series, Elena was turned into a vampire too early, which was around page 200 of The Awakening. Elena's transition into a vampire was planned for two years. Plec said: "That felt obviously too soon, and rushed, and we didn’t want to make a show about a teenage girl who instantly becomes a vampire. But we always knew that her journey would take her there eventually". At the second season's conclusion, Elena was nearly turned into a vampire. Dobrev was happy that she wasn't, because she felt "it would have been like she came too soon", and also didn't think it was something Elena or she wanted.
ellauri180.html on line 117: 161 pages

ellauri180.html on line 218: Notwithstanding the relative disinterest over the function of the prepuce, no other operation has been surrounded by controversy so much as circumcision. Should it be done, then when, why, how and by whom? Religious and cultural influences are pervasive, parental confusion is widespread and medical indications shift with the trends of the day. Doctors divide into camps driven by self-interest, self-righteousness and self-defence. It is not surprising that some of the most colourful pages in the medical literature are devoted to the debate.
ellauri181.html on line 126: This article has multiple issues. Please help improve it or discuss these issues on the talk page.
ellauri182.html on line 200: What is a word for name-calling? In this page you can discover 11 synonyms, antonyms, idiomatic expressions, and related words for name-calling, like: mad-quite, abusing, Oooooooooh, insult, names, foul-language, insulting, rudeness, bad-language, derogating and white-slavery.
ellauri184.html on line 84: In 1980, The Executioner's Song, Mailer's "real-life novel" of the life and death of murderer Gary Gilmore, won the Pulitzer Prize for fiction. Joan Didion reflected the views of many readers when she called the novel "an absolutely astonishing book" at the end of her front-page review in the New York Times Book Review.
ellauri184.html on line 88: Harlot's Ghost, Mailer's longest novel (1310 pages), appeared in 1991 and received his best reviews since The Executioner's Song. It is an exploration of the untold dramas of the CIA from the end of World War II to 1965. He performed a huge amount of research for the novel, which is still on CIA reading lists. He ended the novel with the words "To be continued" and planned to write a sequel, titled Harlot's Grave, but other projects intervened and he never wrote it. Harlot's Ghost sold well.
ellauri184.html on line 90: His final novel, The Castle in the Forest, which focused on Hitler's childhood, reached number five on the Times best-seller list after publication in January 2007. It received reviews that were more positive than any of his books since The Executioner's Song. Castle was intended to be the first volume of a trilogy, but Mailer died several months after it was completed. The Castle in the Forest received a laudatory 6,200-word front-page review by Lee Siegel in the New York Times Book Review, as well as a Bad Sex in Fiction Award by the Literary Review magazine.
ellauri185.html on line 855: In Leader's Bellow biography Vol 2, “Love and Strife,” the novel “Herzog” is published on the very first page and reaches No. 1 on the best-seller list, supplanting John le Carré’s ‘The Spy Who Came In From the Cold.’ Never again would Bellow, about to turn 50 years old, lack for wealth, power, awards or flunkies to stand by him, ready to take his coat and do his bidding. The temptation for someone in his position was to become an insufferable, spoiled monster. And Bellow quickly gave in to temptation.
ellauri188.html on line 118: Is the January 18, 1924, issue of SCIENCE, page 64, Mr. P. J. Wester writes from Manila, urging an ex pedition to the Marquesas and other South Sea Islands, primarily for the purpose of making secure the continued existence of the breadfruit, secondarily, by a study of the varieties, to add further evidence relative to the migrations of these inhabitants of Polynesia.
ellauri190.html on line 333: Tässä puolisensataa herra Petteriä plus 1 rouva, Zenobia, joka on otettu mukaan ihan säälistä. Tiedot ovat eräältä pageNum_rsSite=3&totalRows_rsSite=49">amerikkalaiselta sivulta. Kumma ettei yhtään amerikkalaista ole mukana? Ellei konkistadoreja lasketa. Hunnit olivat ilmeisesti Kiinan pohjoisnaapureita kiinalaiselta nimeltään Xiongnu. Ne miehittivät Saxan kansainvaellusten aikana ja saivat sillä lailla aikaan Rooman tuhon. Hitlerin Aatun aikana sanottiin sakemanneja vuorostaan hunneixi (the Huns). Ruottalaiset tunsi Attilan nimellä Atle. Listasta puuttuu ainakin toinen valloittava nainen, nimittäin Katariina Suuri.
ellauri191.html on line 1408: Czeslaw Milosz 3 ap.tifpage1-75px-Czeslaw_Milosz_3_ap.tif.jpg" decoding="async" width="75" height="114" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Czeslaw_Milosz_3_ap.tif/lossy-page1-113px-Czeslaw_Milosz_3_ap.tif.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Czeslaw_Milosz_3_ap.tif/lossy-page1-150px-Czeslaw_Milosz_3_ap.tif.jpg 2x" data-file-width="1654" data-file-height="2524" />
ellauri192.html on line 663: The other Seifert book is "The Casting of Bells," a 64-page collection translated by Tom O'Grady and Paul Jagasich, and published in August 1983 by The Spirit That Moves Us Press in Iowa City, Iowa. Morty Sklar, who described himself yesterday as "publisher, editor, typesetter and stamp licker" of the press, said his is a small, independent press that publishes two books a year. He published 1,000 copies of the Seifert book, but yesterday, upon hearing the news from Sweden, he reordered 2,500 more. It is available in paperback for $6.
ellauri194.html on line 481:
When does a person qualify to have a Wikipedia page?

ellauri194.html on line 485: I'd like to know myself, because despite the fact that I founded the only worldwide organization for game developers, helped put the Game Developers’ Conference (25,000 attendees annually) on its feet, worked on Madden NFL for six years for Electronic Arts, and wrote an introductory textbook on game design that has been translated into several languages, some anonymous random at Wikipedia has decided that I'm not “notable” enough because he personally has never heard of me, and wants to delete my page. Basically, you have to kiss the ass of the insiders if you don't want your content to be deleted. It's an oligarchy of the ignorant.
ellauri194.html on line 502:
  1. Don't create pages for people who are not notable.
    ellauri194.html on line 508:
  2. Don't add the page to inappropriate categories.
    ellauri194.html on line 734: page_image_770px_wide/s3/2017-07/banerjee.jpg?itok=J5EqyNMA" height="200px" />
    ellauri194.html on line 1008:
    SORRY we could not find that page.

    ellauri194.html on line 1010: Kindle Edition, 99 pages (no, 61)

    ellauri196.html on line 271: the whole pageantry koko vuodenajan
    ellauri198.html on line 831: His several boring plays featured fictional heroic ancient Irish warrior Cuchulain. A later poem concludes with a brash announcement: “There’s more enterprise in walking naked.” This indecent departure from a conventional 19th-century manner disappointed his contemporary readers, who preferred the pleasant musicality of such familiar poems as “The Lake Isle of Innisfree,” which he wrote in 1890. "I think all happiness depends on the energy to assume the mask of some other person, on strutting as somebody else but yourself", he said. Yeats and his lamentable wife held more than 400 sessions of automatic writing, producing nearly 4,000 pages that Yeats avidly and patiently studied and organized. What an idiot.
    ellauri206.html on line 250: Il adopte le pseudonyme de Jean Lorrain, seule condition pour écrire tout en continuant à recevoir un soutien financier de la part de son père armateur. Sa mère pointe une épingle au hasard sur une page de dictionnaire, désignant le mot « lorrain », et il approuve cette trouvaille pour son côté « simple, sonore, solide ».
    ellauri206.html on line 252: IL fréquente le salon de Charles Buet, où il rencontre Jules Barbey d'Aurevilly, Joris-Karl Huysmans, François Coppée, Léon Bloy, Laurent Tailhade et autres cretins. Il rencontre Edmond de Goncourt, avec qui il restera lié jusqu'à la mort de ce dernier en 1896, et qui fut son principal protecteur. Edmond de Goncourt, dans la récente édition complète en 22 volumes du Journal des Goncourt, se montre curieux de toutes les questions sexuelles et particulièrement de l'homophilie. À partir de 1884, Edmond de Goncourt, jusque-là banalement réactionnaire, devient un antisémite enragé, Jésus l'a sauvé après 27 années d'homosexualité. Il se veut esthète et dandy en même temps qu'explorateur tapageux du vice et de la vulgarité, curieux assemblage qui verse souvent dans le pire mauvais goût, et qui lui vaut le mépris hautain de Robert de Montesquiou, dont Lorrain, pour sa part, fait volontiers sa tête de Turc pour sa prétention à l'élégance et à la chasteté. « Lorrain », écrit Léon Daudet dans ses Souvenirs, « avait une tête poupine et large à la fois de coiffeur vicieux, les cheveux partagés par une raie parfumée au patchouli, des yeux globuleux, ébahis et avides, de grosses lèvres qui jutaient, giclaient et coulaient pendant son discours. Son torse était bombé comme le bréchet de certains oiseaux charognards. Lui se nourrissait avidement de toutes les calomnies et immondices. »
    ellauri207.html on line 86: In the second book of the Millennium series, The Girl Who Played with Fire, Stieg Larsson’s Lisbeth Salander is devoted to a 1,200 page mathematics text. The book, by one L. C. Parnault, is titled Dimensions in Mathematics, and though Larsson
    ellauri210.html on line 69: En 1932, André Breton affirme dans une lettre qu'André Gide ne se releva jamais de ces quelques pages de critique désinvolte.
    ellauri210.html on line 396: En 1932, André Breton affirme dans une lettre qu'André Gide ne se releva jamais de ces quelques pages de critique désinvolte.
    ellauri210.html on line 1171: Arrêté et passé à tabac après avoir uriné sur la tombe du Soldat inconnu en protestation contre la guerre d'Algérie (the anglo-saxon page does not mention his motivation), il est emprisonné, puis interné à l'hôpital Sainte-Anne en juillet 1959.
    ellauri213.html on line 298: Girlguiding UK has signed the campaign to try and force the hand of Rupert Murdoch, who hinted a few weeks ago that he is considering ending the publication of photographs of topless models on page 3 of The Sun – which he owns, as chief executive of News Corporation. Page 3, or Page Three, was a British newspaper convention of publishing a large image of a topless female glamour model (known as a Page 3 girl) on the third page of mainstream red-top tabloids. The Sun introduced the feature, publishing its first topless Page 3 image on 17 November 1970. The Sun's sales doubled over the following year, and Page 3 is partly credited with making The Sun the UK's bestselling newspaper by 1978. In response, competing tabloids including the Daily Mirror, the Sunday People, and the Daily Star also began featuring topless models on their own third pages. Notable Page 3 models included Linda Lusardi, Samantha Fox, and Katie Price.
    ellauri213.html on line 434: Seuraavassa on listattuna pahoja naisia rikkomuxineen (kuvissa söpöset alleviivattu): Irma Grese (Naziwächterin), Myra Hindley (serial pedocide), Isabela of Castile (born in the year 1451 and died in 1504, Isabella the Catholic, was queen of Castile and León. She and her husband, Ferdinand II of Aragon, brought stability to the kingdoms that became the basis for the unification of Spain. Isabella and Ferdinand are known for completing the Reconquista, ordering conversion or exile of their Muslim and Jewish subjects and financing Christopher Columbus’ 1492 voyage that led to the opening of the “New World”. Isabella was granted the title Servant of God by the Catholic Church in 1974), Beverly Allitt (pedocide, Angel of Death), Queen Mary of England (catholic), Belle Gunness (norwegian-american serial killer), Mary Ann Cotton (serial killer), Ilse Koch (Lagerfrau), Katherine Knight (very bad Aussie), Elizabeth Bathory (hungarian noblewoman and serial killer), Sandra Avila Beltran (drugs), Patty Hearst (hänen isoisänsä oli lehtikeisari William Randolph Hearst. Hiän joutui kidnappauksen uhriksi, mutta pian tämän jälkeen hiän teki pankkiryöstön ja joutui vankilaan), Genene Jones (infanticide nurse), Karla Homolka (Canadian serial killer), Diane Downs (infanticide), Aileen Wuornos (serial killer), Griselda Blanco (drug lady), Lizzie Borden (kirvesmurhaaja), Bonnie Parker (bank robber), Anne Bonny (pirate), Mary Bell (pedocide), Delphine LaLaurie (serial slavekiller), Patricia Krenwinkel (Manson family member), Leslie van Houten (Manson family member), Darlie Routier (infanticide), Susan Smith (infanticide), Susan Atkins (Manson family member), Ching Shih (pirate), Anna Sorokin Delvey (con woman), Amelia Dyer (serial killer), Assata Shakur (black terrorist), Belle Gunness (serial killer), Gypsy Rose Blanchard (matricide), Pamela Smart (mariticide), Ruth Ellis (nightclub hostess, last woman hanged in UK), Phoolan Devi (bandit), Ma Barker (matriarch), Jennifer Pan (parenticide), Virginia Hill (gangster), Karla Faye Tucker (burglar, first woman injected in US), Leonarda Cianciully (serial murderer, soapmaker), Mary Read, Carill Ann Fugate (murder spree), Grace Marks (maid), Belle Starr (outlaw, friend of Lucky Luke), Zerelda Mimms (Mrs. Jesse James), Jane Toppan (serial killer), Sara Jane Moore (wannabe assassin of Gerald Ford), Martha Beck (serial killer), Doris Payne (jewel thief), Mary Brunner (Manson family member), Barbara Graham (executed by gas), Grace O'Malley (pirate), Sada Abe (jealous geisha. When they asked why she had killed Ishida, “Immediately she became excited and her eyes sparkled in a strange way: ‘I loved him so much, I wanted him all to myself. But since we were not husband and wife, as long as he lived he could be embraced by other women. I knew that if I killed him no other woman could ever touch him again, so I killed him…..’ ), Samantha Lewthwaite (white somali terrorist), Theresa Knorr (murderess), Lynette Fromme (Manson family, wannabe assassin of Gerald Ford), The Freeway Phantom (serial killer), Carol M. Bundy (serial killer), Fanny Kaplan (bolshevik revolutionary), Marguerite Alibert (Ed VII courtesan), Jean Harris (author), Linda Hazzard (physician, serial killer), Mary Jane Kelly (1st victim of Jack the Ripper), Kim Hyon-hui (North-Korean spy), Vera Renczi (serial killer), Clare Bronfman (filthy rich criminal), Kirsten Gilbert (serial killer nurse), Gerda Steinhoff (Lagerwächterin), Linda Carty (baby robber), Estella Marie Thompson (black prostitute, blowjobbed Hugh Grant), Elizabeth Becker (Lagerwächterin), Juana Barraza (asesina en serie), Olivera Circovic (baseball player, writer, jewel thief), Olga Hepnarova (mental serial killer), Sabina Eriksson (knäpp tvilling), Minnie Dean (serial killer), Madame de Brinvilliers (aristocrat parri- and fratricide), Martha Rendell (familicide, last woman hanged in Western Australia), Violet Gibson (wannabe assassin of Mussolini), Idoia López Riaño (terrorist), Styllou Christofi (murdered her daughter in law), Mary Eastley (convicted of witchcraft), Wanda Klaff (Lagerwächterin), Giulia Tofana (avvelenatrice), Tisiphone (1/3 raivottaresta), Jean Lee (murderer for money), Brigitte Mohnhaupt (RAF terrorist), Marcia (mistress of Commodus), Beate Zschäpe (far-right terrorist), Evelyn Frechette (singer, Dillingerin heila), Francoise Dior (naziaktivisti), Linda Mulhall (nirhasi äidin poikaystävän saxilla), Brigit Hogefeld (RAF terrorist), Martha Corey (Salem witchhunt victim), Marie Lafarge (arsenikkimurha), Debra Lafave (teacher, gave blow job to student), Enriqueta Marti (asasina en serie), Alse Young (witch hanging victim), Elizabeth Michael (actress, involuntary manslaughter: nasty boyfriend hit his head and died while beating her), Susannah Martin (witchcraft), Maria Mandl (Gefängnisoffizerin), Mary Frith (pickpocket and fence), pagepress.net/m/H/Hanadi-Jaradat-hairstyle-3.jpg">Hanadi Jaradat (suicide bomber), Marie-Josephte Carrivau (mariticide), Gudrun Ensslin (RAF founder), Anna Anderson (vale-Anastasia), Ans van Dijk (jutku nazikollaboraattori), Elizabeth Holmes (bisneshuijari), Ghislaine Maxwell (Epsteinin haahka), Julianna Farrait (drugs), Yolanda Saldivar (embezzler, killer), Jodi Arias (convicted killer Jodi Ann Arias was born on July 9, 1980, in Salinas, California. In the summer of 2008, Arias made national headlines when she was charged with murdering her ex-boyfriend Travis Alexander, a 30-year-old member of the Church of Jesus Christ of Latter Day Saints who was working as a motivational speaker and insurance salesman. Aargh. Justifiable homicide.) Alyssa Bustamante (kid murder), Mary Kay Letourneau (kid abuser), Mirtha Young (drugs), Catherine Nevin (mariticide), Pilar Prades (maid), Irmgard Möller (terrorist), Christine Schürrer (krimi), Reem Riyashi (suicide bomber), Amy Fisher (jealous), Wafa Idris (suicide bomber), Jeanne de Clisson (ex-noblewoman), Christine Papin (maid murderer), Sally McNeil (body builder), Mariette Bosch (murderer), Sandra Ávila Beltrán (drugs), Alice Schwarzer (journalist), Andrea Yates (litter murderer), Mimi Wong (bar hostess), Pauline Nyiramasuhuko (criminal politician), Josefa Segovia (murderer), Martha Needle (serial killer), Antonina Makarova (war criminal), Mary Surratt (criminal businessperson), Dorothea Binz (officer), Leona Helmsley (tax evasion), Angela Rayola (reality tv personality), Léa Papin (maid murderer), Ursula Erikssson (kriminell mördare), Maria Petrovna (spree killer), Aafia Siddiqui (criminal), Fatima Bernawi (palestinian militant), La Voisin (fortune teller), Deniz Seki (singer), Rasmea Odeh (Arab activist), Hildegard Lächert (nurse), Sajida al-Rishawi (suicide bomber), Hayat Boumeddiene (ISIS groupie, nähty viimexi Al Holissa), Herta Ehlert (Lagerwächterin), Elizabeth Stride (seriös mördare), Adelheid Schulz (krimi), Jenny-Wanda Barkman (Wächter), Shi Jianqiao (pardoned assassin. The assassination of Sun Chuanfang was ethically justified as an act of filial piety and turned into a political symbol of the legitimate vengeance against the Japanese invaders.), Rosemary West (serial killer), Juana Bormann (Lagerwächterin), Kathy Boudin (criminal), Kate Webster (assassin), Teresa Lewis (murderer), Hermine Braunsteiner (Lagerwächterin), Flor Contemplacion (assassina), Constance Kent (fratricide), Tamara Samsonova (serial killer), Herta Bothe (Lagerwächterin), Maria Gruber (Mörderin), Irene Leidolf (möderin), Waltraud Wagner (Mörderin), Elaine Campione (criminelle), Greta Bösel (Pflegerin), Marie Manning (Mörderin), Darya Nikolayevna Saltykova (sadist), Nora Parham (executed), Maria Barbella (assassina), Linda Wenzel (ISIS activist), Anna Marie Hahn (Mörderin), Suzane von Richthofen (parenticide), Charlotte Mulhall (murderer), Khioniya Guseva (kriminal), Daisy de Melker (serial killer nurse), Stephanija Meyer (Mörderin), Sinedu Tadesse (murderer), Ayat al-Akhras (suicide bomber), Akosita Lavulavu (minister of infrastructure and tourism), Sabrina de Sousa (criminal diplomat), Sally Basset (poisoner), Emma Zimmer (Aufseher), Mary Clement (serial killer), Irina Gaidamachuk (serial killer), Dagmar Overbye (serialmorder), Gesche Gottfried (Mörderin), Frances Knorr (serial killer), Beate Schmidt (Serienmörderin), Elizabeth Clarke (accused victim of witchcraft), Kim Sun-ja (serial killer), Olga Konstantinovana Briscorn (serial killer), Roxana Baldetti (politico), Rizana Nafeek (house maid), Margaret Scott (accused of witchcraft), Jacqueline Sauvage (meurtrier), Veronique Courjault (tueur en série), Barbara Erni (thief), Hilde Lesewitz (Schutzstaffel Wächterin), Thenmoli Rajaratnam (suicide bomber), etc. etc..
    ellauri214.html on line 47: pages.dk/hbl/4160/assets/a484475641i0011_max1024x.jpg" />
    ellauri214.html on line 81: With talk of sex and drugs, the British author's first adult novel marks a turn away from her family-friendly series about a boy wizard. Some reviewers call her first book after the "Harry Potter" series an attack on conservatives, with one tabloid saying it presents "500 pages of relentless socialist manifesto masquerading as literature."
    ellauri214.html on line 90: The Casual Vacancy, which one bookseller breathlessly predicted would be the biggest novel of the year, isn’t dreadful. It’s just dull. … The small-town characters are all deluded in their own way with their own tales to tell. The problem is, not one of them is interesting or even particularly likeable. Collectively, it’s all too easy to turn the page on them. The fanbase may find it a bit sour, as it lacks the Harry Potter books’ warmth and charm; all the characters are fairly horrible or suicidally miserable, or dead.
    ellauri214.html on line 551: Tokarczuk felt this rejection of facts at first-hand when the Polish publication of her 2015 novel The Books of Jacob led to death threats from nationalists. Her 900-page “magnum opus” tells the true story of 18th-century Polish-Jewish religious leader Jakub Frank, who converted thousands of Orthodox Jews to a kind of Christianity that saw them condemned and persecuted for heresy.
    ellauri219.html on line 583: At Princeton, Rawls was influenced by Norman Malcolm, Ludwig Wittgenstein's dumb student. During his last two years at Princeton, he "became deeply concerned with theology and its doctrines." He considered attending a seminary to study for the Episcopal priesthood and wrote an "intensely religious senior thesis (BI)." In his 181-page long thesis titled "Meaning of Sin and Faith," Rawls attacked Pelagianism because it "would render the Cross of Christ to no effect." His argument was partly drawn from Karl Marx's book On the Jewish Question, which criticized the idea that natural inequality in ability could be a just determiner of the distribution of wealth in society. Even after Rawls became an atheist, many of the anti-Pelagian arguments he used were repeated in A Theory of Justice. Pelagianism is a heretical Christian theological position that holds that the original sin did not taint human nature and that humans by divine grace have free will to achieve human perfection. Pelagius (c. 355 – c. 420 AD), an ascetic and philosopher from the British Isles, taught that God could not command believers to do the impossible, and therefore it must be possible to satisfy all divine commandments. He also taught that it was unjust to punish one person for the sins of another; therefore, infants are born blameless. Pelagius accepted no excuse for sinful behavior and taught that all Christians, regardless of their station in life, should live unimpeachable, sinless lives, or else... Se oli tollanen humanisti, mitä Hippo aivan erityisesti inhosi. Vittu eihän sitten mitään kirkkoa ja pappeja edes tarvittaisi. Jeesus jäisi työttömäxi, Jahve eläkkeelle.
    ellauri219.html on line 754: The Yoga Sutras of Patanjali are in themselves exceedingly brief, less than ten pages of large type in the original.
    ellauri222.html on line 68: In Leader's Bellow biography Vol 2, “Love and Strife,” the novel “Herzog” is published on the very first page and reaches No. 1 on the best-seller list, supplanting John le Carré’s ‘The Spy Who Came In From the Cold.’ Never again would Bellow, about to turn 50 years old, lack for wealth, power, awards or flunkies to stand by him, ready to take his coat and do his bidding. The temptation for someone in his position was to become an insufferable, spoiled monster. And Bellow quickly gave in to temptation.
    ellauri222.html on line 105: So even “Dangling Man,” an awkwardly written book about which Bellow later said, “I can’t read a page of it without feeling embarrassed,” was received as a sign that the novel might after all be up to its historic task. “Here, for the first time I think, the experience of a new generation has been seized,” Delmore Schwartz wrote, in Partisan Review. In The New Yorker, Edmund Wilson called “Dangling Man” a “testimony on the psychology of a whole generation.” When Bellow’s second novel, “The Victim,” came out, in 1947, Martin Greenberg, in Commentary, explained that Bellow had succeeded in making Jewishness “a quality that informs all of modern life . . . the quality of modernity itself.” In Partisan Review, Elizabeth Hardwick suggested that Bellow might become “the redeeming novelist of the period.”
    ellauri222.html on line 117: The first two hundred pages of “Augie March” are the best writing Bellow ever did. He created an idiolect that had no model. “I am an American, Chicago born . . . and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent.” Nobody speaks or writes that way—which is exactly what the sentence is telling us.
    ellauri222.html on line 119: Augie is a street-urchin autodidact. Never taught how to write a proper sentence, he invents a style of his own. He is an epigrammist and a raconteur, La Rochefoucauld in the body of a precocious twelve-year-old, a Huck Finn who has taken too many Great Books courses. With this strange mélange of ornate locutions, Chicago patois, Joycean portmanteaus, and Yiddish cadences, Bellow found himself able to produce page after page of acrobatic verbal stunts:
    ellauri222.html on line 129: Bellow must have guessed that “Augie March” would distress some of his admirers. It did. He showed a hundred pages of the manuscript to Lionel Trilling. “It’s very curious, it’s very interesting,” Trilling told him, “but somehow it’s wrong.” When the book came out, Trilling wrote a positive notice in the newsletter of the book club he directed but registered concern about a dangerous notion he detected in the novel, the notion that one could have a meaningful life independent of one’s social function. Bellow wrote to Trilling to say (disingenuously) that he had written the novel without much of a moral purpose in mind. Trilling wrote back. “You mustn’t ignore the doctrinal intention of your book,” he said.
    ellauri222.html on line 165: Structure was always Bellow’s weak point. One of his first editors at Partisan Review, Dwight Macdonald, worried about what he called a “centerless facility.” Podhoretz was not wrong about the problem of shapelessness in “Augie March.” The novel’s antic style is like a mechanical bull. For a few hundred pages, Bellow is having the time of his life, letting his invention take him where it will. By the end, he is just hanging on, waiting for the music to stop. It takes the story five hundred and thirty-six pages to get there.
    ellauri222.html on line 167: Leader thinks that Bellow plunged into his books and wrote on sheer enthusiasm, then surfaced after a hundred pages or so and wondered how to get back to shore. There is very little moral logic to his stories. Things just happen. (A major exception is “Seize the Day,” which is formally perfectly realized. But that book is a novella, a day in the life. It doesn’t require a plot.)
    ellauri222.html on line 803: British critics tend to regard the American predilection for Big Novels as a vulgar neurosis — like the American predilection for big cars or big hamburgers. Oh God, we think: here comes another sweating, free-dreaming maniac with another thousand-pager; here comes another Big Mac. First, Dos Passos produced the Great American Novel; now they all want one. Yet in a sense every ambitious American novelist is genuinely trying to write a novel called USA. Perhaps this isn’t just a foible; perhaps it is an inescapable response to America – twentieth-century America, racially mixed and mobile, twenty-four hour, endless, extreme, superabundantly various. American novels are big all right, but partly because America is big too. You need plenty of nerve, ink and energy to do justice to the place, and no one has made greater efforts than Saul Bellow. In 1976 Bellow was awarded the Nobel Prize for Literature, praised by the Swedes ‘for human understanding and subtle analysis of contemporary culture’. Many times in Bellow’s novels we are reminded that ‘being human’ isn’t the automatic condition of every human being. Like freedom or sanity, it is not a given but a gift, a talent, an accomplishment, an objective. The busiest sections of the Chicago bookstores, I noticed, were those marked ‘Personal Growth’.
    ellauri226.html on line 151: pages.dk/hbl/4194/assets/a491995841i0018_max1024x.jpg" />
    ellauri226.html on line 320: While the failed shooting of Eleanor Kaplan was apparently not front page all over the news, it was enough for him and his family to move.
    ellauri236.html on line 463: Paula sat before an idle typewriter, thumbing through the pages of a lurid magazine called Chase.
    ellauri236.html on line 520: Chase's novels were so thick that the reader was compelled to turn the pages in a non-stop effort to reach the end of the book. The final page often produced a totally unexpected plot twist. (Ei kuitenkaan tossa lähtöjuhlissa, kurkistin.) His early books contained some violence that matched the era in which they were written. Unfortunately, sex was never explicit and, though often hinted at, seldom happened. That would invariably leave even his most die-hard fans disappointed. This may be why his books failed to take hold in the American market.
    ellauri240.html on line 141: Pictures of the jet and accompanying articles appeared on the front page of the Chinese daily Global Times on Wednesday. The lack of a government suppression of the disclosure lends credence to China's reports, the Associated Press reports.
    ellauri241.html on line 601: With other pageants: but this fair unknown Mainoskulkueiden kanssa: mutta tämä reilu tuntematon
    ellauri241.html on line 1225: (Oh hell, methinx I did spout a little streamlet o'er these sorry pages.)

    ellauri243.html on line 554: Bob´s book is about Perpetual Potential. Inside these pages, you will discover three invaluable lessons that will propel you closer to your true potential. The lessons will serve you well on either of two different, but parallel roads you may travel: The roads towards triumph or tragedy, as well as the roads in between. In 2003 the author, Bob Stearns was on top of the world. He led his company to win the most prestigious business award in the country, the Malcolm Baldrige award. Just five short years later, tragedy struck. Bob´s oldest son Eric was killed while on a study trip abroad in Athens, Greece. Eric was 21 years old at the time and was a junior at Penn State University. Although Eric lost his precious life in Greece, he found something sprawled under the pillars of the Acropolis that many people search for their entire lifetimes. He found inner peace in the knowledge that he could truly be anything he wanted to be, he could do anything he wanted to with his life. In his book "Perhaps a Man Can Change the Stars - Eric's Pursuit of Perpetual Potential", Bob shares with you three life lessons that allowed Eric to understand his true potential. Those same lessons helped Bob and his family deal with Eric´s death. The same lessons had enabled Bob to lead his company to triumph five years earlier. A key take away from the book is that no matter what stage of life you find yourself, you have the potential to explore. You have the potential to utilize and grow the talents and aspirations that you currently have. You have the potential to rekindle old talents that lie dormant, and to allow new talents to blossom. This is true regardless of age, circumstances, and what other people may be telling us. So read, explore and think deeply about how you can apply the three lessons that Bob learned from Eric. Decide for yourself how you can best use them. Indeed, our Potential is Perpetual!
    ellauri243.html on line 669: page/img/Ludwig%20von%20Mises%20576x720.jpg?itok=feHt307X" height="200" />
    ellauri244.html on line 437: I'm Faye Bird, author of My Second Life and What I Couldn't Tell You . My latest book is My Secret Lies With You. If you came here to find out more about me, and my books, then you are in the right place. Welcome! Patron of Reading If you are a student, parent or teacher at Elthorne Park High School then please do head to my Patron of Reading page.
    ellauri244.html on line 563: No olipa turhanpöiväistä löpinää. Älkää LÖPISKO! olisi Omppu huutanut. In 2014 the book was reissued as Jonathan Livingston Seagull: The Complete Edition, which added a 17-page fourth part to the story. Bach reported that he was inspired to finish the fourth part of the novella by a near-death experience which had occurred in relation to a near-fatal plane crash in August 2012. What a pity.
    ellauri245.html on line 209: pages.dk/hbl/4254/assets/891c62ae8a7422f519fd1b090234631bf09f63e9_max1024x.jpg" width="30%" />
    ellauri245.html on line 264: page1-220px-Nsala_of_Wala_in_the_Nsongo_District.tif.jpg" height="200px" />
    ellauri247.html on line 207: L’Histoire de Gil Blas de Santillane est un roman d'inspiration picaresque de l'écrivain français Alain-René Lesage, paru entre 1715 et 1735. Lesage joue avec les références antiques et picaresques qu'il détourne. Et l'inspiration antique marque l’œuvre jusque dans le découpage en douze livres, qui rappelle les douze chants de l'Énéide.
    ellauri248.html on line 98: Justin rated it shit: The protagonist of this book really, really annoyed me. It felt like a parody of one of those old black-and-white movies where the picture freezes and the guy steps out toward the camera, lights a cigarette, pulls his hat down, and goes into this long monologue about life or women or his past or whatever. The action would pick up or a new lead would be uncovered, and here comes Rob rambling on for pages and pages.... and pages.
    ellauri254.html on line 638: page1-800px-Portr%C3%A4tt%2C_Karl_X_Gustav_-_Skoklosters_slott_-_42216.tif.jpg" />
    ellauri257.html on line 506: In the United States, Singer went through a period of depression in which he published little fiction, until in 1938, he met Alma Wasserman and the two married in 1940. For Singer as homo domesticus, I needed the views of his wife, Alma Haimann, whom I’ll refer to by her first name hereafter. I had read in a 1970s article from The Jewish Exponent that Alma had been at work on an autobiography. “I’m about as far as the first 100 pages,” she told the Philadelphia newspaper. I was also aware, from Paul Kresh’s 1979 biography, “The Magician of West 86th Street,” that Singer didn’t think his wife would ever finish the manuscript. But was there such a manuscript?
    ellauri257.html on line 508: Happily, when I last visited Singer’s archives at the Ransom Center, in Austin, Texas, I located the manuscript. Unhappily, it is far less than Alma had promised — not only in length (I came across 13 pages, a number of them only a few lines long,) but also in content. The first page has a title penciled in capital letters: “What Life Is Like With a Writer.”
    ellauri263.html on line 674: Col. Olcott ei ollut vakuuttunut vaan alkoi vehkeillä ennenkuin HPB oli ehtinyt kylmetä. In the April Theosophist Col. Olcott makes public what we have long known to be his private opinion – a private opinion hinted at through the pages of Old Diary Leaves – that H.P.B. was a fraud, a medium, and a forger of bogus messages from the Masters. This final ingrate’s blow is delivered in a Postscript to the magazine for which the presses were stopped. The hurry was so great that he could not wait another month before hurling the last handful of mud at his spiritual and material benefactor, our departed H.P.B. The next prominent person for whom we wait to make a similar public statement, has long made it privately. [Note: This sentence referred to Annie Besant.]
    ellauri264.html on line 415: Norm was seen rambling about Black Lives Matter and making homophobic and racist remarks, using the "n" word with his pants around his ankles (he was wearing soiled shorts underneath). A Black woman sitting in the front row stares at Pattis throughout the nearly eight-minute set, clearly unimpressed. This past year he infuriated the New Haven National Association for the Advancement of Colored People, a former ally, by posting a racially charged meme on his Facebook page. The post depicted three hooded white beer cans arrayed around a brown bottle hanging from a string. Its caption: “Ku Klux Coors.” Civil rights activists called it disgusting and racist. Pattis called it funny and free speech.
    ellauri266.html on line 206: page_1_image_0002.jpg?itok=t86RviKz" width="30%" />
    ellauri266.html on line 460: Le jour suivant, un grand tapage semble étourdir les humains de Soror qui fuient dans tous les sens. Sans trouver d’explication à cette agitation, le narrateur et Arthur Levain les suivent. Au bout de sa course, le narrateur s’arrête et découvre ce qui lui paraît un cauchemar3. Le tapage est en fait une partie de chasse où les chasseurs sont des singes et le gibier, des humains. Se trouvant sur la ligne de tir d’un gorille, le narrateur ne peut s’empêcher de remarquer l’élégance de sa tenue de chasse et son regard étincelant comme celui des humains sur la planète Terre. Ces singes semblent raisonnables et intelligents. Cependant, son compagnon Arthur, pris de terreur et tentant de s´enfuir, est tué sur-le-champ par le gorille. Le narrateur profite d’un petit instant de relâchement et s’enfonce dans les buissons. Mais il est capturé par un filet tendu pour attraper les fuyards.
    ellauri272.html on line 78: Kirsten Sims from New Zealand stated that the book "will win no prizes for its prose" and that "there are some exceedingly awful descriptions," although it was also an easy read; "(If you only) can suspend your disbelief and your desire to – if you'll pardon the expression – slap the heroine for having so little self respect, you might enjoy it." A Cord from U of Columbia stated that, "Despite the clunky prose, James does cause one to turn the page." Father Metro wrote that "suffering through 500 pages of this heroine's inner dialogue was torturous, and not in the intended, sexy kind of way". Jessica Reaves, the Chicago Tribune, wrote that the "book's source material isn't great literature", noting that the novel is "sprinkled liberally and repeatedly with asinine phrases", and described it as "depressing". Publishers Weekly named E. L. James the 'Publishing Person of the Year' 2012. In April 2012 E. L. James was listed as one of Time magazine's "100 Most Influential People in the World".
    ellauri272.html on line 427: pages/22.png" width="50%" />
    ellauri272.html on line 454: pages/7.png" width="50%" />
    ellauri272.html on line 493: pages/36.png" width="50%" />

    ellauri272.html on line 494: pages/37.png" width="50%" />
    ellauri276.html on line 853: This is the page whose letters shall be seen, Tämä on sivu, jonka kirjaimet tulevat näkyviin,
    ellauri284.html on line 553: pages/05%20Major%20Sites%20Pictures/04%20Hawa%20Mahal%20(Wind%20Palace)/Webpages/originalimages/06%20A%20group%20of%20India%20people%20nearby.jpg" width="30%" />
    ellauri285.html on line 74: To accommodate our flawed design, we are taught from birth to use wads of paper, magazine pages, dried corncobs and even stones, to wipe our filthy behinds. And this we must do! If we did not wipe, we would reek of dung from the cake of dingleberries between our cheeks and our pants, skirts, caftans and burkas, would be fouled with nicotine stains and clouds of flies would follow us down the street like goslings.
    ellauri288.html on line 221: page_image_770px_wide/s3/inline-images/2018/10/joulukortti.jpg?itok=XUzQHLau" />
    ellauri290.html on line 405:

    * See map on opposite page and compare with map on page 20 ** The Israelis now occupy a land area of 1,414,589 acres or 21% in excess of the land area allotted to the “Jewish State” under the Partition Plan of 1947.
    ellauri294.html on line 673: pagepics/amelia-newport-margaret-mead-2.jpg" height="100%" style="position:absolute;left:200px" />
    ellauri299.html on line 47: pages.dk/hbl/4423/assets/3a1311ee27e0815e4aadcf5a6f4314da095d2071_max1024x.jpg" width="40%" />
    ellauri299.html on line 156: Anie: After 130 pages of preaching, with no plot in sight, I gave up. This book is so full of platitudes, generalizations, and simplistic solutions that it belongs in the harlequin category. There are too many good books with great plots out there to waste any more time on this book.
    ellauri310.html on line 26: page4.jpg" width="49%" />
    ellauri310.html on line 27: page6.jpg" width="49%" />
    ellauri310.html on line 584: Yes. Fact-checking the Genius movie confirmed that Thomas Wolfe's tendency to not want to cut anything from his novels and to continually want to add more pages, presented a challenge for his editor, Max Perkins. At the insistence of Perkins, Wolfe reluctantly agreed to cut 90,000 words from his first novel, Look Homeward, Angel (1929).
    ellauri313.html on line 173: That being said, at 500 pages, the book takes on a lot and doesn't adequately address it all. There's the nominal plot, which concerns the Yugoslav mafia in Sweden; but there's also a new relationship for Annika, which is complicated; the politics of the newspaper she works for; fundamental questions about the role of the welfare state; and questions about the role of a newspaper vis a vis law enforcement. This all kind of dropped off toward the end of the book, and I didn't find the conclusion to be particularly satisfying. I felt impatient with Annika's (main character), histrionics and irrationality.
    ellauri313.html on line 178: Πολύ κακό βιβλίο. Χάσιμο χρόνου. The descriptions of sidewalks, meadows, walls and courtyards, just made me skip whole pages. That's it for the Swedes. I hope in the future books Annika stops whining and crying, but I have no intention of finding out.
    ellauri316.html on line 421: page1-637px-the_old_and_the_young_flee_tet_offensive_fighting_in_hue_managing_to_reach_the_south_shore_of_the_perfume_river_despite_-_nara_-_541870-tif-453x640.jpg?width=480" />
    ellauri321.html on line 99: This little volume had made its mark on both sides of the Atlantic not many years before Hazlitt noticed it. It appeared in London in 1782 with this somewhat ponderous title-page: Letters from an American Farmer, Describing Certain Provincial Situations, Manners and Customs, and Conveying Some Idea Of The State Of The People Of North America, Written xi to a Friend in England, By J. Hector St. John, A Farmer In Pennsylvania. Tästä varmaan radikaali Mary otti matkakirjaan mallia.
    ellauri321.html on line 108: In 1747, in his sixteenth year, Crèvecoeur was sent by his family to England in order to complete his education. But the young man was of an adventurous spirit, and after a sojourn of about seven years in England, he set sail for Canada, where for the years 1758–59 he served in the French army. In 1764, after some residence in Pennsylvania, he became a naturalized citizen of New York, and five years later settled on a farm in Ulster County. Here, with his wife, Mahetable Tiffet of Yonkers, he lived the peaceful life of many idyllic years during which he gathered the materials for his book. Obviously enough he did not always remain on his farm, but viewed many parts of the country with a quietly observing eye. These journeys are recorded in his pages. He explored pretty thoroughly the settled portions of the States of New York and Pennsylvania, saw something of New England, and also penetrated westward to the limits of the colonies. He went as far South as Charleston, and may have visited Jamaica. Beyond such journeyings we may imagine these years to have xiv have been quite barren of events, serene and peaceful, until the storm of the Revolution began to break. It is not until 1779 that anything of import is again recorded of Crèvecoeur. In that year he made an attempt to return to Normandy, but the sudden appearance of a French fleet in the harbor of New York causing him to be suspected as a spy, he was imprisoned for three months. He was then permitted to sail, and, on his arrival in England, sold for thirty guineas his “Letters from an American Farmer,” which were published at London in 1782, the year after he reached France.
    ellauri322.html on line 244: Mary Wollstonecraft left Lisbon for England late in December, 1785. When she came back she found Fanny's poor parents anxious to go back to Ireland ; and as she had been often told that she could earn by writing, she wrote a pamphlet of 162 small pages" Thoughts on the Education of Daughters " and got ten pounds for it. This she gave to hel- friend's parents to enable them to go back to their kindred. In all she did there is clear evidence of an ardent, generous, impulsive nature. One day her friend Fanny Blood had repined at the unhappy surroundings in the home she was maintaining for her father and mother, and longed for a little home of her own to do her work in. Her friend quietly found rooms, got furniture together, and told her that her little home was ready ; she had only to walk into it. Then it seemed strange to Mary Wollstonecraft that Fanny Blood was withheld by thoughts that had not been uppermost in the mood of complaint. She thought her friend irresolute, where she had herself been generously rash. Her end would have been happier had she been helped, as many are, by that calm influence of home in which some knowledge of the world passes from father and mother to son and daughter, without visible teaching and preaching, in easiest companionship of young and old from day to day.
    ellauri333.html on line 89: Asokan ediktit ovat kaikki page/n29/mode/1up?view=theater">arkistoituna netissä.
    ellauri334.html on line 285: He is in heaven. In the “correct” heaven - the Kingdom of God. Why? Read the 650 pages he authored through a divine love medium about 17 years ago and see for yourself what sort of advanced spirit he is today. Knowledgeable, loving, and able to tell a great deal about Jesus’ life 2000 years ago. And yes he spent some time in the hells. But God always forgives us, save only for the “unforgivable sin” which since it is an act of omission by the human, God can do nothing about. It is not in his power. He is omnipotent mut not that potent. It's like with that stone.
    ellauri336.html on line 596: This is her first and only mention of the Israel-Hamas conflict on her account on X (the social media website once known as Twitter), which has a whopping 5.6 million followers, since the despicable Hamas attacks on Oct. 7 that killed 1,400 Israelis, injured thousands more, and took 200 hostages. As of this writing, Thunberg has no posts that mention the conflict on her Facebook page and only one post on her Instagram account that has essentially the same message as her X post.
    ellauri344.html on line 261: Jews without Money is set in a slum populated mainly by Jewish immigrants from Eastern Europe. The father of the hero is a Romanian-born painter who suffers from lead poisoning. When he falls from a scaffold, he is disabled and can no longer work. His business fails and the family is pushed into poverty. The mother has to seek work in a restaurant. Although he is a bright boy, young Michael decides he must leave school. On the final page of the book, the poor Jewish boy prays for the arrival of a Marxist worker's revolution that will emancipate the working class.
    ellauri346.html on line 318: The above video is indeed real and was created by Israeli advocacy group The Civil Front, which frequently does public campaigns to support the Israeli armed forces. The children in the slickly-produced video wore black T-shirts with the same blue logo as that on The Civil Front’s YouTube page. The video was reportedly sent to all media and news agencies in Israel.
    ellauri346.html on line 320: The video was also available on the group's YouTube page and was published on Nov. 19, 2023:
    ellauri352.html on line 604: In 2011, a "novel of the decade" was chosen due to lack of sponsorship to hold the customary award. Five finalists were chosen from sixty nominees selected from the prize´s past winners and finalists since 2001.[citation needed] Chudakov won posthumously with A Gloom Is Cast Upon the Ancient Steps, which takes place in a fictional town in Kazakhstan and describes fictional life under Stalinist Russia. The criteria for inclusion included literary effort, representativeness of the contemporary literary genres and the author¨s reputation as a writer. Length was not a criterion, as books with between 40 and 60 pages had been nominated.
    ellauri369.html on line 384: Jorge Luis Borges greatly admired the book, recounting that in 1916 at age 17 "[I] discovered, and was overwhelmed by, Thomas Carlyle. I read Sartor Resartus, and I can recall many of its pages; I know them by heart."
    ellauri377.html on line 42: Kansikuvan graffiti löydettiin vuonna 1857, kun Palatinuskukkulalta löytyi rakennus nimeltä domus Gelotiana. Keisari Caligula oli hankkinut talon keisarillisen palatsin käyttöön, josta Caligulan kuoltua tuli keisarillisten 'sivupoikien" (page boys) Paedagogium (internaattikoulu) . Myöhemmin katu, jolla talo oli, aidattiin muureilla yllä olevien rakennusten laajennuksille, ja näin se pysyi suljettuna vuosisatoja.
    ellauri381.html on line 139: During the Second World War, the OUN’s militant wing, the Ukrainian Insurgent Army (UPA), led by Bandera and his right-hand man Roman Shukhevych, mainly operated in Western Ukraine. It was during this era that some of the most controversial pages in the history of Ukrainian nationalism were written.
    xxx/ellauri027.html on line 309: Wilber’s eventual response to many of these critics was nothing short of childish — a dozen-or-so page (albeit extremely well-written) verbal shit storm that clarified nothing, justified nothing, personally attacked everyone, and straw-manned the shit out of his critics’ claims.
    xxx/ellauri057.html on line 232: page_main_image_breakpoints_custom_kt_base_wide_1x/public/mediafiles/1032_kiak2004_0052_027_f.jpg?itok=xaIa09Ms×tamp=1573562645" width="50%" />
    xxx/ellauri057.html on line 908: Passé vingt-deux ans, il abat directement avec sa machine à écrire deux écrits de genre populaire par semaine à raison de huit heures et quatre-vingts pages par jour. À la maturité, commençant toujours à partir de 4 heures du matin, il avoue rédiger vingt pages fermes par d'intenses matinées et écrire invariablement un roman en onze journées, nécessairement continues.
    xxx/ellauri059.html on line 514: Tässä kohtaa oli vielä lyhyitä kritiikkejä Lauri Henrik P-pään pikkusaarnoista, jota oli pantu Savon Arolan särpimexi mukaan samaan niteeseen. Ikävä kyllä ne on kadonneet. Ne saarnat oli aivan perseestä, voi jälkeenpäin muistinvaraisesti todeta. Tiivistäen: Nimisaarnan Anna fon Tollo oli aatelinen ämmä joka oli haikaillut jonkun köyhän säveltäjän perään, vaik oli aikanaan ize preferoinut fon Tollon paxumpaa rahamassia. No size kuoli se säveltäjä, ja ämmä lupas izellensä tehdä parannuxen, eli olla vähän hövelimpi palvelusväelle ja muulle laahuxelle. Syy-yhteyttä on vaikee havaita. Siziellä oli se Olavi Mela, joka sai haimasyövän ja alkoi kantaa huolta taivastontista kuin Pauli Pylkkänen. Se koitti Kaarlo Syvännön tapaan peukalovärssyä hyvästä kirjasta, ja löytyi lohduttavasti: iskä arlmahtaa, kuha vaan Olavi uskoo melan ylösnousemuxeen. Ja narshishtirovashti, joka jätti kaikki silleen ja ruustinnankin heitteille, kun sen poika narahti varmaan huumerikoxesta ulkomailla. Se oli SYYYYLLINEN, kuin Niklas kaadettuaan spagettikattilan. Vittu varmaan oli bylsinyt poikaa pienenä. Ja ämmä jonka poika oli kuolemassa johkin tartuntatautiin, josta tuntu turvalliselta kun se kexi kaataa koko huolen yljän sylkkyyn: nyze lapsi on turvan takana, vaikka ruumiina. Ja niin edespäin.
    xxx/ellauri068.html on line 149: Because Giuliani had bragged about having an affair with a large-breasted woman, Borat brings Tutar to a cosmetic surgeon who advises breast implants. While Borat works in a barbershop to raise enough money to pay for breast surgery, he briefly leaves Tutar with a babysitter who is confused by Borat's sexist teachings; she informs Tutar that the things her culture has taught her are lies. After seeing a woman driving a car, and successfully masturbating for the first time, Tutar decides not to get the surgery and lashes out at Borat for keeping her oppressed her whole life. Before leaving, she tells him the Holocaust is a lie by citing a Holocaust denial Facebook page.
    xxx/ellauri076.html on line 368: pageantcommunity.com/wp-content/uploads/2015/06/pollyanna.jpg" height="200px" />
    xxx/ellauri076.html on line 476: Suomisanakirja.fi neuvoo: aikanaan, tavallisemmin: aikoinaan. Suomi sanakirjan omistaa joku Elmo Saukko, varmaan Per Saukon poikia. Saukonpoika kävi suomalais-venäläistä koulua ja toimi Veikkauxella softakehittäjänä. Before I have been part of many startups and web companies, such as Sofanatics.com, Kuvake.net (around 20 million weekly pageviews) and Mikseri.net, Puolustusvoimat and Planeetta Internet. Ei sillä vielä ansaize kielipoliisin virkamerkkiä.
    xxx/ellauri084.html on line 532: Jazz muusikko Ron Brownin bio, konsertti ja kierrostiedot, albumit, arvostelut, videot, valokuvat ja lissää.
    (This page intentionally left blank.)
    xxx/ellauri085.html on line 407:

    “No such theory has been found in even the most voluminous and learned histories of economic theories, including J.A. Schumpeter’s monumental 1,260-page History of Economic Analysis. Yet this non-existent theory* has become the object of denunciations from the pages of the New York Times and the Washington Post to the political arena. It has been attacked by Professor Paul Krugman of Princeton and Professor Peter Corning of Stanford, among others, and similar attacks have been repeated as far away as India. It is a classic example of arguing against a caricature instead of confronting the argument actually made.”
    xxx/ellauri086.html on line 77: Each carpet page contains a different image of a cross (called a cross-carpet page), emphasising the importance of the Christian religion and of ecumenical relationships between churches.
    xxx/ellauri086.html on line 78: The carpet pages have motifs familiar from metalwork and jewellery that pair alongside bird and animal decoration. No pornographic details, worse luck. I chose to research these particular Gospels because they are the intermediary between the first truly Insular manuscripts, like the Book of Durrow, and the perhaps the greatest achievement of Insular manuscript production, the Book of Kells.
    xxx/ellauri087.html on line 712: page1-250px-Emiliano_Zapata.tiff.jpg" height="150px" />
    xxx/ellauri103.html on line 223: Hold it. OK, he’s necessarily “representing” his characters, by portraying them on the page. But of course he’s using them for his plot! How could he not? They are his characters, to be manipulated at his whim, to fulfill whatever purpose he cares to put them to.
    xxx/ellauri103.html on line 270: I was wildly impatient with the way we assess people’s characters these days in accordance with their weight, and tried to get on the page my dismay at how much energy people waste on this matter, sometimes anguishing for years over a few excess pounds. Both author and book were on the side of the angels, or so you would think.
    xxx/ellauri113.html on line 144: Maailma on käynyt meille pienexi. Olemme kaikki syyllisiä, pudotimme spagettikattilan. Halusimme sähkötuolin, käsin pyöritettävä ei kelvannut. Meillä tutkijoilla on jälleen kerran erityinen vastuu, ja ansaizemme sixi erityisiä vapauxia. Suuri yleisö on tarpeettomin riski. Meitä odottaa paha perikato, muttei kauan. On kiirehdittävä. Siis ryhdyn toimiin nyt. CROAK! Hyvin toimittu Tapani, suuri yleisö on nyt yhtä pienempi.
    xxx/ellauri114.html on line 277: WHO ARE THESE PEOPLE? A case can be made for the view that “Persian” and “Elamite” are not two names for the same people but that having conquered Elam, Persia became the successor to Elam, whose original inhabitants, as Jeremiah’s prophecy indicates, have been scattered to the four winds and absent from the pages of history for over 2,500 years. Evidence of the difference in origin between the Elamites and the Persians came from the mouth of none other than Persian King Darius the Great who said, “I am Darius, the great king, the king of kings, the king of many countries and many people, the king of this expansive land, the son of Wishtaspa of Achaemenid, Persian, the son of a Persian, ‘Aryan’, from the Aryan race” (From Darius the Great’s Inscription in Naqshe-e-Rostam).
    xxx/ellauri116.html on line 434: Ce recueil de réflexions et d’observations, sans ordre et presque sans suite, fut commencé pour complaire à une bonne mère qui sait penser. Je n’avais d’abord projeté qu’un mémoire de quelques pages; mon sujet m’entraînant malgré moi, ce mémoire devint insensiblement une espèce d’ouvrage trop gros, sans doute, pour ce qu’il contient, mais trop petit pour la matière qu’il traite. J’ai balancé longtemps à le publier; et souvent il m’a fait sentir, en y travaillant, qu’il ne suffit pas d’avoir écrit quelques brochures pour savoir composer un livre. Après de vains efforts pour mieux faire, je crois devoir le donner tel qu’il est, jugeant qu’il importe de tourner l’attention publique de ce côté-là; et que, quand mes idées seraient mauvaises, si j’en fais naître de bonnes à d’autres, je n’aurai pastout à fait perdu mon temps. Un homme qui, de sa retraite, jette ses feuilles dans le public, sans prôneurs, sans parti qui les défende, sans savoir même ce qu’on en pense ou ce qu’on en dit, ne doit pas craindre que, s’il se trompe, on admette ses erreurs sans examen.
    xxx/ellauri120.html on line 114: All the pages it has added to our history books?
    xxx/ellauri122.html on line 186: Don't forget to practise what you've learned with the activity further down this page. Listen to some examples of dialogues featuring sarcastic remarks
    xxx/ellauri123.html on line 619: Instead of taking shots at others, most people decide to draw up — and lose at — another imagined game: Who’s better? It’s a moot question. We have no idea what anyone’s story is like up to the page on which we meet them.
    xxx/ellauri123.html on line 628: If you’re not supposed to think about others, nor what they think, what are you supposed to mull over? Yourself? Actually, it’s fine to not think so much at all. Answers often come to you when you least expect it. You are probably too stupid anyway, if you hang around this self-help page.
    xxx/ellauri123.html on line 753: When Sergey was 15, Vladimir found a page of his diary and gave it to his tutor, who later passed the page to the father. It implied that Sergey was homosexual.
    xxx/ellauri123.html on line 1045: Many a true word is spoken in jest, especially about the kinship between eros and thanatos. FUCK! KILL! Puuttuu enää EAT! The two closest glimpses Humbert gives us of his own self-hatred are not without their death wish—made explicit in the closing paragraphs—and their excremental aspects: "I am lanky, big-boned, wooly-chested Humbert Humbert, with thick black eyebrows and a queer accent, and a cesspoolful of rotting monsters behind his slow boyish smile." Two hundred pages later: "The turquoise blue swimming pool some distance behind the lawn was no longer behind that lawn, but within my thorax, and my organs swam in it like excrements in the blue sea water in Nice." And then there's the offhand aside "Since (as the psychotherapist, as well as the rapist, will tell you) the limits and rules of such girlish games are fluid …" in which it takes a moment to notice that "therapist" and "the rapist" are in direct apposition.
    xxx/ellauri124.html on line 243: All the books above had unforgettable characters, great plot development, and told stories that kept me turning the pages. They also all had something to say about people and the human condition.
    xxx/ellauri124.html on line 598: page_image_770px_wide/s3/2018-02/Tuksu.gif?itok=41epas_E" height="200px" />
    xxx/ellauri125.html on line 249: And though I didn't pick the day to turn the page Ja vaikken mä valkannut päivää lehden kääntämiseen
    xxx/ellauri127.html on line 389: Sorry, got the wrong page. Now HERE's what men REALLY like:
    xxx/ellauri127.html on line 627: If the Porlock interruption was a fiction, it would parallel the famous "letter from a friend" that interrupts Chapter XIII of Coleridge's Biographia Literaria just as he was beginning a 100-page exposition of the nature of the imagination. It was admitted much later that the "friend" was the author himself. In that case, the invented letter solved the problem that Coleridge found little receptiveness for his philosophy in the England of that time.
    xxx/ellauri128.html on line 538: He had a good education at the lycée in Rouen, falling under the influence of a charismatic teacher, Émile-Auguste Chartier, known as “Alain.” Alain inspired other pupils, too, including Simone Weil and Raymond Aron, urging them to question received ideas. He gave Maurois a love of literature but also, perhaps surprisingly, urged him to take up the mill business after leaving school. Maurois did so, but in his Elbeuf office he kept a secret cupboard filled with Balzac novels and notebooks, and copied out pages of Stendhal to improve his writing style. He became a Kipling enthusiast, and learned excellent English. He travelled to Paris at least one day a week, and frequented brothels there.
    xxx/ellauri129.html on line 445: I appreciate the novella has a plot, but this strength is not enough to overcome the story´s weaknesses, which for me were 1) overly long paragraphs of narrative--one went for almost six pages, and 2) a lack of understanding until almost halfway through the story what the stakes for the protagonist were.
    xxx/ellauri129.html on line 624: En français. Couches semi-reliées. Les côtés marbrés. 131 pages. Ce titre est assez rare. Ils n'ont pas beaucoup de saletés. Les papiers de fin sont verts. Le couvercle arrière est bien fixé.
    xxx/ellauri130.html on line 774: J'ai d'abord cru que c'était un carburateur et puis j'en ai lu quelques pages — et non, ça n'a pas carburé. C'est des espèces de loufoqueries consciencieuses comme en ferait un Méridional qui voudrait avoir l'air profond.
    xxx/ellauri138.html on line 266: Roth also gave Bailey copies of two self-published manus, "Notes to my Biographer," a 295-page rebuttal of his ex-wife Memoirs of Claire Bloom in 1996, and "Notes on a Slander-Monger", a response to the notes and interviews Miller had compiled.
    xxx/ellauri138.html on line 287: This was the second defibrillator he'd had after the first had to be replaced. Philip's original defibrillator had pride of place on the kitchen table. When he first handed it to me, I had no idea what it was and palmed the smooth metal disc in my hand. I almost dropped it when he started laughing and told me its original purpose. Over time, I came to appreciate it too and when I was alone in the kitchen, I often picked it up and held it in my hand. We called each other Toots. I found out Philip died when a friend called me at work. I swivelled around in my office chair and googled Philip Roth. There he was on the front page of The New York Times. Dead.
    xxx/ellauri138.html on line 302: One day Philip handed me the manuscript of Notes for My Biographer. 'Take it,' he said, holding out the stack of pages held together by a large rubber band.'I want you to read it.' The book was a rebuttal to Claire Bloom's Leaving a Doll's House, Philip's ex-wife's account of their marriage, which was published in 1996. Many of the stories he'd already told me. He'd talked a lot to me about both Claire and his first wife, Margaret Martinson.
    xxx/ellauri139.html on line 928: pagesperso-orange.fr/etudes/delamata06.html">Lähde
    xxx/ellauri148.html on line 161: Tää oli Moshelta hyvä veto sikäli että nää lisäyxet päihittää kristinuskon tärkeimmät vetolaastarit, lunastuskaupan luottokortin ja taivastoivon. Maimonides further explains in his work on the Halakhic code, the Yad haHazaqa (“The Strong Hand”), also known as the Mishne Torah (Second Torah) the view of redemption and the role Messiah will play. Maimonides summarizes the Jewish expectation of the Messiah. But the expectation of Messiah, is not limited to Maimonides comments, quotes from the Talmud, Targum, Midrash, Zohar and other writings give us a vivid picture of the expectation in the Jewish world of the times of Messiah. Messianic expectation in Rabbinic times (A.D.135-1750) and in the time of Yeshua may have changed over the years. For example in the time of Yeshua, The Temple existed and Israel was not scattered abroad as is the case today. In the days of Maimonides, there was no Israel and no Temple, and Jews were persecuted in Europe. Here we quote from Raphael Patai’s work, The Messiah Texts on pages 322-327, his translation of the Mishne Torah, Maimonides writes the following.
    xxx/ellauri154.html on line 89: page_166.jpg/330px-The_strange_story_book_color_plate_facing_page_166.jpg" height="300px" />
    xxx/ellauri157.html on line 243: The first leader of Lubavitch hasids, Schneur Zalman of Liadi kept in his desk some of his unpublished Hasidic mystical writings. A fire broke out that destroyed them. Afterwards, he asked if anyone had secretly copied them. His close associates replied that no one had, since he had written atop their pages the warning of "Joka tämän varastaa sitä piru rakastaa". Schneur replied "what has become of Hasidic self-sacrifice for the sake of Heaven?"
    xxx/ellauri166.html on line 408: page_of_the_first_tractate_of_the_Talmud_%28Daf_Beis_of_Maseches_Brachos%29.jpg/220px-First_page_of_the_first_tractate_of_the_Talmud_%28Daf_Beis_of_Maseches_Brachos%29.jpg" />
    xxx/ellauri166.html on line 410: The first page of the Vilna Edition of the Babylonian Talmud, Tractate Berachot, folio 2a.
    xxx/ellauri166.html on line 411: The main text in the middle is the text of the Talmud itself. To the right, on the inner margin of the page, is Rashi's commentary; to the left, on the outer margin, the Tosafot
    xxx/ellauri167.html on line 93: He is today best remembered as the author of page/n1/mode/2up">A Dictionary of Angels, Including the Fallen Angels (1967), a populist work detailing the types of angel classes and their roles. This was a popularised compendium of angelology from Talmud, kabbalah, medieval occult writers, gothic grimoires and other sources.
    xxx/ellauri170.html on line 196: That Life brings with her in her equipage; Mitä elämä tuo kärryillään,
    xxx/ellauri170.html on line 306: See a problem on this page? Näätkö tässä sivussa jotain ongelmaa?
    xxx/ellauri170.html on line 446: This appears to be a drive-by answer by an unregistered user. It has still taught me something. M-W has the blow == blossom defintion, although very near the bottom of the page. –
    xxx/ellauri170.html on line 665:
    The Actual Freedom Trust Homepage

    xxx/ellauri170.html on line 691:
    Actual Freedom Homepage ~ Frequently Asked Questions

    xxx/ellauri170.html on line 828:
    Actual Freedom Homepage - Commonly Raised Objections

    xxx/ellauri176.html on line 170: Et le merveilleux Paradou du roman, ce paradis panthéiste, cet hymne à la nature, à l'amour – ces paysages décrits par Zola perdent toute vibration, toute poésie. On croit voir défiler les pages du catalogue Vilmorin où s'ébattent Serge et une Albine issue du Petit Echo de la Mode. Le film projeté ne montre pas la séquence du grenier, la découvert des toilettes féminines – les nombreux changements de robe d'Albine sont, dès lors, gratuits, irritants. Comme tous les autres acteurs, Gillian Hills (Albine) est mal dirigée, elle n'a aucune grâce, aucun naturel. Francis Huster (Serge), lui, a du charisme mais son dur combat, sa douceur sont hélas surtout perceptibles par le fard qui rantôt ranime, tantôt creuse un visage que des zooms inutiles amènent en gros plan. Et pour avoir voulu donner aux paysages de la Sainte-Baume, du Lubéron, du Parc Floral d'Orléans une certaine unité, on aboutit à des tonalités froides, éteintes. Seules les intérieurs (l'église, la chambre de Serge, la salle à manger de la cure) gardent leurs contrastes, leurs valeurs. Les personnages n'existent guère, aucune vibration n'émane d'eux, ni de la nature cruelle ou triomphante, de ce Paradou, terre-mère bruissante de vie, féconde.
    xxx/ellauri178.html on line 138: While she wrote that the 1,096-page epic cemented Foster-Wallace as “one of the big talents of his generation, a writer of virtuosic talents who can seemingly do anything”, she also quoted Henry James in calling Jest a “loose, baggy monster”, adding that it read like a “vast, encyclopedic compendium of whatever seems to have crossed Mr Wallace’s mind”. In his 2012 biography of the late Foster-Wallace, DT Max wrote that the writer “told a friend he hid in his room for two days and cried after reading yet another paragraph of Rei devoted to parallels between his first book and Pynchon’s most popular novel”.
    xxx/ellauri178.html on line 324: Here’s a question I received from our anonymous Have a Question page about dealing with erectile dysfunction:
    xxx/ellauri179.html on line 542: “Sometimes an opinion comes across vividly on the page, even in the most objective cases.”
    xxx/ellauri179.html on line 1001: He wrote panned clunkers like Across the River and Into the Trees (1950) and the posthumously published Islands in the Stream (1970) and The Garden of Eden (1986), the first of which prompted John Dos Passos to write, “How can a man in his senses leave such bullshit on the page?”
    xxx/ellauri186.html on line 92: Subsequent hearings and trial, in the words of Walter A. McDougall, "drove Reconstruction off the front pages for two and a half years" and became "the most sensational 'he said, she said' in American history". On October 31, 1873, Plymouth Church excommunicated Theodore Tilton for "slandering" Beecher. The Council of Congregational Churches held a board of inquiry from March 9 to 29, 1874, to investigate the disfellowshipping of Tilton, and censured Plymouth Church for acting against Tilton without first examining the charges against Beecher. As of June 27, 1874, Plymouth Church established its own investigating committee which exonerated Beecher.Tilton then sued Beecher on civil charges of adultery. The Beecher-Tilton trial began in January 1875, and ended in July when the jurors deliberated for six days but were unable to reach a verdict. In February 1876, the Congregational church held a final hearing to exonerate Beecher.
    xxx/ellauri186.html on line 243: page.jpg" width="50%" />
    xxx/ellauri187.html on line 143: Throughout 600 pages Freedman gives us encounter after encounter between Rilke and the women in his life, in which the women are flawless angels and Rilke a consummate villain. If Rilke's dear friend the great German painter Paula Modersohn-Becker found herself trapped in a stifling marriage, Rilke was a traitor for not extricating her. If Lou Andreas-Salomé told the young Rilke to go off somewhere because one of her other lovers was coming to visit, Rilke's anger was the symptom of an unbalanced psyche.
    xxx/ellauri193.html on line 606: Eyvind Johnson’s The Days of His Grace is a historical novel, chronicling the lives of an extended family at the time of Charlemagne’s tumultuous reign. A sweeping saga always runs the risk of being too sweeping, but the novel’s only three hundred-something pages. Out of a possible ten points for literary genre, I give the not-overlong historical novel a seven.
    xxx/ellauri199.html on line 159: From celestial cadaverous melody, bleeding branches of greenwood devastation haunt us in this very movement. Extraterrestrial Red Remoras of cathedral walks of darkness demand a rebellion against the planet. etc.etc. for pages on end.
    xxx/ellauri199.html on line 907: Contemporary odes to Neptune were harder to come by, but divine intervention ensured I found one that mentioned him by name. One of the highlights of my recent trip to Odesa, discussed here on the blog, was a visit to the literary museum, which houses a small collection of Anna Akhmatova’s work. The statuesque Russian poet, melancholic lover and resolute witness to the Stalinist and Putinist terrors, was born near Odesa and spent her childhood summers in the region. The display included a palm-sized booklet of the long poem ‘Close to the Sea’, or as my host translated, ‘very close’: an intimate relationship. I looked it up in The Complete Poems when I got home and assumed it must be ‘By the Edge of the Sea’. The ballad of a fierce young woman willing the arrival of her beloved from the waves, the poem was too long for the workshop and extracts would not do it justice. A shame, I thought, setting down the 950 page book, which promptly fell open to:
    xxx/ellauri200.html on line 190: The actual world has for Naipaul a radiance that diminishes all ideas of it. The pink haze of the bauxite dust on the first page of Guerrillas tells us what we need to know about the history and social organization of the unnamed island on which the action takes place, tells us in one image who runs the island and for whose profit the island is run and at what cost to the life of the island this profit has historically been obtained, but all of this implicit information pales in the presence of the physical fact, the dust itself. ... The world Naipaul sees is of course no void at all: it is a world dense with physical and social phenomena, brutally alive with the complications and contradictions of actual human endeavour. ... This world of Naipaul's is in fact charged with what can only be described as a romantic view of reality, an almost unbearable tension between the idea and the physical fact ...
    xxx/ellauri200.html on line 588: and as on page o'er-written without clue, Kuin kazoisi puhelimen ääressä tuherrettua
    xxx/ellauri208.html on line 558: A Medicine Wheel is the basis of the cosmology and five element rituals of the Dagara (between Ghana and Burkina Faso). The five elements are Fire (red, south), Water (blue, north), Earth (yellow, centre), Mineral (white, west) and Nature (green, east). This image comes from a page called ‘Elemental Rituals’ at malidoma.com. It is a colour version, with slight modifications, of the Medicine Wheel illustrated in Somé’s book ‘The Healing Wisdom of Africa‘.
    xxx/ellauri224.html on line 341: What was this book even about??? The "narrator" kept jumping around with what he was talking about, quite a few times I had no idea who was speaking, and what was the point of all the billionaires? They had absolutely nothing to do with the story! It took 104 pages of confusing and pointless narrative for the guy to tell the girl (after 40 years of knowing her, no less) that he wanted to be with her. This might have been one of the most anti-climactic love stories I have ever read. The secondary characters seemed completely irrelevant to the plotline and it appeared that their only function was to take up printable space. The story was unimaginative, lacking in depth, and devoid of anything memorable. The only reason I bothered to finish it was to get one step closer to finishing my goodreads reading challenge, else I would have ditched it at page 20.
    xxx/ellauri224.html on line 345: Ok, I tried. This novella is only about 100 pages long, but I got 10 pages in and I'm just not in any way interested. He's not Chinese, but he sort of looks like he's Chinese, so he goes to China for five years, but returns to Chicago to be near a woman he hasn't seen in 15 years because he's never been able to stop thinking about her, but then he's told he looks like he's Japanese, and gosh that's true! so he cuts his hair to look more Japanese, and he goes to a dinner party with rich people, then runs into the woman he's been pining over for 15 years and doesn't recognize her, and I just couldn't go any further. Another one off my shelf!
    xxx/ellauri225.html on line 440: I en problemtyngd samtid är det viktigare än någonsin att upprätthålla moralen och framtidstron, men det finns en risk att propagerandet för hopp och andra fina värderingar blir ett sätt att upprätthålla de orättvisor vi låtsas vara emot, påstår författaren Pereira.
    xxx/ellauri229.html on line 336:
    A suggestive rabbit/duck style drawing from Matt´s homepage.

    xxx/ellauri234.html on line 350: pages.dk/hbl/4217/assets/7ee1d2c5384b05a5c1fb8851f237412ad05b1a80_max1024x.jpg" />
    xxx/ellauri235.html on line 237: But Knowledge to their eyes her ample page Mutta tieto heidän silmissään hänen runsaasti sivuaan
    xxx/ellauri250.html on line 656: The Good Bush and the Bad Bush: The Ethics of George W. Bush, Dutton, New York, 2004, 1 page
    xxx/ellauri250.html on line 668: Utilitarian hedonism: A Very Short Introduction (with Katarzyna de Lazari-Radek), Oxford University Press, 2017, 1 page
    xxx/ellauri252.html on line 119: Starkonkin tämän syksyn teos on avoin ja läheinen kertom, karje Be kaikesta siitä mitä Pentti Saarikoskelle tapahtu kaatokännissä 3 mauttoman keväisen viikon aikana Dublinis, Irials patalpage mes Joycen omassa kanpungtas. Pentu Saarikki haluaa kirjan alla olla oma izensä, vitun ärsyttävä, pala suunsa puhtasket, all hin kun Einen kristillinen puhe tehoa. Hinen tekstink on kanaa kulmicasta, Joskus his thin lapsellista, jodicus hän puhun kuin filof, multa aina hinen seuras on viihtyisää. Hän ei osa pilkata Jumala niinkö Hannu, eikä olla yhtä rivosuinen tai ilkeä, vaik miten yrittäisi. Hin kulkee mis kulkee baarikärpäsenä. Kirje femakolle on Sear nimiä ja tekstiä paljaimmillaan.


    xxx/ellauri252.html on line 228: Friedan was born Bettye Naomi Goldstein on February 4, 1921, in Peoria, Illinois, to Harry and Miriam (Horowitz) Goldstein, whose Jewish families were from Russia and Hungary. Harry owned a jewelry store in Peoria, and Miriam wrote for the society page of a newspaper when Friedan's father fell ill. Her mother's new life outside the home seemed much more gratifying.
    xxx/ellauri261.html on line 542: Että väsyttää! Vaan eihän sille mitään mahda että nuorta koiraa kiinnostaa vain luu ja toisen koiran perse, jos koitat siitä poiketa niin se nuuskuttaa ja lähtee toisaalle. Vanha koira ei opi uusia temppuja, eikä pysty enää suoriutumaan vanhoista. Oxentaa spagetit piha-aidan portille lähtiessään lenkille.
    xxx/ellauri293.html on line 406: Every week, around 8 million people worldwide visit our pages and over 100 million people engage with our content on Facebook, Instagram and Youtube.
    xxx/ellauri295.html on line 568: pages.dk/hbl/4415/assets/f778c4dcb4a3481a3299d9f797debce46a073bc8_max1024x.jpg" />
    xxx/ellauri296.html on line 133: pages.dk/hbl/4408/assets/416823a8ae38aa07c969ed3d995d0d696228f970_max1024x.jpg" width="50%" />
    xxx/ellauri296.html on line 286:
    Jenna Jameson’s Instagram page is filled with photos of fellatio and other kosher dishes she’s been cooking up; she’s even dropping Hebrew words on Twitter.

    xxx/ellauri296.html on line 576: Patulla on sukupuoli-identiteettiongelmia. Siitä tulee mieleen Kari Hotakainen ja Jari Tervo. Samanlaisia vulgäärejä persuturveloita kaikki. Vitun pelle timantteineen ja Tolkien-piippuineen. Oxettava kaveri. Olen SYYLLINEN se huutaa kuin Niklas jolta kaatui maahan spagettikattila. Lauri Posti kaatoi kattilasta spagetit vahingossa laskiämpäriin ja sanoi perään vain että Noh.
    xxx/ellauri304.html on line 303: pageonline.com/wp-content/uploads/2015/09/diane_in_chair.jpg" width="30%" />
    xxx/ellauri304.html on line 390: Warren Murphy sanoo: "Tavallinen opetuspalkkioni on 7 miljoonaa dollaria viikossa - mutta ensi vuonna voit saada erikoistarjouksen nollasta. Liity meihin nyt." Toivottaa koko Murphyn perhe, jotka tienaavat elantonsa dädin jämistä. Aloita polku valmiiseen romaaniisi seuraamalla yllä olevaa linkkiä kirjoituskurssisivulle. Tai klikkaa page=writing-class">TÄSTÄ
    xxx/ellauri304.html on line 401: What is a book about? About 200 pages, haha, but seriously: it's about me, 'cause all first novels are autobiographies. It'll talk about my trial, your funeral, and my triumph, how I survived it all and became a beacon of hope for the world, or at least my personal corner of it.
    xxx/ellauri304.html on line 623: What to read? If you get no checks, read Writer’s Digest. Read the how-to books. If you want to read books on writing, you can’t find much better stuff then Stephen King on Writing, anything by Dean Koontz or Larry Block, a very specific mystery writing manual from Hallie Ephron (*1948), Writing Mysteries from MWA, a collection which includes me and my ex-partner, read my blogs and those about the writer’s soul by Molly Cochran. Read “Trial and Error”by Jack Woodford (+1971), one of the great commercial writing geniuses. And be sure to read my long time personal favorite book by one of my all time, all-star heroes, “Dare to be a Great Writer” by Leonard Bishop, which is not 300 pages of “rah-rah boys, go do it” but is instead 329 specific tips on how to get the trucks out of the garage in the morning. Fabulous. Reading and writing and remembering, are the only two of the three R’s that count. Who the hell cares about ‘rithmetic? Except Chuck Berry, who could count 6/8 time like a genius.
    xxx/ellauri304.html on line 629: Suppose you want to write a “big book.” No genre junk for you. Okay. Here’s what you need to know. A “big book” is just a genre novel that got bigger. More pages, more everything. just make it a little bigger, a little more breathless, give it a little more end-of-the-world panache. Think of selling it to Hollywood where they call it high concept but what that really means is that it’s a very short outline of a book for people who can’t read a whole book or even a whole paragraph at once and their mind starts to wander after one sentence. Where was I? Ah yes:
    xxx/ellauri306.html on line 405: page-1-768x1085.jpg" />
    xxx/ellauri312.html on line 1055: yaaaaaawwwwwwwwwwnnnnnn… my god, this is soooo boring. And there are still 10 pages. Daniel, dude, why did you make that so boring….. what?…… boring topic? No man, there’s no such thing as a boring topic. There’s just boring presentation… yeah… look, we’re live so I can’t explain that now but we’ll talk later, okay… … … cool… oh, can you fetch me a coffee? Thanks.
    xxx/ellauri354.html on line 265: Professor Gianfranca Balestra of the Università Cattolica del Sacro Cuore (Milan) not only located the book but took the extraordinary trouble of having the whole thing xeroxed for me. Finally, in late 1995, I had the 288 pages of Il maiale nero: Rivelazioni e documenti in my hands. But what does it say? It's all in Italian! The puzzle was partially solved by Enzo Michelangeli: “Il Maiale Nero” is a novel written by Umberto Notari in the early 20th Century. His most famous book is the first he published in 1904, “Quelle signore” (“Those ladies”), about the world of prostitution: it earned him a prosecution for obscenity resulting in a fine, but the book was reprinted and by 1920 had sold more than half million copies.
    xxx/ellauri354.html on line 269: It was first published in 1907 under the title Il maiale nero: Rivelazioni e documenti (Sesto S. Giovanni, Milano: A. Barion). A later edition carried the title Dio contro Dio on the first title page and at the top of every page, with the previous title presented as subtitle on the second title page.
    xxx/ellauri357.html on line 436: pages/000-frontispiece-shelley-portrait/000-frontispiece-shelley-portrait-q90-1933x2605.jpg" width="70%"/>
    xxx/ellauri380.html on line 397: Cover worn, page edges tanned. Shipped from the U.K. All orders received before 3pm sent that weekday. Solzhenitsyn. Antikvár partner. sphere books | 1973 | papír / puha kötés | 239 oldal. Vásárlói értékelések, vélemények. Kérjük, lépjen be az értékeléshez!
    xxx/ellauri387.html on line 191: The exposure of the IB in the magazine, which included headshots with names and social security numbers of some of the alleged staff published under the headline "Spies", led to a major domestic political scandal known as the "IB affair" (IB-affären). The activities ascribed to this secret outfit and its alleged ties to the Swedish Social Democratic Party were denied by Prime Minister Olof Palme, Defense Minister Sven Andersson and the Supreme Commander of the Swedish Armed Forces, General Stig Synnergren. However, later investigations by various journalists and by a public commissions, as well as autobiographies by the persons involved, have confirmed some of the activities described by Bratt and Guillou. In 2002, the public commission published a 3,000-page report where research about the IB affair was included.
    854