ellauri052.html on line 352: If you haven't been introduced to Desperate Ambrose, Old Timer, Willie and Pop Wimpus you've been missing a lot of good, clean American humor. C. M. Payne has found the real underlying humor in home life and brings it to you in this favorite of comic strip readers everywhere. "S'Motter Pop". Charles M. Payne (1873–1964) was an American cartoonist best known for his popular long-running comic strip S'Matter, Pop?[2]. He signed his work C. M. Payne and also adopted the nickname Popsy. In 1964, Payne died in poverty.
ellauri052.html on line 597: He was a man who convinced and hypnotized not only others but himself. He seemed to possess a number of characters which he changed like masks as the need arose, now he was a benevolent pastor … now a magician holding sway over human souls … His sole purpose and aspiration was to obtain possession of all things from below, by his own titanic devices, and to break through by a passionate effort to the realm of the spirit… He may have possessed oratorical gifts, but he lacked the true gift and feeling for words. His speech was a kind of magical act, aimed at obtaining control over his hearers by means of gestures, by raising and lowering his voice, and by changes in the expression of his face. He hypnotized his disciples, some of whom even fell asleep.
ellauri052.html on line 656: After learning about Krishnamurti's secret love affair with his best friend's wife, Bohm felt betrayed. Perhaps this plunged him into his third and final deep depression. Hospitalized, suffering from paranoia and thoughts of suicide, Bohm underwent fourteen episodes of shock therapy before he recovered sufficiently to leave the mental hospital. Earlier triple bypass surgery on his heart had been successful, but his death in 1991, at age 75, was from a massive heart attack. Krishnamurti had died six years earlier, at his home in Ojai, of pancreatic cancer. His body was cremated.
ellauri052.html on line 676: T.E. was born out of wedlock in August 1888 to Sarah Junner, a governess, and Thomas Chapman, an Anglo-Irish nobleman. Chapman left his wife and family in Ireland to cohabit with Junner. Chapman and Junner called themselves Mr and Mrs Lawrence, the surname of Sarah's likely father; her mother had been employed as a servant for a Lawrence family when she became pregnant with Sarah.
ellauri052.html on line 741: Gerald fastened the door and pushed the furniture aside. The room was large, there was plenty of space, it was thickly carpeted. Then he quickly threw off his clothes, and waited for Birkin. The latter, white and thin, came over to him. Birkin was more a presence than a visible object, Gerald was aware of him completely, but not really visually. Whereas Gerald himself was concrete and noticeable, a piece of pure final substance.
ellauri052.html on line 743: `Now,' said Birkin, `I will show you what I learned, and what I remember. You let me take you so --' And his hands closed on the naked body of the other man. In another moment, he had Gerald swung over lightly and balanced against his knee, head downwards. Relaxed, Gerald sprang to his feet with eyes glittering.
ellauri052.html on line 755: At length Gerald lay back inert on the carpet, his breast rising in great slow panting, whilst Birkin kneeled over him, almost unconscious. Birkin was much more exhausted. He caught little, short breaths, he could scarcely breathe any more. The earth seemed to tilt and sway, and a complete darkness was coming over his mind. He did not know what happened. He slid forward quite unconscious, over Gerald, and Gerald did not notice. Then he was half-conscious again, aware only of the strange tilting and sliding of the world. The world was sliding, everything was sliding off into the darkness. And he was sliding, endlessly, endlessly away.
ellauri052.html on line 777: He still heard as if it were his own disembodied spirit hearing, standing at some distance behind him. It drew nearer however, his spirit. And the violent striking of blood in his chest was sinking quieter, allowing his mind to come back. He realised that he was leaning with all his weight on the soft body of the other man. It startled him, because he thought he had withdrawn. He recovered himself, and sat up. But he was still vague and unestablished. He put out his hand to steady himself. It touched the hand of Gerald, that was lying out on the floor. And Gerald's hand closed warm and sudden over Birkin's, they remained exhausted and breathless, the one hand clasped closely over the other. It was Birkin whose hand, in swift response, had closed in a strong, warm clasp over the hand of the other. Gerald´s clasp had been sudden and momentaneous.
ellauri052.html on line 840: Birkin laughed. He was looking at the handsome figure of the other man, blond and comely in the rich robe, and he was half thinking of the difference between it and himself -- so different; as far, perhaps, apart as man from woman, yet in another direction. But really it was Ursula, it was the woman who was gaining ascendance over Birkin´s being, at this moment. Gerald was becoming limp again, lapsing out of him.
ellauri052.html on line 957: Bellow was accused of being a “lousy” sexual performer, but was more convincingly called a passionate and virile lover. He even had a fling with his black cleaning lady, “about twice as tall as he was, and well built.” No hemmetti, kysyttiinkö siivoojalta miten mini Sale pärjäsi. Tais heiluttaa patonkia porttikonkissa.
ellauri052.html on line 959: During an awkward sexual encounter with Harriet Wasserman, she remembered “asking him for permission, as if it were a museum objet d’art, ‘Can I touch this?’” Many of his mistresses remained in love and in touch with him. Scott Fitzgerald said that Hemingway “needed a new woman for each big book”; Bellow lost a woman with each big book. He spilled sperm as he spilled ink, and sex both interfered with and inspired his writing. Bellow created and lived on turbulence, thrived on chaos, courted conflict and was inspired by personal cataclysm. He reported that one lover (mies vai nainen?) “caused me grandes dificultades in England and in the south, but I finished Sammler just the same.” The bearers of erogenous zones (either sex) made him feel younger, “it was a way of avoiding the Angel of Death,” and he cherished their provocative bitchiness. Bellow’s emotional upheavals — his guilt and remorse, multitudinous failings and need for self-condemnation — made him beat his breast at his private Wailing Wall. Se oli kuin kunkku David jolle tuotiin neitosia pyllynlämmittimixi.
ellauri053.html on line 84: Kun poikasena huomasin et olin tulossa lättäjalkaisexi aloin kulkea jalkaterän ulkoreunoilla. Kuljen vieläkin. Ei tullut lättäjalka. Kun sain narsistin diagnoosin aloin kulkea Personlighedin ulkoreunoilla. En ehkä enää ole samanlainen narsisti. Vaan se toisenlainen. En overtti vaan enempi kovertti.
ellauri053.html on line 152: The term 'Pre-Raphaelite' conjures up visions of tall, willowy creatures with pale skin, flowing locks, scarlet lips, and melancholic expressions. The paintings of these models and muses, who were often the artists' wives and mistresses, defied Victorian standards of beauty and caused much controversy.
ellauri053.html on line 520: Tää Grabbe on outo häiskä. S. 1801 Detmoldissa Hannoverin suunnalla, Grabbella ei mennyt putkeen mikään. Isä oli vanginvartija ja äiti viinaratti. Se ize oli hirmu epäsosiaalinen ja löyhätapainen. Siitä tuli pulzari ja se kuoli 35-vuotiaana halvauxeen. Siltä on näytelmä nimeltä Komedia satiiri ironia ja syvempi merkitys. Tämäkö ne on se nelikko? Nähtävästi. Tärkeä havainto merkityxestä on ettei toinen ole toista syvempää. Kyllä ne apinoiden merkityxet pyörii siinä Darwinin EAT! FUCK! KILL! kolmikossa sekä dys/eusosiaalisuus teemassa. Heitä siihen vielä geeni-meemi kilpa mukaan niin eiköhän ala olla koko joukko koolla. Round up the usual suspects.
ellauri053.html on line 711: Spencer vastusti samoja juttuja kuin punaniska jenkki: the use of the coercive powers of the government, the discouragement given to voluntary self-improvement, and the disregard of the "laws of life." The reforms, he said, were tantamount to "socialism", which he said was about the same as "slavery" in terms of limiting human freedom.
ellauri053.html on line 811: After his resignation from Visva-Bharati, Tagore planned to move to Dehradun. He wrote to Nirmalchandra demanding that Mira be "handed-over" to him; Nirmalchandra obliged and Mira and her son 2-year old Jayabrato accompanied Tagore to Dehradun. Before leaving, Tagore wrote to Pratima, "I am not going secretly. I have informed everyone that Mira is with me." Pratima replied that she "would be happy, if he remained happy".
ellauri053.html on line 826: It is believed that the important business which took the Prince to England was - to try to negotiate with the British government for an izara (permanent lease) of the provinces of Bengal, Bihar and Orissa in supersession of the East India Company. He was well received by Queen Victoria. But this ambitious project of his came to nothing on account of his sudden death under somewhat mysterious circumstances.
ellauri053.html on line 837: At Jorasanko lived the direct descendants of the Maharshi at No. 6, Dwarkanath Tagore Lane. It was a huge rambling house spread over an acre of ground with wide verandahs and large halls around the outer courtyard and a series of dark and dingy corridors and staircases and rooms, where no sunlight ever penetrated, which gave us the creeps whenever as children we had to pass through them. At No. 5, the handsome residence opposite to ours, lived my three artist cousins Gaganendra, Samarendra and Abanindra.
ellauri053.html on line 853: Our teacher of English was an Englishman of a rather interesting type. He was given a bungalow in the compound. There he lived with thousands of silk-worms in which he had become interested through Akshoy Kumar Maitra, the historian. On Sundays, discarding all clothes, Mr. Lawrence would wrap himself in old newspapers and lie amongst the caterpillars which delighted in crawling all over him. He was very fond of them and used to say they were his children.
ellauri053.html on line 916: The life led by both pupils and teachers was not only simple but almost austere. The ideal of Brahmacharya was the keynote of everything. The yellow uniform, which covered up the poverty of clothes; a pair of blankets, which served as our only bedding; the vegetarian meals comparable to jail diet in their dull monotony — these were the standards laid down.
ellauri053.html on line 926: In spite of everything — the poverty and lack of normal comfort and convenience — nobody complained, for we really believed in simple living and took pride in our poverty.
ellauri053.html on line 930: But it would be wrong to emphasize only the dark side of the picture. We were essentially a happy lot and life was very rich and interesting in spite of our outward poverty. Whenever Father was present, he poured his soul into the institution and made it lively by singing songs which he never tired of com- posing, reciting his poems, telling stories from the Mahabharaia , playing indoor games with the boys, rehearsing plays, and even taking classes.
ellauri053.html on line 952: Through which the lovers, Pyramus and Thisbe,
ellauri053.html on line 957: Through which the fearful lovers are to whisper.
ellauri053.html on line 969: While Father was entirely absorbed in his educational experiment at Santiniketan, Mother fell ill and she had to be taken to Calcutta for treatment. Before the doctors gave up hope Mother had come to realize that she would not recover. The last time when I went to her bedside she could not speak but on seeing me, tears silently rolled down her cheeks.
ellauri053.html on line 975: On my father’s desk I discovered two bound volumes containing copies of letters written by him to my cousin Indira. My cousin had evidently carefully preserved all the letters and copied them out in her beautiful handwriting in the two volumes neatly decorated by her brother Surendranath.
ellauri053.html on line 979: While I was loitering about the Asrama and reading the letters over and over again the sad news of the death of my sister. Rani was conveyed to me from Calcutta. Father had brought her back there finding that she had much improved in health in Almora — but a relapse ended fatally and she died nine months after the death of my mother.
ellauri053.html on line 1017: What do you think of father's spoiling sheets and sheets of paper with black marks all over both sides?
ellauri053.html on line 1026: "I felt sure that some Being who comprehended me and my world was seeking his best expression in all my experiences, uniting them into an ever-widening individuality which is a spiritual work of art. To this Being I was responsible; for the creation in me is His as well as mine." He called this Being his Jivan devata (“The Lord of His Life”), a new conception of God as man’s intimate friend, lover, and beloved that was to play an important role in his subsequent work.
ellauri053.html on line 1191: Eliot needed to put a considerable distance between himself and Yeats, each of whom could be regarded as a Symbolist, however differently they responded to French Symbolism as Arthur Symons expounded it in The Symbolist Movement in Literature. It is my understanding that Symons led Yeats through the early chapters, with Mallarmé as the main figure, and that Eliot made his own way quickly through the several chapters until he reached Laforgue, the poet he found most useful in his attempt to discover his own voice. Still, Eliot’s animosity is hard to explain.
ellauri053.html on line 1193: Helppoa: se oli mustankipeä. Tomppa ja Jästi were associates from time to time but not companions. Yeats and Pound make a different relation: they were friends and remained friends, especially after the three winters they spent in Stone Cottage, Coleman’s Hatch, Sussex. The friendship continued over the years and found fulfillment in a shared Rapallo. Dobby ja Jästi ilosteli Rapallon mökissä veturinkuljettajana ja lämmittäjänä, kuraverinen Tomppa palloili kateena ulkopuolella.
ellauri053.html on line 1261: Though Walter Pater is no more with us, like Monty Python's proverbial parrot, he has still become immortal because of his writings.
ellauri053.html on line 1367: Yeats's friendship with Gonne ended when in Paris in 1908, they finally consummated their relationship. "The long years of fidelity rewarded at last" was how another of his lovers described the event. (Bet it was Ezra Pound.) Yeats was less sentimental and later remarked that "the tragedy of sexual intercourse is the perpetual virginity of the soul." (Aika narsistinen penselmä.) The relationship did not develop into a new phase after their night together, and soon afterwards Gonne wrote to the poet indicating that despite the physical consummation, they could not continue as they had been. She recommended Yeats to concentrate on other men.
ellauri053.html on line 1401: And ran down from the chambers to let overhead
ellauri054.html on line 36: over.png" height="250px" />
ellauri054.html on line 257:

Dover Bitch

The ultimate goal of Judaism is rule of the world by Satan, and to literally unleash hell upon the earth. 

Are you aware that Martin Luther wrote a treatise called "On the Jews and Their Lies", warning Christians in the most serious terms of the destructive influence of the jews, and advocating their banishment from European society? Luther was very knowledgeable of the religion, nature, origins, and influence of the Jews - having actually read the Talmud and written large parts of the Bible. Luther describes the Jews as an accursed, malicious, greedy, cunning, treacherous, thieving, and greatly evil people, who are descended from the very people who murdered the Messiah, who deeply hate Christianity and God's people, and are working in every possible way to undermine and destroy Western Christian civilization. Among other things, Luther rubbishes the Talmud, including its vicious hatred of Jesus and Christians, as well as relishing the many times Jews have been expelled from European nations.
ellauri062.html on line 945: fact that Solomon delved deeply into the occult/Satanic world, and discovered and used this symbol to command demons. (Höh tavallinen kalliokielohan se on.)
ellauri062.html on line 977: Eli himot sitä on hiirelläkin. Eräs Pete Menckenin eli Pekka Mänkkösen mielenkiintoisista kirjoista. Punavyö on Simo Penttilän luoma kuvitteellinen villin lännen hahmo. Hänen kumppaneinaan ovat suomalaiset toverukset Pete Menken eli Pekka Mänkkönen ja Dick Hill eli Riku Kumpulainen. Pete on esiintynyt sirkuksessa tarkka-ampujana ja kehuu aluksi olevansa "pohjoisen pallonpuoliskon paras ampuja", mutta havaitsee Punavyön itseään paremmaksi ja ja ilmoittaa sitten olevansa "pohjoisen pallonpuoliskon toiseksi paras ampuja". Dick myy kirjoja, joiden nimistä osa on selvästi hänen itsensä keksimiä. Jännittävissä tilanteissa kaverukset alkavat usein naljailla keskenään peittääkseen pelkonsa. Nämä keskustelut alkavat varsin usein Dickin kommentilla, että hänellä on "yksi hyödyllinen kirja".
ellauri063.html on line 41: Tony Blair oversaw British interventions in Kosovo (1999) and Sierra Leone (2000), which were generally perceived as successful. During the War on Terror, he supported the foreign policy of the George W. Bush administration and ensured that the British Armed Forces participated in the War in Afghanistan from 2001 and, more controversially, the 2003 invasion of Iraq. Blair argued that the Saddam Hussein regime possessed an active weapons of mass destruction (WMD) program, but no stockpiles of WMDs or an active WMD program were ever found in Iraq. The Iraq War became increasingly unpopular among the British public, and he was criticised by opponents and (in 2016) the Iraq Inquiry for waging an unjustified and unnecessary invasion. He was in office when the 7/7 bombings took place (2005) and introduced a range of anti-terror legislation. His legacy remains controversial, not least because of the Afghanistan and Iraq wars.
ellauri063.html on line 100: However, this version of socialism has to spread and take over the core economies of capitalism so that it can't be strangled in the above manner — as the proletariat of each country rebel against their own ruling-class. Each strike, for example, is a mini-rehearsal for this (whether the strikers appreciate this or not), where workers are forced by circumstances to organise in their own communities, sharing money, clothing, food, shelter, etc. In effect, they have to run a mini-socialist society of their own for a few weeks or months.
ellauri063.html on line 104: Marx thought that capitalism had buried within itself the seeds of its own downfall. However, the latter wouldn’t kick in automatically, but would depend on its grave-diggers (the working class under capitalism, the proletariat) overthrowing it.
ellauri063.html on line 110: Ergo it will never come. Working class is dying off anyway with robotics and AI. Most likely, disgruntled farm animals will strike a pre-emptive strike first. They already form a majority, they are no bolsheviks. Four legs good, two legs bad, provided the governing body is featherless.
ellauri063.html on line 220: Lingchi (Chinese: 凌遲), translated variously as the slow process, the lingering death, or slow slicing, and also known as death by a thousand cuts, was a form of torture and execution used in China from roughly 900 until it was banned in 1905. It was also used in Vietnam. In this form of execution, a knife was used to methodically remove portions of the body over an extended period of time, eventually resulting in death.
ellauri063.html on line 312: Songs in the Key of Z is a book and two compilation albums written and compiled by Irwin Chusid. The book and albums explore the field of what Chusid coined as "outsider music". Chusid defines outsider music as; "crackpot and visionary music, where all trails lead essentially one place: over the edge." Chusid's work has brought the music of several leading performers in the outsider genre to wider attention. These include Daniel Johnston, Joe Meek, Jandek and Wesley Willis. In addition, his CDs feature some recordings by artists who produced very little work but placed their recordings firmly in the outsider area. Notable amongst these are nursing home resident Jack Mudurian who sings snatches of several dozen songs in a garbled collection known as Downloading the Repertoire and the obscure and extreme scat singer Shooby Taylor AKA 'The Human Horn.'
ellauri063.html on line 319: “There is no contradiction between creation and destruction. I never thought music was a healing force of the universe. I didn’t agree with Mr. Albert Ayler. But we wanted to change things; we needed a new start. In Germany, we all grew up with the same thing: ‘Never again.’ But in the government, all the same old Nazis were still there. We were angry. We wanted to do something.” Like jazz.
ellauri063.html on line 341: "Onko toisten aivoilla mahdollista ajatella? Jos joku huomaisi olevansa aivopesun uhri, aivopesu lakkaisi samalla hetkellä toimimasta." Ei takuulla lakkaisi. Se on talousliberaali harha. Aivot on märkätavaraa eikä mikään digitaalilaskukone. Se sietää hyvin ristiriitoja. Ristiriidan karkoitus on kovan vaivan takana perinteisissäkin digitaalitietokoneissa, helposti käy niin että jännitteet lipsahtavat ykkösestä nollaxi, ja tarvitaan monen monta CRC-suihketta ennenkuin vastaanotettu liukuluku alkaa riittävän todennäköisesti vastata lähetettyä. Vielä satunnaisempaa on meininki grafiikkapiireillä toimivissa neuroverkoissa.
ellauri064.html on line 79: Benjamin maintained a fiercely productive focus on his intellectual mission throughout his life, despite repeatedly complaining of ‘grand-scale defeats’ and lows. After his request for divorce from Dora Pollak was granted in 1932, he suffered 10 paralysing days during which he seriously prepared suicide. Suicidal thoughts endured. He was an elegant, cultivated man who oozed old-world charm, exerting attraction on women but not always enough to give him cunt. Asja Lacis, the Latvian Communist Director of Children's Theatre in the USSR, twice refused, as did later lover Anna Maria Blaupot ten Cate. Lacis suffered relapsing mental illness and was hospitalised with hallucinations when Benjamin rushed to Moscow in 1926, at the brink of Stalinisation. His luminous Moscow Diary records his frustrating two-month experience.
ellauri064.html on line 81: Benjamin's luscious Berlin Childhood around 1900 recalls his experience of the city's material culture as a boy. His family was commercially successful (rich) but relations with his parents and sister were poor, although he had a better relationship with his younger brother, because he died in a concentration camp. His bleak verdict on school life contrasted with that of his schoolmate Gershom Scholem, who become Professor of Jewish Mysticism at the newly established Hebrew University of Jerusalem. Benjamin impressed some as reserved, discreet and modest, others as oversensitive and uncompromising.
ellauri064.html on line 85: Benjamin revolutionised text, image and film criticism. His essay ‘Hashish in Marseilles’ confirms that he experimented with drugs (‘under medical supervision’). He argued that reawakening the long-forgotten dreams of childhood could help recover the betrayed potential of technological progress, in the service of humanity's ‘redemption’ in this life. He collected children's books and recorded attentively the development of his son Stefan from behind the crib bars like his contemporary Piaget, especially sensation, imitation, gestures and spontaneity. This is from his celebrated modernist short pieces collection One Way Street:
ellauri064.html on line 87: ‘A child in his nightshirt cannot be prevailed upon to greet a visitor. Those present, invoking a higher moral standpoint, admonish him in vain to overcome his prudery. A few minutes later he reappears, now stark naked, before the visitor. In the meantime, he has washed his tiny skinless wiener.’
ellauri064.html on line 148: ZOG (salaliittoteoria) ZOG (Zionist Occupation Government tai Zionist Occupied Government) (suom. sionistinen miehityshallitus) on salaliittoteoria, jonka mukaan sionistit tosiasiassa johtavat maata, jonka virallinen hallitus on vain nukkehallitus.
ellauri064.html on line 331: During his 2011 election campaign Hirvisaari was critical of the immigration policies in Finland ("Maahanmuutto hallintaan! – Immigration under control!), and supported national sovereignty ("Riittää, että kansalaiset ovat sitä mieltä – muita perusteluja ei tarvita." – "It is enough that the citizens are of that opinion – no other arguments are needed.") as well as Finland generally as a country ("Suomen kieli – Suomen mieli – Suomen luonto – Suomen lippu" – "Finnish language – Finnish mindset – Finnish nature – Finnish flag"). In July 2011 Hirvisaari stated that the killings in Oslo on 22 July 2011, by right-wing extremist Anders Behring Breivik (Fjotolf Hansen), were a side-effect of Norway's immigration policies.
ellauri064.html on line 341: Jönsillä oli luokkatoveri Tom Arnkil. Onx Antti kenties sen aaluva?
ellauri064.html on line 356: Open Dialogue is currently the most effective system of care when it comes to first-break psychosis. Approximately 85 % of patients recover fully, a far majority of antipsychotic medication.
ellauri065.html on line 200: The film received generally mixed reviews from film critics, but it won several accolades at international film festivals. Review aggregator web site Rotten Tomatoes gave the film a 50% approval rating based on 94 reviews, with an average rating of 5.15/10; the general consensus states: "Grotesque, visceral and hard to (ahem) swallow, this surgical horror doesn't quite earn its stripes because the gross-outs overwhelm and devalue everything else."
ellauri065.html on line 479: Cangaço (Portuguese pronunciation: [kɐ̃ˈɡasu]) was the banditism phenomenon of Northeast Brazil in the late 19th and early 20th centuries. This region of Brazil is known for its aridness and hard way of life, and in a form of "social banditry" against the government, many men and women decided to become nomadic bandits, roaming the hinterlands seeking money, food and revenge.
ellauri065.html on line 482: "Captain" Virgulino Ferreira da Silva (Brazilian Portuguese: [viʁɡulĩnu feˈʁejɾɐ da ˈsiwvɐ]), better known as Lampião (older spelling: Lampeão, Portuguese pronunciation: [lɐ̃piˈɐ̃w], meaning "lantern" or "oil lamp"), was probably the twentieth century's most successful traditional bandit leader. The banditry endemic to the Brazilian Northeast was called Cangaço. Cangaço had origins in the late 19th century but was particularly prevalent in the 1920s and 1930s. Lampião led a band of up to 100 cangaceiros, who occasionally took over small towns and who fought a number of successful actions against paramilitary police when heavily outnumbered. Lampião's exploits and reputation turned him into a folk hero, the Brazilian equivalent of Jesse James or Pancho Villa.
ellauri065.html on line 496: taqiyya: Muslim scholars teach that Muslims should generally be truthful to each other, unless the purpose of lying is to "smooth over differences" or "gain the upper-hand over an enemy." There are several forms of lying to non-believers that are permitted under certain circumstances, the best known being taqiyya (the Shia name). These circumstances are typically those that advance the cause of Islam - in some cases by gaining the trust of non-believers in order to draw out their vulnerability and defeat them.
ellauri065.html on line 509: Bukkake: a sex act in which one participant is ejaculated on by two or more other participants. It is often portrayed in pornographic films. Bukkake videos are a relatively prevalent niche in contemporary pornographic films. Originating in Japan in the 1980s, the genre subsequently spread to North America and Europe, and crossed over into gay pornography and Teemu Mäki (dead cat).
ellauri065.html on line 514: 1. "le ironical" term used alot on 4chan to mock people using maymays (memes) often accompanied by the word "le" for extra effect. 2. a very sweet person who cares about all his close friends and family he may get in trouble a lot but he will never stop caring he is a humble strong and a person who just loves without showing it if you meet an ebin make sure you keep him close he is a good lover and great in bed with a lover take care of any ebin. 3. Someone who is afraid of legit every little frickin´ thing, also known as a wuss or pansy. 4. (Nzadi) (plural mbin) door Synonym: elaŋ.
ellauri065.html on line 528: The meme was born in late 2008 when an administrator of the Finnish gaming forum Jonneweb posted several links redirecting to the Finnish imageboard Kuvalauta. Due to Jonneweb´s reputation as an online hub for (pre)teenagers, some members of Kuvalauta became concerned that the imageboard would be overrun with unoriginal content by an influx of newcomers, a phenomenon commonly known as "newfaggotry" on the English-speaking web. The Jonneweb administrator referred to Kuvalauta as a "forum where you discuss about fish and bears" and thus the world-wide Pedo bear meme was considered to be posted particularly by Jonneweb users. The combination of pre-teenager Jonnes and the Pedo bear meme took a great evolution in 2009 when the users of Kuvalauta started to post ironically as Jonnes by capsing the text, representing as underage school kids and adding typoes on text. On December 6th, 2009, a thread with poorly drawn versions of Pedobear was posted onto Kuvalauta.
ellauri065.html on line 574: Tummeli-klubi spämmää taas Hesarin keskustelusivuja. Many Alt-Right websites have done a heroic job in delivering evidence to demonstrate that the November 3 election results were based on fraud. Nonetheless, conservatives should also work to hypothesize what the Democrats plotted, how they executed their plots, and why their scheme failed to cover its tracks. In a recent roundtable with other conservatives following the story, including a Maricopa County election attorney (Rachel Alexander), we put together the most plausible scenarios.

A relatively small team of perhaps 50 people or fewer was led by a smaller cadre which probably included several lawyers and most definitely included tech experts. The smaller cadre formed some time around the impeachment and carefully recruited point people over the course of the following months. Working like terror cells, they would need to keep point people unaware of who else was in on the conspiracy, to protect plausible deniability as much as possible. They had to have at least one conspirator in the elections offices of key swing states. It wouldn’t need to be a high-profile elected official, and would no doubt be better if it were some nameless person that few people noticed or would suspect.

ellauri067.html on line 626: Blicero esiintyi eka kerran Pynchonin 1963 esikoisessa V, nimellä luti Weissmann, dekadentti Sachsan armeijan lupseeri joka oli jäänyt rannalle entiseen Lounais-Afrikkaan presidentti Ahtishaaren kanssa 7v sen jälkeen kun se lakkasi olemasta Saksan siirtomaa. Tässä aiemmassa novellissa se oli mystinen, väliin transu hahmo jolla näytti olleen sadomasokistinen suhde saxalaiseen agenttiin Vera Meroveringiin. Se on kiero myös, ja kenties huumaa ja sitten pöllii jotakin toiselta hahmolta, Kurt Mondaugenilta. Se on enempi hassu kuin huolestuttava, eikä vielä täysimittainen pahis.
ellauri069.html on line 40: Postmodernism is the Swiss Army knife of critical concepts. It’s definitionally overloaded, and it can do almost any job you need done. This is partly because, like many terms that begin with “post,” it is fundamentally ambidextrous. Postmodernism can mean, “We’re all modernists now. Modernism has won.” Or it can mean, “No one can be a modernist anymore. Modernism is over.” People who use “postmodernism” in the first, “mission accomplished,” sense believe that modernism—the art and literature associated with figures like Picasso and Joyce—changed the game completely, and that everyone is still working through the consequences. Modernism is the song that never ends. Being postmodernist just means that we can never be pre-modernist again. People who use it in the second sense, as the epitaph for modernism, think that, somewhere along the line, there was a break with the assumptions, practices, and ambitions of modernist art and literature, and that everyone since then is (or ought to be) on to something very different. Being postmodernist means that we can never be modernist again.
ellauri069.html on line 63: "My father regards the tray of pink cupcakes. Then he jams his thumb into each cupcake, into the top. Cupcake by cupcake. A thick smile spreads over the face of each cupcake." —Views of My Father Weeping (1969)
ellauri069.html on line 67: Their memoir is an attempt to understand their gambling obsession as a way of coping with guilt over his death. “The addiction to gambling, with the unsuccessful struggles to break the habit and the opportunities it affords for self-punishment, is a repetition of the compulsion to masturbate,” Freud says in “Dostoevsky and Parricide”; “the relation between efforts to suppress it and fear of the father are too well known to need more than a mention.” No one believes Freud anymore, of course. A great deal of his writing is, at one level of explicitness or another, about the authority of fathers and the struggle for autonomy. (And Barthelme was a close reader of Freud.)
ellauri069.html on line 78: What was he doing? Daugherty is right to claim that Barthelme conceived of himself as an heir of the modernist tradition—in particular, of Beckett. He encountered Beckett’s work for the first time in 1956, when he picked up a copy of Theatre Arts at Guy’s Newsstand, in Houston, and read the text of “Waiting for Godot.” “It seemed that from the day he discovered ‘Godot,’ Don believed he could write the fiction he imagined,” the woman who was his wife at the time, Helen Moore Barthelme, says in her memoir, “Donald Barthelme: The Genesis of a Cool Sound” (2001).
ellauri069.html on line 115: “The aim of literature,” says a character in “Florence Green Is 81,” one of Barthelme’s first published stories, “is the creation of a strange object covered with fur which breaks your heart.”
ellauri069.html on line 127: Sidney Joseph "S.J." Perelman (February 1, 1904 – October 17, 1979) was an American humorist and screenwriter. He is best known for his humorous short pieces written over many years for The New Yorker. He also wrote for several other magazines, including Jude, as well as books, scripts, and screenplays. Perelman received an Academy Award for screenwriting in 1956.
ellauri069.html on line 139: Balaclava helmet: A balaclava, also known as a balaclava helmet or Bally or ski mask, is a form of cloth headgear designed to expose only part of the face, usually the eyes and mouth. Depending on style and how it is worn, only the eyes, mouth and nose, or just the front of the face are unprotected. Versions with a full face opening may be rolled into a hat to cover the crown of the head or folded down as a collar around the neck. Sellanen ällöttävä roistomyssy.
ellauri069.html on line 234: Going My Way: Ex tää ole Fred Astairen rallatus? Fredistä on ollut puhe toisaalla. 38; A 1944 film directed by Leo McCarey. It is a light-hearted musical comedy/drama about a new young priest (Bing Crosby) taking over a parish from an established old veteran (Barry Fitzgerald). Crosby sings five songs in the film.
ellauri069.html on line 395: —the Pökler family, consisting of a rocket engineer father manipulated by the German government, a leftist mother protesting that government, and a daughter who may or may not have survived the camps, whom Pökler fucks with all the more merriment;
ellauri069.html on line 403: —the evil designs of the novel’s villain, Weissmann or Blicero, former lover of Enzian, current lover of a young man named Gottfried, and the master of rocket 00000.
ellauri069.html on line 483: An article recently came out in the LA Times about Pynchon’s Great American Novel. The article begins by stating that Mason and Dixon is actually the most obvious candidate for the Great American Novel, and it instead suggests that Gravity’s Rainbow is perhaps the Great European Novel. The article then questions whether or not the Great American Novel even exists, and if it does if it is of a singular form or if it takes on many forms at once. After considering this question, the article finally claims that the Great American Novel is actually made up of all of Pynchon’s works fused together “into one epic Pynchoverse.” The Great American Novel certainly does not need to take place in America, but still many will argue that Gravity’s Rainbow by itself can never be considered as the Great American Novel because of its non-American setting and its wide array of characters. This is definitely debatable, but I do enjoy the idea of a “Pynchoverse” or a Pynchon Compilation being considered as the true Great American Novel. That being said, I do think most readers and Pynchonerds would undoubtedly say that Gravity's Rainbow is the Greatest Pynchon Novel.
ellauri069.html on line 485: To varying degrees, and woefully oversimplified, most of the novels pit a plucky heroine or poor, priapic, paranoid schnook against some vast, bureaucratic, merciless conspiracy.
ellauri069.html on line 493: Between 1987 and 2018, I made several runs at the book, but got inextricably bogged down in the prose, often giving up when the book did not yield easy rewards for the reader. I tried hard to let the reading “wash over me” but I always put the book down, never to pick it up again.
ellauri069.html on line 574: And now, The Romance of Helen Trent, the real-life drama of Helen Trent, who, when life mocks her, breaks her hopes, dashes her against the rocks of despair, fights back bravely, successfully, to prove what so many women long to prove, that because a woman is 35 or more, romance in life need not be over, that romance can begin at 35.
ellauri069.html on line 582: A year later, their daughter, Laurel, is born. To Stella's great surprise, she discovers she has a strong maternal instinct. Even when she is out dancing and partying, she cannot help but think about her child. As Laurel grows up, Stella's ambition and scheming to rise socially is redirected to her daughter.
ellauri069.html on line 700: Kurt Busiek's Astro City is an American superhero anthology comic book series centered on a fictional American city of that name. Created and written by Kurt Busiek, the series is mostly illustrated by Brent Anderson, with character designs and painted covers by Alex Ross. Nää piipertäjät on vanhoja pyyleviä ukkoja. Tää on ysäriltä, liian uusi good old Nipistäjälle.
ellauri069.html on line 762: Biographers report that Baum had been a political activist in the 1890s with a special interest in the money question of gold and silver (bimetallism). The City of Oz earns its name from the abbreviation of ounces "Oz" in which gold and silver are measured. Unssin kaupunki. For example, the Tin Woodman wonders what he would do if he ran out of oil. "You wouldn't be as badly off as John D. Rockefeller", the Scarecrow responds, "He'd lose six thousand dollars a minute if that happened." Dorothy—naïve, young and simple—represents the American people. She is Everyman, led astray and seeking the way back home. Moreover, following the road of gold leads eventually only to the Emerald City, which may symbolize the fraudulent world of greenback paper money that only pretends to have value. It is ruled by a scheming politician (the Wizard) who uses publicity devices and tricks to fool the people (and even the Good Witches) into believing he is benevolent, wise, and powerful when really he is a selfish, evil humbug.
ellauri069.html on line 783: Other putative allegorical devices of the book include the Wicked Witch of the West as a figure for the actual American West; if this is true, then the Winged Monkeys could represent another western danger: Indigenous peoples of the Americas. The King of the Winged Monkeys tells Dorothy, "Once we were a free people, living happily in the great forest, flying from tree to tree, eating nuts and fruit and doing just as we pleased without calling anybody master. ... This was many years ago, long before Oz came out of the clouds to rule over this land."
ellauri070.html on line 342: Their four "concentric" terms are derived from Ezekiel's vision (1:4), "And I looked and behold, a whirlwind came out of the north, a great cloud, and a fire infolding itself, and a brightness was about it..." The "Three Impure Qlippot" (completely Tamei "impure") are read in the first three terms, the intermediate "Shining Qlippah" (Nogah "brightness") is read in the fourth term, mediating as the first covering directly surrounding holiness, and capable of sublimation. In medieval Kabbalah, the Shekhinah is separated in Creation from the Sefirot by man´s sin, while in Lurianic Kabbalah Divinity is exiled in the qlippot from prior initial Catastrophe in Creation. This causes "Sparks of Holiness" to be exiled in the qlippot, Jewish Observance with physical objects redeeming mundane Nogah, while the Three Impure Qlippot are elevated indirectly through Negative prohibitions. Repentance out of love retrospectively turns sin into virtue, darkness into light. When all the sparks are freed from the qlippot, depriving them of their vitality, the Messianic era begins. In Hasidic philosophy, the kabbalistic scheme of qlippot is internalised in psychological experience as self-focus, opposite to holy devekut self-nullification, underlying its Panentheistic Monistic view of qlippot as the illusionary self-awareness of Creation.
ellauri070.html on line 464: Button up your overcoat,
ellauri071.html on line 79: 709.33 Little sigma, times P of s-over-little-sigma:
ellauri071.html on line 80: "Little sigma, times P of s equals one over the square root of two pi, times e to the minus s squared over two little-sigma squared" would be the probability density function for a Normally Distributed random variable with mean zero and standard deviation little sigma (though here the traditional form has been multiplied through by little sigma, probably to make it easier for Roger to say). But this is "P of s-over-little-sigma" - a reference to things not being quite Normal?
ellauri071.html on line 103: In 1918, Coward was conscripted into the Artists Rifles but was assessed as unfit for active service because of a tubercular tendency, and he was discharged on health grounds after nine months. At the outbreak of the Second World War Coward volunteered for war work, running the British propaganda office in Paris. He also worked with the Secret Service to persuade the American public and government to join the war.
ellauri071.html on line 107: During the run of The Vortex, Coward met Jack Wilson, an American stockbroker (later a director and producer), who became his business manager and lover. Wilson used his position to steal from Coward, but the playwright was in love and accepted both the larceny and Wilson's heavy drinking.
ellauri071.html on line 161: Nähnyt siis sen rinnan. Käsi exyy peiton alle, hakee asetoverin.
ellauri071.html on line 224: Junior G-Men was part of the larger "war on crime" campaign being waged through the mass media, which included movies, comic books and strips, radio programs, and pulp books, all of which was encouraged by the FBI and especially its director, J. Edgar Hoover prior to World War II. Most of these featured adult "G-Men" even when marketed to children. The difference with the Junior G-Men was that it was designed to give boys a sense of participating in the exciting adult world of crime-fighting. That said, aside from the original radio program, a book, Junior 'G' Men's Own Mystery Stories (by Gilbert A. Lathrop, Edward O'Connor, and Norton Hughs Jonathan) was published in 1936 and a big little book by Morrell Massey and Henry E. Vallely the following year. Eventually they also appeared on the big screen.
ellauri071.html on line 420: Arthur Edward Waite (2. lokakuuta 1857 — 19. toukokuuta 1942) oli okkultisti ja yksi Rider-Waite-Tarot-korttien kehittäjistä. Erehdyttävästi Wilho Pylkkäsen näköinen nuorena. Ne onkin melkein ikätovereja.
ellauri071.html on line 432: Metatron is the angel that governs the Tree of Life and the teachings of the Kabbalah. Melchidael is one of the top three of the seven archangels; Yahoel was the angel that taught Abraham the Torah and was his earthly and heavenly guide. Anafiel, "Branch of God," keeper of the keys of heaven, and the angel who looks after birds, and who carried Enoch to heaven.
ellauri071.html on line 471: Around 1850, a British merchant service captain, Charles Noble, upon discovering that the stack of his ship´s galley was made of copper, ordered that it be kept bright. From then onwards the ship´s crew then started referring to the galley smokestack as the "Charlie Noble".
ellauri071.html on line 554: Netzach is the sephirah 'victory', the ability of raw, emotional, passionate energy to overcome obstacles, but it needs to be balanced by Hod, the ability to rationalize and exercise a degree of self-control. If it is not balanced it becomes uncontrolled passion, desire, greed and covetousness, the dark side of Venus, which is unbridled lust. Never underestimate it, anyway.
ellauri072.html on line 162: Frost calculated that the best way to win her over was to present her with a volume of his first poems. He put them together in a pamphlet, had them printed on fine paper and bound in leather with gold print. When he got to the front door of her boarding house in Canton, New York, Hart said, “She basically shut the door in his face.”
ellauri072.html on line 208: This surprising, even shockingly "liberal" view of homosexual love as being the counterpart of the heterosexual kind should cause more notice than it generally does; perhaps even greater surprise should attend the extraordinarily generous gestures made toward the three Florentine homosexual politicians, Iacopo Rusticucci, Guido Guerra, and Tegghiaio Aldobrandi, whom we encounter in Inf. 16. They are presented as being among the most admirable figures in Hell. Let us examine the scene briefly. Virgil, who so often warns Dante when the latter begins to admire or become sympathetic (or overly concerned with) the damned, here is urgent in his approbation of these three sinners: "a costor si vuole esser cortese." This is the only time in Hell in which cortesia is mentioned as a fitting response to the damned except for Beatrice's and Dante's use of "cortese" for Virgil (Inf. 2.58, 2.134). The following tercet only emphasizes the guide's appreciation of their worthiness.
ellauri072.html on line 213: Leaving Dante and Virgil, the sinners vanish so quickly that "Un amen" could not be uttered in so little time. That Dante should turn to the language of prayer for his comparison, notwithstanding the proverbial and popular origins of the phrase, probably also reflects on the esteem that he felt and continues to feel for the three Florentines. It is a rare thing in the Inferno to find a moment in which the pilgrim, the poet, and the guide are all in absolute agreement, and certainly with respect to the human worth of sinners.
ellauri072.html on line 318: Tiedelehti tuuttaa: "Ihmiset lumoutuvat kexityistä tapahtumista esimerkixi sarjoissa, tietokonepeleissä, romaaneissa ja elokuvissa". Mä en. En jaxa fantasioita, en seikkailuja enkä juonenkäänteitä. En taida olla enää ihminen. Siitä olen vaan tosi iloinen. Ehkäpä aivoni ovat menneet overfitin puolelle, eivätkä enää ota vastaan randomeja syötteitä. Minusta on tullut ropotti. Marvin the manic depressive droid lihasta ja verestä. “My capacity for happiness, you could fit into a matchbox without taking out the matches first.”
ellauri072.html on line 489: You find yourself thinking that you wouldn’t have wanted him as your brother or lover or close friend, though he would probably have been a very good neighbor, course instructor, A.A. sponsor, or fellow American. You feel, to be honest, repelled.
ellauri072.html on line 495: Maybe you were a bit quick to straighten that miter you now realize you were wearing and, of course, speck-of-sawdust-in-your-brother’s-eye, etc., and also, as Alcoholics Anonymous would put it, Whoever is upsetting me most is my best teacher, and as Wallace put it, in his novel “Infinite Jest,” “It starts to turn out that the vapider the A.A. cliché, the sharper the canines of the real truth it covers.”
ellauri072.html on line 508: Infinite Jest is not the only thing that made Wallu famous, though. There was also his bandanna, which was as misinterpreted as so much else about him. As the Max biography explains, Wallace started wearing the bandanna as the least embarrassing solution he could think of to obscure the intense sweating attacks that overcame him without warning. (In high school, he had taken to carrying around a tennis racket and a towel as a tacit cover story for the sweating.) The acutely self-conscious, anxious, addicted and at times showy characters in Wallace’s fiction were not, Max helps us recognize, wildly difficult for Wallace to imagine — the characters were iterations of himself.
ellauri073.html on line 206: A big reason why so many young Independents and Democrats are excited about McCain is that the campaign media focus so much attention on McCain’s piss-and-vinegar candor and so little attention on the sometimes extremely scary right-wing stuff this candor drives him to say. John McCain´s morning speech several times invoked a “moral poverty” in America, a “loss of shame” that he blamed on “the ceaseless assault of violence-driven entertainment that has lost its moral compass to greed” (McCain’s metaphors tend to mix a bit when he gets excited), and made noises that sounded rather a lot like proposing possible federal regulation of all US entertainment. No siinä olis kyllä ollut järkeä.
ellauri073.html on line 220: Negativity on vastapuolen haukkumista, esim. Push polling: George W. Bush used push polls in his 1994 bid for Texas Governor against incumbent Ann Richards. Callers asked voters "whether they would be more or less likely to vote for Governor Richards if they knew that lesbians dominated on her staff."
ellauri073.html on line 262: Foley is disheveled, sweaty, obese, clumsy and unstylish. He exhibits poor social skills, frequently loses his temper, often disparages and insults his audience, and wallows in cynicism and self-pity about his own poor life choices, to which he often makes reference. Foley's trademark line is warning his audience that they could end up like himself: "35 years old, eating a steady diet of government cheese, thrice divorced, and living in a van down by the river!" In most sketches, whenever a member of his audience mentions a personal accomplishment, Foley responds with mockery: "Well, la-dee-frickin-da!", "Whoop-dee-frickin-doo!", or a similarly dismissive remark. The usual outfit of choice for Foley is a too-small blue-and-white plaid sport coat, a too-big white dress shirt, a solid green necktie, black horn-rimmed glasses, ill-fitting khakis which he is continually pulling up, a wristwatch, penny loafers, and slicked-down blond hair. In a prison sketch, he dons blue jeans and a denim shirt with the inmate number "3307" while retaining his watch, glasses and a crucifix necklace (he also mentions a "homemade tattoo of a van down by the river"). While working as a mall Santa in another sketch, he wears a stereotypical Santa outfit, complete with black snow boots.
ellauri073.html on line 264: He overindulges in coffee and caffeine-based products and exhibits extreme hyperactivity as a result. In almost every appearance, Foley mentions drinking espresso or coffee, or taking NoDoz and even brings a duffel bag with a pot of coffee to the gym to teach a spinning class. His clients will often mention him either drinking coffee or eating coffee beans before calling him in to begin his presentation.
ellauri073.html on line 267: The character's debut performance (May 8, 1993) has been called one of the best segments in SNL history. The reception of the audience combined with visible stifled laughter from David Spade and Christina Applegate on stage added to the popularity of the sketch. Notable physical gestures from Farley included what Spade referred to as “the thing with the glasses” when Farley lifted his glasses on and off of his face commenting, “Hey Dad, I can’t see real good, is that Bill Shakespeare over there?” and perhaps the most defining gesture was one that Farley saved for the live performance when he alternated hands adjusting his trousers, grabbing the hilt of his belt with one hand and the back of his pants with the other.
ellauri074.html on line 163: The Perdue Farms company was founded in 1920 by Arthur Perdue and his wife, Pearl Perdue, who had been keeping a small flock of chickens. The company started out selling eggs, then in 1925, Perdue built the company's first hatchery, and began selling layer chicks to farmers instead of only eggs for human consumption. His son Frank Perdue joined the company in 1939 at age 19 after dropping out of college. The company was incorporated as A.W. Perdue & Son and Frank Perdue assumed leadership in the 1950s. The company also began contracting with local farmers to raise its birds and supplying chickens for processing as well as opening a second hatchery in North Carolina during this period. Perdue entered the grain and oilseed business by building grain receiving and storage facilities and Maryland's first soybean processing plant. In 1968, the company began operating its first poultry processing plant in Salisbury. This move had two effects: it gave Perdue Farms full vertical integration and quality control over every step from egg and feed to market, as well as increasing profits which were being squeezed by processors. This move enabled the company to differentiate its product, rather than selling a commodity. In 2013, Perdue was reportedly the third-largest American producer of broilers (chickens for eating) and was estimated as having 7% of the US chicken production market, behind Pilgrim's Pride and Tyson Foods. Perdue antoi kanalle nimen tuotteistamalla sen. Poules Perdues.
ellauri074.html on line 209: It is also possible that Y.D.A.U. is 2008, as Matty Pemulis turns 23 in Y.D.A.U. (p. 682). Matty's (and Mike's) father came over in 1989 when Matty was "three or four" (p. 683). If Matty had been three and four in 1989, he was born in 1985, which would mean he turns 23 in 2008.
ellauri074.html on line 220: A motivational speaker or inspirational speaker is a speaker who makes speeches intended to motivate or inspire an audience. Such speakers may attempt to challenge or transform their audiences. The speech itself is popularly known as a pep talk. Motivational speakers can deliver speeches at schools, colleges, places of worship, companies, corporations, government agencies, conferences, trade shows, summits, community organizations, and similar environments. Their main motivation is money. Faith, fear, and credit. They're all made up. External links:
ellauri074.html on line 234: If you are interested in personal development or self-help you have heard of Tony Robbins. The self-made peak performance coach has been helping individuals become the best versions of themselves since the early 1980s. He has grown in popularity over his career through books, seminars, infomercials, and podcasts. All of these accomplishments have led Tony Robbins to have a net worth of $500 million dollars in 2021. In this post, we will discuss how Robbins has amassed his wealth and how you can do the same.
ellauri074.html on line 239: One day, when speaking with his landlord, Tony was asking him how he got so successful. The landlord replied that he went to a Jim Rohn seminar (Rohn was a famous motivational speaker at the time). Robbins had no clue what a seminar was so he asked his landlord to explain. The landlord said that a seminar is when a man takes everything he’s learned over the years of his life, and he condenses his knowledge into four hours.
ellauri074.html on line 243: So, he approached Rohn after the seminar and asked to become his pupil. Rohn agreed, and over the next few years, Robbin was able to take the lessons he learned from Rohn and apply it to his own unique style. Robbins became an avid reader of psychology and incorporated many theories from behavioral psychology into his approach. Robbins perfected this approach through hundreds of seminars across North America and even did seminars for free to help perfect his craft. By the age of 26, Tony Robbins had a net worth of millions of dollars and was a best selling author.
ellauri074.html on line 247: One way he would get people to do this is by making them do a firewalk over a bed of hot embers. Most people at his seminars normally thought that would be impossible. By showing them that they can walk on fire, it helped the attendees see that they had preconceived notions that weren’t true. (The trick is to wear thick-soled shoes with a huge carbon footprint.)
ellauri074.html on line 255: Tony Robbins has written over six books throughout his career. (Over six? like almost seven?) His first book, Unlimited Power, was published in 1986 and became a national bestseller. He has also written many other great books such as Awaken The Giant Within, Notes From A Friend, MONEY Master the Game, Giant Steps, and Unshakeable.
ellauri074.html on line 258: In 2016, he launched the Tony Robbins Podcast. The first season was primarily focused on ways for small to medium-sized businesses to gain an advantage over their market. He has since pivoted to not only talk about how to build a bigger business but also topics such as how to deepen your relationships, become more productive, and live in abundance. The Tony Robbins Podcast has thousands of 5-star reviews on Apple Podcasts and has been downloaded by millions of people worldwide.
ellauri074.html on line 260: As of 2021, Tony Robbins has a net worth of 500 million dollars. He lives in a $25 million mansion in Manalapan, Florida which has a lakeside dock, an infinity pool, and a beautiful master bedroom overlooking the ocean.
ellauri074.html on line 464: It is written: "You shall walk modestly with your God." It is therefore necessary to be modest in all your ways. Thus when putting on or removing your shirt or any other garment from your body you should be very careful not to uncover your body. You should put on and remove the garment while lying in bed under a cover. You should not say: "I am in a private, and dark place." "Who will see me?" Because the Holy One, Blessed is He, Whose glory fills the entire world [sees] and to Him darkness is like light, Blessed be His Name. Modesty and shame bring a person to submissiveness before Him, Blessed be His name. He does not want to look at your hairy genitals. He knows how they look, after all He made them. Don't worry He does not peek under the cover, although He could.
ellauri074.html on line 472: MKUltra used numerous methods to manipulate its subjects' mental states and brain functions. Techniques included the covert administration of high doses of psychoactive drugs (especially LSD) and other chemicals, electroshocks, hypnosis, sensory deprivation, isolation, verbal and sexual abuse, as well as other forms of torture.
ellauri074.html on line 502: Har oro och ångest över vad jag än gör...veckohandla mat sent på kvällen. Gå till mitt arbete i förskolan med alla kontakter med vuxna och barn. Komma nära folk vid promenader. Sover dåligt på natten...känner mig väldigt deppig och trött. Svårt att se något positivt. Vad ska jag göra. Vad är meningen med allt...kommer det vara såhär för alltid...vad finns det för mening då. Inte få träffa syskon och föräldrar...
ellauri074.html on line 656: A Tale of a Tub. Written for the Universal Improvement of Mankind. was the first major work written by Jonathan Swift, arguably his most difficult satire and perhaps his most masterly. William Wotton wrote that the Tale had made a game of "God and Religion, Truth and Moral Honesty, Learning and Industry" to show "at the bottom Jonathan´s contemptible Opinion of every Thing which is called Christianity." The work continued to be regarded as an attack on religion well into the nineteenth century. The overarching parody is of enthusiasm, pride, and credulity. It was widely misunderstood, especially by Queen Anne herself who purposely mistook its purpose for profanity. It effectively disbarred its author from proper preferment in the Church of England, but is considered one of Swift´s best allegories, even by himself.
ellauri077.html on line 54: Onko Christoffer Bartlett¹ oikeassa että tää ei olekaan postmoderni romaani vaan merkkaa paluuta Dickensläisiin suuriin kertomuxiin? Tokkopa. Kyllä Wallu on aika keekoileva, ei tää mikään David Copperfield ole, vaan ihan vaan David Sikiö. Ei se mitenkään tee parastansa että lukija ymmärtäisi mitä se on ajamassa takaa. Aika postmodernia puun takaa tirkistelyä tääkin on, vaikka vähemmän kuin 2 muuta puurtamaani tiiliskiveä, Pynchon ja sen suomalainen coveri. Se on sentään kiva että Risto mätkii leffatuotantoa kunnon petkeleellä, navan alle napsuttelee suurella sukunuijalla kuin vaka vanha Wäinämöinen pani piika pikkaraista.
ellauri077.html on line 205: Capitalism has made it so there’s a perpetual tidal wave of American culture crashing down around the globe. When The Force Awakens was released last December, it didn’t just open coast to coast across North America—it appeared in over 30 countries across five continents within its first week. When Dan Brown’s novel Inferno was released in 2013, it didn’t just sell out in every Costco in these 50 states: a team of 11 translators were locked away in a garret somewhere so that the book could have a simultaneous worldwide release. By early 2014 it was available in over 20 different languages.
ellauri077.html on line 207: But not all things emanating from this country move quite so quickly. Take, for instance, David Foster Wallace’s near-canonical mega-novel Infinite Jest: released in the States in 1996, it has in 20 years been translated into just five languages. (A sixth translation into Greek is currently in the works.) At this rate, it is moving only slightly faster than the massive Quixote, which had appeared in England, France, the Germanic territories, and Venice 20 years after its complete Castilian publication in 1615. However, Jest is massively behind the 3,600-page über-novel My Struggle, which—just 5 years after its complete Norwegian release—is available or forthcoming in over 20 languages.
ellauri077.html on line 241: Clara Hinton ei välttämättä ole Wallun tarkottama Hinton. Mut eise varmaana ole liioin neuroverkkotekoälyn kehittäjä Geoffrey Hinton:
ellauri077.html on line 419: Muna-peukun niähhiä loppuruudussa motivoi se narsistinen ajatus että koko konkkaronkka onkin osa musta izestä tai kääntäen. Tässä kyllä selkeästi kurkistelee toi FUCK! teema henkisestä sepaluxesta. Ja sittenhän ollaankin turvallisesti Darwin sedän linjoilla: geenilinja jatkuu kun muistaa nussia. Telltale sanoja: intimate embrace, wellspring, overflow: halia ja ruiskahdus. Rakkautta ja onnea, ei vetelyyttä, ei nuokkuvia munia.
ellauri077.html on line 460: This study shows that the connection between these works lies in their shared philosophical dimension. On the one hand, they portray excessive self-reflection and endless irony as the two main problems of contemporary Western life. On the other hand, the novels embody an attempt to overcome these problems: sincerity, reality-commitment and community are portrayed as the virtues needed to achieve a meaningful life.
ellauri077.html on line 555: In his interview with Larry McCaffery, Wallace shows he was aware of his failure to overcome the use of postmodern irony: “I got trapped just trying to expose the illusions of metafiction the same way metafiction had tried to expose the illusions of the pseudo-unmediated realist fiction that had come before it. It was a horror show.”
ellauri077.html on line 565: Se ezun pitää koko ajan valita uudestaan muistuttaa Morgensternin extensiivistä peliä: jokainen pelin tilanne on valintatilanne. (Tää pätee oikeesti vain dynaamisista peleistä kuten tennis tai ilmataistelu, shakin tai korttipelin kaltaisissa on vuoroja.) Normaalimuotoisessa pelissä valitaan vaan overall strategy, eli koko peli ratkeaa kertalaakista. Mut useimmat pelikirjat on siihen liian simppeleitä, esim. raamattu. Sitä pitää lehteillä uudelleen joka käänteessä, eziskellä sopivia peukalovärssyjä. (Onnex yleensä saa yrittää uudelleen ja uudelleen jos ei ekat värssyt nazaa kunnolla.)
ellauri077.html on line 706: We admitted we were powerless over alcohol—that our lives had become unmanageable.
ellauri077.html on line 708:

• Melancholic (Introverted Thinker)
• Choleric (Extraverted Thinker)
• Phlegmatic (Introverted Feeler)
• Sanguine (Extraverted Feeler)

Controversial ads 2018

Your opening has to do a lot of different things. It has to establish the setting. Think of this as the camera planing over the outside of the spaceship, or across the crowded ballroom. Fuck I will! That's for idiots who cannot read but want to watch ABC TV. You know where you can stick that camera of yours and take inside belfies.

Voiceovers to the reader. “Dear Reader, listen closely for I am about to tell you a most wonderous tale.” I’m not six, so I’ll pass, thanks. No, you are under five, you can't wait for the ads to end to watch Paw Patrol.

Prologue. The fuzzy bit at the beginning that doesn’t make sense until you’ve read the whole novel. It's backstory in disguise. Prologues that start a thousand years in the past will cause the author to burn in hell. Okay, you most likely also speed forward over the Paw Patrol theme song.

Chapter one. What? Where else would you start? According to every publisher and agent I’ve met, most novels really start on chapter three or four. The first few chapters are all set-up or backstory which would improve the novel by being deleted. This kinda guys fast forward over porn film beginnings to the first blow job or insertion. Best improvement would be to scrap the whole book. Plus its author.

There are lots of books out there. The reader has to decide quickly which one she is going to spend her time and money on. She's not going to buy something just because it might get good later on. Unless you have won a major prize or had a film made from your book, chances are your reader has never heard of you. She’s going to read a page or two and decide. If it’s on Amazon, she’s going to click “Look Inside” and read a few pages. Yep, "your reader" will do just that, being an analphabet in for mind-numbing pulp. "My reader" takes time to choose a book by its literary merits, not by its gaudy cover and advertising blurbs. And most likely from a public library on the recommendation of a friend. Preferably after reading the plot synopsis.

Have you ever watched American Idol or X factor at the audition stage? Then you'll know the way you can usually tell within five notes if the singer is actually able to sing and is likely to go through. It's the same with writing. Any writer who can't manage a decent opening is not likely to get much better a hundred pages on. Whining for a second chance because "I sing a lot better in the second verse" (or "The second chapter is really good") doesn't fool anyone. What an idiot. There are lots of books that start out slow but grow on you. But fuck you, you're just such an idiot that hardly has the patience to spell laboriously through the title. Right into the garbage can from the Amazon box if the cover does not please. Your kind had better just watch Netflix or HBO, or reruns of American Idiots and X Position.

4. The most controversial scene in It is too disturbing for any adaptation.

ellauri143.html on line 1407: Explanation : There is no greater folly than the boldness with which one seeks to remedy the evils of poverty by begging (rather than by working).
ellauri143.html on line 1425: The plague of poverty itself is ample proof.
ellauri143.html on line 1427: Explanation : He who begs ought not to be angry (at a refusal); for even the misery of (his own) poverty should be a sufficient reason (for so doing)
ellauri143.html on line 1430: You ask what sharper pain than poverty is known;

ellauri143.html on line 1431: Nothing pains more than poverty, save poverty alone.
ellauri143.html on line 1494: Explanation : As one's ignorance is discovered the more one learns, so does repeated intercourse with a welladorned female only create a desire for more.
ellauri143.html on line 1524: To-day I nought possess but lovers' 'horse of palm'

ellauri143.html on line 1684: Siddhārthan entiset laiheliinitoverit hylkäsivät hänet ajatellen hänen luopuneen henkisestä kilvoittelusta. Aika pyylevähän siitä sitten tulikin. Tästä järkkymättä hän istui perinteisesti pyhänä pidetyn temppeliviikunapuun alle mietiskelemään. Samana yönä tuleva Buddha pääsi neljänteen ihanaan, väkevään meditatiiviseen tilaan, jonka kautta hän saavutti aamunkoiton sarastuksessa valaistumisen ja tuli matrassiin. Huomattavasti myöhemmän perinteen mukaan Buddha vietti valaistumisensa jälkeen vielä 40 tai 49 päivää saman puun alla. 40, 49, ihan sama. Jee-suxen enkka oli 40, ilman puuta.
ellauri143.html on line 1686: Koko loppuelämänsä Buddha omisti muiden opettamiselle. Hän loi buddhalaisuuden ja neuvoi ihmisille löytämäänsä polkua valaistumiseen. Hän palasi viiden askeettitoverinsa luo, jotka päättivät ruveta taas syömään ja ryhtyä ensimmäisiksi buddhalaismunkeiksi (sanskritiksi bhikṣu, pāliksi bhikkhu) kuultuaan Buddhan ensimmäisen opetuspuheen, "Dharman pyörän liikkeelle panemisen sutran". Mutta varsinainen vetolaastari niille oli kama sutra. Dharma tarkoittaa maan tapaa, lakia.
ellauri144.html on line 109: I took the Monkey to Italy. Sorry, I haven't mentioned her before. She's the long-legged shiksa model who used to be married to the elderly rich goy that liked to shit on a glass table over a schwartz while she ate a banana. Hence Monkey. Her real name is Mary Jane Reed and she's a thinly-disguised caricature of my alter ego's first wife. Revenge really is best served cold.
ellauri144.html on line 265: In America, "Guantanamera" has been used during anti-war demonstrations, union strikes, marches for an overhaul of the US immigration system, and civil rights for immigrants. In more recent demonstrations, it was sung at Wall Street and around the country where folks were commenting on the balance of wealth.
ellauri144.html on line 277: Malagueña Salerosa — also known as La Malagueña — is a well-known Son Huasteco or Huapango song from Mexico, which has been covered more than 200 times by recording artists.
ellauri144.html on line 292: The company he owned with his brother went bankrupt when its financial backing failed in the early days of the Great Depression. Not yet 21, Todd had lost over $1 million (equivalent to about $15,492,032 in today's funds). Todd married the former Bertha Freshman on February 14, 1927, and was the father of an infant son with no home for his family. Todd's subsequent business career was volatile, and failed ventures left him bankrupt many times.
ellauri144.html on line 381: And I am dumb to tell the lover´s tomb Ja mä olen mykkä kertomaan rakastajan kivelle
ellauri144.html on line 402: Puolet 90 julkaistusta runostaan Dylan väsäsi teinipoikana. Figures. Tässä niistä kuuluisin. Romans 6:9, KJV: "Knowing that Christ being raised from the dead dieth no more; death hath no more dominion over him." 6:9 Ja tiedämme, ettei Kristus, joka kuolleista herätetty on, niinkö silleen kuole, eikä kuolema saa tästedes hänen päällensä valtaa.
ellauri144.html on line 414: Though lovers be lost love shall not; Vaikka rakastavaiset katoo ei katoo rakkaus;
ellauri144.html on line 482: Let Us Now Praise Famous Men is a book with text by American writer James Agee and photographs by American photographer Walker Evans, first published in 1941 in the American United States. The work documents the lives of impoverished tenant farmers during the Great Depression. Although it is in keeping with Evans´s work with the Farm Security Administration, the project was initiated not by the FSA, but by Fortune magazine. The title derives from a passage in the Wisdom of Sirach (44:1) that begins, "Let us now praise famous men, and our fathers that begat us".
ellauri144.html on line 548: Both of Bierce´s sons died before he did. Day committed suicide after a romantic rejection (he non-fatally shot the woman of his affections along with her fiancé beforehand), and Leigh died of pneumonia related to alcoholism. Bierce separated from his wife in 1888, after discovering compromising letters to her from an admirer. They divorced in 1904. Mollie Day Bierce died the following year. Bierce was an avowed agnostic, and strongly rejected the divinity of Christ. He suffered from lifelong asthma, as well as complications from his war wounds, most notably episodes of fainting and irritability assignable to the traumatic brain injury suffered at Kennesaw Mountain. In 1913, Bierce told reporters that he was travelling to Mexico to gain first-hand experience of the Mexican Revolution. He disappeared and was never seen again.
ellauri144.html on line 930: Tore Hund var ute i vikingtokter og ledet flere ekspedisjoner nordover til Kolahalvøya og Kvitsjøen i Bjarmeland (dagens Russland). Da Olav Haraldsson ble konge, ble Tore Hund hans lendmann i nord. Over tid surnet forholdet mellom kongen og Tore, det startet med kornmangel i Hålogaland, noe som førte til drap. Drapene førte til hevn og nye drap, og det tvang Tore Hund til å gå i opposisjon til Olav Haraldsson og alliere seg med den danske kongen Knut den mektige. Konflikten endte i det store slaget ved Stiklestad i 1030.
ellauri144.html on line 932: Fremst i kongshæren sto Olav selv, og han hogg med sverdet etter Tore, men Tore hadde ei reinsskinnskofte, og slaget sklei av i en sky av reinshår. Kongen ropte da til Bjørn Stallare som hadde øks: «Slå du hunden som jern ikke biter på!» Bjørn Stallare ga Tore et slag med øksehammeren slik at han vaklet, men slo ham ikke overende. I stedet kjørte Tore spydet Selshevneren gjennom den andre mens han sa: «Slik spidder vi bjørnene!»
ellauri144.html on line 934: Torstein Knarresmed hogg kong Olav med øksa og traff ham over kneet. Finn Arnesson drepte deretter Torstein. Kongen kastet fra seg sverdet, lente seg mot en stein og begynte å be Gud hjelpe seg. Tore Hund lente seg fram og støtte spydet opp under kongens brynje og inn i maven på ham. I samme stund fikk han også et tredje sår av ei øks på venstre side av halsen. Av disse tre skadene døde kongen.
ellauri144.html on line 936: Etter kongens død varte ikke slaget lenge. Kongshæren flyktet, og bondehæren forfulgte dem ikke. De vendte tilbake til stridsvollen hvor mange hadde frender og venner. I henhold til tradisjonen var det Tore Hund som bredte et klede over kongens lik.
ellauri145.html on line 111: The transformation of labor into pleasure is the craziest idea in Fourier´s giant socialist utopia," said Marcuse. He had a concern for the sexually rejected; jilted suitors would be led away by a corps of "fairies" who would soon cure them of their lovesickness, and visitors could consult the card-index of personality types for suitable partners for casual sex. He also defended homosexuality as a personal preference for some people. Fourier sexualizes work itself—the life of the Phalanstery is a continual orgy of intense feeling, intellection, & activity, a society of lovers & wild enthusiasts.

ellauri145.html on line 406: After the trial, Kenealy instigated a popular radical reform movement, the Magna Charta Association, which championed the claimant´s cause for some years. Kenealy was elected to Parliament in 1875 as a radical independent but was not an effective parliamentarian. The movement was in decline when the claimant was released in 1884, and he had no dealings with it. In 1895, he confessed to being Orton, only to recant almost immediately. He lived generally in poverty for the rest of his life and was destitute at the time of his death in 1898. Although most commentators have accepted the court´s view that the claimant was Orton, some analysts believe that an element of doubt remains as to his true identity and that, conceivably, he was Roger Tichborne. Or not.
ellauri145.html on line 436: Charles Cros Émile-Hortensius-Charles Cros (October 1, 1842 – August 9, 1888) was a French poet and inventor. He was born in Fabrezan, Aude, France, 35 km to the East of Carcassonne. Cros was a well-regarded poet and humorous writer. He developed various improved methods of photography including an early color photo process. He also invented improvements in telegraph technology. In the early 1870s Cros had published with Mallarmé, Villiers and Verlaine in the short-lived weekly Renaissance littéraire et artistique, edited by Emile Blémont. His poem The Kippered Herring inspired Ernest Coquelin to create what he called monologues, short theatrical pieces whose format was copied by numerous imitators. The piece, translated as The Salt Herring, was translated and illustrated by Edward Gorey. He spent years petitioning the French government to build a giant mirror that could be used to communicate with the Martians and Venusians by burning giant lines on the deserts of those planets. He was never convinced that the Martians were not a proven fact, nor that the mirror he wanted was technically impossible to build. Tästä hepusta tulee mieleen Spede Pasanen ja sen hiihtolinko.
ellauri145.html on line 537: Nietzsche’s image, through no more fault of his own than Hawking´s (LOL), has grown in a similar way to that of Hawking. We all have a vague notion of what the Ubermensch is, we’ve all heard “God is dead,” and we all know Nietzsche was a crazy philosopher with a giant mustache who wrote really hard books and scared his contemporaries and was apparently a favorite of the Nazis. There are little quips and quotes from him around the internet that sound awfully cryptic and enigmatic. And the publishing industry plays on this image, too: I have a copy of Beyond Good And Evil with a black cover and the title text printed in red and white, and the color scheme looks a little sinister. I strongly suspect that, if Nietzsche did not have a popular image as a crazy nihilist Nazi Ubermensch from the 1800s, the publisher would not have made the decision to print his books with a black and red color scheme. A cursory look at Amazon’s book listing also shows copies of Thus Spake Zarathustra with a picture of a panther’s eyes on the cover, glowering at the reader. Because… “Nietzsche was that crazy German writer or philosopher or whatever, right? And he was, like, an anarchist or nihilist or Nazi or something, right? Didn’t he kill God or something like that? Yeah.”
ellauri145.html on line 553: In other words: that guy was an overbearing ass, a misanthrope at best and a narcissist of the worst kind. I guess he appeals to men about as much as Hemmingway. That would be very, very little. In The Gay Science, he notes how monstrous it is that young women are brought up told that sex is shameful and sinful. Koska se oli säälittävä mursuwiixinen luuseri joka ei päässyt viivalle, vaivoin ulettui vetämään wiixeen edes izeään. Lou Salomekin bylsi mieluummin Rane Rilkeä. Ei wiixet kutittaneet niin ilkeästi.
ellauri145.html on line 727: During his schooling at the Imperial Lycée of Saint-Brieuc where he studied from 1858 until 1860, he fell prey to a deep depression, and, over several freezing winters, contracted the severe rheumatism which was to disfigure him severely. He blamed his parents for having placed him there, far from his family´s care and affection. Difficulties in adapting to the harsh discipline of the college´s noble débris (distinguished relics, i.e., teachers) gradually developed those characteristics of anarchic disdain and sarcasm which were to give much of his verse its distinctive voice.
ellauri145.html on line 729: Corbière´s only published verse in his lifetime appeared in Les amours jaunes, 1873, a volume that went almost unnoticed until Paul Verlaine included him in his gallery of poètes maudits (accursed poets). Thereafter Verlaine´s recommendation was enough to establish him as one of the masters acknowledged by the Symbolists, and he was subsequently rediscovered and treated as a predecessor by the surrealists.
ellauri146.html on line 365: Eloa comes from the throne of God, and proclaims that now the Redeemer is led to death, on which the angels of the earth form a circle round Mount Calvary, also nam'd Golgotha. Then, having consecrated that hill, he worships the Messiah. Gabriel conducts the souls of the fathers from the sun to the Mount for olives, and Adam addresses the earth. Satan and Adramelech, hovering in triumph, are put to flight by Eloa. Jesus is nail'd to the cross. The thoughts of Adam. The conversion of one of the malefactors. Uriel places a planet before the sun, and then conducts to the earth the souls of all the future generations of mankind. Eve, seeing them coming, addresses them. Eloa ascends to Heaven. Eve is affected at seeing Mary. Two angels of death fly round the cross. Eve addresses the Saviour, and the souls of the children yet unborn. Claptrap does a lot of addressing in the epos. Hope the letters reach the sender, unlike Elvis's:
ellauri146.html on line 374: We had a quarrel, a lover's spat
ellauri146.html on line 646: The opinion has been often stated that Edgar Allan Poe was bizarre and amoral; that he was a lover of morbid beauty only; that he was unrelated to worldly circumstances-aloof from the affairs of the world; that his epitaph might well be: “Out of space-out of time.”
ellauri146.html on line 650: Poe’s ancestry on his father’s side was Scotch-Irish and has been traced through County Cavon to Ayrshire, Scotland. The fact that Poe’s Presbyterian Scottish ancestors dwelled for a time in the north of Ireland has caused even so good a scholar as Arthur Hobson Quinn to engage in surprising speculation about an “Irish strain” in Poe and about a “Celtic” trait of perverseness which he had “discovered” in the Poe family.
ellauri146.html on line 678: As a critic, Poe often expressed national sentiments. He urged Americans to build their own literature, to avoid a blind adulation of, or slavish imitation of, Europeans simply because they were Europeans. But at the same time, Poe warned against literary chauvanism, which tended to overpraise every dull American writer simply because he happened to be American. Poe’s detached and objective attitude could become, and often did become, highly critical of American society and America
ellauri146.html on line 686: started with the queerest idea conceivable, viz; that all men are born free and equal-this in the very teeth of the laws of gradation so visibly impressed upon all things both in the moral and physical universe. Every man “voted,” as they called it-that is to say, meddled with public affairs-until, at length, it was discovered that what is everybody’s business is nobody’s, and that the “Republic” (as the absurd thing was called) was without a government at all. It is related, however, that the first circumstance which disturbed, very particularly, the self-complacency of the philosophers who constructed this “Republic,” was the startling discovery that universal suffrage gave opportunity for fraudulent schemes….A little reflection upon this discovery sufficed to render evident the consequences, which were that rascality must predominate— in a word, that a republican government could never be anything but a rascally one. While the philosophers, however, were busied in blushing at their stupidity in not having foreseen these inevitable evils, and intent upon the invention of new theories, the matter was put to an abrupt issue by a fellow of the name of Mob, who took everything into his own hands and set up a despotism…. As for republicanism, no analogy could be found for it upon the face of the earth—unless we except the case of the “prairie dogs,” an exception which seems to demonstrate, if anything, that democracy is a very admirable form of government—for dogs.
ellauri146.html on line 688: In a review of 1836 Poe referred to the “bigoted lover of abstract Democracy” and appealed to Americans to divert their minds “from that perpetual and unhealthy excitement about the forms and machinery” of government to a greater care of the results of government-“the happiness of a people.”
ellauri146.html on line 748: Pale rain over the dwindling harbour Kalvas sade yllä pienenevän sataman
ellauri146.html on line 749: And over the sea wet church the size of a snail Ja meren yli märkä kotilon kokoinen kirkko
ellauri146.html on line 834: Hänet otettiin 1768 jälleen tullin palvelukseen Sussexin Lewesissä. Toisen vaimonsa kanssa hänellä oli siellä sivutoimenaan tupakka- ja rihkamakauppa. Hänestä tuli keskusteluklubin jäsen ja hän halusi anomusjulkaisullaan ”Tullivirkailijoitten asema” (Petition) työtovereilleen parempaa palkkaa.
ellauri146.html on line 840: Aiheellisesti Peppu kyselee: Miten minusta on tullut sellainen oman izeni vihaaja ja silpoja? Ja niin yxinäinen? Oy, niin yxinäinen! Ei mitään muuta kuin ize! Suljettuna oman izen sisään! Mitä se olis halunnut? Kasvattaa intelligenttejä, rakastavia, elinvoimaisia lapsia! Luoda turvallisuutta jollekin sopivalle naiselle! Arvokkuutta! Terveyttä! Rakkautta! Ahkeruutta! Älykkyyttä! Luottamusta! Säädyllisyyttä! Hengen paloa! Myötätuntoa! Muttei se saanut muuta kuin satunnaista pillua. Lainataxemme Matthew Arnoldin sattuvia sanoja Dover Bitchistä:
ellauri146.html on line 862: Vankka voitto taantumuxen voimille. 2010 tuli toinen samanlainen julistus, jonka ensimmäisiä allekirjoittajia oli Suomen vihreiden Heidi Hautala. Ne kuuluvat Wikipedian luokkaan Category:Decommunization. Decommunization in Ukraine started during and after the dissolution of the Soviet Union in 1991. With the success of the Revolution of Dignity in 2014, the Ukrainian government approved laws that outlawed communist symbols.
ellauri146.html on line 866: In February 2022, in connection with a presidential address of Russian president Vladimir Putin in the midst of the Russo-Ukrainian crisis, Putin claimed that Ukraine's decommunization does not make any sense because "modern Ukraine was created by communist Russia, and specifically Lenin". Vitaly Chervonenko from the BBC noted how carefully Putin kept silent about the independent Ukrainian state formations of 1917–1920 and Kyiv's (i.e. the white generals´) war with Lenin's Bolshevik government, whose purpose was to exclude Ukraine from Bolshevik Russia.
ellauri147.html on line 104: the beloved from the lover.
ellauri147.html on line 121: Tee silta ylitse syvyyden, tee, kaarisilta tee, Make it like a bridge over troubled water, not a clapper bridge,
ellauri147.html on line 135: joka syvyyden yli lakkaamatta valoa säteilee. It should have round the clock lighting over your abyss.
ellauri147.html on line 164: Opposed to this interpretation, the "will to power" can be understood (or misunderstood) to mean a struggle against one's surroundings that culminates in personal growth, self-overcoming, and self-perfection, and assert that the power held over others as a result of this is coincidental.
ellauri147.html on line 169: Adler's adaptation of the will to power was and still is in contrast to Sigismund Freud's pleasure principle or the "will to pleasure", and to Viktor Frankl's logotherapy or the "will to meaning". Adler's intent was to build a movement that would rival, even supplant, others in psychology by arguing for the holistic integrity of psychological well-being with that of social equality. His interpretation of Nietzsche's will to power was concerned with the individual patient's overcoming of the superiority-inferiority dynamic.
ellauri147.html on line 201: On September 5, 2018, it was announced that Paramount Network had given the production a series order for a first season consisting of 10 episodes. The series was created by Barren Star, who has a multimillion overall deal with ViacomCBS and develops for ViacomCBS and for outsider buyers via MTV Entertainment Studios. Star was also expected to serve as an executive producer alongside Tony Hernandez. Production companies involved with the series were slated to consist of Jax Media. On July 13, 2020, it was reported that the series would move from Paramount Network to Netflix. On November 11, 2020, Netflix renewed the series for a second season.
ellauri147.html on line 203: Emily's boss Madeline prepares to make the transition from the Chicago based pharmaceutical marketing firm, the Gilbert Group, to a French based fashion firm, Savior, when she discovers that she is pregnant. She offers the job to Emily and she accepts, leaving her boyfriend back in Chicago. Emily moves to Paris despite the fact that she does not speak French. She moves into the 5th floor of an old apartment building without an elevator but with a wonderful Parisian view. Emily creates an Instagram account, @emilyinparis, and begins documenting her time in Paris. Emily starts her first day of work much to her new co-workers chagrin who reveal that she was only hired because of a business deal. She introduces the French to American social media strategies who seem very reluctant about her and her American methods. Emily accidentally tries to enter the wrong apartment and bangs her very attractive neighbor right at the door, Gabriel. As Emily accustoms to life in Paris she makes countless faux-pas and the firm nicknames her "la plouc" or "the hick". Emily meets Mindy Chen, a nanny originally from Shanghai, and they become fast friends. After Emily and her boyfriend attempt to have cybersex but the connection fails, she plugs in her vibrator and accidentally short-circuits the block's power. "Accidentally" is the top frequency word in the script.
ellauri147.html on line 205: Despite struggling to fit in with French office culture Emily convinces her boss, Sylvie, to invite her to a work party where she accidentally irritates Sylvie by conversing with Antoine Lambert, a client who turns out to be Sylvie's married lover. As punishment she is put to work marketing Vaga-Jeune, a lubricant for menopausal women. Annoyed with the gendered nature of the French language Emily writes a post about the product that goes viral causing her to make further inroads at work.
ellauri147.html on line 209: Emily is invited to the shoot for De l'Heure's latest commercial to take behind the scenes footage for social media and is shocked to discover the commercial involves a model strutting nude down the Pont Alexandre III while suited men stare at her. She argues with Antoine that the ad is sexist while he counters that it is sexy leading Emily to suggest an online marketing campaign that asks the perfume's customers what they think. When the campaign goes viral Antoine sends Emily La Perla lingerie as a thank you gift. Now that is not sexist, that's just sexy. Barren Star on setämies par excellence.
ellauri147.html on line 214: When Emily discovers Sylvie and Antoine arguing at work she tries to boost Sylvie's credibility at work by pretending that she came up with an idea to pair Antoine's perfumes with luxury hotels. Though of course it was Emily's idea all along.
ellauri147.html on line 219: Emily discovers Pierre has designed the costumes for Swan Lake so she invites Thomas to join her. However, he insults her by telling her Swan Lake is a ballet for tourists. Emily realizes that he is a snob so she leaves him. Emily is really not one for snobs.
ellauri147.html on line 234: Emily´s co-workers inform her that in France it can be a long, arduous process to fire an employee, unlike at home in the good old U of S. To realize his dream of opening his own restaurant, Gabriel decides to move Emily back to Normandy. The next day Emily is called by Mathieu about the situation and tells her that Pierre has requested to see her. Sylvie overhears this and goes with Emily to see Pierre. At the atelier, they see a dress from Pierre´s new collection.
ellauri147.html on line 249: Nevertheless, not all critics were this kind to the Emily character. Emma Gray from HuffPost called Emily a bland character, stating "The show doesn´t even make an effort to quirk her up or give her a more relatable, girl-next-door roughness: she´s always immaculately coiffed and made-up, and garbed in effortfully eye-catching outfits. But there´s not much to the character, except for enormous amounts of self-confidence and the inexplicable ability to attract new friends and love interests on every street corner." Rebecca Nicholson of The Guardian gave the series one out of five stars: "if it is an attempt to fluff up the romcom for the streaming age, then it falls over on its six-inch heels." Rachel Handler opined "Darren Star has done it yet again: centered an entire show on a thin, gently delusional white woman whimsically exploring a major metropolitan area in wildly expensive couture purchased on a mid-level salary."
ellauri147.html on line 251: Sarah Moroz, of Vulture.com, opined "the most egregious oversight ... is Emily herself, who shows zero personal growth over a ten-episode arc. ... Emily’s vapidity is baffling to anyone who has moved from their native country."
ellauri147.html on line 253: Sonia Rao, of Washington Post compares Emily to the heroines of the Amy Sherman-The show received two nominations at the Golden Globe Awards, but prior to the ceremony it was reported that 30 members of the voting body had been flown to Paris, where they spent two nights at The Peninsula Paris and were treated to a private lunch at the Musée des Arts Forains, with the bill reportedly paid by the show´s developer, Paramount Network. This led some critics to question the impartiality of the voting body, as Emily in Paris is considered to have been a critical flop, and even its nomination was a surprise. In contrast, critically-acclaimed shows, notably I May Destroy You, were not nominated. Midge Maisel, her actions can be quite rash, but she still wins over her fictional acquaintances while utterly baffling viewers."
ellauri147.html on line 357: After his divorce to Orianne, and struggling to play the drums for health reasons, Phil Collins developed a drinking problem, which spiraled out of control. According to him, he required a “medically enforced drying-out process.” Kuivatelakalle niinkuin isä Mefodi. However, his low self-esteem also got in the way of seeing things clearly. No wonder. Paul McCartney´s net worth is 1.2 gigadollars! He could buy Phil 5 times over!
ellauri147.html on line 531: Nebukadnesarin etymologia: From the Babylonian phrase Nabu-kudurri-usur. The first part is the same as Nebo, the Babylonian god of wisdom and writing. Nebuchadnezzar II´s name in Akkadian was Nabû-kudurri-uṣur, meaning "Nabu, watch over my heir". The name was often interpreted in earlier scholarship as "Nabu, protect the boundary", given that the word kudurru can also mean ´boundary' or 'line'.
ellauri147.html on line 604: Winnicott is best known for his ideas on the true self and false self, the "good enough" parent, and "borrowed" from his second wife, Clare Winnicott, arguably his chief professional collaborator, the notion of the transitional object. He wrote several books, including Playing and Reality, and over 200 papers.
ellauri147.html on line 610: His theories of the true/false self may have been over-influenced by his own childhood experience of caring for a depressed mother, which resulted in the development of a prematurely mature self which he was only subversively able to undo.
ellauri147.html on line 632: In der Theoriegeschichte lassen sich bei grober Analyse drei Traditionslinien der Narzissmustheorie unterscheiden, die das metapsychologische Durcheinander dokumentieren. Bei der ersten geht es um die bereits seit den dreissiger Jahren schwelende Kontroverse über den ontogenetischen Ursprung des Seelenlebens: primärer Narzissmus oder Objektbeziehung ist hier die Streitfrage – die Beiträge von Michael Balint, Donald Winnicott, Heinz Kohut, Otto Kernberg bis hin zu Christopher Bollas oder Thomas Ogden lasssen sich im Rahmen dieses metapsychologischen Dauerstreits betrachten. Auf der zweiten Linie kann man die Versuche unterbringen, einen triebtheoretisch bestimmten Narzissmusbegriff festzuhalten – dazu zähle ich so unterschiedliche Arbeiten wie die von Hartmann und Pulver, Grunberger und Chasseguet-Smirgel oder im deutschen Sprachraum Zepf oder Lilli Gast.
ellauri147.html on line 862: In physical attractiveness studies, averageness describes the physical beauty that results from averaging the facial features of people of the same gender and approximately the same age. The majority of averageness studies have focused on photographic overlay studies of human faces, in which images are morphed together. The term "average" is used strictly to denote the technical definition of the mathematical mean. An averaged face is not unremarkable, but is, in fact, quite good looking. Nor is it typical in the sense of common or frequently occurring in the population, though it appears familiar, and is typical in the sense that it is a good example of a face that is representative of the category of faces.
ellauri147.html on line 866: The effect was first described in 1878 by Francis Galton. He had devised a technique called composite photography, which he believed could be used to identify 'types' by appearance, which he hoped would aid medical diagnosis, and even criminology through the identification of typical criminal faces. Galton's hypothesis was that certain groups of people may have common facial characteristics. To test the hypothesis, he created photographic composite images of the faces of vegetarians and criminals to see if there was a typical facial appearance for each. Galton overlaid multiple images of faces onto a single photographic plate so that each individual face contributed roughly equally to a final composite face. The resultant "averaged" faces did little to allow the a priori identification of either criminals or vegetarians, failing Galton's hypothesis. However, unexpectedly Galton observed that the composite image was more attractive than the component faces. Galton published this finding in 1878, and also described his composite photography technique in detail in Inquiries in Human Faculty and its Development. He subsequently sold the invention to an early erotic photography firm.
ellauri147.html on line 870: A 2006 "hot" or "not" style study, involving 264 women and 18 men, at the Washington University School of Medicine, as published online in the journal Brain Research, indicates that a person´s brain determines whether an image is erotically appealing long before the viewer is even aware they are seeing the picture. Moreover, according to these researchers, one of the basic functions of the brain is to classify images into a hot or not type categorization. The study´s researchers also discovered that sexy shots induce a uniquely powerful reaction in the brain, equal in effect for both men and women, and that erotic images produced a strong reaction in the hypothalamus.
ellauri150.html on line 246: Avaruuslaskennan uranuurtaja on kuollut. Ei vaitiskaan, odotellaan vielä. Tää kuulapää on Jönsyn ikätoveri.
ellauri150.html on line 351: 17. syyskuuta 1894 turvallisuuspalvelun päällikkö Jean-Conrad Sandherrin apuri majuri Hubert Joseph Henry sai käsiinsä luettelon, joka sisälsi kaupiteltavia sotilassalaisuuksia. Myynnissä oli listan mukaan muun muassa uuden ranskalaisen 120 millimetrin tykin tarkat tiedot. Henryn mielestä tällaisia tietoja ei voinut olla kuin tykistön upseereilla. Hän alkoi tutkia papereita ja törmäsi Alfred Dreyfusin kirjoittamaan raporttiin edelliseltä vuodelta. Henryn mielestä luettelon ja raportin käsialat olivat samat, ja hän sai myös työtoverinsa vakuuttuneiksi Dreyfusin syyllisyydestä. Dreyfusiin ei luotettu, sillä hän oli juutalainen ja Elsassissa syntyneenä häntä pidettiin saksalaismyönteisenä.
ellauri150.html on line 457: The phrase originates from the Christian tradition regarding Saint Peter's first words to the risen Christ during their encounter along the Appian Way. According to the unnatural Acts of Peter (Vermicelli Acts XXXV), as Peter flees from crucifixion in Rome at the hands of the government, and along the road outside the city, he meets the risen Jesus. In the Latin translation, Peter asks Jesus, "Quō vādis?" He replies, "Rōmam eō sursum deorsum crucifīgī" ("I am going to Rome to be crucified upside down"). Peter then gains the courage to continue his ministry and returns to the city, where he is martyred by being crucified upside-down. The Church of Domine Quo Vadis in Rome is built upside down where the meeting between Peter and Jesus allegedly took place. The words "quo vadis" as a question also occur at least seven times in the Latin Vulgate.
ellauri150.html on line 461: Ben-Hurista ei meinannut ensin löytyä kuin filmikäsikirjoitus. Synopsis: Judah Ben-Hur lives as a rich Jewish merchant prince in Jerusalem at the beginning of the 1st century. Together with the new governor Pontius Pilate, his old friend Messiah arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messiah knows they are not guilty as such, he sends Judah to the galleys and throws his mother and sister into prison. What the fuck, their house was a menace! Good old Hammurabi would have had their heads off. But Judah swears to come back and take revenge. Genre: Adventure, Drama, History.
ellauri150.html on line 476: The film's final onscreen writing credits created controversy when, in October 1959, the Writers Guild of America (WGA) awarded Tunberg sole screenplay credit, despite the objections of the film's director, William Wyler, who, in the film's commemorative booklet and elsewhere, claimed that Christopher Fry was more responsible than any other writer for the final screenplay. In response to Wyler's public outcries against their ruling, the WGA took out trade paper ads on November 20, 1959 in which they issued a statement reading, in part, "the unanimous decision of the three judges was that the sole screenplay credit was awarded to Karl Tunberg...The record shows the following: 1. Karl Tunberg is the only writer who has ever written a complete screenplay on Ben-Hur; 2. Karl Tunberg continued to contribute materials throughout the actual filming, and this material is incorporated in the final picture; and 3. Karl Tunberg alone did the necessary rewriting during the four months of retakes and added scenes. Mr. Christopher Fry himself was fully informed of the proceedings of the Guild. He has made it absolutely clear that he did not want to protest the decision of the Guild."
ellauri150.html on line 484: Based on an 1880 novel, Ben-Hur: A Tale of the Christ, the film was directed by Hollywood great William Wyler, and screenwriter Gore Vidal was one of many who took a pass at the screenplay. In The Celluloid Closet, Vidal states in no uncertain terms that he scripted the film as a confrontation between ex-lovers Ben-Hur (Charlton Heston) and Messala (Stephen Boyd). Further, Vidal claims that, after consultation with Wyler and Boyd (but not Heston, who would have objected), he wrote one particular scene, where the estranged Ben-Hur and Messala meet again, with heavy gay subtext.
ellauri150.html on line 488: What the f---!? Based on a 1880 novel after all!? Whose novel? Fuck you screenwriters! Taking all the glory! “I said,’ Well, I’ll never use the "g" word,'” Vidal says. “‘There’ll be nothing overt. But it will be perfectly clear that Messiah is in love with Ben-Hur.”
ellauri150.html on line 518: In the spectacle of a great assemblage of people there are always the bewilderment and fascination one feels while looking over a stretch of sea in agitation.
ellauri150.html on line 543: Within five years of the crucifixion, Judah and Esther married and had children, and Judah and a recovered Simonides spent much of their fortunes on supporting the Christian Church in Antioch. In 64 AD, Judah, Esther, and Malluch went to Rome to help finance the construction of an underground train which would live on for centuries in the Catacombs of Callixtus.
ellauri150.html on line 551: Where got the man his confidence except from Truth? Only three hours upon the cross, and he was dying? Eeli Eeli laama sabakhtani? Too late, too late! "It is finished! It is finished!" O reader, the man died! Reader, I married him! Ben-Hur went back to his friends, saying, simply, "It is over; he is dead."
ellauri150.html on line 575: "No; I am what I am of choice. It will be over shortly."

ellauri150.html on line 606: When we return, it's Anno Domini XXVI - A.D. 26. Messala, a Roman who grew up in Judea but spent most of his life in more traditional Roman enclaves, is accepting an important position in Jerusalem under the new governor of Judea; it's a hard job, since the Jews don't want the Romans there, but he feels up to it. He is visited by his childhood friend, and our hero, Judah Ben-Hur, a very important and influential Jew. They try to pick up the friendship where it left off, but there's one big problem: they no longer have anything in common besides their shared past. They are in denial about this for a while, and Judah agrees to try to get people to accept the Romans.
ellauri150.html on line 612: Messala comes over for dinner. Judah and Messala go out back to meet privately. Judah gives Messala a white horse. Messala asks Judah for his progress in pacifying the Jews; on learning that it isn't 100% successful, he wants to know who's refusing. Messala makes clear that he wants names. Judah, while protesting that he's nonviolent himself, doesn't think that the Jews resisting Roman rule are doing anything wrong, and so he doesn't provide them. Messala begs for cooperation, but in doing so makes clear that he considers the Roman Emperor a god; not only doesn't Judah believe that, but he's personally against the occupation. They leave as enemies, and Judah Ben-Hur is left to explain why Messala isn't staying for dinner.
ellauri150.html on line 616: There is a procession for the new Roman governor. Judah and his sister Tirzah watch. They see Messala, and Messala sees them. They see the Roman governor, but Tirzah puts too much of her weight on the roof, and a large section of it falls, knocking out the governor. In an act that is part chivalry and part Idiot Ball, Judah tells Tirzah not to say anything; he'll take responsibility. This gets all the house of Hur arrested. The servants are allowed to go free, though.
ellauri150.html on line 618: On learning that he is to go to Tyrus with neither a trial nor info about what's going to happen to his mother and sister, we learn that Ben-Hur's pacifism didn't survive the imprisonment. Since he hurts or kills only people who aren't of Nominal Importance, this is supposed to be tolerated. Judah demands info of Messala, and naturally doesn't get it. He protests his innocence of wanting to kill the governor; Messala knows that this is, at least, a plausible theory, but doesn't let it show. He says that Ben-Hur gave him exactly what he needed; the Jews will know that, if he can send his childhood friend to certain death at the galleys, he can do it to anyone. Judah starts to beg Messala, and gets this reply: "You beg me? Didn't I beg you for help?"
ellauri150.html on line 623: The Romans taking prisoners to the galleys are not overly concerned about anyone surviving, especially not people who knocked out their governor. At a well some distance north of Jerusalem, soldiers get watered first, then horses, and then slaves—and not Ben-Hur. He asks God for help... and in response, a young man, whose face is always turned from the camera, comes and gives him water. The audience understands that this is Jesus Himself, come to answer Ben-Hur's prayer. The Roman in charge starts to tell Him not to give Ben-Hur water, but on seeing His face, the Roman changes his mind. Ben-Hur drinks deep until it's time to move it.
ellauri150.html on line 627: There is a firefight with real fire. Things are burning all over the place. The ship gets rammed; for some reason, instead of trying to get the ship out of the way, those slaves who are chained try to remove the chains. Since the enemy ship appears to be holding up their ship, it almost works out. Ben-Hur is unlocking slaves, and major fighting is going on on deck. Then Quintus is shoved overboard. Ben-Hur goes to save him, shoving a torch into the face of a mercenary along the way.
ellauri150.html on line 629: Ben-Hur saves the consul and gets him on a raft of debris. Then he has to knock out the consul to prevent the fella from committing suicide, and chains the mercenary to him. After the consul wakes, still wanting to die, he reminds him that staying alive is the motivation he gives his slaves... Quintus wanted to commit suicide because he thought he'd lost overall. He hadn't, as it turns out he's hailed as a hero, and so there is a triumphant return to Rome. Ben-Hur gets to see the Emperor and then lives with Quintus learning to drive a chariot in races with Arrius' prized horses. Quintus actually tried to get him cleared of wanting to kill that Judean governor, but didn't pull it off...
ellauri150.html on line 715: I could go on, but I think it is best to leave it here. I've covered only the opening parts of this encyclical. There is so much more in this document about the various freedoms that we take for granted like freedom of religion, speech and the press. In discussing this encyclical I hope I've given you an appreciation for the writings of Pope Leo XIII. (You can find all of his encyclicals here.)
ellauri150.html on line 736: It seems to me that Hawking is using a particular model of the universe to try to attack religion. But for me the very fact that there is a universe is enough to fill me with awe at creation and in God the Creator. In fact the more we learn about the immensity of space and the variety of celestial objects, the more I am filled with awe and wonder. Part of that is the admiration that we are living in such an advanced society that we are able to make these discoveries in the first place.
ellauri151.html on line 115: He befriended Oscar Wilde in Paris, and in 1895 Gide and Wilde met in Algiers. Wilde had the impression that he had introduced Gide to homosexuality, but, in fact, Gide had already discovered this on his own.
ellauri151.html on line 129: Gide was, by general consent, one of the dozen most important writers of the 20th century. Moreover, no writer of such stature had led such an interesting life, a life accessibly interesting to us as readers of his autobiographical writings, his journal, his voluminous correspondence and the testimony of others. It was the life of a man engaging not only in the business of artistic creation, but reflecting on that process in his journal, reading that work to his friends and discussing it with them; a man who knew and corresponded with all the major literary figures of his own country and with many in Germany and England; who found daily nourishment in the Latin, French, English and German classics, and, for much of his life, in the Bible; [who enjoyed playing Chopin and other classic works on the piano;] and who engaged in commenting on the moral, political and sexual questions of the day. Monsters lead an interesting li-i-fe.
ellauri151.html on line 250: My willy was born covered with wrinkles—wrinkles my ancestors and parents most assiduously put there and that I had the greatest trouble removing.
ellauri151.html on line 262: Fart begins with resistance — at the point where resistance is overcome.
ellauri151.html on line 441: If only I was as eloquent as Demosthenes, I would have to do no more than repeat a single word three times. Reason is language — Logos; I gnaw on this marrowbone and will gnaw myself to death over it. It is still always dark over these depths for me: I am still always awaiting an apocalyptic angel with a key to this abyss. Help us translate this quote!
ellauri151.html on line 525: